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Welcome to a world where nothing is quite as it seems. | 0:00:02 | 0:00:06 | |
Welcome to Fake Britain. | 0:00:06 | 0:00:09 | |
Police! Police officer, stand where you are! | 0:00:09 | 0:00:12 | |
You're under arrest. | 0:00:22 | 0:00:23 | |
In this series, I'm going to be investigating | 0:00:25 | 0:00:28 | |
the world of the criminals who make their money at your expense, | 0:00:28 | 0:00:31 | |
and I'm going to show you how not to get ripped off. | 0:00:31 | 0:00:34 | |
Coming up... | 0:00:34 | 0:00:37 | |
-Who's in charge? -Put your knives down. | 0:00:37 | 0:00:39 | |
We follow the UK Border Agency as they track down the fakers | 0:00:39 | 0:00:42 | |
hidden in Britain's workforce. | 0:00:42 | 0:00:44 | |
He's told me he entered the United Kingdom by lorry. | 0:00:44 | 0:00:48 | |
The bottle of wine that left a nasty taste in the mouth. | 0:00:48 | 0:00:51 | |
It was bought in Tesco... and it's a fake. | 0:00:51 | 0:00:53 | |
Heartbreak for young ballet dancers - | 0:00:53 | 0:00:56 | |
how a fraudster left their dreams in tatters. | 0:00:56 | 0:00:59 | |
There were children as young as three years old involved in this. | 0:00:59 | 0:01:02 | |
This man is a target for the police, the Border Agency | 0:01:07 | 0:01:11 | |
and counter fraud squad from the local authority. | 0:01:11 | 0:01:15 | |
He's a suspected fraudster, who they believe has used fake ID | 0:01:15 | 0:01:19 | |
to claim tens of thousands in benefits he's not entitled to. | 0:01:19 | 0:01:23 | |
We are looking at closer to £50,000 of housing, council tax | 0:01:23 | 0:01:29 | |
and benefits from the Department for Work and Pensions. | 0:01:29 | 0:01:33 | |
The man's ID says his name is Mehdi Zerga, | 0:01:33 | 0:01:37 | |
but the council's fraud team think that's a fake French identity | 0:01:37 | 0:01:40 | |
he's using so he can claim benefits. | 0:01:40 | 0:01:43 | |
The team know where he lives, | 0:01:43 | 0:01:45 | |
and early in the morning they are on their way to arrest him for fraud. | 0:01:45 | 0:01:50 | |
Can you open the door, please? | 0:01:50 | 0:01:53 | |
The police are in, but there's a whole family inside. | 0:01:53 | 0:01:57 | |
The suspect has been handcuffed. | 0:01:57 | 0:01:59 | |
Police and the council team are confident this is the man in the ID. | 0:01:59 | 0:02:04 | |
What they need to find now are any identity documents linking him | 0:02:04 | 0:02:09 | |
to the name on the fake claims - Mehdi Zerga. | 0:02:09 | 0:02:11 | |
Two for the children. | 0:02:11 | 0:02:12 | |
So far, all they can find are what seem to be genuine documents | 0:02:12 | 0:02:16 | |
for him, his wife and their children. | 0:02:16 | 0:02:18 | |
I'm a British citizen. | 0:02:18 | 0:02:19 | |
-You've got a British passport, or a travel document? -No, I've got a British passport. | 0:02:19 | 0:02:23 | |
But finally, they've found suspect bank documents in the name | 0:02:23 | 0:02:27 | |
they've been looking for. | 0:02:27 | 0:02:29 | |
Mr Mehdi Zerga... do you know who he is? | 0:02:29 | 0:02:31 | |
Basically, that man is not here at the moment. | 0:02:31 | 0:02:34 | |
He lives in France. He used to live here for ages, and he went. | 0:02:34 | 0:02:37 | |
All right. Do you open his mail for him? | 0:02:37 | 0:02:40 | |
Yeah, because sometimes he said to me, | 0:02:40 | 0:02:42 | |
"If there is any letter, pay it for me." | 0:02:42 | 0:02:44 | |
Because I'm paying his rent. | 0:02:44 | 0:02:46 | |
He comes maybe once a month or two months to take his rent. | 0:02:46 | 0:02:50 | |
I've got a letter from the Halifax. | 0:02:50 | 0:02:52 | |
That's his credit card. | 0:02:52 | 0:02:54 | |
I used to do like a payment for him. | 0:02:54 | 0:02:56 | |
That's his credit card? | 0:02:56 | 0:02:58 | |
They don't believe him. | 0:02:58 | 0:02:59 | |
They think he opened the letter because it was addressed | 0:02:59 | 0:03:02 | |
to the fake name he's been using to claim £50,000 in benefits. | 0:03:02 | 0:03:06 | |
We're going to seize these documents. | 0:03:06 | 0:03:08 | |
The team believe they have got the fraudster. | 0:03:08 | 0:03:10 | |
They've found the suspect at the address the benefits were claimed from, | 0:03:10 | 0:03:15 | |
and found bank documents in the name of the fake claimant. | 0:03:15 | 0:03:18 | |
And they were right. | 0:03:18 | 0:03:20 | |
The man later admitted setting up a fake identity in the name | 0:03:20 | 0:03:23 | |
Mehdi Zerga and conning £50,000. | 0:03:23 | 0:03:27 | |
He was sentenced to a year's jail | 0:03:27 | 0:03:29 | |
and all payments to him were stopped, saving thousands of pounds. | 0:03:29 | 0:03:34 | |
We're very happy with the results. | 0:03:34 | 0:03:36 | |
Every case we prosecute, we are saving a lot of money. | 0:03:36 | 0:03:39 | |
And what you've got to appreciate, we're stopping the benefit, | 0:03:39 | 0:03:42 | |
so we're stopping that fraud increasing. | 0:03:42 | 0:03:44 | |
Clacton-on-Sea, on the windy coast of Essex. | 0:03:50 | 0:03:54 | |
With its pier and beach, | 0:03:54 | 0:03:55 | |
it was once a top holiday destination for tens of thousands. | 0:03:55 | 0:04:00 | |
It's perhaps the last place you'd think of for fake wine. | 0:04:00 | 0:04:03 | |
Daniel McGowan likes his wine and knows a bit about it. | 0:04:09 | 0:04:13 | |
He went into his local Tesco in Clacton | 0:04:13 | 0:04:16 | |
and bought a couple of bottles of the classy French wine Pouilly-Fuisse. | 0:04:16 | 0:04:20 | |
But when he got it home and drank it, he was in for a surprise. | 0:04:20 | 0:04:24 | |
I opened it up expecting it to be a dry French wine. | 0:04:24 | 0:04:27 | |
I'm no expert, | 0:04:27 | 0:04:30 | |
but I can tell a decent French dry wine to a cheap and sweet wine. | 0:04:30 | 0:04:35 | |
Daniel was convinced that what was on the label was not the wine | 0:04:35 | 0:04:38 | |
in the bottle. | 0:04:38 | 0:04:39 | |
Purchasing it from Tesco, | 0:04:39 | 0:04:41 | |
couldn't have thought that a counterfeit wine could have been sold. | 0:04:41 | 0:04:45 | |
Next day he took the bottle back to the supermarket to complain... | 0:04:45 | 0:04:49 | |
he was offered a refund. | 0:04:49 | 0:04:52 | |
I declined, | 0:04:52 | 0:04:53 | |
and I just really asked for someone from Tesco to speak to me, | 0:04:53 | 0:04:56 | |
because I felt that, obviously, that wasn't right, | 0:04:56 | 0:04:59 | |
Tesco really shouldn't be... | 0:04:59 | 0:05:01 | |
Someone needed to explain the reasons why what was in the bottle | 0:05:01 | 0:05:05 | |
wasn't what it was actually supposed to be. | 0:05:05 | 0:05:08 | |
I received a letter from Tesco saying that it was nothing to do with them, | 0:05:08 | 0:05:12 | |
and it was in the hands of their wine distribution company. | 0:05:12 | 0:05:16 | |
I've had a conversation with the wine distribution company, | 0:05:16 | 0:05:20 | |
who reimbursed me with two bottles of the actual wine | 0:05:20 | 0:05:24 | |
that it should have been and a bottle of champagne. | 0:05:24 | 0:05:28 | |
But apart from that, there has been nothing more from Tesco | 0:05:28 | 0:05:32 | |
on this matter or anything else. | 0:05:32 | 0:05:34 | |
Tesco point out that this is the only time this has ever happened | 0:05:34 | 0:05:38 | |
in one of their stores. | 0:05:38 | 0:05:39 | |
But two questions remain... | 0:05:39 | 0:05:41 | |
just what was in the bottle, and how did it get there? | 0:05:41 | 0:05:45 | |
Daniel's brought it along to a top wine expert in London | 0:05:45 | 0:05:49 | |
for some answers. | 0:05:49 | 0:05:50 | |
I thought we'd start off by tasting something I know to be real | 0:05:50 | 0:05:53 | |
Pouilly-Fuisse. | 0:05:53 | 0:05:55 | |
And we'll see what it's like. | 0:05:55 | 0:05:56 | |
This is classic southern Burgundian wine. | 0:05:56 | 0:05:59 | |
It's a chardonnay, it's 100%, so we should be getting some really | 0:05:59 | 0:06:03 | |
nice aromas of things like minerals from the soil. | 0:06:03 | 0:06:07 | |
Let's have a taste. | 0:06:07 | 0:06:08 | |
Mmm. | 0:06:16 | 0:06:17 | |
Can you feel that creaminess coming from the oak contact? | 0:06:17 | 0:06:20 | |
-Yes. -But there's that lovely sort of fresh, mineral note. | 0:06:20 | 0:06:23 | |
That's what Pouilly-Fuisse is all about. | 0:06:23 | 0:06:25 | |
Let's have a look at your bottle now. | 0:06:25 | 0:06:27 | |
I can tell straight away that this is a wrong 'un. | 0:06:27 | 0:06:31 | |
That's the only way to describe it. Look at the shape of the bottle. | 0:06:31 | 0:06:34 | |
Completely different shape. | 0:06:34 | 0:06:36 | |
And when you're in the know, Burgundy comes in that shape bottle, | 0:06:36 | 0:06:40 | |
other wines come in this shaped bottle. | 0:06:40 | 0:06:42 | |
Louis Jadot I know never use screw caps. | 0:06:42 | 0:06:45 | |
And this label, it's the wrong texture, | 0:06:45 | 0:06:48 | |
the label is just cheap and nasty. | 0:06:48 | 0:06:50 | |
It should be a lot better than that. | 0:06:50 | 0:06:52 | |
And, well, it looks pure filth... | 0:06:52 | 0:06:56 | |
let's see what it tastes like! Have a try. | 0:06:56 | 0:06:59 | |
You can see, it smells completely different. | 0:07:00 | 0:07:02 | |
A, there's hardly any nose on that... | 0:07:02 | 0:07:05 | |
Mmm. Mmm! Mmm! And it's sweet. | 0:07:09 | 0:07:11 | |
It's probably German, and it's probably not very good German. | 0:07:11 | 0:07:14 | |
So it's German, cheap and definitely not Pouilly-Fuisse. | 0:07:14 | 0:07:18 | |
But how did it get on Tesco's shelves? | 0:07:18 | 0:07:21 | |
Tom thinks the distributors were conned by the fakers. | 0:07:21 | 0:07:24 | |
It's the most common fraud around at the moment - | 0:07:24 | 0:07:27 | |
people buy a batch of really cheap wine, | 0:07:27 | 0:07:29 | |
get some labels printed off, stick it on, and then just try and sneak | 0:07:29 | 0:07:33 | |
it into the supply chain of a big company, like they've tried here. | 0:07:33 | 0:07:38 | |
Having said that, again, | 0:07:38 | 0:07:40 | |
the people who've bought it probably didn't taste this wine. | 0:07:40 | 0:07:43 | |
The way it normally works, from what I can work out, is that | 0:07:43 | 0:07:46 | |
if you ask for samples of wine, you get the genuine article, | 0:07:46 | 0:07:51 | |
but the fake stuff then gets slipped into the supply chain, | 0:07:51 | 0:07:55 | |
and hopefully gets lost in there. | 0:07:55 | 0:07:56 | |
So it's really hard to trace it back. | 0:07:56 | 0:07:58 | |
For Daniel, it's a relief to have the experts agree | 0:07:58 | 0:08:01 | |
that his suspicions were correct. | 0:08:01 | 0:08:04 | |
It's the reason why I wrote in and went to see Tesco. | 0:08:04 | 0:08:07 | |
It's proved it's true. | 0:08:07 | 0:08:09 | |
Tesco believe that only nine bottles of the fake wine were ever in their stores, | 0:08:09 | 0:08:14 | |
but Tom thinks there's a reason why we don't hear more about wine frauds. | 0:08:14 | 0:08:17 | |
An awful lot of times I think people just taste it and they go, | 0:08:17 | 0:08:21 | |
"Well, I don't like that wine, throw it away." | 0:08:21 | 0:08:23 | |
Even if it's at the top end, | 0:08:23 | 0:08:24 | |
they very rarely think they've been defrauded, they just think they don't like the wine. | 0:08:24 | 0:08:29 | |
Information has been received that there are immigration | 0:08:34 | 0:08:37 | |
offenders working illegally at the premises. | 0:08:37 | 0:08:40 | |
In Hampshire, an enforcement team from the UK Border Agency | 0:08:40 | 0:08:44 | |
are preparing for an operation. | 0:08:44 | 0:08:46 | |
They suspect that a restaurant on their patch is employing | 0:08:48 | 0:08:51 | |
fake workers who have no right to take up jobs here. | 0:08:51 | 0:08:54 | |
All put down what you're doing, put any knives down. | 0:08:54 | 0:08:58 | |
Some estimates say that almost a million people are in this country illegally, | 0:08:58 | 0:09:03 | |
and many of them are working. | 0:09:03 | 0:09:05 | |
That's why the UK Border Agency carry out thousands of operations | 0:09:05 | 0:09:08 | |
like this in a year, | 0:09:08 | 0:09:10 | |
looking for people who falsely claim to have the right to work here. | 0:09:10 | 0:09:13 | |
How many of these people live upstairs? | 0:09:13 | 0:09:16 | |
No-one inside is a UK national, | 0:09:16 | 0:09:18 | |
but many could have leave to remain, working visas or be students. | 0:09:18 | 0:09:22 | |
And one man has provided a straightforward answer on how he came to be here. | 0:09:22 | 0:09:27 | |
He's told me he entered the United Kingdom by lorry. | 0:09:27 | 0:09:30 | |
Can you ask him when he entered by lorry, | 0:09:30 | 0:09:32 | |
and is he in contact with the Home Office? | 0:09:32 | 0:09:36 | |
HE SPEAKS FOREIGN LANGUAGE | 0:09:38 | 0:09:40 | |
Entered by lorry in 1998. | 0:09:40 | 0:09:42 | |
He then made an application under the Human Rights Act in 2006, | 0:09:42 | 0:09:46 | |
but he says he hasn't heard anything else. | 0:09:46 | 0:09:48 | |
He says he hasn't been given any reporting restrictions, | 0:09:48 | 0:09:51 | |
but I take it he's probably absconded. | 0:09:51 | 0:09:53 | |
Staff will investigate his claim that he made a human rights application, | 0:09:53 | 0:09:57 | |
but he's been here for 12 years. | 0:09:57 | 0:09:59 | |
You've been here since 1998, and you don't speak any English? | 0:09:59 | 0:10:03 | |
He came here first of all on holiday. | 0:10:03 | 0:10:05 | |
I think you understand what I'm saying a little bit better | 0:10:05 | 0:10:07 | |
than you're letting on. | 0:10:07 | 0:10:09 | |
A check on his records revealed he had no right to live or work here, and he's been arrested. | 0:10:09 | 0:10:14 | |
What's his present status in the UK? That's what I'm trying to establish. | 0:10:14 | 0:10:18 | |
Language barriers often exist on operations like this, | 0:10:18 | 0:10:21 | |
but the team have got interpreters on the end of a phone line. | 0:10:21 | 0:10:24 | |
I will get the interpreter to explain to you in a second... | 0:10:24 | 0:10:27 | |
This man has told officers that he has the right to work here | 0:10:27 | 0:10:30 | |
in the UK, but a check on their database is revealing a different story. | 0:10:30 | 0:10:34 | |
Information I have says he's got no visa to be a domestic worker. | 0:10:34 | 0:10:37 | |
Can you just check that he understands the difference | 0:10:37 | 0:10:40 | |
between a working holiday maker and a domestic worker? | 0:10:40 | 0:10:43 | |
His visa is very specific and doesn't allow him to work in restaurants. | 0:10:43 | 0:10:47 | |
Go back to work, I'm afraid! | 0:10:51 | 0:10:55 | |
And although the legitimate staff have now been allowed to start | 0:10:55 | 0:10:58 | |
cooking, customers might still have a long wait for food. | 0:10:58 | 0:11:02 | |
The UK Border Agency checks have also revealed that this waiter is | 0:11:02 | 0:11:06 | |
an overstayer who should have left the UK some time ago. | 0:11:06 | 0:11:09 | |
I'm just going to hold you quietly. | 0:11:10 | 0:11:12 | |
I'll be very gentle. | 0:11:12 | 0:11:14 | |
As a result of the operation, | 0:11:14 | 0:11:16 | |
three workers at the restaurant are now under arrest. | 0:11:16 | 0:11:19 | |
One of them's an overstayer, | 0:11:22 | 0:11:23 | |
one of them's working in breach of his conditions, | 0:11:23 | 0:11:26 | |
and one of them came into the country illegally. | 0:11:26 | 0:11:28 | |
The middle chap is a worker in breach. | 0:11:28 | 0:11:30 | |
He came into the country on a visa which meant he was working | 0:11:30 | 0:11:33 | |
as a domestic worker. | 0:11:33 | 0:11:34 | |
He's not allowed to work in a restaurant, | 0:11:34 | 0:11:36 | |
he's only allowed to do a specific job role, and he's not doing that. | 0:11:36 | 0:11:40 | |
These three were all cheating the system to work here, and many believe | 0:11:40 | 0:11:43 | |
this has a detrimental effect on the rest of the working population. | 0:11:43 | 0:11:47 | |
Illegals often work for less money, which drives down wages | 0:11:47 | 0:11:51 | |
in the poorly paid jobs that legal immigrants often end up doing. | 0:11:51 | 0:11:55 | |
And for having three fake workers, | 0:11:55 | 0:11:57 | |
the restaurateur was fined a total of £15,000. | 0:11:57 | 0:12:02 | |
This is Rebecca Towndrow practising some of the ballet movements | 0:12:11 | 0:12:16 | |
she and her sister learned in their training | 0:12:16 | 0:12:18 | |
at the Dance Lines Academy in Croydon. | 0:12:18 | 0:12:21 | |
Rebecca hasn't danced in front of anybody | 0:12:21 | 0:12:24 | |
since she left the dance academy. | 0:12:24 | 0:12:26 | |
Something that happened there really knocked the confidence out of her. | 0:12:26 | 0:12:30 | |
Rebecca and her sister Kristina | 0:12:30 | 0:12:32 | |
were both learning to dance at the academy, | 0:12:32 | 0:12:34 | |
run by qualified dance teacher Amanda Brugnoli-Lines. | 0:12:34 | 0:12:39 | |
I enjoyed it, because you met new people, | 0:12:39 | 0:12:42 | |
I learnt loads more things, and you get close to the teacher | 0:12:42 | 0:12:46 | |
when you keep on going years and years and things like that. | 0:12:46 | 0:12:50 | |
The girls loved going, getting dressed up, having their hair done. | 0:12:52 | 0:12:59 | |
Hair ribbons... | 0:12:59 | 0:13:01 | |
And it was all very, very exciting for them. | 0:13:01 | 0:13:04 | |
And for Lynne's elder daughter, Kristina, | 0:13:06 | 0:13:08 | |
dancing was more than just a hobby. | 0:13:08 | 0:13:10 | |
It was something that I really enjoyed doing, | 0:13:10 | 0:13:12 | |
and at that stage, I did want to follow on | 0:13:12 | 0:13:15 | |
and go to the Brit School and actually be the prima ballerina! | 0:13:15 | 0:13:18 | |
Both the girls regularly sat exams set by the Royal Academy of Dance. | 0:13:18 | 0:13:23 | |
Take your places at the bar, please. | 0:13:23 | 0:13:25 | |
Their marks would be sent back to them via their dance tutor. | 0:13:29 | 0:13:32 | |
The syllabus sets criteria which candidates have to meet, | 0:13:32 | 0:13:35 | |
and obviously the requirements get progressively more difficult | 0:13:35 | 0:13:39 | |
as you go up the grades. | 0:13:39 | 0:13:41 | |
I wanted to get the grades, you always wanted to get that | 0:13:41 | 0:13:44 | |
grade A or distinction, you didn't want to get anything less... | 0:13:44 | 0:13:48 | |
just wanted to be the best. | 0:13:48 | 0:13:50 | |
And the grades she was getting seemed to suggest the hard work was paying off. | 0:13:50 | 0:13:54 | |
Thanks to the teaching of their instructor, | 0:13:54 | 0:13:56 | |
Amanda Brugnoli-Lines, the girls were getting great grades. | 0:13:56 | 0:14:00 | |
They all really wanted to do the best for themselves and for Miss Amanda. | 0:14:00 | 0:14:04 | |
But something was very wrong at the academy | 0:14:04 | 0:14:07 | |
where the girls had been taught. | 0:14:07 | 0:14:09 | |
Rumours had begun to circulate that there was a problem with the exam certificates, | 0:14:09 | 0:14:13 | |
and their tutor had been arrested. | 0:14:13 | 0:14:16 | |
I just bumped into somebody in Sainsbury's, of all places, | 0:14:16 | 0:14:19 | |
and she asked me if I had had the certificate checked. | 0:14:19 | 0:14:24 | |
And the next thing I got a phone call from the police asking | 0:14:24 | 0:14:29 | |
if they could come to see me and examine the certificates. | 0:14:29 | 0:14:32 | |
And I was just really shocked! | 0:14:32 | 0:14:35 | |
The rumour was that their dance teacher had committed such | 0:14:35 | 0:14:38 | |
a major fraud that it affected almost all her students. | 0:14:38 | 0:14:43 | |
It seemed she had been faking the results of the children's | 0:14:43 | 0:14:46 | |
dancing exams and counterfeiting their certificates. | 0:14:46 | 0:14:50 | |
Later on, we'll find out how and why she did it. | 0:14:50 | 0:14:53 | |
Just a few miles away from Marble Arch in central London | 0:15:00 | 0:15:03 | |
is the district of Queensway. | 0:15:03 | 0:15:05 | |
Today, Westminster Trading Standards team are following up reports | 0:15:05 | 0:15:09 | |
from a private investigator that a shop here is selling top-notch | 0:15:09 | 0:15:13 | |
designer gear, but all of it is fake. | 0:15:13 | 0:15:17 | |
They're used to seeing a few fake goods on sale, | 0:15:17 | 0:15:19 | |
but a whole shopful would be remarkable. | 0:15:19 | 0:15:22 | |
Watches, wallets and bags... | 0:15:22 | 0:15:24 | |
The man on the left is the private investigator that called them in. | 0:15:24 | 0:15:29 | |
He works on behalf of many of the designer labels whose goods | 0:15:29 | 0:15:32 | |
have been counterfeited, and he's just made a test purchase | 0:15:32 | 0:15:36 | |
at the suspect's shop and passed it to officer Frank King. | 0:15:36 | 0:15:39 | |
The test purchaser on our behalf has asked for a Louis Vuitton item, | 0:15:39 | 0:15:43 | |
and it's been supplied for the money in a box | 0:15:43 | 0:15:47 | |
bearing the trade name Gucci, | 0:15:47 | 0:15:49 | |
which leads us to believe that there must be Gucci items there as well. | 0:15:49 | 0:15:53 | |
Trading Standards now have all the evidence they need to raid the shop. | 0:15:53 | 0:15:58 | |
Who's in charge? I'm from Westminster City Council, Trading Standards. | 0:15:58 | 0:16:02 | |
Looks like the private investigator was spot-on. | 0:16:02 | 0:16:06 | |
This place is an emporium of the nation's most popular designer brands, but how many are fake? | 0:16:06 | 0:16:13 | |
This is one of the items that were purchased earlier | 0:16:13 | 0:16:16 | |
by the brand owner, Gucci, who confirmed that it was counterfeit. | 0:16:16 | 0:16:22 | |
In addition to that, they're selling it for £40. | 0:16:22 | 0:16:24 | |
To buyers, this all looks like bargain price designer gear, | 0:16:24 | 0:16:28 | |
but they don't realise they are actually overpaying for fakes. | 0:16:28 | 0:16:31 | |
A normal person coming into a shop set out such as this, | 0:16:31 | 0:16:34 | |
they think the items up for sale are genuine. | 0:16:34 | 0:16:37 | |
The price, the pure presentation, | 0:16:38 | 0:16:40 | |
leads anybody to believe that they are buying a genuine item. | 0:16:40 | 0:16:44 | |
The reports were that every last piece of clothing | 0:16:44 | 0:16:47 | |
and all the handbags and belts are expensive fakes, | 0:16:47 | 0:16:50 | |
and the team want a good nose around to check that's true. | 0:16:50 | 0:16:54 | |
The jewellery on sale seems to be authentic, but after examining | 0:16:54 | 0:16:59 | |
all the clothes and bags, it seems this really is a shop full of fakes. | 0:16:59 | 0:17:03 | |
The store owner isn't on the premises, | 0:17:03 | 0:17:07 | |
but has had a phone call from Trading Standards to give her some bad news. | 0:17:07 | 0:17:11 | |
Her entire stock is being seized. | 0:17:11 | 0:17:13 | |
Any bargain hunters who'd been shopping at this store will | 0:17:34 | 0:17:37 | |
probably feel they'd been ripped off. But with all the stock seized, | 0:17:37 | 0:17:41 | |
it's definitely the store owner who's lost out today. | 0:17:41 | 0:17:45 | |
A very successful operation, bearing in mind the way in which this shop | 0:17:45 | 0:17:48 | |
has displayed its goods, and the price being offered for the items. | 0:17:48 | 0:17:52 | |
72 bags of evidence... | 0:17:52 | 0:17:54 | |
approximate value is £10,000, we estimate, today. | 0:17:54 | 0:17:57 | |
This country is losing a billion pounds a year to benefit fraud, | 0:18:05 | 0:18:09 | |
and we've been following some of the people responsible | 0:18:09 | 0:18:13 | |
for tracking down the fraudsters. | 0:18:13 | 0:18:15 | |
In Hillingdon, west London, the local council benefit fraud team | 0:18:15 | 0:18:19 | |
are about to raid another benefit fraudster. | 0:18:19 | 0:18:22 | |
They believe he's used false documents | 0:18:22 | 0:18:25 | |
to set up an identity in the name of Jean Singlan, | 0:18:25 | 0:18:29 | |
purely to cheat the system. | 0:18:29 | 0:18:31 | |
He's had £20,000 in housing and other benefits. | 0:18:32 | 0:18:36 | |
But now it's time to wake him up. | 0:18:36 | 0:18:38 | |
There are two men inside, but not who they're looking for, | 0:18:40 | 0:18:43 | |
but there's post addressed to the suspect fraudster, | 0:18:43 | 0:18:46 | |
and more of his letters lying around the flat. | 0:18:46 | 0:18:48 | |
-What's the landlord's name? -Singlan. | 0:18:48 | 0:18:52 | |
-What's his first name? -I don't know, I know his name is Singlan. | 0:18:52 | 0:18:58 | |
Because there's post in this address for Mr Singlan. | 0:18:58 | 0:19:02 | |
Who's opened the post? | 0:19:02 | 0:19:03 | |
I don't know, because he's got the keys as well. | 0:19:03 | 0:19:08 | |
-Why doesn't he take the bank statements with him? -I don't know. | 0:19:08 | 0:19:11 | |
Straightaway, the men have revealed that the target man | 0:19:11 | 0:19:14 | |
supposedly owns this flat, but is renting it out to them, | 0:19:14 | 0:19:18 | |
thus invalidating any housing benefit claim. | 0:19:18 | 0:19:20 | |
-Who does this card belong to? -One of my friends. -What's his name? | 0:19:20 | 0:19:24 | |
-Ali. -Ali what? -Ali... I don't know. | 0:19:24 | 0:19:29 | |
Strange to have a friend trust you enough | 0:19:29 | 0:19:32 | |
to look after his credit card, but you don't know his surname. | 0:19:32 | 0:19:36 | |
And that's not the only thing that doesn't add up. | 0:19:36 | 0:19:38 | |
The man has told officers he doesn't have a key for his own flat. | 0:19:38 | 0:19:42 | |
It doesn't sound right to me, you've been here for a year | 0:19:42 | 0:19:45 | |
and you don't have a key. | 0:19:45 | 0:19:47 | |
Your friend has the key but you don't have a key. | 0:19:47 | 0:19:50 | |
-Yeah, but I can't make... -You can cut another key very easily. | 0:19:50 | 0:19:54 | |
-But I can't. -What do you do when he's not here? | 0:19:54 | 0:19:58 | |
All the time, I call him. | 0:19:58 | 0:20:00 | |
-Do you wait outside to get into the house? -Yeah, that's it. | 0:20:00 | 0:20:02 | |
This investigator can't be shown on television, | 0:20:02 | 0:20:05 | |
but she's not convinced by their story. | 0:20:05 | 0:20:08 | |
Their stories do not add up in any way. They just don't add up. | 0:20:08 | 0:20:11 | |
For him not to have a key to the address, yet be living here... | 0:20:11 | 0:20:15 | |
With such suspicious circumstances, | 0:20:15 | 0:20:17 | |
the team decide to search the flat thoroughly. | 0:20:17 | 0:20:20 | |
There are no antiques in the attic, but there's something | 0:20:23 | 0:20:26 | |
that reveals a lot about this man's history. | 0:20:26 | 0:20:29 | |
-Have you been to Italy? -No, I didn't. | 0:20:29 | 0:20:32 | |
-You've never been to Italy? -I didn't. | 0:20:32 | 0:20:35 | |
-So, why have you got an Italian ID card? -I don't have, man. | 0:20:35 | 0:20:39 | |
-Who's Fateh Hareri...? -No, I didn't. | 0:20:40 | 0:20:44 | |
-That's you, isn't it? -Yes, it's my picture. -It's your picture. | 0:20:44 | 0:20:49 | |
-You said you're Fateh. -Just show me. No, no, just show me. | 0:20:49 | 0:20:53 | |
-I'm telling you. -No, it's not my one, man. | 0:20:53 | 0:20:58 | |
You said it's your picture. | 0:20:58 | 0:20:59 | |
Yes, it's my picture, but it's not my one. | 0:20:59 | 0:21:01 | |
Why would someone have your picture in their card - | 0:21:01 | 0:21:04 | |
it's useless, isn't it? Give me your names. | 0:21:04 | 0:21:07 | |
That's definitely you. | 0:21:12 | 0:21:14 | |
Yeah... | 0:21:14 | 0:21:16 | |
Although the suspect fake document isn't in the target name of Singlan, | 0:21:16 | 0:21:20 | |
this man is still being arrested for fraud. | 0:21:20 | 0:21:23 | |
I'm going to arrest you for possessing a false identification. | 0:21:23 | 0:21:27 | |
Next, the team need to have the document analysed by specialists | 0:21:27 | 0:21:32 | |
at the National Document Fraud Unit. | 0:21:32 | 0:21:35 | |
This Italian ID document, which we think is a false document, | 0:21:35 | 0:21:38 | |
was found at an address where we went to interrogate | 0:21:38 | 0:21:41 | |
an arrest warrant with the police. | 0:21:41 | 0:21:44 | |
We now need to have this document examined by yourselves, | 0:21:44 | 0:21:46 | |
to let us know if it is false. | 0:21:46 | 0:21:48 | |
-Yep, that's fine. -Thank you. | 0:21:48 | 0:21:51 | |
It is inkjet-printed, quite a basic printing method. | 0:21:51 | 0:21:54 | |
It results in lots of random dots of ink. | 0:21:54 | 0:21:57 | |
All of this should be solid line print, litho printed, | 0:21:57 | 0:22:02 | |
rather than inkjet-printed. | 0:22:02 | 0:22:04 | |
This dark area of print should be Intaglio print, | 0:22:04 | 0:22:07 | |
like a raised ink on the surface. | 0:22:07 | 0:22:09 | |
But I can run my finger across it, | 0:22:09 | 0:22:12 | |
and you can't feel any raised ink on there at all. | 0:22:12 | 0:22:15 | |
After several tests, the expert is ready to give her final verdict. | 0:22:15 | 0:22:20 | |
I can tell you it is counterfeit. It's completely made up. | 0:22:20 | 0:22:24 | |
That means he can put whatever identity on here that he wants. | 0:22:24 | 0:22:27 | |
I can produce a statement for you so you can prosecute this person. | 0:22:27 | 0:22:31 | |
As a result of Hillingdon Council's operation, | 0:22:31 | 0:22:34 | |
this man was sentenced to three months in jail | 0:22:34 | 0:22:37 | |
for possession of a fake identity document. | 0:22:37 | 0:22:40 | |
As an Algerian, he had no right to stay or work in the UK, | 0:22:40 | 0:22:44 | |
but had used the fake ID to get a job nearby. | 0:22:44 | 0:22:47 | |
The other man in the flat was later found | 0:22:47 | 0:22:50 | |
to have used a fake French passport | 0:22:50 | 0:22:52 | |
to get a job with the same employer as his friend. | 0:22:52 | 0:22:55 | |
After the raid, he disappeared. | 0:22:55 | 0:22:58 | |
The original target of the raid, | 0:22:58 | 0:23:00 | |
a man using a fake identity in the name of Singlan | 0:23:00 | 0:23:03 | |
to make a benefits claim, was not found. | 0:23:03 | 0:23:06 | |
But the fake claim has been stopped. | 0:23:06 | 0:23:08 | |
Up like a rocket. That was better. | 0:23:16 | 0:23:18 | |
Young children across Britain are as eager as ever | 0:23:18 | 0:23:21 | |
to become the performing stars of tomorrow. | 0:23:21 | 0:23:24 | |
And sisters Kristina and Rebecca Towndrow | 0:23:24 | 0:23:27 | |
dreamt of becoming ballerinas. | 0:23:27 | 0:23:29 | |
They studied at the Dancing Lines Academy in Croydon, Surrey, | 0:23:29 | 0:23:32 | |
and were passing their ballet exams with excellent grades. | 0:23:32 | 0:23:36 | |
When I got my certificate, I went into school and showed my teacher | 0:23:36 | 0:23:40 | |
and the head teacher, and then they said that I did very well. | 0:23:40 | 0:23:45 | |
But the family had heard that their ballet teacher, | 0:23:45 | 0:23:48 | |
Amanda Brugnoli-Lines, had been arrested. | 0:23:48 | 0:23:51 | |
Her pupils were about to find out | 0:23:51 | 0:23:53 | |
they weren't the brilliant young dancers | 0:23:53 | 0:23:55 | |
their exam results suggested. | 0:23:55 | 0:23:57 | |
And even the experienced detectives at Surrey police | 0:23:57 | 0:24:00 | |
had never seen anything like it. | 0:24:00 | 0:24:02 | |
We suspected that Amanda was basically forging | 0:24:02 | 0:24:06 | |
the results of dance certificates. | 0:24:06 | 0:24:10 | |
She would enter pupils into examinations, | 0:24:10 | 0:24:12 | |
they would achieve a Grade C or maybe a Grade D, | 0:24:12 | 0:24:16 | |
and she would increase those grades to a B or an A, | 0:24:16 | 0:24:20 | |
to give the child a better result in the examination. | 0:24:20 | 0:24:23 | |
The children at the dance school | 0:24:23 | 0:24:25 | |
thought they were flying through their exams, | 0:24:25 | 0:24:28 | |
but in truth, their teacher was faking their results. | 0:24:28 | 0:24:31 | |
After each exam, the certificates with the grades | 0:24:31 | 0:24:34 | |
were sent out to Amanda Brugnoli-Lines. | 0:24:34 | 0:24:37 | |
She replaced them with fake ones she made herself, | 0:24:37 | 0:24:40 | |
with much higher grades. | 0:24:40 | 0:24:42 | |
Where Kristina and Rebecca thought they were getting distinctions, | 0:24:42 | 0:24:45 | |
their real grades had only been passes. | 0:24:45 | 0:24:48 | |
I couldn't imagine her doing anything like that at all. | 0:24:48 | 0:24:51 | |
I was actually quite shocked, more than anything, when I found out. | 0:24:51 | 0:24:54 | |
And with a full roster of pupils dancing at the academy, | 0:24:54 | 0:24:57 | |
it was in their instructor's interest that they got good marks | 0:24:57 | 0:25:00 | |
and kept paying for classes. | 0:25:00 | 0:25:02 | |
If the marks their candidates receive | 0:25:02 | 0:25:04 | |
are higher than they would otherwise be, | 0:25:04 | 0:25:07 | |
this can increase their standing in the community, | 0:25:07 | 0:25:09 | |
it can help their business, | 0:25:09 | 0:25:11 | |
and they see it I think in many cases as a personal reflection | 0:25:11 | 0:25:14 | |
of their standards as a teacher. | 0:25:14 | 0:25:17 | |
And when the fraud was finally discovered, | 0:25:17 | 0:25:20 | |
the police were left with the task | 0:25:20 | 0:25:21 | |
of shattering all the young ballerinas' dreams. | 0:25:21 | 0:25:24 | |
We spoke to all the students. | 0:25:24 | 0:25:26 | |
Delivering that news was particularly difficult. | 0:25:26 | 0:25:29 | |
There were children as young as three years old involved in this, | 0:25:29 | 0:25:33 | |
and particularly children of a vulnerable disposition, | 0:25:33 | 0:25:37 | |
they were told they were much better than they actually were, | 0:25:37 | 0:25:40 | |
and the personal effect, | 0:25:40 | 0:25:42 | |
the human effect on that, is quite devastating. | 0:25:42 | 0:25:46 | |
Some of the students had actually used the certificates, | 0:25:46 | 0:25:50 | |
or the grades contained within the certificates, | 0:25:50 | 0:25:53 | |
to support university applications. | 0:25:53 | 0:25:56 | |
Others, it was something they were making life decisions on - | 0:25:56 | 0:26:00 | |
"Am I good enough perhaps to take a career in dance?" | 0:26:00 | 0:26:04 | |
And some thought they were, rather incorrectly. | 0:26:04 | 0:26:07 | |
For the girls, the fraud was a massive shock. | 0:26:07 | 0:26:11 | |
The children were really let down, | 0:26:11 | 0:26:13 | |
because they put so much into it, they put so much work into it, | 0:26:13 | 0:26:18 | |
and effort, to be proud of themselves | 0:26:18 | 0:26:21 | |
and to make the teacher proud of them. | 0:26:21 | 0:26:24 | |
These are some of the certificates the girls received after exams. | 0:26:24 | 0:26:28 | |
They thought they had done so well, | 0:26:28 | 0:26:30 | |
but all of these had been doctored by Amanda Brugnoli-Lines. | 0:26:30 | 0:26:34 | |
If they had known that they weren't getting the grades | 0:26:36 | 0:26:39 | |
that would let them become professional dancers, | 0:26:39 | 0:26:41 | |
they would have stopped having lessons. | 0:26:41 | 0:26:43 | |
If I hadn't have got the good grades that I did | 0:26:43 | 0:26:46 | |
and I was repeatedly getting lower grades, | 0:26:46 | 0:26:49 | |
like I had actually got, I wouldn't have carried on lessons, | 0:26:49 | 0:26:52 | |
I would have packed it in then. And not carried on. | 0:26:52 | 0:26:55 | |
And if the girls had stopped dancing, | 0:26:55 | 0:26:57 | |
it would have saved their mum a lot of money. | 0:26:57 | 0:27:00 | |
You're looking at £10,000, you've got to be, | 0:27:00 | 0:27:03 | |
including the extra coaching for exams, | 0:27:03 | 0:27:07 | |
paying for the exams, the new uniform for exams. | 0:27:07 | 0:27:11 | |
I really hate to think what the exact sum would be. | 0:27:11 | 0:27:16 | |
Amanda Brugnoli-Lines was sentenced to two years imprisonment for fraud. | 0:27:16 | 0:27:20 | |
She didn't help herself by telling police | 0:27:20 | 0:27:23 | |
that she was the victim of a harassment campaign, | 0:27:23 | 0:27:25 | |
and others at the school were responsible for the fraud. | 0:27:25 | 0:27:29 | |
Her claim backfired when police proved | 0:27:29 | 0:27:31 | |
that many of the threatening texts she had claimed to have received | 0:27:31 | 0:27:35 | |
were sent from a phone she owned. | 0:27:35 | 0:27:37 | |
And for young pupils like Rebecca, | 0:27:38 | 0:27:40 | |
who thought they might be the dancing stars of tomorrow, | 0:27:40 | 0:27:43 | |
the shock and betrayal was enough to put them right off dancing lessons. | 0:27:43 | 0:27:48 | |
I really trusted my teacher, | 0:27:48 | 0:27:50 | |
I thought I could let my hopes on her, and she's done this to me. | 0:27:50 | 0:27:55 | |
That was the thing that hurt me more, | 0:27:55 | 0:27:57 | |
the fact that she'd been hurt. | 0:27:57 | 0:27:59 | |
And although this is the first time she's danced for a while, | 0:27:59 | 0:28:02 | |
getting up and having a go again | 0:28:02 | 0:28:04 | |
has left Rebecca in a more positive frame of mind about the future. | 0:28:04 | 0:28:08 | |
I'd like to go again and start doing ballet again | 0:28:08 | 0:28:11 | |
and try and get my hopes back up again. | 0:28:11 | 0:28:14 | |
That's all from Fake Britain today. Bye for now. | 0:28:21 | 0:28:24 | |
Subtitles by Red Bee Media | 0:28:38 | 0:28:40 | |
E-mail [email protected] | 0:28:40 | 0:28:43 |