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We're travelling all over Britain, | 0:00:07 | 0:00:10 | |
exposing some of the country's worst cowboy builders. | 0:00:10 | 0:00:13 | |
I've done everything possible to get hold of this person, | 0:00:13 | 0:00:17 | |
and he's made no contact with me whatsoever. | 0:00:17 | 0:00:20 | |
These jacks of no trades demolish people's dreams | 0:00:20 | 0:00:23 | |
and make their lives a misery. | 0:00:23 | 0:00:26 | |
There is every possibility | 0:00:26 | 0:00:27 | |
we may have do rip it up and start again here. | 0:00:27 | 0:00:30 | |
Oh, God, no! I don't believe this! | 0:00:30 | 0:00:31 | |
But I've got the good guys in my posse | 0:00:33 | 0:00:35 | |
to help turn these botched builds into happy homes. | 0:00:35 | 0:00:38 | |
I feel...devastated that he can take my money and not complete a job. | 0:00:38 | 0:00:44 | |
I feel...betrayed. | 0:00:44 | 0:00:46 | |
I've given up most of my hobbies, I haven't been going out. | 0:00:46 | 0:00:50 | |
Erm... | 0:00:50 | 0:00:52 | |
Sorry. | 0:00:52 | 0:00:54 | |
Make no mistake, | 0:00:54 | 0:00:55 | |
the next 30 minutes could well keep you out of the cowboy trap. | 0:00:55 | 0:00:59 | |
Today, Cowboy Trap is in Ellesmere Port on the northwest coast, | 0:01:10 | 0:01:14 | |
not far from Chester. | 0:01:14 | 0:01:16 | |
Ellesmere Port is an industrial town dominated by an oil refinery, | 0:01:16 | 0:01:21 | |
an old chemical plant and a long history of car-making. | 0:01:21 | 0:01:25 | |
But it doesn't just produce manufacturing goods. | 0:01:25 | 0:01:28 | |
The town also produced | 0:01:28 | 0:01:29 | |
one of the most popular comedians of recent times. | 0:01:29 | 0:01:33 | |
Russ Abbott, famous for his Madhouse, | 0:01:33 | 0:01:36 | |
lived here in Ellesmere Port. And talking of comics, | 0:01:36 | 0:01:39 | |
the cowboy I'm on the trail of today is a right comedian. | 0:01:39 | 0:01:44 | |
But what he's been up to is no joke at all. | 0:01:44 | 0:01:47 | |
In fact, he's been laughing all the way to the bank. | 0:01:47 | 0:01:50 | |
Make no mistake, this is a mega-Cowboy Trap. | 0:01:51 | 0:01:56 | |
As usual, we have one cowboy, | 0:01:56 | 0:01:58 | |
but this time we've got two unlucky victims, | 0:01:58 | 0:02:02 | |
and they could just be the tip of the cowboy iceberg | 0:02:02 | 0:02:06 | |
65-year-old retired insurance worker Delia Bartlett | 0:02:06 | 0:02:10 | |
and 57-year-old aromatherapist Claire Blake. | 0:02:10 | 0:02:15 | |
More from Claire later. | 0:02:15 | 0:02:17 | |
Delia lives in this mid-terrace with her beloved Jack Russell, Daisy. | 0:02:17 | 0:02:22 | |
She moved to Ellesmere Port from the Wirral | 0:02:22 | 0:02:24 | |
after the death of her partner of 25 years, Martin. | 0:02:24 | 0:02:28 | |
He suffered a heart attack at the age of just 49, | 0:02:28 | 0:02:31 | |
and his unexpected death devastated Delia. | 0:02:31 | 0:02:35 | |
I miss his...sense of humour. | 0:02:35 | 0:02:38 | |
I miss his generosity. | 0:02:39 | 0:02:42 | |
He would always let me go places where I wanted to go. | 0:02:42 | 0:02:46 | |
He was very easy-going, a very easy-going man. | 0:02:46 | 0:02:49 | |
Delia decided to sell up her home in the Wirral | 0:02:49 | 0:02:52 | |
and move to Ellesmere Port. | 0:02:52 | 0:02:54 | |
She felt it would bring her closer to Martin, | 0:02:54 | 0:02:57 | |
who'd lived here throughout all their time together. | 0:02:57 | 0:03:00 | |
She bought a two-bed bungalow in a quiet cul-de-sac | 0:03:00 | 0:03:03 | |
and moved in with her new dog, Daisy. | 0:03:03 | 0:03:06 | |
But there was one thing that both Daisy and Delia were missing. | 0:03:06 | 0:03:10 | |
I wanted another conservatory built, | 0:03:10 | 0:03:12 | |
because I had a small conservatory in the other house, | 0:03:12 | 0:03:14 | |
which...gave a lot of extra daylight. | 0:03:14 | 0:03:18 | |
Delia knew exactly what she wanted and got three builders in to quote. | 0:03:18 | 0:03:23 | |
She opted for the one | 0:03:23 | 0:03:24 | |
who's a regular advertiser in the local paper | 0:03:24 | 0:03:27 | |
and who had the most impressive brochure. | 0:03:27 | 0:03:30 | |
I chose this particular builder | 0:03:30 | 0:03:32 | |
because he said he could do a lovely job, | 0:03:32 | 0:03:35 | |
they would be very clean and efficient, | 0:03:35 | 0:03:39 | |
very reliable, they'd had plenty of experience, | 0:03:39 | 0:03:43 | |
and he just seemed to know what he was talking about. | 0:03:43 | 0:03:45 | |
Take my advice! | 0:03:47 | 0:03:49 | |
A glossy brochure or a smart ad in the local paper | 0:03:49 | 0:03:52 | |
proves nothing about the competence of a builder. | 0:03:52 | 0:03:55 | |
They might not even be photos | 0:03:55 | 0:03:57 | |
of work that the builder's done themselves! | 0:03:57 | 0:04:00 | |
The bottom line is, | 0:04:00 | 0:04:01 | |
good references from satisfied customers are much more important. | 0:04:01 | 0:04:05 | |
And getting references was exactly what Delia failed to do. | 0:04:07 | 0:04:12 | |
She also didn't insist on getting a written contract | 0:04:12 | 0:04:16 | |
or confirming the start and completion dates. | 0:04:16 | 0:04:19 | |
These are the basics! | 0:04:19 | 0:04:21 | |
So please, whatever you do, don't fall into the trap | 0:04:21 | 0:04:24 | |
of ignoring them, because that is the cowboy trap! | 0:04:24 | 0:04:28 | |
The builder Delia chose quoted £6,900 for the work | 0:04:30 | 0:04:34 | |
and an additional £844 for a new front door which Delia wanted, | 0:04:34 | 0:04:38 | |
making a grand total of £7,744. | 0:04:38 | 0:04:43 | |
He also demanded two and a half grand upfront as a deposit. Ouch! | 0:04:43 | 0:04:48 | |
Delia duly wrote out a cheque in December 2011. | 0:04:48 | 0:04:52 | |
I've got a bad feeling about this! | 0:04:52 | 0:04:55 | |
As it was December, | 0:04:55 | 0:04:57 | |
we didn't actually agree a date for the work to be done, | 0:04:57 | 0:05:01 | |
because we didn't know how the weather was going to...turn, | 0:05:01 | 0:05:04 | |
and I wasn't in any rush. | 0:05:04 | 0:05:07 | |
Then, just before Christmas, the builder contacted Delia | 0:05:07 | 0:05:10 | |
and said he wanted to meet her | 0:05:10 | 0:05:12 | |
because he'd got something to talk to her about. | 0:05:12 | 0:05:14 | |
He said that he'd had such a good year | 0:05:14 | 0:05:17 | |
he was prepared to offer a discount on the next instalment of two grand. | 0:05:17 | 0:05:21 | |
That was as long as she paid up there and then. | 0:05:21 | 0:05:25 | |
The cheek of this rogue! | 0:05:25 | 0:05:27 | |
I hesitated a bit, but, erm...it seemed OK, | 0:05:27 | 0:05:32 | |
so I paid a further £1,614. | 0:05:32 | 0:05:35 | |
Work hadn't even started yet, | 0:05:37 | 0:05:39 | |
and Delia had already paid out £4,100, | 0:05:39 | 0:05:44 | |
plus £724 towards the new front door. | 0:05:44 | 0:05:48 | |
The builder did some measuring up in the January, | 0:05:48 | 0:05:50 | |
and work finally started in mid-February 2012. | 0:05:50 | 0:05:54 | |
The brickwork and the base were done by the end of February. | 0:05:54 | 0:06:00 | |
And I've never heard anything from him since. | 0:06:00 | 0:06:04 | |
If the incomplete work wasn't bad enough, | 0:06:05 | 0:06:08 | |
Delia then got another shock. | 0:06:08 | 0:06:10 | |
The brickie who'd put the base down asked for £1,300 | 0:06:10 | 0:06:15 | |
because he'd been subcontracted by the builder | 0:06:15 | 0:06:18 | |
and expected her to settle the bill. | 0:06:18 | 0:06:20 | |
Despite her misgivings, Delia paid up, | 0:06:20 | 0:06:23 | |
and then spent months trying to contact the builder | 0:06:23 | 0:06:26 | |
to get him to come and finish the job, to no avail! | 0:06:26 | 0:06:30 | |
I've wrote him e-mails, he's never replied to any e-mails. | 0:06:30 | 0:06:34 | |
I've done everything possible to get hold of this person. | 0:06:34 | 0:06:37 | |
And he's made no contact with me whatsoever. | 0:06:38 | 0:06:41 | |
Delia was left with a shell of a conservatory | 0:06:43 | 0:06:45 | |
and the demolition of her dreams. | 0:06:45 | 0:06:48 | |
Having spent her life savings, | 0:06:48 | 0:06:50 | |
Delia's quality of life has plummeted. | 0:06:50 | 0:06:54 | |
The whole experience has left her devastated. | 0:06:54 | 0:06:58 | |
I haven't been going out. | 0:06:58 | 0:07:00 | |
Erm... | 0:07:00 | 0:07:02 | |
Sorry. | 0:07:02 | 0:07:03 | |
I've given up most of my hobbies. | 0:07:10 | 0:07:11 | |
And he's given me a lot of money worries. | 0:07:17 | 0:07:19 | |
You know, this is a really sad story | 0:07:21 | 0:07:23 | |
and when I say cowboy builders ruin lives, I mean it, | 0:07:23 | 0:07:27 | |
and the proof is right here. | 0:07:27 | 0:07:30 | |
Delia is not the only one in the area | 0:07:30 | 0:07:31 | |
that's been caught out by this guy. | 0:07:31 | 0:07:33 | |
I'll tell you something else this is the local paper, | 0:07:33 | 0:07:37 | |
and he's advertising in here not once but twice. | 0:07:37 | 0:07:40 | |
It's sickening! | 0:07:40 | 0:07:41 | |
This unscrupulous con artist is still out to snare | 0:07:42 | 0:07:46 | |
unsuspecting homeowners in his cowboy trap. | 0:07:46 | 0:07:49 | |
But I'm hoping we can put a smile back on Delia's face. | 0:07:49 | 0:07:53 | |
-MUSICAL DOORBELL PLAYS -Here she comes. | 0:07:53 | 0:07:57 | |
What a lovely tune that is, Delia! Fantastic, isn't it? | 0:07:57 | 0:08:01 | |
-Nice to meet you, I'm Clive from Cowboy Trap. -Hello, come... | 0:08:01 | 0:08:04 | |
I hear you've had problems with cowboy builders. | 0:08:04 | 0:08:07 | |
I certainly have. Would you like to come in? | 0:08:07 | 0:08:09 | |
Please, I'd like to have a look around, for sure. I love that tune! | 0:08:09 | 0:08:12 | |
While Delia puts the kettle on, I'm going to check out the conservatory. | 0:08:14 | 0:08:18 | |
Er, well, I would if there was one to check out. | 0:08:18 | 0:08:21 | |
I'll tell you what, the sun is just breaking through, | 0:08:21 | 0:08:25 | |
and it'd be a great little site here to have a conservatory. | 0:08:25 | 0:08:28 | |
But we ain't got one. | 0:08:30 | 0:08:32 | |
But what I can see is actually | 0:08:32 | 0:08:34 | |
this dwarf wall base and the slab itself | 0:08:34 | 0:08:39 | |
looks OK. | 0:08:39 | 0:08:41 | |
Of course, our contractor subcontracted this, | 0:08:41 | 0:08:44 | |
and it looks like the brickie did a reasonable job, | 0:08:44 | 0:08:47 | |
although I am worried about the cavity in this wall. | 0:08:47 | 0:08:50 | |
Water has built up. What I would have liked to have seen | 0:08:50 | 0:08:53 | |
is that cavity was built up more to ground level. | 0:08:53 | 0:08:56 | |
It almost certainly looks like it's about a brick below ground. | 0:08:56 | 0:09:01 | |
There's water staying in there. | 0:09:01 | 0:09:03 | |
If he'd have just put weep holes in, that water would have wicked away. | 0:09:03 | 0:09:08 | |
Talking about wicks, | 0:09:08 | 0:09:10 | |
cowboy builders who take elderly ladies for over £4,000 | 0:09:10 | 0:09:14 | |
for non-existent conservatories really get on my wick! | 0:09:14 | 0:09:19 | |
Time to get the inside story from his unlucky victim. | 0:09:19 | 0:09:22 | |
You're sitting here, you're at the end of your tether. | 0:09:22 | 0:09:26 | |
What does that feel like? | 0:09:26 | 0:09:27 | |
I feel very helpless, very angry, very upset, | 0:09:27 | 0:09:30 | |
because you've handed over this money, been taken in by this person. | 0:09:30 | 0:09:35 | |
You've got no way of contacting. | 0:09:35 | 0:09:38 | |
You can't find his address. He doesn't answer his e-mails. | 0:09:38 | 0:09:42 | |
We know that there are people in this area | 0:09:42 | 0:09:45 | |
that have been affected by him. | 0:09:45 | 0:09:48 | |
Some of those people have been in touch with us at Cowboy Trap. | 0:09:48 | 0:09:52 | |
Totally separate from you. | 0:09:52 | 0:09:54 | |
And there's a lady very close by | 0:09:54 | 0:09:58 | |
to here that's also been affected. | 0:09:58 | 0:10:01 | |
If I was to say to you, Delia, would you mind | 0:10:01 | 0:10:04 | |
tootling along with me in my car | 0:10:04 | 0:10:06 | |
and we have a sit down and have a chat with her and see | 0:10:06 | 0:10:10 | |
-just how it developed for her, too? Do you fancy that? -Yeah. | 0:10:10 | 0:10:14 | |
Right, come on then, Delia. | 0:10:16 | 0:10:18 | |
Shut that door, yeah? | 0:10:18 | 0:10:19 | |
Now, your carriage awaits, madam. | 0:10:19 | 0:10:22 | |
I am going to be your chauffeur. | 0:10:22 | 0:10:24 | |
We're going to see Claire Blake, | 0:10:30 | 0:10:32 | |
another unfortunate victim of this despicable desperado. | 0:10:32 | 0:10:36 | |
If this unfinished conservatory looks familiar, | 0:10:36 | 0:10:39 | |
it's because Claire has also been snared in this cowboy's trap. | 0:10:39 | 0:10:44 | |
Like many people around here, | 0:10:44 | 0:10:46 | |
Claire is an avid reader of the local paper | 0:10:46 | 0:10:48 | |
and decided that was the place to find a reputable builder. | 0:10:48 | 0:10:52 | |
Over the years, because I'd been thinking of this conservatory, | 0:10:52 | 0:10:57 | |
I had seen his adverts. | 0:10:57 | 0:10:58 | |
The adverts were polished. | 0:10:58 | 0:11:01 | |
And I thought, "Well, if he has been in this business | 0:11:01 | 0:11:04 | |
"for...25 years, he must be trustworthy and safe." | 0:11:04 | 0:11:09 | |
When Claire inherited some money from her stepmum, | 0:11:10 | 0:11:13 | |
she decided to hire the builder | 0:11:13 | 0:11:15 | |
to create the conservatory of her dreams. | 0:11:15 | 0:11:17 | |
But guess what! | 0:11:17 | 0:11:19 | |
Yep, it turned into an all too familiar nightmare. | 0:11:19 | 0:11:23 | |
For starters, he didn't turn up on the agreed date. | 0:11:23 | 0:11:27 | |
I rang and I rang and I rang. | 0:11:27 | 0:11:30 | |
I must have made 15, 16 calls. | 0:11:30 | 0:11:33 | |
And not once did he return them. | 0:11:35 | 0:11:37 | |
And when the builder's brickie did finally turn up, | 0:11:39 | 0:11:42 | |
Claire's worries just increased! | 0:11:42 | 0:11:44 | |
The conservatory simply didn't get off the ground. | 0:11:44 | 0:11:47 | |
Now, if all this sounds familiar, that's because it is. | 0:11:47 | 0:11:51 | |
A huge deposit paid upfront, delay after delay, | 0:11:51 | 0:11:55 | |
a brickie turning up and taking even more money, | 0:11:55 | 0:11:58 | |
and of course the job never getting completed. | 0:11:58 | 0:12:01 | |
In other words, an elaborate con. | 0:12:01 | 0:12:03 | |
How can a man like that be trusted in the building trade? | 0:12:03 | 0:12:07 | |
I hope and pray other people do not fall victim to him. | 0:12:09 | 0:12:14 | |
Well, you and I both know someone who has, and she's not the only one. | 0:12:14 | 0:12:20 | |
This builder has left a trail | 0:12:20 | 0:12:22 | |
of angry and embittered customers behind. | 0:12:22 | 0:12:25 | |
I feel this builder is a complete and utter conman. | 0:12:25 | 0:12:29 | |
I feel...devastated | 0:12:29 | 0:12:31 | |
that he can take my money and not complete a job. | 0:12:31 | 0:12:34 | |
Claire's shambolic non-conservatory has cost over £5,000. | 0:12:34 | 0:12:40 | |
Ring a bell? | 0:12:40 | 0:12:42 | |
-Hello. -Hello! | 0:12:42 | 0:12:44 | |
Now, I'm looking for a lady called Claire. | 0:12:44 | 0:12:46 | |
-I'm Claire. -Hello, Claire, I'm Clive from Cowboy Trap. | 0:12:46 | 0:12:49 | |
Very pleased to meet you, Clive. | 0:12:49 | 0:12:51 | |
And this lovely lady that I've got with me is Delia. | 0:12:51 | 0:12:54 | |
-Hello, Delia. -Now, Delia, meet Claire. Claire, meet Delia. | 0:12:54 | 0:12:58 | |
Because you've both been hit by the same cowboy builder, | 0:12:58 | 0:13:01 | |
and you only live a couple of miles apart. | 0:13:01 | 0:13:03 | |
-Will you please both come in? -We will. | 0:13:03 | 0:13:06 | |
No time for a cuppa! | 0:13:06 | 0:13:08 | |
I want to check out Claire's conservatory or lack of it | 0:13:08 | 0:13:11 | |
at first hand. | 0:13:11 | 0:13:13 | |
Deja vu or what?! | 0:13:13 | 0:13:16 | |
Except in one crucial respect. | 0:13:16 | 0:13:20 | |
We've got the invisible conservatory but we do have the walls. | 0:13:20 | 0:13:23 | |
Now, this is very similar to what Delia is going through, | 0:13:23 | 0:13:27 | |
but I have one thing to say, and that is, Delia, | 0:13:27 | 0:13:31 | |
looking around now, which wall and base would you prefer? | 0:13:31 | 0:13:35 | |
I think I'd prefer mine. | 0:13:35 | 0:13:38 | |
You're not kidding! | 0:13:38 | 0:13:39 | |
Poor Claire's breezeblock wall is so badly built | 0:13:39 | 0:13:43 | |
I reckon it'll only last for a couple of weeks! | 0:13:43 | 0:13:45 | |
In fact, if the third little piggy had built this, | 0:13:45 | 0:13:49 | |
I reckon the wolf could have knocked it over in one puff! | 0:13:49 | 0:13:52 | |
There's every possibility we'll have to do rip it up and start again. | 0:13:53 | 0:13:56 | |
-Oh, God, no, I don't believe this! -Yes. | 0:13:56 | 0:13:59 | |
It's, erm... I'll tell you what, the nightmare's going worse. | 0:13:59 | 0:14:02 | |
-I have paid out good money for this. -Yeah. | 0:14:02 | 0:14:05 | |
And it's just a living nightmare for me. | 0:14:05 | 0:14:08 | |
When did he originally start your work, Claire? | 0:14:08 | 0:14:12 | |
Originally he gave me dates in November. | 0:14:12 | 0:14:15 | |
You must have both been in his sights at virtually the same time. | 0:14:15 | 0:14:20 | |
-Yeah. -Did you have a contract? -I did. Would you like to see it? -Please. | 0:14:20 | 0:14:25 | |
-Now, you didn't have a contract, did you, Delia? -No. Well, no. | 0:14:25 | 0:14:28 | |
OK, let me just take a look. | 0:14:28 | 0:14:30 | |
-I'm sorry, it's a bit messy at the moment... -No, that's fine. | 0:14:30 | 0:14:33 | |
..but it's been in and out, at least I've got it! | 0:14:33 | 0:14:35 | |
OK, that's a written quote, it's not a contract. | 0:14:35 | 0:14:38 | |
Oh, dear! Claire didn't have a contract either. Whoops! | 0:14:39 | 0:14:43 | |
Take a tip from me! | 0:14:45 | 0:14:47 | |
For any building work, you must draw up a formal contract. | 0:14:47 | 0:14:51 | |
It should spell out a start date, a completion date | 0:14:51 | 0:14:54 | |
and the breakdown of staged payments | 0:14:54 | 0:14:56 | |
at each point where work is completed. | 0:14:56 | 0:14:59 | |
That way, if things do start to go wrong, | 0:14:59 | 0:15:02 | |
you have paperwork to fall back on. | 0:15:02 | 0:15:04 | |
And talking of paperwork, | 0:15:05 | 0:15:07 | |
both Delia and Claire got letters from the builder just this morning, | 0:15:07 | 0:15:11 | |
promising to finish the work in a few months. | 0:15:11 | 0:15:14 | |
Funny, that! | 0:15:14 | 0:15:16 | |
Why do you think, all of a sudden, he's sending these letters? | 0:15:16 | 0:15:20 | |
Because I believe... | 0:15:20 | 0:15:22 | |
My belief is he sending them because he's panicking, | 0:15:22 | 0:15:25 | |
that pressure is being put on him by...Cowboy Trap. | 0:15:25 | 0:15:30 | |
-What do you think, Delia? -The same. -Do you think the same? -Yeah. | 0:15:31 | 0:15:34 | |
-Do you believe that he will turn up? -No! | 0:15:34 | 0:15:36 | |
No. He'd never turn up and do the work. | 0:15:36 | 0:15:38 | |
I agree with you. Totally. | 0:15:39 | 0:15:42 | |
And so do I! | 0:15:43 | 0:15:45 | |
I reckon this cowboy is making promises he won't keep | 0:15:45 | 0:15:48 | |
in an attempt to get us off his back. | 0:15:48 | 0:15:50 | |
But that ain't going to happen! His unlucky victims deserve better. | 0:15:50 | 0:15:56 | |
-What was life like for you, Claire? -I got very stressed over it. | 0:15:56 | 0:15:59 | |
Erm... I think my blood pressure rose a bit. | 0:16:00 | 0:16:04 | |
I have cried over it. | 0:16:04 | 0:16:05 | |
I'm not surprised a tear or two has been shed. | 0:16:07 | 0:16:10 | |
Between them, Delia and Claire have spent nearly £10,000 | 0:16:10 | 0:16:14 | |
and have almost nothing to show for it. | 0:16:14 | 0:16:17 | |
To get a second opinion on the task in hand, | 0:16:17 | 0:16:21 | |
I've called in independent building surveyor Ewan Elliott. | 0:16:21 | 0:16:25 | |
Before you give me your verdict on... | 0:16:25 | 0:16:28 | |
your opinion on what you've seen, | 0:16:28 | 0:16:30 | |
first of all, I have to say, I was shaking this wall earlier, | 0:16:30 | 0:16:33 | |
and, as you can see now, it's ready to come down. | 0:16:33 | 0:16:35 | |
-I don't want to stand too close to it. -For sure! | 0:16:35 | 0:16:38 | |
Now, in terms of what you think of the work, just give us your opinion. | 0:16:38 | 0:16:42 | |
It's very poor. The structure isn't safe at all. | 0:16:42 | 0:16:45 | |
All it needs is somebody to run into it, | 0:16:45 | 0:16:47 | |
it would collapse, somebody is going to get hurt. | 0:16:47 | 0:16:49 | |
-It's not bonded to the house, you know, it's... -It's a disaster. | 0:16:49 | 0:16:54 | |
-It really is. -It's not safe. | 0:16:54 | 0:16:55 | |
And in real terms, in terms of the actual work itself, | 0:16:55 | 0:16:58 | |
I don't understand why they've used block on the outer leaf | 0:16:58 | 0:17:01 | |
unless they were thinking of facing it off. | 0:17:01 | 0:17:03 | |
-Just to save money, I would think. -Yeah. | 0:17:03 | 0:17:05 | |
Out of sight, out of mind. | 0:17:05 | 0:17:07 | |
So the important thing now is your score out of ten, | 0:17:07 | 0:17:10 | |
if you don't mind, for the work you've seen so far. | 0:17:10 | 0:17:12 | |
A maximum of three, Clive, only three. | 0:17:12 | 0:17:15 | |
A maximum of three, that is nothing to be proud of! | 0:17:15 | 0:17:18 | |
So three out of ten for that wall, | 0:17:19 | 0:17:22 | |
and a mere wall does not a conservatory make. | 0:17:22 | 0:17:25 | |
But I know just the people who can make it ten out of ten! | 0:17:25 | 0:17:29 | |
Our posse of good guys led by Paul Hilton. | 0:17:29 | 0:17:32 | |
Mr Hilton has certainly got his hands full this time. | 0:17:33 | 0:17:37 | |
Now, Paul, two conservatories, same builder...hit both of them. | 0:17:37 | 0:17:42 | |
-What's your plan? -We will have to demolish all these walls here | 0:17:42 | 0:17:46 | |
to secure them to the building. | 0:17:46 | 0:17:48 | |
The only problem I have with that one | 0:17:48 | 0:17:49 | |
is it's been built out of gauge to the original house. | 0:17:49 | 0:17:52 | |
-The external leaves have actually been done in a porous block. -Yeah. | 0:17:52 | 0:17:56 | |
-So you would always have damp issues there unless you rendered it. -Yes. | 0:17:56 | 0:18:01 | |
Given the closeness to the fences, you're never going to get down there. | 0:18:01 | 0:18:06 | |
You've got no chance you'd have to remove the fences to render it, | 0:18:06 | 0:18:09 | |
and they had no intention of doing that. | 0:18:09 | 0:18:11 | |
I don't believe they had any intention of doing that. | 0:18:11 | 0:18:14 | |
And what's more, without a render, | 0:18:14 | 0:18:16 | |
these breeze blocks won't just soak up water, | 0:18:16 | 0:18:19 | |
they will look absolutely rubbish! | 0:18:19 | 0:18:21 | |
Hilton's heroes wastes no time swinging into action. | 0:18:22 | 0:18:26 | |
So much needs doing, Claire and Delia are chipping in. | 0:18:26 | 0:18:31 | |
First up, removing those block walls at Claire's. | 0:18:31 | 0:18:35 | |
Careful, boys, you don't want to drop one of those on your toes! | 0:18:35 | 0:18:40 | |
Over at Delia's, the good guys install the outer window frames, | 0:18:40 | 0:18:44 | |
carefully prepare the roof section, | 0:18:44 | 0:18:46 | |
and then it's the moment we've all been waiting for, | 0:18:46 | 0:18:50 | |
conservatory-fitting time! | 0:18:50 | 0:18:53 | |
So will Paul's posse do the biz for our unlucky ladies? | 0:18:53 | 0:18:57 | |
Only time will tell! | 0:18:57 | 0:18:59 | |
I'm back on the northwest coast, not far from Chester, | 0:19:04 | 0:19:08 | |
where Delia Bartlett and Claire Blake, | 0:19:08 | 0:19:10 | |
independently and unaware of each other, | 0:19:10 | 0:19:13 | |
contacted Cowboy Trap about the same cowboy builder. | 0:19:13 | 0:19:17 | |
This louse took thousands of pounds off them for conservatories | 0:19:17 | 0:19:21 | |
which, it's now become clear, he had no intention of building. | 0:19:21 | 0:19:25 | |
And do you know what? | 0:19:25 | 0:19:26 | |
Since Cowboy Trap started investigating these cases, | 0:19:26 | 0:19:29 | |
we've learned of dozens more victims from around the area. | 0:19:29 | 0:19:34 | |
Local Trading Standards are looking into those other cases | 0:19:34 | 0:19:37 | |
and have now launched a full-scale criminal investigation. | 0:19:37 | 0:19:41 | |
It's great that they're taking action, | 0:19:41 | 0:19:43 | |
and here's hoping the cowboy gets his just deserts. | 0:19:43 | 0:19:47 | |
But here on Cowboy Trap, it's all about the homeowners | 0:19:47 | 0:19:50 | |
who've been taken in and getting them back on track. | 0:19:50 | 0:19:54 | |
Our good guys have now finished their work, | 0:19:54 | 0:19:56 | |
and I'm here to find out if they have saved the day! | 0:19:56 | 0:20:00 | |
Before I show each conservatory to its proud new owner, | 0:20:00 | 0:20:04 | |
I can't resist taking a sneaky peak. | 0:20:04 | 0:20:07 | |
My first destination, Delia's house! | 0:20:07 | 0:20:10 | |
Well! | 0:20:10 | 0:20:13 | |
I'll just shut that gate. | 0:20:13 | 0:20:15 | |
Fill my heart with gladness, wipe away the sadness! | 0:20:15 | 0:20:18 | |
I remember when I was here last time. | 0:20:18 | 0:20:21 | |
The dwarf wall was fine, but no conservatory. | 0:20:21 | 0:20:24 | |
The dwarf wall has now been utilised, conservatory looks top! | 0:20:24 | 0:20:30 | |
It really does look so glam. | 0:20:30 | 0:20:31 | |
And I always feel, when I walk away from a homeowner's property | 0:20:31 | 0:20:36 | |
after they've been done over by a cowboy builder, I think, you know, | 0:20:36 | 0:20:39 | |
"I hope this job is going to be great when I come back." | 0:20:39 | 0:20:42 | |
I always know that it is, | 0:20:42 | 0:20:43 | |
but there's that element of doubt in the back of your mind. | 0:20:43 | 0:20:47 | |
But now I see it, it just looks marvellous. | 0:20:47 | 0:20:50 | |
I mean, check the roof out as well I'm loving the style, the design. | 0:20:50 | 0:20:54 | |
They've got the fleur-de-lis there and everything else on the top. | 0:20:54 | 0:20:57 | |
It's just looks so nice, it suits this property down to the ground. | 0:20:57 | 0:21:02 | |
Remember, before, it looked like this. | 0:21:04 | 0:21:08 | |
Now, it looks like this! | 0:21:08 | 0:21:10 | |
Now, before I talk it through with Delia, | 0:21:12 | 0:21:14 | |
I'd like a powwow with both ladies about their cowboy builder. | 0:21:14 | 0:21:19 | |
I wanted to find out his side of the story | 0:21:19 | 0:21:21 | |
so I could hear their responses to his version of events. | 0:21:21 | 0:21:25 | |
As usual, so that we... we balance things out, | 0:21:26 | 0:21:30 | |
we always give our builders a right of reply, | 0:21:30 | 0:21:32 | |
so we track them down, and we have a few words with them | 0:21:32 | 0:21:35 | |
and ask them questions that we think you would like answers to. | 0:21:35 | 0:21:40 | |
And I have to say, in this case, from what we can gather, anyway, | 0:21:40 | 0:21:46 | |
your so-called builder I don't really want to call him | 0:21:46 | 0:21:50 | |
a builder, if you don't mind has done a runner. | 0:21:50 | 0:21:54 | |
But before he did, we managed to track him | 0:21:54 | 0:21:57 | |
and ask him some questions. | 0:21:57 | 0:22:00 | |
So the first thing he said was | 0:22:00 | 0:22:02 | |
he blamed manpower and financial problems | 0:22:02 | 0:22:06 | |
for the work not being completed. How does that make you feel? | 0:22:06 | 0:22:10 | |
-Not true. -An absolute liar. | 0:22:10 | 0:22:13 | |
We paid our money. We paid him upfront. | 0:22:14 | 0:22:18 | |
He had my money for months before he even decided to do anything. | 0:22:18 | 0:22:24 | |
-And is that the same in your case, Delia? -Definitely. -OK. | 0:22:24 | 0:22:28 | |
He said he got into financial trouble | 0:22:28 | 0:22:30 | |
because he had to knock down and rebuild for free | 0:22:30 | 0:22:34 | |
the work of a brickie that he'd employed on a number of the jobs. | 0:22:34 | 0:22:39 | |
He told me he'd got good bricklayers and, boy, was he a liar! | 0:22:39 | 0:22:44 | |
Because in terms of...in terms of your brickwork, I'm afraid... | 0:22:44 | 0:22:49 | |
The whole lot had to come back down. | 0:22:49 | 0:22:52 | |
That was so dodgy it was untrue when I was at your property last. | 0:22:52 | 0:22:56 | |
Now, I know it's been distressing for you that up until recently | 0:22:56 | 0:23:00 | |
he's continued to advertise in the local paper. | 0:23:00 | 0:23:04 | |
And that must be galling, to know full well | 0:23:04 | 0:23:07 | |
that he's ripped you guys off | 0:23:07 | 0:23:10 | |
and he still was advertising up until recently in that paper. | 0:23:10 | 0:23:16 | |
-Yes. -Definitely. -Definitely. | 0:23:16 | 0:23:18 | |
He says he had to do that | 0:23:18 | 0:23:20 | |
to get more customers in order to stay in business. | 0:23:20 | 0:23:24 | |
He didn't have to do it. | 0:23:24 | 0:23:25 | |
He could have caught up with the work with the money he'd got. | 0:23:25 | 0:23:28 | |
What message would you give to people who see an advert like this? | 0:23:28 | 0:23:34 | |
What have you learned that might help anybody watching today? | 0:23:34 | 0:23:37 | |
Not necessarily the best looking advert | 0:23:37 | 0:23:40 | |
and the biggest looking advert, week in, week out, | 0:23:40 | 0:23:44 | |
is what you should be looking for. | 0:23:44 | 0:23:46 | |
And to actually go and see the work and find out, | 0:23:46 | 0:23:49 | |
because if anybody had have checked that | 0:23:49 | 0:23:51 | |
and had knocked on either of your doors, | 0:23:51 | 0:23:53 | |
they'd have found the fact they'd have found the truth. | 0:23:53 | 0:23:56 | |
The whole truth and nothing but the truth. | 0:23:58 | 0:24:00 | |
Now's the bit I like best. | 0:24:02 | 0:24:04 | |
The ladies have lived with the work as it's been going on, | 0:24:04 | 0:24:07 | |
but now I'm going to reveal the finished results in all their glory. | 0:24:07 | 0:24:11 | |
First up, Delia's going to see her brand-new conservatory. | 0:24:13 | 0:24:17 | |
Right then, Delia, come through. | 0:24:18 | 0:24:21 | |
Let's hold back the blinds... | 0:24:21 | 0:24:23 | |
Thank you. | 0:24:23 | 0:24:24 | |
Wow! This looks better, doesn't it? | 0:24:26 | 0:24:28 | |
Does it! I'll tell you what, | 0:24:28 | 0:24:30 | |
it's definitely got the wow factor, hasn't it? | 0:24:30 | 0:24:32 | |
-Yes. -I don't think there's any doubt about that. | 0:24:32 | 0:24:35 | |
Now, interestingly enough, as you look around, | 0:24:35 | 0:24:38 | |
I think this conservatory not only suits this house perfectly... | 0:24:38 | 0:24:42 | |
-Mm-hmm. -..but I think it suits you. | 0:24:42 | 0:24:45 | |
-Yes, it does. -I think it's definitely you, there's no two ways about it! | 0:24:45 | 0:24:48 | |
We've got lighting, we've got a ceiling fan, | 0:24:48 | 0:24:51 | |
and again, I love the ceiling fans, | 0:24:51 | 0:24:53 | |
because you've got winter and summer settings, which is perfect. | 0:24:53 | 0:24:57 | |
Wonderful tiled floor, and also you'll see there, | 0:24:57 | 0:25:01 | |
you've actually got a digital thermostat for underfloor heating. | 0:25:01 | 0:25:04 | |
It is a fantastic idea and a wonderful conservatory! | 0:25:04 | 0:25:08 | |
It really does look the business. | 0:25:08 | 0:25:10 | |
How will you enjoy this conservatory now? | 0:25:10 | 0:25:13 | |
What will you be doing mainly in it? | 0:25:13 | 0:25:15 | |
Oh, I'll be doing craft work, reading. | 0:25:15 | 0:25:18 | |
How does it make you feel? | 0:25:18 | 0:25:20 | |
It's helping me to settle in my home now. | 0:25:21 | 0:25:24 | |
-Yes... So the future looking bright. -Very much so. | 0:25:24 | 0:25:27 | |
Yep, a bright new future | 0:25:29 | 0:25:31 | |
in the conservatory Delia has always dreamed of. | 0:25:31 | 0:25:34 | |
And isn't it a smasher? | 0:25:34 | 0:25:37 | |
Right, on to the other wronged cowboy trappee. | 0:25:37 | 0:25:41 | |
Claire's house is just around the corner. | 0:25:41 | 0:25:43 | |
Let's hope our good guys have stopped her going round the bend. | 0:25:43 | 0:25:47 | |
Oh... | 0:25:47 | 0:25:49 | |
Let there be light! | 0:25:49 | 0:25:51 | |
Oh, my...my goodness! | 0:25:51 | 0:25:53 | |
So tall! | 0:25:53 | 0:25:55 | |
It's...spacious, spacious. | 0:25:55 | 0:25:57 | |
It is amazing, and especially, look, | 0:25:57 | 0:25:59 | |
the first thing I wanted to check out was this wall. | 0:25:59 | 0:26:02 | |
Do you remember? We had that sort of rocky wall. | 0:26:02 | 0:26:05 | |
-We had two rocky walls. -Yeah! -We had two rocky walls. | 0:26:05 | 0:26:08 | |
It really was in a real state, wasn't it? | 0:26:08 | 0:26:10 | |
-This is solid. -Yeah! | 0:26:10 | 0:26:12 | |
And, you know, looking at it now, I also notice again, | 0:26:12 | 0:26:15 | |
just like at Delia's, Paul's fitted underfloor heating. | 0:26:15 | 0:26:19 | |
You've got underfloor heating. | 0:26:19 | 0:26:21 | |
I can't believe it, I really can't believe it. | 0:26:21 | 0:26:23 | |
It's vast! | 0:26:23 | 0:26:25 | |
It is...just wonderful. It's a glass palace. | 0:26:25 | 0:26:29 | |
A glass palace with tinted solar reflective self-cleaning glass. | 0:26:31 | 0:26:35 | |
Nice! | 0:26:35 | 0:26:37 | |
-Absolutely brilliant. -It's just so... | 0:26:37 | 0:26:41 | |
It is actually beyond my dreams. | 0:26:41 | 0:26:43 | |
The stuff of dreams indeed! | 0:26:44 | 0:26:46 | |
From this... | 0:26:46 | 0:26:48 | |
..to this. | 0:26:49 | 0:26:51 | |
Hallelujah! | 0:26:51 | 0:26:53 | |
Time to show Claire the view from outside, | 0:26:54 | 0:26:57 | |
and I think she likes what she sees. | 0:26:57 | 0:27:00 | |
Oh, wow! | 0:27:00 | 0:27:02 | |
Wow, you can just see the colour of the roof. | 0:27:02 | 0:27:04 | |
Yeah, it's got like that blue hue tint on it, hasn't it? | 0:27:04 | 0:27:08 | |
-And the angle of the roof is just wonderful. -I am loving that. | 0:27:08 | 0:27:13 | |
That is just...to me, that is huge. | 0:27:13 | 0:27:17 | |
I didn't expect it to be so big. | 0:27:17 | 0:27:20 | |
It's just fantastic. | 0:27:20 | 0:27:22 | |
-So are you happy? -I am totally, totally happy, Clive. | 0:27:22 | 0:27:26 | |
Because it's been a long journey for you, hasn't it? | 0:27:26 | 0:27:28 | |
-It's been too long, it's been too long. -Yeah. | 0:27:28 | 0:27:31 | |
But at the end of it, what have I got? | 0:27:31 | 0:27:33 | |
A beautiful, beautiful conservatory. | 0:27:33 | 0:27:35 | |
Hearing sentiments like that makes my day, I can tell you. | 0:27:37 | 0:27:41 | |
Nice one, good guys! | 0:27:42 | 0:27:44 | |
Well, nice two, actually. What a result! | 0:27:44 | 0:27:47 | |
You know, it's been great | 0:27:50 | 0:27:52 | |
to help Delia and Claire out of their misery, | 0:27:52 | 0:27:55 | |
and as for those other people that have fallen victim to this crook, | 0:27:55 | 0:27:59 | |
of which I'd said there are dozens and dozens around this area, | 0:27:59 | 0:28:02 | |
we've been liaising closely with Trading Standards, | 0:28:02 | 0:28:05 | |
and I can tell you for a fact | 0:28:05 | 0:28:06 | |
he won't remain at large for too much longer. | 0:28:06 | 0:28:09 | |
But it does go to show how easy it is to fall into the cowboy trap | 0:28:09 | 0:28:13 | |
if you don't do your research. | 0:28:13 | 0:28:15 | |
And remember, there are loads of good guys out there | 0:28:15 | 0:28:18 | |
if you just look in the right places. | 0:28:18 | 0:28:20 | |
And as for those cowboys, I've got a message for you. | 0:28:20 | 0:28:23 | |
Just look over your shoulder, because we're right behind you. | 0:28:23 | 0:28:26 | |
Subtitles by Red Bee Media Ltd | 0:28:52 | 0:28:55 |