Browse content similar to Episode 10. Check below for episodes and series from the same categories and more!
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Welcome to a world where nothing is quite as it seems. | 0:00:02 | 0:00:05 | |
Welcome to Fake Britain. | 0:00:05 | 0:00:07 | |
-Police! -SHOUTING | 0:00:08 | 0:00:11 | |
Get down! Get down! On the floor now! | 0:00:20 | 0:00:22 | |
Put your hands behind your back now! | 0:00:22 | 0:00:25 | |
Here at the Fake Britain house | 0:00:25 | 0:00:26 | |
we'll reveal the fakes that are flooding the market, | 0:00:26 | 0:00:29 | |
conning people like you and me, and making money for the criminals. | 0:00:29 | 0:00:33 | |
We'll investigate the fraudsters who are selling us | 0:00:33 | 0:00:36 | |
something that isn't real and could be dangerous, | 0:00:36 | 0:00:39 | |
and we'll help you avoid falling for a fake. | 0:00:39 | 0:00:43 | |
Today on Fake Britain, we reveal the trade in fire blankets | 0:00:45 | 0:00:48 | |
whose safety claims go up in smoke... | 0:00:48 | 0:00:50 | |
Clearly that hasn't worked. | 0:00:52 | 0:00:54 | |
..we pay an unwelcome visit to the suspects thought to be running | 0:00:54 | 0:00:58 | |
counterfeit operations at their own homes... | 0:00:58 | 0:01:00 | |
I'd describe this as, like, a little shop. | 0:01:00 | 0:01:03 | |
Everything that's for sale on the fake market is | 0:01:03 | 0:01:05 | |
represented in this one room. | 0:01:05 | 0:01:07 | |
..and we expose the fake tattoo inks | 0:01:07 | 0:01:10 | |
that could mean clients get a lethal injection. | 0:01:10 | 0:01:12 | |
This could potentially cause something fatal | 0:01:12 | 0:01:16 | |
such as a heart attack. | 0:01:16 | 0:01:17 | |
It is happening all over the country. | 0:01:22 | 0:01:24 | |
More than four million of us are now cutting out the daily commute | 0:01:24 | 0:01:27 | |
and working from the comfort of our own homes. | 0:01:27 | 0:01:31 | |
People running all sorts of home-based businesses, trades | 0:01:31 | 0:01:34 | |
and professions could be your neighbours. | 0:01:34 | 0:01:37 | |
You might not even know a business was there. | 0:01:37 | 0:01:40 | |
And never one to miss a trick, | 0:01:40 | 0:01:41 | |
the fakers are getting in on the act, too, | 0:01:41 | 0:01:44 | |
running their counterfeit empires from behind their own four walls. | 0:01:44 | 0:01:49 | |
So, do you know what's going on next door? | 0:01:49 | 0:01:51 | |
Right across Britain an ever-increasing number | 0:01:53 | 0:01:56 | |
of stay-at-home fakers are setting up shop | 0:01:56 | 0:01:58 | |
behind the doors of ordinary domestic premises. | 0:01:58 | 0:02:01 | |
It's a detached dwelling. | 0:02:03 | 0:02:04 | |
If there's any cash, I would ask that the cash be seized. | 0:02:04 | 0:02:08 | |
For Trading Standards officers like Chris Jeffs, this emerging trend | 0:02:08 | 0:02:12 | |
means changing tactics | 0:02:12 | 0:02:14 | |
to take the fight to the fakers on their home turf. | 0:02:14 | 0:02:17 | |
We are finding people are moving away from market stalls, | 0:02:17 | 0:02:20 | |
car-boot sales, | 0:02:20 | 0:02:21 | |
and operating counterfeit sales from the comfort of their own homes. | 0:02:21 | 0:02:25 | |
They think they're safer in their own home | 0:02:26 | 0:02:28 | |
because they don't think they're going to be discovered. | 0:02:28 | 0:02:30 | |
But, of course, with technology today we can locate them. | 0:02:30 | 0:02:33 | |
We will find them. | 0:02:33 | 0:02:35 | |
Today, Chris is on the trail of a suspected faker, who | 0:02:38 | 0:02:40 | |
intelligence suggests has a thriving trade in counterfeit car parts, | 0:02:40 | 0:02:45 | |
which he runs from his home. | 0:02:45 | 0:02:47 | |
There was a large amount of sales on the seller's pages. | 0:02:47 | 0:02:50 | |
It isn't a genuine item and, of course, there is the enormous loss | 0:02:50 | 0:02:55 | |
in revenue for the genuine trademark holder. | 0:02:55 | 0:02:59 | |
While none of the goods are thought to pose a danger to the public, | 0:02:59 | 0:03:03 | |
if fake, they are threatening legitimate jobs | 0:03:03 | 0:03:05 | |
by taking sales from genuine companies. | 0:03:05 | 0:03:08 | |
And as with any fake enterprise, | 0:03:08 | 0:03:10 | |
there's no knowing where the profits may end up. | 0:03:10 | 0:03:13 | |
We are now in the street at 7:30 in the morning, | 0:03:13 | 0:03:16 | |
so I would imagine there would be somebody at the address. | 0:03:16 | 0:03:19 | |
Morning. | 0:03:26 | 0:03:29 | |
Hello, I'm from trading standards. | 0:03:29 | 0:03:30 | |
My name is Chris Jeffs and this is a local police officer. | 0:03:30 | 0:03:34 | |
We'd like to search the property. | 0:03:34 | 0:03:36 | |
We do have a warrant under The Trademark Act. Thank you. | 0:03:36 | 0:03:41 | |
The team gain access to the property and after a rude awakening, | 0:03:41 | 0:03:44 | |
the suspect appears and Chris gets straight to the point. | 0:03:44 | 0:03:48 | |
Is there any parts here, can you indicate anything to us | 0:03:48 | 0:03:51 | |
in the garage or upstairs? | 0:03:51 | 0:03:53 | |
-They're outside, in the hut. -In the hut outside? -Yeah. -OK. | 0:03:53 | 0:03:56 | |
-As anyone working from home knows, it is important to have a -space | 0:03:58 | 0:04:01 | |
where you can go about your business without being disturbed. | 0:04:01 | 0:04:04 | |
It seems this unassuming garden shed is the hub of a suspected home faker's operation. | 0:04:04 | 0:04:11 | |
It is a purpose-built shed, if you like. | 0:04:11 | 0:04:14 | |
Drawers full of vehicle parts that are being sold. | 0:04:14 | 0:04:19 | |
Centre wheel covers - BMW, BBS. | 0:04:19 | 0:04:23 | |
Each drawer has a different wheel centre cap. | 0:04:24 | 0:04:26 | |
Chris has uncovered a massive stash of suspected counterfeit car badges | 0:04:28 | 0:04:32 | |
being shipped in from China and sold over the internet. | 0:04:32 | 0:04:35 | |
These apparently fake goods aren't simply being stored here. | 0:04:36 | 0:04:40 | |
There's evidence of a whole dispatch operation being run out of the garden shed. | 0:04:40 | 0:04:43 | |
There's an item here for measuring the envelopes prior to dispatching. | 0:04:45 | 0:04:51 | |
On the desk, there's padded envelopes for postage. | 0:04:51 | 0:04:56 | |
As the team begin to bag and tag the evidence, | 0:04:56 | 0:04:59 | |
the scale of this backyard operation is becoming clear. | 0:04:59 | 0:05:02 | |
It's very pleasing and particularly because it's been | 0:05:02 | 0:05:05 | |
operated from a private house, as opposed to a business premises. | 0:05:05 | 0:05:10 | |
Yes, we've been to premises which are factory units | 0:05:10 | 0:05:14 | |
where there is perhaps more volume but, of course, | 0:05:14 | 0:05:17 | |
this is a business being run from home and from a garden shed. | 0:05:17 | 0:05:21 | |
As the evidence is taken to a lock-up, | 0:05:23 | 0:05:25 | |
Chris's suspect gets taken in for questioning. | 0:05:25 | 0:05:28 | |
But this apparent home faker is just one of an ever-increasing number. | 0:05:28 | 0:05:32 | |
Some are much more brazen about their dealings. | 0:05:32 | 0:05:35 | |
Nearly 200 miles south in Bedfordshire, | 0:05:36 | 0:05:39 | |
Chris Jones is en route to another suspected stay-at-home faker | 0:05:39 | 0:05:42 | |
that he has heard has been running an open house. | 0:05:42 | 0:05:46 | |
From our intelligence today, it appears that there is a garage | 0:05:46 | 0:05:50 | |
at the rear of the house which is full of Ugg boots | 0:05:50 | 0:05:54 | |
and some of these headphones, | 0:05:54 | 0:05:57 | |
so it should be quite a lot of stuff today. | 0:05:57 | 0:05:59 | |
He's believed to have duped customers with his counterfeit goods | 0:06:00 | 0:06:05 | |
and they've shopped him to Trading Standards. | 0:06:05 | 0:06:07 | |
-Mr -BLEEP? | 0:06:12 | 0:06:14 | |
I'm from Trading Standards. | 0:06:14 | 0:06:15 | |
We have a warrant to search your premises for fake items. | 0:06:15 | 0:06:18 | |
The suspect leads Chris to his garage, housing not his car, | 0:06:20 | 0:06:23 | |
but what appears to be a counterfeit stash. | 0:06:23 | 0:06:26 | |
Wow. | 0:06:26 | 0:06:28 | |
Welcome to the latest store, just off the high street, | 0:06:28 | 0:06:30 | |
where everything seems to be a fake. | 0:06:30 | 0:06:33 | |
I would describe this as, like, a little shop. | 0:06:33 | 0:06:36 | |
Everything is on display. | 0:06:37 | 0:06:39 | |
We even had carrier bags to take the stock away, | 0:06:39 | 0:06:42 | |
and all the stock was displayed in the varying brand areas. | 0:06:42 | 0:06:46 | |
So we have watches with watches, electrical goods together, | 0:06:46 | 0:06:49 | |
and clothing in another section of the shop. | 0:06:49 | 0:06:52 | |
So it's like a corner store for fake items. | 0:06:52 | 0:06:56 | |
All these watches are Michael Kors watches. | 0:06:57 | 0:07:00 | |
Well done, jewelled, all working. | 0:07:00 | 0:07:03 | |
In fact, his collection is so extensive | 0:07:03 | 0:07:05 | |
some of it's even new on Chris. | 0:07:05 | 0:07:08 | |
I've never heard of this Michael Kors hat, | 0:07:08 | 0:07:10 | |
and never heard of the Ugg hat. | 0:07:10 | 0:07:11 | |
So it'll be interesting what the brand holder comes up with. | 0:07:11 | 0:07:14 | |
To be honest with you, I didn't know | 0:07:14 | 0:07:16 | |
that the brand made that particular product. | 0:07:16 | 0:07:19 | |
Like any shopkeeper the faker's not only got the latest gear, | 0:07:19 | 0:07:22 | |
he's also on hand to answer questions. | 0:07:22 | 0:07:25 | |
-Are you able to tell me how much you would charge for that? -How much? | 0:07:25 | 0:07:28 | |
-Yeah. -25. -OK, thanks for that. | 0:07:28 | 0:07:31 | |
This Ralph Lauren and SuperDry stuff, | 0:07:31 | 0:07:33 | |
I'm going to that row, right? | 0:07:33 | 0:07:35 | |
As it is, it's easier if we do that. | 0:07:35 | 0:07:37 | |
The faker's even willing to throw in a free extra. | 0:07:37 | 0:07:40 | |
-You can have the hangers. -You sure? -Yeah. | 0:07:40 | 0:07:43 | |
The suspect might be trying to make light of the situation | 0:07:43 | 0:07:45 | |
but the evidence against him seems overwhelming. | 0:07:45 | 0:07:49 | |
The van's going to be full. | 0:07:49 | 0:07:50 | |
We're on about something like, I think, Exhibit 25, | 0:07:50 | 0:07:53 | |
of these big bags of varying products. | 0:07:53 | 0:07:57 | |
Not had so many different ones at all, like this. | 0:07:57 | 0:07:59 | |
It's a bit of everything. | 0:07:59 | 0:08:01 | |
Virtually a current "what's for sale" on the fake market | 0:08:01 | 0:08:05 | |
is represented in this one room. | 0:08:05 | 0:08:07 | |
It's not just clothes on sale | 0:08:07 | 0:08:09 | |
but also suspected counterfeit electrical goods. | 0:08:09 | 0:08:12 | |
This is a radio mic. | 0:08:12 | 0:08:14 | |
Very popular with young people at the moment. | 0:08:15 | 0:08:18 | |
And actually, to buy the real, non-fake product, very expensive. | 0:08:18 | 0:08:22 | |
But cheap counterfeits often don't meet British standards | 0:08:22 | 0:08:26 | |
and could pose a danger to the public. | 0:08:26 | 0:08:29 | |
Eventually, two vehicles are crammed full of confiscated goods | 0:08:30 | 0:08:33 | |
which will be analysed back at base. | 0:08:33 | 0:08:36 | |
And Trading Standards has proved that selling from home | 0:08:36 | 0:08:39 | |
rather than on the high street | 0:08:39 | 0:08:40 | |
doesn't offer suspected fakers a safe place to hide. | 0:08:40 | 0:08:44 | |
This chap is like a general shop in any high street in a town. | 0:08:44 | 0:08:49 | |
So he's been making good money out of it. | 0:08:49 | 0:08:51 | |
He's lost a lot of money today, cos his stock has gone. | 0:08:51 | 0:08:55 | |
Last year, 30 people were killed and more than 3,000 injured | 0:09:02 | 0:09:05 | |
as a result of cooking fires in the home. | 0:09:05 | 0:09:08 | |
Little wonder that many of us choose to protect our homes and loved ones | 0:09:08 | 0:09:13 | |
by having safety equipment like these fire blankets close at hand. | 0:09:13 | 0:09:16 | |
They should provide us with peace of mind | 0:09:16 | 0:09:19 | |
but these are no comfort blankets. | 0:09:19 | 0:09:21 | |
They're on sale, they're untested and make fake safety claims | 0:09:21 | 0:09:26 | |
that could be putting lives at risk. | 0:09:26 | 0:09:28 | |
Britain's fire services | 0:09:32 | 0:09:33 | |
are called out to over 20,000 kitchen fires every year. | 0:09:33 | 0:09:37 | |
In fact, they make up over two-thirds of their shouts | 0:09:38 | 0:09:41 | |
to domestic premises. | 0:09:41 | 0:09:42 | |
These fires can burn out of control in an instant, | 0:09:45 | 0:09:47 | |
causing untold damage, and putting lives in danger... | 0:09:47 | 0:09:50 | |
..something which furniture designer John Crawford | 0:09:55 | 0:09:57 | |
became very aware of when a family friend was seriously injured. | 0:09:57 | 0:10:01 | |
She'd unfortunately been very badly burned in a kitchen fire. | 0:10:03 | 0:10:07 | |
She'd been cooking dinner for her children, | 0:10:07 | 0:10:09 | |
wearing a loose shirt and her shirt had caught fire | 0:10:09 | 0:10:12 | |
and spread very quickly. | 0:10:12 | 0:10:14 | |
She didn't have anything in the kitchen, such as a fire blanket | 0:10:14 | 0:10:19 | |
and, as a consequence, really, was very badly burned. | 0:10:19 | 0:10:25 | |
I think it does strike a chord with you, | 0:10:27 | 0:10:30 | |
it's a daily activity that we do, | 0:10:30 | 0:10:33 | |
we're cooking dinner for the children every night, | 0:10:33 | 0:10:35 | |
and it does chime with you that | 0:10:35 | 0:10:38 | |
that could very easily happen in your own home. | 0:10:38 | 0:10:41 | |
Spurred into action by what he'd heard, | 0:10:41 | 0:10:44 | |
John went online to buy a fire blanket | 0:10:44 | 0:10:46 | |
that could help protect him and his family. | 0:10:46 | 0:10:48 | |
But what had appeared like a quality product online | 0:10:51 | 0:10:55 | |
began to look very questionable when it arrived. | 0:10:55 | 0:10:58 | |
As I took it out of the box, it became clear | 0:10:58 | 0:11:00 | |
that the packaging of the product looked a little bit unusual. | 0:11:00 | 0:11:05 | |
The immediate thing that jumped out was | 0:11:05 | 0:11:07 | |
where you would expect to see a manufacturer, a country of origin, | 0:11:07 | 0:11:12 | |
there's nothing there. | 0:11:12 | 0:11:13 | |
You start to read the text that's on it and we have, | 0:11:13 | 0:11:17 | |
"If clothing is on fire, force victim to groud." | 0:11:17 | 0:11:20 | |
"Wrao", instead of "wrap", "..in fire blanket." | 0:11:20 | 0:11:22 | |
So they're immediately very obvious grammatical or English mistakes on there. | 0:11:22 | 0:11:29 | |
Altogether you do start to wonder | 0:11:29 | 0:11:31 | |
if the product isn't right in packaging terms, | 0:11:31 | 0:11:34 | |
is it really going to do the very serious function | 0:11:34 | 0:11:37 | |
which it's designed for? | 0:11:37 | 0:11:40 | |
In Britain there are no compulsory standards for fire blankets, | 0:11:40 | 0:11:44 | |
but there is a voluntary European standard they can be tested to. | 0:11:44 | 0:11:47 | |
John's blanket claimed to meet that standard. | 0:11:47 | 0:11:50 | |
If true, it would mean it had been proven | 0:11:50 | 0:11:52 | |
to suppress a fire within seconds | 0:11:52 | 0:11:54 | |
and that the fire wouldn't reignite | 0:11:54 | 0:11:56 | |
if the blanket was removed after 17 minutes. | 0:11:56 | 0:11:58 | |
But there are some more basic tests the fire blanket must pass first, | 0:12:03 | 0:12:06 | |
and the British Standard Institute's head of fire safety, Bob Wells, | 0:12:06 | 0:12:10 | |
can tell it falls short of the first hurdle and it's a fake. | 0:12:10 | 0:12:14 | |
On the blanket itself you should have a label, | 0:12:18 | 0:12:20 | |
rather like you find in a T-shirt or your trousers, | 0:12:20 | 0:12:23 | |
relating to the manufacturer's name, | 0:12:23 | 0:12:26 | |
manufacturer's address, and a model reference. | 0:12:26 | 0:12:30 | |
As you can see, this product has no marking on it at all. | 0:12:30 | 0:12:34 | |
Failing to meet this simple requirement | 0:12:35 | 0:12:38 | |
means there's no way the blanket would have been approved | 0:12:38 | 0:12:41 | |
and casts doubt on whether it's even up to the job. | 0:12:41 | 0:12:45 | |
I'd be pushing these aside | 0:12:45 | 0:12:46 | |
and going for something perhaps a little bit more expensive, | 0:12:46 | 0:12:50 | |
but I know it's going to work when I need it to. | 0:12:50 | 0:12:52 | |
Alarmingly, Fake Britain has discovered | 0:12:54 | 0:12:56 | |
thousands of cheap fire blankets being sold, | 0:12:56 | 0:12:59 | |
many making false safety claims. | 0:12:59 | 0:13:01 | |
Whether they actually work is anyone's guess. | 0:13:01 | 0:13:04 | |
To find out, later we'll call in the professionals | 0:13:06 | 0:13:09 | |
and put a selection of them to the test. | 0:13:09 | 0:13:11 | |
We're just going to place it over. | 0:13:11 | 0:13:13 | |
Here on Fake Britain, we've shown you | 0:13:21 | 0:13:23 | |
how the fakers have infiltrated the high street, | 0:13:23 | 0:13:26 | |
the internet, businesses and even our homes. | 0:13:26 | 0:13:29 | |
But now they are literally getting under our skin. | 0:13:29 | 0:13:33 | |
That's because tattoos are more popular than they have ever been. | 0:13:33 | 0:13:37 | |
Look at these. | 0:13:37 | 0:13:38 | |
They're inks that a tattooist might use, but they're fake, | 0:13:38 | 0:13:41 | |
and that's a very serious problem. | 0:13:41 | 0:13:43 | |
We all know someone who's got one because tattoos are now mainstream, | 0:13:46 | 0:13:50 | |
with high-profile figures from David Beckham to David Dimbleby... | 0:13:50 | 0:13:54 | |
-Ow! -..sporting ink on their skin. | 0:13:54 | 0:13:57 | |
In fact there are over 10,000 tattoo studios | 0:13:57 | 0:14:00 | |
dotted up and down the country, | 0:14:00 | 0:14:01 | |
adding body art to the 1.5 million Brits | 0:14:01 | 0:14:04 | |
who get permanently inked every year. | 0:14:04 | 0:14:07 | |
Charging around £100 an hour, it's a multi-million-pound industry | 0:14:09 | 0:14:12 | |
that's seen massive growth in recent years. | 0:14:12 | 0:14:15 | |
And that growth has been fuelled by the work of people like Louis Malloy | 0:14:15 | 0:14:19 | |
and his celebrity clients. | 0:14:19 | 0:14:20 | |
I have worked on quite a few famous clients, including the Beckhams, | 0:14:22 | 0:14:27 | |
Sir Bradley Wiggins, | 0:14:27 | 0:14:29 | |
Andrew Flintoff, | 0:14:29 | 0:14:31 | |
I could go on and on, but I won't. | 0:14:31 | 0:14:33 | |
With over 30 years' experience, | 0:14:33 | 0:14:35 | |
Louis is one of Britain's most respected tattooists | 0:14:35 | 0:14:38 | |
and is a master of his art. | 0:14:38 | 0:14:40 | |
But with the rise in popularity of tattoos | 0:14:41 | 0:14:44 | |
he's seen a rise in fakes flooding the industry. | 0:14:44 | 0:14:47 | |
I've seen examples of products | 0:14:49 | 0:14:51 | |
that are manufactured by European and American companies, | 0:14:51 | 0:14:55 | |
literally within weeks of them releasing those products, | 0:14:55 | 0:14:58 | |
the Chinese are then doing counterfeits. | 0:14:58 | 0:15:01 | |
A long-time target of the fakers has been these tattoo machines. | 0:15:01 | 0:15:06 | |
Determined to make their mark, though, | 0:15:06 | 0:15:08 | |
the fakers haven't stopped there. | 0:15:08 | 0:15:10 | |
We can reveal that they've moved on to tattoo inks, | 0:15:10 | 0:15:13 | |
something which alarms leading industry figures like Louis. | 0:15:13 | 0:15:16 | |
When you move on to things like tattoo colours, | 0:15:16 | 0:15:19 | |
it's a whole different ball game | 0:15:19 | 0:15:21 | |
because they're going into people's skin. | 0:15:21 | 0:15:24 | |
You're dealing with an unknown quantity, | 0:15:24 | 0:15:26 | |
and it can be very, very dangerous | 0:15:26 | 0:15:28 | |
because you've got no idea what you're putting into your body. | 0:15:28 | 0:15:33 | |
One of the most popular and trusted brands of tattoo ink is Intenze. | 0:15:34 | 0:15:39 | |
A single one-ounce bottle costs around £10. | 0:15:39 | 0:15:42 | |
That is, if it's the real deal. | 0:15:42 | 0:15:45 | |
This set of 14 Intenze inks, for example, | 0:15:45 | 0:15:48 | |
is on offer for the unbelievable price of £26 for the lot. | 0:15:48 | 0:15:52 | |
As you know, we can't resist a bargain here at Fake Britain, | 0:15:54 | 0:15:57 | |
so we snapped them up and took them | 0:15:57 | 0:15:59 | |
to Intenze's sole UK distributor, Global Tattoo Supplies. | 0:15:59 | 0:16:03 | |
Boss Steve Crane sells these inks day in, day out, | 0:16:05 | 0:16:08 | |
and, before he even takes them out of the packet, | 0:16:08 | 0:16:10 | |
he confirms that they may be cheap but they're also a con. | 0:16:10 | 0:16:14 | |
The fakes we can tell immediately. | 0:16:14 | 0:16:17 | |
They would never be shrink-wrapped | 0:16:17 | 0:16:19 | |
or loosely packaged in this foil. | 0:16:19 | 0:16:21 | |
And, once he gets his hands on them, Steve's experienced eye begins | 0:16:23 | 0:16:26 | |
to uncover a trail of telltale signs that the fakers have left behind. | 0:16:26 | 0:16:31 | |
On the fake, | 0:16:31 | 0:16:33 | |
the ingredients and the disclaimers | 0:16:33 | 0:16:35 | |
are all going into a tonal grey colour. | 0:16:35 | 0:16:37 | |
On the original, all of the ink on the label is the same tone. | 0:16:37 | 0:16:42 | |
No barcode information on the fake, but it is on the original. | 0:16:42 | 0:16:46 | |
Another giveaway is the colour tone. | 0:16:46 | 0:16:49 | |
This is the original Mario's Light Blue. | 0:16:49 | 0:16:53 | |
Unfortunately, the fake is slightly darker, | 0:16:55 | 0:16:57 | |
so there wouldn't be any consistency for the tattoo artist | 0:16:57 | 0:17:00 | |
and the customer in getting an ongoing piece of tattoo art. | 0:17:00 | 0:17:05 | |
With the appearance so different, | 0:17:05 | 0:17:08 | |
Steve's keen to see what this | 0:17:08 | 0:17:10 | |
means for the quality of the product inside. | 0:17:10 | 0:17:12 | |
What we're going to do is we're going to try the fake first of all. | 0:17:12 | 0:17:15 | |
All I'll do is put a little drop of ink down on the paper... | 0:17:15 | 0:17:21 | |
..and spread it around with my thumb. | 0:17:24 | 0:17:26 | |
As we can see, we've got quite a streaky consistency, | 0:17:27 | 0:17:30 | |
and it's spreading out quite a lot on the paper. | 0:17:30 | 0:17:33 | |
This is the original product. | 0:17:33 | 0:17:35 | |
What we're going to do is exactly the same thing again. | 0:17:35 | 0:17:37 | |
Straight away, you see it's a completely different, | 0:17:37 | 0:17:41 | |
denser product, giving us a nice, bright finish | 0:17:41 | 0:17:46 | |
as opposed to the streakiness of the fake. | 0:17:46 | 0:17:48 | |
The difference between the real and fake inks is immediately clear. | 0:17:48 | 0:17:53 | |
What he's seeing makes Steve worry about the customers who end up | 0:17:53 | 0:17:57 | |
with this fake ink injected into their skin. | 0:17:57 | 0:18:00 | |
There would be concern that the tattoo pigment itself | 0:18:00 | 0:18:03 | |
is so thin and weak that it would result in a bad tattoo | 0:18:03 | 0:18:07 | |
and also the health risks associated | 0:18:07 | 0:18:10 | |
with any inconsistencies in the manufacturing and bottling | 0:18:10 | 0:18:13 | |
and the hygiene side of this product. | 0:18:13 | 0:18:17 | |
Years of research has gone into the genuine products | 0:18:17 | 0:18:20 | |
to make sure they're safe to use on human skin, | 0:18:20 | 0:18:23 | |
and comply with European regulations on the content of tattoo inks. | 0:18:23 | 0:18:27 | |
The fakes are untested and their true contents unknown. | 0:18:27 | 0:18:31 | |
What he's already seen is giving Steve serious cause for concern | 0:18:32 | 0:18:36 | |
and, as the ink dries, alarm bells begin to ring about the fake's | 0:18:36 | 0:18:39 | |
potential to cause serious harm. | 0:18:39 | 0:18:41 | |
The fake ink is just rubbing away | 0:18:43 | 0:18:46 | |
and disappearing as we touch it. | 0:18:46 | 0:18:50 | |
The original one is not moving at all. | 0:18:50 | 0:18:53 | |
This is telling me that we have | 0:18:53 | 0:18:56 | |
a good, strong, stable product. | 0:18:56 | 0:18:57 | |
Here, I don't know what we've got. | 0:18:59 | 0:19:01 | |
With the fake inks looking not just dodgy but potentially dangerous, | 0:19:04 | 0:19:07 | |
it's time to get them tested and find out exactly what they contain. | 0:19:07 | 0:19:11 | |
At the University of Loughborough, two chemists have agreed | 0:19:13 | 0:19:15 | |
to run a series of tests that will reveal once and for all | 0:19:15 | 0:19:18 | |
whether these are harmless inks or a potential health hazard. | 0:19:18 | 0:19:23 | |
Whilst Dr Matt Turner gets to work determining exactly what | 0:19:23 | 0:19:26 | |
chemicals the inks contain, a floor below, his colleague, | 0:19:26 | 0:19:29 | |
Professor Sweta Ladwa, is testing the fake's claim to be sterile. | 0:19:29 | 0:19:33 | |
What I've done so far is just dilute the dye | 0:19:35 | 0:19:38 | |
in some liquid nutrient broth, | 0:19:38 | 0:19:41 | |
which is essentially, in layman's terms, bacteria food, | 0:19:41 | 0:19:44 | |
and I'm going to swab onto an agar plate. | 0:19:44 | 0:19:48 | |
What we'll then do is incubate the plates | 0:19:50 | 0:19:53 | |
and we'll see if anything grows. | 0:19:53 | 0:19:56 | |
If it was sterile, we should see nothing. | 0:19:58 | 0:20:01 | |
The plates stay in the incubator for 48 hours | 0:20:02 | 0:20:05 | |
at a temperature of 37 degrees, | 0:20:05 | 0:20:07 | |
designed to replicate what would happen in the human body. | 0:20:07 | 0:20:11 | |
When they're taken out, the genuine product is all clear, as expected. | 0:20:12 | 0:20:16 | |
But the fake white ink paints a very different, and scary, picture. | 0:20:16 | 0:20:21 | |
We saw that there was bacterial growth. | 0:20:21 | 0:20:25 | |
It was quite shocking actually because you could | 0:20:25 | 0:20:28 | |
see that there was certainly something growing in there. | 0:20:28 | 0:20:31 | |
The dye is contaminated | 0:20:31 | 0:20:33 | |
with some sort of bugs. | 0:20:33 | 0:20:34 | |
There are two families of bacteria present. | 0:20:34 | 0:20:37 | |
I suspect one is the streptococcal family, | 0:20:37 | 0:20:40 | |
the other is the proteus family. | 0:20:40 | 0:20:42 | |
Proteus bacteria are found in human and animal faeces, | 0:20:44 | 0:20:49 | |
meaning, far from being sterile, | 0:20:49 | 0:20:51 | |
these inks are being produced in squalid, unhygienic conditions. | 0:20:51 | 0:20:55 | |
Anyone getting a tattoo with these could be in serious trouble. | 0:20:56 | 0:21:00 | |
If this particular dye is injected into the skin, | 0:21:02 | 0:21:04 | |
if it does get into the bloodstream | 0:21:04 | 0:21:07 | |
then this could cause a variety of problems. | 0:21:07 | 0:21:10 | |
The worst-case scenario we're looking at is sepsis, where we've | 0:21:10 | 0:21:14 | |
got inflammation occurring due to the infection in the body | 0:21:14 | 0:21:20 | |
and this could potentially cause something fatal, | 0:21:20 | 0:21:25 | |
such as a heart attack. | 0:21:25 | 0:21:27 | |
Sweta's findings mean that | 0:21:27 | 0:21:29 | |
anyone being conned into buying these counterfeit inks | 0:21:29 | 0:21:32 | |
could end up administering a deadly dose to one of their clients. | 0:21:32 | 0:21:36 | |
The results from Matt's analysis of the contents are equally concerning. | 0:21:37 | 0:21:41 | |
On the top, we have the genuine tattoo ink, | 0:21:44 | 0:21:46 | |
where we have just two major components. | 0:21:46 | 0:21:48 | |
On the bottom, we've got the fake black tattoo ink, | 0:21:48 | 0:21:51 | |
where you can see there are several different components. | 0:21:51 | 0:21:54 | |
We don't know what these components are, | 0:21:54 | 0:21:56 | |
or what they'll do once they get into your body. | 0:21:56 | 0:21:59 | |
Using his years of experience to interpret these findings, | 0:21:59 | 0:22:02 | |
Matt fears what he's seeing in the fakes poses a real danger. | 0:22:02 | 0:22:06 | |
These dyes could be industrial dyes | 0:22:06 | 0:22:09 | |
that are used in paints or clothing, | 0:22:09 | 0:22:11 | |
and were never meant for use to come into contact with skin. | 0:22:11 | 0:22:16 | |
The worst-case scenario | 0:22:16 | 0:22:17 | |
would be these inks getting into your bloodstream, | 0:22:17 | 0:22:20 | |
the materials in the ink accumulating in your body, | 0:22:20 | 0:22:23 | |
and in your organs, and you get a severe allergic reaction | 0:22:23 | 0:22:27 | |
and it shuts your organs down. | 0:22:27 | 0:22:30 | |
The findings could hardly be worse, | 0:22:30 | 0:22:32 | |
with the fakes declared potentially lethal on two fronts. | 0:22:32 | 0:22:35 | |
For respected tattooist Louis Molloy, | 0:22:37 | 0:22:39 | |
who campaigns against counterfeit products, | 0:22:39 | 0:22:41 | |
this time the fakers have gone too far. | 0:22:41 | 0:22:44 | |
I think it's quite shocking that someone is prepared to make | 0:22:44 | 0:22:47 | |
something like that and sell it. It's wrong, it's very, very wrong. | 0:22:47 | 0:22:51 | |
It shouldn't be allowed. | 0:22:51 | 0:22:53 | |
People who manufacture counterfeit tattoo pigments | 0:22:54 | 0:22:58 | |
put profit over people's health. | 0:22:58 | 0:23:00 | |
They're just scum, in my mind. | 0:23:00 | 0:23:03 | |
Earlier, we saw how thousands of fire blankets are being sold bearing | 0:23:10 | 0:23:14 | |
fake safety claims, with no proof that they're even up to the job. | 0:23:14 | 0:23:18 | |
And if something does go wrong, | 0:23:21 | 0:23:23 | |
it's your local fire service who has to come to the rescue. | 0:23:23 | 0:23:26 | |
West Midlands Fire Service is one of the busiest brigades in the country. | 0:23:28 | 0:23:32 | |
With over 20 years on the job, operations commander Steve Harris | 0:23:32 | 0:23:37 | |
knows just how dangerous kitchen fires can be. | 0:23:37 | 0:23:40 | |
Recently we had a fatal kitchen fire, so it's a serious situation. | 0:23:42 | 0:23:46 | |
We advise people just to get out and stay out and call us out | 0:23:46 | 0:23:50 | |
to put the fire out for them. | 0:23:50 | 0:23:51 | |
But for the thousands who have fire blankets to hand, | 0:23:51 | 0:23:54 | |
and use them to bring a fire under control, | 0:23:54 | 0:23:57 | |
they must, at the very least, be reliable and up to the job. | 0:23:57 | 0:24:00 | |
Steve's shocked to learn that there are fakes on the market. | 0:24:01 | 0:24:04 | |
If fire blankets turn out to be fake | 0:24:04 | 0:24:06 | |
and don't do what they say they're supposed to do on the tin | 0:24:06 | 0:24:09 | |
then, yes, it could make the situation worse. | 0:24:09 | 0:24:12 | |
Somebody might believe they're using a genuine product | 0:24:12 | 0:24:14 | |
to put a fire out, and actually it doesn't do the job, | 0:24:14 | 0:24:17 | |
makes the situation worse, puts that person in danger, | 0:24:17 | 0:24:20 | |
and then we have to go into the building to try to save their life. | 0:24:20 | 0:24:24 | |
At the service's training base, Steve's getting kitted up | 0:24:26 | 0:24:28 | |
to put a selection of six fire blankets we've found | 0:24:28 | 0:24:31 | |
bearing fake safety markings through a real-life scenario. | 0:24:31 | 0:24:35 | |
This mobile unit is normally used to demonstrate to the public | 0:24:38 | 0:24:41 | |
just how lethal chip pan fires can be. | 0:24:41 | 0:24:44 | |
Now, Steve's firing it up to discover how this lot perform | 0:24:45 | 0:24:48 | |
when the heat is on. | 0:24:48 | 0:24:49 | |
We're just going to place it over. | 0:24:49 | 0:24:51 | |
It quickly becomes apparent | 0:24:53 | 0:24:55 | |
that, far from protecting themselves, | 0:24:55 | 0:24:57 | |
anyone relying on these fake fire blankets | 0:24:57 | 0:25:00 | |
could be putting themselves in serious danger. | 0:25:00 | 0:25:02 | |
Clearly, that hasn't worked. It is still a substantial fire. | 0:25:05 | 0:25:09 | |
That would've set fire to a kitchen now, | 0:25:09 | 0:25:11 | |
and you'd have a significant property fire. | 0:25:11 | 0:25:14 | |
I can't comment on the European standard. | 0:25:14 | 0:25:16 | |
What I can say is that doesn't work. | 0:25:16 | 0:25:19 | |
That doesn't do what I expect a fire blanket to have done. | 0:25:19 | 0:25:22 | |
The blanket itself has not cut off oxygen to the fire, | 0:25:22 | 0:25:24 | |
so we still have oxygen, we still have heat, | 0:25:24 | 0:25:26 | |
and we still have fuel, and we still have a fire. | 0:25:26 | 0:25:28 | |
I'd be very worried that people are selling these | 0:25:28 | 0:25:30 | |
and the public are buying them, | 0:25:30 | 0:25:32 | |
assuming that they would put out a chip pan fire. | 0:25:32 | 0:25:34 | |
The advice from us is to just get out, stay out and call 999. | 0:25:34 | 0:25:39 | |
Then you're not in any danger. | 0:25:39 | 0:25:41 | |
Five minutes in, the fire is still burning | 0:25:41 | 0:25:44 | |
and the fire blanket's claims are clearly fake. | 0:25:44 | 0:25:47 | |
The kitchen would've been destroyed by fire by now. | 0:25:48 | 0:25:50 | |
On average, it takes around five minutes for a fire engine | 0:25:50 | 0:25:53 | |
to get to a property. | 0:25:53 | 0:25:55 | |
This has been five minutes and we still have a fire. | 0:25:55 | 0:25:58 | |
So it's worrying. | 0:25:58 | 0:26:00 | |
In fact, it takes more than eight minutes for the flames | 0:26:00 | 0:26:02 | |
to finally die out. | 0:26:02 | 0:26:04 | |
Something in this blanket has caused it | 0:26:05 | 0:26:07 | |
not to do what it's supposed to do. | 0:26:07 | 0:26:09 | |
Some of this is heat damaged | 0:26:09 | 0:26:11 | |
and we would expect that from a blanket that's done its job, | 0:26:11 | 0:26:14 | |
but this one has just gone very, very brittle now. | 0:26:14 | 0:26:19 | |
As you can see, it didn't do its job. | 0:26:19 | 0:26:22 | |
It didn't work. | 0:26:22 | 0:26:24 | |
Disturbingly, it's not the only one. | 0:26:26 | 0:26:29 | |
Almost instantly, the flames broke through this blanket and, | 0:26:33 | 0:26:37 | |
as you can see, there's still fire on top of the actual fire blanket | 0:26:37 | 0:26:41 | |
so, in essence, the fire blanket has not done anything. | 0:26:41 | 0:26:44 | |
I certainly wouldn't want to use that kind of fire blanket | 0:26:44 | 0:26:47 | |
in my property, | 0:26:47 | 0:26:48 | |
and I wouldn't suggest that anybody buys a blanket of that standard. | 0:26:48 | 0:26:52 | |
Out of our sample of six, | 0:26:52 | 0:26:54 | |
two have been engulfed by flames and had no effect. | 0:26:54 | 0:26:57 | |
But this test has taken place under more forgiving outdoor conditions | 0:26:59 | 0:27:03 | |
and, having seen them up close, Steve's not happy any of | 0:27:03 | 0:27:06 | |
these blankets could be relied upon in an emergency inside a property. | 0:27:06 | 0:27:11 | |
It appears it's a bit of a lottery as to which one works. | 0:27:11 | 0:27:14 | |
You don't know whether it works until you actually need it. | 0:27:14 | 0:27:16 | |
You can't test a fire blanket. | 0:27:16 | 0:27:18 | |
You use it, and it works or it doesn't, | 0:27:18 | 0:27:21 | |
and that's too much of a chance for me. | 0:27:21 | 0:27:23 | |
We showed John Crawford, who bought one of these fake fire blankets | 0:27:25 | 0:27:28 | |
to protect his young family, the results of this trial by fire. | 0:27:28 | 0:27:32 | |
I am very glad that I did buy another blanket. | 0:27:34 | 0:27:36 | |
It's quite scary, really, to see | 0:27:36 | 0:27:39 | |
the intensity of the flames after the blanket has been put on. | 0:27:39 | 0:27:42 | |
By trusting his suspicions, | 0:27:44 | 0:27:45 | |
John realises he may have had a lucky escape. | 0:27:45 | 0:27:48 | |
It's clearly quite dangerous, what's being done. | 0:27:48 | 0:27:51 | |
I think a good comparison is perhaps buying a car that claims | 0:27:51 | 0:27:55 | |
to have airbags and by the time you have an accident | 0:27:55 | 0:27:58 | |
and you realise that no airbags were fitted then it's clearly too late. | 0:27:58 | 0:28:02 | |
That's all from Fake Britain. Goodbye. | 0:28:08 | 0:28:11 |