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CHEERING AND APPLAUSE | 0:00:20 | 0:00:22 | |
Good evening, and welcome to Would I Lie To You? | 0:00:24 | 0:00:26 | |
the show where deception is the dish of the day. | 0:00:26 | 0:00:30 | |
And on Lee Mack's team tonight - charismatic, charming, gorgeous, | 0:00:30 | 0:00:33 | |
and a beautiful Welsh accent, | 0:00:33 | 0:00:35 | |
but enough about me, it's Alex Jones. | 0:00:35 | 0:00:38 | |
And a man who in the 1970s' punk era was an angry young poet. | 0:00:41 | 0:00:45 | |
Of course, he's completely different now, | 0:00:45 | 0:00:47 | |
he's an angry old poet, it's John Cooper Clarke. | 0:00:47 | 0:00:51 | |
And on David Mitchell's team tonight, a comedian | 0:00:55 | 0:00:57 | |
who used to be a drama teacher. Shakespeare, Chekhov, Pinter, | 0:00:57 | 0:01:01 | |
were just some of the books he threw at the pupils, it's Greg Davies. | 0:01:01 | 0:01:05 | |
And a TV presenter who regularly hosts episodes of Made In Chelsea. | 0:01:07 | 0:01:12 | |
Now, if you've not seen the show, just imagine a really good drama | 0:01:12 | 0:01:15 | |
and watch that instead, it's Rick Edwards. | 0:01:15 | 0:01:19 | |
And so to Round One, Home Truths, where our panellists read out | 0:01:21 | 0:01:25 | |
a statement from the card in front of them. | 0:01:25 | 0:01:27 | |
Now, to make things harder, they've never seen the card before, | 0:01:27 | 0:01:30 | |
they've no idea what they'll be faced with. | 0:01:30 | 0:01:32 | |
It's up to the opposing team to sort the fact from the fiction, | 0:01:32 | 0:01:35 | |
-and Alex is first up tonight. -OK. | 0:01:35 | 0:01:37 | |
The first time I used eBay, I accidently bought a canoe | 0:01:40 | 0:01:43 | |
instead of a handbag. | 0:01:43 | 0:01:45 | |
David's team. | 0:01:46 | 0:01:49 | |
Well, how did that error occur? | 0:01:49 | 0:01:51 | |
Well, back in the day, when eBay was pretty new, | 0:01:52 | 0:01:57 | |
I thought I'd have a little go and I quite like vintage-y stuff | 0:01:57 | 0:02:01 | |
and old clothes - although when they're delivered | 0:02:01 | 0:02:04 | |
it's not quite as good | 0:02:04 | 0:02:05 | |
cos they always smell a bit musty and have an air of dead people - | 0:02:05 | 0:02:08 | |
-but I like the idea. -Yeah. -Um, and... -Did you get that from eBay? | 0:02:08 | 0:02:12 | |
HE SNIFFS | 0:02:12 | 0:02:13 | |
Oh, is that you? | 0:02:15 | 0:02:16 | |
Sorry, carry on. | 0:02:19 | 0:02:20 | |
So, I was scrolling through, as you do, and saw a lovely clutch bag. | 0:02:20 | 0:02:26 | |
I know I've lost you all already, haven't I? | 0:02:26 | 0:02:28 | |
-What's a clutch bag? -A clutch bag is a, is a little bag... | 0:02:28 | 0:02:31 | |
-For keeping the pedal from a car in. -..that you clutch. | 0:02:31 | 0:02:36 | |
And you have an accelerator bag and a brake bag. | 0:02:36 | 0:02:38 | |
So, what are we saying, Alex? You, you saw a clutch bag, you were miming putting the clutch bag | 0:02:40 | 0:02:45 | |
under your arm to get into it and then you pressed canoe by accident? | 0:02:45 | 0:02:50 | |
In fact, in the modern computer, they've taken the canoe button | 0:02:50 | 0:02:53 | |
off the keyboard because this kept happening. | 0:02:53 | 0:02:56 | |
-OK, you're looking at eBay, what happens next? -I'm scrolling through. -Right. | 0:02:56 | 0:02:59 | |
It started off at 99p. | 0:02:59 | 0:03:02 | |
99 pence, John. Are you in? | 0:03:02 | 0:03:05 | |
-For a, for a vintage bag? -Yeah. | 0:03:05 | 0:03:07 | |
You're in. Anyway... | 0:03:07 | 0:03:10 | |
-Next thing you know - £14! -Ah! | 0:03:12 | 0:03:16 | |
-I'm thinking about pulling out. -Yep. -Cos that's quite a lot for a vintage bag. | 0:03:16 | 0:03:21 | |
-But anyway, on it went. -Yeah. -£32. -And you're still bidding? | 0:03:21 | 0:03:26 | |
Are you still in, John? | 0:03:26 | 0:03:27 | |
Ah, no, I wasn't even in when it was 99p. | 0:03:27 | 0:03:30 | |
You were wrong about that. You read me wrong there, Alex. | 0:03:32 | 0:03:37 | |
I don't know what my body language was saying, but... | 0:03:37 | 0:03:40 | |
-OK, so the price is going up, you're tracking, that's what they call it... -£32. | 0:03:41 | 0:03:45 | |
-We're 32. -You're tracking the bag. -And I think it's a good time to go to bed, leave it. | 0:03:45 | 0:03:51 | |
-Next morning... -Yeah. -..email on the laptop... | 0:03:51 | 0:03:55 | |
"Congratulations, your bid was successful. | 0:03:55 | 0:03:58 | |
"You have bought a second hand red canoe." | 0:03:58 | 0:04:01 | |
-It's quite a jump, isn't it? -Yeah. | 0:04:03 | 0:04:05 | |
You think that's a terrible story, there's some fella | 0:04:05 | 0:04:10 | |
who's boat was going down, he says, "Don't worry, I've got this covered." | 0:04:10 | 0:04:14 | |
Tried to squeeze a family of five into a vintage handbag. | 0:04:14 | 0:04:17 | |
So, you emailed the canoe man saying, | 0:04:17 | 0:04:19 | |
-"Instead of the canoe, could I have the..." -The clutch bag. -"..clutch handbag that looks like a..." | 0:04:19 | 0:04:24 | |
-And he said, "I haven't got a clutch handbag to offer." -Yeah. | 0:04:24 | 0:04:26 | |
And I said, "Well, you've lied because I bid on a clutch handbag." | 0:04:26 | 0:04:30 | |
Oh. So, do you think he was luring people in by putting photographs | 0:04:30 | 0:04:34 | |
of vintage handbags, which people then bid on and bid on, bid on. | 0:04:34 | 0:04:37 | |
Whatever they pay, whatever the handbag looks like, | 0:04:37 | 0:04:39 | |
-they only get a canoe. -Canoe. | 0:04:39 | 0:04:43 | |
Maybe seven times out of ten, people make do with the canoe. | 0:04:43 | 0:04:48 | |
He must have looked into it. | 0:04:52 | 0:04:54 | |
Have you ever seen at the opening night of a film | 0:04:55 | 0:04:57 | |
a glamorous starlet turning up with... | 0:04:57 | 0:05:00 | |
The commentators are saying, "It's an incredibly large clutch bag." | 0:05:01 | 0:05:05 | |
OK, what are you thinking, David? | 0:05:06 | 0:05:08 | |
I think, I don't know. What do you think? | 0:05:08 | 0:05:10 | |
-I...there's too much of a gap. -Do you think it's true? | 0:05:10 | 0:05:13 | |
-No, I think it's a lie. -I think it's a lie, as well. -We think it's a lie. -You all think it's a lie? | 0:05:13 | 0:05:17 | |
-We think it's a lie. -Conclusively a lie. -Conclusively a lie. -OK, Alex, truth or lie? | 0:05:17 | 0:05:22 | |
Silly boys, it was in fact... | 0:05:22 | 0:05:24 | |
true. | 0:05:24 | 0:05:26 | |
Well done, you. | 0:05:26 | 0:05:27 | |
CHEERING AND APPLAUSE | 0:05:27 | 0:05:29 | |
Yes, it's true. | 0:05:31 | 0:05:33 | |
Alex did accidentally buy a canoe instead of a handbag on eBay. | 0:05:33 | 0:05:37 | |
Greg, your turn. | 0:05:37 | 0:05:39 | |
I once caused an injury to one man whilst trying to get | 0:05:41 | 0:05:45 | |
a different man to say the word vegetables. | 0:05:45 | 0:05:48 | |
Lee's team. | 0:05:50 | 0:05:51 | |
-Right. Just the word vegetables? -Yeah. -Do you really like the word vegetables? | 0:05:51 | 0:05:56 | |
No, not as a general rule, no. But I liked it when this man said it. | 0:05:56 | 0:05:59 | |
Why? What was it about this man, the way he said vegetables, that was funny? | 0:05:59 | 0:06:03 | |
-Did he have a speech impediment, or... -No, he didn't. | 0:06:03 | 0:06:06 | |
He was a very intense man, though. And he was also Austrian. | 0:06:06 | 0:06:10 | |
I was with a friend once - and he was a colleague of ours, sorry - | 0:06:10 | 0:06:13 | |
and I overheard him say vegetables and we both found it incredibly funny... | 0:06:13 | 0:06:18 | |
Sorry, can you just roughly give us an impression of how he used to say vegetables? Even just roughly. | 0:06:18 | 0:06:22 | |
-He said it exactly like this... -IN EXAGGERATED ACCENT: -Vegeteballs. | 0:06:22 | 0:06:25 | |
And then we happened to be on a coach trip with him and so we spent the whole coach trip trying | 0:06:27 | 0:06:31 | |
-to get him to say vegetables again. -So, where were you? Where were you going and how do you know him? | 0:06:31 | 0:06:35 | |
-Ah, I was on a school trip. I used to be a teacher. -And he was a teacher? -Yeah, he was a teacher. | 0:06:35 | 0:06:39 | |
-What did he teach? -He was the head of languages and he was... | 0:06:39 | 0:06:41 | |
-Head of languages?! -Yeah. | 0:06:41 | 0:06:43 | |
The head of languages used to go... | 0:06:44 | 0:06:46 | |
-IN FUNNY ACCENT: -..vegetable. | 0:06:46 | 0:06:48 | |
-IN FUNNY ACCENT: -Vegetables! | 0:06:48 | 0:06:51 | |
Imagine, imagine I'm the man. OK, I'm on the coach. | 0:06:51 | 0:06:53 | |
I'm sat. We're driving. Off you go. | 0:06:53 | 0:06:56 | |
So, I said, so... | 0:06:56 | 0:06:59 | |
Ja? | 0:06:59 | 0:07:01 | |
-IN AUSTRIAN ACCENT: -You're very big, aren't you? | 0:07:02 | 0:07:05 | |
This isn't like him, at all. | 0:07:05 | 0:07:08 | |
-IN CAMP AUSTRIAN ACCENT: -You're very big, aren't you? | 0:07:08 | 0:07:11 | |
That's him. | 0:07:11 | 0:07:13 | |
So, I would saying things like, | 0:07:17 | 0:07:18 | |
"Oh, I've, I've been trying to keep fit lately and I know that | 0:07:18 | 0:07:22 | |
"you're into keep fit, what would you recommend for a healthy diet?" | 0:07:22 | 0:07:27 | |
And he was going... | 0:07:27 | 0:07:28 | |
-IN AUSTRIAN ACCENT: -"Well, you know, I would... | 0:07:28 | 0:07:30 | |
"you must eat a balanced diet. You must eat greens. | 0:07:30 | 0:07:33 | |
"And, you, you must enjoy some protein in, in limited..." | 0:07:33 | 0:07:37 | |
I was going, "Yeah, yeah. But, I mean, if you were to group some of | 0:07:37 | 0:07:40 | |
"those foods together..." | 0:07:40 | 0:07:43 | |
And he was going, "Well, yeah. You must have carbohydrates, of course. | 0:07:43 | 0:07:47 | |
"And you must have..." And it was, it was horrific. | 0:07:47 | 0:07:50 | |
It went on for about an hour and every time I tried to find | 0:07:50 | 0:07:55 | |
a new angle for vegetables, his ludicrous Austrian interpretation | 0:07:55 | 0:07:59 | |
of things led us down a dark alley. It took...it was literally an hour in the making. | 0:07:59 | 0:08:02 | |
And how did you finally get him to say it? | 0:08:02 | 0:08:05 | |
I honestly can't remember, it came out of nowhere | 0:08:05 | 0:08:08 | |
and he suddenly said it and he said it with such passion. | 0:08:08 | 0:08:11 | |
It was, he went, "Oh, well, of course, you must have vegetables!" | 0:08:11 | 0:08:15 | |
I started biting my hand to stop myself from laughing. | 0:08:17 | 0:08:21 | |
And my friend who was next to me, | 0:08:21 | 0:08:24 | |
there was a jagged piece of metal at the front of the coach | 0:08:24 | 0:08:27 | |
and because it was so funny - just to remind you... | 0:08:27 | 0:08:30 | |
-IN FUNNY ACCENT: -"Vegetables, of course!" - | 0:08:30 | 0:08:32 | |
I went like this and my friend saw the piece of metal and pushed his knee into it on purpose | 0:08:32 | 0:08:38 | |
to stop himself from laughing | 0:08:38 | 0:08:40 | |
-and blood started like spraying out of his... -Snout? | 0:08:40 | 0:08:44 | |
Started spraying out of his knee, yeah. | 0:08:44 | 0:08:46 | |
Oh, that was...this is a bit elaborate, this story. | 0:08:46 | 0:08:48 | |
I'll tell you another detail. We went and did the trip, which was | 0:08:48 | 0:08:52 | |
in Paris, and then after we came all the way back, all the way back to... | 0:08:52 | 0:08:56 | |
to, Calais, and I said to him, | 0:08:56 | 0:09:02 | |
"You know we put all the kids' passports in that hotel in Paris last night? | 0:09:02 | 0:09:06 | |
"Did you, did you remember to..." Cos he was in charge of the trip, "..did you remember to bring those?" | 0:09:06 | 0:09:11 | |
And he was standing up in front of the children on the coach | 0:09:11 | 0:09:14 | |
and he went, "Oh, scheisse!" | 0:09:14 | 0:09:17 | |
And he had to speak to the port authorities and get permission to | 0:09:30 | 0:09:33 | |
take the kids on without passports while he went back on his own. | 0:09:33 | 0:09:37 | |
Can I tell you one more detail, as well? We were also standing in the middle of Paris | 0:09:37 | 0:09:41 | |
under the Eiffel Tower, we'd been there for an hour, and the kids were all running around, | 0:09:41 | 0:09:44 | |
and he came over and went, "We must, we must go. We are late for our next appointment." | 0:09:44 | 0:09:50 | |
And I said, "Well, we should just make sure that all the kids are here." | 0:09:50 | 0:09:53 | |
And he goes, "Yes, of course we should. Yes." And he turned round and went, | 0:09:53 | 0:09:56 | |
"Is everybody here?!" | 0:09:56 | 0:09:58 | |
And all the kids went, "Yeah, yeah." And he went, "Well, then, we will move on." | 0:10:05 | 0:10:11 | |
-IN FUNNY ACCENT: -Vegetables! | 0:10:11 | 0:10:13 | |
-What are you thinking, Lee? -Oh. -I think it's true. | 0:10:15 | 0:10:18 | |
-True from John. -Yeah, defo. Yeah. | 0:10:18 | 0:10:20 | |
I think a lie. You are a fantastic actor, Mr Greg Davies. | 0:10:20 | 0:10:24 | |
Well... So, what are you going to say? | 0:10:24 | 0:10:26 | |
-OK. What do we think, Alex? -I think you'll find I'm BAFTA nominated. | 0:10:29 | 0:10:33 | |
We're all BAFTA nominated. | 0:10:33 | 0:10:35 | |
False. | 0:10:40 | 0:10:42 | |
OK, we'll go lie. | 0:10:42 | 0:10:44 | |
-You're going to say it's a lie. Greg? -Ah. -Truth, or lie? | 0:10:44 | 0:10:48 | |
It is the... | 0:10:48 | 0:10:50 | |
-truth. -Oh. | 0:10:50 | 0:10:52 | |
CHEERING AND APPLAUSE | 0:10:52 | 0:10:54 | |
-Well, I'm sorry. -Yes, that was all true. | 0:10:55 | 0:10:58 | |
Our next round is called This Is My, where we bring on a mystery guest | 0:10:58 | 0:11:01 | |
who has a close connection to one of our panellists. | 0:11:01 | 0:11:04 | |
Now, this week, each of Lee's team will claim it's them | 0:11:04 | 0:11:06 | |
that has the genuine connection to the guest | 0:11:06 | 0:11:09 | |
and it's up to David's team to spot who's telling the truth. | 0:11:09 | 0:11:12 | |
So, please welcome this week's special guest, Mary. | 0:11:12 | 0:11:15 | |
CHEERING AND APPLAUSE | 0:11:15 | 0:11:17 | |
Now, then, Mary is the dog, not the handler. OK? It's Mary and... | 0:11:23 | 0:11:29 | |
Obviously, cos if Mary had been | 0:11:29 | 0:11:30 | |
the handler, she wouldn't have had a dog, | 0:11:30 | 0:11:32 | |
she would have had a little lamb. Wouldn't she? | 0:11:32 | 0:11:34 | |
OK. Alex, what is Mary to you? | 0:11:34 | 0:11:38 | |
This is Mary, a dog, and I had to spend an entire episode | 0:11:38 | 0:11:42 | |
of The One Show covering up the fact that she'd been sick on me. | 0:11:42 | 0:11:46 | |
OK. So, John, how do you know Mary? | 0:11:46 | 0:11:50 | |
This is Mary, I recited a poem at her wedding. | 0:11:50 | 0:11:55 | |
There we are, John's married mutt. | 0:11:58 | 0:12:00 | |
And finally, Lee, | 0:12:00 | 0:12:03 | |
what is your relationship with Mary? | 0:12:03 | 0:12:06 | |
This is Mary and when she was pining for her owners, | 0:12:06 | 0:12:09 | |
I sat up with her all night and tried to comfort her with a song. | 0:12:09 | 0:12:13 | |
All right, David's team, where do you want to start? | 0:12:15 | 0:12:18 | |
Alex, why was Mary on The One Show? | 0:12:18 | 0:12:20 | |
-She was abandoned. -So, if... -I know you can't believe it. | 0:12:20 | 0:12:24 | |
If a dog is ever abandoned in Britain, should it happen, | 0:12:24 | 0:12:29 | |
they immediately get a slot on national television, just to sort | 0:12:29 | 0:12:33 | |
it out, just to check that there are no dogs without homes ever. | 0:12:33 | 0:12:36 | |
It was a very light day. | 0:12:36 | 0:12:38 | |
Was it a day with... | 0:12:38 | 0:12:40 | |
-AS MATT BAKER: -"Me, Matt Baker." Or was it Chris Evans? | 0:12:40 | 0:12:42 | |
It was... | 0:12:42 | 0:12:43 | |
-AS MATT BAKER: -"Me, Matt Baker," and Mary came on... | 0:12:43 | 0:12:48 | |
-AS MATT BAKER: -"It's me, Matt Baker, from the One Show." | 0:12:48 | 0:12:51 | |
I think what we've learnt from that, ladies and gentlemen, is that Rob can't do Chris Evans. | 0:12:51 | 0:12:55 | |
LAUGHTER AND APPLAUSE | 0:12:55 | 0:12:57 | |
Well... So, little Mary, comes on the show and we want to re-home her, | 0:13:00 | 0:13:06 | |
we gave her lots of treats because she was on television, | 0:13:06 | 0:13:09 | |
she came to sit on me and then | 0:13:09 | 0:13:12 | |
the treats all became a bit much, under the lights, mess. | 0:13:12 | 0:13:16 | |
OK, so you didn't have a story for The One Show, | 0:13:16 | 0:13:19 | |
you scooped up a stray dog, pumped it full of sugar | 0:13:19 | 0:13:24 | |
and got your just desserts. | 0:13:24 | 0:13:27 | |
Why wasn't it immediately noticeable that Mary was being sick? | 0:13:27 | 0:13:30 | |
Because as we were linking into whatever came next, | 0:13:30 | 0:13:33 | |
it wasn't relevant, we'd moved away from Mary. | 0:13:33 | 0:13:36 | |
Oh, yeah. Matt Baker was pushing Bounty bars into a pony's face by then. | 0:13:36 | 0:13:40 | |
In the meantime, Mary is being violently sick. | 0:13:42 | 0:13:45 | |
-So, you're talking about something else... -Yeah. | 0:13:45 | 0:13:47 | |
-We, we go onto something else. -..you're stroking Mary on your knee... -Stroking Mary. | 0:13:47 | 0:13:51 | |
Then, Matt Baker's saying... | 0:13:51 | 0:13:53 | |
Matt Baker's spooning Angel Delight into a fox. | 0:13:53 | 0:13:56 | |
What I want to clarify is, what's on television at that moment? | 0:13:59 | 0:14:03 | |
-My face. -Your face? So, it's a close-up of your face? | 0:14:03 | 0:14:05 | |
-See, it's only to here, so you can't... -Can't see that you're stroking Mary | 0:14:05 | 0:14:09 | |
-or that it's come to some sort of fruition... -..and you can't see the mess. | 0:14:09 | 0:14:12 | |
And they just said, "Just carry on." | 0:14:12 | 0:14:14 | |
OK. Did Mary stay there or did Mary sort of think, "Well there's sick here"? | 0:14:14 | 0:14:19 | |
She didn't have time to react anyway, Matt Baker was on top of her with a Curly Wurly, just... | 0:14:20 | 0:14:24 | |
Well, you've got room for more now, haven't you? Yeah. | 0:14:27 | 0:14:31 | |
OK. John, when you came up with your story, | 0:14:31 | 0:14:34 | |
did you realise that Mary was a dog? | 0:14:34 | 0:14:37 | |
Yes, of course. | 0:14:38 | 0:14:40 | |
You do have dog weddings. | 0:14:45 | 0:14:46 | |
Some owners channel their loneliness through events | 0:14:46 | 0:14:49 | |
-like that, don't they? -Well, I'm trying to... I've been to a lot of weddings in my... | 0:14:49 | 0:14:52 | |
I'm just going through them - human, human, hu... | 0:14:52 | 0:14:56 | |
Do you know what? I think they might all be human. | 0:14:56 | 0:14:59 | |
-Now, listen, listen, dogs do... -It is a fact that dogs get married. | 0:14:59 | 0:15:02 | |
-Dogs get married. -But also it is a fact that dogs don't get married. | 0:15:02 | 0:15:06 | |
All right, OK. | 0:15:06 | 0:15:07 | |
So, John, you wrote a poem and performed it at the wedding of Mary. | 0:15:07 | 0:15:12 | |
-Tell us about the experience. -Well, it was a poem I'd already written | 0:15:12 | 0:15:16 | |
that had proved to be very popular at modern weddings. | 0:15:16 | 0:15:20 | |
It's called I Wanna Be Yours and the first verse goes, | 0:15:20 | 0:15:24 | |
"Let me be your vacuum cleaner breathing in your dust, | 0:15:24 | 0:15:27 | |
"Let me be your Morris Marina, I will never rust. | 0:15:27 | 0:15:29 | |
"If you like your coffee hot, let me be your coffee pot. | 0:15:29 | 0:15:32 | |
"You call the shots, I wanna be yours." | 0:15:32 | 0:15:35 | |
It goes on for another three verses. | 0:15:35 | 0:15:37 | |
CHEERING AND APPLAUSE | 0:15:37 | 0:15:40 | |
Thank you, thank you. | 0:15:40 | 0:15:43 | |
Who is Mary's owner and do you know the owner? | 0:15:43 | 0:15:46 | |
Yes, Mary's owners live next door but one | 0:15:46 | 0:15:49 | |
on the right hand side of our house. | 0:15:49 | 0:15:52 | |
-Going out... -Right. -If you're going out, she's on the right-hand side. -No, it's a good point. | 0:15:53 | 0:15:58 | |
-So, if you go in the back door, they're on the left, aren't they? -Yeah, that's right. | 0:15:58 | 0:16:02 | |
-I'm happy with that. -And, John, describe the... What was the ceremony like? | 0:16:02 | 0:16:06 | |
It was conducted by the vet... | 0:16:06 | 0:16:09 | |
..who had neutered her husband. | 0:16:11 | 0:16:16 | |
It's kind of sick. If the arrangements had have been explained to me beforehand, | 0:16:18 | 0:16:22 | |
-I don't think I would have got involved. -Yeah. | 0:16:22 | 0:16:25 | |
What was the husband's name, the dog that was fulfilling | 0:16:25 | 0:16:28 | |
-the role of the husband here, do you remember the name? -Tyson. | 0:16:28 | 0:16:31 | |
Tyson? | 0:16:31 | 0:16:33 | |
Did you know Tyson, the owners of Tyson, or did you only know the owners of Mary? | 0:16:33 | 0:16:37 | |
I knew the owners of Mary better, but I did know the owners of Tyson, as well. | 0:16:37 | 0:16:41 | |
-So, Tyson and Mary weren't owned by the same people? -No. No. -So, how were they going to cohabit? | 0:16:41 | 0:16:46 | |
-Cos usually dogs tend to live with their... -Well, good question. -..tend to live with their owners | 0:16:46 | 0:16:51 | |
-rather than setting up home on their own. -Good question, David. | 0:16:51 | 0:16:53 | |
Tyson lived next door but one on the left going out. | 0:16:53 | 0:16:58 | |
So, they saw a lot of each other without actually cohabitating. | 0:17:01 | 0:17:06 | |
John, where did the wedding itself take place? | 0:17:06 | 0:17:09 | |
Um... | 0:17:09 | 0:17:10 | |
At a place called...Old Hall. | 0:17:10 | 0:17:15 | |
They breed their own sheep. | 0:17:15 | 0:17:17 | |
So, as it happens, Mary did have a little lamb. | 0:17:19 | 0:17:22 | |
LAUGHTER AND APPLAUSE | 0:17:23 | 0:17:26 | |
Lee. OK, remind us. | 0:17:27 | 0:17:29 | |
So, this is Mary and when she was pining for her owners, | 0:17:29 | 0:17:33 | |
-I stayed up with her all night and comforted her with a song. -Aww. | 0:17:33 | 0:17:38 | |
Where were you? And why were you with Mary? And why was Mary not with her owners? | 0:17:38 | 0:17:42 | |
My next door neighbours, they went away to a wedding - | 0:17:42 | 0:17:45 | |
a human wedding, I don't know if you've heard of them - | 0:17:45 | 0:17:48 | |
and they asked me and my wife to look after little Mary. | 0:17:48 | 0:17:52 | |
So, the dog came round to your house... | 0:17:52 | 0:17:54 | |
Well, no, we picked him up cos he doesn't know the way. | 0:17:54 | 0:17:57 | |
-And so is Mary male? -You just called him a he. | 0:17:57 | 0:18:01 | |
Do you always call Mary "he"? | 0:18:01 | 0:18:03 | |
Well, yeah, no. Sorry - she. Sorry, I always get mixed up. | 0:18:03 | 0:18:07 | |
My husband Tara sorts it all out, I don't. | 0:18:07 | 0:18:11 | |
So, what happened then? | 0:18:11 | 0:18:13 | |
My wife went to bed and the kids were asleep, so it's just me and Mary. | 0:18:13 | 0:18:16 | |
You know, I was watching the TV and she was fine, she was happy | 0:18:16 | 0:18:19 | |
just sort of lying in front of the fire and then suddenly it started. | 0:18:19 | 0:18:23 | |
-What? -The programme, it was brilliant! | 0:18:23 | 0:18:25 | |
The pining. | 0:18:27 | 0:18:28 | |
HE PINES PITIFULLY | 0:18:28 | 0:18:30 | |
Awww... | 0:18:32 | 0:18:34 | |
So, this pining it got worse, the pining got worse and worse | 0:18:36 | 0:18:39 | |
and it was breaking my heart, it really was, | 0:18:39 | 0:18:41 | |
and ruining the show I was watching. So, I... | 0:18:41 | 0:18:43 | |
It wasn't, it was The One Show, I didn't care. I phoned up... | 0:18:43 | 0:18:48 | |
Your wife goes to bed before The One Show? | 0:18:48 | 0:18:51 | |
-No, David. I'd recorded it. -Good boy! -I always record it. | 0:18:52 | 0:18:56 | |
-You record The One Show? -Watch it when there's literally nothing else to watch. | 0:18:56 | 0:19:00 | |
And I phoned up my neighbour who was at the wedding | 0:19:00 | 0:19:07 | |
and I said, "Look, Mary's pining." | 0:19:07 | 0:19:09 | |
She said, "Have you tried everything?" | 0:19:09 | 0:19:11 | |
I said, "I've done everything. I've taken my foot off her tail. I've..." | 0:19:11 | 0:19:14 | |
So, they said - well you're not going to believe this - they said, | 0:19:14 | 0:19:17 | |
"But there is a way that you can keep her calm and she calms down." | 0:19:17 | 0:19:20 | |
-Right. -"Do you by any chance have the song | 0:19:20 | 0:19:24 | |
"Money For Nothing by Dire Straits?" | 0:19:24 | 0:19:26 | |
And she said, the owner said, | 0:19:29 | 0:19:32 | |
"If you play that song on your CD player, | 0:19:32 | 0:19:34 | |
"Mary will calm down." So, I get the CD, I put it on and it was like magic. | 0:19:34 | 0:19:39 | |
It was unbelievable, the second it went... | 0:19:39 | 0:19:41 | |
HE SINGS THE GUITAR INTRO | 0:19:41 | 0:19:42 | |
Look! | 0:19:45 | 0:19:47 | |
The dog! Can I just say, you won't | 0:19:47 | 0:19:49 | |
be needing any more biscuits, I'll take it from here. | 0:19:49 | 0:19:52 | |
HE CONTINUES GUITAR RIFF | 0:19:53 | 0:19:55 | |
And she... Look, she's calm, she's calming down. | 0:19:55 | 0:20:00 | |
All right, we need an answer. | 0:20:00 | 0:20:02 | |
So, David's team - is Mary, Alex's poorly pup, | 0:20:02 | 0:20:07 | |
John's married mutt or Lee's homesick hound? | 0:20:07 | 0:20:11 | |
Well, I must say, I'm not finding Lee's story as | 0:20:11 | 0:20:14 | |
quite as convincing as usual. | 0:20:14 | 0:20:16 | |
You can imagine John reading that poem out at a dog's wedding. | 0:20:19 | 0:20:22 | |
Very easily. | 0:20:22 | 0:20:24 | |
Hold on a second, guys. I think Mary's getting a little bit bored, | 0:20:24 | 0:20:27 | |
so we'll let her pop off. | 0:20:27 | 0:20:29 | |
APPLAUSE | 0:20:29 | 0:20:30 | |
-Look, we thought that might happen. So... -So, we're going to get down on all fours and put this wig on. | 0:20:32 | 0:20:36 | |
Ah, no way. | 0:20:38 | 0:20:40 | |
You know what's going to happen, David, just to warn you, if this works tonight, | 0:20:43 | 0:20:46 | |
they'll start replacing other people with cut-outs and we're out of a job. | 0:20:46 | 0:20:49 | |
I'm sorry. I'm just, like, if someone just tunes in now and goes "What the hell?" | 0:20:49 | 0:20:54 | |
And, "I don't know what they're doing, but that dog is very well behaved." | 0:20:54 | 0:20:58 | |
Playing with the remote, "Is this on pause?" | 0:20:58 | 0:21:01 | |
That's it, nobody move, just really shock the audience. | 0:21:01 | 0:21:04 | |
APPLAUSE | 0:21:09 | 0:21:11 | |
Can I just say, that's not going to work if you clap. | 0:21:14 | 0:21:18 | |
OK. Greg, what do you think? The dog throwing up on The One Show? | 0:21:19 | 0:21:22 | |
I believe Matt Baker's capable of that cruelty, | 0:21:22 | 0:21:25 | |
but I...on this occasion I don't think he did, no. | 0:21:25 | 0:21:29 | |
-I mean, I'm erring on the side of John. -OK. | 0:21:29 | 0:21:32 | |
-It's got to be John, I want it to be so badly. -Yeah, I do as well. | 0:21:32 | 0:21:35 | |
-I think we're going to go with John, then, are we? -OK. | 0:21:35 | 0:21:38 | |
You're saying it's John? Right. Now, Mary is resting, | 0:21:38 | 0:21:41 | |
so I will give Mary's answer for her. | 0:21:41 | 0:21:44 | |
Get behind the cardboard cut-out. | 0:21:44 | 0:21:46 | |
-IN GRUFF VOICE: -My name is Mary. | 0:21:52 | 0:21:54 | |
And I do Tommy Cooper impressions! | 0:21:55 | 0:21:58 | |
-I'm doing a dog! -I'm sorry. | 0:21:58 | 0:22:00 | |
That's not a good image. | 0:22:04 | 0:22:06 | |
You are genuine... I'm not just saying it. | 0:22:07 | 0:22:09 | |
You look at that, you are genuinely to scale | 0:22:09 | 0:22:11 | |
as if you were a jockey on a horse. | 0:22:11 | 0:22:13 | |
LAUGHTER | 0:22:13 | 0:22:14 | |
My name is Mary and I can reveal that | 0:22:20 | 0:22:24 | |
I was sick on Alex during The One Show. Thank you very much. | 0:22:24 | 0:22:26 | |
No! | 0:22:26 | 0:22:28 | |
Cooper Clarke's a genius. | 0:22:29 | 0:22:32 | |
Well, which brings us to our final round, Quick Fire Lies, | 0:22:39 | 0:22:43 | |
and we start with... | 0:22:43 | 0:22:44 | |
It's Lee. | 0:22:46 | 0:22:48 | |
I once took my trunks off in the communal area of a ladies' changing room, | 0:22:48 | 0:22:53 | |
after getting out of a pool and misreading the signs through my foggy goggles. | 0:22:53 | 0:22:58 | |
David's team? | 0:23:00 | 0:23:01 | |
So, where was the swimming pool? | 0:23:01 | 0:23:04 | |
-It was at the leisure centre. -Oh, right. Where was the leisure centre? | 0:23:04 | 0:23:08 | |
Just next to the swimming pool. | 0:23:08 | 0:23:10 | |
-It was my local leisure centre. -OK. -Did anyone see your genitalia? | 0:23:10 | 0:23:14 | |
Four people looked, but no one saw it. | 0:23:14 | 0:23:17 | |
I'm keen to know, at which point where you planning to | 0:23:22 | 0:23:26 | |
take off your goggles? | 0:23:26 | 0:23:28 | |
When I get out of the pool, I shake off like that, | 0:23:30 | 0:23:34 | |
I turn back to let them have a nice look and then I... | 0:23:34 | 0:23:38 | |
I put the goggles up. There's no way you'd keep your goggles on for the walk. | 0:23:38 | 0:23:43 | |
Well, I am short-sighted and they are prescription goggles | 0:23:43 | 0:23:48 | |
and I wouldn't have been able to. | 0:23:48 | 0:23:50 | |
-So, you were going to wear them home? -Not wear them home, no. | 0:23:50 | 0:23:53 | |
I was going to put my glasses on that were in the dressing room. | 0:23:53 | 0:23:56 | |
-So, the reason you kept the goggles on that stopped you being able to see... -I know, the irony! | 0:23:56 | 0:24:01 | |
-..was so that you could see. -The irony. | 0:24:01 | 0:24:03 | |
-So, you get into the changing rooms. -Yes. Now, it's goggles off like that. -Yeah. | 0:24:03 | 0:24:08 | |
-And... -So, now you can't see anything now. | 0:24:08 | 0:24:10 | |
I can't see, I can't see a thing now. | 0:24:10 | 0:24:12 | |
There was actually no one in the room, it's trunks down like that. | 0:24:12 | 0:24:15 | |
-Yeah? -Yep. -And that's, that's when I heard the voice. | 0:24:15 | 0:24:18 | |
And what was the voice? | 0:24:18 | 0:24:19 | |
-IN HIGH-PITCHED VOICE: -"Hello, I live in your trunks." | 0:24:19 | 0:24:22 | |
-No. No, that's another story for next week. -Yeah, yeah, yeah. | 0:24:24 | 0:24:26 | |
That's the children's book you're working on. | 0:24:26 | 0:24:29 | |
I still feel publishers will be nervous. | 0:24:29 | 0:24:31 | |
So, I go in, I do that, I bend over. Speedos down and... | 0:24:34 | 0:24:38 | |
Is that your technique, goggles off, pants down? | 0:24:38 | 0:24:42 | |
I mean, do you not go to your locker? | 0:24:42 | 0:24:44 | |
I would take the goggles off, put them in the locker. I wouldn't go goggles off, pants down. | 0:24:44 | 0:24:48 | |
-Right, where's my locker? -I was at the locker. | 0:24:48 | 0:24:52 | |
-What did the voice say? -The voice said, "Excuse me." | 0:24:52 | 0:24:56 | |
And I said, "Excuse me. I'm not sure you should be in here." | 0:24:56 | 0:24:58 | |
Did you not question yourself at this point? | 0:24:58 | 0:25:00 | |
Question myself? I questioned her? "What are you doing in the men's changing room?" I said. | 0:25:00 | 0:25:04 | |
-Alex, could you say excuse me at the relevant point? -OK. Ready? | 0:25:04 | 0:25:07 | |
Come out here, this is exactly how it went. | 0:25:07 | 0:25:09 | |
-Where are we going? -I'll walk you from the... -Oh. -So, I've left my child in the pool... | 0:25:09 | 0:25:14 | |
"Daddy'll be back in a minute. If they go down - blow, blow." | 0:25:16 | 0:25:20 | |
Am I drying over here, or something? | 0:25:20 | 0:25:22 | |
You're in the shower, actually. | 0:25:22 | 0:25:24 | |
-Right, I get out the pool. -At this point the goggles aren't yet steamed up? | 0:25:28 | 0:25:31 | |
The goggles are on, they're a bit wet and I walked in. | 0:25:31 | 0:25:33 | |
I'm now, I'm in there and then I think, "Right." | 0:25:33 | 0:25:36 | |
-And then I look up with my goggles, it's goggles off... -Off, pants down. -..trunks down. | 0:25:36 | 0:25:40 | |
Excuse me. | 0:25:40 | 0:25:42 | |
You're that woman from The One Show. | 0:25:54 | 0:25:56 | |
This is the ladies. Get out, you pervert. | 0:25:58 | 0:26:02 | |
-I think you'll find this is the men's changing room. -Hang on a minute. No, that's not right, | 0:26:03 | 0:26:07 | |
because if you said that to her, "I think you'll find this is the men's changing room." | 0:26:07 | 0:26:11 | |
and you believed it, then your system would kick back in again - bam - the pants would be down. | 0:26:11 | 0:26:16 | |
Oh, no-no-no-no-no. I wasn't going make a point and go, | 0:26:16 | 0:26:18 | |
"Right. Come on, then. Beat that." | 0:26:18 | 0:26:21 | |
So, no. So, then the woman said to me, she said, "Excuse me." I panicked and I said, you know, | 0:26:27 | 0:26:31 | |
I said, "Excuse me. This is the men's." She said, "No, this is the women's." | 0:26:31 | 0:26:35 | |
For a minute I thought she was wrong, but then I thought, "Oh, my god. She might be right." | 0:26:35 | 0:26:39 | |
And then another woman came in and then a third woman. But I'm so argumentative, | 0:26:39 | 0:26:42 | |
it wasn't till the fourth woman came in that I considered that I'd made a mistake. | 0:26:42 | 0:26:46 | |
So, what do you think? Was he telling the truth there, David's team? | 0:26:46 | 0:26:49 | |
-I think it's without a question a lie. -And you think? | 0:26:49 | 0:26:52 | |
In fact, if it is the truth, I'm prepared to pull my trousers and pants down right now on this show. | 0:26:52 | 0:26:57 | |
AUDIENCE: Whoooo! | 0:26:57 | 0:26:59 | |
Hoh-hoh-hoh! | 0:27:00 | 0:27:02 | |
I'm not comfortable with that sort of forfeit | 0:27:02 | 0:27:05 | |
becoming part of the format of this game. | 0:27:05 | 0:27:09 | |
-So, you are willing to say, that you are willing to drop your trousers, if this is true? -Yeah. | 0:27:09 | 0:27:13 | |
Can we get you some goggles, as well? | 0:27:13 | 0:27:15 | |
I don't need them, my eyes will be closed. | 0:27:15 | 0:27:18 | |
Well, I think we're saying it's a lie. | 0:27:19 | 0:27:22 | |
I'd like to say that I'm not willing to do anything at all | 0:27:22 | 0:27:26 | |
if we happen to be wrong. | 0:27:26 | 0:27:28 | |
-So, you're all saying... -It's only a game, for god's sake. | 0:27:28 | 0:27:31 | |
So, you say it's a lie. OK. | 0:27:36 | 0:27:38 | |
Lee, was it the truth or was it a lie? | 0:27:39 | 0:27:42 | |
It is in fact, Greg, | 0:27:47 | 0:27:49 | |
true. | 0:27:49 | 0:27:51 | |
CHEERING AND APPLAUSE | 0:27:51 | 0:27:53 | |
Can I just say that I just whispered, "Can you change it?" | 0:27:56 | 0:27:58 | |
cos it was in fact a lie. | 0:27:58 | 0:28:00 | |
CHEERING AND APPLAUSE | 0:28:02 | 0:28:04 | |
Yes, it's a lie. Lee didn't take his trunks off in | 0:28:04 | 0:28:06 | |
the ladies' changing room because of his foggy goggles. | 0:28:06 | 0:28:09 | |
BUZZER | 0:28:09 | 0:28:10 | |
And that noise signals time is up, it's the end of the show | 0:28:10 | 0:28:13 | |
and I can reveal that the scores are tied with two points each. | 0:28:13 | 0:28:16 | |
APPLAUSE | 0:28:16 | 0:28:17 | |
But of course it's not just a team game | 0:28:19 | 0:28:22 | |
and my individual liar of the week this week is John Cooper Clarke. | 0:28:22 | 0:28:26 | |
Yes, John Cooper Clarke. | 0:28:29 | 0:28:32 | |
And, of course, John will be given a hero's welcome when he gets | 0:28:32 | 0:28:35 | |
back home to the distant planet where he was hatched. Goodnight. | 0:28:35 | 0:28:39 |