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APPLAUSE | 0:00:13 | 0:00:15 | |
Good evening, and welcome to a very special edition | 0:00:23 | 0:00:25 | |
of previously unseen clips from this series of Would I Lie To You? | 0:00:25 | 0:00:29 | |
Joining Lee Mack tonight, Bob Mortimer, Richard Osman, | 0:00:29 | 0:00:33 | |
Jermaine Jenas, Moira Stuart, | 0:00:33 | 0:00:35 | |
Alex Jones, John Cooper Clarke, | 0:00:35 | 0:00:37 | |
Clare Balding and Joe Lycett. | 0:00:37 | 0:00:39 | |
And joining David Mitchell tonight, | 0:00:39 | 0:00:41 | |
Danny Dyer, Gaby Logan, | 0:00:41 | 0:00:43 | |
Steve Backshaw, Alan Davies, | 0:00:43 | 0:00:45 | |
Germaine Greer, Greg Davies, | 0:00:45 | 0:00:47 | |
Rhod Gilbert and Nick Grimshaw. | 0:00:47 | 0:00:50 | |
And so we begin with Round 1, Home Truths, where our panellists | 0:00:50 | 0:00:54 | |
each read out a statement from the card in front of them. | 0:00:54 | 0:00:56 | |
Now, to make things harder, they've never seen the card before. | 0:00:56 | 0:00:59 | |
They've no idea what they'll be faced with, | 0:00:59 | 0:01:02 | |
and it's up to the opposing team to sort the fact from the fiction. | 0:01:02 | 0:01:05 | |
Danny is first up. | 0:01:05 | 0:01:06 | |
I've buried £1,000 in cash at a secret location | 0:01:08 | 0:01:12 | |
in case I ever have to go on the run. | 0:01:12 | 0:01:15 | |
LAUGHTER | 0:01:15 | 0:01:17 | |
When did you hide it? | 0:01:17 | 0:01:19 | |
About ten years ago. | 0:01:19 | 0:01:22 | |
-Are you willing to say on national television where it is? -Nah, nah! | 0:01:22 | 0:01:25 | |
I think I'll keep it double low, to be honest with you. | 0:01:25 | 0:01:28 | |
Because if I'm on the run, it'll be on top for me | 0:01:28 | 0:01:30 | |
and it'll be the first place they'll look, won't it? | 0:01:30 | 0:01:33 | |
What? | 0:01:33 | 0:01:34 | |
LAUGHTER | 0:01:34 | 0:01:36 | |
Not that I'm going to be on the run. | 0:01:36 | 0:01:38 | |
I'm just saying that, you know, I've buried a bag of sand, | 0:01:38 | 0:01:41 | |
-which is a grand, right? -Right. | 0:01:41 | 0:01:43 | |
-Somewhere, in case it comes on top... -What does that mean? | 0:01:43 | 0:01:46 | |
-Somewhere? -No - on top! | 0:01:46 | 0:01:48 | |
If something happens, illegal or... | 0:01:53 | 0:01:57 | |
I thought you meant in case the money... | 0:01:57 | 0:01:59 | |
You haven't buried it deep enough and it'd end up on top. | 0:01:59 | 0:02:01 | |
It's double low, you muppet. He said that. | 0:02:01 | 0:02:04 | |
If I don't know what low means then I don't know what double low means. | 0:02:04 | 0:02:08 | |
Well, you know it's twice as much. | 0:02:08 | 0:02:10 | |
I don't know what the starting point is. | 0:02:10 | 0:02:12 | |
How much is low? | 0:02:12 | 0:02:13 | |
-Well, low - you know - double low's proper on top. -Right. -Which means... | 0:02:13 | 0:02:19 | |
Don't forget, anybody watching, we do have subtitles. | 0:02:19 | 0:02:22 | |
Use that red button. | 0:02:22 | 0:02:23 | |
What would you imagine that you could get into trouble for? | 0:02:23 | 0:02:27 | |
We don't count acting. | 0:02:27 | 0:02:28 | |
GROANING AND LAUGHING | 0:02:28 | 0:02:31 | |
-Sorry! -I like that reaction. Good reaction! Healthy. | 0:02:31 | 0:02:35 | |
So, what kind of thing could you get into trouble for? | 0:02:35 | 0:02:38 | |
Well, numerous things, | 0:02:38 | 0:02:40 | |
so you need to just have a little stash somewhere. | 0:02:40 | 0:02:42 | |
Danny, can I just check, is this for crimes... Not crimes! | 0:02:42 | 0:02:46 | |
-I'm not talking about crimes. -I didn't say crimes! | 0:02:46 | 0:02:49 | |
Is this for murders that have taken place previously | 0:02:49 | 0:02:54 | |
or things that might happen in the future? | 0:02:54 | 0:02:56 | |
-Are you asking Danny to confess to crimes? -All right. | 0:02:56 | 0:03:01 | |
So do you think you might have to move abroad to start a new life? | 0:03:01 | 0:03:04 | |
Well, not abroad. Margate, or something like that. | 0:03:04 | 0:03:08 | |
Get off the plot, you know what I mean? | 0:03:08 | 0:03:10 | |
How long could you last on a bag of sand? | 0:03:10 | 0:03:13 | |
Well, depends where you are. | 0:03:13 | 0:03:14 | |
Margate, you can last about ten years! | 0:03:14 | 0:03:17 | |
And how did you bury it? Was it under cover of darkness? | 0:03:17 | 0:03:20 | |
No, it was in broad daylight. I wouldn't go at night. | 0:03:20 | 0:03:23 | |
Why did you do it in daylight? | 0:03:23 | 0:03:26 | |
Well, because it... | 0:03:26 | 0:03:27 | |
I'm giving it away now. | 0:03:27 | 0:03:29 | |
I'm not going to go, "Daylight - I think I know where it is." | 0:03:29 | 0:03:34 | |
I know where it is. | 0:03:34 | 0:03:35 | |
It's somewhere outdoors. I'll go and get it. | 0:03:35 | 0:03:39 | |
It's an area that, you know, ain't got no houses around. | 0:03:39 | 0:03:43 | |
Right, so you buried it in, like, a forest or something? | 0:03:43 | 0:03:46 | |
-Not a forest, no, no. That would be too tricky. -In a graveyard? | 0:03:46 | 0:03:49 | |
No, no, not a graveyard. | 0:03:49 | 0:03:51 | |
That'd be out of order, wouldn't it? | 0:03:51 | 0:03:53 | |
Digging up a grave and whacking a grand in. | 0:03:53 | 0:03:55 | |
It's a field. | 0:03:55 | 0:03:56 | |
-A field? -Ah. Presumably, now, you possess a treasure map? | 0:03:56 | 0:04:01 | |
-Nah, nah. -Well, how are you going to remember where it is? | 0:04:01 | 0:04:04 | |
It's about where I whacked my motor. | 0:04:04 | 0:04:06 | |
-You've what, you' killed your car?! -No... I parked my car. | 0:04:06 | 0:04:11 | |
But you drove your car away, though, didn't you, afterwards, | 0:04:11 | 0:04:14 | |
so it's not still there! | 0:04:14 | 0:04:16 | |
You do know that when you got back in the car and drove away, | 0:04:19 | 0:04:24 | |
saying it's by the car is no longer a help! | 0:04:24 | 0:04:28 | |
-Well, I parked my car next to something that I will remember. -Ah. | 0:04:28 | 0:04:32 | |
-Now, so...what is that thing? -I'll tell you what it is. -Good. | 0:04:32 | 0:04:35 | |
-No, no, I don't want to, though. -Why? | 0:04:35 | 0:04:38 | |
Cos it might be next to, sort of, a Norman Wisdom statue, | 0:04:38 | 0:04:41 | |
-and there's only... -Whoa, whoa, whoa, whoa! | 0:04:41 | 0:04:44 | |
And there's only a few of them knocking about is what I'm saying. | 0:04:44 | 0:04:48 | |
It's not near a Norman Wisdom statue. It's not! | 0:04:48 | 0:04:51 | |
You can't expect Danny to give away the location on television | 0:04:51 | 0:04:56 | |
of where his bag of sand is! | 0:04:56 | 0:04:58 | |
For a minute then, I really thought I was in some gangster film. | 0:04:58 | 0:05:02 | |
"I've wiped it off and buried it near the Norman Wisdom statue"! | 0:05:02 | 0:05:06 | |
-Have you been back to check on it, to check it's still there? -Nah. | 0:05:06 | 0:05:11 | |
That'd be stupid, wouldn't it? It's there. | 0:05:11 | 0:05:13 | |
No-one's going near it, I know that. It's impossible to find. | 0:05:13 | 0:05:16 | |
Um... | 0:05:16 | 0:05:18 | |
Danny, that's the point we're making! | 0:05:20 | 0:05:23 | |
So what do you think, Lee? | 0:05:23 | 0:05:25 | |
-What do we think? -Absolutely not. -I say it's a lie. | 0:05:25 | 0:05:29 | |
A thousand wouldn't have been enough. | 0:05:29 | 0:05:31 | |
And I say it must be a lie? | 0:05:31 | 0:05:33 | |
Going to say lie, OK. | 0:05:33 | 0:05:34 | |
Danny, truth or lie? | 0:05:34 | 0:05:37 | |
It's a lie, innit? Come on! | 0:05:37 | 0:05:39 | |
Clare, it's your turn. | 0:05:41 | 0:05:43 | |
The first time I went to Germany, I knew only one German phrase, | 0:05:43 | 0:05:47 | |
and bizarrely, an accident occurred which required me to use it. | 0:05:47 | 0:05:51 | |
David's team. | 0:05:51 | 0:05:52 | |
What was the phrase? | 0:05:52 | 0:05:54 | |
Entschuldigen Sie, bitte. Mein Vater ist in den Fluss gefallen. | 0:05:54 | 0:06:01 | |
I don't speak German. | 0:06:01 | 0:06:02 | |
Is that a phrase or is that just a random German sentence? | 0:06:02 | 0:06:05 | |
Are you asking what does it mean? | 0:06:05 | 0:06:07 | |
Yeah! | 0:06:07 | 0:06:08 | |
It means, "Excuse me, please, my father has fallen in the river." | 0:06:11 | 0:06:15 | |
That well-known German phrase. | 0:06:17 | 0:06:20 | |
Had your father fallen in the rivers elsewhere for you to learn that? | 0:06:20 | 0:06:24 | |
- No. - Was he like a serial... | 0:06:24 | 0:06:27 | |
- River...no. - But why would you learn that phrase | 0:06:27 | 0:06:30 | |
unless he had a habit of falling into rivers? | 0:06:30 | 0:06:32 | |
Before you went to Germany, | 0:06:32 | 0:06:33 | |
you thought, "I'd better check that out." | 0:06:33 | 0:06:35 | |
Total coincidence - "I think I'll learn the phrase, | 0:06:35 | 0:06:38 | |
"'My father fell into the river.'" | 0:06:38 | 0:06:40 | |
You went to Germany and your father fell in the river. | 0:06:40 | 0:06:42 | |
Yes! | 0:06:46 | 0:06:47 | |
-I think I'm ready. -I've decided. | 0:06:47 | 0:06:51 | |
I'm going early on this one. | 0:06:51 | 0:06:54 | |
So what happened with your dad, and who did you say that phrase to? | 0:06:55 | 0:06:58 | |
-Were you shouting it from the banks? -No. | 0:06:58 | 0:07:01 | |
We were skiing, and he was going off-piste | 0:07:01 | 0:07:04 | |
and he skied into a little river by mistake. | 0:07:04 | 0:07:08 | |
-What is the German emergency - is it 999? -I don't know! | 0:07:08 | 0:07:12 | |
LAUGHTER | 0:07:12 | 0:07:14 | |
So they're saying, "Do you need help?" | 0:07:18 | 0:07:20 | |
and you're saying, "Nein nein nein," and they go, "Forget it, then." | 0:07:20 | 0:07:23 | |
-When you dial 999, Lee, do you then say to them, "999"? -No, no, no. | 0:07:23 | 0:07:29 | |
Have you got one of those old phones | 0:07:29 | 0:07:31 | |
where you have to call to the operator and go, | 0:07:31 | 0:07:33 | |
"999 at once! The vicar has been taken ill." | 0:07:33 | 0:07:36 | |
-Clare, who did you end up saying this phrase to? -To a passer-by. | 0:07:37 | 0:07:41 | |
-A skier? -Yes. -Right. -No, a tennis player, Rob(!) | 0:07:41 | 0:07:44 | |
-I flagged them down and said... -Wow, he's going fast! | 0:07:47 | 0:07:51 | |
So you spoke to this passing skier who was just | 0:07:51 | 0:07:55 | |
another holiday-maker, another skier. What happened? | 0:07:55 | 0:07:57 | |
Well, luckily, they were English, so I needn't have bothered. | 0:07:57 | 0:08:00 | |
So they had no idea what you were saying! | 0:08:00 | 0:08:02 | |
-Absolutely no idea. -So you spoke to them and then what happened? | 0:08:02 | 0:08:06 | |
-They helped me pull him out. -Right. | 0:08:06 | 0:08:08 | |
But then all evening I was able to say that my father | 0:08:08 | 0:08:11 | |
-had fallen in the river, in German. -What are you thinking, Nick? | 0:08:11 | 0:08:14 | |
I think that you would have just initially said, | 0:08:14 | 0:08:16 | |
"Help!" if this was a true story. | 0:08:16 | 0:08:17 | |
You wouldn't have been like, | 0:08:17 | 0:08:19 | |
"Let me just remember this very weird German sentence." | 0:08:19 | 0:08:23 | |
I'm not sure, but I find it hard to...think ill of Clare Balding. | 0:08:25 | 0:08:29 | |
-I think she's telling the truth. -Oh! | 0:08:29 | 0:08:32 | |
Now, if she's lying, it wouldn't reflect badly on her character. | 0:08:32 | 0:08:36 | |
It would. | 0:08:36 | 0:08:37 | |
Even within the parameters of this game, | 0:08:37 | 0:08:39 | |
I still don't think she would. | 0:08:39 | 0:08:41 | |
-So, what are you going to say? -Lie? -Lie for me. -True? -True, absolutely. | 0:08:43 | 0:08:49 | |
-I think I'll... Lie. -OK. They're saying it's a lie. | 0:08:49 | 0:08:52 | |
Clare, truth or lie? | 0:08:52 | 0:08:56 | |
Would I? | 0:08:56 | 0:08:57 | |
-It's true. -Oh! | 0:08:57 | 0:08:59 | |
It's David. | 0:09:04 | 0:09:06 | |
I find it incredibly irritating when other people fiddle with my jigsaws. | 0:09:06 | 0:09:12 | |
-Lee's team. -What was the last jigsaw you did? | 0:09:14 | 0:09:16 | |
-It was a picture of the city centre in Oxford. -How many pieces was it? | 0:09:16 | 0:09:22 | |
-1,000. -1,000! -What's your jigsaw etiquette? | 0:09:22 | 0:09:27 | |
Er...my etiquette? | 0:09:27 | 0:09:29 | |
Well, when I say etiquette, I mean, if you're doing a big jigsaw, | 0:09:29 | 0:09:33 | |
you have to do it on something, | 0:09:33 | 0:09:35 | |
so that it doesn't upset anyone else's life, so what do you do it on? | 0:09:35 | 0:09:40 | |
My grandfather's coffin. | 0:09:40 | 0:09:42 | |
Because we've all stopped hoping that he's ever going to come out. | 0:09:45 | 0:09:49 | |
-On a card table. -On a card table? -OK. -On a card table. | 0:09:51 | 0:09:55 | |
That's nearly right. | 0:09:55 | 0:09:57 | |
-And you start with the outside, you do the whole perimeter. -Yeah. | 0:09:57 | 0:10:01 | |
Where do you go then? | 0:10:01 | 0:10:02 | |
Then I go for recognisable objects in the scene. | 0:10:02 | 0:10:07 | |
So which particular recognisable bits were bits you were looking for? | 0:10:07 | 0:10:10 | |
Well, there's a building in the middle | 0:10:10 | 0:10:12 | |
with a sort of dome and a spike. | 0:10:12 | 0:10:15 | |
I'm an expert in architecture. | 0:10:15 | 0:10:18 | |
Also, there were several people wandering around, | 0:10:18 | 0:10:23 | |
like someone on a bicycle. | 0:10:23 | 0:10:24 | |
Whoa, whoa, whoa, whoa, whoa. You're saying... | 0:10:24 | 0:10:27 | |
You're looking for specific things. | 0:10:27 | 0:10:28 | |
A person can go anywhere in the jigsaw. | 0:10:28 | 0:10:31 | |
No, they can't. They can only go where they go. | 0:10:31 | 0:10:34 | |
"I've got a person. I'm going to put him up there." | 0:10:34 | 0:10:38 | |
Can you do a jigsaw, Lee? | 0:10:38 | 0:10:41 | |
Well, I don't, David, cos I've got a life, but carry on. | 0:10:41 | 0:10:44 | |
Fair enough. I was going to say, do you use scissors? | 0:10:44 | 0:10:48 | |
You know I'm not allowed scissors! | 0:10:49 | 0:10:52 | |
So generally, 1,000-piece jigsaw, you're coning back to it | 0:10:54 | 0:10:58 | |
now and again, work commitments permitting... | 0:10:58 | 0:11:01 | |
How long does it take? | 0:11:01 | 0:11:02 | |
Let's say...three months. | 0:11:02 | 0:11:06 | |
Three months?! Three months? | 0:11:06 | 0:11:09 | |
-It's a 1,000-piece jigsaw, 330 pieces a month... -Excessive. | 0:11:09 | 0:11:13 | |
So he's doing about 90 pieces a week. | 0:11:13 | 0:11:16 | |
-So he's doing about 15 pieces a day, all right? -Mm-hm. | 0:11:16 | 0:11:20 | |
15 pieces a day is borderline you need help. | 0:11:20 | 0:11:24 | |
I don't need help and I don't like it when people help! | 0:11:26 | 0:11:29 | |
That's the point. That's the point. | 0:11:29 | 0:11:32 | |
-So Lee, what's it going to be? -Alex? | 0:11:34 | 0:11:36 | |
Well, if he was into jigsaws properly, | 0:11:36 | 0:11:38 | |
-and he didn't want a fiddler, you put clingfilm on it. -What?! | 0:11:38 | 0:11:43 | |
You're even weirder than me! | 0:11:45 | 0:11:47 | |
Wouldn't the clingfilm stick to the pieces and then | 0:11:49 | 0:11:52 | |
so when you pick the clingfilm up it would undo weeks and months of work? | 0:11:52 | 0:11:57 | |
No. | 0:11:57 | 0:11:58 | |
Cos you buy a massive tray, you do it on the tray, | 0:11:58 | 0:12:02 | |
not only can you carry it around if you need to dust, | 0:12:02 | 0:12:06 | |
but also the clingfilm wraps underneath. | 0:12:06 | 0:12:10 | |
-You've watched far too many features on The One Show, haven't you? -Yes! | 0:12:10 | 0:12:14 | |
-AS ALEX: -This week, we're talking about tricks for jigsaws. | 0:12:14 | 0:12:17 | |
You probably think it's just the four corners you have to know, | 0:12:17 | 0:12:21 | |
but no, get your clingfilm ready and we'll tell you after this. | 0:12:21 | 0:12:25 | |
LAUGHTER AND APPLAUSE | 0:12:25 | 0:12:28 | |
-John, do you think it's...? -Well, I can see it. | 0:12:29 | 0:12:33 | |
I think David's a contemplative type of person, you know, | 0:12:33 | 0:12:38 | |
and jigsaw puzzles kind of allow you | 0:12:38 | 0:12:42 | |
that loose space to be ruminative... | 0:12:42 | 0:12:47 | |
It takes you to a ruminative place that you wouldn't otherwise | 0:12:47 | 0:12:50 | |
enter in the normal run of events. | 0:12:50 | 0:12:54 | |
Just to clarify, is it true or false? | 0:12:54 | 0:12:55 | |
-True. True. -True? -Go true. | 0:12:55 | 0:13:00 | |
-OK. True. -OK. | 0:13:00 | 0:13:02 | |
David. Truth or lie? | 0:13:02 | 0:13:05 | |
It is... | 0:13:05 | 0:13:06 | |
-True. -Ah. -Ah! | 0:13:06 | 0:13:10 | |
It's Bob. | 0:13:11 | 0:13:13 | |
I have a possession. | 0:13:14 | 0:13:16 | |
Ah, there's a box. | 0:13:16 | 0:13:17 | |
Take the item out of the box. Pop it there and then read the card. | 0:13:17 | 0:13:22 | |
This is the cushion that I used to carry my pet owl around on. | 0:13:23 | 0:13:28 | |
I would have brought the owl, but he escaped last week. | 0:13:28 | 0:13:31 | |
-David's team, what do you think? -What kind of an owl was it? -Tawny. | 0:13:34 | 0:13:39 | |
Tawnys perch on branches, | 0:13:39 | 0:13:42 | |
so how did you get it to perch on a big, flat, soft cushion? | 0:13:42 | 0:13:46 | |
Oh, Steve, it's so good to have you here! | 0:13:46 | 0:13:49 | |
How did I...? | 0:13:50 | 0:13:52 | |
Is there a problem here, Steve? | 0:13:54 | 0:13:56 | |
You know the talon marks? I have a rare breeds farm near me | 0:13:59 | 0:14:03 | |
and they had to get rid of a tawny owl that was injured. | 0:14:03 | 0:14:05 | |
-He couldn't use its wings and couldn't use its bottom. -For what? | 0:14:05 | 0:14:11 | |
For doing what... for poo-pooing. | 0:14:11 | 0:14:14 | |
What did it use? | 0:14:14 | 0:14:17 | |
So, as a trustee as the organisation, | 0:14:19 | 0:14:23 | |
cos it's just down the road from me, in Warehorne, I agreed to have... | 0:14:23 | 0:14:27 | |
I agreed that I would look after it. | 0:14:29 | 0:14:32 | |
It actually had what you would call a colestomy bag. | 0:14:32 | 0:14:37 | |
-We wouldn't call it that. -You would. | 0:14:37 | 0:14:39 | |
We'd call it a colostomy bag. | 0:14:39 | 0:14:41 | |
-Have I said it...? -We wouldn't have picked it up | 0:14:41 | 0:14:44 | |
but you did specifically say that's what we would have called it. | 0:14:44 | 0:14:47 | |
I thought I'd better address this because we wouldn't. | 0:14:47 | 0:14:49 | |
Steve, is an owl's colostomy bag called a colestomy bag? | 0:14:49 | 0:14:54 | |
Yes, it is! | 0:14:55 | 0:14:57 | |
You wouldn't really need it because the majority of solid faecal matter | 0:14:57 | 0:15:01 | |
with an owl comes out of its mouth. | 0:15:01 | 0:15:03 | |
Yeah. Look, we're dealing with a very sick owl here. | 0:15:03 | 0:15:06 | |
I'm sorry, I sound aggressive there. | 0:15:06 | 0:15:10 | |
He's escaped now and I can see his little face. | 0:15:11 | 0:15:15 | |
We were given a pipette with what was... | 0:15:15 | 0:15:17 | |
Owl nourishment. | 0:15:17 | 0:15:19 | |
-So you had to feed it by pipette? -Yes. | 0:15:19 | 0:15:21 | |
How did it stand on the cushion if, as Steve says, it needs a perch? | 0:15:21 | 0:15:26 | |
-It was fine just... -I've clearly not made it clear. | 0:15:26 | 0:15:30 | |
This is an incredibly sick bird. | 0:15:30 | 0:15:32 | |
You can't judge it by the normal tawny. | 0:15:33 | 0:15:37 | |
This is a lump of meat and feathers. | 0:15:37 | 0:15:41 | |
That is just hanging on in there. | 0:15:41 | 0:15:44 | |
But the thing's still escaped. | 0:15:46 | 0:15:47 | |
Yes. Actually, I... | 0:15:47 | 0:15:50 | |
I suspect it was killed by my cats. | 0:15:50 | 0:15:53 | |
Why did this owl sanctuary, when it has a sick owl, | 0:15:55 | 0:15:59 | |
why didn't it look after the owl itself | 0:15:59 | 0:16:02 | |
rather than give it to a local celebrity? | 0:16:02 | 0:16:06 | |
Because I...I am very closely associated with it. | 0:16:06 | 0:16:11 | |
Sorry - my client would like a minute. | 0:16:11 | 0:16:14 | |
You clearly said you were going to nurse it back to health? | 0:16:17 | 0:16:21 | |
-No, that was never going to happen. -It's palliative care? | 0:16:21 | 0:16:24 | |
-Palliative care for the owl. -A hospice for the owl. | 0:16:24 | 0:16:28 | |
And we had some decent times. | 0:16:28 | 0:16:30 | |
Did he have a name, this owl? | 0:16:30 | 0:16:32 | |
We called it...er... | 0:16:32 | 0:16:34 | |
-Did you? You called it...ah. -You're upset, Bob, I can tell. | 0:16:36 | 0:16:40 | |
-If you need a minute, it's OK. But what did you call it? -Sorry? | 0:16:40 | 0:16:45 | |
-What did you call it? -What did we call the owl? -Yeah. | 0:16:45 | 0:16:49 | |
Well, we called him Mavis. | 0:16:49 | 0:16:51 | |
Mavis. | 0:16:53 | 0:16:54 | |
Bob, what did you feed it? With the pipette? | 0:16:54 | 0:16:58 | |
It was described to me as "owl nourishment". | 0:16:58 | 0:17:02 | |
Described to you by who?! By who?! | 0:17:02 | 0:17:06 | |
You just take bowls and put them in the liquidiser? | 0:17:06 | 0:17:09 | |
Steve, I can't impress on you how sick... | 0:17:09 | 0:17:12 | |
The most we got out of it... | 0:17:12 | 0:17:15 | |
It'd just lift a lid. | 0:17:17 | 0:17:20 | |
It wasn't perched, then. It was reclined on the cushion? | 0:17:20 | 0:17:23 | |
That was its death bed. | 0:17:27 | 0:17:30 | |
We'd have like a broomstick or something, we'd hold it out. | 0:17:30 | 0:17:33 | |
What have you told the owl sanctuary? | 0:17:35 | 0:17:38 | |
Cos they must have been upset. | 0:17:38 | 0:17:39 | |
No, I told them he's passed away, yeah. | 0:17:39 | 0:17:42 | |
And they said, "That's fine, we knew Mavis was going to die soon, | 0:17:42 | 0:17:46 | |
"that's why we gave him or her to you, | 0:17:46 | 0:17:49 | |
"a comedian who lives locally, | 0:17:49 | 0:17:50 | |
"to keep on a cushion in the same room as a cat"? | 0:17:50 | 0:17:55 | |
My client would like to change his plea. | 0:17:56 | 0:18:00 | |
This isn't sounding... | 0:18:00 | 0:18:03 | |
GABBY: You're a trustee, did you say, of this charity? | 0:18:03 | 0:18:06 | |
Yes. It's a rare breeds farm in Warehorne, does family days. | 0:18:06 | 0:18:09 | |
Sadly, they haven't got an owl at the moment. | 0:18:09 | 0:18:12 | |
So David, what are you thinking? Is this true? | 0:18:12 | 0:18:15 | |
No, this isn't true. | 0:18:15 | 0:18:18 | |
You think he made all of that up? | 0:18:18 | 0:18:21 | |
I just don't believe they would let him bring a dying tawny owl home. | 0:18:21 | 0:18:24 | |
-No, I don't think so. I think we're saying it's a lie. -I think you are. | 0:18:24 | 0:18:28 | |
And I think the rare breeds centre | 0:18:28 | 0:18:31 | |
probably needs to look at its working practices | 0:18:31 | 0:18:33 | |
if it happens to be true. | 0:18:33 | 0:18:36 | |
OK, Bob, truth or lie? | 0:18:36 | 0:18:37 | |
I was telling a lie. | 0:18:37 | 0:18:39 | |
-It's Germaine. -Oh. | 0:18:45 | 0:18:49 | |
-Possession. -Possession. Now, then, there's a box under the desk. | 0:18:49 | 0:18:53 | |
Could you read the card first and then take the item out | 0:18:53 | 0:18:57 | |
and pop it on the desk, please? | 0:18:57 | 0:18:59 | |
This is the bag I wear on my head to carry my shopping home. | 0:18:59 | 0:19:04 | |
LAUGHTER | 0:19:04 | 0:19:06 | |
All right, so let's see the bag. | 0:19:06 | 0:19:08 | |
Just pop it in-between you and David on the desk. That's it. | 0:19:08 | 0:19:12 | |
-You wear it on your head?! -Yeah, we need to see this. | 0:19:12 | 0:19:14 | |
You do it like this. This is... | 0:19:14 | 0:19:18 | |
-It's a tumpline. It's a tumpline. -You've obviously done that before! | 0:19:20 | 0:19:23 | |
-What's a tumpline? -Yeah. People all over the world | 0:19:23 | 0:19:25 | |
carry things like this, especially if they haven't got beasts of burden - | 0:19:25 | 0:19:29 | |
you become the beast of burden, so... | 0:19:29 | 0:19:31 | |
Sorry - have I just turned over? | 0:19:31 | 0:19:33 | |
What are you doing with your arms? | 0:19:35 | 0:19:36 | |
You're walking with a stick or carrying a baby or whatever. | 0:19:36 | 0:19:41 | |
You're walking with a stick and a baby in Tesco? | 0:19:41 | 0:19:43 | |
Well, you see, it comes from somewhere else, this amazing thing. | 0:19:43 | 0:19:47 | |
Where do you shop? Tibet? | 0:19:47 | 0:19:49 | |
No, I shop in Essex. | 0:19:49 | 0:19:53 | |
You come over here, Germaine, if you would, | 0:19:53 | 0:19:55 | |
and I'll tell you what we'll do. | 0:19:55 | 0:19:56 | |
I will be working at the local supermarket. | 0:19:56 | 0:20:00 | |
I'm the new, young checkout boy. | 0:20:00 | 0:20:03 | |
It's good that you're getting some practise in. | 0:20:03 | 0:20:05 | |
-Right, is it ready? -Yeah. -OK. Here we go. Get ready. | 0:20:05 | 0:20:10 | |
Beep! | 0:20:10 | 0:20:12 | |
There you go, love. Beep! | 0:20:15 | 0:20:18 | |
Some oranges, I see. Lovely. | 0:20:19 | 0:20:22 | |
How much, bread? | 0:20:29 | 0:20:32 | |
Can I just ask a question? | 0:20:36 | 0:20:37 | |
-Beep! -At this point, are there people in the queue | 0:20:37 | 0:20:40 | |
looking at you face-on? | 0:20:40 | 0:20:42 | |
In the supermarkets, you've got your trolley, | 0:20:42 | 0:20:44 | |
then you get to the checkout... | 0:20:44 | 0:20:46 | |
Then you get to the checkout... | 0:20:46 | 0:20:48 | |
-Come on, hurry up! -Beep! | 0:20:48 | 0:20:52 | |
-That's going to be too heavy, isn't it? -No. Put it in. | 0:20:52 | 0:20:55 | |
-Are you sure? -Yes. | 0:20:55 | 0:20:56 | |
If I kill you on the television... | 0:20:56 | 0:20:59 | |
There could be a dead body in there. That's how big it is. | 0:20:59 | 0:21:02 | |
-Is that all right? -Yeah. I'm still cool. -All right. | 0:21:02 | 0:21:06 | |
How far would you walk with those? | 0:21:06 | 0:21:09 | |
-Well, I can walk any amount of distance. -How do you get it off? | 0:21:09 | 0:21:13 | |
-How do I what? -How do you get it off without doing yourself... | 0:21:15 | 0:21:19 | |
Oh, careful! | 0:21:19 | 0:21:20 | |
-It's not a problem. -Well, very convincing. What do you think, Lee? | 0:21:20 | 0:21:24 | |
-Jermaine? -She doesn't strike me as a person who's going to be | 0:21:24 | 0:21:26 | |
too fussed about what people think. | 0:21:26 | 0:21:28 | |
OK! | 0:21:28 | 0:21:30 | |
And also, it kind of suited her. | 0:21:30 | 0:21:33 | |
I think it suits her. I think it's 100% true. | 0:21:37 | 0:21:39 | |
If this is true, I've got one word for you and that is "Ocado". | 0:21:39 | 0:21:43 | |
My team say true. I doubt it, but we'll go with true. | 0:21:45 | 0:21:48 | |
Oh, you're going to say true. Germaine. Truth or lie? | 0:21:48 | 0:21:52 | |
True. | 0:21:52 | 0:21:54 | |
Greg, your turn. | 0:21:57 | 0:21:59 | |
When I was a teenager, I used to have to butter my legs | 0:22:00 | 0:22:03 | |
in order to squeeze into tight leather trousers. | 0:22:03 | 0:22:06 | |
Lee's team, off you go. | 0:22:08 | 0:22:12 | |
-What age are we talking about? -I was 17. | 0:22:12 | 0:22:15 | |
It was when I was experimenting with being a Goth actually. | 0:22:15 | 0:22:18 | |
You don't look like a good Goth to me | 0:22:18 | 0:22:19 | |
cos you're too close to the sun! | 0:22:19 | 0:22:21 | |
I wasn't. | 0:22:21 | 0:22:22 | |
Isn't there an issue of rancidity | 0:22:24 | 0:22:29 | |
when the temperature of a room changes? | 0:22:29 | 0:22:31 | |
And it's a very volatile substance, | 0:22:31 | 0:22:34 | |
it moves from a solid to a liquid in the blink of an eye. | 0:22:34 | 0:22:37 | |
I wish you'd had been my science teacher. | 0:22:41 | 0:22:44 | |
School would have been so much more fun. | 0:22:44 | 0:22:46 | |
There's an issue around odour here. | 0:22:46 | 0:22:48 | |
You're forgetting I was a teenager when I was doing this | 0:22:48 | 0:22:51 | |
and I generally stank. | 0:22:51 | 0:22:53 | |
I mean, it wasn't butter, actually, it was a margarine spread of sorts. | 0:22:54 | 0:22:58 | |
ALEX: Worse! | 0:22:58 | 0:22:59 | |
It wasn't worse, it worked. | 0:22:59 | 0:23:00 | |
The reason I had to do it is because I'm ludicrously tall | 0:23:00 | 0:23:06 | |
and the only tight trousers around stopped half a foot below my knees | 0:23:06 | 0:23:13 | |
so it would look like I was wearing some sort of perverse lederhosen. | 0:23:13 | 0:23:17 | |
So, the only tight trousers that would fit me | 0:23:17 | 0:23:21 | |
were, sort of, women's Lycra leggings. | 0:23:21 | 0:23:23 | |
How did you manage to hold the trousers to pull them up, | 0:23:25 | 0:23:29 | |
now that your hands were very slippy with the marge? | 0:23:29 | 0:23:31 | |
Well, I would put the marge on and then... | 0:23:31 | 0:23:35 | |
Interesting thing - in Shropshire, running water. | 0:23:35 | 0:23:37 | |
I would wash my hands. | 0:23:37 | 0:23:39 | |
Who else knew about this? | 0:23:41 | 0:23:43 | |
My sister was the only person who knew and that's | 0:23:43 | 0:23:46 | |
because she walked into my bedroom when I was applying the marge. | 0:23:46 | 0:23:50 | |
And... | 0:23:50 | 0:23:53 | |
I was very keen to explain. | 0:23:53 | 0:23:55 | |
That must have been one of the worst moments of her young life. | 0:23:55 | 0:23:59 | |
-So, what do you think? -What do we think, John? | 0:23:59 | 0:24:01 | |
It's not playing out very well in the playground of my imagination. | 0:24:01 | 0:24:05 | |
I think that's the most wonderful way | 0:24:10 | 0:24:13 | |
anyone has said "lie" on this show. | 0:24:13 | 0:24:15 | |
Oh, I really want it to be true. | 0:24:19 | 0:24:21 | |
It is true. | 0:24:21 | 0:24:22 | |
Because to see you in a women's legging would be magical. | 0:24:22 | 0:24:25 | |
Ah - well, just call me. | 0:24:25 | 0:24:27 | |
I've got my doubts here because we've gone from leather to Lycra | 0:24:30 | 0:24:33 | |
-and butter to margarine. -No, they were... | 0:24:33 | 0:24:36 | |
No, they were leather-effect. | 0:24:36 | 0:24:38 | |
You didn't ask me. They were a leather-effect trouser. | 0:24:38 | 0:24:41 | |
I Can't Believe It's Not Leather? | 0:24:41 | 0:24:43 | |
OK, what are you going to say? | 0:24:51 | 0:24:52 | |
You're saying it's a lie. Alex is saying... | 0:24:52 | 0:24:54 | |
Oh, I'm sorry, John, I'd love to agree, | 0:24:54 | 0:24:56 | |
but I think he's a bit weird. | 0:24:56 | 0:24:57 | |
Yeah, people do alternative things with groceries at that age, I think. | 0:25:00 | 0:25:04 | |
Oh, my God, not that sort of thing! | 0:25:06 | 0:25:08 | |
I'll go with John and say it's a lie. | 0:25:12 | 0:25:14 | |
-Say it's a lie? -Yeah. | 0:25:14 | 0:25:15 | |
OK. Greg, truth or lie? | 0:25:15 | 0:25:18 | |
It's a lie. | 0:25:18 | 0:25:19 | |
-Good work, John. -Well done. | 0:25:22 | 0:25:25 | |
It's Jermaine. | 0:25:26 | 0:25:28 | |
If ever I took a penalty, | 0:25:30 | 0:25:32 | |
I would choose to place the ball to the left or right, | 0:25:32 | 0:25:35 | |
depending on which of my socks was the muddiest. | 0:25:35 | 0:25:39 | |
David's team? | 0:25:39 | 0:25:41 | |
Oh, right. | 0:25:41 | 0:25:42 | |
Alan? | 0:25:42 | 0:25:44 | |
Well, footballers can be quite superstitious. | 0:25:47 | 0:25:50 | |
-How did you come to that system? -It started when I was a kid. | 0:25:50 | 0:25:53 | |
As you can imagine, those playing fields | 0:25:53 | 0:25:55 | |
weren't exactly Premier League pitches in those days. | 0:25:55 | 0:25:58 | |
But every time I did it, I scored. | 0:25:58 | 0:26:00 | |
What's your strike rate on penalties? | 0:26:00 | 0:26:03 | |
90%. | 0:26:03 | 0:26:05 | |
What's the average...? How many penalties...? | 0:26:05 | 0:26:08 | |
What's the percentage of penalties? | 0:26:08 | 0:26:09 | |
Alan, you take the questions, mate! | 0:26:09 | 0:26:11 | |
It's quite easy, this football pundit lark! | 0:26:15 | 0:26:18 | |
Can I ask if, when your socks are very, very muddy, | 0:26:19 | 0:26:25 | |
one foot is heavier than the other? | 0:26:25 | 0:26:29 | |
No, if the mud is on your boot, it would tend to be heavier, | 0:26:29 | 0:26:32 | |
but not the socks. | 0:26:32 | 0:26:34 | |
Is that just something you're interested to know? | 0:26:34 | 0:26:36 | |
No, it would be nice to find | 0:26:36 | 0:26:38 | |
a sensible reason for scoring with either foot. | 0:26:38 | 0:26:42 | |
It's not the foot, let's be clear. It's always the same foot. | 0:26:42 | 0:26:45 | |
-All right, David, I've got it. -Oh, I'm sorry. | 0:26:45 | 0:26:47 | |
It's not different feet. | 0:26:47 | 0:26:51 | |
Suddenly David has become Alan Hansen! | 0:26:51 | 0:26:53 | |
I've found something I knew I understood. | 0:26:55 | 0:26:58 | |
Same foot, different way. | 0:26:58 | 0:27:01 | |
No, I didn't listen properly, I beg your pardon. | 0:27:01 | 0:27:03 | |
That's your problem, you don't listen. | 0:27:03 | 0:27:06 | |
What are you going to say, David? | 0:27:06 | 0:27:08 | |
-It sort of rings true. -Did you play football? | 0:27:08 | 0:27:11 | |
I know you don't play professionally. | 0:27:11 | 0:27:12 | |
-I had to play a bit. -At school? -Yeah. | 0:27:12 | 0:27:16 | |
I hated it completely but I was usually sort of put | 0:27:16 | 0:27:18 | |
vaguely in defence so that I would be standing there, coldly. | 0:27:18 | 0:27:22 | |
Some of the bigger boys charging down towards you? | 0:27:22 | 0:27:25 | |
Charge past me, in the goal, and then it goes back to the middle | 0:27:25 | 0:27:28 | |
and you get a bit of respite. | 0:27:28 | 0:27:29 | |
And what time was chess club due to start? | 0:27:32 | 0:27:35 | |
-Yet I wasn't very good at chess. -Really? | 0:27:35 | 0:27:38 | |
Yes, a pathetic physical specimen, | 0:27:38 | 0:27:40 | |
and intellectually not that creative either. | 0:27:40 | 0:27:43 | |
But thanks to the way the media select people for prominence, | 0:27:45 | 0:27:48 | |
here I am! | 0:27:48 | 0:27:49 | |
OK. So, what are you going to say? Has Jermaine been telling the truth? | 0:27:54 | 0:27:58 | |
What do you think, Germaine? | 0:27:58 | 0:28:01 | |
-I think it's true. -True. Alan? | 0:28:01 | 0:28:04 | |
-Yeah, let's say true. -We're going to say true. | 0:28:04 | 0:28:07 | |
You're going to say is it's true? OK. | 0:28:07 | 0:28:08 | |
Jermaine, truth or lie? | 0:28:08 | 0:28:11 | |
It's a lie. | 0:28:11 | 0:28:13 | |
That's all we've time for on this special edition | 0:28:16 | 0:28:19 | |
of Would I Lie To You? | 0:28:19 | 0:28:20 | |
Thanks very much for watching. Goodnight. | 0:28:20 | 0:28:22 |