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APPLAUSE | 0:00:20 | 0:00:23 | |
Good evening and welcome to Would I Lie to You? | 0:00:23 | 0:00:26 | |
The show with barefaced lies and well-masked truths. | 0:00:26 | 0:00:29 | |
On David Mitchell's team tonight - a comedian who's been all over | 0:00:29 | 0:00:32 | |
the world, from Australia to the United States. In fact, | 0:00:32 | 0:00:35 | |
the only place he hasn't been is a hair dresser's. It's Alan Davies. | 0:00:35 | 0:00:39 | |
APPLAUSE | 0:00:39 | 0:00:42 | |
And a woman who, when she was at university, earned a first-class degree in Romantic poetry. | 0:00:42 | 0:00:47 | |
I must tell her the one I wrote - 'There once was a man | 0:00:47 | 0:00:49 | |
'from Nantucket who's...' | 0:00:49 | 0:00:50 | |
Another time. It's Germaine Greer. | 0:00:50 | 0:00:52 | |
APPLAUSE | 0:00:52 | 0:00:55 | |
And on Lee Mack's team tonight, he's the host of Pointless, | 0:00:55 | 0:00:59 | |
one of BBC's most popular tea-time shows, or as students call it, | 0:00:59 | 0:01:03 | |
breakfast television. It's Richard Osman. | 0:01:03 | 0:01:05 | |
APPLAUSE | 0:01:05 | 0:01:07 | |
And a footballer who played for Nottingham Forest, Newcastle United, | 0:01:07 | 0:01:11 | |
Spurs, Aston Villa and QPR. Meaning he was either | 0:01:11 | 0:01:14 | |
hugely in demand or couldn't get on with anybody. | 0:01:14 | 0:01:17 | |
It's Jermaine Jenas. | 0:01:17 | 0:01:19 | |
APPLAUSE | 0:01:19 | 0:01:21 | |
And so we begin with round one - Home Truths - where our panellists | 0:01:21 | 0:01:25 | |
each read out a statement from the card in front of them. | 0:01:25 | 0:01:27 | |
Now, to make things harder, they've never seen the card before, | 0:01:27 | 0:01:30 | |
they've no idea what they'll be faced with. | 0:01:30 | 0:01:32 | |
It's up to the opposing team to sort the fact from the fiction. | 0:01:32 | 0:01:36 | |
Richard, you're up first tonight. | 0:01:36 | 0:01:38 | |
Last year, at a party... | 0:01:39 | 0:01:42 | |
I shared a Jacuzzi with three of the Eggheads. | 0:01:42 | 0:01:45 | |
LAUGHTER | 0:01:45 | 0:01:48 | |
David Mitchell's team. | 0:01:49 | 0:01:50 | |
Which...which three Eggheads? | 0:01:52 | 0:01:55 | |
Ah, it was Barry... | 0:01:55 | 0:01:57 | |
LAUGHTER | 0:01:57 | 0:01:58 | |
I know, right? Kevin... | 0:01:58 | 0:02:02 | |
..and Chris. | 0:02:03 | 0:02:05 | |
Are The Eggheads only allowed in a Jacuzzi for three minutes? | 0:02:05 | 0:02:08 | |
LAUGHTER | 0:02:08 | 0:02:10 | |
What was the party? | 0:02:14 | 0:02:16 | |
Well it was...all of the sort of quiz shows together. | 0:02:16 | 0:02:20 | |
We were doing a big photo shoot, and it was us, | 0:02:20 | 0:02:23 | |
and by us I mean Pointless. It was Eggheads, The Chase | 0:02:23 | 0:02:27 | |
and, like, Fifteen to One. | 0:02:27 | 0:02:30 | |
How did you get all them in?! | 0:02:32 | 0:02:33 | |
Just out of interest, who initiated the Jacuzzi-ing? | 0:02:35 | 0:02:37 | |
There had been photographs earlier, and then | 0:02:37 | 0:02:39 | |
later in the evening people were jumping in of their own accord. | 0:02:39 | 0:02:42 | |
-Right, OK. -What was the photo shoot for? | 0:02:42 | 0:02:44 | |
Radio Times, TV Times, one of those. | 0:02:44 | 0:02:47 | |
So the concept for the photo was three Eggheads and you in a Jacuzzi. | 0:02:47 | 0:02:52 | |
What were the...what were the Fifteen to One-ers and the Chasers doing? | 0:02:52 | 0:02:55 | |
We were doing all sorts of photographs, | 0:02:55 | 0:02:57 | |
drinking champagne, Jacuzzi. It was supposed to be, you know... | 0:02:57 | 0:03:01 | |
decadence and all this kind of stuff. | 0:03:01 | 0:03:03 | |
The concept was decadence in the quizzing community. | 0:03:03 | 0:03:06 | |
I think it was...champagne, | 0:03:06 | 0:03:08 | |
chocolates, just being decadent, I think, yes. | 0:03:08 | 0:03:10 | |
-Chocolates in a Jacuzzi? -Not IN a Jacuzzi, we hadn't gone mad! -Sort of a box of Black Magic bobbing by? | 0:03:10 | 0:03:15 | |
I think photographing a lot of people from different quiz shows | 0:03:17 | 0:03:21 | |
in a ridiculously kind of opulent setting | 0:03:21 | 0:03:23 | |
is the sort of idea that a listings magazine might have. | 0:03:23 | 0:03:27 | |
For example, for the last series of this they had us sitting | 0:03:27 | 0:03:30 | |
round a table pretending to play poker and pulling loads of faces. | 0:03:30 | 0:03:34 | |
-Yes. -It's the kind of stunt that they do, rather than just | 0:03:34 | 0:03:37 | |
having a normal photograph and then | 0:03:37 | 0:03:39 | |
a note of when the programme is on, which is all you need. | 0:03:39 | 0:03:43 | |
I rather enjoyed the poker photo. | 0:03:43 | 0:03:46 | |
It was a lovely opportunity to spend time with you and Lee | 0:03:46 | 0:03:48 | |
out of this environment. But never mind, if you weren't happy... | 0:03:48 | 0:03:52 | |
To be honest with you, Rob, I also had a terrible time. | 0:03:52 | 0:03:55 | |
LAUGHTER | 0:03:55 | 0:03:58 | |
Right, it's time to make your mind up. | 0:03:58 | 0:04:00 | |
What way are you leaning, Alan? | 0:04:00 | 0:04:02 | |
I don't think it's true. | 0:04:02 | 0:04:04 | |
I can see the photo shoot, but I just can't see him in a Jacuzzi. | 0:04:04 | 0:04:07 | |
Continuing to party at the end of a photo shoot is certainly not... | 0:04:07 | 0:04:11 | |
It's not something we considered, was it, Lee, at the end of the... the aforementioned poker? | 0:04:11 | 0:04:15 | |
Literally, as he put the cap on the end of the camera | 0:04:15 | 0:04:18 | |
-like that, we were in the taxi, weren't we? -Yeah. | 0:04:18 | 0:04:20 | |
I remember as we drove off, winding the window down and hearing, | 0:04:20 | 0:04:23 | |
-IN WELSH ACCENT: -"It's my round, lads." | 0:04:23 | 0:04:25 | |
LAUGHTER | 0:04:25 | 0:04:27 | |
"It's my round!" "Get your head down, he's looking." | 0:04:27 | 0:04:31 | |
Rob... Yeah. Rob sent me the end of his anecdote in five long texts. | 0:04:31 | 0:04:35 | |
So, Germaine, what do you think? | 0:04:39 | 0:04:40 | |
-IN A SING-SONG TONE: -I'm going to say... | 0:04:40 | 0:04:44 | |
-Is this a musical? -False. False. | 0:04:44 | 0:04:46 | |
You're saying a lie. You think it's a lie? | 0:04:46 | 0:04:49 | |
-A lie. A lie. -So you both think it's a lie? -Yeah. -We'll say lie. | 0:04:49 | 0:04:52 | |
You're going to say it's a lie. OK, so, Richard - Jacuzzis, | 0:04:52 | 0:04:54 | |
photo shoot, truth or lie? | 0:04:54 | 0:04:56 | |
It is... | 0:04:56 | 0:04:59 | |
-lie. GERMAINE: -Wahey. | 0:04:59 | 0:05:00 | |
Yes, it's a lie. Richard didn't share a Jacuzzi | 0:05:03 | 0:05:05 | |
with three of the Eggheads. | 0:05:05 | 0:05:08 | |
Germaine Greer, your turn. | 0:05:08 | 0:05:09 | |
Whenever I travel by tube, I look around the carriage to decide who | 0:05:11 | 0:05:16 | |
I'd eat first if we were a group of people stranded on a desert island. | 0:05:16 | 0:05:23 | |
LAUGHTER | 0:05:23 | 0:05:25 | |
-Lee. -Wow. | 0:05:25 | 0:05:29 | |
I hope this isn't true, Germaine. | 0:05:29 | 0:05:31 | |
Although we are now all doing it. | 0:05:32 | 0:05:35 | |
And I think we all know what we're thinking. | 0:05:35 | 0:05:38 | |
Yeah. Yeah, it's not going to end well for me. | 0:05:38 | 0:05:41 | |
Thing about you is you could eat you and make a raft out of the bones. | 0:05:41 | 0:05:44 | |
LAUGHTER | 0:05:44 | 0:05:45 | |
So, Germaine, is this a thing you only do on the tube? | 0:05:45 | 0:05:48 | |
Well, you know how... I mean, you can sit on the tube, | 0:05:48 | 0:05:52 | |
stupefied with boredom | 0:05:52 | 0:05:54 | |
and ask yourself what everyone would look like undressed, and that is | 0:05:54 | 0:05:59 | |
just so, so depressing a thought | 0:05:59 | 0:06:02 | |
that I've started to work variations | 0:06:02 | 0:06:06 | |
on this theme, and thinking, you know, who looks...toothsome. | 0:06:06 | 0:06:12 | |
Toothsome? | 0:06:12 | 0:06:13 | |
Yes. Who would you like to sink your teeth into? | 0:06:13 | 0:06:17 | |
I thought looking toothsome meant you had a lot of teeth. | 0:06:17 | 0:06:21 | |
-Well, you thought wrong. -Really? Did I, really? | 0:06:21 | 0:06:25 | |
LAUGHTER, APPLAUSE | 0:06:25 | 0:06:28 | |
How do you make the judgment call, then? Is it just the fattest or...? | 0:06:28 | 0:06:31 | |
No, it's not just the fattest, | 0:06:31 | 0:06:33 | |
-cos they're probably the least interesting. You might decide... -"Interesting"? Interesting? | 0:06:33 | 0:06:37 | |
-Don't know about interesting.... -Well, because it's just lard. | 0:06:37 | 0:06:41 | |
Unfortunately, it's positively correlated with youth. | 0:06:41 | 0:06:45 | |
-So you like the idea of eating youth? -Uh-oh. | 0:06:45 | 0:06:47 | |
LAUGHTER | 0:06:47 | 0:06:48 | |
Imagine, Germaine, we're all on the tube together. | 0:06:52 | 0:06:55 | |
Hang on, she's eyeing me up. She's fully eyeing me up. | 0:06:55 | 0:06:59 | |
In which order do you eat us? | 0:06:59 | 0:07:00 | |
Well, Jermaine is quite right, he has to go first. | 0:07:00 | 0:07:03 | |
He's the fittest. | 0:07:05 | 0:07:06 | |
-That's an assumption. -RICHARD: -Whoa. | 0:07:06 | 0:07:09 | |
Thank you very much. | 0:07:09 | 0:07:11 | |
So you're starting with, with Jermaine. All right, | 0:07:11 | 0:07:13 | |
we'll allow you that. Who do you turn to next? | 0:07:13 | 0:07:15 | |
I think it would probably be Alan next. | 0:07:15 | 0:07:19 | |
-It's hard to know if it's a compliment or not, isn't it? -I know. | 0:07:19 | 0:07:22 | |
Do you remember that feeling at school when you were lined up | 0:07:22 | 0:07:25 | |
and they were picking the football team? | 0:07:25 | 0:07:27 | |
And the only thing you can think was, "I better not be last." | 0:07:27 | 0:07:30 | |
It's happening again! | 0:07:30 | 0:07:32 | |
So you've had Jermaine and Alan. Who do you go to next? | 0:07:34 | 0:07:37 | |
-Ah, David, I think. -Thank you. | 0:07:37 | 0:07:39 | |
It does feel like an honour, doesn't it? | 0:07:39 | 0:07:43 | |
It does. I'm very proud to finish in the top half of the table. | 0:07:43 | 0:07:48 | |
Why would you go to... Why, for Lord's sake, would you go to | 0:07:48 | 0:07:51 | |
David before me? | 0:07:51 | 0:07:53 | |
To a lesser extent Lee, and Richard? Why? | 0:07:53 | 0:07:57 | |
I think Richard would be a bit difficult to handle, to manage. | 0:07:57 | 0:08:01 | |
LAUGHTER | 0:08:01 | 0:08:04 | |
So you've go the three of us left - who's next? | 0:08:04 | 0:08:07 | |
It would be a matter of how one cooked you. | 0:08:12 | 0:08:14 | |
LAUGHTER | 0:08:14 | 0:08:17 | |
Crackling is what comes to mind. | 0:08:17 | 0:08:20 | |
I don't know if she's insulting me or praising me. | 0:08:20 | 0:08:24 | |
Everybody loves crackling, if it's made properly. | 0:08:24 | 0:08:27 | |
Yes, I like that. So it's me next, is it? | 0:08:27 | 0:08:29 | |
Well, yes, maybe. Look, this is getting out of hand, | 0:08:29 | 0:08:32 | |
I'm afraid I'm full already. | 0:08:32 | 0:08:35 | |
I'm not even hungry any more. | 0:08:35 | 0:08:37 | |
Take it a little more seriously, please. | 0:08:37 | 0:08:38 | |
So you're left now...you're left with the two stragglers, | 0:08:38 | 0:08:41 | |
you've been pushing them round your plate, you really don't | 0:08:41 | 0:08:44 | |
want to know. It's Lee and Richard, who do you go to next? | 0:08:44 | 0:08:49 | |
I can't help thinking at this point I'd have probably got off the tube. | 0:08:49 | 0:08:52 | |
LAUGHTER AND APPLAUSE | 0:08:52 | 0:08:55 | |
-ALAN: -Once she started eating people! | 0:08:55 | 0:08:57 | |
So who is last, just to be sure? | 0:08:58 | 0:09:00 | |
For when I get the t-shirts printed. | 0:09:00 | 0:09:02 | |
I thought I'd... I thought I'd spared Richard. | 0:09:02 | 0:09:05 | |
You spared Richard cos you think he's too big, so Lee. | 0:09:05 | 0:09:08 | |
-Let him go. -Lee is technically last, excellent. So... | 0:09:08 | 0:09:11 | |
Lee is last, but you refuse to eat Richard at all. | 0:09:11 | 0:09:14 | |
So what do you think? | 0:09:15 | 0:09:16 | |
Very detailed about what... She knew. | 0:09:16 | 0:09:18 | |
When she looked into your eyes and said, "I'd like to eat you first." | 0:09:18 | 0:09:22 | |
I saw. Yeah, I told you, the eyes told me. Yeah. "You're going." | 0:09:22 | 0:09:24 | |
-You felt true. -To be honest with you, | 0:09:24 | 0:09:27 | |
in the make-up room before, I was like... | 0:09:27 | 0:09:29 | |
Things are coming back to me now, actually, yeah. | 0:09:29 | 0:09:32 | |
Yeah, cos she was, she was basting you, wasn't she? | 0:09:32 | 0:09:35 | |
LAUGHTER | 0:09:35 | 0:09:37 | |
-So what's it going to be? -What do we think, Richard? | 0:09:37 | 0:09:40 | |
Well, I think... Well, just look in her eyes, it's so true. | 0:09:40 | 0:09:42 | |
-So you both think it's true? -Yeah. -I think it's a lie. | 0:09:42 | 0:09:45 | |
-Oh, do you? -Yeah. I'll go with the majority cos I'm weak. | 0:09:45 | 0:09:48 | |
OK, you're going to say true. Germaine, truth or lie? | 0:09:48 | 0:09:50 | |
-Lie. -No! | 0:09:52 | 0:09:54 | |
Yes, it was a lie all along. | 0:09:56 | 0:09:58 | |
Our next round is called This Is My... | 0:09:58 | 0:10:00 | |
where we bring on a mystery guest who has a close connection | 0:10:00 | 0:10:03 | |
to one of our panellists. | 0:10:03 | 0:10:05 | |
Now, this week, each of David's team will claim it's them | 0:10:05 | 0:10:07 | |
that has the genuine connection to the guest | 0:10:07 | 0:10:09 | |
and it's up to Lee's team to spot who is telling the truth. | 0:10:09 | 0:10:12 | |
So please welcome this week's special guest, Wally. | 0:10:12 | 0:10:15 | |
APPLAUSE | 0:10:15 | 0:10:18 | |
So, Germaine Greer, what is Wally to you? | 0:10:23 | 0:10:26 | |
Oh, this is Wally. | 0:10:26 | 0:10:28 | |
He's the crane driver who once let me | 0:10:28 | 0:10:31 | |
sit in his cabin, 50 feet above my house. | 0:10:31 | 0:10:35 | |
Alan, how do you know Wally? | 0:10:37 | 0:10:38 | |
This is Wally, | 0:10:38 | 0:10:39 | |
and during one of his driving lessons, I crashed into the Co-op. | 0:10:39 | 0:10:44 | |
And finally, David, what is your relationship with Wally? | 0:10:46 | 0:10:50 | |
This is Wally, and he intervened | 0:10:50 | 0:10:52 | |
when I got into a whispered row with a woman in a library. | 0:10:52 | 0:10:56 | |
LAUGHTER | 0:10:56 | 0:10:58 | |
So, there it is. Lee's team, where do you want to start? | 0:10:59 | 0:11:03 | |
Wally's got the top half of Alan's face and the bottom half of David's. | 0:11:03 | 0:11:07 | |
LAUGHTER | 0:11:07 | 0:11:09 | |
I think you'll find Germaine's got those in her fridge. | 0:11:12 | 0:11:15 | |
APPLAUSE | 0:11:17 | 0:11:20 | |
OK, well, let's start with Alan. When was this? | 0:11:20 | 0:11:24 | |
I was 17. | 0:11:24 | 0:11:25 | |
Sorry, this was a lesson or a test? | 0:11:25 | 0:11:27 | |
It was the day before my test. | 0:11:27 | 0:11:30 | |
I'm in a Mini, | 0:11:30 | 0:11:31 | |
and Wally's with me, helping me learn. | 0:11:31 | 0:11:34 | |
-Oh, he wasn't the instructor? -He's not a driving instructor. | 0:11:34 | 0:11:37 | |
Oh, OK, so he's your mate. Right, and what caused | 0:11:37 | 0:11:41 | |
you to go into the Co-op? | 0:11:41 | 0:11:42 | |
Um I just... | 0:11:42 | 0:11:45 | |
I didn't stop. | 0:11:45 | 0:11:46 | |
It pulled out in front of me, Lee. | 0:11:49 | 0:11:53 | |
Talk us through the incident, then. | 0:11:53 | 0:11:55 | |
It's where I grew up. I grew up in Essex | 0:11:55 | 0:11:57 | |
and it was the biggest supermarket in Europe. | 0:11:57 | 0:12:02 | |
-The Co-op? -The Co-op. | 0:12:02 | 0:12:04 | |
-Which town was that in? -In Loughton, where I... That's where I grew up. | 0:12:04 | 0:12:07 | |
Oh, the Loughton Co-op, yeah, yeah, yeah. | 0:12:07 | 0:12:09 | |
It's the only supermarket seen from space. | 0:12:09 | 0:12:11 | |
LAUGHTER | 0:12:11 | 0:12:13 | |
But it's hard to spot if you're driving. | 0:12:13 | 0:12:16 | |
-Did you scrape it or did you go bang into it? -No, straight into it. | 0:12:18 | 0:12:21 | |
Into a window or a wall? | 0:12:21 | 0:12:23 | |
The wall. Instead of braking, I accelerated. | 0:12:23 | 0:12:26 | |
How much damage did you do to the car? | 0:12:26 | 0:12:29 | |
Well, it wouldn't go. | 0:12:29 | 0:12:32 | |
-Really, it was that bad? -Yeah. | 0:12:32 | 0:12:34 | |
I can't get over the hair, they've gotta be mates. | 0:12:34 | 0:12:37 | |
They come from that town where that is the hair. | 0:12:38 | 0:12:42 | |
How did the manager of the Co-op, who came out with presumably | 0:12:42 | 0:12:44 | |
the same hairstyle... | 0:12:44 | 0:12:48 | |
How did he react? | 0:12:48 | 0:12:50 | |
Maybe Alan tried to blame Wally, pointed, | 0:12:50 | 0:12:52 | |
but there was like 20, 30 blokes | 0:12:52 | 0:12:54 | |
and you had to work out where Wally was. | 0:12:54 | 0:12:57 | |
LAUGHTER | 0:12:57 | 0:13:00 | |
So the manager came out, and what was the response? | 0:13:01 | 0:13:04 | |
I don't remember anyone coming out. | 0:13:04 | 0:13:06 | |
The car has gone into the wall of the Co-op | 0:13:06 | 0:13:10 | |
and everything just carries on?! | 0:13:10 | 0:13:13 | |
Did you have to put a pound into the back to release it? | 0:13:13 | 0:13:16 | |
LAUGHTER | 0:13:16 | 0:13:17 | |
All right, so who would you like to speak to next? | 0:13:20 | 0:13:22 | |
Germaine, what was the crane doing? | 0:13:22 | 0:13:25 | |
I presume there was building work going on? | 0:13:25 | 0:13:28 | |
It was to do with an electricity substation. | 0:13:28 | 0:13:30 | |
So he was doing some work... | 0:13:30 | 0:13:32 | |
The crane was there for a few days | 0:13:32 | 0:13:35 | |
before I actually approached him | 0:13:35 | 0:13:38 | |
and asked him if I could go up in the cabin. | 0:13:38 | 0:13:43 | |
And when I first asked him, he was distinctly un-keen. | 0:13:43 | 0:13:48 | |
When you say you asked him, where was he? Or did you shout, | 0:13:50 | 0:13:53 | |
-IN AUSTRALIAN ACCENT: -"Can I come up to your cabin?" | 0:13:53 | 0:13:55 | |
LAUGHTER | 0:13:55 | 0:13:57 | |
"I wanna sit on your crane in your cabin. | 0:13:57 | 0:14:01 | |
"Come on, don't be a dingo, let me in your cabin." | 0:14:01 | 0:14:05 | |
-Was that the thrust of the conversation? -He'd come down off the crane. | 0:14:06 | 0:14:09 | |
Oh, he was already down, ready to go home and you grabbed him and went, "Get up there, mate." | 0:14:09 | 0:14:13 | |
And so I asked him again if I could nip up and have a look at a... | 0:14:13 | 0:14:17 | |
And did he go up with you? | 0:14:17 | 0:14:19 | |
No, well, the thing is, he didn't really wanna do it, | 0:14:19 | 0:14:21 | |
so I did my best to persuade him. | 0:14:21 | 0:14:23 | |
How did you persuade him? | 0:14:23 | 0:14:25 | |
What, you put a white hanky over his mouth and suffocated him? | 0:14:25 | 0:14:28 | |
You said, "Smell that," and he woke up in the cabin. | 0:14:28 | 0:14:31 | |
"Ahhh, let me out, I'm going to tell the police." | 0:14:33 | 0:14:38 | |
He would have had to be dragged up unconscious. I couldn't have done that. Let me just say that... | 0:14:38 | 0:14:43 | |
It was only the practicalities that stopped her from doing it. | 0:14:43 | 0:14:46 | |
Let me simply say that money changed hands. | 0:14:46 | 0:14:49 | |
And how much did he have to pay you? | 0:14:49 | 0:14:52 | |
LAUGHTER | 0:14:52 | 0:14:54 | |
So did you both go up to the cabin? | 0:14:54 | 0:14:56 | |
He said I had to go first, just in case I missed my footing. | 0:14:57 | 0:15:00 | |
Oh, and he went up right behind you? | 0:15:00 | 0:15:02 | |
-Not right behind. -Wally, you pervert! | 0:15:02 | 0:15:04 | |
LAUGHTER | 0:15:04 | 0:15:06 | |
OK, so you're up in the crane, | 0:15:06 | 0:15:08 | |
is there room for two people in those things? | 0:15:08 | 0:15:10 | |
-Barely. It was... -So it was intimate? | 0:15:10 | 0:15:13 | |
-Not really, but it was uncomfortable. -You can't have it both ways. | 0:15:13 | 0:15:16 | |
You certainly can't have it both ways in that, it's too small. | 0:15:16 | 0:15:20 | |
Have some respect for Germaine Greer. | 0:15:23 | 0:15:25 | |
So sorry about my friend. | 0:15:26 | 0:15:28 | |
It was pretty cramped, but he showed me how you use the controls. | 0:15:28 | 0:15:32 | |
You're telling me now that you actually had a go of it? | 0:15:32 | 0:15:34 | |
No, I didn't have a go of it, | 0:15:34 | 0:15:36 | |
but I... Well, I can use a digger and an excavator | 0:15:36 | 0:15:40 | |
so I know how to balance the two hands. | 0:15:40 | 0:15:42 | |
Well why, why do you know how to use a digger? | 0:15:42 | 0:15:44 | |
Because I dig holes. | 0:15:44 | 0:15:45 | |
LAUGHTER | 0:15:45 | 0:15:47 | |
What about David? | 0:15:48 | 0:15:51 | |
David, can you remind me of your statement? | 0:15:51 | 0:15:53 | |
This is Wally and he intervened | 0:15:53 | 0:15:55 | |
when I had a whispered row with a woman in a library. | 0:15:55 | 0:15:58 | |
What was the row about? | 0:16:00 | 0:16:01 | |
It was about noise. | 0:16:01 | 0:16:03 | |
-Who started the row? -Yeah, who started the row? | 0:16:06 | 0:16:08 | |
I... Well, I would say she started it | 0:16:08 | 0:16:10 | |
but the noise that it was about was my responsibility. | 0:16:10 | 0:16:14 | |
I was in the loo. | 0:16:14 | 0:16:16 | |
-Was what? -What? | 0:16:16 | 0:16:19 | |
I was in the loo when the noise happened | 0:16:19 | 0:16:21 | |
but the noise didn't emanate from the loo. | 0:16:21 | 0:16:24 | |
It was my phone | 0:16:24 | 0:16:26 | |
made the noise | 0:16:26 | 0:16:27 | |
while I was in the loo. | 0:16:27 | 0:16:28 | |
Because it was on silent, but it vibrated and sort of...you know. | 0:16:28 | 0:16:32 | |
-Where was it? You left it in the library? -I'd left it on the table by my... | 0:16:32 | 0:16:35 | |
-Oh, you'd left the thing, gone to the toilet. -..by my laptop. | 0:16:35 | 0:16:38 | |
So you'd come back from the toilet, could you hear the... It's that | 0:16:38 | 0:16:42 | |
"nuhh" noise, yes? "Nuhhhh." | 0:16:42 | 0:16:44 | |
Yeah, well, that's... Yes, I was in the toilet and... | 0:16:44 | 0:16:47 | |
And you heard the nuhhhhh? | 0:16:47 | 0:16:49 | |
No, no, I couldn't hear that noise... | 0:16:51 | 0:16:53 | |
Oh, great, he's now doing impressions of inanimate objects. | 0:16:54 | 0:16:58 | |
-I thought he was doing me on the toilet, sorry! -Do your blender, do your blender! | 0:16:58 | 0:17:02 | |
No, that's not you on the toilet, no that's more of a... | 0:17:02 | 0:17:05 | |
-IMITATING DAVID: -"I wonder how long I'll be here for?" | 0:17:05 | 0:17:08 | |
LAUGHTER | 0:17:08 | 0:17:11 | |
APPLAUSE | 0:17:11 | 0:17:13 | |
So what happens next? | 0:17:13 | 0:17:15 | |
Well, I come out of the toilet and she's immediately | 0:17:15 | 0:17:18 | |
incensed and comes up to me and has a massive whispered go at me about...What did she say? | 0:17:18 | 0:17:23 | |
She said, "I've been trying to work in here and you've | 0:17:23 | 0:17:25 | |
"been making noise all the time and now that phone has | 0:17:25 | 0:17:28 | |
"gone off two or three times!" And I'm sort of going, "I'm sorry, | 0:17:28 | 0:17:32 | |
"I didn't realise that, I just left it there in error, I'm very | 0:17:32 | 0:17:35 | |
"sorry, there's no need to take that tone with me, though, madam. | 0:17:35 | 0:17:40 | |
"There's no need to be so rude, I'll turn my phone off now. | 0:17:40 | 0:17:43 | |
"I'm sorry, but..." | 0:17:43 | 0:17:45 | |
"Nuhhhhh, nuhhhhh." | 0:17:45 | 0:17:50 | |
So this carries on for a few minutes | 0:17:50 | 0:17:52 | |
and then Wally, who works there, comes up and has a word with us both | 0:17:52 | 0:17:56 | |
and says, you know, "Be quiet and get on with your work." | 0:17:56 | 0:18:00 | |
OK, we do need an answer, so Lee's team, is Wally Germaine's | 0:18:00 | 0:18:04 | |
crane companion, Alan's car crasher or David's bookish buddy? | 0:18:04 | 0:18:09 | |
He's got a bit of library about him, hasn't he? | 0:18:09 | 0:18:11 | |
He has got a whiff of book about him. | 0:18:11 | 0:18:13 | |
-He looks... -That's my new fragrance for Christmas. | 0:18:13 | 0:18:17 | |
LAUGHTER | 0:18:17 | 0:18:19 | |
If I had to choose, I would say Alan. | 0:18:19 | 0:18:22 | |
What are you thinking, Jermaine? | 0:18:22 | 0:18:23 | |
The whispering argument, I can actually...I can see it happening. | 0:18:23 | 0:18:26 | |
-And I bizarrely think it might be Germaine. -Ah, brilliant. | 0:18:26 | 0:18:30 | |
OK, so Jermaine thinks it's David. | 0:18:33 | 0:18:36 | |
-Yes, I do. -I think it's Alan. -You think it's Alan | 0:18:36 | 0:18:38 | |
and I think it's Germaine. | 0:18:38 | 0:18:41 | |
Let's say it's Germaine, then. | 0:18:41 | 0:18:43 | |
Jermaine has to pick? | 0:18:43 | 0:18:45 | |
Yeah, I think Jermaine should say Germaine. | 0:18:45 | 0:18:48 | |
I'm handing the leadership qualities over to Jermaine | 0:18:48 | 0:18:51 | |
-and letting him decide who it is, providing he says Germaine. -What are you saying, Jermaine? | 0:18:51 | 0:18:55 | |
-We collectively think it's David. -No! No, we don't. | 0:18:55 | 0:18:59 | |
LAUGHTER AND APPLAUSE | 0:18:59 | 0:19:01 | |
So, you're saying David? OK. | 0:19:01 | 0:19:03 | |
So, Lee's team, after a thorough democratic process | 0:19:03 | 0:19:09 | |
are settling on David. | 0:19:09 | 0:19:13 | |
Wally, would you please reveal your true identity? | 0:19:13 | 0:19:17 | |
My name is Wally and I was teaching Alan how to drive | 0:19:17 | 0:19:20 | |
when he crashed into the Co-op car park. | 0:19:20 | 0:19:24 | |
APPLAUSE | 0:19:24 | 0:19:25 | |
Thank you very much, Wally. | 0:19:25 | 0:19:27 | |
Which brings us to our final round, Quickfire Lies, and we start with... | 0:19:31 | 0:19:35 | |
..it's Lee. | 0:19:36 | 0:19:38 | |
After an incident last year, I have a fear that | 0:19:38 | 0:19:41 | |
some of my neighbours think I hunt ducklings. | 0:19:41 | 0:19:44 | |
LAUGHTER | 0:19:44 | 0:19:46 | |
-David's team. -What was the incident? | 0:19:46 | 0:19:49 | |
Hang on. | 0:19:49 | 0:19:52 | |
Ah, got it. | 0:19:55 | 0:19:58 | |
So...I live by a river. | 0:19:58 | 0:20:01 | |
-Yeah. -That much is true. | 0:20:01 | 0:20:03 | |
-Mm-hm. -We know it's true because we've both enjoyed an evening, | 0:20:03 | 0:20:06 | |
-one of his evenings at his house. -We have, indeed. | 0:20:06 | 0:20:08 | |
You remember it, David, don't you? Cos you and Rob both left | 0:20:08 | 0:20:11 | |
and then 10 minutes later you snuck back, didn't you, David? | 0:20:11 | 0:20:13 | |
"He's gone. He's gone." | 0:20:16 | 0:20:19 | |
And I remember as David drove off, going, | 0:20:19 | 0:20:21 | |
"I'll give you a lift, David. | 0:20:21 | 0:20:23 | |
"David! David!" | 0:20:23 | 0:20:26 | |
-So, I live by the river. -Yeah. | 0:20:26 | 0:20:29 | |
And there was a duckling in the front of our house. | 0:20:29 | 0:20:33 | |
-Let's call it the driveway. -Oh, right, right, yeah. | 0:20:33 | 0:20:36 | |
I didn't want to say driveway cos I'll start making me | 0:20:36 | 0:20:38 | |
all showbiz that I've got a car. | 0:20:38 | 0:20:40 | |
Anyway, so there is the duckling, right? | 0:20:40 | 0:20:42 | |
Which part of the driveway - was it down by the gates | 0:20:42 | 0:20:45 | |
or where it sweeps up around the lawn? | 0:20:45 | 0:20:47 | |
I don't know how it had got over the moat, to be honest with you. | 0:20:48 | 0:20:52 | |
Actually a duckling would be quite good at that. | 0:20:52 | 0:20:55 | |
I reckon I know how, I've been thinking about it! | 0:20:55 | 0:20:58 | |
-So this duckling on its own. -Yeah, so there's a duckling. | 0:20:59 | 0:21:02 | |
It's on the drive. | 0:21:02 | 0:21:04 | |
He's on the driveway, this was the yellow fluffy variety. | 0:21:04 | 0:21:06 | |
-Right. -And so I decided I must catch the duckling | 0:21:06 | 0:21:09 | |
-and try and put it back in the water. -Yeah. | 0:21:09 | 0:21:12 | |
-In the river. -Why? | 0:21:12 | 0:21:14 | |
You mean, why have I got a heart, David? | 0:21:14 | 0:21:17 | |
-AS DAVID: -"Why did you bother about this non-human thing?" -Yes. | 0:21:17 | 0:21:22 | |
-IN AUSTRALIAN ACCENT: -"Why didn't you eat it?" | 0:21:22 | 0:21:25 | |
So, yeah... No, duck is... | 0:21:26 | 0:21:28 | |
"Why don't you baste it, fry it and shove it in your mouth?" | 0:21:28 | 0:21:32 | |
-Are you saying that it...? -"Why didn't you?" | 0:21:33 | 0:21:36 | |
Sorry. Sorry, David. | 0:21:36 | 0:21:38 | |
Yeah, I mean, you could, you've had enough time to invent anything now. | 0:21:38 | 0:21:42 | |
-Right. -So you see the duckling on the drive. -Yes. | 0:21:42 | 0:21:45 | |
-You pick up, what is this thing that you're picking up? -This? | 0:21:45 | 0:21:48 | |
Well, this is... I have a big net in my house. | 0:21:48 | 0:21:51 | |
Right. | 0:21:51 | 0:21:53 | |
And so I see this duck and I catch it | 0:21:53 | 0:21:56 | |
-and I scoop it up so I've now got a duck in the net. -Oh, right. | 0:21:56 | 0:22:00 | |
And my plan was to look round for lots of baby ducklings | 0:22:00 | 0:22:03 | |
and a sort of adult sized duck going... | 0:22:03 | 0:22:06 | |
-And that was my plan. -Right. -You did say the duckling was yellow. | 0:22:14 | 0:22:17 | |
Did I? | 0:22:18 | 0:22:19 | |
Yeah, what colour are the ducks on the river? | 0:22:19 | 0:22:23 | |
-RICHARD: Uh-oh. -What? | 0:22:23 | 0:22:25 | |
Can we go into conference for a moment? | 0:22:27 | 0:22:29 | |
Because the ducks on the river are almost certainly mallards. | 0:22:32 | 0:22:36 | |
-Yes. -And their ducklings are NOT yellow. | 0:22:36 | 0:22:39 | |
Yeah, but this wasn't complete, this wasn't a pure mallard. | 0:22:39 | 0:22:42 | |
I don't care. Wrong. | 0:22:42 | 0:22:43 | |
Now, one of the most important things not to do with ducklings | 0:22:44 | 0:22:48 | |
when you find them in the spring is to touch them or handle them at all. | 0:22:48 | 0:22:52 | |
Oh, Lee. Lee... | 0:22:52 | 0:22:54 | |
-Because the mother will reject them. -Yes. | 0:22:54 | 0:22:57 | |
I didn't handle him, I netted him. | 0:22:57 | 0:23:00 | |
Do you know why I didn't handle him? | 0:23:00 | 0:23:02 | |
Because the mother would have rejected it. | 0:23:02 | 0:23:04 | |
APPLAUSE | 0:23:04 | 0:23:07 | |
So how far have you walked at this point? | 0:23:07 | 0:23:09 | |
A long way because I couldn't find any ducks and any ducklings. | 0:23:09 | 0:23:12 | |
So I'm now walking up and I have noticed that people have passed me | 0:23:12 | 0:23:16 | |
and I've given them the, "All right?" And they've gone... | 0:23:16 | 0:23:18 | |
"All right?" Like that. | 0:23:18 | 0:23:20 | |
It dawns on me after half a mile they're going, | 0:23:20 | 0:23:22 | |
"I think..." This stretch of the river which is famous for fishing. | 0:23:22 | 0:23:26 | |
"I think that weirdo has been catching ducklings." | 0:23:26 | 0:23:28 | |
They think I've scooped one out, | 0:23:29 | 0:23:31 | |
-cos it's a proper big fishing net I've got. -Right. | 0:23:31 | 0:23:33 | |
So I decided to go home, ring up the RSPCB and... | 0:23:33 | 0:23:38 | |
-RSPCD. -B, I said. -D. P. | 0:23:40 | 0:23:43 | |
-It's the RSPB... -Oh, sorry, sorry. | 0:23:43 | 0:23:45 | |
-RSPB, you idiot. -Or the RSPCA. | 0:23:45 | 0:23:48 | |
You thought it was D, you weirdo! | 0:23:48 | 0:23:50 | |
Preventing cruelty to ducklings, that's a very niche market. | 0:23:51 | 0:23:56 | |
"Oh, no, no, we're only goslings." | 0:23:56 | 0:23:57 | |
So what do you think, David? Is he telling the truth? | 0:24:00 | 0:24:02 | |
I should point out that we did find out that it was a goose. | 0:24:02 | 0:24:06 | |
-So it was a bright yellow gosling. -It was bright yellow | 0:24:06 | 0:24:08 | |
and I thought it was a duckling and it was actually a gosling. | 0:24:08 | 0:24:11 | |
-Goslings are bright yellow. -Are they? -Mm. -OK, what are you thinking? | 0:24:11 | 0:24:14 | |
-The thing is, it's so heavily embroidered, this story... -Yeah. | 0:24:17 | 0:24:20 | |
-But I think it's substantially true. -Alan? | 0:24:20 | 0:24:24 | |
Well, throughout the story, I thought it was complete nonsense. | 0:24:24 | 0:24:28 | |
Yes, I did throughout but then there was something about him saying | 0:24:28 | 0:24:31 | |
they came back and they said actually it was a baby goose | 0:24:31 | 0:24:34 | |
and it having been yellow, | 0:24:34 | 0:24:35 | |
that's tipped me into thinking it might be true. | 0:24:35 | 0:24:39 | |
-I'm going to say true. -True? -Yeah. | 0:24:39 | 0:24:41 | |
OK. Lee, truth or lie? | 0:24:41 | 0:24:44 | |
It is in fact... | 0:24:44 | 0:24:45 | |
true. | 0:24:45 | 0:24:47 | |
APPLAUSE | 0:24:47 | 0:24:50 | |
Next... | 0:24:50 | 0:24:52 | |
It's Jermaine. | 0:24:52 | 0:24:53 | |
The night before the biggest game of my career, | 0:24:56 | 0:24:58 | |
a team-mate woke me up by practising his trumpet. | 0:24:58 | 0:25:03 | |
David's team. | 0:25:03 | 0:25:04 | |
I'm assuming that's not a euphemism. | 0:25:04 | 0:25:06 | |
What time was this? | 0:25:09 | 0:25:11 | |
12, 12.30, something like that. | 0:25:11 | 0:25:13 | |
So why were you cohabiting with a trumpeter? | 0:25:13 | 0:25:16 | |
Now, just please, please just use that as the trailer | 0:25:21 | 0:25:24 | |
and nothing else. | 0:25:24 | 0:25:26 | |
That's it, that's all we need. | 0:25:26 | 0:25:28 | |
It's not something that you ask, is it? | 0:25:28 | 0:25:30 | |
I mean, "Are you a trumpeter?" And, "Let's room together." | 0:25:30 | 0:25:33 | |
-I don't know, it was just... -But he was from your team. | 0:25:33 | 0:25:36 | |
-He was, yeah, he was in my team. -ALAN: -What team was it? | 0:25:36 | 0:25:38 | |
When I was at Newcastle United. | 0:25:38 | 0:25:40 | |
So where were you? | 0:25:40 | 0:25:42 | |
-I was in a hotel. -A hotel. -Yeah. | 0:25:42 | 0:25:45 | |
-Where? -Erm, it was... | 0:25:45 | 0:25:47 | |
-..in Newcas... -Think about the other team you were playing | 0:25:49 | 0:25:52 | |
and it'll probably be the same answer. | 0:25:52 | 0:25:54 | |
-Were you just about to say in Newcastle? -It was in Newcastle, yeah. | 0:25:54 | 0:25:57 | |
Why would you be in a hotel in your own home town? | 0:25:57 | 0:25:59 | |
Because we were playing against Sunderland. | 0:25:59 | 0:26:01 | |
Oh, fair enough. | 0:26:01 | 0:26:03 | |
Sometimes the manager likes to just keep the players together. | 0:26:04 | 0:26:08 | |
-Yes, I have heard of that. -ALAN: -Under lock and key. | 0:26:08 | 0:26:10 | |
-Who was the trumpeter? -It was Nobby Solano. | 0:26:10 | 0:26:13 | |
Oh, Nobby Solano. He's from Peru. | 0:26:13 | 0:26:16 | |
What was he playing? | 0:26:16 | 0:26:18 | |
I can't help thinking if someone wakes you up playing a trumpet | 0:26:19 | 0:26:22 | |
in your ear, you don't go, "Oh, what is that? Is that...? | 0:26:22 | 0:26:25 | |
"No, no, no, don't tell me, carry on playing. Erm... | 0:26:27 | 0:26:29 | |
"I'll get this." | 0:26:29 | 0:26:31 | |
It was something like those Mexican kind of food adverts, like... | 0:26:31 | 0:26:35 | |
HE MIMICS THE MEXICAN HAT DANCE | 0:26:35 | 0:26:37 | |
More, more, more! | 0:26:37 | 0:26:38 | |
And you say this was Nobby Solero. | 0:26:40 | 0:26:43 | |
-Nobby Solano. -Nobby Solero is a very adult ice cream. | 0:26:43 | 0:26:45 | |
APPLAUSE | 0:26:50 | 0:26:53 | |
So where is he trumpeting? | 0:26:54 | 0:26:56 | |
He was, like, kind of like sat at the edge of his bed, | 0:26:56 | 0:27:00 | |
like this with a stand and... | 0:27:00 | 0:27:02 | |
A stand?! | 0:27:02 | 0:27:03 | |
He'd set up his... | 0:27:04 | 0:27:06 | |
Can I just say, if this is a lie, don't push it, son. | 0:27:06 | 0:27:09 | |
Stand and a baton! | 0:27:09 | 0:27:11 | |
-He'd set up his music stand. -Tunic, got a tunic and a hat on. | 0:27:14 | 0:27:18 | |
Strap under his chin. | 0:27:18 | 0:27:20 | |
Two, three, four... | 0:27:20 | 0:27:21 | |
HE MIMICS THE MEXICAN HAT DANCE | 0:27:21 | 0:27:24 | |
-And what was his excuse? -That he's practising, that was it. | 0:27:24 | 0:27:27 | |
And did the conversation go further? Did you say...? | 0:27:27 | 0:27:29 | |
Well I just said, you know, "Put it away." | 0:27:29 | 0:27:33 | |
-I dread to think... -And also stop playing the trumpet. | 0:27:35 | 0:27:39 | |
What do you think? I mean, I know the world of football is not one | 0:27:39 | 0:27:42 | |
that you're overly familiar with. | 0:27:42 | 0:27:44 | |
Yes, but I am an expert in nocturnal trumpeting so... | 0:27:44 | 0:27:47 | |
..you know, it balances out. What do you think, Germaine? | 0:27:48 | 0:27:51 | |
It's certainly true that people tolerate a lot of noise | 0:27:51 | 0:27:55 | |
-in South America, generally. -OK, you think...? | 0:27:55 | 0:27:58 | |
-ALAN: -I wouldn't be surprised. I'm going true. -We'll go true. | 0:27:58 | 0:28:01 | |
OK, Jermaine, truth or lie? | 0:28:01 | 0:28:04 | |
It's... | 0:28:04 | 0:28:06 | |
-true. -Oh, wow. -Wow. | 0:28:06 | 0:28:07 | |
APPLAUSE | 0:28:07 | 0:28:10 | |
BUZZER | 0:28:10 | 0:28:12 | |
And that noise signals time is up. It's the end of the show. | 0:28:12 | 0:28:15 | |
I can reveal David's team have five points | 0:28:15 | 0:28:18 | |
and Lee's team have nil. | 0:28:18 | 0:28:21 | |
APPLAUSE | 0:28:21 | 0:28:24 | |
But, of course, it's not just a team game. | 0:28:24 | 0:28:26 | |
My individual liar of the week this week | 0:28:26 | 0:28:29 | |
is Germaine Greer. | 0:28:29 | 0:28:30 | |
APPLAUSE | 0:28:30 | 0:28:33 | |
Yes, Germaine Greer, a feminist who not only burnt her bra | 0:28:33 | 0:28:37 | |
but now her pants are on fire as well! | 0:28:37 | 0:28:40 | |
-Goodnight. -APPLAUSE | 0:28:40 | 0:28:42 |