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Hi, I'm Clive Holland, | 0:00:08 | 0:00:10 | |
and I'm on a mission to run those cowboy builders out of town. | 0:00:10 | 0:00:15 | |
I walked in and was absolutely horrified. | 0:00:15 | 0:00:17 | |
The house, basically, was anything but complete. | 0:00:17 | 0:00:20 | |
All over Britain, | 0:00:20 | 0:00:22 | |
people are having their lives ruined by these unscrupulous chancers, | 0:00:22 | 0:00:25 | |
and it's got to stop. | 0:00:25 | 0:00:28 | |
If anything happens to what's left up there, | 0:00:28 | 0:00:30 | |
it's going to have an effect on this house. | 0:00:30 | 0:00:33 | |
And there'll be bricks and rubble | 0:00:33 | 0:00:35 | |
and that coming through the roof, and goodness knows what. | 0:00:35 | 0:00:37 | |
But I've got the good guys in my posse to help give these horror stories a happy ending. | 0:00:37 | 0:00:43 | |
I remember him saying, "I'm not trying to rip you off, Deb." | 0:00:43 | 0:00:47 | |
And with hindsight now, that's absolutely what he was doing. | 0:00:47 | 0:00:51 | |
So do yourself a favour, and take some notes. | 0:00:51 | 0:00:54 | |
Because what you're about to witness could well keep you | 0:00:54 | 0:00:57 | |
out of the cowboy trap. | 0:00:57 | 0:00:58 | |
Today, Cowboy Trap is on the northeast coast, | 0:01:08 | 0:01:11 | |
in the small seaside town of Seaham. | 0:01:11 | 0:01:13 | |
Seaham was once the unlikely home of the mad, bad and dangerous-to-know | 0:01:15 | 0:01:19 | |
poet Byron, who wrote a couple of his most famous poems here. | 0:01:19 | 0:01:22 | |
More recently, Seaham was a mining town, | 0:01:24 | 0:01:27 | |
its harbour shipping coal to London. | 0:01:27 | 0:01:29 | |
But these days, Seaham's main claim to fame is its gorgeous beaches. | 0:01:29 | 0:01:35 | |
Another famous former Seaham resident | 0:01:35 | 0:01:37 | |
is the footballer Paul Gascoigne, | 0:01:37 | 0:01:39 | |
who owned a massive grade II listed mansion here. | 0:01:39 | 0:01:43 | |
And if you remember, Gazza cried in the 1990 World Cup finals | 0:01:43 | 0:01:47 | |
when he was playing for England. But you know what? | 0:01:47 | 0:01:50 | |
Today's cowboy builder story is also enough to make a grown man cry. | 0:01:50 | 0:01:56 | |
Make no mistake, this is a cowboy trap with brass knobs on - | 0:01:56 | 0:01:59 | |
a tale of shameful handiwork, shattered dreams, | 0:01:59 | 0:02:04 | |
and wait for it - a life-threatening piece of bodged structural work | 0:02:04 | 0:02:08 | |
that could quite literally bring the house down. | 0:02:08 | 0:02:11 | |
We're here to meet Debby Sutcliffe, | 0:02:11 | 0:02:14 | |
who works as a manager for voluntary organisations helping people | 0:02:14 | 0:02:17 | |
who have problems with drug and alcohol abuse. | 0:02:17 | 0:02:21 | |
In the last couple of years, Debby has had to fork out £8,000 to | 0:02:21 | 0:02:25 | |
try and fix a bodged build. And her house still isn't right. | 0:02:25 | 0:02:30 | |
She is up to her eyes in the cowboy trap. | 0:02:30 | 0:02:34 | |
In 2009, after a painful divorce, | 0:02:34 | 0:02:36 | |
Debby made the bold decision to move from her home in Scarborough up to Seaham. | 0:02:36 | 0:02:41 | |
It was 70 miles away, and Debby was sad to leave her friends | 0:02:41 | 0:02:44 | |
and family behind. | 0:02:44 | 0:02:46 | |
But she was desperate to start afresh. | 0:02:46 | 0:02:49 | |
Leaving Scarborough and leaving what I was leaving behind in Scarborough, | 0:02:49 | 0:02:52 | |
particularly my friends, it did make it quite important | 0:02:52 | 0:02:56 | |
that the property I bought had the right feel | 0:02:56 | 0:03:00 | |
and location was quite important, | 0:03:00 | 0:03:02 | |
because I was moving totally on my own, with no friends or | 0:03:02 | 0:03:06 | |
family in this area. I needed to feel quite safe and secure. | 0:03:06 | 0:03:10 | |
Debby had a dream. | 0:03:10 | 0:03:12 | |
Divorced and now having to go it alone, she wanted to be | 0:03:12 | 0:03:15 | |
financially secure, and what better way than through bricks and mortar? | 0:03:15 | 0:03:19 | |
After some intensive house hunting, Debby was relieved to find | 0:03:19 | 0:03:25 | |
a place which ticked all the boxes - a two-bedroom terraced house. | 0:03:25 | 0:03:29 | |
It was in need of some serious renovation, | 0:03:29 | 0:03:31 | |
but for Debby, it was love at first sight. | 0:03:31 | 0:03:34 | |
It was very reasonably priced. | 0:03:34 | 0:03:37 | |
It clearly needed some updating, but the good price that it | 0:03:37 | 0:03:42 | |
was gave me the confidence that I'd actually have enough money to be able to do the work. | 0:03:42 | 0:03:47 | |
It gave me the opportunity to put my little stamp on it and make it my little palace. | 0:03:47 | 0:03:50 | |
But transforming it into a palace was going to be no easy task. | 0:03:50 | 0:03:55 | |
Much needed to be done just to bring it up to date - rewiring, | 0:03:55 | 0:03:59 | |
plumbing, a damp course for starters. | 0:03:59 | 0:04:02 | |
And Debby didn't want to stop there. | 0:04:02 | 0:04:04 | |
I wanted the chimney breast taken down in the dining room | 0:04:04 | 0:04:07 | |
and the spare bedroom, | 0:04:07 | 0:04:08 | |
and a garage extension and a porch on the front, | 0:04:08 | 0:04:11 | |
new garage roof, sunroom at the back, the windows that | 0:04:11 | 0:04:15 | |
weren't already double glazed, new windows putting in. | 0:04:15 | 0:04:18 | |
Debby was also keen to reduce heating bills in years to come, | 0:04:20 | 0:04:24 | |
so she wanted insulation throughout. | 0:04:24 | 0:04:27 | |
She wanted part of the garage converted into a utility room. | 0:04:27 | 0:04:31 | |
And the final piece of the jigsaw - plastering throughout | 0:04:31 | 0:04:35 | |
and new doors, door frames and skirting boards. | 0:04:35 | 0:04:38 | |
It was clearly an ambitious project. | 0:04:38 | 0:04:42 | |
Being quite new to the area, | 0:04:42 | 0:04:44 | |
Debby didn't know how to go about finding a reputable builder, | 0:04:44 | 0:04:47 | |
so it came as a great relief when a friend at work suggested her | 0:04:47 | 0:04:51 | |
son, who runs a small building company. | 0:04:51 | 0:04:54 | |
Now, she was really happy with the recommendation | 0:04:54 | 0:04:56 | |
so close to home, and decided not to take up any further references. | 0:04:56 | 0:05:01 | |
Big mistake! | 0:05:01 | 0:05:02 | |
Take my advice - if you're looking for a builder, always | 0:05:03 | 0:05:07 | |
check out examples of their previous work. | 0:05:07 | 0:05:10 | |
This work needs to be a similar job to what you need doing. | 0:05:10 | 0:05:14 | |
The more references from satisfied customers you can get, the better. | 0:05:14 | 0:05:18 | |
Rather than doing that, Debby decided to meet up with the builder | 0:05:18 | 0:05:22 | |
to talk through her dream, and see if she felt he was up to the job. | 0:05:22 | 0:05:26 | |
He talked the talk, everything seemed fine, | 0:05:26 | 0:05:31 | |
and there was nothing that | 0:05:31 | 0:05:34 | |
alerted me, that made me think, | 0:05:34 | 0:05:38 | |
you know, he wouldn't do the job that he said he would do, | 0:05:38 | 0:05:40 | |
and that I hoped he would do. | 0:05:40 | 0:05:43 | |
But then, Debby made another basic error. | 0:05:44 | 0:05:47 | |
Debby let slip that she'd got £40,000 available to get | 0:05:48 | 0:05:52 | |
the work done, and when the builder's quote came in, | 0:05:52 | 0:05:55 | |
guess what - you got it - it was for £40,000. Was that a coincidence? | 0:05:55 | 0:06:00 | |
Of course it wasn't. | 0:06:00 | 0:06:01 | |
Here's my top tip - never tell your builder exactly how much money you've got to play with. | 0:06:01 | 0:06:06 | |
Put the onus on them to come up with a price, | 0:06:06 | 0:06:08 | |
and give you a written quotation. | 0:06:08 | 0:06:10 | |
In fact, my rule of thumb is - get three quotes. | 0:06:10 | 0:06:14 | |
Debby agreed to the £40,000. | 0:06:15 | 0:06:17 | |
And the builder promised | 0:06:17 | 0:06:19 | |
if he started in August it would all be done and dusted by December. | 0:06:19 | 0:06:23 | |
He asked Debby to pay him in four instalments of £10,000, | 0:06:23 | 0:06:27 | |
the first upfront to buy materials. | 0:06:27 | 0:06:29 | |
Debby did as he asked, and moved out into rented accommodation, | 0:06:30 | 0:06:33 | |
because the house was going to be uninhabitable during the build. | 0:06:33 | 0:06:37 | |
When she returned to take a look at their work, her heart sank. | 0:06:37 | 0:06:41 | |
It was the plastering in the dining room - I remember walking in one day when they were here, | 0:06:41 | 0:06:45 | |
and just looking up at the ceiling, and asking if they were drunk when they plastered the ceiling. | 0:06:45 | 0:06:50 | |
And was then told, "Don't get hung up on that - it all smooths out | 0:06:50 | 0:06:54 | |
"when you paint it." | 0:06:54 | 0:06:55 | |
And that was when I knew that things weren't right. | 0:06:55 | 0:06:58 | |
And when she went upstairs to her bedroom, she was gobsmacked. | 0:06:59 | 0:07:03 | |
I actually questioned the windowsill in here, | 0:07:03 | 0:07:07 | |
and was told that I'd asked them to leave it like this. | 0:07:07 | 0:07:11 | |
Believe it or not, this is clean. | 0:07:11 | 0:07:13 | |
And apparently I'd said I liked wood and wanted it leaving. | 0:07:13 | 0:07:17 | |
Debby started to wonder just where her money was going. | 0:07:18 | 0:07:22 | |
There was something in the garage and I clearly had questioned something. | 0:07:22 | 0:07:28 | |
And I remember him saying, "I'm not trying to rip you off, Deb." | 0:07:28 | 0:07:32 | |
And with hindsight now, that's absolutely what he was doing. | 0:07:32 | 0:07:37 | |
But it wasn't just value for money which was a concern - | 0:07:37 | 0:07:40 | |
so was the schedule. | 0:07:40 | 0:07:42 | |
The builder kept on promising he'd be finished on December 23rd like | 0:07:42 | 0:07:45 | |
they agreed, but Debby was convinced he was running behind, | 0:07:45 | 0:07:50 | |
and for her it was a race against the clock. | 0:07:50 | 0:07:52 | |
She was desperate to move in for her dream Christmas. | 0:07:52 | 0:07:56 | |
Fast forward to just three days before Christmas. | 0:07:56 | 0:08:00 | |
The lease was up on Debby's rented house and so she decided to | 0:08:00 | 0:08:03 | |
take a day off work and go and visit the removals men who were | 0:08:03 | 0:08:07 | |
delivering her furnishings to a newly refurbished home. | 0:08:07 | 0:08:11 | |
But I can tell you now - the tidings were far from comfort and joy. | 0:08:11 | 0:08:14 | |
Rather than a palace ready to move into for Christmas, | 0:08:16 | 0:08:19 | |
Debby was faced with a house of horror. | 0:08:19 | 0:08:22 | |
I walked in and was absolutely horrified. | 0:08:24 | 0:08:27 | |
The house, basically, was anything but complete. | 0:08:27 | 0:08:29 | |
There weren't skirting boards in any of the rooms, | 0:08:29 | 0:08:32 | |
there were floorboards up in one of the bedrooms | 0:08:32 | 0:08:35 | |
and at the top of the stairs, which would have made it | 0:08:35 | 0:08:37 | |
impossible for removals to safely have moved furniture up there. | 0:08:37 | 0:08:43 | |
Obviously, carpets couldn't go down because there were no skirting boards, | 0:08:43 | 0:08:47 | |
and the place was just filthy. | 0:08:47 | 0:08:50 | |
The builders had left a total mess, | 0:08:51 | 0:08:55 | |
and neither the electrics nor gas were working. | 0:08:55 | 0:08:59 | |
Debby tried to phone the builder, but he took some tracking down. | 0:08:59 | 0:09:04 | |
I finally got hold of the builders to be told that they'd finished, | 0:09:04 | 0:09:09 | |
that as far as they were concerned they'd completed the works. | 0:09:09 | 0:09:13 | |
Debby couldn't believe her ears - or her eyes. | 0:09:14 | 0:09:17 | |
She'd forked out 40 grand and her home looked like a bomb site. | 0:09:18 | 0:09:23 | |
But with her rental lease up, she had no choice but to move in. | 0:09:24 | 0:09:28 | |
It wasn't the Christmas present she'd been hoping for. | 0:09:29 | 0:09:33 | |
I hope her builder had a nice Christmas, | 0:09:33 | 0:09:35 | |
because Debby certainly didn't. | 0:09:35 | 0:09:36 | |
She spent it all alone on a building site. | 0:09:36 | 0:09:39 | |
I hope I never have to go through that again. | 0:09:39 | 0:09:41 | |
No kitchen, no bathroom, house total shambles - wrecked, really. | 0:09:41 | 0:09:47 | |
I just didn't want anybody coming to the door, | 0:09:47 | 0:09:50 | |
didn't want anybody feeling sorry for me, | 0:09:50 | 0:09:53 | |
and, you know, kind of Christmas Day - | 0:09:53 | 0:09:55 | |
cooking your lunch on a camping stove and a microwave. | 0:09:55 | 0:09:59 | |
Not good. | 0:09:59 | 0:10:01 | |
The builder came back briefly in the new year, | 0:10:01 | 0:10:04 | |
but never looked like finishing the job. | 0:10:04 | 0:10:07 | |
When he had the gall to ask for a further three grand, | 0:10:07 | 0:10:09 | |
it was the final straw. | 0:10:09 | 0:10:11 | |
Debby asked him to leave. | 0:10:11 | 0:10:13 | |
All my hopes and dreams for the house | 0:10:13 | 0:10:16 | |
when I moved in and all the security and safety and financial | 0:10:16 | 0:10:21 | |
security that I was after - I basically got exactly the opposite. | 0:10:21 | 0:10:26 | |
Over the past couple of years, Debby has managed to get | 0:10:26 | 0:10:29 | |
some cash together to repair some of the botched work. | 0:10:29 | 0:10:32 | |
But nothing could repair the damage these guys had done | 0:10:32 | 0:10:35 | |
to her self-esteem. | 0:10:35 | 0:10:37 | |
And I'm worried about that chimney breast they removed - | 0:10:37 | 0:10:40 | |
that's no job for a cowboy. | 0:10:40 | 0:10:42 | |
But first, I need to find out more. | 0:10:42 | 0:10:44 | |
-Aha, you must be Debby. -I am. | 0:10:49 | 0:10:51 | |
-I'm Clive from Cowboy Trap. How are you? -Fine, thank you. | 0:10:51 | 0:10:55 | |
Nice to see you. Now I hear you've had problems with cowboy builders. | 0:10:55 | 0:10:58 | |
-D'you mind if I come in, and you can talk me through it? -Absolutely not. -Great. | 0:10:58 | 0:11:02 | |
As soon as I stepped through the door, it's clear Debby has spent a lot of money on fixing | 0:11:02 | 0:11:06 | |
the cowboy builder's botched job. | 0:11:06 | 0:11:08 | |
I'd usually come into devastation. Looking at this, it looks fine. | 0:11:09 | 0:11:14 | |
So my question is, in terms of the problems, what's your major? | 0:11:14 | 0:11:18 | |
Well, NOW - one of the reasons that you're here today is | 0:11:20 | 0:11:24 | |
to have a look in the loft, because the chimney breast | 0:11:24 | 0:11:27 | |
had been taken down and it's been left unsupported. | 0:11:27 | 0:11:30 | |
-OK. So chimney breast has come out on two levels? -Two levels. | 0:11:30 | 0:11:34 | |
And they've left all the masonry floating above? | 0:11:34 | 0:11:36 | |
-Is that what you're saying? -Yes. | 0:11:36 | 0:11:38 | |
Well, I need to get a closer look at that. | 0:11:38 | 0:11:40 | |
-In terms of the loft, now, I know I'm only a small guy... -Obviously! | 0:11:40 | 0:11:43 | |
Nine stone wet through. D'you think I'll actually get in there? | 0:11:43 | 0:11:47 | |
I think you'll do it, Clive. | 0:11:47 | 0:11:49 | |
OK, great. Well, listen. If you don't mind, d'you mind sticking the kettle on? | 0:11:49 | 0:11:52 | |
We'll have a cup of tea, then we'll have a chat later. | 0:11:52 | 0:11:54 | |
-But first I want to get up to that loft. -OK. -All right. Thanks, Debby. | 0:11:54 | 0:11:59 | |
Joking apart, if you don't remove a chimney breast properly, | 0:11:59 | 0:12:01 | |
it can come down on you like a ton of bricks. | 0:12:01 | 0:12:04 | |
Debby has performed a minor miracle by fixing much of the cosmetic work here. | 0:12:04 | 0:12:08 | |
But she's done the right thing to call for help, because it's the | 0:12:08 | 0:12:12 | |
structural damage that cowboys do that's the most dangerous. | 0:12:12 | 0:12:16 | |
A bit of a tight squeeze. | 0:12:16 | 0:12:18 | |
Oh, yeah! That looks dodgy all right. | 0:12:18 | 0:12:21 | |
Let's take a closer look. | 0:12:21 | 0:12:23 | |
Seems my fears were justified. This needs sorting, and fast. | 0:12:25 | 0:12:29 | |
Oh, look at that. I see. | 0:12:29 | 0:12:32 | |
Now, interestingly enough, they've almost done an inverted V | 0:12:32 | 0:12:38 | |
removing that brickwork there, | 0:12:38 | 0:12:40 | |
so it's displacing the weight either side of the V down onto a | 0:12:40 | 0:12:46 | |
suspended roof joist. It's just floating in mid-air, really, on both sides. | 0:12:46 | 0:12:51 | |
And then they've got a little bit of 2x2 noggin battening at the back, | 0:12:51 | 0:12:55 | |
that seems to be supporting it. | 0:12:55 | 0:12:58 | |
But it's not the way to do things. | 0:12:58 | 0:13:00 | |
Now if you imagine, normally if you're taking a chimney breast out, | 0:13:00 | 0:13:03 | |
you'd take a chimney breast out and you'd take it out | 0:13:03 | 0:13:07 | |
downstairs - above, you'd have it all Acrowed up, | 0:13:07 | 0:13:09 | |
and rather than like that in an inverted V displacing weight either side, | 0:13:09 | 0:13:14 | |
you'd actually get yourself an RSJ - bang - right under the bottom area of where the bedroom is, | 0:13:14 | 0:13:20 | |
to support all that weight of masonry | 0:13:20 | 0:13:22 | |
because there's a few tonne there of brickwork, | 0:13:22 | 0:13:25 | |
and if that was to ever come tumbling down and crashing down, | 0:13:25 | 0:13:29 | |
I think it's Debby's bed that's right under there, or somebody's bed. | 0:13:29 | 0:13:33 | |
Now, you can imagine how dangerous that is going to. | 0:13:33 | 0:13:36 | |
And worse still, it seems the masonry's already on the move. | 0:13:39 | 0:13:43 | |
You can see a slight bit of movement down the right-hand | 0:13:43 | 0:13:45 | |
side there of the inverted V - there's a long crack that | 0:13:45 | 0:13:49 | |
runs for about five feet around the brickwork. | 0:13:49 | 0:13:51 | |
I've got to say, it's certainly not clever. | 0:13:51 | 0:13:56 | |
It looks like we got here just in time. | 0:13:56 | 0:13:58 | |
I've got a horrible feeling Debby made a crucial mistake when this build started. | 0:13:58 | 0:14:03 | |
A mistake which could have cost her her life. | 0:14:03 | 0:14:06 | |
Did you call in building control? | 0:14:07 | 0:14:09 | |
No, I had no idea I needed them in. | 0:14:09 | 0:14:12 | |
I was oblivious of that until the surveyor came the other week. | 0:14:12 | 0:14:15 | |
So, no. | 0:14:15 | 0:14:17 | |
And when the surveyor came, he told you the problem's with? | 0:14:17 | 0:14:21 | |
-The chimney. -Yeah. | 0:14:21 | 0:14:23 | |
Basically that had been unsupported. | 0:14:23 | 0:14:27 | |
OK, the chances of a lot of masonry come crashing down. | 0:14:28 | 0:14:33 | |
So it just doesn't then come onto finances or emotions? | 0:14:33 | 0:14:37 | |
No, that's life and death. | 0:14:37 | 0:14:39 | |
That comes on to life and death, that's correct. | 0:14:39 | 0:14:43 | |
'Take my advice, chimneys are part of the structure of your house | 0:14:43 | 0:14:46 | |
'and removing them is always a serious business.' | 0:14:46 | 0:14:49 | |
You'll need a structural engineer involved | 0:14:49 | 0:14:51 | |
and approval from building control. | 0:14:51 | 0:14:54 | |
If you do anything to a party wall - that's one you share | 0:14:54 | 0:14:57 | |
with your neighbours - you'll need their consent in writing. | 0:14:57 | 0:15:01 | |
What you've got to understand is, you're employing these people, | 0:15:01 | 0:15:05 | |
and if they do anything wrong you need to broach the subject. | 0:15:05 | 0:15:11 | |
Don't bury your head. | 0:15:11 | 0:15:13 | |
Because if something like this... | 0:15:13 | 0:15:15 | |
You've got an alarm bell right at the beginning - the 40 grand. | 0:15:15 | 0:15:18 | |
I'm telling you now, there'll be mega alarm bells right up to, you know, | 0:15:18 | 0:15:24 | |
great big air horn warning systems going off by the end of the build. | 0:15:24 | 0:15:29 | |
Which is obviously what has happened. | 0:15:29 | 0:15:31 | |
Listen, the main thing is now you know what dangers you've been left with. | 0:15:31 | 0:15:36 | |
We would particularly like to concentrate on that area | 0:15:36 | 0:15:41 | |
of the work, because it is so dangerous. | 0:15:41 | 0:15:47 | |
And we really want to be getting on with that. | 0:15:47 | 0:15:51 | |
If anything, it's for peace of mind. | 0:15:51 | 0:15:55 | |
We're going to get the good guys in. | 0:15:55 | 0:15:57 | |
We're going to address that. | 0:15:57 | 0:15:59 | |
-Can I keep them? -Of course. | 0:15:59 | 0:16:01 | |
Can I build a little shed for them? | 0:16:01 | 0:16:02 | |
-Of course you can, you can keep them in your garden. -Thank you. | 0:16:02 | 0:16:05 | |
How's that? But, we're going to... I'll have to ask their permission, of course. | 0:16:05 | 0:16:10 | |
But I'm sure they'll look after you and will get the job done. | 0:16:10 | 0:16:14 | |
But before we get cracking, I want a second opinion from an independent surveyor. | 0:16:14 | 0:16:18 | |
Peter Fall has checked out the chimney, | 0:16:18 | 0:16:21 | |
and now I'm going to pick his brains. | 0:16:21 | 0:16:23 | |
What's not to your liking? | 0:16:23 | 0:16:25 | |
Basically, he's taken away all of the support that held | 0:16:25 | 0:16:30 | |
the chimney breast in the loft space in position. | 0:16:30 | 0:16:34 | |
Let's remember, when that chimney stack was first built, | 0:16:34 | 0:16:37 | |
he built it off a foundation on the ground. | 0:16:37 | 0:16:39 | |
All the load went down on the ground. | 0:16:39 | 0:16:41 | |
He tied it back to the party wall, between the two houses, | 0:16:41 | 0:16:45 | |
just to stop it falling over. | 0:16:45 | 0:16:47 | |
-Not to hold it up. -Yeah. | 0:16:47 | 0:16:50 | |
So what he's gone and done now, he's taken everything | 0:16:50 | 0:16:53 | |
away between the foundation and the roof and left nothing. | 0:16:53 | 0:16:58 | |
However, not quite nothing. | 0:16:58 | 0:17:00 | |
Because what he did do is put a piece of wood in. | 0:17:00 | 0:17:04 | |
-What he's gone and done, he's rested that on the ceiling joists. -Yow. | 0:17:04 | 0:17:10 | |
We are big guys. | 0:17:10 | 0:17:11 | |
-Those ceilings are not meant for you and me to ballroom dance on there. -They're not. | 0:17:11 | 0:17:15 | |
They're meant to hold the plot. | 0:17:15 | 0:17:17 | |
The ceiling joists were never, ever intended to carry the chimney. | 0:17:17 | 0:17:20 | |
To carry that sort of load bear? | 0:17:20 | 0:17:22 | |
So what's he got? He's got it on the ceiling joists it can't cope with, | 0:17:22 | 0:17:26 | |
and he's got nothing else between that | 0:17:26 | 0:17:29 | |
and the foundation underneath the ground floor. | 0:17:29 | 0:17:31 | |
What's the worst case scenario? Just spell it out to us. | 0:17:31 | 0:17:34 | |
In the short-term, the mortar that's literally holding | 0:17:34 | 0:17:38 | |
it in place will gradually degrade with age. | 0:17:38 | 0:17:41 | |
It will slacken, the bricks will become loose, | 0:17:41 | 0:17:44 | |
the load will settle down a bit more on top of the joists. | 0:17:44 | 0:17:48 | |
Until eventually the joists says, "Hey, this is too much weight." | 0:17:48 | 0:17:51 | |
Now, the work you've seen so far, I need a mark out of ten for, as usual. | 0:17:51 | 0:17:56 | |
What sort of score would you give that? | 0:17:56 | 0:17:58 | |
-Oh, Clive. -I've got a feeling. | 0:17:58 | 0:18:01 | |
You know my scoring system. | 0:18:01 | 0:18:03 | |
I am so depressed when I see this from the building industry. | 0:18:03 | 0:18:07 | |
It isn't normal to see it like this. | 0:18:07 | 0:18:10 | |
He's made a good job of taking it out of the bedroom beneath. | 0:18:10 | 0:18:13 | |
Let's give him two or three points for that, and that's it. | 0:18:13 | 0:18:17 | |
And I might even take one or two points back off him for just not | 0:18:17 | 0:18:21 | |
thinking hard about what he'd done for the bit that's left in the loft. | 0:18:21 | 0:18:25 | |
It's not only Debby that's affected by this chimney travesty. | 0:18:25 | 0:18:29 | |
So is next door neighbour, Kenneth Stockdale. | 0:18:29 | 0:18:31 | |
The chimney joins the two houses together. | 0:18:32 | 0:18:36 | |
I do know that if anything happens to what's left up there, | 0:18:36 | 0:18:40 | |
it's going to have an effect on this house and there will be bricks | 0:18:40 | 0:18:44 | |
and rubble and that coming through the roof, and goodness knows what. | 0:18:44 | 0:18:49 | |
That's a major worry. | 0:18:49 | 0:18:51 | |
And it's not just the chimney that concerns Kenneth. | 0:18:53 | 0:18:55 | |
He is also worried about the impact all the stress has | 0:18:55 | 0:18:57 | |
had on Debby's health. | 0:18:57 | 0:19:01 | |
She's been really depressed. | 0:19:01 | 0:19:03 | |
She really has. And, er... | 0:19:03 | 0:19:06 | |
..how she rises above that, | 0:19:09 | 0:19:11 | |
I don't know, given the circumstances she's in. | 0:19:11 | 0:19:15 | |
She had dreams and those dreams have gone. | 0:19:16 | 0:19:19 | |
But perhaps we can help Debby's dreams get back on track. | 0:19:22 | 0:19:26 | |
Here come our knights in shining armour, led by Joe Dixon. | 0:19:26 | 0:19:30 | |
Time for a powwow about his plan of action. | 0:19:30 | 0:19:32 | |
Just try and describe to us what you intend to do. | 0:19:34 | 0:19:37 | |
So imagine, we've got the inverted V, what do you intend to do? | 0:19:37 | 0:19:41 | |
On the bottom, you see where the chimney breast would have come down in this area here? | 0:19:41 | 0:19:45 | |
Yes. | 0:19:45 | 0:19:46 | |
Above in that area, what they put in is a bit of scrap, | 0:19:46 | 0:19:50 | |
heavy timber, literally resting across... | 0:19:50 | 0:19:52 | |
To me, it only looks like about 2x2? | 0:19:52 | 0:19:54 | |
Yeah, it's poor, it's poor. | 0:19:54 | 0:19:56 | |
We need to look at putting a steel bracket, if you can imagine, | 0:19:56 | 0:20:01 | |
up into there where the chimney breast has come down in that V. | 0:20:01 | 0:20:04 | |
There's a bracket that needs to be put up to support the brickwork | 0:20:04 | 0:20:07 | |
which is protruding approximately 400ml out from there. | 0:20:07 | 0:20:11 | |
So that bracket then takes the bearing. | 0:20:11 | 0:20:13 | |
Listen, Joe, what I'm going to do, I'll leave you to it. | 0:20:13 | 0:20:17 | |
It's great to have the good guys on board. | 0:20:17 | 0:20:19 | |
And then we'll pop back and see how you're getting on. | 0:20:19 | 0:20:22 | |
Brilliant, see you soon. | 0:20:22 | 0:20:23 | |
-I'll let you carry on. -Thanks, bye. | 0:20:23 | 0:20:26 | |
As an added bonus and a nice little surprise for Debby, | 0:20:26 | 0:20:29 | |
I've also asked John to do some work on her bodged utility room. | 0:20:29 | 0:20:33 | |
How anyone could think this is finished is beyond me. | 0:20:33 | 0:20:36 | |
The plastering is pants, the tiling is shoddy, | 0:20:36 | 0:20:39 | |
and there's that hole in the ceiling. | 0:20:39 | 0:20:42 | |
And don't get me started on the doorway! | 0:20:42 | 0:20:43 | |
And that horrible trunking to the light switch. Eugh! | 0:20:43 | 0:20:48 | |
Joe and his team waste no time getting started. | 0:20:48 | 0:20:52 | |
They get to work on that useless utility room, | 0:20:52 | 0:20:55 | |
and like Santa at Christmas, they head off to the chimney. | 0:20:55 | 0:20:59 | |
The sooner that's fixed, the safer. | 0:20:59 | 0:21:02 | |
Can they secure that stack so Debby can sleep easy at night? | 0:21:02 | 0:21:06 | |
And will their work pass building regulations | 0:21:06 | 0:21:08 | |
so Debby's house gets a belated clean bill of health? | 0:21:08 | 0:21:13 | |
Only time will tell. | 0:21:13 | 0:21:14 | |
I'm back in Seaham on the northeast coast, | 0:21:21 | 0:21:23 | |
where recently-divorced Debby Sutcliffe decided to make | 0:21:23 | 0:21:27 | |
the brave decision to start a new life away from her family and friends. | 0:21:27 | 0:21:32 | |
But her dream home soon turned into the stuff of nightmares, | 0:21:32 | 0:21:36 | |
when the builder she hired to undertake the renovation work turned out to be a cowboy. | 0:21:36 | 0:21:42 | |
Our good guys have now finished their work, | 0:21:42 | 0:21:44 | |
and I'm here to find out if they've saved the day. | 0:21:44 | 0:21:48 | |
Before I talk it through with Debby, I can't resist taking a sneaky peek. | 0:21:48 | 0:21:53 | |
My first destination...the utility room. | 0:21:53 | 0:21:57 | |
Oh yeah, now this looks totally different and really clean and bright. | 0:21:57 | 0:22:02 | |
The walls have obviously been plastered | 0:22:02 | 0:22:04 | |
and there was some horrible trunking down to the light switch which didn't look nice. | 0:22:04 | 0:22:08 | |
That's all been taken away, painted, worktop. | 0:22:08 | 0:22:12 | |
I'm loving the gloss units in here as well, | 0:22:12 | 0:22:14 | |
this is like a proper, working utility room. | 0:22:14 | 0:22:17 | |
And we've got great flooring too. | 0:22:17 | 0:22:19 | |
Skirting boards painted, everything looks really good. | 0:22:19 | 0:22:23 | |
I am liking that. | 0:22:23 | 0:22:26 | |
Pleased about the utility room, but the real proof of the pudding | 0:22:26 | 0:22:29 | |
when assessing our good guys' work lies upstairs. | 0:22:29 | 0:22:32 | |
Now, if you remember the real problem was up in the loft. | 0:22:34 | 0:22:37 | |
We had that inverted V of the chimney breast that wasn't supported. | 0:22:37 | 0:22:41 | |
Potential for all those bricks to fall down. | 0:22:41 | 0:22:43 | |
I'm hoping our guys have done their job properly | 0:22:43 | 0:22:45 | |
and that way we can get building control sign-off. | 0:22:45 | 0:22:48 | |
But the one thing I hate, and maybe you do too, is getting up these lofts. | 0:22:48 | 0:22:51 | |
Particularly today, it's dirty up there and it's hot and sticky. | 0:22:51 | 0:22:54 | |
But anyway, it's important we go and have a look. | 0:22:54 | 0:22:57 | |
Oh, room for a small one. | 0:22:59 | 0:23:01 | |
Wow! | 0:23:01 | 0:23:03 | |
It's immediately apparent, we've closed this particular can of worms. | 0:23:03 | 0:23:07 | |
If you remember, we'd got... All of that masonry on the inverted V was floating in thin air. | 0:23:07 | 0:23:13 | |
Well, it was sort of on a trimmer, but that was doing nothing, | 0:23:13 | 0:23:16 | |
that's a lot of weight of masonry. | 0:23:16 | 0:23:18 | |
Now we've got that steel in place, this is the thing that | 0:23:18 | 0:23:21 | |
building control were concerned about, this whole chimney breast removal. | 0:23:21 | 0:23:25 | |
They want to see exactly that and that will give us the sign-off, I'm pretty sure. | 0:23:25 | 0:23:30 | |
But for me now, that is taking all the weight of that masonry. | 0:23:30 | 0:23:34 | |
And the thing more importantly is, | 0:23:34 | 0:23:37 | |
it's taking the worry away from Debby. | 0:23:37 | 0:23:40 | |
She was sleeping below and always concerned that one day all this might come tumbling down. | 0:23:40 | 0:23:46 | |
Not any more it won't, because that is a job well done. | 0:23:46 | 0:23:49 | |
Phew, what a relief. | 0:23:51 | 0:23:53 | |
Now, before I talk it through with Debby, I want a powwow about her cowboy builder. | 0:23:53 | 0:23:58 | |
I wanted to find out his side of the story. | 0:23:58 | 0:24:01 | |
So I could hear her responses to his version of events. | 0:24:01 | 0:24:05 | |
Unfortunately, that's proved easier said than done. | 0:24:05 | 0:24:09 | |
We've worked really hard to try and track him down, but we've had no luck. | 0:24:09 | 0:24:14 | |
Now, this is rare that we haven't managed to get hold of him. | 0:24:14 | 0:24:17 | |
It interesting because, if I remember rightly, | 0:24:17 | 0:24:21 | |
from when we were doing the chat before, that he was... | 0:24:21 | 0:24:26 | |
-Was he a brother or...? -A son. | 0:24:26 | 0:24:28 | |
A son of somebody you worked with. | 0:24:28 | 0:24:31 | |
Why do you think we're having the difficulty of tracking him? | 0:24:31 | 0:24:34 | |
I really don't know. | 0:24:34 | 0:24:36 | |
I know he's not trading any more because I did a search for them just before the programme, | 0:24:36 | 0:24:42 | |
and I know that they're listed on Companies House as no longer trading. | 0:24:42 | 0:24:45 | |
Right, OK. | 0:24:45 | 0:24:47 | |
But other than that, I don't know. | 0:24:47 | 0:24:49 | |
We've really had a struggle, I tell you. | 0:24:49 | 0:24:53 | |
And we don't leave any stone unturned when we try and track these guys down. | 0:24:53 | 0:24:58 | |
But to not have any of the numbers working, | 0:24:58 | 0:25:00 | |
he's obviously wanting to disappear. | 0:25:00 | 0:25:02 | |
Because there's got to be a reason. | 0:25:02 | 0:25:04 | |
Anybody that feels they've done a good job would have been there... | 0:25:04 | 0:25:08 | |
-Defending it. -..defending it. | 0:25:08 | 0:25:09 | |
On this occasion he hasn't. | 0:25:09 | 0:25:11 | |
However, we have had the good guys in to your property | 0:25:11 | 0:25:15 | |
and I can't wait to show you what they are capable of. | 0:25:15 | 0:25:19 | |
Now, we're going from the bad news to the good news. | 0:25:19 | 0:25:22 | |
Good news indeed! Hear all about it. | 0:25:22 | 0:25:26 | |
Now, I can't ask Debby to squeeze into the loft with yours truly, | 0:25:26 | 0:25:29 | |
that would be a denial of her human rights! | 0:25:29 | 0:25:32 | |
So we're going to talk it through in her now-safe bedroom. | 0:25:32 | 0:25:36 | |
Now, Debby, normally at this stage I would be opening a door and going, "Ta-dah." | 0:25:36 | 0:25:41 | |
And we'd be able to see something nice and bright and shiny. | 0:25:41 | 0:25:44 | |
On this occasion it is quite nice, it is quite bright and it is quite shiny, | 0:25:44 | 0:25:48 | |
but all it is is a chunk of metal that is actually holding up | 0:25:48 | 0:25:52 | |
that remnants now of the brickwork from the chimney breast. | 0:25:52 | 0:25:57 | |
It didn't meet building control, it was in breach of building regulations. | 0:25:57 | 0:26:02 | |
But, not any longer. | 0:26:02 | 0:26:04 | |
Our good guys have been in, they've done the job. | 0:26:04 | 0:26:08 | |
And because they've done such a cracking job on this stack, | 0:26:09 | 0:26:12 | |
I have in my hand a piece of paper that guarantees peace of mind in our time. | 0:26:12 | 0:26:19 | |
It's a certificate, but it's important. | 0:26:19 | 0:26:21 | |
It might only be paper, but it's important. | 0:26:21 | 0:26:23 | |
Because this gives you now, this is the regularisation certificate. | 0:26:23 | 0:26:27 | |
And it means now the chimney breast and all of the work that's | 0:26:27 | 0:26:30 | |
been carried out on it, to do all of the remedial works, is now... | 0:26:30 | 0:26:34 | |
There's your certificate and it's no longer in breach of building regs. | 0:26:35 | 0:26:39 | |
I want you to keep hold of that now because it's important. | 0:26:39 | 0:26:42 | |
In the future if you ever sold your property, yeah? | 0:26:42 | 0:26:44 | |
That goes with the new incumbents. | 0:26:44 | 0:26:47 | |
You might not sell it, but at least now you are above board and legal. | 0:26:47 | 0:26:51 | |
Good! That's really good. | 0:26:51 | 0:26:53 | |
I mean, I didn't even know I was supposed to get this, or that the builders were. | 0:26:53 | 0:26:57 | |
Having got it retrospectively, fabulous. | 0:26:57 | 0:27:00 | |
-You're happy with it? -Yes. | 0:27:00 | 0:27:02 | |
Now that's sorted, we can move on. | 0:27:02 | 0:27:05 | |
Debby has seen the work going on in her utility room, | 0:27:05 | 0:27:07 | |
but now I'm about to reveal the finished results in all their glory. | 0:27:07 | 0:27:12 | |
-That is amazing, isn't it? -It looks so much bigger, as well. | 0:27:12 | 0:27:16 | |
It's nice, it's got clean lines. | 0:27:16 | 0:27:18 | |
I'm loving the white units, those gloss, white units look fantastic. | 0:27:18 | 0:27:21 | |
And there's no brush marks on the ceiling and all the chunking is all gone. | 0:27:21 | 0:27:25 | |
-Yes, the chunking's gone from the light switch. -Brilliant, that's great. | 0:27:25 | 0:27:29 | |
-So that looks better, flooring down as well. -Shiny. | 0:27:29 | 0:27:32 | |
How much of a difference is this going to make now? | 0:27:32 | 0:27:34 | |
You've got a utility room you can actually use as a utility room. | 0:27:34 | 0:27:38 | |
The extra space is great. | 0:27:38 | 0:27:40 | |
-I'm not going to be like, fighting my way between utilities as I was before, so yes. -Yeah? | 0:27:40 | 0:27:44 | |
And probably going to have to use it now though, aren't I? | 0:27:44 | 0:27:48 | |
I think you are, I definitely think you are. | 0:27:48 | 0:27:50 | |
So, the main thing is now, are you happy? | 0:27:50 | 0:27:52 | |
-You know there are good guy builders out there. -Mm-hm. | 0:27:52 | 0:27:55 | |
You've just got to search for them. | 0:27:55 | 0:27:58 | |
'Yeah, seek and ye shall find. That's my motto.' | 0:27:58 | 0:28:02 | |
What a great result, that chimney breast is now as safe as houses. | 0:28:02 | 0:28:07 | |
And once again, Debby can sleep soundly at night. | 0:28:07 | 0:28:10 | |
And what about that utility room? It looks a real cracker. | 0:28:10 | 0:28:14 | |
This has been a long and drawn-out saga, | 0:28:14 | 0:28:16 | |
but at least we've got Debby back on track. | 0:28:16 | 0:28:19 | |
And for all you cowboy builders that are watching at home, I've got one thing to say - | 0:28:19 | 0:28:23 | |
I'm fed up of your cock and bull stories and we are coming at ya! | 0:28:23 | 0:28:27 | |
Subtitles by Red Bee Media Ltd | 0:28:30 | 0:28:33 |