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We asked you to tell us what's left you feeling ripped off, | 0:00:03 | 0:00:04 | |
and you contacted us in your thousands. | 0:00:04 | 0:00:08 | |
You've told us about the companies you think get it wrong and the customer | 0:00:08 | 0:00:11 | |
service that simply is not up to scratch. | 0:00:11 | 0:00:14 | |
Well, we are all just numbers, aren't we, at the end of the day? | 0:00:14 | 0:00:17 | |
Profit comes before anything else, and that's all that matters. | 0:00:17 | 0:00:19 | |
You've asked us to track down the scammers who stole your money and | 0:00:19 | 0:00:23 | |
investigate the extra charges you say are unfair. | 0:00:23 | 0:00:26 | |
Why can't they all just give it to you at the price it should be? | 0:00:26 | 0:00:29 | |
They don't. They just try and charge as much as they can. | 0:00:29 | 0:00:32 | |
And when you've lost out but no-one else is to blame, | 0:00:32 | 0:00:35 | |
you've come to us to stop others falling into the same trap. | 0:00:35 | 0:00:38 | |
When it comes to actual customer service, it's dreadful. | 0:00:38 | 0:00:42 | |
So, whether it's a blatant rip-off or a genuine mistake... | 0:00:42 | 0:00:45 | |
We're here to find out why you are out of pocket and what you can do | 0:00:45 | 0:00:48 | |
about it. | 0:00:48 | 0:00:49 | |
Your stories, your money. | 0:00:50 | 0:00:52 | |
This is Rip-Off Britain. | 0:00:52 | 0:00:54 | |
Hello, and welcome to Rip-Off Britain, | 0:00:57 | 0:00:59 | |
the series that really is on your side just when it might feel that | 0:00:59 | 0:01:03 | |
absolutely nobody else is. | 0:01:03 | 0:01:05 | |
Also, we are here to ask the questions which, so far, | 0:01:05 | 0:01:08 | |
you just have not been able to get an answer to. | 0:01:08 | 0:01:10 | |
So, today, we are investigating what appeared to be opportunities for | 0:01:10 | 0:01:14 | |
making some extra cash, but are they all they are cracked up to be? | 0:01:14 | 0:01:18 | |
That's the question, you see, because you probably won't be surprised to hear that, | 0:01:18 | 0:01:22 | |
as far as we can see, some of them really are not. | 0:01:22 | 0:01:25 | |
Now, whether they are offering just a little extra money in your | 0:01:25 | 0:01:27 | |
pocket, you know, that extra cash, | 0:01:27 | 0:01:30 | |
or they represent a much more serious investment, | 0:01:30 | 0:01:32 | |
such opportunities rarely come with cast-iron guarantees. | 0:01:32 | 0:01:36 | |
But as you'll see, the impression given by the companies concerned | 0:01:36 | 0:01:40 | |
can be very, very different from the reality. | 0:01:40 | 0:01:43 | |
And certainly, in the case that I've been looking at, | 0:01:43 | 0:01:45 | |
there is something really uncomfortable going on because a man who's been | 0:01:45 | 0:01:48 | |
persuaded to invest thousands of pounds has ended up with very little | 0:01:48 | 0:01:53 | |
to show for it. | 0:01:53 | 0:01:54 | |
Coming up, the cold-calling art sellers with very creative ideas on how you could | 0:01:54 | 0:01:59 | |
spend your life savings. | 0:01:59 | 0:02:01 | |
I don't actually have a clue how much he's spent. | 0:02:01 | 0:02:04 | |
This one in the box was tens of thousands. | 0:02:04 | 0:02:07 | |
And the apps that promise easy ways to end up quids in. | 0:02:07 | 0:02:10 | |
These two have saved a small fortune. | 0:02:10 | 0:02:13 | |
We are claiming a pound back, making all eight bottles that we've got | 0:02:13 | 0:02:16 | |
between us free. | 0:02:16 | 0:02:18 | |
But some feel far less happy. | 0:02:18 | 0:02:20 | |
I felt let down. | 0:02:20 | 0:02:22 | |
I felt that we'd been misled. | 0:02:22 | 0:02:24 | |
Now, several times over the years, | 0:02:27 | 0:02:28 | |
you've told us about the consequences of being talked into investing your | 0:02:28 | 0:02:32 | |
money in things like gold or diamonds, | 0:02:32 | 0:02:34 | |
fine wines or even the production of a film. | 0:02:34 | 0:02:37 | |
Well, these ventures rarely worked out as expected or promised and, | 0:02:37 | 0:02:41 | |
while we can't go quite as far as saying all such schemes should be | 0:02:41 | 0:02:45 | |
avoided, it's true that we haven't come across a single person who's | 0:02:45 | 0:02:48 | |
told us they are glad they did it. | 0:02:48 | 0:02:50 | |
What's more, once they've drawn you in, | 0:02:50 | 0:02:52 | |
some of the companies that trade in these so-called alternative | 0:02:52 | 0:02:56 | |
investments just won't leave you alone. | 0:02:56 | 0:02:58 | |
And this next story is a real example of that. | 0:02:58 | 0:03:01 | |
$160 million. | 0:03:01 | 0:03:02 | |
When Pablo Picasso's | 0:03:03 | 0:03:05 | |
Les Femmes d'Alger sold for over ?100 million in 2015, | 0:03:05 | 0:03:10 | |
it broke all records and sent jaws dropping. | 0:03:10 | 0:03:13 | |
For the lucky few, the potential gains from buying and selling art can be | 0:03:13 | 0:03:16 | |
huge, but most of us don't have the expertise to spot the difference | 0:03:16 | 0:03:20 | |
between a masterpiece worth a fortune and a copy worth pennies, | 0:03:20 | 0:03:24 | |
at least without help. | 0:03:24 | 0:03:26 | |
And that's where these companies come in. | 0:03:26 | 0:03:28 | |
They will contact people out of the blue, | 0:03:28 | 0:03:30 | |
offering art as a sure-fire investment opportunity. | 0:03:30 | 0:03:34 | |
And it seems that's what they did with 76-year-old Lance Edmonds from | 0:03:35 | 0:03:39 | |
Essex. He is currently recovering from a major stroke that's affected | 0:03:39 | 0:03:43 | |
not just his mobility but his memory as well. | 0:03:43 | 0:03:46 | |
Hi, Lance. Hi. Hello, I'm Julia. | 0:03:47 | 0:03:50 | |
'So he can't quite remember how he was first talked into buying artworks by | 0:03:50 | 0:03:54 | |
'some particularly famous artists or recall the total amount he's been | 0:03:54 | 0:03:58 | |
'persuaded to hand over since then.' | 0:03:58 | 0:04:01 | |
Can I ask you, it's a bit of a personal question, | 0:04:01 | 0:04:03 | |
but how much have you spent on this? | 0:04:03 | 0:04:05 | |
Good question. I don't know. About 8,000, something like that. | 0:04:05 | 0:04:09 | |
Do you think you've got value for money? | 0:04:09 | 0:04:11 | |
I know nothing about it, but I don't think so. | 0:04:11 | 0:04:14 | |
'In fact, Lance's family believes he's paid out an awful lot more than that | 0:04:14 | 0:04:19 | |
'to a variety of companies who have all somehow decided art is his thing | 0:04:19 | 0:04:23 | |
'and are keen to get him to buy more. | 0:04:23 | 0:04:25 | |
But, as he's never had a particular interest in art, when his daughter, | 0:04:25 | 0:04:29 | |
'Cherie, started noticing pieces arriving at the house, | 0:04:29 | 0:04:33 | |
'she became not just worried but suspicious, too.' | 0:04:33 | 0:04:35 | |
This one was delivered in the box. | 0:04:39 | 0:04:41 | |
Apparently, it's Salvador Dali. | 0:04:41 | 0:04:44 | |
These ones were just wrapped in bubble wrap with brown paper on the outside. | 0:04:44 | 0:04:49 | |
Cherie's fears worsened as she tried to get to the bottom of what had gone on | 0:04:50 | 0:04:53 | |
and it became clear that, trying to recover from his stroke, | 0:04:53 | 0:04:57 | |
Lance wasn't entirely sure what he'd bought or from whom. | 0:04:57 | 0:05:01 | |
I think we are looking at tens of thousands rather than just a few. | 0:05:02 | 0:05:08 | |
It was just such a shock when we were told about this one in the box, | 0:05:08 | 0:05:11 | |
it was tens of thousands. | 0:05:11 | 0:05:13 | |
Cherie's brother, Steve, | 0:05:15 | 0:05:16 | |
has also tried piecing together what their father has spent and how he even | 0:05:16 | 0:05:20 | |
came to be involved with buying art in the first place. | 0:05:20 | 0:05:23 | |
I believe that someone phoned him up and asked him if he was interested | 0:05:23 | 0:05:28 | |
in any investment opportunities. | 0:05:28 | 0:05:30 | |
What, out of the blue? As far as I'm aware, yes. | 0:05:30 | 0:05:33 | |
And so, they were saying, "Why don't you invest in art?" | 0:05:33 | 0:05:36 | |
Was that the basic pitch? | 0:05:36 | 0:05:38 | |
Yes, this was just before the Brexit vote and they were saying things | 0:05:38 | 0:05:41 | |
like, "If you invest in these, | 0:05:41 | 0:05:44 | |
"it will safeguard you if Brexit happens because the value of the pound | 0:05:44 | 0:05:47 | |
"will drop but the value of the artwork won't." | 0:05:47 | 0:05:49 | |
So they were presenting art as being the kind of rock-solid investment in | 0:05:49 | 0:05:54 | |
times of uncertainty, ie Brexit? | 0:05:54 | 0:05:57 | |
Yes. | 0:05:57 | 0:05:59 | |
Whichever company first phoned Lance, | 0:05:59 | 0:06:01 | |
no less than three have contacted him in the 12 months since, | 0:06:01 | 0:06:05 | |
and each of them has managed to sell him some art. | 0:06:05 | 0:06:08 | |
Steve's in no doubt that they've done so by taking advantage of his ill health. | 0:06:08 | 0:06:13 | |
He had a stroke about 18 months ago. | 0:06:13 | 0:06:17 | |
His memory's not quite what it was and he's not quite as sharp as he was beforehand | 0:06:17 | 0:06:21 | |
so he's quite frail now. | 0:06:21 | 0:06:22 | |
So this makes him vulnerable and an ideal target? | 0:06:22 | 0:06:25 | |
He doesn't really worry about | 0:06:25 | 0:06:27 | |
what happens with his money or what happens with him. | 0:06:27 | 0:06:30 | |
Only some of the art Lance has bought has actually been delivered to the | 0:06:30 | 0:06:33 | |
house. The rest is being stored for him. | 0:06:33 | 0:06:36 | |
He's got five paintings here and we believe he's got two or three in a | 0:06:37 | 0:06:42 | |
warehouse somewhere. And who are these paintings by? | 0:06:42 | 0:06:45 | |
We've got a Dali lithograph, | 0:06:45 | 0:06:48 | |
I believe there's a Picasso in a warehouse and I'm not sure of the names | 0:06:48 | 0:06:52 | |
of the others. They're not well-known artists. | 0:06:52 | 0:06:55 | |
But Dali and Picasso are, you know, top, | 0:06:55 | 0:06:58 | |
top people and cost a lot of money. | 0:06:58 | 0:07:02 | |
'Though it's been difficult for Steve to unravel it all, | 0:07:02 | 0:07:05 | |
''it seems these two pieces alone, bought from different companies, | 0:07:05 | 0:07:08 | |
'cost his father over ?10,000, | 0:07:08 | 0:07:11 | |
'and Steve reckons that's just the tip of the iceberg. | 0:07:11 | 0:07:14 | |
'He believes Lance may have been persuaded to invest his entire life savings in art. | 0:07:14 | 0:07:19 | |
'That's over ?50,000. | 0:07:19 | 0:07:22 | |
'And though Steve and Cherie have asked the companies involved not to get in | 0:07:22 | 0:07:25 | |
'touch with Lance again, they say, if anything, | 0:07:25 | 0:07:28 | |
'the number of calls seems to have increased.' | 0:07:28 | 0:07:31 | |
And what's been the reaction of the family at large, | 0:07:32 | 0:07:36 | |
knowing that this has happened to their father? | 0:07:36 | 0:07:37 | |
It must be devastating. | 0:07:37 | 0:07:39 | |
Yeah, we are all quite angry about it because he's never been into art | 0:07:39 | 0:07:43 | |
and he was never frivolous with his money. | 0:07:43 | 0:07:45 | |
Growing up, | 0:07:45 | 0:07:47 | |
we really had to have something before it would be bought. | 0:07:47 | 0:07:50 | |
It just seems like throwing his money away now. | 0:07:50 | 0:07:52 | |
We don't mind him investing in things, it's his money, | 0:07:52 | 0:07:56 | |
but we don't like him being ripped off. | 0:07:56 | 0:07:58 | |
Steve's tried encouraging his father to just hang up when the various | 0:07:59 | 0:08:02 | |
companies call but, it seems, things aren't quite so straightforward. | 0:08:02 | 0:08:06 | |
What is it they talk about? | 0:08:08 | 0:08:09 | |
What is it they ask you when they call you? | 0:08:09 | 0:08:11 | |
No idea. I don't listen. | 0:08:11 | 0:08:14 | |
It goes in one ear and out the other. | 0:08:14 | 0:08:16 | |
No, I can't recall. Do they know that you don't want any more? | 0:08:16 | 0:08:19 | |
I think they're getting the message! | 0:08:19 | 0:08:22 | |
HE LAUGHS | 0:08:22 | 0:08:23 | |
Yes, I think they've got the message. | 0:08:23 | 0:08:25 | |
Well, we had a taste of how these calls can go during our filming | 0:08:25 | 0:08:29 | |
when one of the companies rang Lance again. | 0:08:29 | 0:08:32 | |
We listened in on most of it and, | 0:08:32 | 0:08:33 | |
while we couldn't tell exactly which company he was speaking to, | 0:08:33 | 0:08:37 | |
it was clear they really want him to feel confident in his investment. | 0:08:37 | 0:08:40 | |
No, no. | 0:08:59 | 0:09:00 | |
The salesman says he will be sending Lance a list of the artworks he's | 0:09:06 | 0:09:09 | |
already bought from that particular company, but | 0:09:09 | 0:09:12 | |
rather than deliver the artwork on, | 0:09:12 | 0:09:14 | |
he stresses the benefit of having the company keep hold of it instead. | 0:09:14 | 0:09:18 | |
I'm happy with you looking after them for me. | 0:09:25 | 0:09:29 | |
All right. Bye. | 0:09:31 | 0:09:33 | |
Now, that could seem a perfectly innocent, even friendly, call, | 0:09:34 | 0:09:38 | |
but Steve suspects there's another reason why the company is so keen to | 0:09:38 | 0:09:42 | |
store the art on Lance's behalf. | 0:09:42 | 0:09:44 | |
They've got artwork of yours, | 0:09:44 | 0:09:47 | |
they are happy to send it to you if you want them to, | 0:09:47 | 0:09:50 | |
or do you want them to keep it? | 0:09:50 | 0:09:52 | |
If they keep it for more than a year, they will start charging you for the storage. | 0:09:52 | 0:09:56 | |
How did you know that? | 0:09:57 | 0:09:59 | |
Because it's in the contract. I've just read the contract. | 0:09:59 | 0:10:02 | |
Whatever the company's motives on that storage point, | 0:10:02 | 0:10:05 | |
the big question is whether all the art Lance has ended up buying is worth | 0:10:05 | 0:10:09 | |
anything like the estimated ?50,000 it seems to have cost him. | 0:10:09 | 0:10:14 | |
'We've arranged for Andrea Ginastera, a local art auctioneer, | 0:10:14 | 0:10:17 | |
'to inspect the paintings and prints that Lance has received | 0:10:17 | 0:10:20 | |
'to put an estimate on their value.' | 0:10:20 | 0:10:23 | |
Tell us a bit about this one. | 0:10:23 | 0:10:24 | |
So this painting is signed by an artist named Wiseman. | 0:10:24 | 0:10:29 | |
He's a British artist of the second half of the 20th century. | 0:10:29 | 0:10:32 | |
His works are being sold in provincial auction houses | 0:10:32 | 0:10:37 | |
and in Bonhams in-between | 0:10:37 | 0:10:39 | |
200 and ?400. | 0:10:39 | 0:10:40 | |
There was one painting sold in Bonhams at ?600, which is a bit higher. | 0:10:40 | 0:10:45 | |
But Lance bought this painting from a Kent-based company | 0:10:45 | 0:10:48 | |
called Imperial Collectables for ?2,300. | 0:10:48 | 0:10:53 | |
That's clearly overpriced and, if you were to sell that, | 0:10:53 | 0:10:57 | |
you will not get that money back at the moment with the price at market. | 0:10:57 | 0:11:01 | |
Next, Andrea looks at a print that Lance purchased from a different company | 0:11:01 | 0:11:05 | |
called Treasury Asset. | 0:11:05 | 0:11:06 | |
'It's by an artist whose originals have sold for millions, | 0:11:06 | 0:11:09 | |
'so is this print of any value?' | 0:11:09 | 0:11:12 | |
The famous name on the table is that one, Dali, | 0:11:12 | 0:11:16 | |
so could you tell us about that? | 0:11:16 | 0:11:17 | |
Looking at the certificate you've got with it, | 0:11:17 | 0:11:20 | |
some of the essential information that you need to have when you're buying | 0:11:20 | 0:11:24 | |
prints and, more specially, when you are buying Dali prints, | 0:11:24 | 0:11:27 | |
it is that you should be told who's the publisher, | 0:11:27 | 0:11:30 | |
when was this issue printed? | 0:11:30 | 0:11:33 | |
And in your certificate, | 0:11:33 | 0:11:35 | |
all what you have is that that's a good block print and that that's signed. | 0:11:35 | 0:11:40 | |
Can you give us an estimate of how much it would be worth if the | 0:11:40 | 0:11:44 | |
certification was all there? | 0:11:44 | 0:11:47 | |
They are only worth a few hundred. | 0:11:47 | 0:11:49 | |
What did he pay for that? | 0:11:49 | 0:11:51 | |
We believe it was 8,700. Wow. | 0:11:51 | 0:11:53 | |
'There are plenty of other paintings Steve believes his father has | 0:11:54 | 0:11:57 | |
'paid handsomely for from other companies who have also called him out of | 0:11:57 | 0:12:01 | |
'the blue but, in Andrea's opinion, | 0:12:01 | 0:12:03 | |
because they are either by unknown artists or lack correct certificates of | 0:12:03 | 0:12:07 | |
'authenticity, they'd only fetch around ?20-40 at auction.' | 0:12:07 | 0:12:12 | |
If you've got an oil on canvas, it's unsigned and you don't know who the artist is, | 0:12:12 | 0:12:16 | |
so it's got no value, basically. | 0:12:16 | 0:12:20 | |
'For Steve and Cherie, | 0:12:20 | 0:12:21 | |
'everything Andrea have said only confirms the view that their father | 0:12:21 | 0:12:24 | |
'is being relentlessly targeted by companies whose only interest is to squeeze | 0:12:24 | 0:12:29 | |
'money out of him but, unsurprisingly, | 0:12:29 | 0:12:31 | |
'when we contacted the companies involved, | 0:12:31 | 0:12:34 | |
'one of them painted a very different picture of the contact with Lance. | 0:12:34 | 0:12:38 | |
'Imperial Collectables, from which he's purchased four artworks, | 0:12:38 | 0:12:42 | |
'disputed the total amount he paid for them, | 0:12:42 | 0:12:44 | |
'insisting it was ?10,000 and not the ?20,000 on the invoice we've seen.' | 0:12:44 | 0:12:50 | |
It also questioned the credentials and opinions of our art auctioneer, | 0:12:50 | 0:12:54 | |
Andrea, going on to say that it is a responsible supplier to art | 0:12:54 | 0:12:58 | |
collectors who do their due diligence and stressing that it's had no | 0:12:58 | 0:13:02 | |
recent contact with Lance or, indeed, | 0:13:02 | 0:13:04 | |
any communication to suggest he was unhappy. | 0:13:04 | 0:13:07 | |
It also said it only contacts people for whom it's purchased legitimate | 0:13:07 | 0:13:12 | |
leads and doesn't cold call and suggested any concerns here must be to do | 0:13:12 | 0:13:17 | |
with the other companies that have been contacting him. | 0:13:17 | 0:13:20 | |
We also contacted Treasury Asset from whom he bought the Dali picture for | 0:13:21 | 0:13:25 | |
?8,772, the one without any certificate of authenticity. | 0:13:25 | 0:13:31 | |
It has yet to reply. | 0:13:31 | 0:13:33 | |
Meanwhile, the Financial Conduct Authority has set up an initiative called | 0:13:34 | 0:13:38 | |
ScamSmart to warn against exactly these kind of investments, | 0:13:38 | 0:13:42 | |
which aren't regulated and certainly, for those who aren't an expert, | 0:13:42 | 0:13:46 | |
rarely turn out to have the benefits that were promised. | 0:13:46 | 0:13:48 | |
Well, all that's welcome, but it's too late to help people like Lance and, | 0:13:51 | 0:13:55 | |
as his children continue to try to understand the full extent of what | 0:13:55 | 0:13:58 | |
their father has become caught up in, | 0:13:58 | 0:14:01 | |
they want to raise general awareness about these so-called investment | 0:14:01 | 0:14:04 | |
opportunities so that other people understand they are not the best way to make money. | 0:14:04 | 0:14:09 | |
'And, of course, closer to home, | 0:14:09 | 0:14:11 | |
'they want to find a way to stop whichever company is ringing their father | 0:14:11 | 0:14:14 | |
'from making further calls so he isn't talked into spending even more money.' | 0:14:14 | 0:14:20 | |
So it's a relentless pursuit, isn't it? | 0:14:20 | 0:14:22 | |
Yes. And how does that make you feel? | 0:14:22 | 0:14:25 | |
Quite angry. It's just trying to work out how do we get them to stop. | 0:14:25 | 0:14:30 | |
Because that's all we care about, really, at the moment. | 0:14:30 | 0:14:33 | |
Anyone with a smartphone has become used to the fact that, | 0:14:38 | 0:14:41 | |
as the ads used to say, there really is an app for everything, | 0:14:41 | 0:14:45 | |
but among those that seem especially worth having are the ones that | 0:14:45 | 0:14:48 | |
promise to earn you cash, vouchers or some other reward in return, | 0:14:48 | 0:14:53 | |
very often, for not very much at all. | 0:14:53 | 0:14:55 | |
But many of you found that the promises of some of these apps simply did | 0:14:55 | 0:14:59 | |
not lead to the results for which you'd hoped and, | 0:14:59 | 0:15:02 | |
instead of making money, you found yourself losing it, | 0:15:02 | 0:15:05 | |
which got us wondering just how many of the apps that promised to leave | 0:15:05 | 0:15:09 | |
you quids-in genuinely will end up putting any extra cash in your pocket at all. | 0:15:09 | 0:15:16 | |
Who says you can't get something for nothing? | 0:15:16 | 0:15:18 | |
Mother and daughter Karen and Charlotte Stevenson from Teesside | 0:15:18 | 0:15:21 | |
are masters at that. | 0:15:21 | 0:15:23 | |
They are planning their weekly shop but, unlike most of us, | 0:15:23 | 0:15:26 | |
they have a system that means they'll pay next to nothing for everything they buy. | 0:15:26 | 0:15:31 | |
They do it by using cashback apps, | 0:15:31 | 0:15:33 | |
programmes on their phone that keep track of what they are spending and give | 0:15:33 | 0:15:37 | |
them rewards in the form of money off their next shop. | 0:15:37 | 0:15:41 | |
With cashback apps, I was seeing that people were making these huge | 0:15:41 | 0:15:44 | |
savings. They were buying something and it was only costing them maybe 20p | 0:15:44 | 0:15:48 | |
or 50p, and you're thinking, | 0:15:48 | 0:15:50 | |
"How are they doing this?" | 0:15:50 | 0:15:52 | |
So, the more you probed, | 0:15:52 | 0:15:55 | |
you discovered you had to download this app. | 0:15:55 | 0:15:57 | |
I can tell you, on one app alone, how much I've had back off them. | 0:15:57 | 0:16:02 | |
?471.50 and, at the minute, my balance is ?23.17. | 0:16:04 | 0:16:11 | |
But shopping this way, though very lucrative, can be time-consuming. | 0:16:11 | 0:16:17 | |
Normally, we spend Wednesday night. | 0:16:17 | 0:16:19 | |
Charlotte will take so many of the apps, and I'll take so many, | 0:16:19 | 0:16:22 | |
and I take a notepad and I write the name of the app and I write down each offer, | 0:16:22 | 0:16:26 | |
I check the supermarkets and I'll work through. | 0:16:26 | 0:16:29 | |
It does take a few hours on a Wednesday night. | 0:16:29 | 0:16:32 | |
Thursday night, we go out and do our big shop. | 0:16:32 | 0:16:34 | |
I do a big round of about four or five supermarkets, | 0:16:34 | 0:16:38 | |
and I collect everything then. | 0:16:38 | 0:16:40 | |
To qualify for cashback, | 0:16:40 | 0:16:42 | |
they have to buy the exact offers specified by each app. | 0:16:42 | 0:16:46 | |
This often means buying things they don't need, | 0:16:46 | 0:16:48 | |
and every nook and cranny of Karen and Charlotte's house is filled with | 0:16:48 | 0:16:51 | |
the results of their efforts. | 0:16:51 | 0:16:53 | |
Most of the herbs and spices would have ended up costing us ?1 for six. | 0:16:54 | 0:16:59 | |
Now, these, | 0:16:59 | 0:17:01 | |
we had about double of this, and we've slowly gone through them. | 0:17:01 | 0:17:06 | |
Free with cashback app. | 0:17:06 | 0:17:09 | |
Now, of course, not every app that gives rewards do so in such a dramatic | 0:17:14 | 0:17:18 | |
way or even offers you cash, | 0:17:18 | 0:17:20 | |
but you will find plenty of them offering all sorts of benefits in return | 0:17:20 | 0:17:24 | |
for what sometimes feels very little. | 0:17:24 | 0:17:26 | |
Apps have sprung up offering anything from free bagels to birthday gifts, | 0:17:28 | 0:17:32 | |
but not everyone who signed up for one always feels that they've had quite | 0:17:32 | 0:17:36 | |
the benefits they were expecting. | 0:17:36 | 0:17:37 | |
In January last year, | 0:17:40 | 0:17:41 | |
Jo Butler from Derbyshire signed up to a fitness app called Bounts, | 0:17:41 | 0:17:46 | |
which promised rewards for just doing exercise. | 0:17:46 | 0:17:49 | |
Already a keen runner, it seemed a perfect way to profit from keeping fit. | 0:17:49 | 0:17:53 | |
The more exercise she did, the more points she'd earn, | 0:17:53 | 0:17:56 | |
which could then be converted into vouchers to use at a wide range of high-street stores. | 0:17:56 | 0:18:01 | |
When I first downloaded the app, I thought it was great. | 0:18:03 | 0:18:06 | |
It encouraged me to do more walking, do more running | 0:18:06 | 0:18:11 | |
and, you know, everybody was raving about it. | 0:18:11 | 0:18:16 | |
You could go on, you could see that you could get vouchers for various | 0:18:16 | 0:18:21 | |
shops. Marks Spencers, Next, Morrisons, they were all there, | 0:18:21 | 0:18:26 | |
already available for you, | 0:18:26 | 0:18:28 | |
once you'd got the amount of points you needed, | 0:18:28 | 0:18:32 | |
to just download and they were yours. | 0:18:32 | 0:18:35 | |
To get the benefits of the app, | 0:18:35 | 0:18:36 | |
users either had to sign up for an entirely free basic membership, | 0:18:36 | 0:18:40 | |
or pay a fee to get premium membership, | 0:18:40 | 0:18:43 | |
which would earn you four times as many points and though Jo originally | 0:18:43 | 0:18:47 | |
plumped for the free option, keen to get as many points as possible, | 0:18:47 | 0:18:50 | |
she soon upgraded and paid for the premium option. | 0:18:50 | 0:18:53 | |
With a free membership you got five points for every activity. | 0:18:54 | 0:18:59 | |
For a premium membership you got 20 points. | 0:18:59 | 0:19:01 | |
So in a day I could accumulate 180 points. | 0:19:01 | 0:19:06 | |
If I got over 21,000 steps a day, that would accumulate me 60 points, | 0:19:06 | 0:19:11 | |
and then for three different walks or runs, | 0:19:11 | 0:19:13 | |
I got another 60 points and for gym check-ins you got 20 points. | 0:19:13 | 0:19:18 | |
So it made me more active, made me walk more, made me run more. | 0:19:18 | 0:19:22 | |
And at first, just like Jo, it seemed to be working out, | 0:19:22 | 0:19:25 | |
but she wasn't the only one who'd spotted the potential wins of the Bounts | 0:19:25 | 0:19:28 | |
app, so had thousands of others. | 0:19:28 | 0:19:30 | |
As subscriptions to the service increased, so did demand for the vouchers. | 0:19:30 | 0:19:36 | |
It became very frustrating. | 0:19:36 | 0:19:37 | |
You used to be going on the app four or five times a day and looking and, | 0:19:37 | 0:19:42 | |
you know, you would hear about other people that had been lucky to get | 0:19:42 | 0:19:45 | |
them and if you e-mailed Bounts about it, | 0:19:45 | 0:19:49 | |
they just said we only release so many a day and if you're lucky enough to | 0:19:49 | 0:19:53 | |
get them, you're lucky enough to get them. | 0:19:53 | 0:19:55 | |
I didn't think about stopping using the app because I had all these points | 0:19:55 | 0:20:00 | |
and, you know, I wanted my rewards that I was promised. | 0:20:00 | 0:20:04 | |
And then Jo received an e-mail from the company explaining that the terms | 0:20:05 | 0:20:08 | |
of the scheme had changed. | 0:20:08 | 0:20:10 | |
Rather than giving vouchers in exchange for points, | 0:20:10 | 0:20:13 | |
it was now offering something that, as far as Jo was concerned, | 0:20:13 | 0:20:16 | |
was very different. | 0:20:16 | 0:20:18 | |
They were changing the terms and conditions and it wouldn't be a reward | 0:20:18 | 0:20:23 | |
scheme any more. | 0:20:23 | 0:20:24 | |
Now we would get personal challenges to earn days out at theme parks and | 0:20:24 | 0:20:30 | |
spas and hotel breaks and things like that, | 0:20:30 | 0:20:35 | |
which wasn't what I'd originally signed up for. | 0:20:35 | 0:20:38 | |
Since she got that e-mail several months ago, | 0:20:38 | 0:20:40 | |
Jo claims that there are less and less offers available and when we | 0:20:40 | 0:20:45 | |
filmed with her, there didn't appear to be much left on the website at all. | 0:20:45 | 0:20:49 | |
If you go into the offers screen, | 0:20:49 | 0:20:51 | |
this is where you used to be able to see all the rewards that they were | 0:20:51 | 0:20:55 | |
offering. If you now click on All Rewards, | 0:20:55 | 0:20:59 | |
I don't think there is anything there. | 0:20:59 | 0:21:01 | |
Oh, yes, there is. There's a fleece that you can buy with "Bounts" | 0:21:01 | 0:21:04 | |
on the sleeve, which you have to pay 2,500 points for and ?35. | 0:21:04 | 0:21:11 | |
I don't think I want a fleece with "Bounts" on the sleeve. | 0:21:12 | 0:21:16 | |
Jo says that with the current deal so different from those offered when | 0:21:16 | 0:21:19 | |
she joined the scheme, | 0:21:19 | 0:21:21 | |
she wants a refund of the ?14.99 that she'd spent on her membership. | 0:21:21 | 0:21:26 | |
If I'd have seen the app when the new terms and conditions came into | 0:21:26 | 0:21:29 | |
place, I wouldn't have signed up to it. | 0:21:29 | 0:21:32 | |
What they are offering are things I don't want. | 0:21:32 | 0:21:35 | |
I don't want a membership to a cookery club, | 0:21:35 | 0:21:38 | |
I don't want to go to an activity centre and I don't particularly want a spa break. | 0:21:38 | 0:21:43 | |
When we contacted Bounts, the company stressed that despite inaccurate | 0:21:44 | 0:21:48 | |
perceptions that some may have had... | 0:21:48 | 0:21:50 | |
It told us that the use of the app as an incentive for | 0:21:56 | 0:21:59 | |
exercise has been its only goal, | 0:21:59 | 0:22:02 | |
but it grew too fast for the business model in place and had to change in | 0:22:02 | 0:22:06 | |
order to survive. While accepting there have been clumsy communications | 0:22:06 | 0:22:11 | |
around this, it made clear that at no time did it breach its terms and | 0:22:11 | 0:22:14 | |
conditions, or deliberately mislead anyone, | 0:22:14 | 0:22:18 | |
and it's still committed to ... | 0:22:18 | 0:22:22 | |
And though it did refund most of those who signed up to the premium | 0:22:22 | 0:22:26 | |
service, Jo hadn't been a member long enough to qualify, | 0:22:26 | 0:22:30 | |
and nor did she apply within the necessary time. | 0:22:30 | 0:22:33 | |
She has, however, received other offers instead. | 0:22:33 | 0:22:36 | |
Our tech expert David McLelland, | 0:22:36 | 0:22:38 | |
who himself encouraged people to sign up to Bounts, | 0:22:38 | 0:22:41 | |
is sympathetic to the company. | 0:22:41 | 0:22:44 | |
Perhaps Bounts was a victim of its own success. | 0:22:44 | 0:22:46 | |
It became too popular, too quickly. | 0:22:46 | 0:22:49 | |
Too many people were using it and demanding rewards from it that it wasn't | 0:22:49 | 0:22:52 | |
able to fulfil. And as a result of that, Bounts had to do something, | 0:22:52 | 0:22:57 | |
and unfortunately for the users of the Bounts app and service, | 0:22:57 | 0:23:01 | |
that has resulted in fewer people getting fewer rewards. | 0:23:01 | 0:23:05 | |
And while David completely understands why you might be tempted to milk | 0:23:05 | 0:23:09 | |
any reward scheme or app for all it's worth, | 0:23:09 | 0:23:11 | |
he says it's important to remember they can have limitations and some will | 0:23:11 | 0:23:15 | |
prove more lucrative than others. | 0:23:15 | 0:23:17 | |
Some of them will ask you to scan in receipts from your shopping every | 0:23:17 | 0:23:20 | |
week. Others might ask you to go and do a little task, | 0:23:20 | 0:23:23 | |
like photographing a display in a store. | 0:23:23 | 0:23:26 | |
Work out what is best for you, | 0:23:26 | 0:23:28 | |
what works best around your lifestyle because some of them require an | 0:23:28 | 0:23:32 | |
awful lot of effort to get any sort of reward out. | 0:23:32 | 0:23:35 | |
Well, certainly mother and daughter Karen and Charlotte do put that effort in. | 0:23:36 | 0:23:39 | |
Using apps like CheckoutSmart, ClickSnap and Shopmium, | 0:23:39 | 0:23:44 | |
they're about to demonstrate exactly how much they can knock off the | 0:23:44 | 0:23:47 | |
cost of their weekly shop. | 0:23:47 | 0:23:49 | |
It's the anticipation, the excitement. | 0:23:49 | 0:23:52 | |
"Will I do it? Can I get it? Will they have the thing in stock?" | 0:23:52 | 0:23:57 | |
And sure enough, it seems that the time and effort has been rewarded. | 0:23:57 | 0:24:02 | |
We picked up | 0:24:02 | 0:24:04 | |
four each of these drinks. | 0:24:04 | 0:24:07 | |
They're on two for a pound and we're claiming a pound back, | 0:24:08 | 0:24:12 | |
making all eight bottles that we've got between us free. | 0:24:12 | 0:24:17 | |
The small baby milk and the large baby milk, these, | 0:24:17 | 0:24:20 | |
we don't have a baby ourselves, | 0:24:20 | 0:24:22 | |
but they will be donated to a food bank and they are absolutely free. | 0:24:22 | 0:24:25 | |
Have you got my bag? Yeah, I've got your bag. | 0:24:25 | 0:24:27 | |
Though all the time they spent planning their shop wouldn't appeal to everyone, | 0:24:27 | 0:24:30 | |
for Karen and Charlotte the savings do make it all worthwhile. | 0:24:30 | 0:24:35 | |
We could've got four of these, but we've got two, and they're free. | 0:24:35 | 0:24:38 | |
I used a coupon with these, | 0:24:38 | 0:24:39 | |
meaning I'm going to make, after cashback, 50p profit. | 0:24:39 | 0:24:43 | |
So, not a bad little shop. | 0:24:43 | 0:24:44 | |
No. | 0:24:44 | 0:24:45 | |
Once back home, Karen and Charlotte upload the receipts from the shopping | 0:24:46 | 0:24:50 | |
onto the apps of the various cashback companies they use. | 0:24:50 | 0:24:54 | |
and the results are in. | 0:24:54 | 0:24:56 | |
For what should've been ?50-worth of products, | 0:24:56 | 0:24:59 | |
the final price that Charlotte and Karen reckon they'll have paid... | 0:24:59 | 0:25:03 | |
?5.09. | 0:25:03 | 0:25:05 | |
There you are, there's breakfast for a week. | 0:25:07 | 0:25:09 | |
Still to come on Rip-Off Britain: A budding author who paid to get his | 0:25:16 | 0:25:20 | |
book published tells his own sorry tale. | 0:25:20 | 0:25:23 | |
Time is running out. | 0:25:23 | 0:25:25 | |
I'm not a youngster any more, so I was upset that nothing was happening. | 0:25:25 | 0:25:30 | |
Our annual Rip-Off Britain pop-up shop is open again for business. | 0:25:35 | 0:25:38 | |
This time around we had several new faces joining the more familiar | 0:25:41 | 0:25:44 | |
members of our team of experts, | 0:25:44 | 0:25:46 | |
and we even got the chance to offer some expert guidance ourselves. | 0:25:46 | 0:25:50 | |
I really don't know how to do a selfie. | 0:25:51 | 0:25:53 | |
Go to camera. Ah! | 0:25:53 | 0:25:55 | |
There you are. Very good. | 0:25:55 | 0:25:57 | |
My pleasure. Nice to have met you. | 0:25:57 | 0:25:59 | |
Bye-bye. | 0:25:59 | 0:26:00 | |
ANGELA LAUGHS | 0:26:00 | 0:26:02 | |
But when things got serious, we were ready for action, | 0:26:02 | 0:26:05 | |
with consumers queueing up to get free professional advice. | 0:26:05 | 0:26:08 | |
You're in the middle of it, it's bad, | 0:26:10 | 0:26:12 | |
but the only way is to go through and out. | 0:26:12 | 0:26:14 | |
'Kate Alloway travelled from Shrewsbury to tell us about the missing set of | 0:26:16 | 0:26:20 | |
'photographs that she'd taken with her 11-year-old daughter last summer | 0:26:20 | 0:26:24 | |
after spotting a special offer on a deals website. | 0:26:24 | 0:26:28 | |
Now, Kate, you've made a very, very big effort to come here today, | 0:26:28 | 0:26:30 | |
a two-hour drive. So why were you so keen to come? | 0:26:30 | 0:26:34 | |
Well, something that's quite close to my heart. | 0:26:34 | 0:26:36 | |
I paid for a mother-and-daughter photography makeover session last year | 0:26:36 | 0:26:40 | |
and had some wonderful photographs taken, | 0:26:40 | 0:26:43 | |
which I had to go back to view a couple of days later and still haven't | 0:26:43 | 0:26:47 | |
had the photographs and still haven't had my money back. | 0:26:47 | 0:26:50 | |
It's such a lovely idea. | 0:26:50 | 0:26:52 | |
It was just to capture her going from a child, | 0:26:52 | 0:26:55 | |
turning into a young lady, really. | 0:26:55 | 0:26:57 | |
Did you buy the photography session directly from the studio, or...? | 0:26:57 | 0:27:00 | |
No, I bought a discount voucher and I actually had a look on the website | 0:27:00 | 0:27:04 | |
and they appeared to be affiliated with various films and film stars, | 0:27:04 | 0:27:10 | |
so I presumed that, you know, | 0:27:10 | 0:27:11 | |
that would be quite a good place to go really. | 0:27:11 | 0:27:13 | |
And how much money did you handover? | 0:27:13 | 0:27:16 | |
90, ?90. | 0:27:16 | 0:27:18 | |
'Well, Kate's tried many, many times to chase up the photographs.' | 0:27:18 | 0:27:21 | |
What effort have you made to get them? | 0:27:21 | 0:27:23 | |
Numerous e-mails, telephone calls. | 0:27:23 | 0:27:26 | |
I did make a trip over to Birmingham to the studios, but no reply. | 0:27:26 | 0:27:31 | |
Nobody was there? Nobody was there. | 0:27:31 | 0:27:33 | |
'But personal finance expert Sarah Pennells is on the case.' | 0:27:33 | 0:27:36 | |
So, what do you make of it, Sarah? | 0:27:36 | 0:27:38 | |
Well, it's interesting because these sort of website discount deals are | 0:27:38 | 0:27:42 | |
really popular and part of the reason is because you can get something | 0:27:42 | 0:27:45 | |
that would normally be quite expensive for a bargain. | 0:27:45 | 0:27:48 | |
I have actually made some contact with the website company and told them | 0:27:48 | 0:27:54 | |
what happened and they told me as a gesture of goodwill, | 0:27:54 | 0:27:57 | |
they'd refund the money that you paid for the photographs, | 0:27:57 | 0:28:01 | |
so at least you had the money back. | 0:28:01 | 0:28:02 | |
OK. | 0:28:02 | 0:28:04 | |
But I did also contact the person who set up the studio, | 0:28:04 | 0:28:07 | |
or the photographer behind it. | 0:28:07 | 0:28:09 | |
They said that they would track down the order and make sure you have the | 0:28:09 | 0:28:12 | |
photographs within 14 days. | 0:28:12 | 0:28:15 | |
That's really great. I'm really pleased about that. | 0:28:15 | 0:28:17 | |
Does that make you feel a lot better? | 0:28:17 | 0:28:19 | |
That's lovely. I didn't expect that today at all. | 0:28:19 | 0:28:22 | |
It's not about the money, it was about the photographs. | 0:28:22 | 0:28:25 | |
Thank you so much for joining us, and making the journey. | 0:28:25 | 0:28:27 | |
Thank you. Thank you very much. | 0:28:27 | 0:28:29 | |
'Well, since filming, | 0:28:29 | 0:28:30 | |
'although Kate has yet to receive the money for the photos back, she has, | 0:28:30 | 0:28:33 | |
'I'm very pleased to say, received the actual photos, | 0:28:33 | 0:28:36 | |
'which Kate says meant all the effort she made in coming to see us worth it.' | 0:28:36 | 0:28:41 | |
When we're out and about, we like to give as much help as possible, | 0:28:42 | 0:28:45 | |
so as well as our pop-up shop, | 0:28:45 | 0:28:48 | |
we've got our teams of experts going all over the centre, | 0:28:48 | 0:28:51 | |
offering top tips and advice. | 0:28:51 | 0:28:53 | |
One of the new experts joining us this year was Gareth Shaw, | 0:28:55 | 0:28:58 | |
head of Which? Money Online. | 0:28:58 | 0:29:00 | |
He took time out from the pop-up shop to see how clued up people were | 0:29:00 | 0:29:05 | |
on what sort of pension they might expect in the future. | 0:29:05 | 0:29:08 | |
Do you know what a state pension is? | 0:29:08 | 0:29:10 | |
No, not really. I'm not quite sure about the details with that. | 0:29:10 | 0:29:13 | |
The state pension is a weekly amount of money that you get given by the | 0:29:13 | 0:29:17 | |
Government when you reach a certain age. | 0:29:17 | 0:29:20 | |
At the moment, that's age 65 for men and around 63 for women. | 0:29:20 | 0:29:26 | |
I thought it was older than that, to be honest. I thought it was going up. | 0:29:26 | 0:29:28 | |
It's going up to 66 for men in a few years' time | 0:29:28 | 0:29:31 | |
and then it will keep rising for people in their 30s. | 0:29:31 | 0:29:34 | |
So you might be looking at 68, maybe 69. | 0:29:34 | 0:29:38 | |
It makes me think, | 0:29:38 | 0:29:40 | |
the timeframe that you've got to obviously keep working till, | 0:29:40 | 0:29:43 | |
makes it quite interesting. | 0:29:43 | 0:29:45 | |
Now, you need to have 35 years' worth of | 0:29:45 | 0:29:48 | |
National Insurance contributions, | 0:29:48 | 0:29:49 | |
in order to qualify for the full state pension, | 0:29:49 | 0:29:53 | |
and a minimum of ten to get anything at all. | 0:29:53 | 0:29:55 | |
What that will qualify you for is an amount that today is around ?155 a | 0:29:55 | 0:30:02 | |
week. So that turns out to about ?8,000 a year. | 0:30:02 | 0:30:07 | |
I don't think you'd be able to survive on that, | 0:30:07 | 0:30:09 | |
unless you put some kind of savings away or somewhere. | 0:30:09 | 0:30:12 | |
No, that's not quite realistic, is it? For ?8,000 a year... | 0:30:12 | 0:30:16 | |
No, I don't think that is realistic. | 0:30:16 | 0:30:18 | |
That's something that's made it hit home, now you've said it, | 0:30:18 | 0:30:20 | |
because obviously as we're growing older, the family's getting bigger, | 0:30:20 | 0:30:23 | |
you think about those things and obviously how you're going to save for the future. | 0:30:23 | 0:30:27 | |
Well, pensions may be something young people don't often think about, | 0:30:28 | 0:30:32 | |
but there were plenty of other consumer issues they did want to share with | 0:30:32 | 0:30:35 | |
us when they took centre stage in our gripe corner. | 0:30:35 | 0:30:38 | |
I was shopping online and there was a hoodie for ?25, | 0:30:39 | 0:30:44 | |
and then I walked into the shop and it was ?45, | 0:30:44 | 0:30:48 | |
so I got ripped off by ?20. | 0:30:48 | 0:30:50 | |
Something that really gets on my nerves is jeans from high-street | 0:30:50 | 0:30:54 | |
retailers that rip really easily. | 0:30:54 | 0:30:57 | |
What we find is annoying is our mobile phones, | 0:30:57 | 0:30:59 | |
the batteries run out really fast. | 0:30:59 | 0:31:00 | |
We have to charge them all the time. | 0:31:00 | 0:31:02 | |
Oh, it's so annoying! | 0:31:02 | 0:31:03 | |
Now, I'm sure you've all heard the phrase "everyone has got a book inside them", but actually | 0:31:07 | 0:31:12 | |
getting anybody to publish that book you've written is another thing | 0:31:12 | 0:31:16 | |
altogether. So for aspiring authors determined to get themselves in print, | 0:31:16 | 0:31:20 | |
self-publishing can be a way of getting your work out there. | 0:31:20 | 0:31:24 | |
And whilst a bestseller is far from guaranteed, | 0:31:24 | 0:31:27 | |
just holding a copy of something that you've put so much effort into | 0:31:27 | 0:31:30 | |
really can be hugely satisfying. | 0:31:30 | 0:31:33 | |
Unfortunately, however, despite the people we're about to hear from handing over thousands of pounds | 0:31:33 | 0:31:38 | |
in order to get their life's work finally printed, | 0:31:38 | 0:31:41 | |
copies of their books haven't yet materialised. | 0:31:41 | 0:31:43 | |
And with the companies involved proving very difficult to track down, | 0:31:43 | 0:31:47 | |
their stories, I'm afraid, haven't had the happy ending they'd hoped for. | 0:31:47 | 0:31:51 | |
A sure sign that spring is on its way, | 0:31:53 | 0:31:56 | |
the simple beauty of the daffodil has inspired artists and writers from Van Gogh to Wordsworth, | 0:31:56 | 0:32:02 | |
and Michael Salmon from Somerset has long been equally captivated, | 0:32:02 | 0:32:07 | |
dedicating much of his working life to growing the flowers, and, | 0:32:07 | 0:32:10 | |
in the process, becoming something of an expert. | 0:32:10 | 0:32:13 | |
It's all I ever wanted to do. | 0:32:14 | 0:32:15 | |
It was really anything that had a bulb on the bottom of the stem that | 0:32:15 | 0:32:20 | |
interested me. And there's a certain, | 0:32:20 | 0:32:23 | |
I suppose skill, required in growing a lot of them. | 0:32:23 | 0:32:27 | |
Over the years, Michael has travelled 280,000 miles around the world, | 0:32:27 | 0:32:32 | |
searching out new varieties. | 0:32:32 | 0:32:34 | |
These are the maps I carried with me when I was driving around, | 0:32:34 | 0:32:39 | |
and every time I found a daffodil growing anywhere, | 0:32:39 | 0:32:44 | |
I marked it with these yellow circles, and as you can see, | 0:32:44 | 0:32:48 | |
they're all numbered and it tells you what they all are. | 0:32:48 | 0:32:52 | |
The aim was to collect plants that were potentially commercially viable. | 0:32:52 | 0:32:56 | |
The whole idea was to grow them, propagate them from seed, or whatever, for sale. | 0:32:56 | 0:33:04 | |
Fortunately, a lot of the stuff we collected was fairly rare, | 0:33:04 | 0:33:08 | |
so it commanded good prices. | 0:33:08 | 0:33:10 | |
Now, at the age of 82, Michael's days of growing have come to an end. | 0:33:12 | 0:33:16 | |
The vast greenhouses in his garden that were once full of flowers are | 0:33:16 | 0:33:21 | |
now empty and overgrown. | 0:33:21 | 0:33:23 | |
And while he may be too poorly to garden, | 0:33:23 | 0:33:25 | |
he still wants to share his vast, and some would say unparalleled, | 0:33:25 | 0:33:29 | |
knowledge of daffodils. | 0:33:29 | 0:33:30 | |
I thought, well, "I'll do a complete book on them as the last word," | 0:33:33 | 0:33:37 | |
as far as I was concerned it was the last word, yeah. | 0:33:37 | 0:33:40 | |
But pulling together his vast collection of notes, | 0:33:40 | 0:33:43 | |
drawings and maps into a single book was a mammoth task. | 0:33:43 | 0:33:48 | |
I don't have much in the way of computer skills, I'm afraid. | 0:33:48 | 0:33:53 | |
So, to a point, it was very slow, initially. | 0:33:53 | 0:33:56 | |
So when his son Mark said he would help type up his dad's notes, | 0:33:58 | 0:34:01 | |
the huge job of working through half a century of in-depth knowledge began | 0:34:01 | 0:34:05 | |
in earnest. | 0:34:05 | 0:34:06 | |
I'd visit regularly, usually once a month, | 0:34:06 | 0:34:10 | |
and stay for the entire weekend and then transpose everything that he'd | 0:34:10 | 0:34:13 | |
written down | 0:34:13 | 0:34:15 | |
into the computer, but also do all the drawings that he's | 0:34:15 | 0:34:19 | |
created, as well as the maps have all been hand-drawn. | 0:34:19 | 0:34:23 | |
And these visits, where they sat together and wrote Michael's book, | 0:34:24 | 0:34:28 | |
lasted for six years. | 0:34:28 | 0:34:30 | |
A real labour of love for them both. | 0:34:30 | 0:34:33 | |
It's been great, yeah, it really has been, yeah. | 0:34:33 | 0:34:35 | |
I've learned a lot, I think he's probably learned a lot as well. | 0:34:35 | 0:34:39 | |
When they finally finished, Michael needed a publisher, | 0:34:39 | 0:34:42 | |
and like a lot of aspiring authors he decided to self publish and pay | 0:34:42 | 0:34:46 | |
for his book to be printed himself. | 0:34:46 | 0:34:48 | |
So Mark took charge of finding the right company to print it for them. | 0:34:48 | 0:34:52 | |
The key thing with the book is quality, so we did research. | 0:34:54 | 0:34:59 | |
We pulled the numbers together, | 0:34:59 | 0:35:02 | |
and we did what I thought at the time was reasonable due diligence. | 0:35:02 | 0:35:07 | |
We approached several publishers, got the figures. | 0:35:08 | 0:35:11 | |
Mark agreed a deal with a London-based company called | 0:35:11 | 0:35:15 | |
UK Print Ltd, not to be confused with businesses with a similar name, | 0:35:15 | 0:35:19 | |
and initially all seemed very positive. | 0:35:19 | 0:35:21 | |
Father and son agreed a deal to print 500 copies of the book for just under ?4,700. | 0:35:21 | 0:35:27 | |
This would be paid in instalments, | 0:35:27 | 0:35:29 | |
and Mark said he was told that the books would be delivered in no more | 0:35:29 | 0:35:32 | |
than three weeks. | 0:35:32 | 0:35:34 | |
They seemed to be very keen to help us, were bending over backwards, | 0:35:34 | 0:35:38 | |
nothing was too much trouble. | 0:35:38 | 0:35:41 | |
Happy with the deal, they went ahead and made the first payment of just | 0:35:41 | 0:35:44 | |
over ?2,300. | 0:35:44 | 0:35:47 | |
But then things started to go wrong. | 0:35:47 | 0:35:50 | |
After sending UK Print Ltd the final text and images for the book, | 0:35:50 | 0:35:54 | |
that was in early October 2016, | 0:35:54 | 0:35:57 | |
it should have been ready in a matter of weeks, | 0:35:57 | 0:35:59 | |
but as the delivery date came and went with no sign of the book, | 0:35:59 | 0:36:03 | |
Michael and Mark began to get concerned. | 0:36:03 | 0:36:06 | |
And Mark says that whenever he chased the company, | 0:36:06 | 0:36:08 | |
both by e-mail and telephone, he was simply told the book wasn't ready. | 0:36:08 | 0:36:13 | |
But then, about a month after the expected delivery date, | 0:36:13 | 0:36:16 | |
Michael's book finally arrived, | 0:36:16 | 0:36:18 | |
but the sample material that had been sent left them far from impressed. | 0:36:18 | 0:36:24 | |
We had some loose-leafed proofs back, which were wrong paper type, | 0:36:24 | 0:36:29 | |
wrong colour, just about wrong in every way, shape and form, | 0:36:29 | 0:36:32 | |
unfortunately. | 0:36:32 | 0:36:33 | |
By this point, and unhappy with both the delays and the quality of what UK Print was | 0:36:33 | 0:36:38 | |
offering, Mark says he tried to get in touch with the company to ask for | 0:36:38 | 0:36:42 | |
an update on the progress of the printing, | 0:36:42 | 0:36:45 | |
but says he didn't receive a response. | 0:36:45 | 0:36:48 | |
However, it seems his e-mails did get through to someone, | 0:36:48 | 0:36:51 | |
as the next letter he received from UK Print was from their solicitors. | 0:36:51 | 0:36:55 | |
I think I realised that something was up after the third time the delivery | 0:36:56 | 0:37:00 | |
had slipped, and I actually received a letter from their solicitors, | 0:37:00 | 0:37:05 | |
which was completely out of the blue and made no sense, | 0:37:05 | 0:37:08 | |
and I thought there was a communication breakdown or something. | 0:37:08 | 0:37:13 | |
Although their solicitors' letter did apologise for the delays, | 0:37:14 | 0:37:18 | |
it also made it very clear that under the terms of the contract all | 0:37:18 | 0:37:22 | |
promised timescales were approximate. | 0:37:22 | 0:37:24 | |
It stated that the company wasn't liable for any delay, | 0:37:24 | 0:37:27 | |
however it was caused, and what's more... | 0:37:27 | 0:37:29 | |
Though there were promises of at least part-delivery in December, | 0:37:33 | 0:37:37 | |
Mark and Michael were left particularly frustrated because with Michael's | 0:37:37 | 0:37:40 | |
failing health, time WAS of the essence to them. | 0:37:40 | 0:37:44 | |
I was upset, partly because | 0:37:44 | 0:37:47 | |
time is running out. | 0:37:47 | 0:37:49 | |
I'm not a youngster any more, and as you can see, | 0:37:49 | 0:37:52 | |
I've got breathing problems, | 0:37:52 | 0:37:53 | |
which are getting worse fairly rapidly | 0:37:53 | 0:37:57 | |
and I really wanted to see it done | 0:37:57 | 0:38:00 | |
while I was still here, as you might say. | 0:38:00 | 0:38:02 | |
That was it. So I was upset that nothing was happening. | 0:38:02 | 0:38:06 | |
Knowing how much the situation was upsetting his dad, | 0:38:09 | 0:38:12 | |
Mark became very concerned about his health, | 0:38:12 | 0:38:15 | |
and Michael's neighbour Paul was also worried. | 0:38:15 | 0:38:18 | |
So, tell me how Dad's been now. | 0:38:18 | 0:38:19 | |
I noticed if we talk about it, he gets very tense and when he gets tense, | 0:38:19 | 0:38:23 | |
his breathing gets worse. | 0:38:23 | 0:38:25 | |
I think the difficulty is, | 0:38:25 | 0:38:26 | |
it's something that you can't control with medication. | 0:38:26 | 0:38:29 | |
It's a stress-induced problem. | 0:38:29 | 0:38:31 | |
When he's relaxed, his breathing is, | 0:38:31 | 0:38:33 | |
is difficult for a man in his condition, | 0:38:33 | 0:38:35 | |
but when things cause him anxiety and he gets stressed, | 0:38:35 | 0:38:39 | |
it's fairly obvious, you know, breathing gets a lot worse. | 0:38:39 | 0:38:43 | |
With the delays causing Michael so much anxiety, | 0:38:43 | 0:38:46 | |
they hoped that UK Print would follow through on its promise to deliver | 0:38:46 | 0:38:50 | |
part of the order by the start of December, but it didn't. | 0:38:50 | 0:38:53 | |
The company blamed problems with its suppliers and gave yet another | 0:38:53 | 0:38:57 | |
delivery date, this time in mid-January. | 0:38:57 | 0:39:00 | |
But really tired of the unanswered phone calls and what they saw as | 0:39:00 | 0:39:03 | |
excuses from the company, | 0:39:03 | 0:39:05 | |
and believing that the company had not fulfilled its end of the contract, | 0:39:05 | 0:39:09 | |
Mark had just had enough and once again demanded a refund of the ?2,327 | 0:39:09 | 0:39:15 | |
that he'd already paid. | 0:39:15 | 0:39:16 | |
But he was left feeling guilty for failing to get his dad's book | 0:39:16 | 0:39:19 | |
published. | 0:39:19 | 0:39:21 | |
There's the elements of actually wanting to get the book completed, | 0:39:21 | 0:39:24 | |
you know, because none of us live forever. | 0:39:24 | 0:39:28 | |
I wanted that to be his objective and his goal and I wanted to help | 0:39:28 | 0:39:31 | |
him accomplish that, and it's a long, drawn-out process. | 0:39:31 | 0:39:36 | |
But to have it more drawn out, | 0:39:36 | 0:39:38 | |
it's immeasurable, the stress. | 0:39:38 | 0:39:41 | |
Mark and Michael's story is by no means the only one we've received about | 0:39:41 | 0:39:44 | |
self-publishing companies that may not always offer quite the service | 0:39:44 | 0:39:48 | |
that budding authors might have hoped for. | 0:39:48 | 0:39:51 | |
We've also heard from another aspiring author called Aaron McMillan, | 0:39:51 | 0:39:54 | |
who paid another completely separate company ?200 to get his poems into | 0:39:54 | 0:39:59 | |
print. But four months after the expected delivery date, | 0:39:59 | 0:40:03 | |
he's heard nothing from his publisher, let alone received his books, | 0:40:03 | 0:40:07 | |
and despite countless e-mails requesting a refund, | 0:40:07 | 0:40:10 | |
he's still ?200 out of pocket, with absolutely nothing to show for it. | 0:40:10 | 0:40:14 | |
As for Michael's case, | 0:40:14 | 0:40:16 | |
well, it seems that UK Print Limited is no longer trading. | 0:40:16 | 0:40:19 | |
But when we contacted its owners, | 0:40:19 | 0:40:21 | |
they told us that Michael has now been given a full refund, | 0:40:21 | 0:40:25 | |
as well as a further ?250 compensation to donate to a charity of his choice. | 0:40:25 | 0:40:30 | |
After hearing plenty of similar experiences, Alison Owen, | 0:40:30 | 0:40:34 | |
who edits The Writers' and Artists' Yearbook, | 0:40:34 | 0:40:36 | |
has this advice for anyone considering taking this route to get into print. | 0:40:36 | 0:40:40 | |
I think it's always important, | 0:40:40 | 0:40:43 | |
even when you're contacting organisations by e-mail, | 0:40:43 | 0:40:47 | |
is to phone up. | 0:40:47 | 0:40:48 | |
Is there somebody you can actually talk to and have a conversation? | 0:40:48 | 0:40:51 | |
I think that's very important. | 0:40:51 | 0:40:53 | |
Look at the professional nature of a website. | 0:40:53 | 0:40:56 | |
Sometimes the first few pages can seem very professional - | 0:40:56 | 0:41:00 | |
look beyond that. How much detail do they actually provide about the | 0:41:00 | 0:41:03 | |
services they offer? Can they give you good examples of work they've | 0:41:03 | 0:41:07 | |
worked on? | 0:41:07 | 0:41:09 | |
Well, after all the effort put into preparing Michael's book, | 0:41:09 | 0:41:13 | |
he and Mark were determined to see it published, | 0:41:13 | 0:41:15 | |
so they found another publisher and I'm so pleased to say that today | 0:41:15 | 0:41:19 | |
Michael will be seeing the book for the very first time. | 0:41:19 | 0:41:23 | |
Here we are, Dad. | 0:41:23 | 0:41:24 | |
I thought it was never going to happen. | 0:41:27 | 0:41:29 | |
That's lovely to see. | 0:41:29 | 0:41:32 | |
We are really, really pleased to see it, | 0:41:34 | 0:41:36 | |
and got something for Oscar to learn now and be proud about with his | 0:41:36 | 0:41:40 | |
grandad. It's fantastic. | 0:41:40 | 0:41:41 | |
I'm getting emotional about it. | 0:41:44 | 0:41:45 | |
It's a special thing, it's something that I'm really glad that we've achieved. | 0:41:45 | 0:41:48 | |
I said, there's been a lot of effort gone into it. | 0:41:48 | 0:41:51 | |
Well, there you are, that's terrific, isn't it? | 0:41:54 | 0:41:56 | |
It was something I set out to do, and I've done it, that's it. | 0:41:56 | 0:41:59 | |
I'm glad it's finished! | 0:41:59 | 0:42:01 | |
If you've got a story and you'd like us to investigate it, | 0:42:11 | 0:42:14 | |
then get in touch with us via our Facebook page, BBC Rip Off Britain, | 0:42:14 | 0:42:19 | |
our website, which is bbc.co.uk/ ripoffbritain, | 0:42:19 | 0:42:23 | |
or you can e-mail us... | 0:42:23 | 0:42:25 | |
If you want to send us a letter, then our address is... | 0:42:29 | 0:42:33 | |
The Rip-Off team is ready and waiting to | 0:42:39 | 0:42:42 | |
investigate your stories. | 0:42:42 | 0:42:44 | |
Well, of course not all of the opportunities that we've been looking into | 0:42:44 | 0:42:47 | |
today are purely about making money. | 0:42:47 | 0:42:50 | |
Sometimes the money has gone into things that have a very different | 0:42:50 | 0:42:53 | |
and perhaps even personal value, but either way, | 0:42:53 | 0:42:56 | |
you really do need whatever time and money you've invested to end up | 0:42:56 | 0:43:00 | |
feeling that it was worth it. | 0:43:00 | 0:43:02 | |
I think clearly the people that we spoke to haven't always felt that that was the case. | 0:43:02 | 0:43:06 | |
However, wasn't it just fantastic to see all the hard work that father and son | 0:43:06 | 0:43:12 | |
Michael and Mark had put into writing their book, | 0:43:12 | 0:43:14 | |
and finally to watch it pay off? | 0:43:14 | 0:43:16 | |
I must say, I was genuinely delighted for them both when they managed to | 0:43:16 | 0:43:19 | |
get their hands on that blissful, finished copy at long last. | 0:43:19 | 0:43:23 | |
I know, but what a shame the whole situation caused so much stress. | 0:43:23 | 0:43:28 | |
Well, we hope you've picked up some pointers to make sure that whatever | 0:43:28 | 0:43:31 | |
you put your money into will give you the return you expected, | 0:43:31 | 0:43:35 | |
and of course, if it doesn't, you know what to do. | 0:43:35 | 0:43:37 | |
Get in touch with us. | 0:43:37 | 0:43:39 | |
We'll be back to investigate more of your stories very soon, | 0:43:39 | 0:43:41 | |
so until then, from all of us here, bye-bye. | 0:43:41 | 0:43:44 | |
Goodbye. Goodbye. | 0:43:44 | 0:43:45 | |
What do our pets need to be healthy? | 0:44:16 | 0:44:18 | |
They can't tell you, | 0:44:18 | 0:44:20 | |
but science can. | 0:44:20 | 0:44:21 | |
Our crack team of experts use pioneering research | 0:44:21 | 0:44:24 | |
to bring you the very best advice - | 0:44:24 | 0:44:26 | |
from the best way to treat fleas... | 0:44:26 | 0:44:28 | |
..to how to help your pet lose weight. | 0:44:29 | 0:44:31 | |
Happy New Year! | 0:44:36 | 0:44:38 |