Browse content similar to Episode 6. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
APPLAUSE AND CHEERING | 0:00:15 | 0:00:18 | |
Good evening! Welcome to Would I Lie To You - | 0:00:22 | 0:00:25 | |
the show with tall tales and tantalising truths. | 0:00:25 | 0:00:28 | |
On David Mitchell's team tonight, a TV presenter | 0:00:28 | 0:00:31 | |
whose knowledge of cars is second only to my own. | 0:00:31 | 0:00:34 | |
My personal favourite is a red one. It's Richard Hammond. | 0:00:34 | 0:00:37 | |
-APPLAUSE -Thank you. | 0:00:37 | 0:00:40 | |
And a comedian who once did a TV show for Channel 4, | 0:00:40 | 0:00:43 | |
where he wrestled an alligator. | 0:00:43 | 0:00:45 | |
Who says Sky TV has all the best sports? It's Sean Lock. | 0:00:45 | 0:00:49 | |
-APPLAUSE -Thank you. | 0:00:49 | 0:00:51 | |
And over on Lee Mack's team tonight, someone who has helped | 0:00:51 | 0:00:54 | |
transform British tennis | 0:00:54 | 0:00:56 | |
and helped ruin British dancing. It's Judy Murray. | 0:00:56 | 0:00:59 | |
APPLAUSE | 0:00:59 | 0:01:01 | |
And a South African comedian who recently | 0:01:01 | 0:01:04 | |
performed on the Royal Variety Show. | 0:01:04 | 0:01:06 | |
90 minutes of the finest entertainment | 0:01:06 | 0:01:08 | |
crammed into seven and a half hours. It's Trevor Noah! | 0:01:08 | 0:01:12 | |
APPLAUSE | 0:01:12 | 0:01:14 | |
So let's begin with Round 1, Home Truths, where our panellists | 0:01:15 | 0:01:19 | |
read out a statement from the card in front of them. | 0:01:19 | 0:01:21 | |
Now, to make things harder, they've never seen the card before, | 0:01:21 | 0:01:24 | |
they've no idea what they'll be faced with, | 0:01:24 | 0:01:26 | |
and it's up to the opposing team to sort the fact from the fiction. | 0:01:26 | 0:01:29 | |
Trevor, you're first up tonight. | 0:01:29 | 0:01:31 | |
I used to call strangers on the telephone | 0:01:33 | 0:01:35 | |
and convince them that they were talking to Nelson Mandela. | 0:01:35 | 0:01:39 | |
David's team. | 0:01:42 | 0:01:44 | |
Er, why? | 0:01:44 | 0:01:45 | |
Because everyone loves Nelson Mandela. | 0:01:47 | 0:01:49 | |
But is it, I mean, how often did Nelson Mandela cold-call people? | 0:01:49 | 0:01:55 | |
Were you selling anything, as Nelson Mandela? | 0:01:55 | 0:01:58 | |
No, no, no, just... | 0:01:58 | 0:01:59 | |
He wasn't pretending to be Nelson Mandela during his telesales period. | 0:01:59 | 0:02:02 | |
Oh, right. | 0:02:02 | 0:02:04 | |
How did you start the conversation? So, if I've answered the phone... | 0:02:04 | 0:02:08 | |
Hello? | 0:02:08 | 0:02:10 | |
-AS NELSON MANDELA: -Hello, Richard. | 0:02:10 | 0:02:12 | |
Whoa, it's Nelson Mandela! | 0:02:12 | 0:02:14 | |
APPLAUSE | 0:02:14 | 0:02:16 | |
What would you say next? | 0:02:17 | 0:02:19 | |
How are you, Richard? | 0:02:19 | 0:02:22 | |
I wanted to thank you | 0:02:23 | 0:02:25 | |
for fighting against bad things. | 0:02:25 | 0:02:28 | |
You haven't seen Top Gear, have you? | 0:02:30 | 0:02:32 | |
Who did you target? | 0:02:36 | 0:02:38 | |
Anybody. I just dialled numbers on the phone. | 0:02:38 | 0:02:42 | |
What, random...random numbers? | 0:02:42 | 0:02:45 | |
Yeah, like, it was just, you know... | 0:02:45 | 0:02:47 | |
What was your hit rate on that, | 0:02:47 | 0:02:49 | |
for people who believed it was Nelson Mandela, and didn't? | 0:02:49 | 0:02:53 | |
-100%. -Really? | 0:02:53 | 0:02:55 | |
Everyone. How many did you try? | 0:02:55 | 0:02:57 | |
Is it just Richard - now? | 0:02:57 | 0:02:59 | |
It was, yeah, it was fairly convincing. | 0:03:01 | 0:03:03 | |
Did you ever let the people know at the end? | 0:03:03 | 0:03:05 | |
Did you go, "Ha, it's not Nelson Mandela!"? | 0:03:05 | 0:03:07 | |
No, no, because that would crush them. | 0:03:07 | 0:03:10 | |
How would you know when to end the conversation as Nelson Mandela, | 0:03:11 | 0:03:15 | |
with this unsuspecting - gullible, hopefully - stranger? | 0:03:15 | 0:03:18 | |
Well, they would think I'm Nelson Mandela and then initially | 0:03:18 | 0:03:20 | |
it's "wow", and then, I guess, the next thing becomes, | 0:03:20 | 0:03:24 | |
"Why are you calling?" And then afterwards, | 0:03:24 | 0:03:26 | |
then they start asking questions. "Ah, what are you up to?" And you go, "No." | 0:03:26 | 0:03:30 | |
What are you wearing? | 0:03:30 | 0:03:31 | |
You're not wearing that shirt again, are you, Nelson? | 0:03:33 | 0:03:36 | |
-I'm sick of that shirt. -But what if you'd called, | 0:03:36 | 0:03:39 | |
what if you'd called an apartheid-friendly white Afrikaner? | 0:03:39 | 0:03:43 | |
Feel the tension in the room. | 0:03:44 | 0:03:46 | |
Can I just say, Rob, have you done light entertainment before? | 0:03:46 | 0:03:49 | |
You're calling me. | 0:03:49 | 0:03:51 | |
-OK. -Yes? | 0:03:51 | 0:03:53 | |
Hello, who am I speaking to? | 0:03:53 | 0:03:56 | |
-IN BAD SOUTH AFRICAN ACCENT: -You're talking to Tobias Cruelty. | 0:03:56 | 0:03:59 | |
This is some of my best work. | 0:04:05 | 0:04:07 | |
We're just glad it's someone else | 0:04:07 | 0:04:08 | |
other than Ronnie Corbett, for a change. | 0:04:08 | 0:04:11 | |
Who's this that is talking to me? | 0:04:11 | 0:04:13 | |
This is Nelson Mandela. | 0:04:13 | 0:04:15 | |
What?! Where are you? | 0:04:15 | 0:04:18 | |
I'm free. | 0:04:18 | 0:04:19 | |
Are you sure you're not Morgan Freeman? | 0:04:26 | 0:04:28 | |
That movie hasn't come out yet. | 0:04:30 | 0:04:32 | |
Well, do you know what, I've always been pro-apartheid, | 0:04:34 | 0:04:37 | |
but this frank exchange of views with you | 0:04:37 | 0:04:39 | |
has really turned me the other way. I wish you all the very best. | 0:04:39 | 0:04:43 | |
And to you. | 0:04:43 | 0:04:44 | |
APPLAUSE | 0:04:44 | 0:04:46 | |
-So, could this be true? -I think it's true. | 0:04:49 | 0:04:51 | |
-You think it's true? -Yeah. -Do you? -I'm thinking it's true as well, yeah. | 0:04:51 | 0:04:54 | |
-So you're saying true. -We're saying true, | 0:04:54 | 0:04:57 | |
-we're definitely saying true. -All right. Trevor, truth or lie? | 0:04:57 | 0:05:00 | |
True. | 0:05:02 | 0:05:03 | |
Yes, it's true. Trevor DID used to call people | 0:05:07 | 0:05:09 | |
and pretend to be Nelson Mandela. Sean Lock, you're next. | 0:05:09 | 0:05:12 | |
While travelling around Europe, | 0:05:15 | 0:05:17 | |
my friend and I came up with a scheme to make money on the beach. | 0:05:17 | 0:05:22 | |
-Lee's team. -What was it? | 0:05:24 | 0:05:26 | |
It was, it was jewellery. We used to sell jewellery. | 0:05:26 | 0:05:28 | |
What kind of jewellery was it? | 0:05:28 | 0:05:30 | |
It was earrings. | 0:05:30 | 0:05:32 | |
And where did you get the earrings from? | 0:05:32 | 0:05:34 | |
Um... | 0:05:34 | 0:05:36 | |
To be perfectly honest, we'd make them. | 0:05:38 | 0:05:41 | |
Oh, it's home-made jewellery - here we go. | 0:05:41 | 0:05:44 | |
-And where was the beach? -Where was the beach? | 0:05:44 | 0:05:47 | |
It's right next to the sea. Thank you. | 0:05:49 | 0:05:51 | |
It was in Greece. | 0:05:51 | 0:05:53 | |
What was it about being on that beach, you thought "earrings"? | 0:05:53 | 0:05:56 | |
Um... | 0:05:56 | 0:05:58 | |
I couldn't make doughnuts. | 0:05:59 | 0:06:01 | |
And what did you make the earrings out of? | 0:06:05 | 0:06:08 | |
Well, I didn't make them, my friend made them. | 0:06:08 | 0:06:10 | |
And what did HE make them out of? | 0:06:10 | 0:06:12 | |
Beads. | 0:06:14 | 0:06:15 | |
Now, this friend, Sean, what was his name? | 0:06:17 | 0:06:20 | |
-Spud. -Spud? -Spud. -Spud was his name? | 0:06:23 | 0:06:27 | |
Spud the jeweller. | 0:06:27 | 0:06:28 | |
My job was to sell them. | 0:06:31 | 0:06:32 | |
Ah, so you're the salesman. So, so give us a bit of patter. | 0:06:32 | 0:06:35 | |
Imagine David is on the beach in his thong, he's relaxing. | 0:06:35 | 0:06:38 | |
Finally he can be himself, OK? | 0:06:40 | 0:06:42 | |
And you come along and you look at his ears, they're unadorned, | 0:06:42 | 0:06:45 | |
you think, "There's an opportunity." Off you go. | 0:06:45 | 0:06:47 | |
Well, the first thing, if he's got a thong on, I'll ask him to turn over. | 0:06:47 | 0:06:50 | |
Could you roll on to your back, please? | 0:06:50 | 0:06:53 | |
And would you like me to rub a bit of cream into that area | 0:06:54 | 0:06:57 | |
because I don't think that's ever seen the sunshine. | 0:06:57 | 0:07:00 | |
He wasn't... The target market isn't... | 0:07:01 | 0:07:04 | |
Well, Richard likes a bit of jewellery round the neck. | 0:07:04 | 0:07:06 | |
So sell them to Richard. | 0:07:06 | 0:07:08 | |
Are you having a nice time? | 0:07:08 | 0:07:09 | |
Yeah, I'm having a lovely time. | 0:07:09 | 0:07:11 | |
Do you want to buy some earrings? | 0:07:11 | 0:07:12 | |
-Not really, no. -All right, then. | 0:07:12 | 0:07:14 | |
What's wrong with ME? | 0:07:14 | 0:07:15 | |
-Yeah, all right. -I've turned over and everything. | 0:07:15 | 0:07:19 | |
Then I'd do this. | 0:07:19 | 0:07:20 | |
Spud! | 0:07:20 | 0:07:22 | |
Help! | 0:07:22 | 0:07:24 | |
What was Spud's real name? | 0:07:24 | 0:07:25 | |
Keith. | 0:07:26 | 0:07:28 | |
Keith. Why did you call him Spud? | 0:07:28 | 0:07:31 | |
He always had a jacket on? What? | 0:07:31 | 0:07:33 | |
What are you thinking? | 0:07:39 | 0:07:40 | |
Judy, do we think that's the truth or a lie? | 0:07:40 | 0:07:42 | |
-I think it's a lie. -You don't, you're not... | 0:07:42 | 0:07:44 | |
I can't see him selling beaded earrings on a beach. | 0:07:44 | 0:07:47 | |
Would you buy anything from him? | 0:07:47 | 0:07:49 | |
No, nothing. | 0:07:49 | 0:07:50 | |
You know, I'm going to go, I think Judy's right. | 0:07:52 | 0:07:54 | |
-You think it's a lie. -Yeah. | 0:07:54 | 0:07:56 | |
I'm going to go with the team. | 0:07:56 | 0:07:57 | |
You're going to say lie. Sean? Truth or lie? | 0:07:57 | 0:08:00 | |
True. | 0:08:02 | 0:08:03 | |
APPLAUSE | 0:08:03 | 0:08:05 | |
Yes, it's true! Sean DID used to sell earrings on the beach. | 0:08:05 | 0:08:10 | |
Our next round is called This Is My..., | 0:08:12 | 0:08:13 | |
where we bring on a mystery guest | 0:08:13 | 0:08:15 | |
who has a close connection to one of our panellists. | 0:08:15 | 0:08:17 | |
Now, this week each of David's team | 0:08:17 | 0:08:18 | |
will claim it's them that has the genuine connection | 0:08:18 | 0:08:20 | |
to the guest. It's up to Lee's team to spot who's telling the truth. | 0:08:20 | 0:08:24 | |
So, please welcome this week's special guest, Ben. | 0:08:24 | 0:08:27 | |
APPLAUSE | 0:08:27 | 0:08:29 | |
So, Richard, what is Ben to you? | 0:08:35 | 0:08:38 | |
This is Ben, and I once convinced him | 0:08:38 | 0:08:41 | |
that he'd been spooked by a ghost in a country house. | 0:08:41 | 0:08:44 | |
Sean, how do you know Ben? | 0:08:44 | 0:08:45 | |
Well, this is Ben and I had to talk to him for over an hour, | 0:08:45 | 0:08:49 | |
to keep him calm when he got trapped in a Portaloo. | 0:08:49 | 0:08:52 | |
David, what's your relationship with Ben? | 0:08:52 | 0:08:55 | |
This is Ben, and he very recently took me | 0:08:55 | 0:08:58 | |
to my first-ever football match. | 0:08:58 | 0:09:00 | |
LEE LAUGHS And... | 0:09:00 | 0:09:03 | |
And was disappointed that I nodded off for a bit in the second half. | 0:09:03 | 0:09:08 | |
Lee's team, where do you want to start? | 0:09:08 | 0:09:10 | |
Well, first of all, Sean, how was he trapped in a Portaloo? | 0:09:10 | 0:09:14 | |
Well, it was the lock wouldn't work, wouldn't open. | 0:09:14 | 0:09:16 | |
Why was there such a tense situation that you had | 0:09:16 | 0:09:19 | |
to calm him down, why is he panicking? | 0:09:19 | 0:09:22 | |
Because, Ben, as I'm sure you'll notice - | 0:09:22 | 0:09:24 | |
I mean, you just have to look at him to know, | 0:09:24 | 0:09:26 | |
he suffers from a lot of anxieties. | 0:09:26 | 0:09:28 | |
I mean, he looks so comfortable here, doesn't he, | 0:09:31 | 0:09:34 | |
just so relaxed under these lights. | 0:09:34 | 0:09:37 | |
He's not, inside he's... | 0:09:37 | 0:09:39 | |
Where was the Portaloo? | 0:09:39 | 0:09:41 | |
-On a campsite. -Had you met him before? | 0:09:41 | 0:09:44 | |
I'd seen him on the campsite. | 0:09:44 | 0:09:45 | |
-And you'd nodded. "Hello," all that. -Yeah. | 0:09:45 | 0:09:48 | |
Well, you know what it's like, you're walking across a campsite | 0:09:48 | 0:09:50 | |
and you've got a toilet roll in your hand... | 0:09:50 | 0:09:53 | |
Everyone knows, you know, where you're going, | 0:09:53 | 0:09:55 | |
and they sort of smile at you, the way you, | 0:09:55 | 0:09:58 | |
something...you've all exposed. | 0:09:58 | 0:10:00 | |
-We've all been there. -We've all been there, and you're walking across | 0:10:00 | 0:10:03 | |
and you've got a toilet roll and people go, "All right?" | 0:10:03 | 0:10:06 | |
And then they've got that "What, again?" look, without saying it. | 0:10:08 | 0:10:11 | |
So did you go to use the Portaloo? | 0:10:14 | 0:10:16 | |
No. I was going out of the campsite. | 0:10:16 | 0:10:18 | |
And you heard, what did you hear? | 0:10:18 | 0:10:20 | |
Well, someone sort of... struggling with the mechanism. | 0:10:20 | 0:10:24 | |
Oh, no shouting at this point? | 0:10:24 | 0:10:26 | |
If someone... You know, it's a matter of politeness. | 0:10:26 | 0:10:28 | |
If someone's making sort of struggling noises in a Portaloo, | 0:10:28 | 0:10:33 | |
you don't think you can do much to help. | 0:10:33 | 0:10:37 | |
I like to think. And even if I could, | 0:10:40 | 0:10:42 | |
I don't really want to get involved in that problem. | 0:10:42 | 0:10:45 | |
As I was walking out, I thought - | 0:10:45 | 0:10:47 | |
it looks like it was wobbling slightly - | 0:10:47 | 0:10:50 | |
and I went back, I said, "Are you all right?" | 0:10:50 | 0:10:53 | |
And he went, "No, I'm not!" | 0:10:53 | 0:10:55 | |
And you talked to him for, you said, an hour? | 0:10:55 | 0:10:58 | |
Yes, we just... | 0:10:58 | 0:10:59 | |
Well, I'm curious to know what you filled an hour with. | 0:10:59 | 0:11:02 | |
Well, I just chatted. I said, I was chatting about | 0:11:02 | 0:11:05 | |
how his camping weekend was going. | 0:11:05 | 0:11:07 | |
Well, not very well. | 0:11:09 | 0:11:10 | |
So you're in the thing with him | 0:11:10 | 0:11:12 | |
and eventually, what happened, what was the outcome? | 0:11:12 | 0:11:14 | |
-Yeah, how did he get out? -The guy came - the camp... | 0:11:14 | 0:11:17 | |
-He died in there. -The campsite manager. | 0:11:17 | 0:11:20 | |
And then when he came out, | 0:11:20 | 0:11:21 | |
-first time you'd seen each other. -Yeah. | 0:11:21 | 0:11:23 | |
And how was that? Did you fall in love? | 0:11:23 | 0:11:25 | |
To be honest with you, I think he was a bit disappointed. | 0:11:26 | 0:11:30 | |
It was like Blind Date. | 0:11:30 | 0:11:32 | |
Now, who else would you like to quiz, Lee? | 0:11:37 | 0:11:40 | |
Richard, could you remind us again, please, of your... | 0:11:40 | 0:11:43 | |
I once persuaded Ben that he'd been spooked by a ghost | 0:11:43 | 0:11:46 | |
in a country house. | 0:11:46 | 0:11:47 | |
And, and what was the story - how did you convince him? | 0:11:47 | 0:11:50 | |
Well, he was in a separate room and I saw a stool | 0:11:50 | 0:11:55 | |
and realised, "Hang on, I can hit the rafters," | 0:11:55 | 0:11:58 | |
knowing where he was, "that'll sound like footsteps | 0:11:58 | 0:12:01 | |
coming towards him." So I did, and he believed it was a ghost. | 0:12:01 | 0:12:05 | |
And what were you doing in this house - is it just | 0:12:05 | 0:12:07 | |
an empty house where people are...? | 0:12:07 | 0:12:09 | |
-No, we worked together in radio. -Yeah. | 0:12:09 | 0:12:12 | |
And we were doing a ghost hunt. | 0:12:12 | 0:12:15 | |
Why was Ben in the room by himself? | 0:12:15 | 0:12:18 | |
Because he just wanted to be brave and go off, | 0:12:18 | 0:12:20 | |
and he'd sat in the scariest, supposedly most-haunted room | 0:12:20 | 0:12:23 | |
in the house, which happened to be | 0:12:23 | 0:12:25 | |
directly above where I was in the hall. | 0:12:25 | 0:12:28 | |
How high were the ceilings in the room that you were in? | 0:12:28 | 0:12:30 | |
-Ah, fairly high, not massively high. -How high? | 0:12:30 | 0:12:33 | |
If you think of me plus a chair - about that high. | 0:12:33 | 0:12:37 | |
That's a very low ceiling. | 0:12:37 | 0:12:39 | |
Oh, give up! Really?! Cheap shot! | 0:12:40 | 0:12:44 | |
-Listen, I am 6ft, if I got... -All right, all right, we got it. | 0:12:44 | 0:12:46 | |
I'm just saying, I'm 6ft and it's great. | 0:12:46 | 0:12:49 | |
Is it? | 0:12:49 | 0:12:51 | |
And how did Ben react when you were making these noises - | 0:12:54 | 0:12:57 | |
-did it spook him? -Well, yeah. | 0:12:57 | 0:12:59 | |
He ran straight out through the door, which would have meant running through where the ghost was. | 0:12:59 | 0:13:03 | |
-Oh, I see. -So he properly panicked. -Oh, God, absolutely terrified, yeah. | 0:13:03 | 0:13:06 | |
Well, I know that about Ben - he does get very, very spooked. | 0:13:06 | 0:13:10 | |
Anything like that freaks him right out. | 0:13:12 | 0:13:15 | |
Thank goodness he could open the lock on that door, you know? | 0:13:15 | 0:13:18 | |
When did he find out that it had all been a wheeze? | 0:13:18 | 0:13:21 | |
-I told him about ten years later. -ROB AND LEE: Ten years?! | 0:13:21 | 0:13:25 | |
-Yeah. -Really? -Yeah. -You've let him live with this trauma for ten years? | 0:13:25 | 0:13:28 | |
No, look at it this way - and I explained it to him like this | 0:13:28 | 0:13:31 | |
at the time, cos he was quite cross, cos you would be - and I said, | 0:13:31 | 0:13:34 | |
"No, listen, you've dined out on that story, I know you have. | 0:13:34 | 0:13:37 | |
"You'd have told people at dinner parties - 'I was in the most-haunted house.' " | 0:13:37 | 0:13:40 | |
-Like people saying, "Nelson Mandela once rung me up." -Yeah. | 0:13:40 | 0:13:44 | |
David, remind us again, please? | 0:13:44 | 0:13:46 | |
This is Ben. He took me to my first-ever football match and then | 0:13:46 | 0:13:51 | |
was disappointed when I dozed off for a bit in the second half. | 0:13:51 | 0:13:55 | |
When was this? | 0:13:55 | 0:13:56 | |
This was last season. | 0:13:56 | 0:13:59 | |
Oh, he's already got all the words, hasn't he? | 0:13:59 | 0:14:01 | |
He's been training for this one. Last season? | 0:14:03 | 0:14:05 | |
-Yeah. -What was the match? | 0:14:05 | 0:14:07 | |
It was, er, association football... | 0:14:07 | 0:14:09 | |
..and it was between Tottenham Hotspur and Hull. | 0:14:11 | 0:14:16 | |
And who won? | 0:14:16 | 0:14:18 | |
-Tottenham Hotspur. -How do you know? | 0:14:18 | 0:14:20 | |
I went to it. | 0:14:20 | 0:14:22 | |
And where was it played - in Tottenham or at Hull? | 0:14:24 | 0:14:26 | |
-In Tottenham. -Do you remember the name of the ground? | 0:14:26 | 0:14:29 | |
What if I could? Would that make this definitely true? | 0:14:29 | 0:14:33 | |
Um, I'm not willing to say how I feel about that, | 0:14:33 | 0:14:36 | |
until you've said it. | 0:14:36 | 0:14:37 | |
I'm not willing to say how I feel about anything, | 0:14:37 | 0:14:40 | |
but that's just cos I'm British. | 0:14:40 | 0:14:42 | |
Ah, yes, it was at White Hart Lane. AUDIENCE: Whoo! | 0:14:44 | 0:14:47 | |
Thank you. Yes, I do have a research team. | 0:14:51 | 0:14:54 | |
Do you remember the colour of the kits? | 0:14:55 | 0:14:58 | |
Let's say, one team was in white, | 0:14:58 | 0:15:02 | |
and the other team... | 0:15:02 | 0:15:04 | |
wasn't. | 0:15:04 | 0:15:06 | |
APPLAUSE | 0:15:06 | 0:15:08 | |
What colour was the goalkeeper wearing? | 0:15:09 | 0:15:12 | |
Green, all over, | 0:15:12 | 0:15:15 | |
with a little tricorn hat. | 0:15:15 | 0:15:17 | |
As I recall. | 0:15:19 | 0:15:21 | |
-So, how do you know Ben? -He was at school with me. | 0:15:21 | 0:15:25 | |
OK, and if you don't like football, why would you have gone? | 0:15:25 | 0:15:31 | |
Um, I'm an idiot. | 0:15:31 | 0:15:34 | |
I like to... No, I was about to say I like to experience new things. | 0:15:34 | 0:15:39 | |
No, I don't, but occasionally I get bullied | 0:15:39 | 0:15:43 | |
into experiencing new things under peer pressure. | 0:15:43 | 0:15:45 | |
He said, "You're always slagging off football - | 0:15:45 | 0:15:48 | |
"why don't you come along, and the atmosphere will be great, | 0:15:48 | 0:15:51 | |
"you might quite like it, and then | 0:15:51 | 0:15:53 | |
"maybe, just maybe, you'll shut up for a bit." | 0:15:53 | 0:15:56 | |
-Who were you there to support? -Ah, well, vaguely he's a Spurs fan - | 0:15:56 | 0:16:02 | |
-that's the shortening. -Nice. | 0:16:02 | 0:16:04 | |
So I was broadly, you know, hoping his team would win. | 0:16:04 | 0:16:08 | |
-Do you remember the score? -I think there was one goal. | 0:16:08 | 0:16:12 | |
To the Tottenham Hotspurs? | 0:16:12 | 0:16:13 | |
Exactly, and it was on the basis of THAT that the victory | 0:16:13 | 0:16:16 | |
was declared to be theirs. | 0:16:16 | 0:16:18 | |
Back to you in the studio! | 0:16:25 | 0:16:27 | |
All right, we need an answer. | 0:16:31 | 0:16:32 | |
So, Lee's team, is Ben Richard's frightened friend, | 0:16:32 | 0:16:37 | |
Sean's Portaloo pal, or David's match-day mate? | 0:16:37 | 0:16:40 | |
I don't see Sean chatting to somebody trapped in a Portaloo - | 0:16:40 | 0:16:44 | |
he doesn't strike me... Without laughing. | 0:16:44 | 0:16:47 | |
That is a very good point. I've known Sean long enough to know he would be going, | 0:16:47 | 0:16:50 | |
"Oi, come on, everyone, let's push it over!" | 0:16:50 | 0:16:52 | |
Richard and the roof is where he lost me - just the height. | 0:16:57 | 0:17:02 | |
Yeah, the height, it's too high. | 0:17:02 | 0:17:04 | |
But also, like, to exert enough force to hear it through the roof... | 0:17:04 | 0:17:08 | |
Like, you maybe would have barely touched it, | 0:17:08 | 0:17:10 | |
but then your height, when we look, no. No. | 0:17:10 | 0:17:13 | |
I think they're saying that in a stately home, ANY person, | 0:17:16 | 0:17:18 | |
however tall, plus a stool, they're doubting. It's not just you. | 0:17:18 | 0:17:22 | |
-Thank you. -Oh, no, no, no, just him. -It's just him. | 0:17:22 | 0:17:25 | |
He said that like he was a Spanish ambassador | 0:17:26 | 0:17:29 | |
and he was worried about being insulted. | 0:17:29 | 0:17:31 | |
"I think, Ambassador, it's any person - | 0:17:31 | 0:17:33 | |
"it's nothing to do with your height, sir." | 0:17:33 | 0:17:37 | |
-So not Richard. -What about David and the football? | 0:17:37 | 0:17:40 | |
Well, it is possible that he would have a friend, | 0:17:40 | 0:17:44 | |
I suppose. | 0:17:44 | 0:17:45 | |
So what are you going to say? | 0:17:46 | 0:17:48 | |
-I suppose we're left with David, are we? -Yeah. -OK. | 0:17:48 | 0:17:50 | |
You think it's David? | 0:17:50 | 0:17:52 | |
Right, Ben, would you please reveal your true identity. | 0:17:52 | 0:17:56 | |
My name is Ben... | 0:17:56 | 0:17:58 | |
and Richard spooked me by pretending to be a ghost in a country house. | 0:17:58 | 0:18:02 | |
Really sorry, mate, really sorry about that! | 0:18:02 | 0:18:05 | |
Thank you very much, Ben. | 0:18:05 | 0:18:07 | |
Which brings us to our final round, Quickfire Lies, and we start with... | 0:18:10 | 0:18:14 | |
It's Lee. | 0:18:16 | 0:18:18 | |
One Saturday morning I lay on my back in the garden and pretended | 0:18:18 | 0:18:21 | |
I'd fallen off a ladder so that I could get out of a family trip to IKEA. | 0:18:21 | 0:18:26 | |
-David's team. -What had you been supposedly doing on the ladder to fall off it? | 0:18:29 | 0:18:34 | |
So my wife said, "We're going to IKEA," and I knew she'd be upset | 0:18:34 | 0:18:37 | |
if I said no, so I said, "Yeah, no problems. | 0:18:37 | 0:18:39 | |
"Can we go in an hour?" She went, "Yeah - why?" | 0:18:39 | 0:18:41 | |
-I said, "I've got to do something in the garden." -What? | 0:18:41 | 0:18:43 | |
-What were you doing? -Trimming the tree. | 0:18:43 | 0:18:46 | |
So you said, "OK, we can go to IKEA in an hour, | 0:18:46 | 0:18:48 | |
"I've just got to go and trim the tree." | 0:18:48 | 0:18:51 | |
I didn't say I was going to trim the tree, obviously. | 0:18:53 | 0:18:55 | |
I said, "I've got something to do in the garden." | 0:18:55 | 0:18:57 | |
Why is it so urgent that this tree needed to be trimmed? | 0:18:57 | 0:19:00 | |
You're not following this story, are you? I didn't need to trim the tree. | 0:19:00 | 0:19:04 | |
Yeah, but wouldn't she go, "Well, do it later"? | 0:19:04 | 0:19:06 | |
Because it was a casual conversation. "We're going to IKEA," | 0:19:06 | 0:19:08 | |
"Can we go in an hour? Just got to do something in the garden." | 0:19:08 | 0:19:11 | |
"Yeah, fine." That was it. We don't live in a relationship where I go, | 0:19:11 | 0:19:14 | |
"Can we go in an hour? I'm doing something in the garden," | 0:19:14 | 0:19:16 | |
she doesn't sit me down, put a spotlight on me and go, | 0:19:16 | 0:19:18 | |
"What is this thing in the garden?" | 0:19:18 | 0:19:21 | |
-OK. -"But you did topiary last week!" | 0:19:23 | 0:19:25 | |
So she's... You say you've got to do something in the garden, | 0:19:25 | 0:19:29 | |
-she says, "Fine," so you walk out into the garden. -Yes. Go to the shed. | 0:19:29 | 0:19:33 | |
-Explain how you set the scene. -I go to the shed, right? | 0:19:33 | 0:19:36 | |
I'd picked my tool wisely, | 0:19:36 | 0:19:39 | |
cos I want I want to make sure that when I've fallen with it | 0:19:39 | 0:19:42 | |
-that it looks dramatic. -Yeah. -You know? -So what did you pick? -Bit of secateurs - nothing - | 0:19:42 | 0:19:46 | |
those big giant ones, you know? | 0:19:46 | 0:19:47 | |
They look like old-fashioned bull workers but with a pair of scissors at the end. | 0:19:47 | 0:19:51 | |
-And telescopic handles. -That's the ones. | 0:19:51 | 0:19:53 | |
I still needed a ladder, you're not going to get me on that. | 0:19:53 | 0:19:55 | |
Do you climb to the top of this ladder? | 0:19:55 | 0:19:57 | |
I don't need to, do I? | 0:19:57 | 0:19:59 | |
-There's no trimming to be done! -What? | 0:19:59 | 0:20:02 | |
I mean, are you forgetting...? There is no... | 0:20:02 | 0:20:05 | |
I'm not Robert De Niro - I'm not method! | 0:20:05 | 0:20:08 | |
"I must become the tree trimmer." | 0:20:08 | 0:20:10 | |
Your wife must think you're pretty bad at it | 0:20:10 | 0:20:13 | |
if you can go out and presumably instantly fall off the ladder. | 0:20:13 | 0:20:15 | |
I didn't say I fell off instant, I know she's going off | 0:20:15 | 0:20:18 | |
to do something else. She says, "I'm going to the shops, then." | 0:20:18 | 0:20:20 | |
So I know she's out, so I position everything. | 0:20:20 | 0:20:23 | |
So she says in advance of going to this shop, | 0:20:23 | 0:20:25 | |
she's going to the shops. | 0:20:25 | 0:20:26 | |
No, it's an expression, "I'm just popping to the shops." | 0:20:26 | 0:20:28 | |
They don't go, "I'm popping to the individual shop." | 0:20:28 | 0:20:30 | |
No, it's not an expression - it means going to the shop. | 0:20:30 | 0:20:33 | |
Is it a euphemism in your house | 0:20:33 | 0:20:35 | |
for, what, having a poo? | 0:20:35 | 0:20:37 | |
I'm popping to the shops. | 0:20:39 | 0:20:41 | |
Is it a euphemism...? | 0:20:41 | 0:20:42 | |
You won't get me on one letter! All right, I'm popping to the shop! | 0:20:42 | 0:20:45 | |
But she said she was popping to the SHOP now - | 0:20:45 | 0:20:48 | |
shop singular - in advance of your trip to the shop. | 0:20:48 | 0:20:51 | |
She might have said "shop" - it's one letter, give me a break! | 0:20:51 | 0:20:54 | |
It's series nine! She may have said shop! | 0:20:54 | 0:20:57 | |
Can I ask a question? | 0:20:57 | 0:20:59 | |
Or shops! I'm just popping out - in fact, she said "out". | 0:20:59 | 0:21:02 | |
"I'm popping out." | 0:21:02 | 0:21:03 | |
-She was popping out! -She was popping out. -So... | 0:21:03 | 0:21:06 | |
OK, so she has left the house. | 0:21:08 | 0:21:10 | |
She's left the house. She's gone to the sho...p! | 0:21:10 | 0:21:13 | |
To buy a Curly Wurly or Curly Wurly...s, I'm not sure. | 0:21:14 | 0:21:18 | |
She's gone out, I know she's going to be gone enough time | 0:21:18 | 0:21:21 | |
for me to get a ladder, lie it on its side, do the secateurs | 0:21:21 | 0:21:23 | |
and lie there in a position that I would describe as...injured. | 0:21:23 | 0:21:26 | |
Can I ask a question? | 0:21:26 | 0:21:28 | |
Why didn't you want to go to IKEA? | 0:21:28 | 0:21:30 | |
LAUGHTER | 0:21:30 | 0:21:33 | |
I think I'd go to IKEA to get out of trimming a tree. | 0:21:33 | 0:21:36 | |
I didn't need to trim the tree! | 0:21:38 | 0:21:40 | |
So your wife comes back from the shop | 0:21:41 | 0:21:43 | |
before going to the shop, for whatever reason. | 0:21:43 | 0:21:46 | |
We find that, weirdly, different shops sell different things, | 0:21:46 | 0:21:49 | |
so I have tried. When she goes, "I'm just going to buy | 0:21:49 | 0:21:51 | |
"some potatoes," I've gone, "Why don't we wait till we're in IKEA?" | 0:21:51 | 0:21:54 | |
And she said, "No, you can't buy..." | 0:21:54 | 0:21:55 | |
As it turns out, different shops sell different things. | 0:21:55 | 0:21:59 | |
So your wife comes back from the potato shop to find... | 0:21:59 | 0:22:01 | |
No, it's not called the potato shop. | 0:22:01 | 0:22:03 | |
-You've finished trimming the tree and fallen off a ladder. -Yes. | 0:22:03 | 0:22:06 | |
How much of the tree did you get done? | 0:22:06 | 0:22:08 | |
LAUGHTER | 0:22:08 | 0:22:10 | |
APPLAUSE | 0:22:10 | 0:22:14 | |
Did you claim specific injuries that you'd done, | 0:22:14 | 0:22:16 | |
when you said, "Oh, I've just generally hurt..." what? | 0:22:16 | 0:22:18 | |
-What had you done - what did you say you'd hurt? -I went, I went, "Argh! My leg!" | 0:22:18 | 0:22:22 | |
She went, "What's up with it?" | 0:22:22 | 0:22:23 | |
I said, "I don't know but I can't go to IKEA." | 0:22:23 | 0:22:26 | |
I claimed to have injured my coccyx. | 0:22:27 | 0:22:29 | |
How long had she been gone? | 0:22:29 | 0:22:32 | |
It was probably four or five days this time. | 0:22:32 | 0:22:34 | |
I'd say probably about, oh, 15 to 20 minutes. | 0:22:36 | 0:22:40 | |
-Did she still go to IKEA? -Yeah, yes, what DID she do then? | 0:22:40 | 0:22:43 | |
-You're there in agony. -She came to help me. | 0:22:43 | 0:22:46 | |
-She helped you up. -She helped me up, she tried to get me stood up, | 0:22:46 | 0:22:49 | |
-I held the base of my back - is that where the coccyx is? -Yeah. | 0:22:49 | 0:22:52 | |
I held the base of my back, like that, | 0:22:52 | 0:22:55 | |
and she said, "You better come inside and sit yourself down." | 0:22:55 | 0:22:58 | |
I said, "But what about the trip to IKEA? I feel I've let you down." | 0:22:58 | 0:23:00 | |
She said, "No, that was years ago." | 0:23:00 | 0:23:02 | |
I think the bit where I was pushing it, when I shouted, | 0:23:05 | 0:23:07 | |
"Love, can you put that ladder away?" | 0:23:07 | 0:23:09 | |
"I don't want it to go rusty - | 0:23:13 | 0:23:15 | |
"I might need that in a couple of weeks when we go to Boots." | 0:23:15 | 0:23:18 | |
What do you think, David - is this true? | 0:23:19 | 0:23:21 | |
What do you think? | 0:23:21 | 0:23:23 | |
I think it's a lie. | 0:23:23 | 0:23:25 | |
I just think you'd save that for something a bit more... | 0:23:25 | 0:23:28 | |
You think it's a waste. | 0:23:28 | 0:23:29 | |
Yes, a waste of an opportunity to get out of something. | 0:23:29 | 0:23:32 | |
Like a family Christmas - you could get out of a whole Christmas. | 0:23:33 | 0:23:36 | |
So what are you going to say? | 0:23:38 | 0:23:39 | |
I think...I think we think it's a lie. | 0:23:39 | 0:23:41 | |
You're saying it's a lie. Lee, truth or lie? | 0:23:41 | 0:23:45 | |
It's a lie. | 0:23:45 | 0:23:46 | |
It's a lie. Lee didn't pretend he'd fallen off a ladder | 0:23:48 | 0:23:51 | |
to get out of a family trip to IKEA. Next. | 0:23:51 | 0:23:54 | |
It's Trevor. | 0:23:56 | 0:23:57 | |
I used to be in a South African boy band | 0:24:00 | 0:24:02 | |
but we split up after three of us | 0:24:02 | 0:24:04 | |
were kicked by a horse on a video shoot. | 0:24:04 | 0:24:08 | |
David's team? | 0:24:08 | 0:24:09 | |
Why was there a horse in the video? | 0:24:09 | 0:24:10 | |
Cos that's what you do in, like, boy-band videos - you have a horse. | 0:24:10 | 0:24:13 | |
Sing to a horse. | 0:24:13 | 0:24:15 | |
-No, you don't sing TO the horse - the horse is there. -Why a horse? | 0:24:15 | 0:24:18 | |
Because, "Ladies, look at me, I'm on a horse." | 0:24:18 | 0:24:20 | |
You were ON the horse? | 0:24:20 | 0:24:22 | |
-No, but that's... -You weren't on the horse, you were next to the horse. | 0:24:22 | 0:24:25 | |
We couldn't all get on the horse cos there's four of us. | 0:24:25 | 0:24:27 | |
-Were any of you on the horse? -You had one horse between four of you? | 0:24:27 | 0:24:30 | |
What was the song? | 0:24:32 | 0:24:33 | |
-What was the song? -Yeah. -I Love You Baby. | 0:24:33 | 0:24:35 | |
The song was called I Love You Baby? | 0:24:35 | 0:24:37 | |
-Yes. -What are the lyrics | 0:24:37 | 0:24:39 | |
-of I Love You Baby? -We're not singing to the... | 0:24:39 | 0:24:41 | |
It's a Xhosa song, Xhosa and Zulu, so it's called | 0:24:41 | 0:24:43 | |
-I Love You Baby - that's the translation into English. -Right. | 0:24:43 | 0:24:46 | |
Give us a taste of it. How does it go? | 0:24:46 | 0:24:48 | |
-What, the song? -Yes, the song. -You want me to sing it...? | 0:24:48 | 0:24:51 | |
Yes, I want you to sing it. | 0:24:51 | 0:24:52 | |
Well, I'll sing my part - I can't sing the whole... | 0:24:52 | 0:24:55 | |
Imagine now, I'm the horse, right? | 0:24:55 | 0:24:57 | |
Here I am. Ready? | 0:24:59 | 0:25:01 | |
-Sing to the horse. -Sing to the horse. | 0:25:06 | 0:25:08 | |
HE SINGS IN ANOTHER LANGUAGE | 0:25:08 | 0:25:11 | |
This wasn't a big band, was it? | 0:25:14 | 0:25:15 | |
This is my part, I'm singing my part. | 0:25:15 | 0:25:18 | |
HE CONTINUES | 0:25:18 | 0:25:20 | |
RHYTHMIC CLAPPING | 0:25:23 | 0:25:26 | |
We all know it. | 0:25:26 | 0:25:28 | |
Get with it, middle-aged man - WE all know it. | 0:25:29 | 0:25:32 | |
APPLAUSE | 0:25:32 | 0:25:34 | |
HE WHINNIES | 0:25:34 | 0:25:36 | |
-I just don't get that. -So that's definitely a song. | 0:25:38 | 0:25:40 | |
Do you know what they call that sort of music? | 0:25:40 | 0:25:43 | |
Clip-clop. | 0:25:43 | 0:25:44 | |
LAUGHTER AND APPLAUSE | 0:25:44 | 0:25:46 | |
What were you called - the boy band? | 0:25:49 | 0:25:51 | |
-What was the boy band called? -Yeah. | 0:25:51 | 0:25:53 | |
-Yeah. -This is weird cos, like, | 0:25:53 | 0:25:54 | |
now I have to translate everything into English. | 0:25:54 | 0:25:56 | |
-That's handy. -Well, it would help. | 0:25:56 | 0:25:58 | |
No, because it was Spuxboys. | 0:26:00 | 0:26:02 | |
But in English it means Sparks Boys. | 0:26:02 | 0:26:05 | |
-Sparks Boys? -Sparks Boys. | 0:26:05 | 0:26:07 | |
-Yes. -And no wonder it took so long to translate that. | 0:26:07 | 0:26:10 | |
And what provoked the horse to actually kick - | 0:26:12 | 0:26:15 | |
why did that happen? | 0:26:15 | 0:26:17 | |
Well, we don't know. Everyone was standing together | 0:26:17 | 0:26:19 | |
and then you're singing... Everyone's facing the camera | 0:26:19 | 0:26:21 | |
-while you're singing. -Yeah. | 0:26:21 | 0:26:23 | |
And then out of nowhere it's just a kick and then... | 0:26:23 | 0:26:26 | |
Wow, but it got THREE band members? | 0:26:26 | 0:26:28 | |
What were the injuries? | 0:26:28 | 0:26:31 | |
Well, the one guy, he got kicked the hardest | 0:26:31 | 0:26:33 | |
so he was really hurt, so I don't know if he fractured his arm | 0:26:33 | 0:26:36 | |
or if he broke something. | 0:26:36 | 0:26:38 | |
Or he was going to IKEA. | 0:26:38 | 0:26:40 | |
"Sorry, love, I've joined a boy band and I got kicked by a horse - | 0:26:41 | 0:26:44 | |
"can't make it today." | 0:26:44 | 0:26:45 | |
What I don't understand is why is it the end of the group, | 0:26:45 | 0:26:49 | |
just one horse accident? | 0:26:49 | 0:26:51 | |
It's not like there was a stampede | 0:26:51 | 0:26:53 | |
and you got killed by a load of horses, | 0:26:53 | 0:26:55 | |
and then it's just, like, Gary Barlow's head | 0:26:55 | 0:26:58 | |
rolling across a field and you go, | 0:26:58 | 0:27:00 | |
"I think that's it, that's it. | 0:27:00 | 0:27:03 | |
"I think there's no more comebacks from this." | 0:27:03 | 0:27:05 | |
From the horse's point of view, | 0:27:07 | 0:27:08 | |
the horse was destined for great things - | 0:27:08 | 0:27:10 | |
he's starting to appear in pop videos. | 0:27:10 | 0:27:12 | |
It's a disaster any way you look at it. | 0:27:12 | 0:27:14 | |
Well, you say you start getting a reputation for, you know, | 0:27:14 | 0:27:16 | |
lashing out in a professional context, it can be the end. | 0:27:16 | 0:27:19 | |
What are you going to say, David? | 0:27:25 | 0:27:26 | |
It's very convincing - I'd say it's true, I'd go true. | 0:27:26 | 0:27:29 | |
-I'm going to go... Yeah, I'm going to say... -You think true? | 0:27:29 | 0:27:32 | |
I think it might be true. Let's say true. | 0:27:32 | 0:27:35 | |
You'll say true. OK, Trevor, truth or lie? | 0:27:35 | 0:27:37 | |
Lie. | 0:27:37 | 0:27:39 | |
BUZZER | 0:27:43 | 0:27:45 | |
And that noise signals time is up, it's the end of the show. | 0:27:45 | 0:27:48 | |
I can reveal that David's team have won by | 0:27:48 | 0:27:50 | |
four points to one. | 0:27:50 | 0:27:52 | |
But, of course, it's not just a team game, | 0:27:52 | 0:27:55 | |
and my individual liar of the week this week | 0:27:55 | 0:27:58 | |
is Trevor Noah. | 0:27:58 | 0:27:59 | |
APPLAUSE | 0:27:59 | 0:28:01 | |
Yes, it's Trevor Noah, | 0:28:01 | 0:28:02 | |
he's dished out more whoppers than a teenager in Burger King. | 0:28:02 | 0:28:05 | |
Goodnight. | 0:28:05 | 0:28:07 |