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Across the country, behind closed doors, we British are building. | 0:00:04 | 0:00:08 | |
We're building up, down and out, to improve our homes. | 0:00:08 | 0:00:11 | |
I've instructed my architect that I'm not comfortable at all with that. | 0:00:11 | 0:00:16 | |
But before we build, we need permission. | 0:00:16 | 0:00:19 | |
Permission from the planners, a bunch of people dedicated | 0:00:19 | 0:00:23 | |
to protecting our public spaces and neighbourhoods. | 0:00:23 | 0:00:26 | |
I think in its present state it possibly isn't quite acceptable. | 0:00:26 | 0:00:30 | |
So, if you've ever wanted a bigger kitchen, | 0:00:30 | 0:00:33 | |
an extra bedroom or an en suite bathroom, stand by. | 0:00:33 | 0:00:36 | |
It's time to... | 0:00:38 | 0:00:42 | |
Wherever we live, most of us long for just a little more space. | 0:00:46 | 0:00:49 | |
Growing families need extra bedrooms, | 0:00:49 | 0:00:53 | |
more and more people want home offices, | 0:00:53 | 0:00:55 | |
all of us need extra storage space. | 0:00:55 | 0:00:58 | |
But times are tough and extending your home is expensive. | 0:00:58 | 0:01:02 | |
Is it any wonder that planners are being bombarded | 0:01:02 | 0:01:04 | |
with applications from homeowners forced to cut corners | 0:01:04 | 0:01:08 | |
to make their dream home a reality? | 0:01:08 | 0:01:10 | |
So, today it's all about enlarging on a budget. | 0:01:10 | 0:01:13 | |
Is it possible to get the extra space you want | 0:01:13 | 0:01:16 | |
without breaking the bank? | 0:01:16 | 0:01:18 | |
The planners will meet | 0:01:19 | 0:01:21 | |
a couple who have taken a huge gamble on getting approval... | 0:01:21 | 0:01:24 | |
I'm glad he's started it, because time is not on our side. | 0:01:24 | 0:01:28 | |
Obviously, they do that at their own risk | 0:01:28 | 0:01:31 | |
and the risk is a refusal of planning permission. | 0:01:31 | 0:01:33 | |
..and a family who are desperate for more space, | 0:01:33 | 0:01:36 | |
but on a strict budget. | 0:01:36 | 0:01:38 | |
You're looking at £18,000. | 0:01:38 | 0:01:40 | |
I'm looking to maybe get it round the 15-mark. | 0:01:40 | 0:01:42 | |
I've never had an application with them on tracing paper still. | 0:01:42 | 0:01:47 | |
Can these families get the space they want | 0:01:47 | 0:01:50 | |
without spending a fortune? | 0:01:50 | 0:01:52 | |
Will their investments pay dividends | 0:01:52 | 0:01:53 | |
when it comes to reassessing the values of their homes? | 0:01:53 | 0:01:56 | |
And what will happen if their planning applications are refused? | 0:01:56 | 0:02:00 | |
West St Leonards sits on the edge of central St Leonards and Hastings, | 0:02:02 | 0:02:06 | |
away from the hustle and bustle of the shops and the promenade. | 0:02:06 | 0:02:09 | |
Many of the houses are a new addition | 0:02:10 | 0:02:12 | |
to the grand, Regency buildings on the waterfront, | 0:02:12 | 0:02:15 | |
with a mix of large Victorian properties and new-build estates. | 0:02:15 | 0:02:18 | |
There's a huge range of house prices here. | 0:02:20 | 0:02:22 | |
The grandest seafront homes will set you back | 0:02:22 | 0:02:25 | |
a whopping half a million pounds, | 0:02:25 | 0:02:27 | |
but there are well-maintained residential estates | 0:02:27 | 0:02:30 | |
where you can buy a modern family home | 0:02:30 | 0:02:32 | |
for a far more reasonable £150,000. | 0:02:32 | 0:02:35 | |
Hastings Council's Carol Boydell | 0:02:35 | 0:02:37 | |
deals with a huge number of planning applications for the area, | 0:02:37 | 0:02:41 | |
and she's never sure what's going to land on her desk. | 0:02:41 | 0:02:44 | |
I've got an application here for... | 0:02:45 | 0:02:47 | |
It's a two-storey side extension which can be very controversial. | 0:02:49 | 0:02:55 | |
Lindsey and Max Good live on a new-build estate | 0:02:58 | 0:03:00 | |
with their two sons. | 0:03:00 | 0:03:02 | |
They bought the house ten years ago for £155,000, | 0:03:02 | 0:03:06 | |
but the boys are getting too big to share a room, | 0:03:06 | 0:03:08 | |
so the Goods desperately need planning permission | 0:03:08 | 0:03:11 | |
to stay in a house, and an area, they love. | 0:03:11 | 0:03:14 | |
We can't afford to move, really. | 0:03:14 | 0:03:17 | |
The money that would be taken up in solicitor's fees and things | 0:03:17 | 0:03:20 | |
it would be important to us to extend this property and stay here. | 0:03:20 | 0:03:25 | |
Basically, we are extending the side of the house going out three metres, | 0:03:25 | 0:03:30 | |
going three metres by three metres. | 0:03:30 | 0:03:33 | |
And, basically, we are hoping to gain a bigger entrance hall | 0:03:34 | 0:03:39 | |
and a little utility room for Lindsey to do her washing in. | 0:03:39 | 0:03:43 | |
A washing machine and tumble dryer. | 0:03:43 | 0:03:45 | |
And then basically get this little fellow a bigger bedroom. | 0:03:45 | 0:03:49 | |
Cos we can't fit a bed in that box room. We've tried. | 0:03:49 | 0:03:51 | |
Getting planning permission has become a matter of urgency | 0:03:52 | 0:03:55 | |
for Max and Lindsey, but they can't afford to spend too much | 0:03:55 | 0:03:59 | |
extending their property and they can't live | 0:03:59 | 0:04:01 | |
in the space they currently have. | 0:04:01 | 0:04:03 | |
If you got a builder in I think you're looking at | 0:04:03 | 0:04:05 | |
about £1,000 a square metre in this area. | 0:04:05 | 0:04:08 | |
We've got an eighteen square metre extension | 0:04:08 | 0:04:11 | |
so you're maybe looking at £18,000. | 0:04:11 | 0:04:14 | |
I'm looking to maybe get it round the 15-mark. | 0:04:14 | 0:04:17 | |
Hopefully, it goes ahead, and if not we'll have to think about moving | 0:04:17 | 0:04:20 | |
in a year and a half because I think that's all they've got left | 0:04:20 | 0:04:23 | |
in that bedroom on their own I think, so hopefully... | 0:04:23 | 0:04:26 | |
Fingers crossed. | 0:04:27 | 0:04:29 | |
The Goods want to save money building their extension | 0:04:31 | 0:04:34 | |
and have already saved roughly £1,000 by asking a friend | 0:04:34 | 0:04:37 | |
to draw up their plans instead of using a professional architect. | 0:04:37 | 0:04:41 | |
This is a unique case for Carol. | 0:04:41 | 0:04:44 | |
I must say I've never had an application with them | 0:04:44 | 0:04:48 | |
on tracing paper still. That is really unusual. | 0:04:48 | 0:04:50 | |
I think it's a friend of theirs that's done them | 0:04:50 | 0:04:53 | |
and although the quality of the actual drawings is not bad | 0:04:53 | 0:04:58 | |
we just don't have them on tracing paper! | 0:04:58 | 0:05:02 | |
And they're also very noisy and not very practical on site | 0:05:02 | 0:05:06 | |
so I might photocopy them and get them on A3 paper or something. | 0:05:06 | 0:05:11 | |
I don't know. | 0:05:11 | 0:05:12 | |
Basically, the room will actually be | 0:05:12 | 0:05:15 | |
just over double the size when it's done. | 0:05:15 | 0:05:18 | |
Hopefully. | 0:05:18 | 0:05:19 | |
Hopefully. | 0:05:19 | 0:05:21 | |
The box room is currently just two metres by two and half metres, | 0:05:21 | 0:05:25 | |
not really enough room to swing a cat, | 0:05:25 | 0:05:27 | |
let alone provide space for a growing boy. | 0:05:27 | 0:05:30 | |
I have got concerns, which is quite difficult, | 0:05:30 | 0:05:33 | |
because I heard the lady bring this application into reception | 0:05:33 | 0:05:38 | |
and I could hear from my desk that she was saying at the counter | 0:05:38 | 0:05:42 | |
that it was really important for them to have this extension, | 0:05:42 | 0:05:46 | |
otherwise they were going to have to move house, | 0:05:46 | 0:05:49 | |
and then this dear little voice from her son came along, | 0:05:49 | 0:05:52 | |
"But I don't want to move house", | 0:05:52 | 0:05:54 | |
and it was like, "Oh, no, please don't let me get that one." | 0:05:54 | 0:05:57 | |
In order for the Goods to get the planning permission | 0:05:58 | 0:06:01 | |
they desperately need, Carol has to perform a site visit. | 0:06:01 | 0:06:05 | |
Her priority is to protect the area. If she's not satisfied, | 0:06:05 | 0:06:08 | |
it could spell disaster for Lindsey, Max and the boys. | 0:06:08 | 0:06:11 | |
Time to take a trip 200 miles north to the cathedral city of Lincoln. | 0:06:15 | 0:06:19 | |
It's a historic place with a castle | 0:06:19 | 0:06:21 | |
commissioned by William the Conqueror | 0:06:21 | 0:06:23 | |
and beautiful, wood-timbered medieval buildings. | 0:06:23 | 0:06:26 | |
But Lincoln, like Hastings, | 0:06:26 | 0:06:28 | |
has its fair share of modern family developments. | 0:06:28 | 0:06:31 | |
Lincoln's Hartsholme estate is a public housing area | 0:06:31 | 0:06:34 | |
a stone's throw from the city centre. | 0:06:34 | 0:06:37 | |
It attracts families on a limited budget. | 0:06:37 | 0:06:39 | |
A typical three-bed semi will set you back 140,000, | 0:06:39 | 0:06:43 | |
which is 11 grand below average for the city. | 0:06:43 | 0:06:46 | |
Lincoln Council's Mark Foster oversees | 0:06:48 | 0:06:51 | |
many of the applications here. | 0:06:51 | 0:06:52 | |
He has to make sure no development ruins the character of Hartsholme. | 0:06:52 | 0:06:56 | |
Responsible planners take just as much time | 0:06:56 | 0:06:59 | |
and trouble over modern homes as they do over period ones. | 0:06:59 | 0:07:02 | |
This application is for a two-storey side extension. As well as that | 0:07:05 | 0:07:09 | |
they're proposing a single-storey extension to the rear. | 0:07:09 | 0:07:12 | |
Leon and Lindsay Sampson bought their semidetached house | 0:07:13 | 0:07:17 | |
for 90 grand two months ago. | 0:07:17 | 0:07:19 | |
They are expecting their second child | 0:07:19 | 0:07:21 | |
and desperately need more space for their new arrival. | 0:07:21 | 0:07:23 | |
It's 100% necessary. We need it. | 0:07:25 | 0:07:27 | |
We can't live in it as it is. We need it. | 0:07:28 | 0:07:32 | |
We couldn't have just a two-bedroomed house. | 0:07:32 | 0:07:35 | |
I've already got a son and I've got a girl on the way. | 0:07:35 | 0:07:38 | |
They need their own rooms. | 0:07:38 | 0:07:40 | |
Got to do it, really. It's not a question of love for it. | 0:07:40 | 0:07:43 | |
It's a question of necessity, really. It needs doing. | 0:07:43 | 0:07:46 | |
Leon and Lindsay want to build a two-storey side extension | 0:07:47 | 0:07:51 | |
making use of the extra garden space | 0:07:51 | 0:07:53 | |
around their end-of-terrace property. | 0:07:53 | 0:07:55 | |
They also want to add a single-storey extension | 0:07:55 | 0:07:57 | |
that will contain a kitchen and dining room. | 0:07:57 | 0:08:00 | |
-Dining room that end. -Dining room that end. | 0:08:02 | 0:08:04 | |
-Island. -Island. Yeah. | 0:08:04 | 0:08:08 | |
This would be where you walk in. | 0:08:08 | 0:08:10 | |
We'd be looking 30-40 grand... | 0:08:10 | 0:08:13 | |
..for the extension to a decent quality | 0:08:14 | 0:08:16 | |
and that's calling in mate's rates and favours. | 0:08:16 | 0:08:21 | |
The Sampsons are keen to keep costs right down | 0:08:21 | 0:08:23 | |
and make their investment work for them. | 0:08:23 | 0:08:25 | |
If all goes well, they estimate the house will be worth | 0:08:25 | 0:08:28 | |
140-150 grand when finished. | 0:08:28 | 0:08:32 | |
Every day counts, and with money so tight, | 0:08:32 | 0:08:34 | |
they've taken a huge gamble | 0:08:34 | 0:08:36 | |
and started work before planning permission has been granted. Risky. | 0:08:36 | 0:08:41 | |
I'm glad he's started it because if we got to the point | 0:08:41 | 0:08:45 | |
and they gave us the OK then we'd have that much work to do. | 0:08:45 | 0:08:48 | |
-Well, it's two months. -And time's not on our side. | 0:08:48 | 0:08:50 | |
There's nothing to stop anybody starting a development | 0:08:50 | 0:08:55 | |
prior to getting planning permission. Nothing to stop that at all. | 0:08:55 | 0:08:58 | |
Obviously, they do that at their own risk | 0:08:58 | 0:09:00 | |
and the risk is a refusal of planning permission | 0:09:00 | 0:09:03 | |
and, potentially, implications for what they've already built. | 0:09:03 | 0:09:08 | |
That could potentially end up having to come down. | 0:09:08 | 0:09:10 | |
I can't be three months behind in my eyes | 0:09:10 | 0:09:12 | |
because three months behind could cost me three months | 0:09:12 | 0:09:15 | |
having to rent somewhere. | 0:09:15 | 0:09:16 | |
We've got a mortgage that we're paying here. | 0:09:18 | 0:09:20 | |
You've got council tax that we're going to have to start paying here, | 0:09:20 | 0:09:23 | |
I don't earn that much money to be able to cover renting. | 0:09:23 | 0:09:26 | |
I can't really see any reason as to why I wouldn't get it. | 0:09:26 | 0:09:29 | |
Or we wouldn't get it. | 0:09:29 | 0:09:31 | |
Well, Mark can think of a few. | 0:09:31 | 0:09:33 | |
The single-storey element at the back is adjacent to the boundary | 0:09:33 | 0:09:36 | |
so we have to look at the firstly to see the impact on that neighbour | 0:09:36 | 0:09:40 | |
in terms of loss of light. | 0:09:40 | 0:09:41 | |
The extension appearing unduly dominant and over-bearing | 0:09:41 | 0:09:44 | |
and things like that. | 0:09:44 | 0:09:45 | |
The other issue is the impact on the street scene. | 0:09:45 | 0:09:47 | |
Even if they say "no", I'll appeal it. | 0:09:47 | 0:09:50 | |
If we can't appeal it then it'll be doing the inside up | 0:09:50 | 0:09:55 | |
and selling it and finding somewhere else. | 0:09:55 | 0:09:56 | |
If worst comes to worst, that's what we're going to have to do. | 0:09:56 | 0:09:59 | |
Leon and Lindsay's hopes of getting the planning permission | 0:10:01 | 0:10:03 | |
they desperately need depend on what Mark sees when he visits their home. | 0:10:03 | 0:10:07 | |
On the south coast in Hastings, Carol is performing her site visit. | 0:10:10 | 0:10:14 | |
Remember, she's looking into an application made by the Goods | 0:10:14 | 0:10:18 | |
who desperately need more space for their two growing boys. | 0:10:18 | 0:10:21 | |
It's Carol's job to ensure their proposed extension | 0:10:21 | 0:10:24 | |
won't look out of place in the street. | 0:10:24 | 0:10:26 | |
I'm just looking down the road at the moment, | 0:10:27 | 0:10:30 | |
just looking at what impact an extension would have | 0:10:30 | 0:10:34 | |
on the side elevation there. | 0:10:34 | 0:10:36 | |
The road kind of goes in a bit of curve. I don't think its going to be | 0:10:36 | 0:10:39 | |
too prominent but I'd like to just see | 0:10:39 | 0:10:43 | |
how far away from the side flank wall | 0:10:43 | 0:10:46 | |
it's going to come. The drawings say three metres. | 0:10:46 | 0:10:49 | |
Carol has to be very thorough. | 0:10:52 | 0:10:54 | |
She wants to check from every angle | 0:10:54 | 0:10:56 | |
to ensure the extension isn't too imposing. | 0:10:56 | 0:10:59 | |
The extension is a little more visible here. | 0:11:01 | 0:11:04 | |
I need to look at it a little bit more I think. | 0:11:09 | 0:11:12 | |
Yeah, I've got concerns from this angle | 0:11:13 | 0:11:17 | |
that it might be quite prominent there. | 0:11:17 | 0:11:20 | |
I think this one is borderline here. | 0:11:21 | 0:11:24 | |
Carol's big concern is a classic planning issue. | 0:11:25 | 0:11:29 | |
She worries the proposed extension | 0:11:29 | 0:11:31 | |
will have too much of an impact on the street scene. | 0:11:31 | 0:11:34 | |
She may ask for it to be reduced, | 0:11:34 | 0:11:36 | |
meaning the family will lose space, or it could rejected entirely. | 0:11:36 | 0:11:40 | |
-Hi, I'm Carol. We met in reception. -Yes. | 0:11:40 | 0:11:43 | |
But Carol has also discovered another problem. | 0:11:43 | 0:11:46 | |
I could actually do with going through the drawings with you | 0:11:46 | 0:11:49 | |
cos I've had a look | 0:11:49 | 0:11:50 | |
-and you've put on there that they're three by three metres. -Yeah. | 0:11:50 | 0:11:55 | |
When I get my scale rule, it tells me the measurements of them. | 0:11:55 | 0:11:58 | |
It's not three metres. | 0:11:58 | 0:11:59 | |
-None of the elevations are three metres. -OK. | 0:11:59 | 0:12:03 | |
That's what it's going to be when it's built. | 0:12:03 | 0:12:05 | |
Right, so it's the drawings that are... Right, right. | 0:12:05 | 0:12:08 | |
Nine square metres downstairs, nine square metres upstairs. | 0:12:08 | 0:12:11 | |
Yep. That's all right. | 0:12:11 | 0:12:12 | |
So I can have a new bedroom. | 0:12:12 | 0:12:14 | |
It's you, is it? So you have a new bedroom? | 0:12:14 | 0:12:17 | |
Not to pressure me or anything! | 0:12:17 | 0:12:19 | |
CAROL LAUGHS | 0:12:19 | 0:12:20 | |
I think I need to have a think about it and test it against policy | 0:12:20 | 0:12:25 | |
and you should hear fairly soon. This week. If not, next week. | 0:12:25 | 0:12:30 | |
Is that OK? All right? | 0:12:30 | 0:12:32 | |
-Thanks very much! -Thank you! -Bye, boys! Bye. | 0:12:32 | 0:12:35 | |
I think it went really well. | 0:12:37 | 0:12:38 | |
Maybe a small concern that the drawings are out slightly | 0:12:38 | 0:12:41 | |
but we can get that amended, so hopefully that's going to be OK. | 0:12:41 | 0:12:45 | |
I think we're going to get it. | 0:12:45 | 0:12:47 | |
Sadly, Carol isn't as confident. | 0:12:48 | 0:12:50 | |
That didn't got too well. | 0:12:52 | 0:12:53 | |
I noticed on the plans that somebody had written three metres | 0:12:53 | 0:12:57 | |
and it was coming out as 2.8 by 3.5 metres. | 0:12:57 | 0:13:02 | |
So they do have to be accurate | 0:13:02 | 0:13:04 | |
because it's the drawing that's approved, | 0:13:04 | 0:13:06 | |
not what the applicant tells us it's going to be. | 0:13:06 | 0:13:08 | |
The drawings are critical. | 0:13:08 | 0:13:10 | |
I think if it is going to be granted | 0:13:11 | 0:13:14 | |
she's got to get herself an architect | 0:13:14 | 0:13:16 | |
but I don't know if she's going to need to yet. | 0:13:16 | 0:13:19 | |
Cutting corners has meant that the Goods' much needed extension | 0:13:19 | 0:13:23 | |
now hangs in the balance. | 0:13:23 | 0:13:24 | |
Right, over to the Sampsons in Lincoln. | 0:13:27 | 0:13:30 | |
Mark has arrived to carry out the vital site visit. | 0:13:30 | 0:13:33 | |
This will determine whether or not the Sampsons get planning permission | 0:13:33 | 0:13:37 | |
and whether starting the work early was a gamble too far. | 0:13:37 | 0:13:40 | |
A lot of these council estates | 0:13:40 | 0:13:42 | |
were built with buildings set back from the path | 0:13:42 | 0:13:44 | |
with space around them, | 0:13:44 | 0:13:46 | |
particularly when they're in terraces, | 0:13:46 | 0:13:48 | |
to give the illusion of space | 0:13:48 | 0:13:50 | |
and to allow that feeling that you're not hemmed in, | 0:13:50 | 0:13:53 | |
you're not crammed in and to give that illusion of space. | 0:13:53 | 0:13:56 | |
-Hello, Mr Sampson. -Nice to meet you. | 0:13:56 | 0:13:58 | |
Mark Foster. Pleased to meet you. | 0:13:58 | 0:13:59 | |
-I've just come to take a routine site visit. -Fine, yeah. | 0:13:59 | 0:14:04 | |
I won't take too much of your time. | 0:14:04 | 0:14:06 | |
-I'll just have a quick look round outside. -That's fine, yeah. | 0:14:06 | 0:14:08 | |
Take a few pictures then I'll come back and have a quick chat with you. | 0:14:08 | 0:14:11 | |
-Just tell you what we do from now on. -OK. | 0:14:11 | 0:14:13 | |
Mark's first priority is to get | 0:14:14 | 0:14:16 | |
a good sense of the surrounding houses. | 0:14:16 | 0:14:19 | |
It's vital he makes sure their proposed extension | 0:14:19 | 0:14:22 | |
won't destroy the sense of space, | 0:14:22 | 0:14:24 | |
or be an ugly addition to the other houses in the street. | 0:14:24 | 0:14:27 | |
I'm just looking really at the street scene | 0:14:27 | 0:14:29 | |
and looking at the definition of the terraces. | 0:14:29 | 0:14:33 | |
They are each set in rows of four. | 0:14:33 | 0:14:36 | |
Each has a small two-storey element set-back on each end | 0:14:36 | 0:14:39 | |
to define that edge, so this proposal comes forward of that | 0:14:39 | 0:14:42 | |
so we need just to have a look at whether | 0:14:42 | 0:14:44 | |
that will unsettle the rhythm of the terrace. | 0:14:44 | 0:14:46 | |
From the back, obviously there's some markings out | 0:14:47 | 0:14:51 | |
and some debris in the back which indicate | 0:14:51 | 0:14:52 | |
that there's something been taken down already | 0:14:52 | 0:14:55 | |
and we just need to make sure that | 0:14:55 | 0:14:57 | |
the impact of what goes back is acceptable. | 0:14:57 | 0:14:59 | |
Mark has big reservations about how the extension blends in. | 0:14:59 | 0:15:03 | |
If his concerns are sufficiently serious, | 0:15:03 | 0:15:05 | |
Leon will have made a major mistake starting the work early. | 0:15:05 | 0:15:09 | |
What we need to address is, | 0:15:09 | 0:15:12 | |
and I'm not sure about it yet, I need to have another think about it, | 0:15:12 | 0:15:15 | |
obviously, you are bringing it forward slightly, aren't you? | 0:15:15 | 0:15:17 | |
Yeah, we don't like it to look uniform. | 0:15:17 | 0:15:19 | |
It can't look like one... | 0:15:19 | 0:15:21 | |
No, it's either got to be one or the other. | 0:15:23 | 0:15:26 | |
So, forward or back, I think. | 0:15:26 | 0:15:28 | |
We probably don't want it to be flush... | 0:15:28 | 0:15:30 | |
Yeah, you don't want it to be... | 0:15:30 | 0:15:32 | |
Yeah. | 0:15:32 | 0:15:34 | |
It's all about making sure that whatever we do and recommend, | 0:15:34 | 0:15:37 | |
it's just making sure we maintain the character | 0:15:37 | 0:15:39 | |
of the area which is obviously what you're trying to do, | 0:15:39 | 0:15:41 | |
so we need to look at that. We'll come back to you. | 0:15:41 | 0:15:43 | |
I'll have a look at it. | 0:15:43 | 0:15:44 | |
-Nice to meet you. -Cheers, mate. -Cheers, thank you. | 0:15:44 | 0:15:47 | |
He was fair with what he said. | 0:15:48 | 0:15:50 | |
That's always going to be the issue - visual impact. | 0:15:50 | 0:15:53 | |
Whether he tells me I have to step it back right behind, | 0:15:53 | 0:15:56 | |
hopefully I don't, because that's space I'm losing inside. | 0:15:56 | 0:15:59 | |
So, I'm hoping I can step it out and keep it stepped out, | 0:15:59 | 0:16:02 | |
because that's what you're going to lose | 0:16:02 | 0:16:04 | |
in your cavity and your plasterboards, | 0:16:04 | 0:16:07 | |
and the space I've tried to gain, I'll end up losing, | 0:16:07 | 0:16:10 | |
and I'm going to end up with smaller rooms. | 0:16:10 | 0:16:13 | |
I'm hoping I get what I've asked for. | 0:16:13 | 0:16:15 | |
It's quite a substantial-sized extension. | 0:16:15 | 0:16:18 | |
It moves into the existing side garden of the property. | 0:16:18 | 0:16:21 | |
So, we just need to make sure that's not going to have an impact | 0:16:21 | 0:16:24 | |
on the street which is an impact we wouldn't want to see. | 0:16:24 | 0:16:29 | |
The other issue with that is, obviously, this is a terrace. | 0:16:29 | 0:16:32 | |
The terrace is designed as a uniform terrace and, therefore, | 0:16:32 | 0:16:36 | |
any extensions to it need to be carefully managed. | 0:16:36 | 0:16:39 | |
Back in Hastings, Carol has called a crisis meeting | 0:16:41 | 0:16:44 | |
with the Council's senior planners. | 0:16:44 | 0:16:47 | |
The Goods have attempted to cut corners by asking a friend | 0:16:47 | 0:16:50 | |
to draw up their plans, | 0:16:50 | 0:16:51 | |
a move which could spell disaster for their hopes for an extension. | 0:16:51 | 0:16:56 | |
The applicant has written on this three metres here. | 0:16:56 | 0:17:00 | |
It's coming out by about 2.45. | 0:17:00 | 0:17:04 | |
Are these drawings more or less right, | 0:17:04 | 0:17:07 | |
but not what they think they are asking for? | 0:17:07 | 0:17:10 | |
It's all to scale. It's just got the wrong measurements | 0:17:10 | 0:17:13 | |
written on individually. | 0:17:13 | 0:17:14 | |
-That is it, isn't it? -Yeah. | 0:17:14 | 0:17:16 | |
To be honest, if it was 2.5, the impact would be less | 0:17:16 | 0:17:21 | |
-than if it was three metres so it's more likely to be OK. -Yeah. | 0:17:21 | 0:17:23 | |
Ironically, then, the fact that the drawing doesn't show | 0:17:23 | 0:17:27 | |
what they wanted it to show is actually better, | 0:17:27 | 0:17:29 | |
because it's more acceptable to us. | 0:17:29 | 0:17:31 | |
-But we wouldn't encourage people to make mistakes. -No. | 0:17:31 | 0:17:34 | |
So, are we decided then that a three by three extension... | 0:17:36 | 0:17:40 | |
-Is a bit too big. -Yep. | 0:17:40 | 0:17:42 | |
OK. | 0:17:42 | 0:17:43 | |
So, that's a no. | 0:17:43 | 0:17:45 | |
For us a three-metre square extension would be too big | 0:17:45 | 0:17:50 | |
in that location. It would look disproportionate | 0:17:50 | 0:17:53 | |
when you look at the front of the house | 0:17:53 | 0:17:55 | |
and when you're coming down the road at the side it would also look | 0:17:55 | 0:17:58 | |
too prominent and the proportions would be wrong. | 0:17:58 | 0:18:00 | |
It might sound that we are being a bit picky | 0:18:00 | 0:18:02 | |
but it is important that you keep | 0:18:02 | 0:18:05 | |
a feeling of space around these buildings. | 0:18:05 | 0:18:07 | |
If everybody built up to the back edge of the footpath | 0:18:07 | 0:18:10 | |
you'd end up with a kind of very narrow view down the street, | 0:18:10 | 0:18:13 | |
and you want a bit of space around these building. | 0:18:13 | 0:18:15 | |
With the planners in agreement, Lindsey is about to discover | 0:18:16 | 0:18:20 | |
that getting planning permission | 0:18:20 | 0:18:22 | |
is a lot more difficult than she anticipated. | 0:18:22 | 0:18:24 | |
Hello? | 0:18:24 | 0:18:25 | |
Hello. Yes, it is. | 0:18:27 | 0:18:28 | |
OK. So have we got to start again? | 0:18:30 | 0:18:33 | |
A "maybe"? | 0:18:33 | 0:18:34 | |
All right, then. Thank you. Bye. | 0:18:34 | 0:18:36 | |
I suppose I'm happy because I didn't get a "no" no. | 0:18:40 | 0:18:43 | |
I got a "change it a little bit and it's a yes", | 0:18:43 | 0:18:45 | |
if that makes any sense. | 0:18:45 | 0:18:47 | |
So, yeah. Correct the drawings and then, hopefully, it will be a "yes". | 0:18:49 | 0:18:53 | |
Over in Lincoln, Head Planner Paul Seddon is equally committed | 0:18:58 | 0:19:02 | |
to the job of protecting the cityscape, | 0:19:02 | 0:19:04 | |
and he's a fan of well-designed estates like Hartsholme. | 0:19:04 | 0:19:07 | |
It's a public housing estate built immediately post-war. | 0:19:09 | 0:19:12 | |
Been built for over 50 years. | 0:19:12 | 0:19:15 | |
I think remarkably little change in much of it. | 0:19:15 | 0:19:17 | |
There's a real strong theme. | 0:19:17 | 0:19:19 | |
A real sense of character, real sense of design. | 0:19:19 | 0:19:22 | |
I think a real sense of thinking out, thinking through, | 0:19:22 | 0:19:25 | |
the homes that were being built for people | 0:19:25 | 0:19:27 | |
and what the environment was for them. | 0:19:27 | 0:19:29 | |
So, grass verges, trees within them, | 0:19:29 | 0:19:31 | |
front doors opening out onto the street. | 0:19:31 | 0:19:33 | |
You've got windows looking out there. | 0:19:33 | 0:19:36 | |
A good sense of enclosure within the streets, | 0:19:36 | 0:19:38 | |
but also that good sense of natural surveillance, | 0:19:38 | 0:19:42 | |
a sense of security that you do feel as you're walking around here. | 0:19:42 | 0:19:47 | |
The fact that it's public housing has probably limited | 0:19:47 | 0:19:50 | |
the amount of adaptation and change that's gone on in previous decades. | 0:19:50 | 0:19:54 | |
I think you're starting to see now some more house extensions, | 0:19:54 | 0:19:58 | |
perhaps of a larger scale than we would have done previously. | 0:19:58 | 0:20:02 | |
We need to try and make sure that it is the right kind of extension | 0:20:02 | 0:20:06 | |
when there is such a strong character within the area. | 0:20:06 | 0:20:08 | |
With such a rich design theme, | 0:20:09 | 0:20:11 | |
it's no wonder Paul is keen to uphold the area's character. | 0:20:11 | 0:20:15 | |
He has some advice for anyone | 0:20:15 | 0:20:17 | |
hoping to extend on limited finances. | 0:20:17 | 0:20:19 | |
We would always advise, | 0:20:19 | 0:20:20 | |
if you can, get a really good plan drawer or an architect | 0:20:20 | 0:20:24 | |
who can come up with some very clever ways of using a tight budget | 0:20:24 | 0:20:29 | |
and trying to really get the most out of it. It's worth the money. | 0:20:29 | 0:20:32 | |
It might not seem it sometimes, on a tight budget, | 0:20:32 | 0:20:35 | |
but you can certainly end up with a quicker | 0:20:35 | 0:20:38 | |
and a better result in the end of the day. | 0:20:38 | 0:20:40 | |
I think in another 50 years, | 0:20:40 | 0:20:42 | |
this estate will probably be largely like it is now. | 0:20:42 | 0:20:45 | |
I think the layout of it will still work. | 0:20:45 | 0:20:48 | |
In Hastings, Carol and the senior planning team | 0:20:50 | 0:20:53 | |
have had to think long and hard about the Goods' application. | 0:20:53 | 0:20:57 | |
The original square extension was a no-no, | 0:20:57 | 0:20:59 | |
but the rectangular plan that was mislabelled | 0:20:59 | 0:21:02 | |
on the original drawings, | 0:21:02 | 0:21:03 | |
was, ironically, more to the planners' liking. | 0:21:03 | 0:21:06 | |
The Goods are happy with the new design which gives them | 0:21:06 | 0:21:08 | |
an extra 16 and a half square metres of floor space, | 0:21:08 | 0:21:11 | |
but the 21-day neighbourhood consultation period | 0:21:11 | 0:21:15 | |
was a difficult wait for the family. | 0:21:15 | 0:21:17 | |
Today, it's the big decision. | 0:21:17 | 0:21:19 | |
It would mean a lot to us to get the approval, | 0:21:20 | 0:21:24 | |
just so we can stay here in this house, in this close. | 0:21:24 | 0:21:29 | |
The boys have got friends here, nice neighbours, we know everybody. | 0:21:29 | 0:21:35 | |
The only thing is, we've outgrown this house and the boys share. | 0:21:35 | 0:21:38 | |
So, we get this, the boys can have their own room | 0:21:38 | 0:21:41 | |
and everything will be good. | 0:21:41 | 0:21:43 | |
We always try to approve things, so it's not our job to refuse things. | 0:21:45 | 0:21:49 | |
It doesn't do anybody any good refusing stuff. | 0:21:49 | 0:21:51 | |
The only stuff we refuse is if it's going to have a really bad impact | 0:21:51 | 0:21:54 | |
on neighbours or the environment. | 0:21:54 | 0:21:56 | |
We try and approve them wherever we can | 0:21:56 | 0:21:58 | |
and we also and approve them as fast as we can | 0:21:58 | 0:22:01 | |
because we do understand that somebody wanting a little extension | 0:22:01 | 0:22:04 | |
or a conservatory, waiting two months for a decision can be | 0:22:04 | 0:22:08 | |
quite a painful, difficult process. | 0:22:08 | 0:22:10 | |
PHONE RINGS | 0:22:10 | 0:22:13 | |
-Good morning, planning. Can I help you? -Hello, is that Ray? | 0:22:13 | 0:22:16 | |
-Yeah, hi. -It's Lindsey Good. | 0:22:16 | 0:22:18 | |
-Oh, hiya! -Yes. | 0:22:18 | 0:22:20 | |
Right, you want to know what the decision is, I guess? | 0:22:22 | 0:22:25 | |
Yes, please. | 0:22:25 | 0:22:26 | |
I'll just check the details. Just hold on one second. | 0:22:26 | 0:22:30 | |
He'll make us wait a bit longer. | 0:22:30 | 0:22:31 | |
I feel a bit sick now! | 0:22:34 | 0:22:36 | |
-Hello? -Hello. -Yeah, that's all fine | 0:22:36 | 0:22:39 | |
-so I can do the decision right now. -OK. | 0:22:39 | 0:22:43 | |
We'll do that and then we'll send it out this afternoon. | 0:22:43 | 0:22:46 | |
-So it's all right. It's been approved. -So have I got it? | 0:22:46 | 0:22:48 | |
-Yep. -Oh, thank you! | 0:22:48 | 0:22:50 | |
That's a "yes" for the Goods! | 0:22:50 | 0:22:53 | |
Changing the shape of their extension lessened the impact. | 0:22:53 | 0:22:56 | |
-Bye! -Bye! | 0:22:56 | 0:22:57 | |
Yay! Oh, thank God for that! | 0:23:00 | 0:23:03 | |
A couple of people in the council get to decide our life | 0:23:04 | 0:23:09 | |
and how it's going to go... | 0:23:09 | 0:23:10 | |
..and the fact that we can now stay here and build an extension | 0:23:11 | 0:23:16 | |
and stay here for ever. | 0:23:16 | 0:23:17 | |
Really, really pleased. | 0:23:18 | 0:23:20 | |
With money and time tight, the Goods are keen to get started | 0:23:20 | 0:23:24 | |
as soon as possible. | 0:23:24 | 0:23:25 | |
Fast forward three months and work's under way! | 0:23:25 | 0:23:28 | |
Lindsey's got a new fringe, | 0:23:28 | 0:23:29 | |
and little Charlie is well on the way to having a new bedroom. | 0:23:29 | 0:23:33 | |
It did feel like for ever from putting in permission | 0:23:33 | 0:23:35 | |
at the planning to the building regs and then we could get started. | 0:23:35 | 0:23:39 | |
It did seem for ever but we're really pleased that it's started now. | 0:23:39 | 0:23:43 | |
But the million dollar question - how are the finances? | 0:23:43 | 0:23:47 | |
We think we're OK with the budget at the moment. | 0:23:47 | 0:23:49 | |
Hopefully, it stays that way, fingers crossed, and we'll be OK, yeah. | 0:23:49 | 0:23:53 | |
Really pleased that we've got as far as we've got. | 0:23:55 | 0:23:58 | |
Really looking forward to seeing the bedrooms, | 0:23:58 | 0:24:01 | |
seeing the windows go in, | 0:24:01 | 0:24:03 | |
seeing the roof go up and living in this space, really. | 0:24:03 | 0:24:06 | |
It'll be the house that we've sort of always wanted. | 0:24:06 | 0:24:09 | |
In Lincoln, Mark has been waiting 21 days | 0:24:13 | 0:24:16 | |
for all neighbourhood submissions | 0:24:16 | 0:24:18 | |
to come in before he issues his final decision. | 0:24:18 | 0:24:21 | |
That time has now passed, so Leon wants to know | 0:24:21 | 0:24:24 | |
if he's got the planning approval he and his family need. | 0:24:24 | 0:24:27 | |
One of the good parts of the job is definitely being able | 0:24:27 | 0:24:31 | |
to impart good news on people. | 0:24:31 | 0:24:33 | |
Certainly, we try and grant as many planning applications | 0:24:33 | 0:24:37 | |
as we can at all times. | 0:24:37 | 0:24:38 | |
But in the instances where we know it is a very important thing for a family, they're expanding, | 0:24:38 | 0:24:45 | |
often they're expanding very quickly, | 0:24:45 | 0:24:47 | |
and they need an answer very quickly. | 0:24:47 | 0:24:50 | |
As people, we are aware of issues that families are having. | 0:24:50 | 0:24:54 | |
We can't let that cloud our judgment. | 0:24:54 | 0:24:57 | |
It has to be done in accordance with the planning legislation. | 0:24:57 | 0:25:00 | |
Well, Mark has made his judgment and it's time for Leon to find out | 0:25:00 | 0:25:04 | |
if his gamble of starting work pre-permission has paid off. | 0:25:04 | 0:25:08 | |
Yep. | 0:25:08 | 0:25:09 | |
WOMAN ON PHONE: Just hold on while I have a look for you. | 0:25:09 | 0:25:12 | |
Cheers. | 0:25:12 | 0:25:14 | |
I spend my whole life on hold. | 0:25:14 | 0:25:16 | |
Is that a two-storey side extension and a single-storey rear? | 0:25:16 | 0:25:19 | |
Yes, it is, darling. | 0:25:19 | 0:25:20 | |
Yep, OK. Let's have a look. One of Mark Foster's. | 0:25:22 | 0:25:25 | |
Oh, right. It's got a final decision on it, actually. | 0:25:25 | 0:25:27 | |
Let's have a look what that is. | 0:25:27 | 0:25:29 | |
Granted conditionally today. | 0:25:30 | 0:25:33 | |
So, it's a "yes" for Leon, his wife, son | 0:25:33 | 0:25:35 | |
and their soon-to-be-born daughter. | 0:25:35 | 0:25:37 | |
A massive relief. But there are some conditions. | 0:25:37 | 0:25:40 | |
"Samples of all external materials to be used in the development | 0:25:40 | 0:25:44 | |
"shall be submitted to and approved by the local planning authority | 0:25:44 | 0:25:47 | |
"before the development commences." | 0:25:47 | 0:25:49 | |
-Thank you very much. Cheers. -OK, bye-bye. | 0:25:49 | 0:25:53 | |
It's very common for planners to give conditional permission, | 0:25:53 | 0:25:56 | |
allowing homeowners to get on with their building work, | 0:25:56 | 0:25:59 | |
whilst specific design features or materials are finalised. | 0:25:59 | 0:26:02 | |
At least for Leon and the family, they are closer to their dream. | 0:26:02 | 0:26:06 | |
That's perfect for me, really. Game on. | 0:26:06 | 0:26:09 | |
Back over to St Leonards and the Goods' extension | 0:26:14 | 0:26:16 | |
is nearing completion. | 0:26:16 | 0:26:18 | |
They can now finally think about moving little Charlie | 0:26:19 | 0:26:21 | |
into his new bedroom. | 0:26:21 | 0:26:24 | |
It feels good that we've got to this stage. | 0:26:24 | 0:26:27 | |
From the outside it looks finished. We've just got the inside to do now. | 0:26:27 | 0:26:31 | |
The budget is looking good at the moment. | 0:26:31 | 0:26:33 | |
We're just waiting to have a few more bills in from people, | 0:26:33 | 0:26:39 | |
but we're looking like we're on target, so that's good. | 0:26:39 | 0:26:42 | |
Originally, this was our outer wall and this was just all we had, | 0:26:45 | 0:26:50 | |
a little box room, so now this is going to be Charlie's bedroom, | 0:26:50 | 0:26:55 | |
-isn't it, Charlie? -Mm-hm. | 0:26:55 | 0:26:57 | |
So I think it's going to be a nice, big room. It's got three windows. | 0:26:57 | 0:27:00 | |
Nice and light and airy. | 0:27:00 | 0:27:02 | |
You've got to imagine it painted. | 0:27:02 | 0:27:04 | |
My bed's going to be here. | 0:27:05 | 0:27:07 | |
My wardrobe's going to be here. | 0:27:09 | 0:27:10 | |
And I don't know where everything else is going to be. | 0:27:12 | 0:27:15 | |
I thought you said you wanted your telly in this corner? | 0:27:15 | 0:27:17 | |
I don't know. | 0:27:18 | 0:27:20 | |
We didn't want to move because we like it around here. | 0:27:21 | 0:27:25 | |
So, it is worth it. | 0:27:25 | 0:27:27 | |
I'm glad that Planning let us do it. | 0:27:28 | 0:27:33 | |
It's all been worth it in the end. | 0:27:33 | 0:27:35 | |
The Goods have planned it and built it. | 0:27:37 | 0:27:40 | |
They now have the room they vitally needed for their two boys, | 0:27:40 | 0:27:43 | |
plus, with the extra space, | 0:27:43 | 0:27:44 | |
they've added at least 10-15 grand to the price of their home. | 0:27:44 | 0:27:48 | |
Within a matter of months, the Sampsons | 0:27:51 | 0:27:53 | |
will have their much-needed extension, and by keeping costs down | 0:27:53 | 0:27:57 | |
they estimate they'll add an extra 50 grand | 0:27:57 | 0:28:00 | |
to the value of their home - an impressive achievement. | 0:28:00 | 0:28:03 | |
Subtitles by Red Bee Media Ltd | 0:28:12 | 0:28:16 |