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Good evening and welcome to Would I Lie To You?, | 0:00:22 | 0:00:25 | |
the show where economising with the truth pays dividends. | 0:00:25 | 0:00:29 | |
On Lee Mack's team tonight, | 0:00:29 | 0:00:30 | |
an actress who's been in EastEnders so long | 0:00:30 | 0:00:32 | |
they actually built the set around her. | 0:00:32 | 0:00:35 | |
It's June Brown! | 0:00:35 | 0:00:37 | |
CHEERING AND APPLAUSE | 0:00:37 | 0:00:40 | |
And a woman who studied French and Philosophy at university | 0:00:40 | 0:00:44 | |
and is now a comedian and actress. | 0:00:44 | 0:00:47 | |
That was 30 grand well spent. | 0:00:47 | 0:00:49 | |
It's Aisling Bea! | 0:00:49 | 0:00:50 | |
CHEERING AND APPLAUSE | 0:00:50 | 0:00:54 | |
And on David Mitchell's team tonight, | 0:00:54 | 0:00:56 | |
a stand-up comic who admits that he can't do up a tie - | 0:00:56 | 0:01:00 | |
and by the look of him, can't use a hairbrush either. | 0:01:00 | 0:01:02 | |
It's Seann Walsh! | 0:01:02 | 0:01:04 | |
CHEERING AND APPLAUSE | 0:01:04 | 0:01:06 | |
And a football presenter who once did a charity bike ride | 0:01:06 | 0:01:10 | |
from Newcastle to West Brom with Alan Shearer. | 0:01:10 | 0:01:12 | |
They were only supposed to go to Sunderland, | 0:01:12 | 0:01:14 | |
but Shearer insisted on finishing his anecdote. | 0:01:14 | 0:01:16 | |
It's Adrian Chiles! | 0:01:16 | 0:01:18 | |
CHEERING AND APPLAUSE | 0:01:18 | 0:01:20 | |
And so we begin, as always, with round one - Home Truths, | 0:01:21 | 0:01:25 | |
where our panellists each read out | 0:01:25 | 0:01:26 | |
a statement from the card in front of them. | 0:01:26 | 0:01:29 | |
Now, to make things harder, they've never seen the card before. | 0:01:29 | 0:01:31 | |
They have no idea what they'll be faced with | 0:01:31 | 0:01:34 | |
and it's up to the opposing team to sort the fact from the fiction. | 0:01:34 | 0:01:38 | |
Adrian, you're first up tonight. | 0:01:38 | 0:01:40 | |
I find nothing more relaxing | 0:01:42 | 0:01:44 | |
than making scented candles. | 0:01:44 | 0:01:46 | |
Lee's team, what do you think? | 0:01:48 | 0:01:50 | |
How long have you been doing this for? | 0:01:50 | 0:01:52 | |
I've been doing this for... Oh, about, about... | 0:01:52 | 0:01:55 | |
20, 24 seconds? | 0:01:55 | 0:01:56 | |
No... | 0:01:56 | 0:01:58 | |
I've been doing this for about two years. | 0:02:00 | 0:02:02 | |
What started you off? What happened two years ago | 0:02:02 | 0:02:05 | |
that you were so stressed, this is what you took to? | 0:02:05 | 0:02:07 | |
I had a... A friend of mine from Birmingham | 0:02:07 | 0:02:10 | |
was working in London during the week | 0:02:10 | 0:02:11 | |
and he came and he said, "Oh, I've been making candles." | 0:02:11 | 0:02:15 | |
And I went... | 0:02:15 | 0:02:16 | |
Yeah, your regular Brummie start to a conversation. | 0:02:16 | 0:02:20 | |
-He said... -"All right, Adrian, yeah, | 0:02:20 | 0:02:22 | |
"I've just been making the candles, what have you been up to?" | 0:02:22 | 0:02:24 | |
It was something like that, actually. | 0:02:24 | 0:02:26 | |
He said there was a little shop near me in west London, | 0:02:26 | 0:02:28 | |
where you can get all the candle making stuff | 0:02:28 | 0:02:30 | |
and he told me how to do it and that sounds relatively simple. | 0:02:30 | 0:02:33 | |
I've never been able to do anything practical, anything arty or crafty. | 0:02:33 | 0:02:37 | |
I thought, perhaps this is the one poxy little thing I could do. | 0:02:37 | 0:02:39 | |
I've genuinely never... How do you make a candle? What do you... | 0:02:39 | 0:02:42 | |
-What does it come in, the...? -What you... -Shall I tell him? | 0:02:42 | 0:02:45 | |
-Do you know? -Yes. | 0:02:45 | 0:02:46 | |
Do me a favour, don't tell him. | 0:02:46 | 0:02:49 | |
-What you do is this... -Yeah? | 0:02:49 | 0:02:51 | |
You get, say you get a glass, say any...any glass | 0:02:51 | 0:02:54 | |
and then you melt your wax and obviously, it's come solid. | 0:02:54 | 0:02:57 | |
You melt it very gently in a saucepan, so it's liquid. | 0:02:57 | 0:03:00 | |
Where do you buy wax? Where do you go? | 0:03:00 | 0:03:02 | |
From a candle making shop, from a candle making shop. | 0:03:02 | 0:03:04 | |
Well, I've never seen any candle making shops. | 0:03:04 | 0:03:06 | |
No, neither had I, neither had I and I live... | 0:03:06 | 0:03:08 | |
Oh, I've... I've seen one, there's one just down the road, just near the butcher's and the baker's. | 0:03:08 | 0:03:12 | |
I... I've seen one of them. | 0:03:12 | 0:03:13 | |
No, that's the candlestick maker! | 0:03:13 | 0:03:16 | |
They're different? | 0:03:16 | 0:03:18 | |
-Obviously! -They make candlesticks, not candles. | 0:03:18 | 0:03:20 | |
What's the difference between a candlestick and a candle? | 0:03:20 | 0:03:23 | |
You don't mean a candle... | 0:03:23 | 0:03:24 | |
A candlestick isn't some thing you... That's not a candelabra, you know. | 0:03:24 | 0:03:27 | |
-That's a candle holder. -A candlestick is the thing you put the candle in, you idiot. | 0:03:27 | 0:03:31 | |
-No, no, no. -Yes, yes, yes. | 0:03:31 | 0:03:32 | |
-A candlestick is a stick-shaped candle. -No, it's not. | 0:03:32 | 0:03:34 | |
I've always assumed that the candlestick maker was | 0:03:34 | 0:03:37 | |
basically just the candle maker but they put the stick in for scansion. | 0:03:37 | 0:03:40 | |
No, I think the candlestick refers to the stick... | 0:03:42 | 0:03:45 | |
So you think that's the man... | 0:03:45 | 0:03:46 | |
That's not the man that makes the butcher for everyday meat, | 0:03:46 | 0:03:49 | |
baker everyday bread and the candlestick maker for... | 0:03:49 | 0:03:52 | |
Not the candles, you have to go out of town to get them... | 0:03:52 | 0:03:54 | |
But, for the things you put the candle receptacles... | 0:03:54 | 0:03:57 | |
-The opposite... -..for the candles. | 0:03:57 | 0:03:58 | |
-I'm saying he makes the candles that are in the shape of a stick. -Oh, I'm with you. | 0:03:58 | 0:04:01 | |
-He's saying... The candlestick... -The candelabra. | 0:04:01 | 0:04:04 | |
..refers to the candelabra, | 0:04:04 | 0:04:05 | |
the actual thing that you put the candle in. | 0:04:05 | 0:04:07 | |
-I think... -The Candelabra is separate to a candlestick. | 0:04:07 | 0:04:09 | |
What is a candlestick? | 0:04:09 | 0:04:10 | |
A candlestick is a single stick you put a candle in! | 0:04:10 | 0:04:13 | |
We've all had our say, let's refer to the expert. | 0:04:13 | 0:04:16 | |
June? | 0:04:16 | 0:04:17 | |
Is a candlestick the candle, or the thing you put the candle in? | 0:04:17 | 0:04:20 | |
I'm afraid it's the thing you put the candle in. | 0:04:20 | 0:04:23 | |
-The thing. -Damn! | 0:04:23 | 0:04:24 | |
Get me Barbara Windsor! | 0:04:26 | 0:04:27 | |
Anyway, Adrian, you were saying? | 0:04:30 | 0:04:31 | |
Yes, so you melt the wax | 0:04:31 | 0:04:33 | |
and then you basically stick your wick in the... | 0:04:33 | 0:04:36 | |
..in the middle. | 0:04:37 | 0:04:39 | |
You stick your wick at the bottom of the jar, | 0:04:39 | 0:04:42 | |
and then the wick sticks up. | 0:04:42 | 0:04:43 | |
You might have to just hold the end of it, just to keep it stiff. | 0:04:43 | 0:04:46 | |
Then... | 0:04:46 | 0:04:48 | |
Then... I'm not making this up, honestly. Then... | 0:04:48 | 0:04:51 | |
Right, you've got your wax and you've put your scent | 0:04:51 | 0:04:54 | |
and your colour in the wax by this time and so... | 0:04:54 | 0:04:57 | |
And then you just pour it into the cup and... | 0:04:57 | 0:04:59 | |
Just to as high as you want it and then you let go and | 0:04:59 | 0:05:03 | |
the wick stays where it is, then | 0:05:03 | 0:05:04 | |
and then you've just got to let it cool down. | 0:05:04 | 0:05:06 | |
Right, now, now we know the process, June, is that how you make a candle? | 0:05:06 | 0:05:09 | |
-I don't know. -I do, actually. | 0:05:09 | 0:05:11 | |
I'm not going to go with this as being the truth | 0:05:17 | 0:05:19 | |
just because he explained it, because if...if it's a lie, | 0:05:19 | 0:05:21 | |
I reckon he could have pretty much worked out you melt the wax, | 0:05:21 | 0:05:24 | |
add a bit of string and it goes hard. | 0:05:24 | 0:05:26 | |
-No, but all those things like holding it... -He was quite, yes... | 0:05:26 | 0:05:29 | |
..and knowing to... Those things... | 0:05:29 | 0:05:31 | |
How would Adrian Chiles know that, otherwise? | 0:05:31 | 0:05:33 | |
He did used to present The One Show. | 0:05:33 | 0:05:35 | |
-AS ADRIAN: -Coming up next, we've got a fascinating feature on candles. | 0:05:37 | 0:05:40 | |
So what do you think - truth or lie? | 0:05:41 | 0:05:43 | |
-What do we think? -I think truth. | 0:05:43 | 0:05:45 | |
-You think it's true? -I don't think so. | 0:05:45 | 0:05:47 | |
I think it's a lie, | 0:05:47 | 0:05:48 | |
but don't take my word for it. | 0:05:48 | 0:05:50 | |
I'm going to go with whatever you say. | 0:05:53 | 0:05:55 | |
-Oh, don't do that. -I'm not putting any pressure on you. | 0:05:55 | 0:05:58 | |
-No, of course not. -Whatever you say, I will say. | 0:05:58 | 0:06:00 | |
Just go "one, two, three" and say something. | 0:06:00 | 0:06:02 | |
-OK. You're saying "true". -True. | 0:06:04 | 0:06:07 | |
-..three, true. -True. -True. | 0:06:07 | 0:06:08 | |
True, but I've never been very good with timing, sorry. | 0:06:08 | 0:06:11 | |
No, it's... Oh, it's a lie, but never mind. | 0:06:11 | 0:06:13 | |
What?! | 0:06:13 | 0:06:14 | |
I was about to say "true"! | 0:06:14 | 0:06:16 | |
I was about to say "true". | 0:06:16 | 0:06:19 | |
We're going to go with lie, I trust you. | 0:06:19 | 0:06:21 | |
You're going to say "lie". OK, Adrian Chiles, candle maker - | 0:06:21 | 0:06:24 | |
truth or lie? | 0:06:24 | 0:06:25 | |
It is... | 0:06:25 | 0:06:27 | |
-true. -Oh, I knew it! | 0:06:27 | 0:06:29 | |
Yes, it's true. Adrian does find making scented candles relaxing. | 0:06:32 | 0:06:37 | |
-June, you're next. -Oh, crikey. | 0:06:37 | 0:06:39 | |
I once went skinny dipping | 0:06:41 | 0:06:44 | |
with Sharon from EastEnders. | 0:06:44 | 0:06:46 | |
David's team. | 0:06:47 | 0:06:48 | |
Where did you go skinny dipping? | 0:06:48 | 0:06:50 | |
-Greece. -And why were you on the beach | 0:06:50 | 0:06:53 | |
with a co-star of the show? | 0:06:53 | 0:06:56 | |
Well, we had gone on holiday together | 0:06:56 | 0:06:59 | |
and Tish was very worried, because of photographers, you see? | 0:06:59 | 0:07:02 | |
And every time a camera went off - | 0:07:02 | 0:07:03 | |
there weren't phones then, but there were cameras - | 0:07:03 | 0:07:05 | |
and there's a flash, Tish would think she was being photographed. | 0:07:05 | 0:07:08 | |
And we should say, June, that when you say "Tish", | 0:07:08 | 0:07:10 | |
-that's Letitia Dean, who plays Sharon. -Yes, that's right. | 0:07:10 | 0:07:13 | |
So Letitia stripped off for this skinny dipping? | 0:07:13 | 0:07:15 | |
Well, why are you so interested in that? | 0:07:15 | 0:07:17 | |
Why aren't you interested in me? | 0:07:17 | 0:07:19 | |
LAUGHTER | 0:07:19 | 0:07:21 | |
So, when was this happening? | 0:07:22 | 0:07:25 | |
Well, it was about 1988, I'd say... | 0:07:25 | 0:07:27 | |
-Right. -..might have been '89. | 0:07:27 | 0:07:29 | |
And why did you decide to go swimming naked, | 0:07:29 | 0:07:32 | |
rather than wearing swimming costumes, as is conventional? | 0:07:32 | 0:07:35 | |
Because there was nobody else on this beach, | 0:07:35 | 0:07:38 | |
except a lot of poles - | 0:07:38 | 0:07:40 | |
well, not... | 0:07:40 | 0:07:41 | |
They're people too, June, they're people too. | 0:07:42 | 0:07:46 | |
..that were awaiting umbrellas. | 0:07:46 | 0:07:48 | |
Were you drinking? | 0:07:48 | 0:07:49 | |
No. | 0:07:49 | 0:07:51 | |
She was driving. | 0:07:51 | 0:07:53 | |
She drove into the sea? | 0:07:53 | 0:07:55 | |
My God! | 0:07:55 | 0:07:57 | |
What are you thinking, David? | 0:07:57 | 0:07:58 | |
Well, I think this is basically a plausible story. | 0:07:58 | 0:08:01 | |
People have been nude in their life. | 0:08:01 | 0:08:03 | |
Even I have, on occasion, been nude... | 0:08:03 | 0:08:05 | |
David, David. Let's not, please. | 0:08:05 | 0:08:07 | |
I'd like to sleep tonight. | 0:08:09 | 0:08:11 | |
Have you ever been skinny dipping, David? | 0:08:11 | 0:08:13 | |
Is it something you've ever done? | 0:08:13 | 0:08:15 | |
Um, no. | 0:08:15 | 0:08:16 | |
-Unless... -You've never, never... | 0:08:16 | 0:08:18 | |
Unless I pick up a card later that says I have. | 0:08:18 | 0:08:21 | |
Can I ask one more question, do you mind? | 0:08:27 | 0:08:29 | |
What factor sun cream did you wear as you went in? | 0:08:29 | 0:08:33 | |
-I don't think I had any on. -Oh. | 0:08:33 | 0:08:35 | |
It's not responsible really, is it? | 0:08:35 | 0:08:37 | |
-Well, I... -Again, this isn't The One Show. | 0:08:37 | 0:08:39 | |
You're not presenting a feature on sun care. | 0:08:39 | 0:08:42 | |
-AS ADRIAN: -Do remember if you are popping in with your tinkle out, | 0:08:43 | 0:08:46 | |
to cover up with a bit of sun cream. | 0:08:46 | 0:08:48 | |
Anyway, Giles Brandreth has been investigating teddy bears. | 0:08:49 | 0:08:53 | |
So what are you going to say? What do you think, truth or lie? | 0:08:55 | 0:08:57 | |
What do you think? | 0:08:57 | 0:09:00 | |
If you're worried about cameras, | 0:09:00 | 0:09:02 | |
it's not the first thing you think of - | 0:09:02 | 0:09:04 | |
let's go and find a beach and get our kit off | 0:09:04 | 0:09:05 | |
-and get in the sea in broad daylight. -Yeah. | 0:09:05 | 0:09:08 | |
-I think "lie". Lie. -I would go with "lie". | 0:09:08 | 0:09:10 | |
-And..."lie". We think "lie". -You think "lie"? -Lie. | 0:09:10 | 0:09:13 | |
OK. June, were you telling the truth | 0:09:13 | 0:09:16 | |
or were you telling a lie? | 0:09:16 | 0:09:17 | |
I was telling... | 0:09:17 | 0:09:20 | |
-the truth. -Ooh! | 0:09:20 | 0:09:22 | |
Well done, that's very good. | 0:09:22 | 0:09:25 | |
Yes, that was true, | 0:09:25 | 0:09:27 | |
June did go skinny dipping with Sharon from EastEnders. | 0:09:27 | 0:09:32 | |
Our next round is called This Is My... | 0:09:32 | 0:09:34 | |
where we bring on a mystery guest | 0:09:34 | 0:09:35 | |
who has a close connection to one of our panellists. | 0:09:35 | 0:09:38 | |
This week, each of Lee's team will claim it's them | 0:09:38 | 0:09:41 | |
that has the genuine connection to the guest | 0:09:41 | 0:09:43 | |
and it's up to David's team to spot who's telling the truth. | 0:09:43 | 0:09:46 | |
So please welcome this week's special guest - | 0:09:46 | 0:09:48 | |
Marie. | 0:09:48 | 0:09:49 | |
APPLAUSE | 0:09:49 | 0:09:51 | |
So, Aisling, | 0:09:55 | 0:09:57 | |
what is Marie to you? | 0:09:57 | 0:09:59 | |
This is Marie. | 0:09:59 | 0:10:01 | |
She once booked me a stripper | 0:10:01 | 0:10:03 | |
and it went so badly that I spent the rest of the night | 0:10:03 | 0:10:06 | |
trying to cheer him up. | 0:10:06 | 0:10:08 | |
OK. | 0:10:08 | 0:10:09 | |
June, how do you know Marie? | 0:10:09 | 0:10:11 | |
Well, I call her Mar-ee, you see, | 0:10:11 | 0:10:14 | |
because Marie is going to play the young Dot | 0:10:14 | 0:10:17 | |
in a spin-off of EastEnders | 0:10:17 | 0:10:19 | |
called Dot Cotton - The Motorbike Years. | 0:10:19 | 0:10:23 | |
LAUGHTER | 0:10:23 | 0:10:25 | |
OK. | 0:10:28 | 0:10:29 | |
And finally, Lee - what's your relationship with Marie? | 0:10:29 | 0:10:32 | |
This is Marie. | 0:10:32 | 0:10:34 | |
She once asked me to pop into her house | 0:10:34 | 0:10:37 | |
to get rid of a spider. | 0:10:37 | 0:10:39 | |
Ten minutes later, she asked me to leave, | 0:10:39 | 0:10:42 | |
because I was making matters worse. | 0:10:42 | 0:10:43 | |
All right, there you have it. | 0:10:45 | 0:10:47 | |
Aisling's party planner, | 0:10:47 | 0:10:48 | |
June's acting apprentice, | 0:10:48 | 0:10:50 | |
or Lee's damsel in distress. | 0:10:50 | 0:10:52 | |
David's team, where would you like to begin? | 0:10:52 | 0:10:55 | |
-Aisling, the... -Yeah? | 0:10:55 | 0:10:57 | |
Marie hired you a stripper? | 0:10:57 | 0:10:59 | |
Yes. Now she's my friend, one of my best friends, yeah. | 0:10:59 | 0:11:02 | |
-Right, and why? -It was my birthday party, | 0:11:02 | 0:11:04 | |
and there was about 40 to 50 people in the room, | 0:11:04 | 0:11:07 | |
and, er...then the silence came. | 0:11:07 | 0:11:10 | |
And this wasn't just because people had nothing to say to each other? | 0:11:10 | 0:11:13 | |
-No, it... -This was... There was someone had gone... | 0:11:13 | 0:11:15 | |
No, it wasn't one of your parties, David. | 0:11:15 | 0:11:18 | |
So it goes quiet. | 0:11:18 | 0:11:19 | |
Then what happened? | 0:11:19 | 0:11:21 | |
And out came a fireman. | 0:11:21 | 0:11:23 | |
And I...I was in... I was in total shock | 0:11:24 | 0:11:27 | |
and he gave a CD of his music | 0:11:27 | 0:11:31 | |
to my flatmate. | 0:11:31 | 0:11:33 | |
Oh, so the CD wasn't already in the CD player? | 0:11:33 | 0:11:35 | |
-Oh, no it was, he had given it, so... -Oh, he had given it, right. | 0:11:35 | 0:11:37 | |
-So, yeah. -Right, so he didn't come in brandishing it, saying... | 0:11:37 | 0:11:40 | |
No, he didn't come in. | 0:11:40 | 0:11:41 | |
"Track five. Move it on to six when I get down to my pants." | 0:11:41 | 0:11:45 | |
My flatmate put it into my laptop | 0:11:47 | 0:11:50 | |
and at the time, every time my laptop got a new CD, it... | 0:11:50 | 0:11:54 | |
After about seven seconds of music, | 0:11:54 | 0:11:57 | |
it would automatically start writing the CD. | 0:11:57 | 0:11:59 | |
You know, when it takes on the song? | 0:11:59 | 0:12:02 | |
So this fireman came out. I was shocked and it started going... | 0:12:02 | 0:12:05 | |
SHE HUMS A TUNE | 0:12:05 | 0:12:07 | |
Silence. | 0:12:07 | 0:12:09 | |
The music stopped as he was taking off his jacket. | 0:12:09 | 0:12:12 | |
-Yeah? -And I could see a sadness in his eyes. | 0:12:12 | 0:12:16 | |
And what happened? | 0:12:16 | 0:12:17 | |
He took out a banana out of his satchel and started to peel it. | 0:12:17 | 0:12:21 | |
-Oh, all right. -And he was, you know.... -Easy now, easy. -..and I... | 0:12:21 | 0:12:25 | |
I looked at it and I was trying to eat healthier at the time | 0:12:25 | 0:12:28 | |
and he gave it to me like this and I just went, | 0:12:28 | 0:12:30 | |
"Oh, thank you very much." Om. | 0:12:30 | 0:12:32 | |
And he was like, "No, you weren't supposed to eat it, | 0:12:32 | 0:12:34 | |
"you're supposed to lick it", and I was like, | 0:12:34 | 0:12:36 | |
"Oh, my God, I'm so sorry." | 0:12:36 | 0:12:38 | |
I think I'm in the wrong programme. | 0:12:38 | 0:12:41 | |
This poor little girl is standing here for ever, | 0:12:43 | 0:12:46 | |
what's it got to do with her, I want to know. | 0:12:46 | 0:12:48 | |
She... Marie booked me the stripper | 0:12:48 | 0:12:50 | |
and she was also really disappointed... | 0:12:50 | 0:12:52 | |
Oh, you naughty girls. | 0:12:52 | 0:12:53 | |
..because they'd all chipped in a tenner | 0:12:54 | 0:12:56 | |
and Marie had spent ages looking for, um... | 0:12:56 | 0:12:59 | |
looking for a nice fit policeman | 0:12:59 | 0:13:02 | |
and she opened the door and she was really disappointed, | 0:13:02 | 0:13:04 | |
cos a little bit of a tubby fireman turned up | 0:13:04 | 0:13:07 | |
and that is not what she'd ordered. | 0:13:07 | 0:13:08 | |
So how did it end? | 0:13:08 | 0:13:10 | |
Oh, well, after the banana incident, he went for the next bit, | 0:13:10 | 0:13:13 | |
which was the whipped cream and he covered himself in whipped cream | 0:13:13 | 0:13:16 | |
and again, I was trying to... I'd cut out dairy out of my diet. | 0:13:16 | 0:13:19 | |
He put it on his chest and that's covered in baby lotion as well, | 0:13:20 | 0:13:24 | |
so I was a bit like, that's disgusting. | 0:13:24 | 0:13:26 | |
Because you didn't lick off the cream, | 0:13:26 | 0:13:28 | |
that meant that he would have had to take that off, | 0:13:28 | 0:13:30 | |
-which is the saddest image... -Yeah, yeah, yeah. | 0:13:30 | 0:13:33 | |
..of all time - a stripper, just upstairs, going, "Oh, God." | 0:13:33 | 0:13:37 | |
But he put loads of it on him. | 0:13:37 | 0:13:39 | |
Do you think that's why he was so tubby, | 0:13:39 | 0:13:41 | |
that he was for ever having to...? | 0:13:41 | 0:13:43 | |
APPLAUSE | 0:13:43 | 0:13:45 | |
All right, David, | 0:13:48 | 0:13:50 | |
who would you like to move on to? | 0:13:50 | 0:13:52 | |
Well... June, | 0:13:52 | 0:13:53 | |
what's the broad outline of | 0:13:53 | 0:13:56 | |
Dot Cotton - The Motorbike Years? | 0:13:56 | 0:13:58 | |
Well, they've done this before, haven't they? | 0:13:58 | 0:14:00 | |
They had a young Lou and a young Ethel, | 0:14:00 | 0:14:02 | |
years and years and years ago | 0:14:02 | 0:14:03 | |
and they decided they'd have a young Dot, | 0:14:03 | 0:14:06 | |
to show what she was like before she was married. | 0:14:06 | 0:14:08 | |
Dot, you see, she was apprenticed into hairdressing | 0:14:08 | 0:14:12 | |
and what happened was, | 0:14:12 | 0:14:13 | |
she used to go round on a motorbike with a sidecar - | 0:14:13 | 0:14:16 | |
this was before she married Charlie. | 0:14:16 | 0:14:18 | |
She met him, actually, because she nearly knocked him down | 0:14:18 | 0:14:20 | |
with the motorbike and the sidecar | 0:14:20 | 0:14:22 | |
and that's unfortunately how she met Charlie. | 0:14:22 | 0:14:25 | |
So she used to go round to her customers on the motorbike. | 0:14:25 | 0:14:28 | |
Can I ask, have they filmed this yet? | 0:14:28 | 0:14:31 | |
No, no, no, it's about to happen. | 0:14:31 | 0:14:33 | |
-Oh, I see. -You know what they're like and I don't know | 0:14:33 | 0:14:35 | |
how many episodes it'll be. | 0:14:35 | 0:14:37 | |
So what advice did you give Marie? | 0:14:37 | 0:14:40 | |
Well, I explained about her foibles and her oddnesses, you know? | 0:14:40 | 0:14:44 | |
And her precision, her... | 0:14:44 | 0:14:45 | |
She's pernickety and she's quite difficult, really. | 0:14:45 | 0:14:49 | |
She was quite nasty at the beginning. | 0:14:49 | 0:14:51 | |
She's become so lovely now, I don't know what's happened to her. | 0:14:51 | 0:14:54 | |
So anyway... | 0:14:54 | 0:14:55 | |
Oh, I hope it's true now. | 0:14:55 | 0:14:56 | |
-That's really what it was... -Which it isn't, cos mine's true. | 0:14:56 | 0:15:00 | |
You do both have lovely high cheek bones. | 0:15:00 | 0:15:03 | |
So, Lee - how do you know her? | 0:15:03 | 0:15:05 | |
Marie lives next door. | 0:15:05 | 0:15:06 | |
What, she's your next door neighbour? | 0:15:06 | 0:15:08 | |
Well she's my next door neighbour's, um...nanny. | 0:15:08 | 0:15:11 | |
Right, OK. | 0:15:11 | 0:15:12 | |
Not grandmother, obviously. That would be crazy. | 0:15:12 | 0:15:15 | |
How big was the spider? | 0:15:15 | 0:15:16 | |
The spider was... Including the legs? | 0:15:18 | 0:15:20 | |
Yeah, oh, yeah. | 0:15:20 | 0:15:22 | |
The spider was, I would say, about that big, with legs. | 0:15:22 | 0:15:26 | |
Well, did she come round and knock on the door, or... | 0:15:26 | 0:15:28 | |
How did she alert you to the crisis? | 0:15:28 | 0:15:31 | |
She, er... She came round and knocked on the door. | 0:15:31 | 0:15:34 | |
What, leaving the children and the spider unattended? | 0:15:34 | 0:15:39 | |
-Yes. -And what were you doing? | 0:15:39 | 0:15:41 | |
I was at home just watching television, you know? | 0:15:41 | 0:15:43 | |
-Just like you do, watching a bit of... -So what time... | 0:15:43 | 0:15:45 | |
-Bit of EastEnders, as it goes. -Well. -What time of day was this? | 0:15:45 | 0:15:49 | |
(What time is it on?) | 0:15:49 | 0:15:51 | |
-(7.30. -7.30?) | 0:15:51 | 0:15:52 | |
It was about 7.30 till 8. | 0:15:52 | 0:15:55 | |
So it was in the evening and, erm, Marie knocks at the door... | 0:15:55 | 0:15:58 | |
-LEE KNOCKS DESK -..you go and answer the door... | 0:15:58 | 0:16:01 | |
What did she say? | 0:16:01 | 0:16:02 | |
She said... | 0:16:02 | 0:16:03 | |
FRENCH ACCENT: "Lee..." She's French. | 0:16:03 | 0:16:06 | |
She is! | 0:16:06 | 0:16:08 | |
FRENCH ACCENT: "Lee, you must come very quickly." | 0:16:08 | 0:16:12 | |
"Pourquoi?" I said. | 0:16:12 | 0:16:13 | |
FRENCH ACCENT: "There is a spider in my house, I am very frightened." | 0:16:16 | 0:16:20 | |
LEE GASPS | 0:16:20 | 0:16:22 | |
"Mais oui," I said. | 0:16:22 | 0:16:24 | |
So I said, "I'm not, you know, | 0:16:24 | 0:16:27 | |
"I'm sort of watching Dot Cotton, my favourite, you know?" | 0:16:27 | 0:16:30 | |
FRENCH ACCENT: "I don't know this character, I've only just arrived. | 0:16:30 | 0:16:33 | |
"Last time I was here, it was Dirty Den." | 0:16:33 | 0:16:35 | |
No, so we just made light conversation about, I just said... | 0:16:35 | 0:16:38 | |
Yeah, you made light conversation despite her distress, | 0:16:38 | 0:16:40 | |
despite the fact that she's leaving unattended children in a house | 0:16:40 | 0:16:43 | |
-with an arachnid she finds terrifying. -Yeah. | 0:16:43 | 0:16:46 | |
-And so you go in the house... -Yeah. | 0:16:46 | 0:16:48 | |
-Where's the spider? -Exactly. | 0:16:48 | 0:16:50 | |
"Ou est la spider?" I said. | 0:16:54 | 0:16:56 | |
And, she said... | 0:16:56 | 0:16:58 | |
FRENCH ACCENT: "It's in the back room, in the back room." | 0:16:58 | 0:17:00 | |
-Bathroom? -It's in the back room? | 0:17:00 | 0:17:02 | |
No, that's what I said, I said, "No, it's bathroom," and she went, | 0:17:02 | 0:17:04 | |
"Oh, thank you, I've learned something." | 0:17:04 | 0:17:06 | |
-And then she went upstairs to the bathroom... -Yep. -..and she said, | 0:17:06 | 0:17:09 | |
"It's under that thing there." | 0:17:09 | 0:17:10 | |
What... What was...? | 0:17:10 | 0:17:12 | |
There was a little corner cabinet. | 0:17:12 | 0:17:14 | |
She goes, "It's under there, it's under there", so I said, | 0:17:14 | 0:17:16 | |
"Stand back," but I'm actually a bit frightened of spiders. | 0:17:16 | 0:17:19 | |
So I was trying to play it cool, like I'll sort it out, | 0:17:19 | 0:17:21 | |
but was terrified of what I might see. | 0:17:21 | 0:17:24 | |
So I asked if she had any, er... | 0:17:24 | 0:17:27 | |
like, brooms and stuff and she passed me the broom. | 0:17:27 | 0:17:30 | |
So I get the stick and I try and move the thing | 0:17:30 | 0:17:32 | |
and as I'm moving the thing, | 0:17:32 | 0:17:34 | |
the vase that was on top fell over and smashed. | 0:17:34 | 0:17:36 | |
AISLING GASPS | 0:17:36 | 0:17:37 | |
-Now, that was just the start of my problems. -Oh, God. | 0:17:37 | 0:17:41 | |
Put it this way, have you ever seen that episode of Mr Bean | 0:17:41 | 0:17:43 | |
where he tries to catch a spider? | 0:17:43 | 0:17:45 | |
-No. -Good, I'll use that then. So... | 0:17:45 | 0:17:48 | |
APPLAUSE | 0:17:48 | 0:17:51 | |
No. So I... So the vase smashes. | 0:17:54 | 0:17:57 | |
-Now... Now the child comes in, sees me... -Oh, oh. | 0:17:57 | 0:18:00 | |
I panicked, saw the broken vase, saw the child with no shoes on | 0:18:00 | 0:18:03 | |
and just sort of went, "Whoa, whoa, get out!", like that - | 0:18:03 | 0:18:06 | |
a bit, bit too assertively | 0:18:06 | 0:18:08 | |
and the child started crying. | 0:18:08 | 0:18:10 | |
-ALL: -Aw... | 0:18:10 | 0:18:12 | |
-FRENCH ACCENT: "Oh! Why do you make me cry so?" -Hang on... | 0:18:12 | 0:18:16 | |
No, no. | 0:18:16 | 0:18:17 | |
The child was not French. | 0:18:17 | 0:18:18 | |
No, no, that's what I said. I said, he... | 0:18:18 | 0:18:21 | |
Let me finish. I said, "Are they French children?" | 0:18:22 | 0:18:24 | |
And she went... | 0:18:24 | 0:18:26 | |
FRENCH ACCENT: "No, but you know, the parents are never here, | 0:18:26 | 0:18:28 | |
"so they learn from me." | 0:18:28 | 0:18:30 | |
It's unbelievable - three years old, never been to France, | 0:18:31 | 0:18:33 | |
he's going... FRENCH ACCENT: "Boo-hoo, boo-hoo. | 0:18:33 | 0:18:36 | |
"Why must I cry?" | 0:18:36 | 0:18:38 | |
Horrible. | 0:18:40 | 0:18:42 | |
What happened then? | 0:18:42 | 0:18:43 | |
She shepherds them out, like that. | 0:18:43 | 0:18:44 | |
So I got a bit more brave and I went over to the thing, like that now | 0:18:44 | 0:18:48 | |
and I just go for it, I just pull it like that. | 0:18:48 | 0:18:50 | |
The whole thing goes over, the drawer comes out | 0:18:50 | 0:18:52 | |
and things spill all over from the top drawer | 0:18:52 | 0:18:55 | |
and there's some awkward things in the top drawer, | 0:18:55 | 0:18:58 | |
because I am in the bathroom that Marie uses, | 0:18:58 | 0:19:02 | |
so it's her bathroom. | 0:19:02 | 0:19:04 | |
-I'm not going to go into detail. -What sort of awkward things? | 0:19:04 | 0:19:07 | |
-I don't want to embarrass her, but... -A Lee Mack video? | 0:19:07 | 0:19:10 | |
APPLAUSE | 0:19:12 | 0:19:15 | |
Some awkward things. | 0:19:15 | 0:19:17 | |
And did you at any point actually see the spider? | 0:19:17 | 0:19:20 | |
Well, that's the funny thing. No, I didn't. | 0:19:20 | 0:19:22 | |
But you know what size it was? | 0:19:22 | 0:19:24 | |
Yes. I did. Because she told me. | 0:19:24 | 0:19:27 | |
She told me, didn't she? | 0:19:27 | 0:19:29 | |
You described the size quite specifically. | 0:19:29 | 0:19:31 | |
Because I listen to women, Rob! | 0:19:31 | 0:19:33 | |
That's the difference between me and you. | 0:19:33 | 0:19:35 | |
That's why they go out with me, | 0:19:35 | 0:19:36 | |
because I listen to what they have to say. | 0:19:36 | 0:19:38 | |
I don't always go, "Did you see me in Gavin and Stacey?" | 0:19:38 | 0:19:40 | |
No, I'm interested in their lives, Rob - | 0:19:40 | 0:19:43 | |
in their lives and their fears! | 0:19:43 | 0:19:45 | |
It's not all about you! | 0:19:45 | 0:19:47 | |
APPLAUSE | 0:19:47 | 0:19:50 | |
All right, well, is Marie | 0:19:50 | 0:19:53 | |
Aisling's party planning friend, | 0:19:53 | 0:19:55 | |
June's acting apprentice, | 0:19:55 | 0:19:58 | |
or Lee's damsel in distress? | 0:19:58 | 0:20:01 | |
Well, I'm pretty sure that Lee doesn't listen to women, so... | 0:20:01 | 0:20:05 | |
But what do you think? | 0:20:06 | 0:20:07 | |
Um, what Lee's saying is obviously, er... | 0:20:07 | 0:20:10 | |
-It's just not true, is it? -No. | 0:20:12 | 0:20:14 | |
Dot Cotton - The Motorbike Years? | 0:20:15 | 0:20:17 | |
No. Aisling's absolutely sold me on this. | 0:20:17 | 0:20:20 | |
I can see you struggling with that banana, it's...unquestionably... | 0:20:20 | 0:20:25 | |
What do you think? | 0:20:25 | 0:20:26 | |
Marie looks Irish, as well. | 0:20:26 | 0:20:28 | |
There's something about her that's Irish. | 0:20:28 | 0:20:30 | |
-OK, we think it's... -You're going to say...? | 0:20:30 | 0:20:32 | |
-It's the stripper story. -You think it's Aisling? OK. Marie - | 0:20:32 | 0:20:35 | |
would you please reveal your true identity? | 0:20:35 | 0:20:38 | |
Sorry, er... | 0:20:38 | 0:20:39 | |
LEE SPEAKS PRETEND FRENCH | 0:20:39 | 0:20:41 | |
Je m'appelle Marie, et... | 0:20:50 | 0:20:53 | |
I booked a stripper for Aisling's birthday! | 0:20:53 | 0:20:56 | |
-CHEERING AND APPLAUSE -Go on! | 0:20:56 | 0:20:59 | |
Do you know what? Genuinely, for a moment then, I thought, | 0:21:01 | 0:21:03 | |
"Oh, it is me!" | 0:21:03 | 0:21:05 | |
You're not French, are you? | 0:21:07 | 0:21:08 | |
No, I just really wanted that story to be true. | 0:21:08 | 0:21:11 | |
Thank you very much, Marie. | 0:21:12 | 0:21:14 | |
CHEERING AND APPLAUSE | 0:21:14 | 0:21:18 | |
Which brings us to our final round, | 0:21:18 | 0:21:20 | |
Quick Fire Lies - | 0:21:20 | 0:21:21 | |
and we start with.... | 0:21:21 | 0:21:23 | |
-BEEP -It's David. | 0:21:23 | 0:21:25 | |
I once accidentally left a goldfish | 0:21:28 | 0:21:31 | |
on top of a petrol pump. | 0:21:31 | 0:21:32 | |
Lee's team. | 0:21:34 | 0:21:36 | |
-Hmm... -OK, when was this? | 0:21:36 | 0:21:38 | |
About in the late '90s. | 0:21:38 | 0:21:39 | |
The late '90s? That's quite old. | 0:21:39 | 0:21:41 | |
Where had you got this goldfish from, that you were | 0:21:41 | 0:21:43 | |
at a petrol pump with it? | 0:21:43 | 0:21:45 | |
-I was basically in a car... -Uh-huh. | 0:21:45 | 0:21:47 | |
..with some friends of mine | 0:21:47 | 0:21:50 | |
and we were driving... | 0:21:50 | 0:21:52 | |
We were driving back from the Edinburgh Festival | 0:21:52 | 0:21:55 | |
and the goldfish had been a prop. | 0:21:55 | 0:21:58 | |
Is it in a bowl or a plastic bag? | 0:21:58 | 0:22:00 | |
It's... It's neither. | 0:22:00 | 0:22:02 | |
-What's it in? -What? -It's in a sort of Tupperware. | 0:22:02 | 0:22:05 | |
But it... But it's got water in, right? | 0:22:05 | 0:22:08 | |
Yes. | 0:22:08 | 0:22:09 | |
-And holes in the top? -Yeah. | 0:22:09 | 0:22:11 | |
Yes, but none in the bottom. | 0:22:11 | 0:22:13 | |
We stopped for some petrol | 0:22:15 | 0:22:17 | |
and I fancied stretching my legs | 0:22:17 | 0:22:19 | |
cos I was sitting in the passenger seat with a goldfish on my knee. | 0:22:19 | 0:22:23 | |
You were travelling back with it on your knee? | 0:22:23 | 0:22:25 | |
Well, what... How would you...? | 0:22:25 | 0:22:26 | |
I wouldn't be so selfish. I'd have gone by submarine and towed it. | 0:22:26 | 0:22:29 | |
But I'm different to you. | 0:22:32 | 0:22:33 | |
I'm far more giving than you, David. | 0:22:33 | 0:22:35 | |
I think you have an exaggerated idea of how wide Britain's canals are. | 0:22:35 | 0:22:41 | |
Because if you tried to take it by sea, | 0:22:41 | 0:22:44 | |
the salt would have killed it, you barbarian. | 0:22:44 | 0:22:47 | |
Oh, it wasn't the salted goldfish? | 0:22:47 | 0:22:49 | |
A salted goldfish is a starter. | 0:22:49 | 0:22:51 | |
This was a pet. | 0:22:51 | 0:22:53 | |
-So you rested it on top? -Yeah. | 0:22:54 | 0:22:56 | |
Now talk us through what happens next. | 0:22:56 | 0:22:58 | |
Um, I get out of the car with the goldfish, | 0:22:58 | 0:23:02 | |
-put it on the petrol pump. -Again? | 0:23:02 | 0:23:04 | |
No, no, no, I'm sort of... I'm rewinding a bit. | 0:23:04 | 0:23:07 | |
Oh, right. So all right, I'll rephrase the question. | 0:23:07 | 0:23:09 | |
Tell us what happens next, but before that, go back ten seconds. | 0:23:09 | 0:23:12 | |
Because quite frankly, that was the gripping bit of the anecdote, | 0:23:12 | 0:23:15 | |
I'd like to hear it again. | 0:23:15 | 0:23:17 | |
So go on - then you all get back in the car. | 0:23:17 | 0:23:19 | |
Yeah, and we drive off. | 0:23:19 | 0:23:21 | |
How far had you gone? | 0:23:21 | 0:23:23 | |
I think it was... | 0:23:23 | 0:23:25 | |
It was several miles. | 0:23:25 | 0:23:26 | |
I at this point realise, | 0:23:26 | 0:23:29 | |
oh, I'm, I'm feeling sort of more comfortable | 0:23:29 | 0:23:31 | |
and less sort of stiff and clammy than I had been | 0:23:31 | 0:23:34 | |
for the first bit of the journey | 0:23:34 | 0:23:36 | |
and then I realised, oh, hang on - we've left the goldfish behind. | 0:23:36 | 0:23:39 | |
OK. What do you think, Lee? Is he telling the truth? | 0:23:39 | 0:23:42 | |
-June? -I mean, I don't see why it's so important, but I think... | 0:23:42 | 0:23:45 | |
Well, I wouldn't say... | 0:23:45 | 0:23:46 | |
I wouldn't say so much "important" as we were | 0:23:46 | 0:23:48 | |
just engaging with the basic premise of the show. | 0:23:48 | 0:23:51 | |
And what do you think then? Come on, now. | 0:23:52 | 0:23:54 | |
Well, now I... You've put me under pressure and now I realise | 0:23:54 | 0:23:57 | |
what it's like to be a guest. I'm genuinely worried. | 0:23:57 | 0:23:59 | |
-There you are, you see what I mean? -It's horrible, isn't it? | 0:23:59 | 0:24:01 | |
Don't make us do it, you do it. Now, what do you think? | 0:24:01 | 0:24:05 | |
He hasn't made an actual decision since Series Four. | 0:24:05 | 0:24:09 | |
I just relay what everyone else says - | 0:24:09 | 0:24:10 | |
I didn't know I was going to be asked what I think! | 0:24:10 | 0:24:13 | |
-June, we'll go for... The women will decide. -Oh. -Yes, brilliant. | 0:24:13 | 0:24:16 | |
-All right, it's a lie. -Yes. | 0:24:16 | 0:24:17 | |
You say it's a lie, you say it's a lie, in that case, "true". | 0:24:17 | 0:24:20 | |
We could have asked the audience. | 0:24:20 | 0:24:21 | |
-We think it's a lie. -True or lie? You're saying "lie". -Lie. | 0:24:21 | 0:24:24 | |
All right, go for a lie. | 0:24:24 | 0:24:25 | |
So, David, the goldfish in the petrol station - | 0:24:25 | 0:24:27 | |
truth or lie? | 0:24:27 | 0:24:28 | |
It is... | 0:24:28 | 0:24:29 | |
-true. -Oh, no! | 0:24:29 | 0:24:31 | |
APPLAUSE | 0:24:31 | 0:24:34 | |
Yes, it's true. | 0:24:34 | 0:24:35 | |
David did once accidentally leave a goldfish on top of a petrol pump. | 0:24:35 | 0:24:39 | |
Next. | 0:24:39 | 0:24:40 | |
-BEEP -It's Lee. | 0:24:40 | 0:24:42 | |
I found my girlfriend was cheating on me | 0:24:43 | 0:24:45 | |
while I was bouncing on a trampoline | 0:24:45 | 0:24:47 | |
and spotted her over the fence with another man. | 0:24:47 | 0:24:50 | |
LAUGHTER | 0:24:50 | 0:24:51 | |
What age did this traumatic event occur to you? | 0:24:56 | 0:25:00 | |
I was, er... 18. | 0:25:00 | 0:25:02 | |
So what were they doing next door? | 0:25:02 | 0:25:03 | |
Well, you don't want to know that, Adrian. | 0:25:03 | 0:25:06 | |
They were lying, believe it or not, on a trampoline. | 0:25:06 | 0:25:09 | |
You were trampolining in your garden? | 0:25:09 | 0:25:11 | |
-Yes. -And you saw over the fence... -Yes. | 0:25:11 | 0:25:13 | |
..into your girlfriend's garden? | 0:25:13 | 0:25:15 | |
No, no, she... She didn't live next door. | 0:25:15 | 0:25:16 | |
-Oh, right so into... -Neither lived next door. | 0:25:16 | 0:25:19 | |
-Neither of them lived next door? -Correct. | 0:25:19 | 0:25:20 | |
Why were they next door then? | 0:25:20 | 0:25:22 | |
Because there was a party going on next door | 0:25:22 | 0:25:24 | |
and it sort of slightly drifted into my house. | 0:25:24 | 0:25:27 | |
It was like two sort of houses were taking part in the party - | 0:25:27 | 0:25:30 | |
it sort of bled into mine. | 0:25:30 | 0:25:31 | |
What sort of trampoline was it, Lee? Was it an oblong... | 0:25:31 | 0:25:34 | |
It was the TS497 - the only trampoline. | 0:25:34 | 0:25:36 | |
I remember jumping up over the fence, seeing them kissing and thinking, | 0:25:36 | 0:25:40 | |
is that the TX417? | 0:25:40 | 0:25:42 | |
Where did he get that from? I wish we could afford one of them. | 0:25:42 | 0:25:45 | |
-Are we... -"Stop kissing her!" Then I went... | 0:25:45 | 0:25:47 | |
-I think you know what I mean. -Yes. | 0:25:47 | 0:25:49 | |
Was it an oblong trampoline? | 0:25:49 | 0:25:51 | |
Was it the modern one with the nets... | 0:25:51 | 0:25:53 | |
The circle with the nets up the side? | 0:25:53 | 0:25:55 | |
Don't say that! You know her name was Annette. | 0:25:55 | 0:25:57 | |
It was a trampoline with no net round the side. | 0:25:59 | 0:26:02 | |
Oblong or circular? | 0:26:02 | 0:26:04 | |
Er... Well, she'd lost a bit of weight... | 0:26:04 | 0:26:07 | |
I would say slim to oblong. | 0:26:07 | 0:26:09 | |
So, um... You couldn't see what was going on, | 0:26:09 | 0:26:12 | |
except at the top of your bounce trajectory - is that right? | 0:26:12 | 0:26:16 | |
-Yeah. -Yeah, and then what do you see, | 0:26:16 | 0:26:18 | |
for an instant at the top of that bounce? | 0:26:18 | 0:26:20 | |
Are they already doing it? | 0:26:20 | 0:26:21 | |
They're not "doing it"! | 0:26:21 | 0:26:23 | |
Are they already kissing? | 0:26:23 | 0:26:24 | |
Are they already writing poetry? What, are they all...? | 0:26:24 | 0:26:27 | |
Have they taken their shoes off? | 0:26:27 | 0:26:29 | |
They hadn't taken their shoes off. DAVID AND SEANN GASP | 0:26:29 | 0:26:32 | |
There was more - worse though. It was the only thing they were wearing. | 0:26:32 | 0:26:35 | |
How long had you been seeing her for? | 0:26:36 | 0:26:39 | |
We'd been up and down over the years, er... | 0:26:39 | 0:26:41 | |
So go on. You're at the... | 0:26:41 | 0:26:42 | |
-You're at the peak of your trajectory... -Yeah. -..affording you | 0:26:42 | 0:26:46 | |
a wonderful bird's-eye view of the neighbouring trampoline. | 0:26:46 | 0:26:50 | |
-Correct. -What did you see? | 0:26:50 | 0:26:52 | |
-I saw my...my then girlfriend. -Whose name was? -Name? | 0:26:52 | 0:26:55 | |
She was called, er... Joanne. | 0:26:55 | 0:26:57 | |
-So what happened? -I wanted to have a proper look. | 0:26:57 | 0:26:59 | |
I went straight up to the climbing frame | 0:26:59 | 0:27:02 | |
and, er...sure enough, | 0:27:02 | 0:27:05 | |
my fears were confirmed... | 0:27:05 | 0:27:07 | |
-Oh, my word. -..it was the TX497. | 0:27:07 | 0:27:09 | |
You must have been furious. | 0:27:11 | 0:27:13 | |
I was so angry, I was so angry. | 0:27:13 | 0:27:15 | |
So I came round, got on the trampoline and I went, | 0:27:15 | 0:27:18 | |
"Joanne!" | 0:27:18 | 0:27:20 | |
And she looked round, there was no-one there. | 0:27:20 | 0:27:22 | |
And then I went to the top again, "Joanne!" | 0:27:22 | 0:27:24 | |
She looked round, there was no-one there. | 0:27:24 | 0:27:26 | |
This carried on for a long time - "Joanne!" | 0:27:26 | 0:27:29 | |
So then I timed it perfectly, I said "Joanne" when I was down... | 0:27:30 | 0:27:34 | |
"Joanne!" | 0:27:34 | 0:27:35 | |
Well, it took a while before I worked out that system. | 0:27:38 | 0:27:40 | |
So what do you think, David? Is he telling the truth? | 0:27:40 | 0:27:43 | |
-I don't think so, no. -Why? | 0:27:43 | 0:27:45 | |
Can I be honest with you? I'm not convinced either. | 0:27:45 | 0:27:49 | |
Lee, bouncing on the trampoline and spying Joanne, | 0:27:49 | 0:27:52 | |
truth or lie? | 0:27:52 | 0:27:53 | |
-It's a lie. -No! | 0:27:53 | 0:27:55 | |
I would love it to be true, but... | 0:27:57 | 0:27:59 | |
BUZZ | 0:27:59 | 0:28:00 | |
And that noise signals time is up | 0:28:00 | 0:28:02 | |
and I can reveal that David's team have won | 0:28:02 | 0:28:04 | |
by four points to one. | 0:28:04 | 0:28:05 | |
CHEERING AND APPLAUSE | 0:28:05 | 0:28:08 | |
But of course, it's not just a team game. | 0:28:08 | 0:28:10 | |
My individual liar of the week this week | 0:28:10 | 0:28:13 | |
is June Brown. | 0:28:13 | 0:28:14 | |
CHEERING AND APPLAUSE | 0:28:14 | 0:28:18 | |
Yes, June Brown - | 0:28:18 | 0:28:19 | |
she's given us more rabbit than Watership Down. | 0:28:19 | 0:28:22 | |
Good night. | 0:28:22 | 0:28:23 | |
APPLAUSE | 0:28:23 | 0:28:26 |