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CHEERING AND APPLAUSE | 0:00:15 | 0:00:19 | |
Good evening and welcome to Would I Lie To You? | 0:00:25 | 0:00:27 | |
The show where honesty is never the best policy. | 0:00:27 | 0:00:30 | |
On Lee Mack's team tonight, a comedian who studied | 0:00:30 | 0:00:33 | |
quasi-zero dimensional and mesoscopic electrical systems at university. | 0:00:33 | 0:00:37 | |
Just to explain that to Lee. | 0:00:37 | 0:00:39 | |
University, it's like a school for grown-ups. | 0:00:39 | 0:00:42 | |
Ben Miller! | 0:00:42 | 0:00:44 | |
CHEERING AND APPLAUSE | 0:00:44 | 0:00:46 | |
And a comedian who used to work in a German sausage factory. | 0:00:46 | 0:00:52 | |
He said the "wurst" part was delicious. | 0:00:52 | 0:00:55 | |
LAUGHTER | 0:00:55 | 0:00:57 | |
Henning Wehn! | 0:00:57 | 0:00:59 | |
CHEERING AND APPLAUSE | 0:00:59 | 0:01:01 | |
And on David Mitchell's team tonight, an actress | 0:01:02 | 0:01:05 | |
currently starring in the sitcom Plebs, set in ancient Rome, | 0:01:05 | 0:01:08 | |
where she enjoys being attended to by slaves and taking part in orgies. | 0:01:08 | 0:01:13 | |
I'm afraid tonight it's just a box of Twiglets. | 0:01:13 | 0:01:16 | |
Doon Mackichan. | 0:01:16 | 0:01:18 | |
CHEERING AND APPLAUSE | 0:01:18 | 0:01:20 | |
And a man who has a degree in sports journalism. It's a 2-2. | 0:01:20 | 0:01:24 | |
It would have been a 2-1 but they equalised in the last minute. | 0:01:24 | 0:01:28 | |
From The Last Leg, Alex Brooker. | 0:01:28 | 0:01:30 | |
CHEERING AND APPLAUSE | 0:01:30 | 0:01:33 | |
And so to Round One, Home Truths, where our panellists each | 0:01:34 | 0:01:37 | |
read out a statement from the card in front of them. | 0:01:37 | 0:01:40 | |
Now, to make things harder, they've never seen the card before, | 0:01:40 | 0:01:42 | |
they've no idea what they'll be faced with. | 0:01:42 | 0:01:44 | |
And it's up to the opposing team to sort the fact from the fiction. | 0:01:44 | 0:01:48 | |
Ben is first up tonight. Please reveal all. | 0:01:48 | 0:01:51 | |
Aside from my friend Mark Park, I have... | 0:01:52 | 0:01:56 | |
LAUGHTER | 0:01:56 | 0:01:58 | |
-HENNING: -I think we can end it there. | 0:01:58 | 0:02:00 | |
LAUGHTER | 0:02:00 | 0:02:02 | |
..I have three other good friends whose names rhyme. | 0:02:04 | 0:02:09 | |
LAUGHTER | 0:02:09 | 0:02:12 | |
Let's not rush any questions, David. Just, never mind rushing about. | 0:02:12 | 0:02:16 | |
-I'm sorry, Ben, I'm going to have to ask for the names of the friends. -Very quickly. Right now. | 0:02:16 | 0:02:20 | |
-You take your time, you take your time. -Uh... | 0:02:20 | 0:02:23 | |
LAUGHTER | 0:02:23 | 0:02:25 | |
Richard Pritchard. | 0:02:25 | 0:02:26 | |
LAUGHTER | 0:02:26 | 0:02:28 | |
That rhymes, to be fair, that is one. | 0:02:28 | 0:02:30 | |
-That was a good one. -Mark Park. | 0:02:30 | 0:02:34 | |
No, we've had Mark Park. There's three, three other friends on top of Mark Park. | 0:02:34 | 0:02:39 | |
Richard Pritchard. | 0:02:39 | 0:02:41 | |
You need two more. | 0:02:42 | 0:02:43 | |
Dave Clave. | 0:02:46 | 0:02:47 | |
Dave Clave. | 0:02:51 | 0:02:54 | |
Yeah. | 0:02:54 | 0:02:55 | |
Angie Ranji. | 0:02:55 | 0:02:57 | |
LAUGHTER | 0:02:57 | 0:02:59 | |
APPLAUSE | 0:02:59 | 0:03:02 | |
And what's Richard Pritchard's job? How do you know him? | 0:03:05 | 0:03:08 | |
He's... Oh, I know him from school, and he's a quantity surveyor. | 0:03:08 | 0:03:12 | |
How do you know Angie Ranji? Where'd you meet her? | 0:03:12 | 0:03:15 | |
LAUGHTER | 0:03:15 | 0:03:17 | |
Well, funnily enough, she was in an acting class with me | 0:03:17 | 0:03:20 | |
on the Isle of Wight. | 0:03:20 | 0:03:22 | |
Where did you run into Dave Clave? | 0:03:22 | 0:03:23 | |
Please say at a rave. | 0:03:26 | 0:03:27 | |
LAUGHTER AND APPLAUSE | 0:03:29 | 0:03:32 | |
I was in a band with him, he played drums. | 0:03:35 | 0:03:38 | |
So, all of these people have lived their lives with matching | 0:03:38 | 0:03:42 | |
forenames, surnames. Have none of them ever, like, said, | 0:03:42 | 0:03:45 | |
"Do you know what, I think this sounds ridiculous, I might change it"? | 0:03:45 | 0:03:49 | |
Well, Richard hasn't because, you know, it's a common Welsh name. | 0:03:49 | 0:03:52 | |
It is particularly common to have the first...same first name as your surname. | 0:03:52 | 0:03:55 | |
-Yes. Hugh Hughes. -Evan Evans, Thomas Thomas. -Yeah. | 0:03:55 | 0:03:58 | |
Bet you're wishing you thought of them earlier. | 0:03:58 | 0:04:01 | |
LAUGHTER | 0:04:01 | 0:04:03 | |
These friends of yours, are they in a small social circle? | 0:04:06 | 0:04:09 | |
For example, has Richard Pritchard ever met Angie Ranji? | 0:04:09 | 0:04:12 | |
Dave Clave has met Richard Pritchard. | 0:04:14 | 0:04:17 | |
LAUGHTER | 0:04:17 | 0:04:19 | |
-Under what circumstances? -My 40th birthday party. | 0:04:19 | 0:04:21 | |
-DOON: -Why didn't Angie Ranji go? | 0:04:21 | 0:04:23 | |
I was in a production of Twelfth Night with | 0:04:23 | 0:04:26 | |
Angie Ranji on the Isle of Wight | 0:04:26 | 0:04:28 | |
and we only knew each other for the period of one summer in about 1991. | 0:04:28 | 0:04:33 | |
She was a friend of mine, | 0:04:33 | 0:04:35 | |
but she wasn't at my 40th birthday. Whereas Dave and Richard were. | 0:04:35 | 0:04:39 | |
And why did Mark Park not make the birthday party, then? | 0:04:39 | 0:04:42 | |
We're just not that close a friend. | 0:04:42 | 0:04:45 | |
So why do you think you and Mark have never really...? | 0:04:45 | 0:04:48 | |
LAUGHTER | 0:04:48 | 0:04:50 | |
Well, Mark, quantity survey... You know, I guess... | 0:04:52 | 0:04:55 | |
-So Mark's a quantity surveyor? -Yeah. | 0:04:55 | 0:04:57 | |
I thought Richard Pritchard was a quantity surveyor. | 0:04:57 | 0:05:00 | |
What's Richard Pritchard again? | 0:05:00 | 0:05:02 | |
He's a chartered surveyor. | 0:05:02 | 0:05:05 | |
-Chartered surveyor, yeah. -Which one? Are they both? | 0:05:05 | 0:05:08 | |
Are they in a practice, Park and Pritchard? | 0:05:08 | 0:05:11 | |
LAUGHTER | 0:05:11 | 0:05:13 | |
Does this have the ring of truth? | 0:05:13 | 0:05:14 | |
Do you know, it did before the quantity surveyor. I think... | 0:05:14 | 0:05:18 | |
I think he said Richard Pritchard was the quantity... | 0:05:18 | 0:05:20 | |
was the something surveyor. | 0:05:20 | 0:05:22 | |
He said chartered surveyor for Richard Pritchard. | 0:05:22 | 0:05:24 | |
Now we've got a quantity surveyor. | 0:05:24 | 0:05:26 | |
For Mark Park. But if the surveyors thing is... | 0:05:26 | 0:05:29 | |
If Ben has planted that surveyor doubt in our minds, | 0:05:29 | 0:05:32 | |
then that's so brilliant it deserves a point. | 0:05:32 | 0:05:35 | |
-I agree. -So I think... -So you're going to say? | 0:05:35 | 0:05:37 | |
-Shall we say lie? -Lie, lie. -Lie. Saying it's a lie. | 0:05:37 | 0:05:40 | |
Ben. Truth or lie. | 0:05:40 | 0:05:42 | |
It is...a... | 0:05:42 | 0:05:45 | |
lie. | 0:05:45 | 0:05:46 | |
APPLAUSE | 0:05:46 | 0:05:48 | |
It's a lie. Ben doesn't have four good friends whose names rhyme. | 0:05:50 | 0:05:54 | |
And, Henning, you're next. | 0:05:54 | 0:05:56 | |
I was once arrested by border guards for illegally entering | 0:05:56 | 0:06:01 | |
another country. | 0:06:01 | 0:06:03 | |
LAUGHTER | 0:06:03 | 0:06:05 | |
David's team, what do you think? | 0:06:05 | 0:06:07 | |
Which, which country? | 0:06:07 | 0:06:08 | |
LAUGHTER | 0:06:10 | 0:06:12 | |
It was in the mid '90s. | 0:06:12 | 0:06:15 | |
That's not a country. | 0:06:15 | 0:06:16 | |
LAUGHTER | 0:06:16 | 0:06:18 | |
And it was in Eastern Europe, so they changed names very quickly. | 0:06:18 | 0:06:21 | |
So I'm not sure, | 0:06:21 | 0:06:23 | |
it was either Czech Republic or Czechoslovakia, I don't know which. | 0:06:23 | 0:06:26 | |
-You don't know what stage of its... -Yeah, exactly. | 0:06:26 | 0:06:28 | |
..dissolution it was at. Yeah. And what was the problem? | 0:06:28 | 0:06:32 | |
-I didn't have my passport. -Right. | 0:06:32 | 0:06:35 | |
Where had you left your passport? | 0:06:35 | 0:06:37 | |
At home. | 0:06:37 | 0:06:38 | |
LAUGHTER | 0:06:38 | 0:06:40 | |
Who were you with, by the way? Were you on your own or...? | 0:06:40 | 0:06:42 | |
No, I was with a friend from back home. Pit. | 0:06:42 | 0:06:46 | |
A friend from the pit? | 0:06:46 | 0:06:48 | |
No, with a person called Pit. | 0:06:48 | 0:06:50 | |
Is that his real name, or is that a nickname? | 0:06:50 | 0:06:53 | |
-Pete. -Oh, Pete? -No P... P-I-T. | 0:06:53 | 0:06:56 | |
-Oh, Pit. -He's called, he's called Pit. | 0:06:56 | 0:06:59 | |
Like, like Brad Pitt, but Pit as his first name. | 0:06:59 | 0:07:01 | |
-Otherwise I would say Pete. -DOON: -Yeah. | 0:07:01 | 0:07:04 | |
LAUGHTER | 0:07:04 | 0:07:06 | |
APPLAUSE | 0:07:06 | 0:07:08 | |
We were travelling on something that was called | 0:07:09 | 0:07:12 | |
Schnes-Wochenende-Ticket and... | 0:07:12 | 0:07:16 | |
That's German for National Express. | 0:07:16 | 0:07:18 | |
LAUGHTER | 0:07:18 | 0:07:19 | |
No, it is German for | 0:07:19 | 0:07:21 | |
"You can use any train you like...as long as it's a slow train." | 0:07:21 | 0:07:26 | |
LAUGHTER | 0:07:26 | 0:07:29 | |
We have that system with all of our trains. | 0:07:29 | 0:07:32 | |
LAUGHTER | 0:07:32 | 0:07:34 | |
APPLAUSE | 0:07:34 | 0:07:37 | |
-OK, so you get off the train at the border. -You do. | 0:07:37 | 0:07:40 | |
-Is it at that moment that you realise you don't have your passport? -Yes. | 0:07:40 | 0:07:43 | |
So we wanted to go into Czech...Czechoslovakia. So I didn't | 0:07:43 | 0:07:47 | |
have my passport, so the obvious thing to do is don't go across where | 0:07:47 | 0:07:53 | |
the border guards are... | 0:07:53 | 0:07:55 | |
but go a mile off into the fields... | 0:07:55 | 0:07:58 | |
LAUGHTER | 0:07:58 | 0:07:59 | |
..and cross there. If then someone wants to see your passport, you say, | 0:07:59 | 0:08:02 | |
"Oh, I must have lost it." | 0:08:02 | 0:08:04 | |
LAUGHTER | 0:08:04 | 0:08:06 | |
Roughly how far into Czechoslovakia, in whatever form it was, were you? | 0:08:06 | 0:08:11 | |
I was about, give or take, a mile. | 0:08:11 | 0:08:14 | |
I see in the distance, I see like two lights, two white lights, | 0:08:14 | 0:08:19 | |
they're getting bigger and bigger and bigger. | 0:08:19 | 0:08:22 | |
And then I realised it's a Jeep, and then they're driving towards us. | 0:08:22 | 0:08:26 | |
Oh, I'm quite gripped by this story. | 0:08:26 | 0:08:29 | |
The Jeep then just stopped, and then there is four people jumping out | 0:08:29 | 0:08:36 | |
with automatic rifles and dogs. | 0:08:36 | 0:08:39 | |
Automatic dogs? | 0:08:39 | 0:08:40 | |
LAUGHTER | 0:08:40 | 0:08:43 | |
What sort of dogs were they? | 0:08:43 | 0:08:45 | |
I didn't ask for their names. | 0:08:45 | 0:08:48 | |
Neither did Alex. | 0:08:48 | 0:08:49 | |
LAUGHTER | 0:08:49 | 0:08:52 | |
They were terrifying dogs, probably Alsatians or something. | 0:08:52 | 0:08:55 | |
What happened, they're all around you? So what did they say? | 0:08:55 | 0:08:57 | |
They all jump out with their rifles, don't they? And then saying, | 0:08:57 | 0:09:00 | |
"Oh, ve, ve, ve, ve" of whatever their language is, so... | 0:09:00 | 0:09:04 | |
LAUGHTER | 0:09:04 | 0:09:07 | |
Yeah, and then we had to get in the Jeep and...and we were | 0:09:07 | 0:09:11 | |
driving off into Czechoslovakia and then we ended up in some woods. | 0:09:11 | 0:09:16 | |
One of them jumps out, opens a gate that | 0:09:16 | 0:09:19 | |
I didn't even see was there. Then there is some little wooden hut. | 0:09:19 | 0:09:24 | |
And there was someone in there that spoke German. | 0:09:24 | 0:09:27 | |
We got on well with that fella, and our excuse was, let me say, | 0:09:27 | 0:09:30 | |
"We had no idea that we'd crossed the border." | 0:09:30 | 0:09:34 | |
So then they didn't fully buy it, | 0:09:34 | 0:09:38 | |
but they knew there was little point executing us. | 0:09:38 | 0:09:42 | |
LAUGHTER | 0:09:42 | 0:09:44 | |
What happens then? | 0:09:46 | 0:09:47 | |
And now the funny story begins. | 0:09:47 | 0:09:50 | |
LAUGHTER | 0:09:50 | 0:09:52 | |
They said, | 0:09:53 | 0:09:55 | |
"You'll have to pay a penalty." | 0:09:55 | 0:09:58 | |
-Oh, the Germans and penalties. Not again. -That penalty... | 0:09:58 | 0:10:01 | |
LAUGHTER AND APPLAUSE | 0:10:01 | 0:10:03 | |
Never again, please. | 0:10:05 | 0:10:07 | |
Then the Czechs drove us back | 0:10:08 | 0:10:12 | |
to the German border, handed us | 0:10:12 | 0:10:14 | |
over to the German border guards, | 0:10:14 | 0:10:17 | |
and then they congratulated us on | 0:10:17 | 0:10:20 | |
being the first illegal immigrants from Germany into Czechoslovakia. | 0:10:20 | 0:10:25 | |
LAUGHTER | 0:10:25 | 0:10:26 | |
APPLAUSE | 0:10:26 | 0:10:27 | |
Well, there we are. | 0:10:27 | 0:10:29 | |
David, what are you and your team thinking? | 0:10:30 | 0:10:32 | |
It's the travel card thing. | 0:10:32 | 0:10:34 | |
LAUGHTER | 0:10:34 | 0:10:36 | |
It's just, it just seems right. | 0:10:36 | 0:10:38 | |
I think, on an emotional level, | 0:10:38 | 0:10:40 | |
having spent so long hearing that story... | 0:10:40 | 0:10:43 | |
LAUGHTER | 0:10:43 | 0:10:46 | |
..we need it to be true, we need something. | 0:10:46 | 0:10:49 | |
We need it to be true | 0:10:49 | 0:10:50 | |
because a lot of our life went into that. | 0:10:50 | 0:10:53 | |
-So you're going to say true. -On that emotional level, I think we have to say true. | 0:10:53 | 0:10:56 | |
You're saying it's true. Henning, truth or lie? | 0:10:56 | 0:10:59 | |
Well, that story is actually... | 0:10:59 | 0:11:02 | |
true. | 0:11:02 | 0:11:04 | |
APPLAUSE | 0:11:04 | 0:11:06 | |
Yes, that was true, | 0:11:09 | 0:11:11 | |
Henning did get arrested for illegally entering another country. | 0:11:11 | 0:11:15 | |
Our next round is called This Is My, where we bring on a mystery guest | 0:11:15 | 0:11:18 | |
who has a close connection to one of our panellists. | 0:11:18 | 0:11:21 | |
Now, this week, each of Lee's team will claim it's them | 0:11:21 | 0:11:23 | |
that has the genuine connection to the guest, | 0:11:23 | 0:11:26 | |
and it's up to David's team to spot who's telling the truth. | 0:11:26 | 0:11:28 | |
So, please welcome this week's special guest, Nicola. | 0:11:28 | 0:11:32 | |
APPLAUSE | 0:11:32 | 0:11:34 | |
So, Ben, first of all, what is Nicola to you? | 0:11:37 | 0:11:41 | |
Ah, this is Nicola and she taught me how to talk to crows. | 0:11:41 | 0:11:45 | |
Henning, how do you know Nicola? | 0:11:47 | 0:11:50 | |
This is Nicola, and I told my parents to sack her as my baby-sitter | 0:11:50 | 0:11:54 | |
because she failed to read my bedtime stories with enough emotion. | 0:11:54 | 0:11:59 | |
And finally, Lee, your relationship with Nicola. | 0:12:01 | 0:12:04 | |
This is Nicola. | 0:12:04 | 0:12:05 | |
I once chased her for 40 miles down the M3 | 0:12:05 | 0:12:09 | |
because I thought she'd stolen my phone. | 0:12:09 | 0:12:12 | |
David's team, where to begin? | 0:12:13 | 0:12:15 | |
So, Ben, why did you need to talk to crows? | 0:12:15 | 0:12:19 | |
Um, because... Well, I'm writing a book... | 0:12:19 | 0:12:23 | |
and... | 0:12:23 | 0:12:25 | |
And my publisher is a crow! | 0:12:25 | 0:12:26 | |
LAUGHTER | 0:12:26 | 0:12:28 | |
And it's a book about aliens, so I got interested | 0:12:28 | 0:12:33 | |
in the idea of communicating with other intelligences. | 0:12:33 | 0:12:37 | |
Then I thought, "Are there any animals on Earth that we can already, | 0:12:37 | 0:12:41 | |
"that we can...can communicate with?" And I found out that Nicola | 0:12:41 | 0:12:46 | |
was an expert on crows and had discovered they're very intelligent. | 0:12:46 | 0:12:50 | |
So what sort of thing have you learnt to say to crows? | 0:12:50 | 0:12:54 | |
Um, well, we're only really at the basic sort of introductory... | 0:12:54 | 0:12:58 | |
What, like greetings, like, "Hello, how are you?" | 0:12:59 | 0:13:03 | |
"Take me to your leader." | 0:13:03 | 0:13:04 | |
LAUGHTER | 0:13:04 | 0:13:06 | |
How to present yourself to a crow. | 0:13:06 | 0:13:09 | |
How do you present yourself to a crow? | 0:13:09 | 0:13:12 | |
So you go... | 0:13:12 | 0:13:14 | |
-IN HIGH-PITCHED VOICE: -.."Hello, crow. Hello, crow. | 0:13:14 | 0:13:18 | |
"How are you, crow? Hello, hello." | 0:13:18 | 0:13:21 | |
That's what Nicola has been teaching you? | 0:13:21 | 0:13:23 | |
LAUGHTER | 0:13:23 | 0:13:25 | |
That's... That's how you talk to crows? | 0:13:27 | 0:13:30 | |
You do that with your head and you go, "Hello, crow, how are you? | 0:13:30 | 0:13:35 | |
"Hello." | 0:13:35 | 0:13:37 | |
When's your next lesson? | 0:13:37 | 0:13:40 | |
When you'll be learning how to say goodbye to a crow. | 0:13:40 | 0:13:43 | |
LAUGHTER | 0:13:43 | 0:13:45 | |
I've got a hunch about what it might be. | 0:13:45 | 0:13:47 | |
LAUGHTER | 0:13:47 | 0:13:50 | |
Right, David, who would you like to move on to? | 0:13:54 | 0:13:56 | |
Henning, what was wrong with the bedtime story? | 0:13:56 | 0:13:59 | |
I didn't enjoy the way she read the bedside story to me. | 0:13:59 | 0:14:03 | |
What sort of stories? Give us an example. | 0:14:03 | 0:14:06 | |
She was reading Hansel And Gretel to me, and then the witch ends | 0:14:06 | 0:14:10 | |
up in the oven. And she read that in a very compassionate way. | 0:14:10 | 0:14:15 | |
-Towards the witch? -Yeah. | 0:14:15 | 0:14:16 | |
And the good thing at that point is all about the witch got what | 0:14:16 | 0:14:21 | |
she had coming, and that's how I liked the story read to me. | 0:14:21 | 0:14:25 | |
LAUGHTER | 0:14:25 | 0:14:27 | |
You didn't like any complexity in the character... | 0:14:27 | 0:14:30 | |
No, I like the complexity but I don't like the compassion towards | 0:14:30 | 0:14:33 | |
the witch because she's a witch. | 0:14:33 | 0:14:35 | |
LAUGHTER | 0:14:35 | 0:14:36 | |
OK, so Hansel and Gretel shove the witch in the oven, | 0:14:36 | 0:14:39 | |
slam the door, turn it up to... gas mark six. | 0:14:39 | 0:14:43 | |
No, no, always, always preheat the oven before cooking in it. | 0:14:43 | 0:14:46 | |
LAUGHTER | 0:14:46 | 0:14:48 | |
-Let's assume it's preheated. -OK. | 0:14:48 | 0:14:50 | |
Slam the door, turn it up, and then walk out into the forest. | 0:14:50 | 0:14:54 | |
-Mm. -How did she mis-deliver that line? | 0:14:54 | 0:14:58 | |
Well, it was in German so it was like... | 0:14:58 | 0:15:00 | |
Is she German? | 0:15:00 | 0:15:02 | |
-Nicola? Yeah, yeah, yeah. -Ah. | 0:15:02 | 0:15:03 | |
-You mean, ja, ja, ja. -Yeah. | 0:15:03 | 0:15:05 | |
LAUGHTER | 0:15:05 | 0:15:06 | |
Nicola's a classic German name, innit? | 0:15:06 | 0:15:09 | |
Nicola. Nicola Schmidt. | 0:15:09 | 0:15:11 | |
LAUGHTER | 0:15:11 | 0:15:13 | |
So she was... What, she was just, | 0:15:14 | 0:15:16 | |
she was what, weeping for the witch or what? | 0:15:16 | 0:15:18 | |
LEE LAUGHS | 0:15:18 | 0:15:19 | |
What's... | 0:15:19 | 0:15:20 | |
LAUGHTER | 0:15:20 | 0:15:22 | |
I don't want to have to say this now but I just didn't overly like her. | 0:15:22 | 0:15:25 | |
LAUGHTER | 0:15:25 | 0:15:27 | |
That's obviously not how I told it to my parents, innit? | 0:15:27 | 0:15:31 | |
I said to my parents, I said, | 0:15:31 | 0:15:32 | |
"Yeah, she didn't put any butter on the bread and all that business, | 0:15:32 | 0:15:35 | |
"and didn't give me anything to drink," so I mean, ah... | 0:15:35 | 0:15:38 | |
LAUGHTER | 0:15:38 | 0:15:39 | |
I stuck her in the oven. | 0:15:39 | 0:15:41 | |
LAUGHTER | 0:15:41 | 0:15:42 | |
OK. What about Lee? | 0:15:44 | 0:15:45 | |
Oh, Lee's is not true. | 0:15:45 | 0:15:47 | |
LAUGHTER | 0:15:47 | 0:15:48 | |
So... | 0:15:51 | 0:15:52 | |
how did you come to the mistaken belief that she'd stolen your phone? | 0:15:52 | 0:15:55 | |
Well, it's an interesting story. | 0:15:55 | 0:15:57 | |
LAUGHTER | 0:15:57 | 0:15:59 | |
I was on the border of Czechoslovakia. | 0:15:59 | 0:16:01 | |
LAUGHTER | 0:16:01 | 0:16:03 | |
I was... I was in a restaurant with my wife and children | 0:16:03 | 0:16:08 | |
and we left the restaurant and we got back to the house | 0:16:08 | 0:16:11 | |
and I suddenly realised my mobile phone was missing. | 0:16:11 | 0:16:14 | |
So I thought... We came to the conclusion that my two-year-old | 0:16:14 | 0:16:17 | |
who's always picking things up and running round tables | 0:16:17 | 0:16:19 | |
cos, you know, I'm not a good parent | 0:16:19 | 0:16:21 | |
and they can run around in restaurants, | 0:16:21 | 0:16:23 | |
had picked it up and done something with it | 0:16:23 | 0:16:25 | |
and so I looked at my iPad | 0:16:25 | 0:16:29 | |
which has a thing on it where it tells you | 0:16:29 | 0:16:31 | |
where your phone is. | 0:16:31 | 0:16:32 | |
An app if you've lost your phone, so I pressed that. | 0:16:32 | 0:16:34 | |
You looked at your tablet, didn't you, as opposed to a specific...? | 0:16:34 | 0:16:37 | |
Oh, as opposed to a specific one? | 0:16:37 | 0:16:39 | |
Sorry, I looked at my "tablet", | 0:16:39 | 0:16:41 | |
which I'd previously bought from Currys. | 0:16:41 | 0:16:44 | |
LAUGHTER | 0:16:44 | 0:16:45 | |
So I decided... I've got one of these hand-held devices, | 0:16:47 | 0:16:50 | |
let's call it a tablet, | 0:16:50 | 0:16:51 | |
and on this tablet it tells you where your phone is. | 0:16:51 | 0:16:55 | |
-Like, like an iPad? -Can I...? | 0:16:55 | 0:16:56 | |
LAUGHTER | 0:16:56 | 0:16:58 | |
So I checked the app and, sure enough, | 0:17:02 | 0:17:05 | |
my phone was doing the little blinky thing | 0:17:05 | 0:17:07 | |
and it was in a street not too far from the restaurant. | 0:17:07 | 0:17:11 | |
So I thought, "Oh, well, maybe my child hasn't taken the phone at all, | 0:17:11 | 0:17:13 | |
"maybe it's been stolen." | 0:17:13 | 0:17:16 | |
So I rung my mate up straight away | 0:17:16 | 0:17:17 | |
because I'm a coward, I didn't want to go on my own. | 0:17:17 | 0:17:19 | |
So he held the iPad. | 0:17:19 | 0:17:21 | |
We drove off, we followed the little dot | 0:17:21 | 0:17:23 | |
but then when we got close, the dot started moving, | 0:17:23 | 0:17:26 | |
so we have to follow the dot, | 0:17:26 | 0:17:28 | |
the dot gets on the M3 and we're following the dot on the M3 | 0:17:28 | 0:17:31 | |
and we travel for about 40 miles. | 0:17:31 | 0:17:33 | |
But Nicola could have noticed you in the rear-view mirror saying, | 0:17:33 | 0:17:36 | |
"I'm being followed by two weird men." | 0:17:36 | 0:17:38 | |
I think you'll find on motorways, | 0:17:38 | 0:17:40 | |
you're often followed by the same car for quite a while. | 0:17:40 | 0:17:42 | |
How paranoid are you? | 0:17:42 | 0:17:44 | |
"He's been behind us for the last five minutes." | 0:17:44 | 0:17:46 | |
"We're on a motorway, David." "I know, but something's not right. | 0:17:46 | 0:17:50 | |
"There's one beside me now!" | 0:17:50 | 0:17:52 | |
LAUGHTER | 0:17:52 | 0:17:54 | |
-I wasn't right behind it because the dot was moving. -You were... | 0:17:54 | 0:17:57 | |
And I was chasing the dot for a long time. | 0:17:57 | 0:17:59 | |
When we were probably about five miles away from the dot, | 0:17:59 | 0:18:02 | |
because the dot was racing off ahead, we raced after. | 0:18:02 | 0:18:05 | |
Stopped, and we sussed out that it was a service station on the M3. | 0:18:05 | 0:18:08 | |
So we pulled into the service station | 0:18:08 | 0:18:10 | |
and that's when the next thing happened. | 0:18:10 | 0:18:13 | |
Give me a minute. | 0:18:13 | 0:18:14 | |
LAUGHTER | 0:18:14 | 0:18:17 | |
How could you tell which of the many cars parked in the service station? | 0:18:17 | 0:18:20 | |
-That's a very good question. -Thank you. | 0:18:20 | 0:18:22 | |
I wish I had a very good answer. | 0:18:22 | 0:18:24 | |
-I phoned the phone. -Ah. -Good, eh? -Very clever. | 0:18:24 | 0:18:27 | |
And it's at that point we see a woman getting out of a car | 0:18:27 | 0:18:31 | |
looking confused and then looking inside a bag, a shopping bag, | 0:18:31 | 0:18:35 | |
takes the phone out, | 0:18:35 | 0:18:36 | |
and at this point I think, that's my phone, | 0:18:36 | 0:18:39 | |
and she looks innocent cos she's looking all confused. | 0:18:39 | 0:18:41 | |
To which I go over, I say, "That's my phone," | 0:18:41 | 0:18:43 | |
and she said, "I honest to God have no idea how it got in there." | 0:18:43 | 0:18:46 | |
And then I start thinking, the two-year-old did pick it up | 0:18:46 | 0:18:48 | |
and put it in a bag and so ends the case for the defence. | 0:18:48 | 0:18:51 | |
LAUGHTER AND APPLAUSE | 0:18:51 | 0:18:53 | |
Thank you. Thank you. | 0:18:56 | 0:18:57 | |
Right, we need an answer. | 0:18:59 | 0:19:01 | |
So, David's team, is Nicola Ben's bird botherer, | 0:19:01 | 0:19:05 | |
Henning's boring baby-sitter, | 0:19:05 | 0:19:07 | |
or Lee's phone pincher? What do you think? | 0:19:07 | 0:19:11 | |
I've got a funny feeling about the crows. | 0:19:11 | 0:19:13 | |
Yeah, I love the idea that you're spending your free time wiggling | 0:19:13 | 0:19:16 | |
-your head in front of a crow. -LAUGHTER | 0:19:16 | 0:19:18 | |
Talking in a high-pitched voice. | 0:19:18 | 0:19:20 | |
So, sorry, you two are leaning towards believing the crow story? | 0:19:20 | 0:19:23 | |
LAUGHTER | 0:19:23 | 0:19:25 | |
I'm finding the crow story the least convincing. | 0:19:25 | 0:19:27 | |
-OK. -At the moment. I'm not saying it's impossible. | 0:19:27 | 0:19:30 | |
Do you believe Lee? | 0:19:30 | 0:19:31 | |
As a matter of principle, no. | 0:19:31 | 0:19:33 | |
LAUGHTER | 0:19:33 | 0:19:35 | |
I think it's probably Henning. | 0:19:35 | 0:19:37 | |
I think Henning's the sort of... | 0:19:37 | 0:19:39 | |
could have been the sort of vicious little child... | 0:19:39 | 0:19:42 | |
LAUGHTER | 0:19:42 | 0:19:43 | |
..who would have a baby-sitter summarily dismissed | 0:19:43 | 0:19:46 | |
for no good reason at all. | 0:19:46 | 0:19:48 | |
Which way are you going, Alex? | 0:19:48 | 0:19:50 | |
Do you know what, I'm going to stick my neck on the line. | 0:19:50 | 0:19:52 | |
-I think Lee. -Am I even getting a look-in? -You think it's Lee? -Yeah. | 0:19:52 | 0:19:55 | |
Doon? | 0:19:55 | 0:19:56 | |
Er...I initially thought it was Lee. | 0:19:56 | 0:19:58 | |
Completely from the very beginning | 0:19:58 | 0:20:00 | |
when I heard the three things, I went, "It's definitely Lee." | 0:20:00 | 0:20:02 | |
I'm not going to overrule. | 0:20:02 | 0:20:04 | |
I wouldn't be surprised if it was Henning. | 0:20:04 | 0:20:06 | |
-We'll go for Lee, we think it's Lee. -You're saying it's Lee, | 0:20:06 | 0:20:08 | |
with a little suspicion that it's Henning. OK. | 0:20:08 | 0:20:11 | |
Nicola, would you please reveal your true identity? | 0:20:11 | 0:20:14 | |
My name is Nicola, | 0:20:14 | 0:20:15 | |
and I taught Ben how to talk to crows! | 0:20:15 | 0:20:18 | |
LAUGHTER AND APPLAUSE | 0:20:18 | 0:20:21 | |
Brilliant. | 0:20:22 | 0:20:25 | |
-Thank you very much, Nicola. -Yes, whooo! | 0:20:25 | 0:20:28 | |
Which brings us to our final round, Quick Fire Lies, and we start with... | 0:20:33 | 0:20:37 | |
It's David. | 0:20:39 | 0:20:40 | |
I recently shooed a fox out of the garden by squirting it with water. | 0:20:43 | 0:20:48 | |
Five minutes later, | 0:20:48 | 0:20:49 | |
I watched in horror as it returned with its brother | 0:20:49 | 0:20:52 | |
and ate my plimsoll. | 0:20:52 | 0:20:54 | |
LAUGHTER | 0:20:54 | 0:20:55 | |
Lee's team, what do you think? | 0:20:57 | 0:20:59 | |
I've never heard anything so middle-class in all my life. | 0:21:01 | 0:21:03 | |
LAUGHTER | 0:21:03 | 0:21:05 | |
I want to picture it, | 0:21:05 | 0:21:06 | |
so you're in your house, and you see the fox in the garden. | 0:21:06 | 0:21:10 | |
Now you don't, with the greatest respect, | 0:21:10 | 0:21:13 | |
you don't strike me as overly nimble. | 0:21:13 | 0:21:16 | |
LAUGHTER | 0:21:16 | 0:21:18 | |
No, I'm not overly nimble, | 0:21:18 | 0:21:20 | |
but I'm just nimble enough. | 0:21:20 | 0:21:22 | |
Between 1 and 10, how quickly were you in the garden? | 0:21:22 | 0:21:25 | |
I went out in the garden at top speed for me, | 0:21:25 | 0:21:28 | |
which I'm afraid is now 6.7. | 0:21:28 | 0:21:30 | |
LAUGHTER | 0:21:30 | 0:21:32 | |
Anyway, you come out into the garden, you've got the hose, you see the fox. | 0:21:32 | 0:21:36 | |
And he sort of moves away a bit, shows some, | 0:21:36 | 0:21:39 | |
a certain degree of fear of the alpha predator. | 0:21:39 | 0:21:43 | |
He sees me and thinks, "Do you know, I think I'm safe with this guy", | 0:21:43 | 0:21:48 | |
and I thought, "Well, I can't have this, | 0:21:48 | 0:21:50 | |
"I can't have the fox thinking it's won. | 0:21:50 | 0:21:51 | |
"If I lose my power to frighten off foxes, what am I?" | 0:21:51 | 0:21:55 | |
Can I answer that? | 0:21:55 | 0:21:56 | |
LAUGHTER | 0:21:56 | 0:21:58 | |
So I, you know, I grabbed, I grabbed my hose, | 0:21:58 | 0:22:01 | |
and I, you know, swizzle some water at them. | 0:22:01 | 0:22:04 | |
I don't want to soak the poor creature. | 0:22:04 | 0:22:06 | |
Did you put your thumb on the end? | 0:22:06 | 0:22:07 | |
So I did put my thumb on the end and I directed some water, | 0:22:07 | 0:22:10 | |
sort of towards the lawn just kind of between him and me, | 0:22:10 | 0:22:14 | |
and that's enough. | 0:22:14 | 0:22:15 | |
He's off. | 0:22:15 | 0:22:16 | |
I bet he went, after the fox went off, I bet he went... | 0:22:16 | 0:22:19 | |
Yeah, yeah. | 0:22:19 | 0:22:21 | |
-And forgot he hadn't turned it off. -LAUGHTER | 0:22:22 | 0:22:24 | |
Look round sheepishly and thought, "I better get those plimsolls." | 0:22:26 | 0:22:29 | |
Are you in your pyjamas? | 0:22:30 | 0:22:31 | |
I was wearing normal clothes. | 0:22:31 | 0:22:33 | |
Well, David, we have a different opinion of what normal clothes are. | 0:22:33 | 0:22:36 | |
LAUGHTER | 0:22:36 | 0:22:37 | |
It was black tie, not white tie. | 0:22:37 | 0:22:39 | |
LAUGHTER | 0:22:39 | 0:22:41 | |
So in a nutshell, you had a fox in your garden, you come out, | 0:22:41 | 0:22:44 | |
water the thing out the garden, | 0:22:44 | 0:22:46 | |
then a little while later it comes back. | 0:22:46 | 0:22:49 | |
-Two of them come back. -Two of them. | 0:22:50 | 0:22:52 | |
-Now, where are you at this point? -I'm in the kitchen. -Right. | 0:22:52 | 0:22:54 | |
Noticing they've come back in the garden, thinking, "Dear, oh, dear." | 0:22:54 | 0:22:57 | |
There was deer there as well? | 0:22:57 | 0:22:59 | |
LAUGHTER | 0:22:59 | 0:23:00 | |
And then the fox... | 0:23:01 | 0:23:03 | |
And then one of the foxes goes and grabs this plimsoll | 0:23:03 | 0:23:06 | |
-that I keep by the shed. -Why? | 0:23:06 | 0:23:09 | |
-For walking around the garden. -What? -One plimsoll? | 0:23:09 | 0:23:11 | |
-LAUGHTER -There's two! | 0:23:11 | 0:23:13 | |
Tiny suggestion. Why don't you keep the plimsolls near the back door | 0:23:13 | 0:23:16 | |
so you don't have to get your feet wet if it's raining? | 0:23:16 | 0:23:18 | |
You're full of... | 0:23:18 | 0:23:19 | |
home improvement ideas! | 0:23:19 | 0:23:22 | |
And I don't, I don't know, cos I'm a moron. | 0:23:22 | 0:23:24 | |
-LAUGHTER -What happens to the plimsoll? | 0:23:24 | 0:23:26 | |
-One of them savages this shoe. -What's the other one doing? | 0:23:26 | 0:23:29 | |
I don't know. I don't speak fox. | 0:23:29 | 0:23:31 | |
LAUGHTER | 0:23:31 | 0:23:32 | |
If you wanted to do a proper impression of a fox, | 0:23:32 | 0:23:34 | |
I know a woman, who, providing you're a tad gullible, | 0:23:34 | 0:23:38 | |
will show you exactly... | 0:23:38 | 0:23:39 | |
LAUGHTER | 0:23:39 | 0:23:41 | |
-So go on, so...? -So I said... | 0:23:41 | 0:23:42 | |
-HIGH-PITCHED: -.."Hello, Mr Fox! | 0:23:42 | 0:23:44 | |
LAUGHTER | 0:23:44 | 0:23:46 | |
"I'm trying to communicate with you. | 0:23:46 | 0:23:48 | |
"Perhaps you could stop pooing on my lawn." | 0:23:48 | 0:23:51 | |
LAUGHTER | 0:23:51 | 0:23:53 | |
Right, Lee, what are you thinking? | 0:23:53 | 0:23:55 | |
Fundamentally, no Englishman leaves a pair of plimsolls | 0:23:55 | 0:24:00 | |
as his garden footwear and keeps them by a shed. | 0:24:00 | 0:24:03 | |
-So, you're saying it's... -It's a lie. -It's a lie. | 0:24:03 | 0:24:06 | |
-HENNING: -Yeah, I think it's a lie. | 0:24:06 | 0:24:07 | |
Well, I'll go with my team, even though I think it's true. | 0:24:07 | 0:24:10 | |
Saying it's a lie. OK, David. Squirting foxes in the garden. | 0:24:10 | 0:24:12 | |
Truth or lie? | 0:24:12 | 0:24:13 | |
It is... | 0:24:13 | 0:24:15 | |
a lie. | 0:24:15 | 0:24:16 | |
-APPLAUSE -I thought so. | 0:24:16 | 0:24:18 | |
LAUGHTER | 0:24:18 | 0:24:20 | |
Thought it was a lie. | 0:24:20 | 0:24:21 | |
Yes, it's a lie. David didn't squirt water at a fox | 0:24:22 | 0:24:26 | |
only for it to return and eat his plimsoll. | 0:24:26 | 0:24:28 | |
Next... | 0:24:28 | 0:24:29 | |
It's Doon. | 0:24:31 | 0:24:32 | |
On the advice of an optician, | 0:24:34 | 0:24:36 | |
I often walk with one eye open | 0:24:36 | 0:24:39 | |
and one eye shut. | 0:24:39 | 0:24:40 | |
That way one of my eyes is always having a rest. | 0:24:41 | 0:24:46 | |
LAUGHTER | 0:24:46 | 0:24:47 | |
Lee? | 0:24:47 | 0:24:48 | |
Well, it's sensible. | 0:24:48 | 0:24:50 | |
-Is it? -Even if she isn't doing it, she should. | 0:24:51 | 0:24:53 | |
I will from now on. | 0:24:53 | 0:24:54 | |
LAUGHTER | 0:24:54 | 0:24:55 | |
When you say a rest, | 0:24:57 | 0:24:59 | |
you mean just to give your eye a rest | 0:24:59 | 0:25:02 | |
or because you're having problems with your eyes? | 0:25:02 | 0:25:04 | |
No, just to rest the eyes, so, because I don't wear glasses | 0:25:04 | 0:25:07 | |
and I don't want to wear glasses, so to exercise the eyes, | 0:25:07 | 0:25:11 | |
it's good to just cover one eye. | 0:25:11 | 0:25:13 | |
Now I have worn a patch, | 0:25:13 | 0:25:14 | |
and just thought I look ridiculous. | 0:25:14 | 0:25:16 | |
But that doesn't make sense. A doctor wouldn't say to me, | 0:25:16 | 0:25:19 | |
"I don't want to end up in a wheelchair." "Oh, in that case, hop on different legs." | 0:25:19 | 0:25:22 | |
LAUGHTER | 0:25:22 | 0:25:24 | |
Don't you feel you strain your one eye that's still open? | 0:25:24 | 0:25:28 | |
Well, apparently not, if you've got a slight stigmatism, | 0:25:28 | 0:25:31 | |
so I didn't... Yes, I have got a slight stigmatism in my left... | 0:25:31 | 0:25:34 | |
-Which eye is your stigmatism? -In my left eye. | 0:25:34 | 0:25:36 | |
I thought it was called an astigmatism. | 0:25:36 | 0:25:38 | |
Oh, well, then I heard it wrong. | 0:25:38 | 0:25:40 | |
Yeah, but you call it "a sausage," the thing isn't "asausage," is it? | 0:25:40 | 0:25:43 | |
There's sausage, a sausage. Stigmatism, a stigmatism. | 0:25:43 | 0:25:47 | |
-Is it, have I got an astigmatism? -It's astigmatism. | 0:25:47 | 0:25:50 | |
You've got astigmatism. | 0:25:50 | 0:25:51 | |
You've got asausage. | 0:25:51 | 0:25:52 | |
LAUGHTER | 0:25:52 | 0:25:53 | |
No, no, no, Ben is right, Ben went to Cambridge, it's an astigmatism. | 0:25:53 | 0:25:56 | |
It's an astigmatism. | 0:25:56 | 0:25:58 | |
-What I'm saying is... -I went to Cambridge once! | 0:25:58 | 0:26:00 | |
LAUGHTER | 0:26:00 | 0:26:02 | |
So what? | 0:26:02 | 0:26:04 | |
We all know where Cambridge is. | 0:26:04 | 0:26:05 | |
LAUGHTER | 0:26:05 | 0:26:07 | |
Can I ask a question? How long do you do each eye for? | 0:26:07 | 0:26:10 | |
If I'm walking out, probably only about two or three minutes | 0:26:10 | 0:26:14 | |
whereas if I'm inside, do it like that, when you're working. | 0:26:14 | 0:26:18 | |
Oh, do you cover? You actually walk along like that down the street? | 0:26:18 | 0:26:21 | |
-LAUGHTER -I have walked along like that. | 0:26:21 | 0:26:22 | |
As I said, I did wear a patch at one point and felt stupid. | 0:26:22 | 0:26:25 | |
People must think you've forgotten something, when you're... | 0:26:25 | 0:26:28 | |
LAUGHTER | 0:26:29 | 0:26:30 | |
When did the optician give you this advice? | 0:26:31 | 0:26:34 | |
Probably about eight years ago, when I started to get headaches. | 0:26:34 | 0:26:38 | |
Maybe he was busy. Was it like 4.55 and he was locking up? | 0:26:38 | 0:26:41 | |
LAUGHTER | 0:26:41 | 0:26:43 | |
Just put your hand over zis and go away. | 0:26:43 | 0:26:45 | |
-Was it like that? -LAUGHTER | 0:26:45 | 0:26:47 | |
He's one of the leading, you know... | 0:26:47 | 0:26:49 | |
He's one of the leading...? | 0:26:49 | 0:26:50 | |
Eye specialists on Harley Street. | 0:26:50 | 0:26:52 | |
OK, what do you think, Lee? | 0:26:52 | 0:26:54 | |
I think she should have gone to Specsavers. | 0:26:54 | 0:26:56 | |
LAUGHTER | 0:26:56 | 0:26:58 | |
APPLAUSE | 0:26:58 | 0:27:00 | |
What's it going to be, then? | 0:27:01 | 0:27:02 | |
Well, I think that's the sort of thing people might do. | 0:27:02 | 0:27:06 | |
I want to know what you mean. Do you mean the optician might say that? | 0:27:06 | 0:27:09 | |
No, they have got a reputation to lose. | 0:27:09 | 0:27:11 | |
If you don't believe that, then it's got to be a lie. | 0:27:11 | 0:27:13 | |
Cos she's saying he said that. | 0:27:13 | 0:27:14 | |
-No, he wouldn't have said that. -Then it's a lie! | 0:27:14 | 0:27:16 | |
LAUGHTER | 0:27:16 | 0:27:18 | |
-It's a lie, then. -LAUGHTER | 0:27:18 | 0:27:20 | |
-And, Ben, you think it's a lie, don't you? -It's not true. | 0:27:20 | 0:27:23 | |
I mean, apart from anything, you go to Harley Street, | 0:27:23 | 0:27:25 | |
you're paying a lot of money, | 0:27:25 | 0:27:26 | |
the man's going to sell you some glasses, isn't he? | 0:27:26 | 0:27:28 | |
-LAUGHTER -He's not going to say, just walk down the street... | 0:27:28 | 0:27:31 | |
LAUGHTER | 0:27:31 | 0:27:33 | |
You're saying it's a lie? | 0:27:33 | 0:27:34 | |
Saying it's a lie. OK. So, Doon. | 0:27:34 | 0:27:36 | |
The eyes, the optician, Harley Street. | 0:27:36 | 0:27:39 | |
Truth or lie? | 0:27:39 | 0:27:41 | |
It is... | 0:27:41 | 0:27:42 | |
..lie. | 0:27:43 | 0:27:44 | |
CHEERING AND APPLAUSE | 0:27:44 | 0:27:46 | |
Yes, it's a lie. Doon doesn't walk with one eye open and one eye shut. | 0:27:46 | 0:27:51 | |
BUZZER BLARES | 0:27:51 | 0:27:52 | |
And that noise signals time is up, | 0:27:52 | 0:27:54 | |
it's the end of the show, | 0:27:54 | 0:27:55 | |
and I can reveal that Lee's team have won by three points to two. | 0:27:55 | 0:27:59 | |
APPLAUSE | 0:27:59 | 0:28:01 | |
But, of course, it's not just a team game | 0:28:05 | 0:28:08 | |
and my individual liar of the week this week is... | 0:28:08 | 0:28:12 | |
Ben Miller. | 0:28:12 | 0:28:13 | |
Really? Oh. How lovely. | 0:28:13 | 0:28:15 | |
Yes, Ben Miller. | 0:28:15 | 0:28:18 | |
When it comes to lying, | 0:28:18 | 0:28:19 | |
I'm ashamed to say he's so shameless it's shameful, which is a shame. | 0:28:19 | 0:28:23 | |
LAUGHTER Goodnight. | 0:28:23 | 0:28:24 | |
CHEERING AND APPLAUSE | 0:28:24 | 0:28:27 |