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We're travelling all over Britain | 0:00:07 | 0:00:10 | |
unearthing a grim account of the country's worst builder blunders. | 0:00:10 | 0:00:14 | |
It was tough. We were newly married and we were arguing | 0:00:14 | 0:00:18 | |
about we should have done this, it's your fault, it's my fault. | 0:00:18 | 0:00:21 | |
Cowboy builders don't mess up on the job, | 0:00:21 | 0:00:23 | |
they mess with people's lives, too. | 0:00:23 | 0:00:26 | |
-Tell me how much it's cost you. -£50,000 now. | 0:00:26 | 0:00:29 | |
-£50,000? -Yes. | 0:00:29 | 0:00:34 | |
I've got the good guys in my posse. | 0:00:34 | 0:00:36 | |
Top tradespeople, too, who will help right all those wrongs. | 0:00:36 | 0:00:40 | |
Skirting's on, doors on, all the electrics in. | 0:00:40 | 0:00:44 | |
Bravo! | 0:00:44 | 0:00:46 | |
Remember, there are simple rules to follow | 0:00:46 | 0:00:49 | |
that could keep you out of the Cowboy Trap. | 0:00:49 | 0:00:52 | |
Today's Cowboy Trap is set in London, | 0:01:03 | 0:01:06 | |
one of the world's greatest cities. | 0:01:06 | 0:01:08 | |
Tourists flock here for the famous landmarks, | 0:01:08 | 0:01:11 | |
the fabulous shopping and, of course, the handsome fellas. | 0:01:11 | 0:01:15 | |
Who are almost as good looking as us Midlands hunks! Hee-hee! | 0:01:15 | 0:01:20 | |
We're in Osterley, in the London Borough of Hounslow | 0:01:20 | 0:01:23 | |
on the outskirts of the city. | 0:01:23 | 0:01:25 | |
It's prime commuter-belt territory, | 0:01:25 | 0:01:27 | |
but only half an hour by Tube to the London city centre. | 0:01:27 | 0:01:31 | |
And as you can hear, we're also very close to Heathrow. | 0:01:31 | 0:01:35 | |
But I'm not here to find a highflier. | 0:01:35 | 0:01:38 | |
Our cowboy builder is more like a fly-by-night. | 0:01:38 | 0:01:42 | |
His unlucky victims have lived here | 0:01:42 | 0:01:45 | |
in this two-bedroomed flat for a year. | 0:01:45 | 0:01:48 | |
Daniel and Carsten Hansen Wood work in sales and marketing. | 0:01:48 | 0:01:52 | |
They tied the knot at a civil partnership a year ago, | 0:01:52 | 0:01:55 | |
with a ceremony at the magnificent Kew Gardens. | 0:01:55 | 0:02:00 | |
Our wedding day was exactly as I had imagined it | 0:02:00 | 0:02:04 | |
and as we were hoping it to be. | 0:02:04 | 0:02:06 | |
The wedding took 18 months to plan. | 0:02:06 | 0:02:08 | |
And with that out of the way, | 0:02:08 | 0:02:10 | |
Daniel and Carsten could now look to their future as a married couple. | 0:02:10 | 0:02:16 | |
It's our chance to have a fresh start together. | 0:02:16 | 0:02:19 | |
Carsten's finished university | 0:02:19 | 0:02:21 | |
and we thought this is a great time | 0:02:21 | 0:02:23 | |
to really get both our careers on track and to really make a home. | 0:02:23 | 0:02:28 | |
Daniel and Carsten couldn't wait to embark upon their new life together. | 0:02:28 | 0:02:33 | |
And it wasn't long before they found the place of their dreams. | 0:02:33 | 0:02:36 | |
But, of course, this being Cowboy Trap, | 0:02:36 | 0:02:39 | |
it was the beginning of their nightmare. | 0:02:39 | 0:02:42 | |
Daniel and Carsten had decided to focus their search in Osterley. | 0:02:42 | 0:02:47 | |
It was an easy commute and they loved the leafy, rural feel. | 0:02:47 | 0:02:51 | |
The flat they found in a 1930s apartment block | 0:02:51 | 0:02:55 | |
was just what they were after. | 0:02:55 | 0:02:57 | |
This flat, we always used to come and look at the building. | 0:02:57 | 0:03:01 | |
It's right next to the Tube station. | 0:03:01 | 0:03:03 | |
So when we actually scraped enough money together for a deposit, | 0:03:03 | 0:03:06 | |
we could actually afford to buy somewhere here. | 0:03:06 | 0:03:09 | |
Somewhere came up on the top floor, we thought it was great. | 0:03:09 | 0:03:12 | |
It seemed like fate. | 0:03:12 | 0:03:14 | |
The outside was perfect, but the inside needed work. | 0:03:14 | 0:03:19 | |
We wanted it to be modern, but we also wanted it to be quite... | 0:03:19 | 0:03:24 | |
not traditional, but we wanted to have some of the features, | 0:03:24 | 0:03:27 | |
so we have the covings and fireplace | 0:03:27 | 0:03:31 | |
and those things that were nice from the old 1930s, the building, | 0:03:31 | 0:03:36 | |
but we wanted it to be a bit more modern, a bit more fresh and young. | 0:03:36 | 0:03:40 | |
Daniel and Carsten drew up plans for a new bathroom and a new kitchen. | 0:03:40 | 0:03:47 | |
Internal doors were to be replaced, | 0:03:47 | 0:03:49 | |
new plumbing put in and the electrics rewired. | 0:03:49 | 0:03:52 | |
It was an ambitious project. | 0:03:52 | 0:03:54 | |
When we took over the flat, it was very, very, very dated. | 0:03:54 | 0:03:59 | |
-There was lots of dodgy electrics. -Everything needed a good update. | 0:03:59 | 0:04:03 | |
To transform their antiquated apartment, | 0:04:03 | 0:04:05 | |
Daniel and Carsten had to find a builder. | 0:04:05 | 0:04:09 | |
They were recommended one by a sales rep who'd sold them some windows. | 0:04:09 | 0:04:15 | |
We met the guy and he seemed to understand what we were looking for. | 0:04:15 | 0:04:20 | |
He said, "It's a fairly basic job, it's cosmetics, it's not massive. | 0:04:20 | 0:04:24 | |
"So it's something I can easily do." | 0:04:24 | 0:04:28 | |
Daniel and Carsten hired the builder on the spot. | 0:04:28 | 0:04:33 | |
Oh, dear. | 0:04:33 | 0:04:35 | |
The boys failed to take up any references, which was a big mistake. | 0:04:35 | 0:04:40 | |
Alarm bells should have been ringing when it came to paying the money. | 0:04:40 | 0:04:44 | |
On this job, it was...I can only describe it as highly irregular. | 0:04:44 | 0:04:49 | |
The builder quoted just under £28,000 for the full renovation, | 0:04:49 | 0:04:54 | |
stipulating that two payments of over £7,000 must be paid upfront - | 0:04:54 | 0:04:59 | |
one into his girlfriend's bank account, | 0:04:59 | 0:05:03 | |
and the other into his friend's account. | 0:05:03 | 0:05:06 | |
Take my advice. Avoid paying huge chunks of money upfront. | 0:05:07 | 0:05:12 | |
A decent builder has an account with a supplier, so shouldn't need it. | 0:05:12 | 0:05:17 | |
And if you're asked to pay a third party, run for the hills. | 0:05:17 | 0:05:21 | |
Your builder might be trying to avoid paying taxes or VAT. | 0:05:21 | 0:05:24 | |
A gilt-edged clue that he's a cowboy. | 0:05:24 | 0:05:27 | |
It wasn't just the dodgy accounting that should have rung alarm bells. | 0:05:28 | 0:05:34 | |
There were other warning signs that things were amiss. | 0:05:34 | 0:05:38 | |
When he started, I asked him for some of the receipts | 0:05:38 | 0:05:41 | |
because I said I need to see where the money has gone to. | 0:05:41 | 0:05:44 | |
But when he actually sent me the receipt, it was for drill bits, | 0:05:44 | 0:05:49 | |
it was for his tools that he was supposed to have bought. | 0:05:49 | 0:05:54 | |
It was expensive equipment | 0:05:54 | 0:05:58 | |
that we expected he had with him already, | 0:05:58 | 0:06:00 | |
not something that we had to pay for. | 0:06:00 | 0:06:03 | |
Luckily, the boys had their wits about them | 0:06:03 | 0:06:06 | |
to insist on a new payment plan of two instalments - | 0:06:06 | 0:06:09 | |
one on completion of the works. | 0:06:09 | 0:06:12 | |
However, as it turned out, | 0:06:12 | 0:06:14 | |
this guy was demanding money from them willy-nilly. | 0:06:14 | 0:06:18 | |
He actually told us after halfway through the job, | 0:06:18 | 0:06:21 | |
he said to us, that initial payment you made to me, | 0:06:21 | 0:06:24 | |
I think in total for the materials and to secure him, | 0:06:24 | 0:06:28 | |
he'd used about £2,500 of that towards his divorce lawyer. | 0:06:28 | 0:06:34 | |
The situation went from bad to worse. | 0:06:34 | 0:06:37 | |
The builder told Daniel and Carsten that his mother had recently died. | 0:06:37 | 0:06:42 | |
Obviously, that was a cue for another financial demand. | 0:06:42 | 0:06:47 | |
He did ask me for more money to pay towards his mother's headstone, | 0:06:47 | 0:06:52 | |
or towards, I think, not necessarily the headstone, | 0:06:52 | 0:06:55 | |
but towards the funeral costs. | 0:06:55 | 0:06:58 | |
Which we felt... We didn't pay, | 0:06:58 | 0:07:01 | |
but we felt emotional blackmail to be put in that position. | 0:07:01 | 0:07:06 | |
And it wasn't just the bizarre finances that were an issue. | 0:07:06 | 0:07:11 | |
The project was way behind schedule. | 0:07:11 | 0:07:13 | |
We moved into a studio at our own expense | 0:07:13 | 0:07:17 | |
to give him the chance to really go to town and get things in quickly. | 0:07:17 | 0:07:22 | |
But in that first week, we would come to the house | 0:07:22 | 0:07:25 | |
and came off the Tube in the evening and came, nothing had been done. | 0:07:25 | 0:07:30 | |
Nothing had been touched. | 0:07:30 | 0:07:31 | |
And then we're saying, "Where are you?" We couldn't get hold. | 0:07:31 | 0:07:34 | |
It would be sometimes two or three days, we couldn't get hold of him. | 0:07:34 | 0:07:38 | |
And we're thinking, we're paying a lot of money to be in a studio flat, | 0:07:38 | 0:07:41 | |
squished into this small space and nothing is happening. | 0:07:41 | 0:07:45 | |
Feeling they could no longer trust the builder, the boys decided | 0:07:45 | 0:07:49 | |
that they were going to supply all the materials from now on. | 0:07:49 | 0:07:52 | |
On the face of it, that seems like a great idea, | 0:07:52 | 0:07:54 | |
but all it did was turn an already complicated money situation | 0:07:54 | 0:07:59 | |
into a right old mess. | 0:07:59 | 0:08:00 | |
Take my advice. | 0:08:01 | 0:08:03 | |
This kind of arrangement can lead to major disputes over money. | 0:08:03 | 0:08:07 | |
Especially if there's no proper documentation. | 0:08:07 | 0:08:10 | |
It can give the contractor an opportunity to blame materials | 0:08:10 | 0:08:14 | |
and their delivery times to hike up the costs. | 0:08:14 | 0:08:17 | |
Leave material purchases to the builder, | 0:08:17 | 0:08:19 | |
but keep track of their receipts. | 0:08:19 | 0:08:22 | |
When Daniel and Carsten's builder did turn up, | 0:08:27 | 0:08:29 | |
the quality of his work was poor. | 0:08:29 | 0:08:32 | |
The tiles were badly fitted, | 0:08:32 | 0:08:35 | |
the flooring was unfinished | 0:08:35 | 0:08:36 | |
and his plumbing efforts were a disaster. | 0:08:36 | 0:08:39 | |
There was water leaking from the bathroom into the neighbour's downstairs flat. | 0:08:39 | 0:08:45 | |
We'd not lived here that long | 0:08:45 | 0:08:47 | |
and for our neighbour to call us up at 5:00am, saying, | 0:08:47 | 0:08:51 | |
"There's water coming through my ceiling, you need to get here," | 0:08:51 | 0:08:55 | |
and we're worried because we can't get hold of the builder, we don't know what to do, | 0:08:55 | 0:08:59 | |
and it's like, you know, it's upsetting because you think, | 0:08:59 | 0:09:03 | |
what am I putting the person below through? What must they think of us? | 0:09:03 | 0:09:06 | |
This has all the classic ingredients of a cowboy builder story. | 0:09:06 | 0:09:10 | |
Murky arrangements over the money, shoddy workmanship | 0:09:10 | 0:09:14 | |
and a catalogue of excuses. | 0:09:14 | 0:09:16 | |
But this is no ordinary builder bodge. | 0:09:16 | 0:09:19 | |
Because things were about to take a sinister turn. | 0:09:19 | 0:09:22 | |
He was going to be going away on holiday - | 0:09:22 | 0:09:24 | |
for someone who had no money - | 0:09:24 | 0:09:26 | |
and he wanted some money before he left. | 0:09:26 | 0:09:32 | |
Wanting to keep the peace, | 0:09:32 | 0:09:34 | |
Daniel agreed to give the builder a few hundred quid. | 0:09:34 | 0:09:38 | |
But the builder had a very different idea. | 0:09:38 | 0:09:41 | |
He delivered an ultimatum. | 0:09:41 | 0:09:43 | |
"I want 70% of the money that's outstanding." | 0:09:43 | 0:09:47 | |
I was, like, "70%?" | 0:09:47 | 0:09:49 | |
There's nothing really for him to come back after his holiday. | 0:09:49 | 0:09:51 | |
Um...so, I was, like, "No." | 0:09:51 | 0:09:54 | |
He actually threatened us | 0:09:54 | 0:09:56 | |
to say if we don't pay him the outstanding money, | 0:09:56 | 0:09:59 | |
and what he's saying that we owe him extra for extra work, | 0:09:59 | 0:10:02 | |
he will literally come and, um... | 0:10:02 | 0:10:06 | |
break down the door and come and smash everything up. | 0:10:06 | 0:10:10 | |
Not surprisingly, Daniel and Carsten were terrified. | 0:10:12 | 0:10:16 | |
They called the police, who asked to be kept informed. | 0:10:16 | 0:10:20 | |
And just days later, the builder showed up again. | 0:10:20 | 0:10:25 | |
He was swearing, saying he was going to kick in the door, in no uncertain terms | 0:10:25 | 0:10:28 | |
and that he wanted his tools back. | 0:10:28 | 0:10:31 | |
They returned his equipment, | 0:10:33 | 0:10:35 | |
but three months on, they still live in fear he might come back. | 0:10:35 | 0:10:40 | |
The whole experience has placed the couple under enormous strain. | 0:10:40 | 0:10:44 | |
With materials, they've forked out 50 grand | 0:10:44 | 0:10:47 | |
and been left in such a mess, | 0:10:47 | 0:10:49 | |
they have to live in one room with their cats. | 0:10:49 | 0:10:52 | |
And to add insult to injury, | 0:10:52 | 0:10:54 | |
they were menaced by the man they trusted with their money. | 0:10:54 | 0:11:00 | |
To feel so threatened in your own home that you've put so much into, | 0:11:00 | 0:11:05 | |
it is upsetting for both of us. | 0:11:05 | 0:11:09 | |
What a shocking story. | 0:11:09 | 0:11:11 | |
This flat was much more than a first home to these guys, | 0:11:11 | 0:11:14 | |
it was the start of their new life together. | 0:11:14 | 0:11:17 | |
If ever there was a need for good guys to be on hand, it's now. | 0:11:17 | 0:11:21 | |
Let's see if we can help Daniel and Carsten out of the Cowboy Trap. | 0:11:21 | 0:11:26 | |
No lifts. This is the top floor, and it's the 21st century. | 0:11:26 | 0:11:31 | |
I know you think I need the exercise, you cheeky devils. | 0:11:31 | 0:11:34 | |
OK. So, right, I think this must be it. | 0:11:34 | 0:11:38 | |
-OK, you guys are Daniel and Carsten, but which one's which? -I'm Daniel. | 0:11:41 | 0:11:45 | |
Nice to meet you, Daniel. Hi, Carsten. | 0:11:45 | 0:11:48 | |
-Now, I hear you've had problems with cowboy builders. -Yes. | 0:11:48 | 0:11:51 | |
It's been a long walk up. Let's have a look at the problems. | 0:11:51 | 0:11:54 | |
While they put the kettle on, I'm going to have a quick look around. | 0:11:54 | 0:11:58 | |
The first thing that strikes me is the lack of doors. | 0:11:58 | 0:12:02 | |
I do like a room with a door, me. | 0:12:02 | 0:12:04 | |
OK. So this is the shower area. | 0:12:04 | 0:12:07 | |
You'll see here tiles not been completed, on the threshold there. | 0:12:07 | 0:12:13 | |
The closer I look, the worse it gets. | 0:12:13 | 0:12:17 | |
All the studwork here for this panel is actually untreated timber. | 0:12:17 | 0:12:22 | |
Now, there's moisture in the air, | 0:12:22 | 0:12:24 | |
there's a lot of humidity, steam, that sort of thing. | 0:12:24 | 0:12:27 | |
An extractor will only take so much out. | 0:12:27 | 0:12:29 | |
That really needed to be weatherboard. | 0:12:29 | 0:12:32 | |
But you only need waterproofing if the shower works. | 0:12:33 | 0:12:36 | |
And guess what? | 0:12:36 | 0:12:38 | |
With this blocked up in here, there's every chance | 0:12:38 | 0:12:42 | |
that there's probably been a post-leak in there. | 0:12:42 | 0:12:46 | |
So that's why there's been invasive work to have a look at it. | 0:12:46 | 0:12:49 | |
That plumbing is such a mess, | 0:12:49 | 0:12:51 | |
I reckon it's got more leaks than a Welsh allotment. | 0:12:51 | 0:12:56 | |
And look at this sink. I've seen jelly that's more stable. | 0:12:56 | 0:13:00 | |
Onto the kitchen. Two words. Not good. | 0:13:00 | 0:13:04 | |
Looking at it, you can see it, if these are fitted properly, | 0:13:04 | 0:13:09 | |
you see you've got a gap there that's nice and even | 0:13:09 | 0:13:11 | |
and a gap there that's too close together. | 0:13:11 | 0:13:14 | |
That's all in the setup of the carcasses and the way the doors have been hung. | 0:13:14 | 0:13:17 | |
The kitchen is shoddy and incomplete. | 0:13:17 | 0:13:22 | |
Nothing like the high-end finish Daniel and Carsten were after. | 0:13:22 | 0:13:26 | |
And the hall is hardly high spec, either. | 0:13:26 | 0:13:30 | |
Check out this door trim, for a start. | 0:13:30 | 0:13:33 | |
I'd have liked to have seen that as a nice architrave, | 0:13:33 | 0:13:36 | |
instead, it's just flat-panelled MDF. | 0:13:36 | 0:13:38 | |
It's sort of all over the place. Nothing's level. | 0:13:38 | 0:13:42 | |
Potentially, this is a great property. | 0:13:42 | 0:13:47 | |
It's just a shame it's been abused, in a way, really. | 0:13:47 | 0:13:51 | |
This is obviously the guys' bedroom. They've got a mattress on the floor. | 0:13:51 | 0:13:54 | |
This is how it affects your life | 0:13:54 | 0:13:56 | |
when you get cowboy builders in your property. See these cables? | 0:13:56 | 0:14:00 | |
These have actually been pulled through the brickwork. | 0:14:00 | 0:14:04 | |
Now, the problem with that is, | 0:14:04 | 0:14:05 | |
particularly if you're not going to run it in a bit of conduit to protect it, | 0:14:05 | 0:14:09 | |
when you're pulling the cables, it's rough against that brickwork | 0:14:09 | 0:14:12 | |
and can damage the outer PVC. | 0:14:12 | 0:14:14 | |
And if it breaks down through to the main core, | 0:14:14 | 0:14:16 | |
that can cause you loads of problems. | 0:14:16 | 0:14:18 | |
What a shame. Let's go and check out the living room. | 0:14:18 | 0:14:21 | |
Look at this. You've got a nogging of wood there | 0:14:23 | 0:14:25 | |
with a nail sticking out of it and it just about misses my bonce. | 0:14:25 | 0:14:30 | |
A close shave for my big baldy head. | 0:14:30 | 0:14:35 | |
Not the first, and these dodgy electrics | 0:14:35 | 0:14:38 | |
could be pretty hair-raising, if I had any. | 0:14:38 | 0:14:41 | |
I've seen enough. | 0:14:41 | 0:14:42 | |
It's time for a powwow about this cowboy with Daniel and Carsten. | 0:14:42 | 0:14:47 | |
The problem I have with this sort of thing is | 0:14:47 | 0:14:49 | |
it's not the actual finance, money that you've lost, | 0:14:49 | 0:14:52 | |
how does that affect you emotionally? | 0:14:52 | 0:14:56 | |
It's a real test of your relationship and your emotions. | 0:14:56 | 0:15:01 | |
You end up being at each other's throats | 0:15:01 | 0:15:03 | |
and then you try and blame each other. | 0:15:03 | 0:15:05 | |
-Did that happen? -It was tough. | 0:15:05 | 0:15:09 | |
We were newly married and arguing about we should've done this different, | 0:15:09 | 0:15:12 | |
"It's your fault. No, it's my fault." | 0:15:12 | 0:15:14 | |
And it's hard because we're living in one room, | 0:15:14 | 0:15:18 | |
we've got no space and we've got nowhere to turn, | 0:15:18 | 0:15:22 | |
money's running out. | 0:15:22 | 0:15:24 | |
Tell me how much it's cost you. | 0:15:24 | 0:15:26 | |
It's adding towards the £50,000 now. | 0:15:26 | 0:15:30 | |
-£5-0,0000. -Yes. | 0:15:30 | 0:15:34 | |
OK. £50,000. | 0:15:34 | 0:15:37 | |
Imagine, we're looking at 50 grand on the floor now | 0:15:37 | 0:15:39 | |
and imagine what we could do with that 50 grand. | 0:15:39 | 0:15:43 | |
-More than what he's done. -Correct. And the rest. And more. | 0:15:43 | 0:15:47 | |
-What have you got for that 50 grand? -Nothing is finished. | 0:15:47 | 0:15:51 | |
We're not even sure that it's been properly done. | 0:15:51 | 0:15:55 | |
And how long will it last? | 0:15:55 | 0:15:56 | |
So, what would you like us to do? | 0:15:56 | 0:15:59 | |
Just to make it liveable, really. | 0:15:59 | 0:16:01 | |
To be able to get our things back in our home. | 0:16:01 | 0:16:04 | |
Our own possessions, to have them back here. | 0:16:04 | 0:16:07 | |
To be able to use our kitchen properly, | 0:16:07 | 0:16:10 | |
to be able to have a shower properly without leaks, | 0:16:10 | 0:16:13 | |
without all the other issues. | 0:16:13 | 0:16:16 | |
To be able to sleep on a mattress that's not on the floor | 0:16:16 | 0:16:21 | |
that you can raise up because the room is actually finished. | 0:16:21 | 0:16:24 | |
So you don't have to see wires hanging around | 0:16:24 | 0:16:26 | |
because he's not done it properly, | 0:16:26 | 0:16:28 | |
so you know that you can actually flick a switch, | 0:16:28 | 0:16:31 | |
not having to worry about, is it safe or is it not safe? | 0:16:31 | 0:16:36 | |
Flicking a switch without fear of electrocution. | 0:16:36 | 0:16:38 | |
Well, that's not too much to ask, is it? | 0:16:38 | 0:16:42 | |
And nor is the rest of Daniel and Carsten's wish list. | 0:16:42 | 0:16:45 | |
But before I call the good guys in, | 0:16:45 | 0:16:47 | |
I want a second opinion about the task in hand | 0:16:47 | 0:16:50 | |
from independent building surveyor Andrew Mather. | 0:16:50 | 0:16:53 | |
Tell us what you've seen that's not to your liking. | 0:16:53 | 0:16:56 | |
Well, there's very little that I've seen to my liking. | 0:16:56 | 0:16:59 | |
The tiling is of a very poor quality, | 0:16:59 | 0:17:02 | |
the architrave and joinery is substandard in the kitchen, etc, | 0:17:02 | 0:17:07 | |
and also the plaster finishing is substandard and bulging | 0:17:07 | 0:17:10 | |
and not to the liking of the occupier. | 0:17:10 | 0:17:13 | |
I think it's one of those things where he's touched a lot of items | 0:17:13 | 0:17:16 | |
around this house and done none well. | 0:17:16 | 0:17:19 | |
Looking back on the work that's been carried out, | 0:17:19 | 0:17:22 | |
I always ask surveyors for a mark out of ten for what you've seen. | 0:17:22 | 0:17:26 | |
-What sort of mark would you give? -I'd give it a very low two. | 0:17:26 | 0:17:29 | |
A very low two for this low-down, doggone cowboy. | 0:17:29 | 0:17:34 | |
I reckon he's lucky to get that. | 0:17:34 | 0:17:36 | |
There's lots of reparation work needs taking place here. | 0:17:38 | 0:17:42 | |
It's not a place where I'd like these guys to be living, | 0:17:42 | 0:17:45 | |
so I've got to say I'm going to cordon off the area | 0:17:45 | 0:17:47 | |
and now it's a no-go zone. | 0:17:47 | 0:17:50 | |
Only myself and the good guys are allowed past this tape. | 0:17:50 | 0:17:54 | |
And talk of the devil, here they are. | 0:17:54 | 0:17:57 | |
My knights in shining armour. | 0:17:57 | 0:17:59 | |
I can't wait to pick the brains of head honcho Paul Shanaghan. | 0:17:59 | 0:18:04 | |
Tell us what you're going to do. | 0:18:04 | 0:18:06 | |
We've got to address the door frames. A few of them have been hacked about. | 0:18:06 | 0:18:10 | |
We've got to try and fit the doors into them. | 0:18:10 | 0:18:14 | |
The architraves need some attention | 0:18:14 | 0:18:17 | |
and the skirtings have got to come off and be renewed | 0:18:17 | 0:18:19 | |
or just replaced, really. It's just a bad workmanship. | 0:18:19 | 0:18:22 | |
What I'd like to be able to do is deliver the whole job to them | 0:18:22 | 0:18:27 | |
and go, "This is your living space, live in it." | 0:18:27 | 0:18:29 | |
-Yes. I'm sure we'll get that. I'm sure we will. -Brilliant. | 0:18:29 | 0:18:33 | |
I like the cut of Paul's jib. Here's to you, Mr Shanaghan. | 0:18:34 | 0:18:38 | |
So much needs doing, the Hansen Woods are chipping in. | 0:18:40 | 0:18:45 | |
Paul and his team blitz the bathroom. | 0:18:45 | 0:18:47 | |
Leap into the lounge. | 0:18:48 | 0:18:51 | |
Crack on with the kitchen. | 0:18:51 | 0:18:53 | |
And hit the hallway. | 0:18:53 | 0:18:55 | |
But can they create the crib of Carsten and Daniel's dreams? | 0:18:57 | 0:19:00 | |
Only time will tell. | 0:19:00 | 0:19:02 | |
I'm back in west London, | 0:19:08 | 0:19:10 | |
where newlyweds Daniel and Carsten Hansen Wood | 0:19:10 | 0:19:13 | |
dreamed of starting their new life together | 0:19:13 | 0:19:16 | |
in their apartment here in Osterley. | 0:19:16 | 0:19:18 | |
But sadly, they employed a builder of the cowboy persuasion. | 0:19:18 | 0:19:23 | |
Our good guys have now finished their work | 0:19:23 | 0:19:27 | |
and I'm here to find out if they've saved the day. | 0:19:27 | 0:19:30 | |
Before I talk it through with Daniel and Carsten, | 0:19:30 | 0:19:33 | |
I can't resist taking a sneaky peek. | 0:19:33 | 0:19:36 | |
I can't wait to see what's behind this door, | 0:19:36 | 0:19:38 | |
but first of all, the door itself - really nice, it's got great style. | 0:19:38 | 0:19:43 | |
The actual door furniture itself. I'm loving that chrome finish. | 0:19:43 | 0:19:47 | |
It's got an American sort of feel to it. | 0:19:47 | 0:19:50 | |
But the actual quality of the paintwork, phenomenal. | 0:19:50 | 0:19:53 | |
There's a real art to painting a panelled door like that. | 0:19:53 | 0:19:57 | |
If that's a sign of things to come, I can't wait to have a look inside. | 0:19:57 | 0:20:01 | |
Shall we go? Come on. | 0:20:01 | 0:20:02 | |
Oh, wow! | 0:20:04 | 0:20:06 | |
I mean, straightaway, the first thing I'd recognise, doors. | 0:20:07 | 0:20:11 | |
We've actually got doors. These shaker-style doors. | 0:20:11 | 0:20:15 | |
Again, I'm loving that. | 0:20:15 | 0:20:17 | |
This has got Carsten written all over it with the Danish feel to it. | 0:20:17 | 0:20:21 | |
And the way that these upstands are done on the architrave, | 0:20:21 | 0:20:25 | |
normally butt jointed, you can't tell. | 0:20:25 | 0:20:28 | |
It really is, the paintwork is as smooth as silk. | 0:20:28 | 0:20:32 | |
That's a craftsman who's done this job. | 0:20:32 | 0:20:34 | |
You can hardly even see any brush strokes. | 0:20:34 | 0:20:37 | |
What a difference it's made to this entrance hallway. | 0:20:37 | 0:20:41 | |
Just seeing the doors on is incredible. It looks great. | 0:20:41 | 0:20:46 | |
In this room, if you remember last time we were here, | 0:20:46 | 0:20:49 | |
there was a mattress on the floor, boxes everywhere, no skirting, | 0:20:49 | 0:20:52 | |
sockets weren't on properly. Let's have a look. | 0:20:52 | 0:20:56 | |
Wow! And even the cat's here! | 0:20:57 | 0:20:59 | |
Hello. Hello, you. | 0:20:59 | 0:21:03 | |
Aw, look! The cat is enjoying this bed. | 0:21:03 | 0:21:07 | |
And the bed is there. | 0:21:07 | 0:21:09 | |
Not just a mattress, it's now a bed, as well. | 0:21:09 | 0:21:13 | |
And these units, these wardrobes and these fitments, | 0:21:13 | 0:21:17 | |
they'd got these ready, the boys had, and now they're installed. | 0:21:17 | 0:21:22 | |
It just looks a million dollars, it really does. | 0:21:22 | 0:21:26 | |
What a difference from what the cowboy left behind. | 0:21:26 | 0:21:30 | |
Onto the lounge. | 0:21:30 | 0:21:32 | |
And I'm sure you don't need reminding that was a mess. | 0:21:32 | 0:21:36 | |
Now, this is another area where they really couldn't live at all. | 0:21:36 | 0:21:40 | |
Here you've got a great lounge for them just to chill out and relax in. | 0:21:40 | 0:21:46 | |
Skirting's on, doors on, all the electrics in. | 0:21:46 | 0:21:49 | |
Bravo! Carpet down. | 0:21:51 | 0:21:53 | |
This is a place to live. | 0:21:53 | 0:21:56 | |
The next room to receive some good-guy magic, the kitchen. | 0:21:56 | 0:22:01 | |
Remember, it looked like this before. | 0:22:01 | 0:22:03 | |
Now it looks like this. Flooring, skirting done. | 0:22:05 | 0:22:10 | |
I noticed on these fitments, as well, they've all been realigned. | 0:22:10 | 0:22:14 | |
Before, they were all over the place. What a difference! | 0:22:14 | 0:22:17 | |
It's something to get excited about, I can tell you that. | 0:22:17 | 0:22:21 | |
And finally, the bathroom. | 0:22:21 | 0:22:23 | |
The scene of a real building bodge before. | 0:22:23 | 0:22:26 | |
What does it look like after? | 0:22:26 | 0:22:28 | |
Now, before, that was just a stud wall. | 0:22:28 | 0:22:32 | |
I like it. I'm liking that. | 0:22:34 | 0:22:36 | |
That's hidden the tumble dryer and the washing machine. | 0:22:36 | 0:22:39 | |
But you wouldn't know it. | 0:22:39 | 0:22:42 | |
It's just so...it's just so wonderful. | 0:22:42 | 0:22:44 | |
Now, inside there, we had a problem with the blocks | 0:22:44 | 0:22:49 | |
where the blocks are for the hot and cold and the water flow, | 0:22:49 | 0:22:52 | |
there was a hole to the side. That's all been done now. | 0:22:52 | 0:22:55 | |
Obviously, the water leak has been dealt with. | 0:22:55 | 0:22:58 | |
It's all been finished off and grouted nicely. Same as the floor. | 0:22:58 | 0:23:01 | |
The floor looks amazing. | 0:23:01 | 0:23:05 | |
And now, there's a solid sink rather than a wonky waste of space. | 0:23:05 | 0:23:09 | |
What a result! | 0:23:11 | 0:23:13 | |
Before I do the grand tour with Daniel and Carsten, | 0:23:13 | 0:23:17 | |
I'm going to chat to them about their cowboy builder. | 0:23:17 | 0:23:21 | |
I wanted to find out his side of the story | 0:23:21 | 0:23:23 | |
and I can't wait to hear their responses to his version of events. | 0:23:23 | 0:23:26 | |
He said that the costs spiralled out of control | 0:23:26 | 0:23:31 | |
because you insisted on having stuff | 0:23:31 | 0:23:36 | |
that was simply too expensive. | 0:23:36 | 0:23:39 | |
For instance, he found an £800 shower, | 0:23:39 | 0:23:44 | |
you wanted a £4,000 shower. What is your response to that? | 0:23:44 | 0:23:50 | |
That was nothing to do with him because we were buying that. | 0:23:50 | 0:23:53 | |
It was nothing to do with his costs at all. | 0:23:53 | 0:23:56 | |
Now, in terms of money, he said that you owe him | 0:23:56 | 0:23:59 | |
about £2,000, in fact, is what he said. | 0:23:59 | 0:24:03 | |
Well, he left the job unfinished | 0:24:03 | 0:24:06 | |
after threatening us and trying to kick the door in. | 0:24:06 | 0:24:09 | |
And the amount it's cost, it would have cost to fix all that | 0:24:09 | 0:24:14 | |
far outweighs...and also the materials he didn't supply. | 0:24:14 | 0:24:18 | |
The front door, the wood for the cupboard in the living room. | 0:24:18 | 0:24:22 | |
-That money... -The skirting. -The skirting. | 0:24:22 | 0:24:25 | |
All that, we had to buy extra what we'd already given him money for. | 0:24:25 | 0:24:28 | |
We had all the breakdown for that. | 0:24:28 | 0:24:30 | |
Finally, he's saying that | 0:24:30 | 0:24:34 | |
all that was left in terms of the work was just pure snagging. | 0:24:34 | 0:24:38 | |
Everything else was fine. | 0:24:38 | 0:24:41 | |
Well, what can we say to that? You've seen it for yourself. | 0:24:41 | 0:24:44 | |
There were so many things that needed doing and it was not even liveable. | 0:24:44 | 0:24:48 | |
And he's just left us. | 0:24:48 | 0:24:49 | |
So if he calls that snagging, then...yeah. | 0:24:49 | 0:24:53 | |
Well, I don't think this needed snagging. | 0:24:53 | 0:24:56 | |
I think it needed the love and attention the boys wanted all along. | 0:24:56 | 0:25:01 | |
They paid for a tiptop job, but clearly didn't get it | 0:25:01 | 0:25:05 | |
until our good guys came along. | 0:25:05 | 0:25:08 | |
Daniel and Carsten have been living with the work as it's been happening, | 0:25:08 | 0:25:11 | |
but this is their first chance to see the transformation | 0:25:11 | 0:25:15 | |
in all its glory. | 0:25:15 | 0:25:16 | |
-Shall we go see? -Yes. -Yeah. | 0:25:18 | 0:25:21 | |
Let's rock and roll. | 0:25:21 | 0:25:22 | |
Let's go through that lovely painted door. Here we go. After you. | 0:25:22 | 0:25:27 | |
Oh! I tell you what... What do you think? | 0:25:33 | 0:25:35 | |
-Brilliant! -It's amazing. Oh, my God! | 0:25:35 | 0:25:38 | |
What a difference. Let me just shut this door. | 0:25:38 | 0:25:41 | |
Because that's also been painted, as well. | 0:25:41 | 0:25:45 | |
-Beautiful, eh? -It is. | 0:25:45 | 0:25:47 | |
What a difference it makes to this beautiful hallway. | 0:25:47 | 0:25:51 | |
I was saying before, | 0:25:51 | 0:25:52 | |
with the architrave and everything else being butt jointed, | 0:25:52 | 0:25:56 | |
the way it's been painted is just magical. | 0:25:56 | 0:25:59 | |
That is amazing. It looks like a show apartment. | 0:25:59 | 0:26:02 | |
It does! It does. You're not wrong. | 0:26:02 | 0:26:05 | |
Can't wait to see their reaction to the new bathroom. | 0:26:05 | 0:26:10 | |
In you go. | 0:26:10 | 0:26:13 | |
-Look at it! -Oh, my God! | 0:26:13 | 0:26:15 | |
That's done! | 0:26:16 | 0:26:18 | |
Remember there, by your blocks, there was a big hole. | 0:26:18 | 0:26:22 | |
-A big hole and it leaked and... -And there was no plate. | 0:26:22 | 0:26:26 | |
And we couldn't use the shower. And now we'll be able to use the shower. | 0:26:26 | 0:26:31 | |
The sink's fixed. | 0:26:31 | 0:26:33 | |
The mirror's up. The grout. And the cupboard! | 0:26:33 | 0:26:37 | |
Onto the master bedroom. | 0:26:37 | 0:26:40 | |
The good guys have certainly been busy. | 0:26:40 | 0:26:42 | |
In you go. | 0:26:44 | 0:26:45 | |
The interesting thing is, when you walk in, | 0:26:47 | 0:26:50 | |
the one thing that happens is a smile comes to your face. | 0:26:50 | 0:26:54 | |
And I think that speaks volumes. | 0:26:54 | 0:26:56 | |
It just seems so big, as well. And there's no wires. | 0:26:56 | 0:27:01 | |
And we have a bed that's off the floor. | 0:27:01 | 0:27:04 | |
It was a mattress last time. | 0:27:04 | 0:27:06 | |
And finally, the piece de resistance, | 0:27:06 | 0:27:09 | |
The Hansen Woods' new kitchen. | 0:27:09 | 0:27:11 | |
Hey-hey, hey-hey-hey! What about that? | 0:27:16 | 0:27:19 | |
That is amazing! | 0:27:19 | 0:27:21 | |
-Fantastic! -Very green! | 0:27:21 | 0:27:24 | |
There's no two ways about that, it's very green. | 0:27:24 | 0:27:26 | |
The other thing is, for me, I look at the more serious aspects | 0:27:26 | 0:27:30 | |
of what was going wrong in this kitchen, skirting board. | 0:27:30 | 0:27:34 | |
All those wires and bricks. | 0:27:34 | 0:27:36 | |
Exactly. All gone. | 0:27:36 | 0:27:38 | |
Beautifully finished now. | 0:27:38 | 0:27:40 | |
Really nicely decorated, too. | 0:27:40 | 0:27:42 | |
And again, it looks like one of those show kitchens. | 0:27:42 | 0:27:45 | |
Everything we had in our head is now here. | 0:27:45 | 0:27:48 | |
And I can't tell you how grateful we are for this. | 0:27:48 | 0:27:52 | |
I'm happy that we could help. That's the main thing. | 0:27:52 | 0:27:56 | |
And help we did. | 0:27:57 | 0:27:59 | |
Time to leave these lucky fellas to enjoy their new home. | 0:27:59 | 0:28:02 | |
How fantastic is that? | 0:28:04 | 0:28:05 | |
Finally, Daniel and Carsten have got the apartment of their dreams. | 0:28:05 | 0:28:09 | |
And I think the cats are enjoying it, too. | 0:28:09 | 0:28:12 | |
And as far as our good guys go, they've done a cracking job. | 0:28:12 | 0:28:16 | |
But as ever, I'm livid with cowboy builders in this country | 0:28:16 | 0:28:19 | |
because they give the building industry a bad name. | 0:28:19 | 0:28:22 | |
And what I'm going to say to them right now is this. | 0:28:22 | 0:28:25 | |
Look out, because we're on your trail. | 0:28:25 | 0:28:28 | |
Subtitles by Red Bee Media Ltd | 0:28:33 | 0:28:36 |