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APPLAUSE | 0:00:20 | 0:00:23 | |
Good evening and welcome to Would I Lie To You, | 0:00:23 | 0:00:26 | |
the show with a fondness for fibs. | 0:00:26 | 0:00:28 | |
On David Mitchell's team tonight, | 0:00:28 | 0:00:30 | |
the host of the Radio 1 Breakfast Show, | 0:00:30 | 0:00:32 | |
yes, the Noel Edmonds of our time, it's Nick Grimshaw. | 0:00:32 | 0:00:36 | |
APPLAUSE | 0:00:36 | 0:00:38 | |
And the star of Ask Rhod Gilbert, Rhod Gilbert's Work Experience | 0:00:40 | 0:00:45 | |
and the Rhod Gilbert Radio Show. Anyone? | 0:00:45 | 0:00:48 | |
It's Rhod Gilbert. | 0:00:48 | 0:00:49 | |
APPLAUSE | 0:00:49 | 0:00:51 | |
And on Lee Mack's team tonight, a TV presenter who's hosted | 0:00:52 | 0:00:57 | |
Crufts on three occasions, which in dog years is almost a lifetime. | 0:00:57 | 0:01:01 | |
It's Clare Balding. | 0:01:01 | 0:01:02 | |
APPLAUSE | 0:01:02 | 0:01:04 | |
And a comedian who left a New York performing arts school with a degree | 0:01:04 | 0:01:10 | |
in musical theatre. A fantastic achievement, | 0:01:10 | 0:01:12 | |
but he doesn't want to make a song and dance of it. | 0:01:12 | 0:01:14 | |
It's the star of Catastrophe, Rob Delaney. | 0:01:14 | 0:01:17 | |
APPLAUSE | 0:01:17 | 0:01:19 | |
And so we'll begin with Round One Home Truths, where our panellists | 0:01:21 | 0:01:24 | |
each read out a statement from the card in front of them. | 0:01:24 | 0:01:27 | |
Now, to make things harder, they've never seen the card before, | 0:01:27 | 0:01:30 | |
they've no idea what they'll be faced with. | 0:01:30 | 0:01:31 | |
It's up to the opposing team | 0:01:31 | 0:01:33 | |
to sort the fact from the fiction and Rhod is first up tonight. | 0:01:33 | 0:01:36 | |
One Friday after school, | 0:01:39 | 0:01:42 | |
I swapped our family cat for a Scotch egg and a Smurf. | 0:01:42 | 0:01:48 | |
When my mum found out on Monday morning, she made me swap them back. | 0:01:50 | 0:01:54 | |
Right, well, when was this, first of all? How old were you? | 0:01:54 | 0:01:58 | |
13. | 0:01:58 | 0:01:59 | |
But more important than how old was he or anything to do with him... | 0:01:59 | 0:02:02 | |
The cat, what...? I mean, we're very concerned about the cat. I am. | 0:02:02 | 0:02:07 | |
I'm a bit more concerned about the Smurf, if I'm going to be honest. | 0:02:07 | 0:02:10 | |
I'm most concerned... The Scotch egg, you just... | 0:02:10 | 0:02:13 | |
What was your logic? | 0:02:13 | 0:02:14 | |
Would you hide it under your bed for a whole weekend? | 0:02:14 | 0:02:16 | |
You three have a chat | 0:02:16 | 0:02:17 | |
and when you've worked out collectively what you're most | 0:02:17 | 0:02:20 | |
concerned about, come back to me. | 0:02:20 | 0:02:21 | |
-Can I start with mine? -Please do. -OK. | 0:02:23 | 0:02:24 | |
What was the cat called? What kind of cat? What colour, please? | 0:02:24 | 0:02:27 | |
The cat was called Snowdrop | 0:02:27 | 0:02:29 | |
and as the name implies, it was tortoiseshell. | 0:02:29 | 0:02:31 | |
Who did you swap with? | 0:02:33 | 0:02:34 | |
Ah, should I name him? | 0:02:34 | 0:02:36 | |
I don't know. Unless he's in prison at the moment. | 0:02:36 | 0:02:39 | |
I don't know, I haven't seen him for a long time. | 0:02:39 | 0:02:41 | |
He was a kid who lived on an estate nearby. | 0:02:41 | 0:02:44 | |
-Just give us his first name. -Lee. | 0:02:44 | 0:02:47 | |
Ah. | 0:02:47 | 0:02:48 | |
Just with the Scotch egg - you wanted a Scotch egg... | 0:02:50 | 0:02:52 | |
You wanted a Scotch egg so badly that you traded a living | 0:02:52 | 0:02:56 | |
mammal for it and then you just put it under your bed, for 48 hours? | 0:02:56 | 0:03:02 | |
To be fair trading a Scotch egg for a living mammal is exactly | 0:03:02 | 0:03:05 | |
what's necessary in the manufacture process of a Scotch egg. | 0:03:05 | 0:03:09 | |
You start off... People have decided... | 0:03:09 | 0:03:12 | |
They have live pigs but they don't like the live pigs enough - | 0:03:12 | 0:03:15 | |
what they want is no pigs but Scotch eggs. | 0:03:15 | 0:03:17 | |
Why did you want the Scotch egg? | 0:03:19 | 0:03:20 | |
I presume for the obvious that you like them and wanted to eat it. | 0:03:20 | 0:03:23 | |
-Yes. -Why didn't you just eat it there and then? | 0:03:23 | 0:03:25 | |
Why didn't I just eat...? | 0:03:25 | 0:03:27 | |
You said you swapped them back again on the Monday, which... | 0:03:27 | 0:03:30 | |
That suggests you still had the Scotch egg. | 0:03:30 | 0:03:32 | |
Well, hang on. I mean, was it the same one or had you | 0:03:32 | 0:03:34 | |
consumed it and then you just had to give a Scotch egg back? | 0:03:34 | 0:03:37 | |
That's right, Rob. | 0:03:37 | 0:03:39 | |
LAUGHTER | 0:03:39 | 0:03:41 | |
It's like the blooming Welsh mafia, this. | 0:03:43 | 0:03:46 | |
You can't help him out! | 0:03:46 | 0:03:48 | |
CLARE: Could I get back to the cat? | 0:03:48 | 0:03:49 | |
Cats obviously are very territorial, so would the cat not try | 0:03:49 | 0:03:52 | |
and come home, cos they normally do if they've gone out away? | 0:03:52 | 0:03:55 | |
He didn't, not that weekend. | 0:03:55 | 0:03:56 | |
Talk us through the actual exchange process. | 0:03:56 | 0:03:59 | |
I tell you what, Rob. You stand up, we'll go through it, come on. | 0:03:59 | 0:04:02 | |
I am standing up. | 0:04:02 | 0:04:03 | |
I'll role-play it with you. So, I'm... Right. | 0:04:05 | 0:04:08 | |
-OK, so, imagine I've got my family cat in my hand. -All right. | 0:04:08 | 0:04:11 | |
With this hand you have a Scotch egg. | 0:04:11 | 0:04:13 | |
Where are we now, Rhod, where are we? | 0:04:13 | 0:04:15 | |
We're in Wales. Are we in Wales? | 0:04:15 | 0:04:16 | |
-We're in Wales. -Aww. | 0:04:16 | 0:04:18 | |
Isn't that nice? | 0:04:19 | 0:04:21 | |
Let's just take a minute, let's just take a minute. Lovely. | 0:04:21 | 0:04:24 | |
Go on. | 0:04:24 | 0:04:26 | |
-Right, so, we're in Wales. -Yeah. -I've got a cat in my hand. | 0:04:26 | 0:04:29 | |
-All right. -Right. You've got in this hand a Smurf and a Scotch egg. | 0:04:29 | 0:04:32 | |
-Yes. -Right, now we swap them over. | 0:04:32 | 0:04:35 | |
All right, here we go. This is how it happened. | 0:04:35 | 0:04:37 | |
This is going to be difficult. | 0:04:37 | 0:04:39 | |
LAUGHTER | 0:04:39 | 0:04:41 | |
APPLAUSE | 0:04:43 | 0:04:45 | |
And that, my lord, was the mechanics of the exchange. | 0:04:48 | 0:04:51 | |
Wow. | 0:04:51 | 0:04:52 | |
Rob, you can put the cat down now. | 0:04:52 | 0:04:54 | |
CLARE: But gently, gently. Rob, gently, yes. | 0:04:55 | 0:04:58 | |
So, what do you think, Lee? Does this sound truthful to you? | 0:04:58 | 0:05:01 | |
I don't think he's shown any affection for Snowdrop | 0:05:01 | 0:05:03 | |
and on that basis alone I think it can't be true. | 0:05:03 | 0:05:06 | |
Well, weirdly, I... The exact same reason I think it is true, | 0:05:06 | 0:05:10 | |
because I know him to be heartless. | 0:05:10 | 0:05:12 | |
I can show you some affection but what do you | 0:05:13 | 0:05:15 | |
want to know about Snowdrop? I can show affection for Snowdrop. | 0:05:15 | 0:05:18 | |
-How would you stroke him? -Her. | 0:05:18 | 0:05:20 | |
No! Got you. | 0:05:20 | 0:05:21 | |
You have changed the sex of that cat at least three times. | 0:05:21 | 0:05:24 | |
- I promise you, even if I was... - You have! | 0:05:26 | 0:05:28 | |
I don't think vets should agree to do that. | 0:05:28 | 0:05:31 | |
LAUGHTER | 0:05:31 | 0:05:33 | |
It's always been a female cat, Snowdrop. | 0:05:36 | 0:05:38 | |
What are you thinking, Rob? Are you thinking it's the truth? | 0:05:38 | 0:05:41 | |
It really started to crumble at the end here, | 0:05:41 | 0:05:43 | |
so I'm smelling a lie. | 0:05:43 | 0:05:45 | |
Both saying a lie. My team say lie, we will go with lie. | 0:05:45 | 0:05:48 | |
OK. You're saying lie. Rhod, truth or lie? | 0:05:48 | 0:05:51 | |
It is a... | 0:05:51 | 0:05:52 | |
APPLAUSE | 0:05:53 | 0:05:56 | |
Yes, it was a lie. Rhod didn't swap his family cat for a Scotch egg | 0:05:56 | 0:06:00 | |
and a Smurf. | 0:06:00 | 0:06:02 | |
Nick, you're up next. | 0:06:02 | 0:06:03 | |
OK, here we go. | 0:06:03 | 0:06:05 | |
I once called a friend in New York and asked her to call the police | 0:06:05 | 0:06:10 | |
in London because I thought there was a burglar at my house in London. | 0:06:10 | 0:06:15 | |
Where were you when you made the call? | 0:06:17 | 0:06:19 | |
In the house. | 0:06:19 | 0:06:20 | |
-Why didn't you phone...? -The police. -Yes. | 0:06:20 | 0:06:23 | |
Because I'd been messaging my friend. | 0:06:23 | 0:06:26 | |
I felt like she'd gone, so I called her, and as I was on the phone | 0:06:26 | 0:06:30 | |
to her I thought there was someone breaking into the house. | 0:06:30 | 0:06:33 | |
So I was like... ("You should phone the police.") | 0:06:33 | 0:06:36 | |
What did you hear, exactly? | 0:06:36 | 0:06:37 | |
I just heard, like, irregular noises from downstairs. | 0:06:37 | 0:06:41 | |
Irregular noises. | 0:06:41 | 0:06:42 | |
Footsteps, doors closing. So I was like, who's that? | 0:06:42 | 0:06:44 | |
Were you living on your own at the time? | 0:06:44 | 0:06:46 | |
I did have a housemate but... | 0:06:46 | 0:06:48 | |
-Did you not think it might be that person? -No. -Why? | 0:06:48 | 0:06:50 | |
Because at the time I was doing a night-time radio show | 0:06:50 | 0:06:55 | |
so I would get home late and she'd always, like, "Be quiet | 0:06:55 | 0:06:59 | |
"when you get in at one o'clock in the morning, cos I'm asleep." | 0:06:59 | 0:07:02 | |
-Ah, so you assumed her to be asleep. -Yeah. | 0:07:02 | 0:07:04 | |
Why didn't you put the phone down and phone the police? | 0:07:04 | 0:07:06 | |
Because I didn't want to speak in case the burglar... | 0:07:06 | 0:07:09 | |
But you ARE speaking, you're telling her to phone the police. | 0:07:09 | 0:07:11 | |
Well, I was like, "I need to go, I think there's someone here. | 0:07:11 | 0:07:14 | |
"Call the police." That's why I had to get off the phone | 0:07:14 | 0:07:17 | |
and not use the phone. | 0:07:17 | 0:07:18 | |
Well, look, look, Nick, let's re-enact it. | 0:07:18 | 0:07:20 | |
-OK. -I'm going to be your friend in New York. -Yeah. | 0:07:20 | 0:07:23 | |
-She's an American? -She is. | 0:07:23 | 0:07:25 | |
Thank God. I thought you were going to say, | 0:07:25 | 0:07:27 | |
-"By coincidence, she sounds like Ronnie Corbett." -Yeah, no. | 0:07:27 | 0:07:29 | |
She's a very sassy Jewish lady. | 0:07:31 | 0:07:33 | |
All right. | 0:07:33 | 0:07:35 | |
-DEEP, MEASURED VOICE: -Now, Nick, how are things going over there? | 0:07:36 | 0:07:39 | |
Did you say she DIDN'T sound like Ronnie Corbett? | 0:07:39 | 0:07:41 | |
-No, it's... -She's the opposite to Ronnie Corbett? | 0:07:41 | 0:07:44 | |
-HIGH-PITCHED AMERICAN ACCENT: -She's like New York Jewish | 0:07:44 | 0:07:47 | |
kind of person like that? | 0:07:47 | 0:07:49 | |
Pretty spot-on. | 0:07:49 | 0:07:51 | |
O-M-G! | 0:07:51 | 0:07:53 | |
LAUGHTER | 0:07:53 | 0:07:55 | |
So, listen. You've finished your radio show. How did it go? | 0:07:55 | 0:08:00 | |
I love your impressions, you know that, | 0:08:00 | 0:08:01 | |
but you're texting - we don't need the voice. | 0:08:01 | 0:08:04 | |
Oh, he wants me to call him? Sure I will. | 0:08:06 | 0:08:09 | |
Hi, Amy, how's America? | 0:08:10 | 0:08:13 | |
Oh, I love it, there's so many Americans here. | 0:08:13 | 0:08:16 | |
Hey, what's that noise in the background? | 0:08:17 | 0:08:19 | |
-What IS that noise? -I heard something! | 0:08:19 | 0:08:21 | |
I can... I can hear something downstairs. | 0:08:21 | 0:08:23 | |
Oh, are you having trouble with your stomach again? | 0:08:23 | 0:08:26 | |
No, like, downstairs. | 0:08:26 | 0:08:28 | |
There's someone downstairs, in the HOUSE downstairs. | 0:08:28 | 0:08:30 | |
I'll pretend to be asleep, you call the police. | 0:08:30 | 0:08:34 | |
What, the NYPD? | 0:08:34 | 0:08:36 | |
No, my police. | 0:08:36 | 0:08:38 | |
-All right, I'll call. -OK. | 0:08:38 | 0:08:39 | |
Love you. | 0:08:39 | 0:08:41 | |
So, I put the phone down and then I just go like this... | 0:08:41 | 0:08:45 | |
and then fear for my life. | 0:08:45 | 0:08:46 | |
Well, hold on, because it's all happening stateside. | 0:08:46 | 0:08:49 | |
APPLAUSE | 0:08:49 | 0:08:52 | |
-NORMAL VOICE: -Well, I mean, we can go on like this all night. | 0:08:54 | 0:08:57 | |
So then what happened? Go on, talk us through the rest of the story. | 0:08:57 | 0:09:00 | |
She makes the call, there's, like...call the police. | 0:09:00 | 0:09:03 | |
Cos there's not the 999 number, there's, like, | 0:09:03 | 0:09:05 | |
the police round the corner. You know, the local police. | 0:09:05 | 0:09:08 | |
She went and logged on and looked for your local police station? | 0:09:08 | 0:09:11 | |
Yeah. You don't have to log on - there's internet on phones. | 0:09:11 | 0:09:14 | |
Listen, sunbeam, you do want my Atari. | 0:09:15 | 0:09:18 | |
LAUGHTER | 0:09:18 | 0:09:20 | |
So, she called the police | 0:09:20 | 0:09:22 | |
and then it turned out that it wasn't an intruder at all, it was... | 0:09:22 | 0:09:27 | |
How did you find that out? | 0:09:27 | 0:09:29 | |
I found that out when my flatmate burst in. | 0:09:29 | 0:09:32 | |
What's she bursting into your room for at night? | 0:09:32 | 0:09:35 | |
Because she had been on the wine. So the bang, bang, bang noises | 0:09:35 | 0:09:38 | |
were her looking for wine or something, I don't know. | 0:09:38 | 0:09:40 | |
And you said what? | 0:09:40 | 0:09:42 | |
-I said, "Oh, my God." -You said, "Hypocrite!" | 0:09:42 | 0:09:45 | |
I said, "I thought I was going to be killed by the intruder | 0:09:47 | 0:09:49 | |
"and the police are coming," so then we were like, | 0:09:49 | 0:09:52 | |
"We need to call the police now to stop them." | 0:09:52 | 0:09:54 | |
-So, you phone me back in New York. Go on. -No, I don't phone you. | 0:09:54 | 0:09:57 | |
-AMERICAN ACCENT: -You want me to cancel them? | 0:09:57 | 0:09:59 | |
But they're on their way, honey. | 0:09:59 | 0:10:00 | |
I just went direct to tell them. | 0:10:00 | 0:10:02 | |
Oh, yo, so when you want me, I'm right here waiting, | 0:10:02 | 0:10:06 | |
but when you don't want me, you just drop me. | 0:10:06 | 0:10:08 | |
Well, screw you, Grimshaw. | 0:10:08 | 0:10:10 | |
LAUGHTER AND APPLAUSE | 0:10:10 | 0:10:12 | |
I'm not surprised Amy doesn't have any friends where she lives. | 0:10:17 | 0:10:20 | |
What are you thinking, Lee? | 0:10:22 | 0:10:24 | |
-What do we think, Rob? -I believe it, I believe it. | 0:10:24 | 0:10:26 | |
-You believe it? -I believe this man. | 0:10:26 | 0:10:28 | |
I've been taken for a ride. I like it. | 0:10:28 | 0:10:30 | |
You're starting to sound more and more like Amy every day. | 0:10:31 | 0:10:34 | |
So, what are you thinking, Clare? | 0:10:34 | 0:10:36 | |
I believe it. | 0:10:36 | 0:10:38 | |
Well, I think it must be true, then. | 0:10:38 | 0:10:40 | |
True. OK, Nick, truth or lie? | 0:10:40 | 0:10:42 | |
It is... | 0:10:42 | 0:10:43 | |
Well done, team. | 0:10:47 | 0:10:48 | |
APPLAUSE | 0:10:48 | 0:10:50 | |
Yes, it's true. Nick did ring his friend in New York | 0:10:50 | 0:10:53 | |
and ask her to call the police for him. | 0:10:53 | 0:10:55 | |
Our next round is called This Is My, where we bring on a mystery guest | 0:10:55 | 0:10:59 | |
who has a close connection to one of our panellists. | 0:10:59 | 0:11:01 | |
Now, this week, each of Lee's team will claim it's them | 0:11:01 | 0:11:04 | |
that has the genuine connection to the guest | 0:11:04 | 0:11:06 | |
and it's up to David's team to spot who's telling the truth. | 0:11:06 | 0:11:09 | |
So, please welcome this week's special guest, Greg. | 0:11:09 | 0:11:12 | |
APPLAUSE | 0:11:12 | 0:11:14 | |
So, Clare, what is Greg to you? | 0:11:19 | 0:11:22 | |
This is Greg, and he is the RSPCA officer who came to my aid | 0:11:22 | 0:11:26 | |
when a squirrel climbed into my handbag and wouldn't get out. | 0:11:26 | 0:11:29 | |
Rob Delaney, how do you know Greg? | 0:11:31 | 0:11:33 | |
Well, this is Greg and we once stayed up all night together holding | 0:11:33 | 0:11:38 | |
onto a fence when a game of who can hold on to the fence the longest | 0:11:38 | 0:11:43 | |
got out of hand. | 0:11:43 | 0:11:45 | |
Finally, Lee, what's your relationship with Greg? | 0:11:46 | 0:11:49 | |
This is Greg. I was so nervous about appearing on TV for the first time | 0:11:49 | 0:11:54 | |
that I made him come with me and pretend we were a double act. | 0:11:54 | 0:11:58 | |
David's team, where do you want to start? | 0:12:01 | 0:12:03 | |
So, Clare, where were you when the squirrel jumped into your handbag? | 0:12:03 | 0:12:08 | |
I was filming in Devon for Countryfile | 0:12:08 | 0:12:12 | |
and I was doing one of those links, you know, | 0:12:12 | 0:12:15 | |
when you walk along the cliff top, essentially. I'd left my bag | 0:12:15 | 0:12:18 | |
under a tree and sometimes there are little sweeties left in it | 0:12:18 | 0:12:22 | |
and I assume that is why the squirrel got in it. | 0:12:22 | 0:12:25 | |
You know when you get those selection chocolates | 0:12:25 | 0:12:27 | |
and there's some...the Topics that nobody likes? | 0:12:27 | 0:12:30 | |
I think I'd left...except unless you're a squirrel, | 0:12:30 | 0:12:33 | |
in which case, huh-huh. | 0:12:33 | 0:12:35 | |
Well, it's the one thing they say about squirrels - | 0:12:35 | 0:12:37 | |
they're not fussy when it comes to Quality Street. | 0:12:37 | 0:12:39 | |
-So, as you approached the bag... -Yes. -..what did you see? | 0:12:41 | 0:12:44 | |
-How were you alerted to this? -It was moving. | 0:12:44 | 0:12:46 | |
And what did you do then? Did you continue to approach? | 0:12:46 | 0:12:49 | |
Yeah, I thought, "There's something in my bag," | 0:12:49 | 0:12:52 | |
and then when I got close, | 0:12:52 | 0:12:53 | |
I thought, "It'll jump out because I'm near to it," but it wouldn't. | 0:12:53 | 0:12:56 | |
You're approaching the bag, Clare, it's moving about, | 0:12:56 | 0:12:59 | |
-you know there's a squirrel, you continue to approach. -Yes. | 0:12:59 | 0:13:02 | |
What happens then? | 0:13:02 | 0:13:03 | |
The squirrel's doing its thing... | 0:13:03 | 0:13:05 | |
-Continues to rummage. -Yeah, going through my diary, my phone... | 0:13:05 | 0:13:08 | |
-Helping itself to a strawberry cream. -Yeah, yeah. | 0:13:08 | 0:13:10 | |
You know, "I don't know why people are so fussy." | 0:13:10 | 0:13:12 | |
The cameraman said, "Don't touch it because you might get bitten," | 0:13:14 | 0:13:18 | |
and he said, "We'll call the RSPCA, they'll know what to do." | 0:13:18 | 0:13:21 | |
Had you tried tipping it upside down? | 0:13:21 | 0:13:23 | |
I've seen women do that to get things out. | 0:13:23 | 0:13:25 | |
Not if you've got earrings in the bag | 0:13:25 | 0:13:27 | |
in the middle of a field in Devon. You're not going to do that. | 0:13:27 | 0:13:30 | |
There's a great image of the squirrel wearing the earrings | 0:13:30 | 0:13:32 | |
and reading the diary. | 0:13:32 | 0:13:34 | |
LAUGHTER | 0:13:34 | 0:13:36 | |
"She's got a busy December, no wonder she can afford these." | 0:13:39 | 0:13:42 | |
So, they rang the RSPCA, Greg came up to a cliff top in Devon... | 0:13:42 | 0:13:46 | |
CLARE: It did take a while. | 0:13:46 | 0:13:47 | |
RHOD: And the squirrel was still in your bag? | 0:13:47 | 0:13:49 | |
Yeah. | 0:13:49 | 0:13:50 | |
How did he get it out? How did he get the squirrel out? | 0:13:50 | 0:13:52 | |
The squirrel had probably had enough by then | 0:13:52 | 0:13:54 | |
so he didn't even have to do much. | 0:13:54 | 0:13:56 | |
The squirrel came out of his own accord? | 0:13:56 | 0:13:58 | |
Indeed, as he approached the bag. | 0:13:58 | 0:14:00 | |
All right. David, what about the others? | 0:14:00 | 0:14:02 | |
-OK, Rob, a fence-holding-on contest that got out of hand. -Yes. | 0:14:02 | 0:14:06 | |
You said all night, Rob, was that it? | 0:14:06 | 0:14:08 | |
-You went on all night, the fence-holding. -Correct. | 0:14:08 | 0:14:11 | |
-Are you standing on the fence...? -No, we're standing next to a fence, | 0:14:11 | 0:14:14 | |
we're standing next to a wooden picket fence. | 0:14:14 | 0:14:16 | |
-Touching it. -Touching it. | 0:14:16 | 0:14:17 | |
And where were you? | 0:14:17 | 0:14:19 | |
We were in Pittsfield, Massachusetts. | 0:14:19 | 0:14:21 | |
One of you said, "I'm not saying it's boring here in Massachusetts, | 0:14:21 | 0:14:24 | |
"but who fancies holding on to that fence all night?" | 0:14:24 | 0:14:28 | |
Fair. We had... | 0:14:28 | 0:14:29 | |
There'd just been a documentary that was sweeping the nation | 0:14:29 | 0:14:32 | |
called Hands On A Hard Body, and it was about these people | 0:14:32 | 0:14:36 | |
who could win a Toyota pick-up truck if... | 0:14:36 | 0:14:39 | |
whoever held on to or whoever touched it for the longest. | 0:14:39 | 0:14:42 | |
So we had just seen this documentary and we were very drunk | 0:14:42 | 0:14:46 | |
so we thought...we were like, | 0:14:46 | 0:14:47 | |
"Ha, wouldn't it be funny if we did this?" | 0:14:47 | 0:14:49 | |
And then we did it for... | 0:14:49 | 0:14:52 | |
nine hours. | 0:14:52 | 0:14:54 | |
And who is Greg? I mean, how was he there? | 0:14:55 | 0:14:58 | |
Greg is the older brother - you can see he's quite a bit older than me. | 0:14:58 | 0:15:01 | |
He was the older brother of my friend that I went to college with. | 0:15:01 | 0:15:05 | |
Did you learn a lot about Greg? | 0:15:05 | 0:15:07 | |
More than I'd care to know. | 0:15:07 | 0:15:08 | |
Could we have five Greg facts? | 0:15:08 | 0:15:10 | |
-Uh... -LEE: -Opened his own bakery. -Let's see. | 0:15:10 | 0:15:13 | |
LAUGHTER | 0:15:13 | 0:15:16 | |
That was the big one. | 0:15:16 | 0:15:17 | |
Who won? | 0:15:19 | 0:15:21 | |
We agreed at five o'clock in the morning that we were both winners | 0:15:21 | 0:15:25 | |
and that as 5am approached... | 0:15:25 | 0:15:28 | |
So you started this at what time? | 0:15:28 | 0:15:30 | |
-About 8pm. -You started that at 8pm? | 0:15:30 | 0:15:33 | |
That's very early to start a fence-holding game. | 0:15:33 | 0:15:36 | |
Yeah, it's quite early to be... to go that strange. | 0:15:36 | 0:15:39 | |
Yeah. | 0:15:39 | 0:15:40 | |
When had you started drinking? | 0:15:40 | 0:15:43 | |
Meh, four or so in the afternoon. | 0:15:43 | 0:15:45 | |
All right, maybe. | 0:15:45 | 0:15:47 | |
OK, now what about Lee? | 0:15:50 | 0:15:51 | |
-DAVID: -OK, Lee. Um.... Just remind us of what it was that you said. | 0:15:51 | 0:15:54 | |
This is Greg and I was so nervous about my first TV appearance | 0:15:54 | 0:15:58 | |
that I made him come along with me and pretend we were a double act. | 0:15:58 | 0:16:01 | |
What was your first TV appearance? | 0:16:01 | 0:16:03 | |
It was on a programme called Pump Television. | 0:16:03 | 0:16:06 | |
What's that? | 0:16:06 | 0:16:08 | |
It was a sort of magazine type show. | 0:16:08 | 0:16:10 | |
It was a bit funky and happening. it was like The One Show | 0:16:10 | 0:16:14 | |
but for people that are allowed out in the day. | 0:16:14 | 0:16:18 | |
-And what were you doing on the show? -Just being interviewed. | 0:16:18 | 0:16:21 | |
It was Reading television | 0:16:21 | 0:16:22 | |
and I'd just won a competition for new comedians up in Edinburgh. | 0:16:22 | 0:16:25 | |
What year was this? | 0:16:25 | 0:16:27 | |
1995. | 0:16:27 | 0:16:28 | |
But you didn't win in Edinburgh till 1997. | 0:16:28 | 0:16:31 | |
That's right, sorry. I've completely messed up the story. | 0:16:31 | 0:16:33 | |
I went on the show, Pump TV, to tell them | 0:16:33 | 0:16:35 | |
that I could predict the future. | 0:16:35 | 0:16:37 | |
LAUGHTER | 0:16:37 | 0:16:39 | |
You know, you said to us that you were a double act. | 0:16:39 | 0:16:42 | |
What sort of a double act? | 0:16:42 | 0:16:44 | |
I rang up and said, "Sorry, I'm actually a... | 0:16:44 | 0:16:46 | |
"I do a bit of double act work. Can I bring my double act partner | 0:16:46 | 0:16:48 | |
"on as well?" They said, "Fine, what does your double act partner do?" | 0:16:48 | 0:16:51 | |
and without thinking, I said, "He's a juggler." | 0:16:51 | 0:16:54 | |
What happened when you got there? Did he have to get there and juggle? | 0:16:54 | 0:16:57 | |
There's another twist to this story... | 0:16:57 | 0:16:59 | |
Is the other twist to this story that it's a complete lie? | 0:16:59 | 0:17:03 | |
No, Rhod, I don't think that would be a twist. | 0:17:03 | 0:17:05 | |
So, he comes...he comes on the show and I tell him | 0:17:07 | 0:17:10 | |
fairly last minute, I think maybe an hour or two's notice, | 0:17:10 | 0:17:12 | |
"Oh, by the way, I may have told them that you were a juggler." | 0:17:12 | 0:17:15 | |
So now he's panicking, isn't he? So what does he do? | 0:17:15 | 0:17:18 | |
Cos he thinks he's going to be asked to juggle on the show | 0:17:18 | 0:17:21 | |
and he can't juggle. So he bandaged his arm up and so thus he wasn't... | 0:17:21 | 0:17:25 | |
If they said, "Can you juggle?" | 0:17:25 | 0:17:26 | |
He can say, "I can't, I've hurt my arm." | 0:17:26 | 0:17:28 | |
All the way there in the car you're not talking about | 0:17:28 | 0:17:31 | |
-why you're driving all this way... -We didn't drive together. | 0:17:31 | 0:17:33 | |
He couldn't - he'd injured his arm juggling. | 0:17:33 | 0:17:35 | |
That's not right. | 0:17:35 | 0:17:36 | |
That's not right, is it? Now I'M starting to think... | 0:17:36 | 0:17:39 | |
No, I met him at the studio because he actually is from Reading. | 0:17:39 | 0:17:42 | |
That's handy, isn't it? That was good, wasn't it? | 0:17:42 | 0:17:45 | |
Were there any other guests on the TV show? | 0:17:45 | 0:17:47 | |
I can't remember now. I think there was a person who had a dog | 0:17:47 | 0:17:50 | |
-and the dog did something. -Yeah. | 0:17:50 | 0:17:51 | |
Uh, there was a bit of...it's a magazine. | 0:17:51 | 0:17:53 | |
-DAVID: -Maybe he actually didn't have a dog | 0:17:53 | 0:17:55 | |
but he just persuaded the dog to come on because he was nervous. | 0:17:55 | 0:17:58 | |
All right, we need an answer. | 0:17:58 | 0:17:59 | |
So, David's team, is Greg Clare's squirrel saviour, | 0:17:59 | 0:18:05 | |
Rob's fence-feeler | 0:18:05 | 0:18:07 | |
or Lee's pretend partner? | 0:18:07 | 0:18:09 | |
It's a pretty unappetising menu, isn't it? | 0:18:09 | 0:18:12 | |
I don't believe Clare Balding. I don't believe | 0:18:12 | 0:18:15 | |
that she would be scared, somebody who hosts Countryfile. | 0:18:15 | 0:18:18 | |
If there was a sound man there with a boom, | 0:18:18 | 0:18:19 | |
you could have used that furry boom to entice... | 0:18:19 | 0:18:22 | |
Like, maybe he could have pretended it was a badger. | 0:18:22 | 0:18:25 | |
Also, if you were a lady | 0:18:26 | 0:18:28 | |
and you saw your handbag moving, you wouldn't immediately think | 0:18:28 | 0:18:31 | |
squirrel in there, you'd think, "Oh, God, it's gone off again." | 0:18:31 | 0:18:34 | |
LAUGHTER | 0:18:34 | 0:18:36 | |
What about Rob's story? | 0:18:40 | 0:18:42 | |
There was a lot of detail with Rob's fence-holding story. | 0:18:42 | 0:18:45 | |
I like Rob's. It could very well be true, but... | 0:18:45 | 0:18:48 | |
I think so. Greg's hands were made for holding on to fences. | 0:18:48 | 0:18:52 | |
So, you think Rob. Rhod, who do you think? | 0:18:52 | 0:18:55 | |
I think because Lee so rarely sounds plausible, | 0:18:55 | 0:18:58 | |
I think it'd be nice to give him a little go. | 0:18:58 | 0:19:01 | |
You think that when Lee went on Pump TV in 1995 | 0:19:01 | 0:19:05 | |
with an average viewing figure of 14... | 0:19:05 | 0:19:09 | |
he was too nervous to go on his own? | 0:19:09 | 0:19:11 | |
I do, I do. | 0:19:11 | 0:19:13 | |
Yeah, I think Rob, I think Rob. | 0:19:13 | 0:19:15 | |
You're going to say Rob Delaney. | 0:19:15 | 0:19:16 | |
That's what we're going for. | 0:19:16 | 0:19:18 | |
OK, so, Greg, would you please reveal your true identity? | 0:19:18 | 0:19:23 | |
My name is Greg and I pretended to be in a double act with Lee. | 0:19:23 | 0:19:26 | |
APPLAUSE | 0:19:26 | 0:19:28 | |
Yes, Greg is Lee's pretend partner. | 0:19:35 | 0:19:38 | |
Now, we have a picture of Lee and Greg on TV together. | 0:19:38 | 0:19:41 | |
There they are. | 0:19:41 | 0:19:42 | |
-NICK: -That's brilliant! | 0:19:44 | 0:19:46 | |
I can see Greg in the picture. | 0:19:46 | 0:19:48 | |
-LEE: -Who's the really skinny fella? | 0:19:48 | 0:19:50 | |
Who's the 70-year-old man who's dying? | 0:19:50 | 0:19:53 | |
I'll tell you what, David, coming from you, that is rich. | 0:19:54 | 0:19:57 | |
It is true, I was very thin. | 0:19:58 | 0:20:00 | |
I was 9st there, I was a skinny lad. | 0:20:00 | 0:20:02 | |
Good lord. But we've made great advances in medicine | 0:20:02 | 0:20:06 | |
and he's here with us today. | 0:20:06 | 0:20:09 | |
Thanks very much, Greg. | 0:20:09 | 0:20:10 | |
APPLAUSE | 0:20:10 | 0:20:12 | |
Which brings us to our final round, Quick Fire Lies, | 0:20:14 | 0:20:16 | |
and we start with... | 0:20:16 | 0:20:18 | |
It's David. | 0:20:20 | 0:20:21 | |
The night before the bin men come, I go to bed wearing earmuffs. | 0:20:24 | 0:20:28 | |
That way I'm spared their irritating early morning clank of trash. | 0:20:32 | 0:20:37 | |
What day do the bin men come? | 0:20:39 | 0:20:41 | |
Thursday morning. | 0:20:41 | 0:20:43 | |
CLARE: I think it's instantly believable | 0:20:43 | 0:20:44 | |
because we know him to be grumpy and, you know, | 0:20:44 | 0:20:47 | |
intolerant and easily disturbed. | 0:20:47 | 0:20:49 | |
Oh, hang on, can I have a go with the list? | 0:20:49 | 0:20:52 | |
Why earmuffs and not just little in-the-ear thingies, you know? | 0:20:54 | 0:20:57 | |
I don't like things in there. | 0:20:57 | 0:21:00 | |
I don't like to be, you know, penetrated. | 0:21:00 | 0:21:03 | |
What do your earmuffs look like, David? | 0:21:04 | 0:21:07 | |
They're grey. | 0:21:07 | 0:21:09 | |
Do they have, like, a nice plastic strap along the top? | 0:21:09 | 0:21:12 | |
No, they're two single, separate muffs. | 0:21:12 | 0:21:14 | |
Oh, I see, you put them on your ears then put a Hoover on your mouth. | 0:21:16 | 0:21:20 | |
- Is that how they work? - Precisely, yes. | 0:21:20 | 0:21:22 | |
Then you have to block all the holes quickly. | 0:21:22 | 0:21:24 | |
No, no, they have got a linking plasticity. | 0:21:24 | 0:21:27 | |
Are your muffs fluffy? | 0:21:27 | 0:21:28 | |
They're...yeah, they have a, I would say... | 0:21:28 | 0:21:31 | |
You know, there's... Yeah, yeah. I mean, yes. Yes, they're fluffy. | 0:21:31 | 0:21:35 | |
What do you sleep in apart from the earmuffs? | 0:21:35 | 0:21:37 | |
Nothing at all. | 0:21:37 | 0:21:38 | |
-LEE: -So you're naked? | 0:21:38 | 0:21:40 | |
No, I...pyjamas. | 0:21:40 | 0:21:42 | |
So sometimes your relatively new wife wakes up | 0:21:42 | 0:21:46 | |
on a Thursday morning with your matching pyjamas and earmuffs. | 0:21:46 | 0:21:49 | |
No, no, the earmuffs don't match the pyjamas. | 0:21:51 | 0:21:54 | |
-I know that, but... -Does she secretly quite like you | 0:21:54 | 0:21:56 | |
in the earmuffs? I mean, does she say you look very sweet? | 0:21:56 | 0:21:59 | |
It's not become a problem in our relationship. | 0:21:59 | 0:22:02 | |
-LEE: -I would have ended the sentence as | 0:22:02 | 0:22:04 | |
"Does she secretly quite like you?" | 0:22:04 | 0:22:06 | |
Because I get phone calls often from her going, | 0:22:08 | 0:22:11 | |
"I don't know how this can carry on - | 0:22:11 | 0:22:13 | |
"the earmuffs, the matching pyjamas..." | 0:22:13 | 0:22:15 | |
Now, when do the muffs go on? | 0:22:15 | 0:22:17 | |
Because we get into bed at night, don't we, | 0:22:17 | 0:22:19 | |
but we have several things to accomplish before we go to sleep. | 0:22:19 | 0:22:23 | |
-Yeah. -Be it a quick look at an iPad or tablet, | 0:22:23 | 0:22:26 | |
be it browsing a book or be it celebrating | 0:22:26 | 0:22:30 | |
a very special aspect of the marriage. | 0:22:30 | 0:22:33 | |
That's broadcastable! Would...? | 0:22:34 | 0:22:37 | |
Your proudest boast. | 0:22:38 | 0:22:40 | |
So, would you wait for the muffs to go on | 0:22:43 | 0:22:45 | |
until all other business has been attended to? | 0:22:45 | 0:22:49 | |
All other business has been attended to, | 0:22:49 | 0:22:51 | |
be it a crossword or something even less broadcastable. | 0:22:51 | 0:22:55 | |
It has all happened before the muffs go on. | 0:22:55 | 0:22:57 | |
The only thing I have not done - and I'm very particular about this - | 0:22:57 | 0:23:01 | |
before I put the earmuffs on, is go to sleep... | 0:23:01 | 0:23:05 | |
..because I find it very difficult to put them on whilst unconscious. | 0:23:06 | 0:23:10 | |
But what if you've had a particularly exerting crossword, OK? | 0:23:10 | 0:23:15 | |
The two of you have been going at this crossword | 0:23:15 | 0:23:18 | |
for half an hour, 40 minutes, relentlessly. | 0:23:18 | 0:23:21 | |
You finally finish the crossword, | 0:23:21 | 0:23:24 | |
let's say 14 down has been particularly tricky, | 0:23:24 | 0:23:28 | |
and you fall back with, "Oh, my God, that was fantastic. | 0:23:28 | 0:23:32 | |
"Where are me muffs?" | 0:23:32 | 0:23:34 | |
Well, I don't know if it's just a thing in our relationship, | 0:23:36 | 0:23:40 | |
but crosswords don't take us that long. | 0:23:40 | 0:23:42 | |
LAUGHTER | 0:23:42 | 0:23:44 | |
APPLAUSE | 0:23:45 | 0:23:47 | |
What are we thinking, Lee, and Lee's team? | 0:23:51 | 0:23:54 | |
What do we think? | 0:23:54 | 0:23:55 | |
-I think that it is not true. -OK. | 0:23:56 | 0:23:59 | |
You know when you have to wake up to pee sometimes? | 0:23:59 | 0:24:02 | |
That's when I'd throw them on. You know, all night, I don't know. | 0:24:02 | 0:24:05 | |
-I don't always wake up to pee. -I wish I... | 0:24:05 | 0:24:09 | |
CLARE: Oh, no! | 0:24:09 | 0:24:10 | |
So, erm... | 0:24:10 | 0:24:12 | |
LAUGHTER | 0:24:12 | 0:24:14 | |
So, you're saying it's... What do we think? | 0:24:16 | 0:24:19 | |
Essentially, I think it's a well-told lie. | 0:24:19 | 0:24:21 | |
You think it's a lie. OK, we'll say it's a lie. | 0:24:21 | 0:24:24 | |
You're saying lie. OK, David, truth or lie? | 0:24:24 | 0:24:27 | |
It is a lie. | 0:24:27 | 0:24:29 | |
APPLAUSE | 0:24:29 | 0:24:31 | |
Yes, it's a lie - | 0:24:33 | 0:24:34 | |
David doesn't wear earmuffs the night before the bin men come. | 0:24:34 | 0:24:37 | |
Next. | 0:24:37 | 0:24:39 | |
It's Lee. | 0:24:39 | 0:24:41 | |
Because I can never remember the phonetic alphabet, | 0:24:41 | 0:24:44 | |
I have invented one of my own | 0:24:44 | 0:24:47 | |
based on things I can see from my bedroom window. | 0:24:47 | 0:24:51 | |
Now I never forget it. | 0:24:53 | 0:24:54 | |
Now, in case there are people watching perhaps | 0:24:57 | 0:25:00 | |
who don't know what the phonetic alphabet is... | 0:25:00 | 0:25:03 | |
Can I just say, I'm one of them. | 0:25:03 | 0:25:05 | |
It's... You know, it's kind of Alpha, Bravo, Charlie... | 0:25:05 | 0:25:08 | |
-DAVID: -Why is that called the phonetic alphabet? | 0:25:08 | 0:25:11 | |
There's nothing phonetic about it. | 0:25:11 | 0:25:13 | |
Just do us a favour, lads - | 0:25:13 | 0:25:14 | |
keep discussing, it gives me more thinking time. | 0:25:14 | 0:25:16 | |
-So, Lee... -Yes. -..take us through it. | 0:25:16 | 0:25:18 | |
Well, where would you like me to start? | 0:25:18 | 0:25:20 | |
-Z. -A. | 0:25:20 | 0:25:22 | |
A for apple tree. And to the point where I will do this on the phone | 0:25:22 | 0:25:25 | |
when they say, "What's your postcode?" I will use these. | 0:25:25 | 0:25:28 | |
-Carry on. -B. This is the one that can get confusing - | 0:25:28 | 0:25:30 | |
B for bird, because obviously the bird is not always there. | 0:25:30 | 0:25:33 | |
But you can always hear or sense a bird, so B for bird. | 0:25:33 | 0:25:37 | |
C for cat. There's always a cat - | 0:25:37 | 0:25:40 | |
I think I know why there's no birds. | 0:25:40 | 0:25:42 | |
D, think you know where I'm going with this. | 0:25:42 | 0:25:45 | |
LAUGHTER | 0:25:45 | 0:25:47 | |
I'm surprised the cat's still there, I really am. | 0:25:51 | 0:25:54 | |
Do you sometimes find there's no C when there's a D? | 0:25:54 | 0:25:56 | |
Often, I can say D, there'll definitely be no C and B ever. | 0:25:56 | 0:26:00 | |
We don't need it all. What's H? | 0:26:00 | 0:26:02 | |
H will be for hospital. | 0:26:02 | 0:26:04 | |
What's V? | 0:26:04 | 0:26:06 | |
V is for a word I'm not allowed to say on national television, | 0:26:06 | 0:26:09 | |
but all I will say is the next-door neighbour, | 0:26:09 | 0:26:11 | |
she likes to sunbathe naked. | 0:26:11 | 0:26:13 | |
LAUGHTER | 0:26:13 | 0:26:15 | |
Unless... This is a weird one, can't do C and V at the same time | 0:26:15 | 0:26:18 | |
because she's got an allergy to cats. | 0:26:18 | 0:26:21 | |
-DAVID: -R. | 0:26:21 | 0:26:22 | |
I know, it's a shame, isn't it? | 0:26:22 | 0:26:23 | |
- R. - Oh, I see. | 0:26:23 | 0:26:25 | |
LAUGHTER | 0:26:25 | 0:26:27 | |
What's the name of the hospital? | 0:26:31 | 0:26:33 | |
-What? -What?! | 0:26:33 | 0:26:34 | |
H, you said H for hospital. | 0:26:34 | 0:26:36 | |
All I can see is the A&E sign, | 0:26:36 | 0:26:38 | |
or as I call it, apple tree and Edna. | 0:26:38 | 0:26:41 | |
Take me to apple tree and Edna! | 0:26:41 | 0:26:44 | |
So you don't know the name of your nearest hospital? | 0:26:45 | 0:26:47 | |
Not interested. I don't need to know the name of it. | 0:26:47 | 0:26:50 | |
I'm afraid at that point - and only at that point - | 0:26:50 | 0:26:54 | |
I ceased to believe you, | 0:26:54 | 0:26:55 | |
what otherwise seemed like an excellent system. | 0:26:55 | 0:26:57 | |
I don't know the name of it | 0:26:57 | 0:26:58 | |
but I can certainly spell hospital for you. | 0:26:58 | 0:27:01 | |
H for Harry. | 0:27:04 | 0:27:06 | |
No, for hospital, for hospital! You said it's for hospital. | 0:27:06 | 0:27:09 | |
Oh, yeah. | 0:27:09 | 0:27:11 | |
Oh, yes, that's... | 0:27:13 | 0:27:14 | |
Even though I say so myself, that was a bad mistake. | 0:27:14 | 0:27:17 | |
LAUGHTER | 0:27:17 | 0:27:20 | |
So, what are your team thinking? | 0:27:20 | 0:27:22 | |
I don't believe it at all. At all. | 0:27:22 | 0:27:25 | |
-What about you, Nick? -I think that he does do this | 0:27:25 | 0:27:28 | |
and he's made it a nice lovely story to throw us, | 0:27:28 | 0:27:32 | |
but I think that Lee actually does, | 0:27:32 | 0:27:33 | |
when he can't think of the real life ones, will say Edna or whatever. | 0:27:33 | 0:27:38 | |
Just to be clear, perhaps the most fascinating moment | 0:27:38 | 0:27:40 | |
of the whole evening... Nick, you think that's true? | 0:27:40 | 0:27:43 | |
I think it's true! | 0:27:44 | 0:27:46 | |
OK, it's time to decide. | 0:27:46 | 0:27:48 | |
-A lie. -Lie, OK, you say it's a lie. Well, here we go. | 0:27:48 | 0:27:52 | |
Lee, is it true or is it a lie? | 0:27:52 | 0:27:55 | |
You have to actually ask? | 0:27:55 | 0:27:56 | |
Yes, it's all a lie - Lee hasn't invented his own phonetic alphabet. | 0:28:02 | 0:28:06 | |
BUZZER | 0:28:06 | 0:28:07 | |
And that noise signals time is up. It's the end of the show | 0:28:07 | 0:28:10 | |
and I can reveal that Lee's team have won by four points to one. | 0:28:10 | 0:28:14 | |
APPLAUSE | 0:28:14 | 0:28:16 | |
But it's not just a team game - | 0:28:17 | 0:28:19 | |
my individual liar of the week this week is Rob Delaney. | 0:28:19 | 0:28:23 | |
APPLAUSE | 0:28:23 | 0:28:26 | |
Yes, it's Rob Delaney. All night long, the American has been lying | 0:28:26 | 0:28:30 | |
through his perfectly-aligned pearly white teeth. | 0:28:30 | 0:28:32 | |
Good night. | 0:28:32 | 0:28:33 | |
APPLAUSE | 0:28:33 | 0:28:35 |