Browse content similar to Episode 7. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This is The Real Hustle: New Recruits. | 0:00:00 | 0:00:04 | |
The Hustlers are back. This time, they've brought in two new faces | 0:00:04 | 0:00:09 | |
to help them with their scams. | 0:00:09 | 0:00:11 | |
New recruits Polly and Jazz... | 0:00:11 | 0:00:14 | |
..join original hustlers Paul, Jess and Alex. | 0:00:16 | 0:00:20 | |
Working together as a team, they'll carry out scams | 0:00:20 | 0:00:24 | |
that are more cunning and devious than ever before. | 0:00:24 | 0:00:28 | |
On tonight's show: | 0:00:28 | 0:00:30 | |
this lady has misplaced her TV... | 0:00:30 | 0:00:33 | |
I can't believe I was so stupid. | 0:00:33 | 0:00:35 | |
Paul meets his match... | 0:00:35 | 0:00:37 | |
Snap them off so you've got a tiny bit of wood left like that. | 0:00:37 | 0:00:41 | |
..and Sarah Jayne Dunn is worried about Alex's health. | 0:00:41 | 0:00:45 | |
-Have you got a doctor? -I don't need a doctor. I'm OK. | 0:00:45 | 0:00:48 | |
The Hustlers have invited celebrity friends to help with their scams. | 0:01:32 | 0:01:37 | |
They'll be thrown in at the deep end. No training and no practice, | 0:01:37 | 0:01:41 | |
just straight in. | 0:01:41 | 0:01:43 | |
Today's celebrity guest Hustler | 0:01:44 | 0:01:46 | |
is a British actress best known for her starring role in Hollyoaks, | 0:01:46 | 0:01:50 | |
Sarah Jayne Dunn. | 0:01:50 | 0:01:52 | |
I don't have any strategy as such to get through today | 0:01:57 | 0:02:01 | |
because I don't know what my hustle is. I've got a million possibilities of what I might be doing. | 0:02:01 | 0:02:07 | |
The skills that I've got that might help me today are that I'm an actress, | 0:02:09 | 0:02:13 | |
so I'm used to playing a different role. | 0:02:13 | 0:02:16 | |
Hopefully I'll be able to get into some kind of character to help me. | 0:02:16 | 0:02:20 | |
I'm a bit anxious and apprehensive but very excited to know what I'm going to be doing. | 0:02:22 | 0:02:27 | |
Sarah has been told to go to the foyer of an up-market business hotel. | 0:02:27 | 0:02:32 | |
Right on cue, here's someone to give her the hustle briefing. | 0:02:33 | 0:02:37 | |
-Hi. -Hello. | 0:02:41 | 0:02:44 | |
-Are you ready to get your scam on? -I think so! | 0:02:44 | 0:02:47 | |
-Do you want to know a bit about it? -Love to. | 0:02:47 | 0:02:50 | |
You know that sometimes we sell people things that aren't real. | 0:02:50 | 0:02:54 | |
That's an easy scam. | 0:02:54 | 0:02:55 | |
But some people are wise to that, so we sell them something that's genuine, | 0:02:55 | 0:02:59 | |
-worth a great deal of money, but we sell it to them for a much cheaper price. -OK. | 0:02:59 | 0:03:04 | |
-But how do you get away with the money and the goods? -No idea. | 0:03:04 | 0:03:09 | |
-Isn't that impossible? -We're going to find out! | 0:03:09 | 0:03:11 | |
How exciting! | 0:03:11 | 0:03:13 | |
-Why don't you meet the gang? -Perfect. -Let's go that way. | 0:03:13 | 0:03:17 | |
Sarah's going to have to hold her nerve in The Choke. | 0:03:17 | 0:03:21 | |
This hotel is right next to Heathrow Airport | 0:03:25 | 0:03:28 | |
and is full of people having business meetings | 0:03:28 | 0:03:31 | |
and preparing to fly off to foreign shores. | 0:03:31 | 0:03:33 | |
Both are likely to be carrying sums of money on them, | 0:03:33 | 0:03:36 | |
making them very attractive to hustlers. | 0:03:36 | 0:03:39 | |
This lady takes a seat near the hotel bar, | 0:03:39 | 0:03:42 | |
unaware she's about to become today's mark. | 0:03:42 | 0:03:45 | |
She barely has time to settle in with her friend | 0:03:48 | 0:03:50 | |
before some more hotel guests make their entrance. | 0:03:50 | 0:03:53 | |
It's Alex and Sarah, | 0:03:53 | 0:03:56 | |
posing as business travellers. | 0:03:56 | 0:03:58 | |
But their luggage is a little unusual. | 0:03:58 | 0:04:01 | |
Judging by the metal briefcase strapped to Alex's wrist, | 0:04:01 | 0:04:06 | |
he's carrying more than his passport and something to read. | 0:04:06 | 0:04:09 | |
As they carry their drinks towards some empty seating, it's down to Sarah to cause a scene. | 0:04:11 | 0:04:16 | |
Sorry! | 0:04:23 | 0:04:24 | |
Sorry! | 0:04:24 | 0:04:26 | |
I've managed to spill everything. Sorry. | 0:04:27 | 0:04:29 | |
She's spilled their sparkling water all over the sofa. | 0:04:29 | 0:04:33 | |
Where will they sit now? | 0:04:33 | 0:04:35 | |
The little accident was an excuse for them to be able to sit next to the mark and her friend. | 0:04:36 | 0:04:42 | |
Excuse me. Do you mind if we sit here while he cleans up my mess? | 0:04:42 | 0:04:46 | |
-Sorry. Managed to throw everything on the floor. -Sorry. -On my boots. | 0:04:46 | 0:04:50 | |
Alex is making sure the ladies notice the briefcase and the handcuff. | 0:04:50 | 0:04:56 | |
You can never be too sure. | 0:04:56 | 0:04:58 | |
Why, do I look like a criminal? | 0:04:59 | 0:05:02 | |
Don't say that! | 0:05:02 | 0:05:03 | |
Criminal?! As if! | 0:05:03 | 0:05:04 | |
This is me. We sell watches. | 0:05:04 | 0:05:08 | |
-We have TAG Heuer. -They are beautiful. | 0:05:10 | 0:05:15 | |
-You like them? -Gorgeous watches. | 0:05:15 | 0:05:17 | |
This is the most popular model at the moment. | 0:05:17 | 0:05:20 | |
-We're selling quite a lot of these. -That's my favourite one. -Yes. | 0:05:20 | 0:05:24 | |
Or that. This is a Breitling. | 0:05:24 | 0:05:28 | |
Alex lets the mark take a closer look at the goods. | 0:05:28 | 0:05:31 | |
-They are very popular at the moment. -Or you can have it as a necklace. | 0:05:31 | 0:05:37 | |
They're certainly nice watches. That's because they're worth a lot of money. | 0:05:37 | 0:05:42 | |
That's 2,145. | 0:05:42 | 0:05:44 | |
That's not cost price, that's retail. | 0:05:44 | 0:05:48 | |
I'll close that before people get some interesting ideas. | 0:05:48 | 0:05:52 | |
-Hence the paraphernalia. It looks a bit scary. -It looks dramatic! | 0:05:52 | 0:05:56 | |
They all seem to be getting on very well. | 0:05:56 | 0:05:58 | |
Time for Jess to cause a bit of an interruption. | 0:05:58 | 0:06:02 | |
Sorry to interrupt. Hello, I have a message for you. | 0:06:02 | 0:06:06 | |
Mr Marx has missed his flight from Paris and won't be able to get here. | 0:06:06 | 0:06:10 | |
OK. Thank you. | 0:06:10 | 0:06:12 | |
-Sorry about that. -That's not good. | 0:06:12 | 0:06:14 | |
What time is our flight? ..Six. | 0:06:14 | 0:06:18 | |
-He's missed it completely? -Missed it completely. | 0:06:18 | 0:06:21 | |
Sounds like an important business meeting has been cancelled. | 0:06:21 | 0:06:25 | |
And Alex doesn't look too happy about it. | 0:06:25 | 0:06:28 | |
What are we going to do? We can't take them with us. | 0:06:28 | 0:06:31 | |
I'd have to pay import duty on these. | 0:06:32 | 0:06:34 | |
The cancelled meeting clearly had something to do with those watches. | 0:06:34 | 0:06:38 | |
-Have we got enough time to go into town? -No. -No? -Not at all. We're pushing it anyway. | 0:06:38 | 0:06:44 | |
We're just going to have to try and find somebody to approach. | 0:06:45 | 0:06:50 | |
I couldn't interest you in a watch? | 0:06:50 | 0:06:52 | |
Doesn't look like it. | 0:06:52 | 0:06:55 | |
He explains his predicament. | 0:06:55 | 0:06:57 | |
We've got a bit of a strange situation. | 0:06:57 | 0:07:00 | |
We have a dealer who was going to come here and buy these. | 0:07:00 | 0:07:03 | |
He's agreed to pay four grand for them, but he's not coming. | 0:07:03 | 0:07:07 | |
We're going to Los Angeles at, what time?, six o'clock. | 0:07:07 | 0:07:11 | |
And I can't take these with me because the price of import duty to Los Angeles | 0:07:11 | 0:07:16 | |
would be phenomenal. | 0:07:16 | 0:07:17 | |
So I want to get rid of them for cost price. | 0:07:17 | 0:07:20 | |
Cost price for me is £1,500. | 0:07:20 | 0:07:23 | |
The whole thing retail would give you about 5,500, | 0:07:23 | 0:07:27 | |
-maybe 6,000. -Nearer 6,000, I'd say. | 0:07:27 | 0:07:31 | |
If you're interested, you could take the watches, and make a big profit. | 0:07:31 | 0:07:36 | |
So he's offering the mark three luxury watches for the wholesale price of just £1,500. | 0:07:36 | 0:07:42 | |
Things like this, you could go to any jeweller. | 0:07:46 | 0:07:49 | |
Yeah, if you want to do that. | 0:07:53 | 0:07:54 | |
You know. | 0:07:54 | 0:07:56 | |
Do you want me to tell you which ones you have? | 0:07:56 | 0:07:59 | |
The mark wants to know exactly what the time-pieces are worth. | 0:07:59 | 0:08:02 | |
The TAG is called the TAG Carrera, if you wanted to look that up. | 0:08:02 | 0:08:07 | |
That should be about 2,100 in retail. | 0:08:07 | 0:08:12 | |
She looks the watches up online. | 0:08:12 | 0:08:14 | |
Sure enough, they seem to check out. | 0:08:14 | 0:08:16 | |
But even that amazing bargain on offer isn't good enough for this lady. | 0:08:16 | 0:08:22 | |
It would have to be 1,500 because then I would feel fair. | 0:08:25 | 0:08:29 | |
She's playing hardball. | 0:08:29 | 0:08:32 | |
It's the bargain of the century! | 0:08:32 | 0:08:34 | |
-1,500 is the bargain of the century. -I like them, too, but 1,500 is the bargain of the century. | 0:08:37 | 0:08:42 | |
Oh, my good Lord! | 0:08:44 | 0:08:45 | |
Do you have it cash? | 0:08:47 | 0:08:50 | |
Do you have to go and get it or do you have it here? | 0:08:50 | 0:08:53 | |
Deal done, then. | 0:08:53 | 0:08:54 | |
Alex decides to let her have them for the knock-down price of £1,100. | 0:08:54 | 0:08:58 | |
This must really be her lucky day! | 0:08:58 | 0:09:01 | |
And there's the cash. The mark hands over £1,100 to two people she's only just met. | 0:09:03 | 0:09:09 | |
But here's the thing. Those watches really are worth £6,000 in the shops. | 0:09:10 | 0:09:16 | |
Who's hustling who here? | 0:09:16 | 0:09:18 | |
All that's left is to hand over the watches. | 0:09:20 | 0:09:22 | |
But here comes Jess to throw a spanner in the works. | 0:09:22 | 0:09:26 | |
Mr Steel, sorry, there's been a bit of confusion at the other end. | 0:09:26 | 0:09:30 | |
Mr Marx got another flight. He'll be in in five minutes. | 0:09:30 | 0:09:33 | |
-Really sorry. -What? -He'll be here in about five minutes. | 0:09:33 | 0:09:37 | |
There's been some confusion the other end. His PA's just called. | 0:09:37 | 0:09:42 | |
He's on his way now. He said he'll meet you in your usual suite. | 0:09:42 | 0:09:45 | |
So the business meeting is back on. | 0:09:45 | 0:09:48 | |
Mr Marx, the original buyer, will be here shortly | 0:09:48 | 0:09:52 | |
and he'll want those watches. | 0:09:52 | 0:09:54 | |
Alex pays for all their drinks but unfortunately for the mark, | 0:09:54 | 0:09:58 | |
the amazing deal is off. | 0:09:58 | 0:10:00 | |
Right. I think you might have your money back. | 0:10:00 | 0:10:03 | |
-No, you can't do that. -I think that's cheating. | 0:10:03 | 0:10:05 | |
Sarah's job is to side with the mark and make Alex keep his word. | 0:10:05 | 0:10:10 | |
-You can't do that. -This man is going to pay me £4,000 for these watches. | 0:10:10 | 0:10:14 | |
-Send him my way! -He's not going to deal with you because he's my client. | 0:10:14 | 0:10:19 | |
-But I will do the deal with him and you get your profit. -No. Can't do that. | 0:10:20 | 0:10:26 | |
Wanting to do the right thing, Alex offers to sell the watches to Mr Marx for her | 0:10:26 | 0:10:31 | |
and let her have the profits. | 0:10:31 | 0:10:33 | |
You don't want to make any money? | 0:10:36 | 0:10:39 | |
She wants out altogether. | 0:10:39 | 0:10:41 | |
-No, you come with me. -Come with us. | 0:10:43 | 0:10:46 | |
I'm not going to run off. He's coming here. We've come together. | 0:10:46 | 0:10:49 | |
I will sell them on your behalf and you will make... | 0:10:49 | 0:10:52 | |
..£2,400 profit. | 0:10:53 | 0:10:55 | |
We'll go upstairs, sit there, and Mr Marx should be here in two minutes. Want to come? | 0:10:57 | 0:11:02 | |
The mark has agreed to let Alex sell on the watches, | 0:11:04 | 0:11:07 | |
promising her a healthy profit. | 0:11:07 | 0:11:09 | |
But she's still suspicious about what's going on. | 0:11:09 | 0:11:12 | |
And so she should be, because it's all about to go horribly wrong. | 0:11:12 | 0:11:17 | |
Are you OK? | 0:11:18 | 0:11:21 | |
When hustlers go out, they don't bring money. | 0:11:32 | 0:11:35 | |
They bring prop bets. | 0:11:35 | 0:11:37 | |
The proposition bet only has one rule. | 0:11:39 | 0:11:42 | |
And that's that the hustler always wins. | 0:11:42 | 0:11:45 | |
-When was the last time you bought a guy a drink? -Never. -OK. | 0:11:48 | 0:11:52 | |
This will be the first time. Have you ever bought a guy a drink? | 0:11:52 | 0:11:55 | |
Never bought a guy a drink in your whole life? | 0:11:55 | 0:11:58 | |
Tonight I'm going to buy you all drinks or you all have to buy me a drink. | 0:11:58 | 0:12:02 | |
Fair enough? OK. | 0:12:02 | 0:12:04 | |
I've got a little challenge, OK? | 0:12:04 | 0:12:06 | |
It uses three matches. Take that. | 0:12:06 | 0:12:09 | |
Snap them off so you've got a tiny bit of wood left. Just about that. | 0:12:09 | 0:12:13 | |
There's one. There's two, and one more. | 0:12:16 | 0:12:19 | |
OK? | 0:12:19 | 0:12:21 | |
So, we have to make them float in the bottle at this level here. | 0:12:21 | 0:12:25 | |
More or less. | 0:12:25 | 0:12:26 | |
First of all, I'll mark the level so we know exactly what we're talking about. | 0:12:26 | 0:12:31 | |
There. Would you say that's right? | 0:12:32 | 0:12:34 | |
Yeah. | 0:12:34 | 0:12:35 | |
If we drop them in, they'll float at that level. So to make it more difficult, we'll top it up. | 0:12:35 | 0:12:41 | |
This makes it more difficult. And there are a couple of rules. | 0:12:41 | 0:12:45 | |
First, you can't lift the bottle off the table. | 0:12:45 | 0:12:48 | |
And you can't tilt it and you can't remove any water at all. | 0:12:48 | 0:12:52 | |
So, to win a drink, Paul's friends need to make three broken match heads | 0:12:54 | 0:12:58 | |
float level with the line on the bottle. | 0:12:58 | 0:13:01 | |
Either all together or one at a time. | 0:13:01 | 0:13:04 | |
But they can't remove any water or tilt the bottle. | 0:13:04 | 0:13:06 | |
I was going to cover the top and put it to the side. | 0:13:11 | 0:13:15 | |
-Would that not work? -Not really. They'd be floating at this level. | 0:13:15 | 0:13:20 | |
Yeah. You're right. | 0:13:20 | 0:13:21 | |
You couldn't put your hand over it and turn it? | 0:13:21 | 0:13:24 | |
No. It wouldn't be upright and you'd probably spill some. | 0:13:24 | 0:13:28 | |
It's going to be so easy when we find out the answer! | 0:13:28 | 0:13:31 | |
I just don't see any possible way of doing that | 0:13:32 | 0:13:35 | |
without taking the water out. | 0:13:35 | 0:13:37 | |
-And you can't tip the bottle. -No. | 0:13:37 | 0:13:40 | |
OK. Let's see you do it, then. | 0:13:40 | 0:13:42 | |
-Ready? -Yep. | 0:13:42 | 0:13:44 | |
Press. | 0:13:51 | 0:13:52 | |
Oh, no! | 0:13:55 | 0:13:57 | |
There we go. Go. | 0:13:57 | 0:13:59 | |
There's one at that level. | 0:13:59 | 0:14:01 | |
Wow! | 0:14:03 | 0:14:04 | |
There's two at that level. | 0:14:04 | 0:14:07 | |
Yeah! | 0:14:07 | 0:14:08 | |
And there's... | 0:14:10 | 0:14:12 | |
three at that level. | 0:14:12 | 0:14:15 | |
Paul filled the bottle right up to the very top. | 0:14:17 | 0:14:20 | |
He then pushed down on the liquid using the palm of his hand. | 0:14:21 | 0:14:24 | |
This changed the water pressure, allowing him to make the matchsticks float | 0:14:24 | 0:14:29 | |
to any height in the bottle. | 0:14:29 | 0:14:31 | |
Each one required a slightly different pressure | 0:14:31 | 0:14:34 | |
to hit the winning line. | 0:14:34 | 0:14:36 | |
So, that'll be three Martinis. | 0:14:36 | 0:14:38 | |
The bar's over there. | 0:14:38 | 0:14:41 | |
Cool. | 0:14:41 | 0:14:42 | |
That was three Martinis. One each. | 0:14:42 | 0:14:45 | |
A weekday morning. A shopping precinct on a local high street. | 0:14:57 | 0:15:01 | |
And a couple of shoppers doing what shoppers do - shopping. | 0:15:02 | 0:15:05 | |
This is The Shop Lift. | 0:15:07 | 0:15:09 | |
20 minutes later, the shoppers exit, having made a purchase. | 0:15:13 | 0:15:16 | |
And that's why this lady has just become the mark. | 0:15:16 | 0:15:20 | |
She doesn't get far before she and her husband are stopped by a man in a fluorescent jacket. | 0:15:21 | 0:15:26 | |
I think I have them here. Is it a Toshiba? | 0:15:26 | 0:15:30 | |
-Excuse me. Sorry. Did you just buy that from Taylors? -Yes. | 0:15:30 | 0:15:34 | |
They just asked me to stop you. There's a problem with the TV. | 0:15:34 | 0:15:37 | |
And here comes a sales assistant to sort out the confusion. | 0:15:37 | 0:15:41 | |
Sorry. Sorry. | 0:15:41 | 0:15:43 | |
We've given you the wrong one. That's a refurb. | 0:15:43 | 0:15:45 | |
Sorry. Can you put that down? | 0:15:45 | 0:15:47 | |
Sounds like there's been a mistake in the shop. | 0:15:47 | 0:15:50 | |
They've been given the wrong box. | 0:15:50 | 0:15:52 | |
There's a guy coming to pick this up. That's a refurb for a hotel. | 0:15:52 | 0:15:56 | |
-He's coming to pick it up. -This is your delivery van? | 0:15:56 | 0:16:00 | |
Yes, the white van that comes here. | 0:16:00 | 0:16:02 | |
I can only wait for two minutes, OK? | 0:16:02 | 0:16:04 | |
Come into the shop and I'll give you the one you're meant to have. Sorry. | 0:16:04 | 0:16:08 | |
The security guard is willing to watch the box for a while. | 0:16:08 | 0:16:12 | |
That'll be picked up. It belongs to someone else. It's a refurb. | 0:16:14 | 0:16:18 | |
You need a brand-new one. | 0:16:18 | 0:16:19 | |
The mark is happy with the official taking charge of the TV | 0:16:19 | 0:16:22 | |
and heads back into the shop with the assistant. | 0:16:22 | 0:16:25 | |
We've mixed up the box. So I had to rush and get you. | 0:16:25 | 0:16:28 | |
If you go up and wait by the couch area. Oh, I've got to give him the invoice. I'll be one second. | 0:16:28 | 0:16:34 | |
Can't forget the paperwork! | 0:16:34 | 0:16:36 | |
The couple head up to the television department of the shop. | 0:16:36 | 0:16:40 | |
They're soon noticed by the employee that sold them the TV. | 0:16:40 | 0:16:44 | |
It was a refurb TV. The guy told us to wait. We're waiting for the telly. | 0:16:46 | 0:16:50 | |
-I don't know... -Is there a guy in here with glasses? | 0:16:56 | 0:17:00 | |
There's no employee matching that description. | 0:17:02 | 0:17:04 | |
Now seriously concerned, the mark heads back downstairs to find the man with the glasses. | 0:17:13 | 0:17:19 | |
Unfortunately, he's nowhere to be seen. | 0:17:19 | 0:17:22 | |
Nor is their brand-new flat screen TV. | 0:17:22 | 0:17:25 | |
So how did the hustlers convince the mark to hand over her new goods | 0:17:28 | 0:17:32 | |
to complete strangers on the pavement? | 0:17:32 | 0:17:34 | |
The hustlers were in position and on the look-out long before the mark arrived. | 0:17:39 | 0:17:44 | |
Paul was outside looking for customers entering the electrical store. | 0:17:44 | 0:17:48 | |
And Alex was already waiting inside. | 0:17:48 | 0:17:52 | |
To the genuine shop staff, he looked like a customer. | 0:17:52 | 0:17:55 | |
Just having a look around. Thanks. | 0:17:57 | 0:17:59 | |
But when the mark walked in, he made sure to fiddle with some price labels | 0:17:59 | 0:18:03 | |
establishing himself as someone that worked there. | 0:18:03 | 0:18:06 | |
Having observed the direction the couple arrived from, Paul positioned himself in their path, | 0:18:06 | 0:18:11 | |
ready to intercept. | 0:18:11 | 0:18:13 | |
Excuse me. Did you just buy that from Taylor's? | 0:18:13 | 0:18:17 | |
-Sorry... -There's a problem with the TV. | 0:18:17 | 0:18:20 | |
Sorry, can you put that down? Sorry, that's my fault. You need the other one. | 0:18:20 | 0:18:24 | |
Once the mark had been separated from the box... | 0:18:24 | 0:18:27 | |
..Paul loaded it into the waiting hustle van. | 0:18:28 | 0:18:31 | |
If you go upstairs and wait by the couch area, I'll be with you. | 0:18:35 | 0:18:38 | |
Oh, I've got to give him the invoice. One second. | 0:18:38 | 0:18:41 | |
Then Alex hopped aboard. Before the mark even realised anything was wrong, | 0:18:50 | 0:18:55 | |
they were gone. | 0:18:55 | 0:18:57 | |
I was going to wait with the guy, but he wanted both of us to go back. | 0:19:01 | 0:19:05 | |
I can't believe we were so stupid. | 0:19:05 | 0:19:08 | |
He walked us to the shop and said, "Wait there for the TV." | 0:19:08 | 0:19:11 | |
We thought he worked in the shop and that we'd picked up the wrong TV. | 0:19:11 | 0:19:15 | |
We assumed he worked in the shop because he was in the shop when we bought the TV. | 0:19:15 | 0:19:19 | |
And now we realise that they've gone with the TV. | 0:19:19 | 0:19:22 | |
This scam is so convincing because the mask is faced with two figures of authority - | 0:19:25 | 0:19:29 | |
a security guard and a shop employee. | 0:19:29 | 0:19:32 | |
The natural reaction is to assume they're both legit and do as they ask. | 0:19:32 | 0:19:36 | |
Never get separated from your possessions, even something you've just bought. | 0:19:36 | 0:19:41 | |
If there's a problem, take it back to the shop yourself and sort things out, | 0:19:41 | 0:19:45 | |
even if it's really heavy. | 0:19:45 | 0:19:47 | |
Earlier today, actress Sarah Jayne Dunn helped rope in a mark in a hotel lobby. | 0:19:54 | 0:20:00 | |
Excuse me. Do you mind if we sit here while he cleans up my mess? | 0:20:00 | 0:20:04 | |
Together with Alex, she persuaded her to help them out by buying expensive watches | 0:20:04 | 0:20:09 | |
at a fraction of the real cost. | 0:20:09 | 0:20:11 | |
1,500 is the bargain of the century. | 0:20:11 | 0:20:13 | |
But now Alex's original business partner is turning up | 0:20:14 | 0:20:18 | |
expecting to pick up all the time-pieces. | 0:20:18 | 0:20:21 | |
Mr Marx got another flight. He'll be about five minutes. | 0:20:21 | 0:20:24 | |
I will sell them on your behalf and you will make £2,400 profit. | 0:20:24 | 0:20:28 | |
The mark has agreed to let Alex sell on the watches, | 0:20:30 | 0:20:33 | |
promising her a healthy profit. | 0:20:33 | 0:20:36 | |
In The Choke, part two. | 0:20:36 | 0:20:39 | |
Alex and Sarah take the ladies upstairs to a conference room in the same hotel. | 0:20:46 | 0:20:50 | |
Have a seat. | 0:20:56 | 0:20:58 | |
They prepare themselves for the arrival of Mr Marx, | 0:20:58 | 0:21:01 | |
the business contact. | 0:21:01 | 0:21:04 | |
He's a very fussy client, so Alex gives the ladies an excuse to be in the room for the deal. | 0:21:04 | 0:21:09 | |
Would you mind if I say you're friends of Oona's mother? | 0:21:09 | 0:21:12 | |
That gives us a good excuse of why there's two strangers in the room. | 0:21:12 | 0:21:17 | |
So at least he doesn't start asking questions. | 0:21:17 | 0:21:21 | |
Alex lets the mark see that the genuine expensive watches | 0:21:21 | 0:21:25 | |
are still in the briefcase. | 0:21:25 | 0:21:26 | |
Of course they are. They've been chained to his wrist since he entered the hotel. | 0:21:26 | 0:21:31 | |
-Do you mind getting me a bit of water? -Yeah. | 0:21:32 | 0:21:36 | |
All the excitement seems to be taking its toll on Alex. | 0:21:36 | 0:21:39 | |
He looks a little under the weather. | 0:21:39 | 0:21:41 | |
Hopefully that glass of water will perk him up. | 0:21:41 | 0:21:45 | |
Because here comes his client, Mr Rob Marx, also known as hustler Paul. | 0:21:45 | 0:21:51 | |
-Hi. -Hello. -Always with the left, with us. | 0:21:51 | 0:21:53 | |
These are some friends of Oona's parents. | 0:21:53 | 0:21:57 | |
-You don't mind, do you? -They're here now. -Yeah. -OK. | 0:21:57 | 0:22:00 | |
Right now, Alex has the watches and the mark's money. | 0:22:01 | 0:22:05 | |
She's keeping a very close eye on him. | 0:22:05 | 0:22:07 | |
Perfect. | 0:22:08 | 0:22:10 | |
Again, Alex looks unwell. It must be too hot in the room. | 0:22:11 | 0:22:15 | |
I'll sit down, actually. | 0:22:15 | 0:22:17 | |
Do you want some... You've got your water. | 0:22:17 | 0:22:19 | |
-Are you all right? -I feel a bit light-headed. | 0:22:19 | 0:22:22 | |
Paul checks over the watches, making sure they're up to his high standards. | 0:22:22 | 0:22:26 | |
Tell the ladies that the Breitling retails at around three and a half. | 0:22:26 | 0:22:30 | |
In my shop, it retails at about four! | 0:22:30 | 0:22:33 | |
Well, yeah, that's your shop. | 0:22:33 | 0:22:35 | |
KNOCK AT DOOR | 0:22:35 | 0:22:37 | |
-Hi. -Hello. | 0:22:37 | 0:22:40 | |
Jess arrives with more refreshments. | 0:22:40 | 0:22:42 | |
-Are you OK? -You don't have a doctor, do you? | 0:22:42 | 0:22:46 | |
Sarah is getting increasingly concerned about Alex's health. | 0:22:46 | 0:22:51 | |
We haven't got a doctor. We've got a paramedic. | 0:22:51 | 0:22:54 | |
I don't need a doctor! Don't be silly. I'm fine. | 0:22:54 | 0:22:57 | |
-Can you send up the paramedic? -OK. -Do you mind? -That's fine. | 0:22:57 | 0:23:01 | |
Just to check. We've got a long flight. | 0:23:01 | 0:23:03 | |
Jess goes off to get a medic who happens to be in the hotel. | 0:23:03 | 0:23:07 | |
I'll be fine. I'll be fine. | 0:23:07 | 0:23:09 | |
-These are fine. -Yeah? -Yep. | 0:23:09 | 0:23:11 | |
But this doesn't stop the business deal going ahead. | 0:23:11 | 0:23:15 | |
Paul hands over £4,000 in cash for the watches, currently owned by the mark. | 0:23:15 | 0:23:21 | |
-So we said four. -Yep. | 0:23:21 | 0:23:22 | |
OK. | 0:23:24 | 0:23:26 | |
Now just to unlock the handcuffs and hand Paul the briefcase. | 0:23:26 | 0:23:30 | |
But Alex is so unwell, he's struggling to find the key. | 0:23:31 | 0:23:34 | |
Have I given you the keys? | 0:23:34 | 0:23:37 | |
No. Are you OK? | 0:23:37 | 0:23:39 | |
-Yeah. -Are you sure? | 0:23:39 | 0:23:41 | |
And then disaster. | 0:23:41 | 0:23:43 | |
-Alex collapses to the floor. -Are you OK? | 0:23:50 | 0:23:54 | |
Go and see if she's getting the paramedic! Go and see! | 0:23:54 | 0:23:57 | |
Sarah is beside herself with worry and it's all happening at the mark's feet. | 0:23:57 | 0:24:02 | |
Alex must be having some kind of seizure. He's even foaming at the mouth. | 0:24:05 | 0:24:09 | |
She's bringing someone now. | 0:24:09 | 0:24:11 | |
At last, here comes the medic. | 0:24:11 | 0:24:15 | |
He's just collapsed. | 0:24:15 | 0:24:17 | |
Move out the way, please. | 0:24:17 | 0:24:19 | |
What happened here? | 0:24:19 | 0:24:21 | |
She looks an awful lot like new hustler Polly! | 0:24:21 | 0:24:24 | |
Ian, can you hear me? Can you hear me? | 0:24:24 | 0:24:26 | |
She can't find a pulse. | 0:24:26 | 0:24:27 | |
She has to get out her defibrillator and restart his heart. | 0:24:27 | 0:24:33 | |
What's this? Have you got the key? Undo that, please. | 0:24:33 | 0:24:36 | |
But there's a problem. | 0:24:36 | 0:24:38 | |
Who's got the keys? | 0:24:38 | 0:24:39 | |
She can't give Alex a shock with a metal box chained to his wrist. | 0:24:39 | 0:24:43 | |
What they need right now is the key to the handcuff. | 0:24:43 | 0:24:47 | |
There was a key handed in ten minutes ago at reception. | 0:24:47 | 0:24:51 | |
Do you know what the key looks like? | 0:24:51 | 0:24:53 | |
Sarah's too busy looking after her husband. | 0:24:53 | 0:24:56 | |
The only other person who's seen the key is the mark. | 0:24:56 | 0:24:59 | |
-Do you know what the key looks like? -We need to get this off him now. | 0:24:59 | 0:25:03 | |
He'll be fine. We need the keys. | 0:25:03 | 0:25:05 | |
The marks are shell-shocked, but do as they're told | 0:25:05 | 0:25:08 | |
and go to reception to get the key. | 0:25:08 | 0:25:11 | |
But no key has been handed in here. | 0:25:16 | 0:25:18 | |
Moments later, by the time they get back upstairs... | 0:25:21 | 0:25:24 | |
..it's too late. | 0:25:25 | 0:25:27 | |
Oh, for God's sake! | 0:25:35 | 0:25:37 | |
The paramedic, the businessman and the friendly couple they met in the lobby are gone. | 0:25:39 | 0:25:44 | |
Along with the mark's money and those expensive watches. | 0:25:44 | 0:25:50 | |
We're going to Los Angeles at six o'clock. | 0:25:55 | 0:25:58 | |
Of course, those airline tickets were as phoney as the whole set-up. | 0:25:58 | 0:26:03 | |
They were actually knocked up by new hustler Jazz on a computer. | 0:26:03 | 0:26:07 | |
And that foam coming from Alex's mouth should actually have perked him up a bit. | 0:26:09 | 0:26:14 | |
It was produced by an antacid tablet slipped into his mouth by Sarah. | 0:26:14 | 0:26:18 | |
He'll be fine. We just need the key. Someone get the key. We need the key! | 0:26:20 | 0:26:25 | |
As soon as they'd walked down the stairs, Paul gave everyone left in the room | 0:26:25 | 0:26:30 | |
the signal to get out. | 0:26:30 | 0:26:32 | |
Whilst the ladies were busy talking to the reception staff, | 0:26:37 | 0:26:41 | |
the whole troupe of hustlers left the hotel by the fire escape. | 0:26:41 | 0:26:46 | |
That was nerve-wracking | 0:26:48 | 0:26:50 | |
and it was scary how easily it can be done. | 0:26:50 | 0:26:53 | |
This isn't going to be a new career path for me. | 0:26:53 | 0:26:56 | |
I'd feel too guilty. My conscience wouldn't allow me. | 0:26:56 | 0:26:59 | |
Once was enough. I'm glad I've done the hustle, but no more! | 0:26:59 | 0:27:02 | |
In this scam, the marks are put in a very stressful situation. | 0:27:04 | 0:27:08 | |
They think Alex is having a heart attack. | 0:27:08 | 0:27:10 | |
So the last thing on their mind is the cash in his pocket or the watches chained to his wrist. | 0:27:10 | 0:27:15 | |
This was a very elaborate scam. | 0:27:15 | 0:27:18 | |
The underlying message here is you should never buy high-value goods | 0:27:18 | 0:27:22 | |
like jewellery or watches or electrical equipment from somebody you don't know. | 0:27:22 | 0:27:27 | |
And certainly never part with cash in those circumstances. | 0:27:27 | 0:27:30 | |
It sounds too good to be true? It isn't true. | 0:27:30 | 0:27:33 | |
If you want to know more about how the show is made, | 0:27:39 | 0:27:41 | |
go to: | 0:27:41 | 0:27:45 | |
Subtitles by Red Bee Media Ltd | 0:28:07 | 0:28:10 |