Browse content similar to Episode 20. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Make no mistake, Britain's cowboy builders | 0:00:07 | 0:00:10 | |
are drinking in the last chance saloon. | 0:00:10 | 0:00:12 | |
I just trusted these people | 0:00:13 | 0:00:15 | |
and I thought they were doing the right thing. | 0:00:15 | 0:00:19 | |
Straight out of Dodge City, these guys are outlaws | 0:00:19 | 0:00:22 | |
and they trample on people's dreams. | 0:00:22 | 0:00:24 | |
It's standing proud. There's no need for that, that should be flush. | 0:00:25 | 0:00:29 | |
That's just nonsense. | 0:00:29 | 0:00:30 | |
We've rounded up the good guys to turn these houses of horror | 0:00:30 | 0:00:34 | |
into heavenly homes. | 0:00:34 | 0:00:36 | |
It's not just your home they destroy, they destroy you as well. | 0:00:36 | 0:00:41 | |
So take a tip from me - | 0:00:41 | 0:00:43 | |
the next 30 minutes could well keep you out of the cowboy trap. | 0:00:43 | 0:00:47 | |
Today, Cowboy Trap is in Bristol, birthplace of Banksy, | 0:00:58 | 0:01:01 | |
Wallace & Gromit and a famous blackcurrant cordial | 0:01:01 | 0:01:05 | |
which was invented at the brilliantly named | 0:01:05 | 0:01:07 | |
National Fruit and Cider Institute during World War Two. | 0:01:07 | 0:01:11 | |
And 100 years earlier a certain Isambard Kingdom Brunel | 0:01:11 | 0:01:15 | |
designed another national icon here. | 0:01:15 | 0:01:18 | |
The magnificent Clifton Suspension Bridge behind me | 0:01:18 | 0:01:21 | |
is a triumph to British civil engineering. | 0:01:21 | 0:01:24 | |
It was so perfectly constructed that although it was designed | 0:01:24 | 0:01:28 | |
for horse-drawn traffic and pedestrians, | 0:01:28 | 0:01:30 | |
nowadays it carries millions of vehicles. | 0:01:30 | 0:01:33 | |
But sadly we're not here to take a look at that, | 0:01:33 | 0:01:35 | |
in fact quite the opposite, | 0:01:35 | 0:01:37 | |
because the contractor in our sights is a cowboy. | 0:01:37 | 0:01:40 | |
His unwitting victims live in this bungalow. | 0:01:42 | 0:01:44 | |
It's home to 54-year-old Teresa Joseph | 0:01:44 | 0:01:48 | |
and her 24-year-old daughter Georgina, who has cerebral palsy. | 0:01:48 | 0:01:52 | |
Two years ago, Teresa's much-loved mum died, | 0:01:52 | 0:01:55 | |
and Teresa decided that she and Georgina | 0:01:55 | 0:01:58 | |
should move away from their small Devon town. | 0:01:58 | 0:02:01 | |
I felt we could start a new life | 0:02:01 | 0:02:03 | |
and because I was very close to my mum, we were like sisters. | 0:02:03 | 0:02:08 | |
Teresa wanted to go somewhere which would provide more job opportunities | 0:02:08 | 0:02:12 | |
for her and Georgina. | 0:02:12 | 0:02:14 | |
She thought nearby Bristol ticked all the right boxes. | 0:02:14 | 0:02:17 | |
When she found this bungalow on the outskirts of the city, | 0:02:17 | 0:02:21 | |
it was love at first sight. | 0:02:21 | 0:02:22 | |
I could just see myself living here. | 0:02:22 | 0:02:26 | |
It was cosy, it was old fashioned but it was liveable, | 0:02:26 | 0:02:31 | |
it was lovely and clean and there was a friendly atmosphere about it. | 0:02:31 | 0:02:36 | |
Teresa and Georgina moved in in early 2011. | 0:02:36 | 0:02:41 | |
The bungalow was far from the finished article | 0:02:41 | 0:02:43 | |
and Teresa couldn't wait to create their new home. | 0:02:43 | 0:02:47 | |
She realised it was in desperate need of modernisation | 0:02:47 | 0:02:50 | |
but she could also see it had loads of potential. | 0:02:50 | 0:02:53 | |
A big, spacious kitchen extension was the cornerstone of her dream. | 0:02:53 | 0:02:57 | |
Teresa needed to find a builder | 0:02:59 | 0:03:01 | |
but didn't know where to start in an unknown city. | 0:03:01 | 0:03:04 | |
When her sister recommended a local building firm, | 0:03:04 | 0:03:07 | |
it seemed the ideal solution. | 0:03:07 | 0:03:09 | |
She said she knew two builders. and they were very good. | 0:03:09 | 0:03:13 | |
They were expensive but they'd done a good job. | 0:03:13 | 0:03:16 | |
I thought since she's my sister it would be all good, you know. | 0:03:16 | 0:03:20 | |
A local architect drew up plans for the kitchen extension | 0:03:23 | 0:03:26 | |
and Teresa sensed her dream was on the verge of becoming a reality. | 0:03:26 | 0:03:30 | |
She was finalising arrangements for the extension with the builder | 0:03:30 | 0:03:33 | |
when out of the blue he suggested a crucial alteration to the design | 0:03:33 | 0:03:36 | |
to reduce costs and avoid the need for planning permission. | 0:03:36 | 0:03:41 | |
He wanted to build a conservatory which meant | 0:03:41 | 0:03:44 | |
he could get past a whole host of building regulations. | 0:03:44 | 0:03:48 | |
After much persuasion, reluctantly Teresa agreed. | 0:03:48 | 0:03:52 | |
It's a decision she's regretted to this very day. | 0:03:52 | 0:03:54 | |
He said, we'll put radiators out there, blah, blah, blah. | 0:03:57 | 0:04:01 | |
He eventually made me believe that it would pay me | 0:04:01 | 0:04:05 | |
to have a conservatory. | 0:04:05 | 0:04:07 | |
Take a tip from me. | 0:04:10 | 0:04:12 | |
If your builder wants to change the spec of your project | 0:04:12 | 0:04:15 | |
to avoid building regs - beware! | 0:04:15 | 0:04:17 | |
A decent builder has no problem with Building Control getting involved. | 0:04:17 | 0:04:22 | |
A cowboy does. | 0:04:22 | 0:04:23 | |
If your instincts tell you your builder is pulling a fast one, | 0:04:23 | 0:04:27 | |
listen to them and run for the hills. | 0:04:27 | 0:04:30 | |
So, Teresa wanted an extension but was persuaded to have a conservatory instead to avoid red tape. | 0:04:32 | 0:04:39 | |
Then she made another common mistake. | 0:04:39 | 0:04:42 | |
She told the builder her budget was £32,000 | 0:04:42 | 0:04:45 | |
and guess what his quote came in at? | 0:04:45 | 0:04:48 | |
You've guessed it - £32,000. | 0:04:48 | 0:04:50 | |
This was to create Teresa's kitchen extension, | 0:04:51 | 0:04:54 | |
put in a new bathroom and improve her windows, doors and garden. | 0:04:54 | 0:04:59 | |
The builder demanded five grand upfront. | 0:04:59 | 0:05:02 | |
Teresa paid and work started in March 2011. | 0:05:02 | 0:05:06 | |
But the £5,000 was just the start of his regular financial demands. | 0:05:06 | 0:05:10 | |
It was 500 for this, 300 for that, 700 for this. | 0:05:12 | 0:05:16 | |
That's how it kept going on. | 0:05:16 | 0:05:18 | |
I just couldn't get a grasp of it so I rang my sister | 0:05:18 | 0:05:22 | |
and I said to her, "They keep asking me for money all the time. | 0:05:22 | 0:05:26 | |
"Am I supposed to be doing it?" | 0:05:26 | 0:05:29 | |
"Oh", she said, "this is what builders do". | 0:05:29 | 0:05:31 | |
Take my advice. | 0:05:33 | 0:05:34 | |
Agree a payment schedule with your builder at the start of the job and stick to it. | 0:05:34 | 0:05:39 | |
Reputable builders don't need payments up front | 0:05:39 | 0:05:42 | |
to cover the cost of materials. | 0:05:42 | 0:05:44 | |
They have accounts with suppliers which allow them to build now | 0:05:44 | 0:05:48 | |
and you to pay later. | 0:05:48 | 0:05:50 | |
I just trusted these people | 0:05:50 | 0:05:52 | |
and I thought they were doing the right thing. | 0:05:52 | 0:05:55 | |
But it wasn't just the money that was a concern. | 0:05:58 | 0:06:00 | |
The builder's team were leaving the bungalow in a terrible mess each day | 0:06:00 | 0:06:04 | |
and they were extremely unreliable. | 0:06:04 | 0:06:08 | |
A lot of the jobs they forgot to do. | 0:06:08 | 0:06:10 | |
Electricians weren't turning up, | 0:06:10 | 0:06:12 | |
when they were doing the footings as well all they had in | 0:06:12 | 0:06:16 | |
was young boys digging there. | 0:06:16 | 0:06:18 | |
Not surprisingly, with such inexperienced labour, | 0:06:18 | 0:06:22 | |
the few bits that were finished were shoddy. | 0:06:22 | 0:06:25 | |
The roof of the conservatory leaked like a sieve. | 0:06:25 | 0:06:28 | |
Think this sounds bad? Well, you ain't heard nothing yet. | 0:06:29 | 0:06:33 | |
The builder started treating Teresa's bungalow like his own home. | 0:06:33 | 0:06:37 | |
I'd come home and they'd all be sat here having dinner | 0:06:37 | 0:06:41 | |
with the television on. | 0:06:41 | 0:06:43 | |
Then the next minute you'd come back here | 0:06:43 | 0:06:45 | |
and there was the grandchildren here and the wives here. | 0:06:45 | 0:06:50 | |
Then one of the wives would turn up with a sister from America. | 0:06:50 | 0:06:54 | |
It was open house for the whole family. | 0:06:54 | 0:06:56 | |
Can you Adam and Eve it? | 0:06:56 | 0:06:59 | |
Talk about taking liberties. | 0:06:59 | 0:07:02 | |
Young Georgina couldn't believe how the builders treated her mum. | 0:07:02 | 0:07:06 | |
They'd shout at her and tell her off | 0:07:06 | 0:07:09 | |
and me thinking this is our property, | 0:07:09 | 0:07:11 | |
you're the builders you do the work or you get out. | 0:07:11 | 0:07:15 | |
Georgina was stunned | 0:07:16 | 0:07:18 | |
when the builder wouldn't agree to the most basic requests. | 0:07:18 | 0:07:21 | |
Outside the front we'd asked for the step to be higher. | 0:07:23 | 0:07:25 | |
Because of my cerebral palsy in my leg | 0:07:25 | 0:07:28 | |
I find it very difficult to get out of the front door. | 0:07:28 | 0:07:31 | |
They've never done that. | 0:07:31 | 0:07:32 | |
In May 2011, the builder packed up and left. | 0:07:34 | 0:07:37 | |
It soon became apparent the conservatory was a disaster. | 0:07:39 | 0:07:43 | |
Condensation was running down the windows, | 0:07:44 | 0:07:46 | |
there were damp patches everywhere | 0:07:46 | 0:07:47 | |
and when Teresa called in building inspectors | 0:07:47 | 0:07:50 | |
they noticed problems with the foundations. | 0:07:50 | 0:07:53 | |
Worse still, the whole structure had been built over a drain. | 0:07:55 | 0:07:59 | |
Teresa had no paperwork for the electrics | 0:08:00 | 0:08:03 | |
or guarantees for the windows. Oh, dear. | 0:08:03 | 0:08:06 | |
When I say that cowboy builders not only ruin bricks and mortar | 0:08:07 | 0:08:11 | |
they ruin people's lives too. | 0:08:11 | 0:08:14 | |
I'm thinking of experiences just like Teresa's. | 0:08:14 | 0:08:17 | |
The nightmare build and shoddy outcome was bad enough | 0:08:17 | 0:08:20 | |
but this whole affair has taken its toll on Teresa | 0:08:20 | 0:08:23 | |
and it's split the family apart. | 0:08:23 | 0:08:25 | |
Remember, Teresa hired her builder on recommendation from her sister | 0:08:26 | 0:08:31 | |
which means this botched build has created a family rift. | 0:08:31 | 0:08:35 | |
Mum's sister sided with the builders and she's gone her way, | 0:08:35 | 0:08:38 | |
we've gone our separate way and we just don't speak to her any more. | 0:08:38 | 0:08:42 | |
It's such a shame, it is such a shame. | 0:08:42 | 0:08:45 | |
My whole life has stopped for the last year so, | 0:08:47 | 0:08:50 | |
just completely stopped. | 0:08:50 | 0:08:52 | |
All it's been focused at is try and get something sorted on here. | 0:08:52 | 0:08:55 | |
It's not just your home they destroy, they destroy you as well. | 0:08:57 | 0:09:02 | |
Having the builders in is one of the most stressful times of your life, | 0:09:06 | 0:09:10 | |
there's no doubt about it. | 0:09:10 | 0:09:12 | |
But there is certainly no excuse for stuff like this. | 0:09:12 | 0:09:14 | |
I want to see after all that what Teresa has been left with | 0:09:14 | 0:09:18 | |
and then see what we, the good guys, can do to put it right. | 0:09:18 | 0:09:23 | |
'This is such a heart breaking story, I really hope | 0:09:23 | 0:09:27 | |
'we can get Teresa's dream back on track.' | 0:09:27 | 0:09:30 | |
Hello, you must be Teresa. | 0:09:30 | 0:09:32 | |
-I am, yes. -Hello, I'm Clive from Cowboy Trap. How are you doing? | 0:09:32 | 0:09:35 | |
-I'm fine, thank you. -Jolly good. | 0:09:35 | 0:09:37 | |
-Now, I hear you've had problems with cowboy builder. -Yes, I have, yes. | 0:09:37 | 0:09:40 | |
Now it involves the extension in the back. | 0:09:40 | 0:09:43 | |
-That's right. -Can I get to it? Can I have a look at it? -Yes, you can. You can get round the side. | 0:09:43 | 0:09:48 | |
'While Teresa puts the kettle on, I check it out. | 0:09:49 | 0:09:52 | |
It doesn't take long for me to find a problem.' | 0:09:52 | 0:09:55 | |
This is obviously where the new extension is | 0:09:55 | 0:09:58 | |
to the existing building. But look at this. | 0:09:58 | 0:10:01 | |
Where it's been trimmed up, it's standing proud. There's no need for that. That should be flush. | 0:10:01 | 0:10:05 | |
That's just nonsense. | 0:10:05 | 0:10:07 | |
And when following in the footsteps of cowboys | 0:10:07 | 0:10:11 | |
sometimes all you need to do is follow your nose. | 0:10:11 | 0:10:14 | |
This is a sewer and check this baby out. | 0:10:14 | 0:10:17 | |
That is in line with this extension, so you know what they've done? | 0:10:18 | 0:10:23 | |
They've built directly over a sewer | 0:10:23 | 0:10:25 | |
and because of the way that sewer is flowing, that is a public sewer. | 0:10:25 | 0:10:30 | |
There's no way we're leaving that open. I can guarantee you that. | 0:10:30 | 0:10:34 | |
Teresa's already up the proverbial creek without a paddle. | 0:10:35 | 0:10:39 | |
No need to make it any worse. | 0:10:39 | 0:10:41 | |
Uh-oh, spoke too soon. | 0:10:41 | 0:10:44 | |
It is getting worse. | 0:10:44 | 0:10:47 | |
That's the parapet top there. | 0:10:47 | 0:10:49 | |
On top of that you've got coping stones. | 0:10:49 | 0:10:52 | |
Those coping stones, the wings of them, are no way near wide enough. | 0:10:52 | 0:10:55 | |
They've got these built-in channels underneath | 0:10:55 | 0:10:58 | |
and they're designed to wick away water when it rains. | 0:10:58 | 0:11:01 | |
They need to be much wider than that. | 0:11:01 | 0:11:03 | |
As you can see, because it's so close | 0:11:03 | 0:11:06 | |
and because of those, you can see the grooves just at the bottom, | 0:11:06 | 0:11:10 | |
where the water's gathering that'll be going right in | 0:11:10 | 0:11:13 | |
and down behind all of this. | 0:11:13 | 0:11:16 | |
So, all of the render that's on the front | 0:11:16 | 0:11:18 | |
moisture will definitely be getting in behind there. | 0:11:18 | 0:11:21 | |
I'll eat my hat if we haven't got any damp ingress | 0:11:21 | 0:11:24 | |
already cracking off of this building. | 0:11:24 | 0:11:26 | |
OK, I haven't got a hat and I'm on a diet but you get the idea. | 0:11:26 | 0:11:31 | |
Another concern - there's no bottle gully to run rain water | 0:11:32 | 0:11:36 | |
from the guttering into a drain. | 0:11:36 | 0:11:38 | |
Water's going to flow straight down the drive onto the road. | 0:11:38 | 0:11:42 | |
That breaches building regs, my friends. | 0:11:42 | 0:11:45 | |
All that water, every possibility that could start undermining footings, | 0:11:45 | 0:11:50 | |
getting in the brick work. | 0:11:50 | 0:11:53 | |
That is rubbish. | 0:11:53 | 0:11:55 | |
And so is that lead flashing next to the parapet. | 0:11:56 | 0:11:59 | |
What a bodge! | 0:11:59 | 0:12:01 | |
It's bad when you look up and it's bad when you look down. | 0:12:01 | 0:12:05 | |
Those courses there should be engineering bricks, blue bricks. | 0:12:05 | 0:12:08 | |
They've just used house bricks. | 0:12:08 | 0:12:10 | |
I'm almost too nervous to go inside. | 0:12:11 | 0:12:14 | |
Duh-duh-duh! | 0:12:15 | 0:12:17 | |
Eurgh. | 0:12:17 | 0:12:19 | |
We've got mould spores. We've got moisture ingress coming in. | 0:12:19 | 0:12:23 | |
That's all to do with that parapet and those copers, I'll tell you that now. | 0:12:23 | 0:12:27 | |
Look at that. | 0:12:27 | 0:12:30 | |
That is a lot of water that's been coming in at some stage. | 0:12:30 | 0:12:32 | |
Sunny day today, but I bet you when it rains | 0:12:32 | 0:12:35 | |
it trickles down all the time. | 0:12:35 | 0:12:36 | |
What's going on in that corner, I have not got a Scooby Doo. | 0:12:36 | 0:12:39 | |
You know me by now, that means clue. | 0:12:39 | 0:12:41 | |
And not even Scooby and his gang can solve the mystery | 0:12:41 | 0:12:45 | |
of how the man who did all this could call himself a builder. | 0:12:45 | 0:12:49 | |
MUTTERS LIKE SCOOBY DOO | 0:12:49 | 0:12:51 | |
There's no vents in these windows | 0:12:51 | 0:12:53 | |
and you know that that means - condensation. | 0:12:53 | 0:12:57 | |
With the emphasis on 'con'. | 0:12:57 | 0:12:59 | |
There are no doors between the main house and the conservatory | 0:12:59 | 0:13:02 | |
which means this structure isn't legal. | 0:13:02 | 0:13:05 | |
'Time for a heart to heart with Teresa | 0:13:05 | 0:13:07 | |
'about this sorry state of affairs.' | 0:13:07 | 0:13:10 | |
What I'm really concerned about is, | 0:13:10 | 0:13:13 | |
I tell people how cowboy builders coming into your home | 0:13:13 | 0:13:18 | |
and into your life can ruin your property | 0:13:18 | 0:13:22 | |
but they can also ruin your life. | 0:13:22 | 0:13:24 | |
You tell me about it. What I've gone through. | 0:13:24 | 0:13:28 | |
I just sit on the bed crying, crying, crying all the time. | 0:13:28 | 0:13:31 | |
Even this morning I was in the bathroom crying my eyes out. | 0:13:31 | 0:13:34 | |
I just hate getting up on a morning. | 0:13:34 | 0:13:36 | |
I don't want to face the day no more. | 0:13:36 | 0:13:39 | |
I've never been in a place like it in my life. | 0:13:39 | 0:13:43 | |
Are you saying with what you've got left, they've taken the £32,000? | 0:13:43 | 0:13:48 | |
No, they've taken £44-£45,000 off me. | 0:13:48 | 0:13:51 | |
-What? -Yeah. -How come? | 0:13:51 | 0:13:54 | |
I'd ask them how much is this going to cost | 0:13:54 | 0:13:57 | |
and he'd go we'll sort that out, we'll sort that out. | 0:13:57 | 0:13:59 | |
We've jumped from 32 to 44, a full £12,000 more... | 0:13:59 | 0:14:05 | |
I know. | 0:14:05 | 0:14:07 | |
I've got to be honest, this is doing my head in now. | 0:14:07 | 0:14:10 | |
The whole thing is just doing my head in. | 0:14:10 | 0:14:13 | |
Oh, dear. | 0:14:13 | 0:14:15 | |
£44,000 for this shambles? | 0:14:15 | 0:14:18 | |
Take a tip from me. | 0:14:20 | 0:14:21 | |
If you're paying out thousands of pounds on a building project | 0:14:21 | 0:14:25 | |
spend a few extra quid on some ink and paper for a formal contract. | 0:14:25 | 0:14:29 | |
Confirm in writing the overall cost, the payment schedule | 0:14:29 | 0:14:33 | |
and the fact receipts must be provided on request. | 0:14:33 | 0:14:36 | |
If costs start to multiply, your builder is in breach of contract | 0:14:36 | 0:14:40 | |
strengthening your position if you do need to go to court. | 0:14:40 | 0:14:44 | |
This is the most unusual situation that I've ever come across. | 0:14:46 | 0:14:50 | |
-Is it? -Without a shadow of a doubt. | 0:14:50 | 0:14:54 | |
In terms of the finances, the way the build has gone, you've now, | 0:14:54 | 0:14:59 | |
you're light of £40,000-odd, what have you got for that £40,000-odd? | 0:14:59 | 0:15:05 | |
Have you got anything for that money that is worth having? | 0:15:05 | 0:15:11 | |
No, nothing. | 0:15:11 | 0:15:13 | |
This is an absolute disgrace. | 0:15:13 | 0:15:16 | |
One of the worst Cowboy Traps ever. I'm determined to get it sorted. | 0:15:16 | 0:15:22 | |
To help make sure I haven't missed anything | 0:15:22 | 0:15:24 | |
I've asked independent building surveyor, Matt Belgrove, to take a look. | 0:15:24 | 0:15:28 | |
-You can see the problems. -That's right, yeah. | 0:15:30 | 0:15:33 | |
There's clear signs of water ingress internally here. | 0:15:33 | 0:15:37 | |
The plaster itself is heavily saturated | 0:15:37 | 0:15:41 | |
and I think it's fairly apparent that behind that the wall is damp. | 0:15:41 | 0:15:47 | |
In here there is probably a hidden problem we've got | 0:15:47 | 0:15:51 | |
-and that is, it could be sitting on a drain. -Yes, yes. | 0:15:51 | 0:15:54 | |
We understand from Building Controls' comments | 0:15:54 | 0:15:57 | |
that there could be a drain immediately below this. | 0:15:57 | 0:16:01 | |
You can build over them but you need to do it correctly, really. | 0:16:01 | 0:16:05 | |
And looking at the rest of this botched build that is highly unlikely. | 0:16:05 | 0:16:10 | |
Matt's mind is made up. | 0:16:10 | 0:16:11 | |
What mark out of ten would you give for the work that you've seen? | 0:16:13 | 0:16:18 | |
I'd certainly struggle to give it more than five, I think, Clive. | 0:16:18 | 0:16:21 | |
In this instance, four. | 0:16:21 | 0:16:23 | |
OK, so we're giving it a four out of ten, | 0:16:23 | 0:16:25 | |
that's nothing to be proud of in any way, shape or form. | 0:16:25 | 0:16:27 | |
Especially when you've forked out £44,000 for it. | 0:16:27 | 0:16:31 | |
Value for money? I don't think so. | 0:16:32 | 0:16:35 | |
I've seen enough of this, it's a real mess. | 0:16:37 | 0:16:39 | |
It's a total disgrace in actual fact as a build goes. | 0:16:39 | 0:16:43 | |
As far as I'm concerned I'm now declaring it a no-go zone | 0:16:43 | 0:16:46 | |
because we need to rip it up and start again. | 0:16:46 | 0:16:48 | |
I'm going to cordon it off and say to you this, | 0:16:48 | 0:16:51 | |
the only people allowed past this tape are myself and those good guys, | 0:16:51 | 0:16:55 | |
so let's bring them on. | 0:16:55 | 0:16:58 | |
Bring them on indeed. | 0:16:59 | 0:17:01 | |
Here are my knights in shining armour | 0:17:01 | 0:17:03 | |
led by all-round good guy, Paul Hilton. | 0:17:03 | 0:17:07 | |
Before he gets cracking I want a chinwag with the moustachioed maestro. | 0:17:07 | 0:17:11 | |
This whole extension-cum-conservatory is a debacle. What's your plan? | 0:17:12 | 0:17:17 | |
Basically, it's to demolish it and rebuild it, you know, | 0:17:17 | 0:17:22 | |
-to the extent it would satisfy conservatory rules and regs. -Yeah. | 0:17:23 | 0:17:27 | |
It can never, ever be an extension. | 0:17:29 | 0:17:31 | |
Not without chucking loads and loads more money at it | 0:17:31 | 0:17:36 | |
which, unfortunately, the original cowboys have had it away with. | 0:17:36 | 0:17:40 | |
There's loads of things wrong with it | 0:17:40 | 0:17:43 | |
and probably the worst offending one would be | 0:17:43 | 0:17:47 | |
-that it's actually been built over a public sewer. -Yeah. | 0:17:47 | 0:17:50 | |
Which, er, the reason they weren't allowed to have an extension | 0:17:50 | 0:17:55 | |
was because the extra weight would have just have collapsed that sewer | 0:17:55 | 0:17:58 | |
and then the whole street would have been in trouble. | 0:17:58 | 0:18:01 | |
Not only that, the home owners are going to be in big trouble, that's for sure. | 0:18:01 | 0:18:05 | |
Trouble with a capital T. | 0:18:05 | 0:18:07 | |
As the song goes it's time to - | 0:18:09 | 0:18:11 | |
# Rip it up and start again. # | 0:18:11 | 0:18:14 | |
So much needs doing, Teresa is chipping in. | 0:18:16 | 0:18:19 | |
First up - old conservatory down. | 0:18:21 | 0:18:23 | |
Good to see the back of that. | 0:18:25 | 0:18:27 | |
Next they measure the new doors | 0:18:28 | 0:18:30 | |
which will separate the kitchen from the conservatory. | 0:18:30 | 0:18:34 | |
Then it's time to work on the gable wall. | 0:18:35 | 0:18:37 | |
Soon Paul's posse are piecing together the new conservatory. | 0:18:39 | 0:18:43 | |
Can they bring Teresa's dream back to life? | 0:18:44 | 0:18:48 | |
Only time will tell. | 0:18:48 | 0:18:50 | |
I'm back in Bristol where Teresa Joseph and her daughter, Georgina, | 0:18:54 | 0:18:59 | |
were facing the stuff of nightmares with a painful, shoddy botched build. | 0:18:59 | 0:19:03 | |
Our good guys have now finished their work | 0:19:03 | 0:19:06 | |
and I'm here to find out if they've saved the day. | 0:19:06 | 0:19:10 | |
Before I talk it through with Teresa and Georgina, | 0:19:10 | 0:19:13 | |
I can't resist taking a sneaky peak. | 0:19:13 | 0:19:15 | |
I can see straight away that the actual downspout for the surface water is missing | 0:19:17 | 0:19:22 | |
so all that water that was gushing here | 0:19:22 | 0:19:25 | |
and probably undermining the footings as well as just rushing down the driveway, | 0:19:25 | 0:19:28 | |
that was a real pain, certainly in winter that would have frozen up, | 0:19:28 | 0:19:32 | |
that's gone. | 0:19:32 | 0:19:34 | |
Paul's addressed that conservatory wall which is now flush. | 0:19:34 | 0:19:38 | |
And talking of flush, remember the sewer situation? | 0:19:40 | 0:19:43 | |
It's now gone from pooh to phew. | 0:19:43 | 0:19:46 | |
Building Control is happy the new design of this conservatory | 0:19:46 | 0:19:49 | |
doesn't contravene building regs. | 0:19:49 | 0:19:51 | |
Time to check out the new design for myself. | 0:19:52 | 0:19:55 | |
Yeah, I mean, straight away you can see what a total change. | 0:19:59 | 0:20:02 | |
This sort of Victorian-stylee conservatory now is... | 0:20:02 | 0:20:08 | |
Oh, man! It looks so different. | 0:20:08 | 0:20:10 | |
It's almost unrecognisable from before. | 0:20:11 | 0:20:14 | |
Nice one! | 0:20:16 | 0:20:18 | |
Let's take a look from the garden. | 0:20:18 | 0:20:20 | |
It looks a million dollars. | 0:20:20 | 0:20:21 | |
If you were coming to buy that property, this would be | 0:20:21 | 0:20:24 | |
a real winner on the back of the house, because you've got a lovely | 0:20:24 | 0:20:27 | |
garden to look at, but now you've also got a great conservatory, too. | 0:20:27 | 0:20:31 | |
I mean, before, that conservatory was a real mishmash. | 0:20:31 | 0:20:35 | |
This looks top-bombing. | 0:20:35 | 0:20:37 | |
Time to check out the inside. | 0:20:39 | 0:20:41 | |
Remember, before, it looked like this. | 0:20:41 | 0:20:45 | |
Now, it looks like this. | 0:20:46 | 0:20:49 | |
What Building Control wanted was to definitely define this as a conservatory. | 0:20:49 | 0:20:54 | |
So, therefore, that opening there needed a door in it. | 0:20:54 | 0:20:58 | |
Paul and the boys have put in this bifolding door. Let's look at it. | 0:20:58 | 0:21:04 | |
If you wanted to, you've got the door to open there, glazed as well. | 0:21:04 | 0:21:08 | |
You can open that fully so that it becomes, really, | 0:21:08 | 0:21:12 | |
flowing into the kitchen. Furthermore, look at this. | 0:21:12 | 0:21:16 | |
You can actually now open that right up. And that's fantastic. | 0:21:16 | 0:21:22 | |
This is what she wanted, really, was the fact that she could | 0:21:22 | 0:21:25 | |
flow from the kitchen into the dining area. | 0:21:25 | 0:21:29 | |
But now, you've got a wonderful conservatory to go with it. | 0:21:29 | 0:21:33 | |
These roof panels, you'll see there's a blue tinge in that. | 0:21:33 | 0:21:37 | |
What it does is, in winter, it keeps the warmth in, and in summer, | 0:21:37 | 0:21:43 | |
it'll reflect the sun so that it keeps it cooler in the conservatory | 0:21:43 | 0:21:47 | |
as well as having that lovely, light fan. | 0:21:47 | 0:21:50 | |
It just looks a whole heap better. | 0:21:50 | 0:21:54 | |
Yes, indeed-y! | 0:21:55 | 0:21:57 | |
Before I talk it through with Teresa, I'd like a powwow | 0:21:57 | 0:22:01 | |
about her cowboy builder. | 0:22:01 | 0:22:03 | |
I wanted to find out his side of the story | 0:22:03 | 0:22:05 | |
so I could hear her responses to his version of events. | 0:22:05 | 0:22:09 | |
Starting with why he didn't take more precautions to avoid | 0:22:09 | 0:22:12 | |
the damp problem in Teresa's conservatory. | 0:22:12 | 0:22:16 | |
He says he was under no obligation to put vents into the windows that he replaced. | 0:22:16 | 0:22:20 | |
He replaced those windows because the old windows didn't have them. | 0:22:20 | 0:22:24 | |
Did he say he was going to put vents in there? | 0:22:24 | 0:22:26 | |
No, we didn't say he was going to put vents in, but the condensation | 0:22:26 | 0:22:30 | |
was just so bad that it needed some ventilation in there. | 0:22:30 | 0:22:34 | |
I just felt as though he didn't want to help me anyway. | 0:22:34 | 0:22:36 | |
Everything I asked him, you know, or suggested, he said, | 0:22:36 | 0:22:39 | |
-"Who do you think is going to pay for it?" -OK. | 0:22:39 | 0:22:42 | |
He also says he did come back and try and sort out the condensation | 0:22:42 | 0:22:45 | |
and the mould problems for you. Is that true? | 0:22:45 | 0:22:48 | |
Yeah, with a bottle of mould and mildew. | 0:22:48 | 0:22:51 | |
He said I had to do that all the time. | 0:22:51 | 0:22:54 | |
Personally, I don't get that, | 0:22:54 | 0:22:55 | |
-because the problem needs to be solved at source. -Yes. | 0:22:55 | 0:22:59 | |
You can't keep spraying that sort of thing on. | 0:22:59 | 0:23:01 | |
-At first, he told us that it was definitely -your -idea | 0:23:01 | 0:23:06 | |
to have a conservatory, because you couldn't afford an extension. | 0:23:06 | 0:23:12 | |
-Now, this is in two parts, if you like. -Yeah. | 0:23:12 | 0:23:14 | |
But then, he changed his mind | 0:23:14 | 0:23:16 | |
and said you had indeed originally wanted an extension. | 0:23:16 | 0:23:21 | |
So, what's the truth in that? | 0:23:21 | 0:23:24 | |
I did want an extension. | 0:23:24 | 0:23:27 | |
I wanted a proper extension, where we could eat out there. | 0:23:27 | 0:23:31 | |
He kept saying to me that it was too expensive | 0:23:31 | 0:23:34 | |
and I wouldn't be able to afford it. | 0:23:34 | 0:23:36 | |
Then he said to me, "I can do you an extension," | 0:23:36 | 0:23:41 | |
and he promised me it would be as good as an extension. | 0:23:41 | 0:23:45 | |
For what I was paying, I thought it was going to be wonderful. | 0:23:45 | 0:23:49 | |
You know, really, really nice. | 0:23:49 | 0:23:51 | |
And nice it most certainly wasn't. | 0:23:53 | 0:23:56 | |
As Frankie Howerd would have said, | 0:23:56 | 0:23:59 | |
"Nay, nay and thrice nay!" | 0:23:59 | 0:24:02 | |
The builder also denies that Teresa paid him £44,000. | 0:24:03 | 0:24:07 | |
He reckons that it was nearer 30,000, | 0:24:09 | 0:24:12 | |
so there's a discrepancy there of £14,000. | 0:24:12 | 0:24:16 | |
No, I didn't know what I was doing. | 0:24:16 | 0:24:18 | |
As soon as they came in, they wanted 5,000 straightaway. | 0:24:18 | 0:24:23 | |
They said they wanted it for materials and that. | 0:24:23 | 0:24:26 | |
All I was doing was pulling money out, pulling money out. | 0:24:26 | 0:24:29 | |
£500 here, £2,500... | 0:24:29 | 0:24:32 | |
And that's when I got my building society book out | 0:24:32 | 0:24:35 | |
and added it all up, and that's what it came to - £44,000. | 0:24:35 | 0:24:40 | |
Unfortunately, Teresa didn't get receipts for the payments she made, | 0:24:40 | 0:24:45 | |
which would've resolved this dispute over how much | 0:24:45 | 0:24:48 | |
she paid her builder. | 0:24:48 | 0:24:49 | |
He also said you were spending your inheritance like water | 0:24:49 | 0:24:53 | |
and buying all sorts of things. | 0:24:53 | 0:24:57 | |
I guess what he's trying to say is that you lost track of the money, | 0:24:57 | 0:25:03 | |
because, in his opinion, | 0:25:03 | 0:25:05 | |
you were spending money like it was going out of fashion. | 0:25:05 | 0:25:08 | |
-SHE GASPS -I was not spending it! | 0:25:08 | 0:25:10 | |
All I bought was some curtains and some blinds for... | 0:25:10 | 0:25:14 | |
Well, that's what you buy, isn't it, when you have jobs done? | 0:25:14 | 0:25:18 | |
I didn't spend it as though it was going... | 0:25:18 | 0:25:20 | |
As you can see, I got most of my stuff from charity shops, | 0:25:20 | 0:25:24 | |
things that were in the sale, and I didn't... I did not... | 0:25:24 | 0:25:27 | |
I did not... Oh, I think that's disgusting! | 0:25:27 | 0:25:31 | |
Y-ouch! | 0:25:32 | 0:25:34 | |
Well, I reckon Teresa needs a bit of cheering up. | 0:25:34 | 0:25:37 | |
And I know just the tonic. | 0:25:37 | 0:25:38 | |
The Josephs have lived with the work as it's been going on. | 0:25:38 | 0:25:43 | |
But now, I am about to reveal the finished results in all their glory. | 0:25:43 | 0:25:47 | |
One, two, three... | 0:25:48 | 0:25:50 | |
open your eyes. | 0:25:50 | 0:25:52 | |
Oh! | 0:25:54 | 0:25:55 | |
-It's lovely. -Oh, isn't that beautiful? | 0:25:55 | 0:25:58 | |
That's superb. | 0:25:58 | 0:26:01 | |
Oh, beautiful, isn't it? Oh, look, I can see outside! | 0:26:01 | 0:26:05 | |
You can see outside! | 0:26:05 | 0:26:07 | |
Before, you had, of course, the plastic roof, | 0:26:07 | 0:26:11 | |
-and it was more of a sloping roof. -Yes. | 0:26:11 | 0:26:13 | |
Now you've go this more Victorian-style roof on it. | 0:26:13 | 0:26:16 | |
It's beautiful. We'll be able to see the stars at night, won't we? | 0:26:16 | 0:26:21 | |
Oh, isn't it absolutely beautiful? | 0:26:21 | 0:26:23 | |
Oh, Georgina, look at the French doors! | 0:26:23 | 0:26:25 | |
It's got French doors as well. Of course, what about these doors? Do you like these doors? | 0:26:25 | 0:26:29 | |
Haven't had a chance to look at them. Oh, aren't they beautiful? | 0:26:29 | 0:26:33 | |
See, they are like bifolding doors, so they just open up. | 0:26:33 | 0:26:36 | |
-You don't have to have them like that. -No? | 0:26:36 | 0:26:39 | |
You can turn them around or have one door open or have them all open, | 0:26:39 | 0:26:43 | |
but it gives you the flow, then. | 0:26:43 | 0:26:44 | |
What sort of a difference, now you've got this, | 0:26:44 | 0:26:47 | |
do you think this is going to make to your life? | 0:26:47 | 0:26:50 | |
Oh, completely. | 0:26:50 | 0:26:52 | |
I want to do things to this, where the other, | 0:26:52 | 0:26:54 | |
I just didn't want to clean it, I didn't want to bother with it. | 0:26:54 | 0:26:58 | |
What do you think to it, Georgina? Give it the thumbs up? | 0:26:58 | 0:27:00 | |
-Very nice. -Yeah. -Very nice. | 0:27:00 | 0:27:02 | |
And what's also very nice is that local building control | 0:27:04 | 0:27:08 | |
will sign it off, because there are now doors separating | 0:27:08 | 0:27:11 | |
the conservatory from the house. | 0:27:11 | 0:27:13 | |
Time to see what it looks like from the garden. | 0:27:13 | 0:27:16 | |
The Josephs are impressed. | 0:27:16 | 0:27:20 | |
Oh, isn't that fantastic? | 0:27:20 | 0:27:22 | |
-Isn't it beautiful? -Wonderful! -Yeah. | 0:27:22 | 0:27:24 | |
Now, I remember, Teresa, you were saying to me | 0:27:24 | 0:27:27 | |
that you use to weep at night thinking about having to look | 0:27:27 | 0:27:30 | |
-at this old conservatory you had before. -Yes. | 0:27:30 | 0:27:33 | |
-Do you think that might change? -Definitely. I have stopped already! | 0:27:33 | 0:27:38 | |
-SHE LAUGHS -I've stopped already! | 0:27:38 | 0:27:40 | |
I like it! Yeah. Which is great. | 0:27:40 | 0:27:42 | |
I mean, from the outside, I'm loving it, | 0:27:42 | 0:27:44 | |
cos you've got the fleur-de-lis at the top there, the crowns. | 0:27:44 | 0:27:47 | |
It just looks fantastic, doesn't it? | 0:27:47 | 0:27:49 | |
Well, it's... | 0:27:49 | 0:27:51 | |
-It's beautiful. -Anyway, listen, it's been lovely to help you out. | 0:27:51 | 0:27:55 | |
-Best of luck for the future. -Thank you so very, very much. | 0:27:55 | 0:27:57 | |
See you soon. | 0:27:57 | 0:27:59 | |
'What a great result! | 0:27:59 | 0:28:00 | |
'More cowboy trap victims rescued.' | 0:28:00 | 0:28:03 | |
You know, I am chuffed to bits for Teresa and for Georgina, of course. | 0:28:05 | 0:28:09 | |
After their nightmare, I am so glad we've been able to bring | 0:28:09 | 0:28:12 | |
a ray of sunshine into their life, quite literally. | 0:28:12 | 0:28:15 | |
And what about our good guys? What a fantastic job they've done. | 0:28:15 | 0:28:18 | |
And I tell you something else, | 0:28:18 | 0:28:20 | |
it proves there are good guys out there if you only do your research. | 0:28:20 | 0:28:23 | |
And as for you cowboys out there, we're declaring it high noon, | 0:28:23 | 0:28:26 | |
and we're coming to get you! | 0:28:26 | 0:28:29 | |
Subtitles by Red Bee Media Ltd | 0:28:53 | 0:28:56 |