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'This is the most successful scam show of all time. | 0:00:02 | 0:00:05 | |
'A hit in 45 countries around the world. | 0:00:05 | 0:00:08 | |
'The Real Hustlers have stolen cars...' | 0:00:12 | 0:00:14 | |
-Bye! -It's perfectly safe there. | 0:00:14 | 0:00:17 | |
'..burgled houses... | 0:00:19 | 0:00:21 | |
'..picked...' | 0:00:23 | 0:00:26 | |
-SHE SHOUTS -'..switched and ditched.' | 0:00:26 | 0:00:30 | |
-A tenner for the whole lot. -'They've carried out close to 500 scams | 0:00:30 | 0:00:33 | |
'and stolen over one million pounds. | 0:00:33 | 0:00:37 | |
'And now they're back for an 11th series, | 0:00:37 | 0:00:39 | |
'Alex, Jess and Paul, | 0:00:39 | 0:00:43 | |
'with new recruits Polly and Jazz. | 0:00:43 | 0:00:46 | |
'Their job - to expose the tricks of the criminals' trade | 0:00:46 | 0:00:50 | |
'so that you don't get scammed. | 0:00:50 | 0:00:53 | |
'On tonight's show, | 0:00:55 | 0:00:57 | |
'guest hustler Shane Lynch is having a very bad hair day.' | 0:00:57 | 0:01:01 | |
-That's not a bad idea. -'Jazz's prop bet is all in the balance. | 0:01:01 | 0:01:05 | |
'And Paul shows you why you should never play cards with some blokes in some bar.' | 0:01:05 | 0:01:10 | |
-The next card I turn over is your card. -OK. | 0:01:10 | 0:01:14 | |
'The hustlers have invited celebrity friends to see if they can cut it as con artists. | 0:01:54 | 0:01:59 | |
'But they'll have no clue what the scam is about and there are no dress rehearsals. | 0:01:59 | 0:02:04 | |
'So this is sink or swim. | 0:02:04 | 0:02:07 | |
'Today's guest hustler is actor, motorsport nut and Boyzone hunk Shane Lynch.' | 0:02:09 | 0:02:15 | |
I'm not a good guy for doing people out of money and such, but that's why I'm here, | 0:02:17 | 0:02:21 | |
to learn a new side. My morals don't allow me to actually cheat people out of anything. | 0:02:21 | 0:02:27 | |
If it's me dropping the bombshell on the person | 0:02:27 | 0:02:30 | |
who's perhaps going to be devastated losing something, I'll feel terrible. Absolutely terrible. | 0:02:30 | 0:02:36 | |
'Shane knows nothing about the role he'll be asked to play in today's scam. | 0:02:37 | 0:02:41 | |
'He's just been told to go to a local landmark | 0:02:41 | 0:02:44 | |
'and keep an eye out for a sexy swindler.' | 0:02:44 | 0:02:48 | |
-Hello. You all right, Shane? Nice to meet you. How you feeling? -A little bit nervous. | 0:02:48 | 0:02:53 | |
Oh, don't worry, we'll take good care of you. | 0:02:53 | 0:02:56 | |
-Have you ever heard the expression, "Fool me once, shame on you, fool me twice, shame on me"? -Uh-huh. | 0:02:56 | 0:03:02 | |
-Today you're going to be helping us scam the same person not once but twice. -Right. | 0:03:02 | 0:03:08 | |
You look gorgeous, but we do have a costume for you. | 0:03:08 | 0:03:11 | |
We're going to throw everything at you today. | 0:03:11 | 0:03:13 | |
'Today will separate the boys from the men in Fool Me Once. | 0:03:13 | 0:03:17 | |
'It's lunchtime in a busy town centre and people are going about their business. | 0:03:17 | 0:03:24 | |
'These guys have just come from a Bureau de Change | 0:03:24 | 0:03:27 | |
'and that's why this guy is now the mark.' | 0:03:27 | 0:03:30 | |
Excuse me. Hello, my name's Suzie. | 0:03:37 | 0:03:40 | |
Can I just ask, did you just exchange some money just now? You did? | 0:03:40 | 0:03:43 | |
We're just doing an investigation. Can I ask you to follow me? We just need to check your money. | 0:03:43 | 0:03:48 | |
'So there's some kind of undercover operation being carried out in the area.' | 0:03:49 | 0:03:54 | |
I think you'll be able to help us. | 0:03:54 | 0:03:56 | |
Don't worry, you're not in any trouble. | 0:03:56 | 0:04:00 | |
'It's a pretty weird request, but as it comes from a pretty lady, | 0:04:00 | 0:04:05 | |
'the mark does as he's asked and accompanies Jess.' | 0:04:05 | 0:04:08 | |
-Got any change, please? -Sorry. -Have a nice day. | 0:04:08 | 0:04:11 | |
-Ian, these gentlemen... -'A little further up the road they meet Jess's colleague, Alex.' | 0:04:11 | 0:04:15 | |
Ian Steele. Come with me, gentlemen. Just a routine check. | 0:04:15 | 0:04:20 | |
'He's very confused, but still keen to help, he follows the investigators to their van.' | 0:04:20 | 0:04:26 | |
We've had reports of counterfeit money being passed to people, | 0:04:26 | 0:04:30 | |
usually from exchange shops or other stores. | 0:04:30 | 0:04:32 | |
We're trying to pinpoint where this money's being leaked in. | 0:04:32 | 0:04:36 | |
So all I need to do is check that the money you have is genuine. | 0:04:36 | 0:04:39 | |
The pounds. How much is that? | 0:04:41 | 0:04:44 | |
-OK. -'So Alex and Jess are investigating reports | 0:04:44 | 0:04:48 | |
'that local money shops are laundering cash by exchanging good currency for bad. | 0:04:48 | 0:04:53 | |
'Legit bank notes have watermarks to identify real cash from fake. | 0:04:53 | 0:04:57 | |
'These show up under UV light.' | 0:04:57 | 0:05:00 | |
-I'll check this one. -Did you say it's the first time you've used that shop? | 0:05:00 | 0:05:06 | |
'Alex checks if the cash is counterfeit and he has good news.' | 0:05:06 | 0:05:12 | |
You're fine. Everything looks fine. | 0:05:12 | 0:05:14 | |
-Thank you for letting us have a look. -Thank you very much. | 0:05:14 | 0:05:17 | |
Cheers. | 0:05:17 | 0:05:19 | |
'The mark's cash is all legit, so he's free to go. | 0:05:19 | 0:05:23 | |
'That beggar seems to be trailing the mark. | 0:05:24 | 0:05:28 | |
'That's because it's Shane.' | 0:05:28 | 0:05:30 | |
-Bit of an improvement, I reckon. -Yeah. | 0:05:32 | 0:05:35 | |
'This is Shane's first big moment. | 0:05:38 | 0:05:40 | |
'He has to stop the guys dead in their tracks.' | 0:05:40 | 0:05:45 | |
-Excuse me, gentlemen. My name is Alan Ladd. This is my colleague. -Operations manager. | 0:05:49 | 0:05:54 | |
No, they're not who they say they are. | 0:05:55 | 0:05:58 | |
Come with us now, up here. You're not in trouble. We just need to check what's happened. | 0:05:58 | 0:06:03 | |
If you could just follow us, my boss needs to have a quick word. | 0:06:03 | 0:06:06 | |
'The mark's already been intercepted by two undercover investigators. | 0:06:06 | 0:06:11 | |
'Now he's being asked to cooperate all over again. | 0:06:11 | 0:06:14 | |
'Shane and Polly have their work cut out to convince him a second time. | 0:06:16 | 0:06:19 | |
'If he walks away now, the whole scam's over.' | 0:06:19 | 0:06:23 | |
-BLEEP. -Calm down, you're not in trouble. | 0:06:23 | 0:06:25 | |
You're not in trouble. | 0:06:25 | 0:06:28 | |
-Sorry, this is my job. -Don't worry. | 0:06:28 | 0:06:30 | |
-We'll be two minutes. We just need to make sure your money's OK. -Thank you for your cooperation. | 0:06:30 | 0:06:36 | |
'Eventually he agrees to go upstairs into a stakeout location being run by Paul and Jazz.' | 0:06:36 | 0:06:43 | |
Can you keep an eye, let me know when they leave? | 0:06:43 | 0:06:46 | |
'It certainly looks like an official operation, but the mark has clearly had enough of being ordered around.' | 0:06:46 | 0:06:52 | |
Your name is? Derek, how are you? | 0:06:52 | 0:06:55 | |
Well, do you know what's just happened? | 0:06:57 | 0:07:00 | |
A gentleman just examined your money, this guy here. | 0:07:00 | 0:07:03 | |
Whatever money he's swapped, we'll give you real cash back. | 0:07:05 | 0:07:09 | |
-All right? -'Paul's got some bad news about the cash Alex handled at the van. | 0:07:09 | 0:07:14 | |
'It's probably been swapped for fake notes.' | 0:07:14 | 0:07:17 | |
How much did you give him? | 0:07:17 | 0:07:19 | |
All right. Can I have a look at what he's given you back? | 0:07:22 | 0:07:25 | |
No envelope, nothing like that? | 0:07:27 | 0:07:29 | |
Well, as you can see, these are all fake. | 0:07:33 | 0:07:36 | |
'So not only was Alex the investigator at the van fake, | 0:07:37 | 0:07:41 | |
'he also swapped the mark's cash for fake notes. | 0:07:41 | 0:07:44 | |
'There are clearly no watermarks visible under the UV light.' | 0:07:44 | 0:07:48 | |
You can see that's all fake. This is what a real bill should look like. | 0:07:49 | 0:07:53 | |
Like that. See that? Big difference, right? | 0:07:53 | 0:07:58 | |
-OK. Unfortunately it's under £500. Are you OK? -No, I'm -BLEEP. | 0:07:58 | 0:08:02 | |
Well, have a seat, then. Derek, have a seat. | 0:08:02 | 0:08:07 | |
'Right now, the mark doesn't know who to believe. He just wants his money back.' | 0:08:07 | 0:08:13 | |
Did you suspect him? | 0:08:13 | 0:08:15 | |
I understand that. That's fine. | 0:08:17 | 0:08:19 | |
The good news is I'm going to replace that cash. | 0:08:19 | 0:08:21 | |
'To help convince the mark that Paul and his team are the real deal, | 0:08:21 | 0:08:26 | |
'he'll refund the full amount in real cash.' | 0:08:26 | 0:08:28 | |
Boss, I just want to let you know, I've got eyes on the two suspects. | 0:08:30 | 0:08:33 | |
-The van's still here. They've popped out. -OK, couple of minutes. | 0:08:33 | 0:08:36 | |
Before I give it to you, check it, | 0:08:36 | 0:08:39 | |
I'll show you what you're looking for. You're looking for the stripes. | 0:08:39 | 0:08:43 | |
This could be fake money, as well. | 0:08:45 | 0:08:48 | |
'Having been stung once, the mark is suspicious. | 0:08:50 | 0:08:53 | |
'But Paul proves the money is real by showing him the UV watermarks.' | 0:08:53 | 0:08:57 | |
That's the cash from this. | 0:08:57 | 0:09:00 | |
'But here's the thing, the money the mark had at the beginning was real, | 0:09:00 | 0:09:04 | |
'the money he was given back was real. And the money he has just been given by Paul is also real. | 0:09:04 | 0:09:11 | |
'What are the hustlers playing at?' | 0:09:11 | 0:09:14 | |
Well, as you can see, these are all fake. | 0:09:14 | 0:09:17 | |
'The trick here is in that UV lamp.' | 0:09:17 | 0:09:20 | |
Nothing at all. See that? | 0:09:20 | 0:09:22 | |
'There are actually two bulbs in the note checker. | 0:09:22 | 0:09:25 | |
'When Paul took the money from the mark, the UV bulb was off.' | 0:09:25 | 0:09:29 | |
-Nothing at all. -'Then he gave Polly a signal...' | 0:09:29 | 0:09:32 | |
This is what a real bill should look like. | 0:09:32 | 0:09:35 | |
'..and she flicked the UV switch on, and that made the watermarks light up for all to see.' | 0:09:35 | 0:09:39 | |
Big difference, right? | 0:09:39 | 0:09:42 | |
'The mark doesn't know it, but all the cash has been 100 percent real all the time.' | 0:09:42 | 0:09:48 | |
That's the cash from this. | 0:09:48 | 0:09:50 | |
'He's got all his money back, and now Paul's just about to make him an amazing offer.' | 0:09:50 | 0:09:55 | |
-Are they still there? -Yeah, the van's still there. They're in the cafe. | 0:09:55 | 0:09:59 | |
They've been there a few minutes, probably having a coffee. They'll probably be there for five, ten. | 0:09:59 | 0:10:04 | |
Erm, did you get the sense they were going to stay or go? | 0:10:04 | 0:10:08 | |
I think they're hanging around for a while, myself. I've been there two, three hours. | 0:10:08 | 0:10:13 | |
How much more cash do you have on you? | 0:10:13 | 0:10:15 | |
There's a £5,000 reward if we arrest them with more than £1,000. | 0:10:17 | 0:10:23 | |
'In return for helping Paul catch Alex and Jess red-handed, | 0:10:23 | 0:10:26 | |
'the mark will get a whopping £5,000 fee.' | 0:10:26 | 0:10:29 | |
Well, that's the problem, he's pretending to be us. | 0:10:37 | 0:10:40 | |
We have the whole thing on camera. We have to catch him in the act. | 0:10:41 | 0:10:45 | |
We're hoping you've got more than £1,000. That's the truth. | 0:10:45 | 0:10:49 | |
'Sensing that they're losing the mark, Shane steps in to convince him.' | 0:10:51 | 0:10:54 | |
-We can assure you you'll be in very safe hands. -He'll be with you the whole time. | 0:10:54 | 0:10:59 | |
Nobody will leave you alone with him. I guarantee it. | 0:10:59 | 0:11:02 | |
Are you sure? | 0:11:05 | 0:11:07 | |
'Unsure who he can trust, the mark refuses to help. | 0:11:09 | 0:11:13 | |
'Unless the hustlers can persuade him otherwise, this scam's going nowhere. | 0:11:13 | 0:11:18 | |
'When hustlers go out, they don't take money. | 0:11:31 | 0:11:34 | |
'They take prop bets. | 0:11:34 | 0:11:37 | |
'The proposition bet has only one rule. And that's that the hustler always wins.' | 0:11:39 | 0:11:44 | |
OK, I'm going to try a proposition bet for you. What I need you to do is, | 0:11:50 | 0:11:54 | |
I need you to hold this note at both ends like this. | 0:11:54 | 0:11:56 | |
And I need you to balance a 10p piece on its side like that, | 0:11:56 | 0:12:01 | |
on the top here, and you have to hold it for three seconds. | 0:12:01 | 0:12:04 | |
-Yeah? -For three seconds? -For three seconds. | 0:12:04 | 0:12:06 | |
So I'll give it to you to have a try. If you do it, I'll get you whatever your favourite drink is. | 0:12:06 | 0:12:11 | |
-If you can't do it, you have to get me one, yeah? -Yeah. I think I could win. | 0:12:11 | 0:12:15 | |
'So Jazz is offering a round of drinks to his new friends | 0:12:15 | 0:12:19 | |
'if they can balance a coin in the air for three seconds on the straight edge of a bank note.' | 0:12:19 | 0:12:24 | |
That's not a bad idea. | 0:12:29 | 0:12:31 | |
Oh! It was definitely there for a third of a second, maybe. | 0:12:33 | 0:12:37 | |
-Close. Very close. -Can you do better than that, a second? | 0:12:43 | 0:12:48 | |
It's still good. It's better than most. | 0:12:48 | 0:12:50 | |
OK, so what you do is you fold it in half | 0:12:50 | 0:12:53 | |
and make sure there's a really well-defined crease at the top. | 0:12:53 | 0:12:59 | |
Open it up on the table. Balance the middle of the 10p, there we go. | 0:12:59 | 0:13:04 | |
One. Two. Three. | 0:13:08 | 0:13:11 | |
THEY LAUGH | 0:13:11 | 0:13:14 | |
'Success. Jazz creases the bank note to create a kink in the edge. | 0:13:14 | 0:13:19 | |
'Then places the very middle of the 10p over the kink and slowly straightens it out. | 0:13:19 | 0:13:25 | |
'That's got to be worth a free drink. | 0:13:25 | 0:13:27 | |
'Going to the pub with your mates is a time when you should be able to let your guard down. | 0:13:35 | 0:13:40 | |
'But not when the hustlers are in town. | 0:13:40 | 0:13:43 | |
'Especially when these boys are fooling around with a deck of cards | 0:13:43 | 0:13:48 | |
'and Jess is on the lookout for some likely marks. | 0:13:48 | 0:13:51 | |
'These guys look promising. | 0:13:51 | 0:13:53 | |
'They take a seat in direct line of sight of Alex, Jazz and Paul. | 0:13:55 | 0:13:58 | |
-'And Jess seizes her opportunity...' -Sorry. Excuse me. -'..and moves in.' | 0:14:00 | 0:14:05 | |
You were the boys getting ID'd at the bar, weren't you? Was it you? | 0:14:05 | 0:14:10 | |
'Straight away their attention is drawn to the commotion in the corner. Looks like a lot of fun. | 0:14:12 | 0:14:17 | |
-Come on over. -I'm not, I'm sorry. -Come on over. It's fun. | 0:14:17 | 0:14:20 | |
'Invited to join in, Jess takes the marks over to the table | 0:14:26 | 0:14:30 | |
'so then everyone can get friendly.' | 0:14:30 | 0:14:32 | |
Can I just say, I'm not betting anything. | 0:14:32 | 0:14:34 | |
'Posing as Jess's colleagues, they are all on a works night out.' | 0:14:34 | 0:14:39 | |
-Do you play? -From time to time, yeah. -What do you play? | 0:14:39 | 0:14:42 | |
Er, poker, blackjack... | 0:14:42 | 0:14:45 | |
'These guys seem up for a gamble and that makes them the marks.' | 0:14:45 | 0:14:50 | |
-It might be my lucky night. -'But Lady Luck won't be on their side in The Smudge.' | 0:14:50 | 0:14:57 | |
-Take a card. -Just pick a card? -Any one. | 0:14:57 | 0:15:01 | |
That one. Look at that. Don't let me see it. OK. | 0:15:02 | 0:15:04 | |
'To break the ice, Paul shows the guys a card trick.' | 0:15:04 | 0:15:09 | |
Right, put it on top there. | 0:15:09 | 0:15:11 | |
'He's actually trying to find out if they're carrying cash | 0:15:11 | 0:15:14 | |
'and willing to put their money where their mouths are.' | 0:15:14 | 0:15:17 | |
I don't see well, anyway, but I'll do it by touch. | 0:15:17 | 0:15:19 | |
'Paul's trying to find the mark's card.' | 0:15:19 | 0:15:22 | |
-The next card I turn over is your card. -OK. | 0:15:24 | 0:15:27 | |
'The mark thinks he's missed it as it's already on the table.' | 0:15:27 | 0:15:32 | |
-How much would you bet on that? -I'll bet 20 quid. | 0:15:32 | 0:15:35 | |
-Without even looking at it... -I'm happy. | 0:15:35 | 0:15:38 | |
20 quid. The next card I turn over is your card. Fair enough? | 0:15:38 | 0:15:42 | |
-If it is, you take that money, but if it isn't... -All right. That's the next card I'll turn over. | 0:15:42 | 0:15:47 | |
SHE LAUGHS Oh, my God! | 0:15:47 | 0:15:51 | |
'He's impressed. | 0:15:51 | 0:15:53 | |
'He's fallen for a simple card trick. | 0:15:53 | 0:15:57 | |
'But more importantly, he's shown he's willing to play for money. | 0:15:57 | 0:16:00 | |
'And that's exactly what the hustlers are looking for.' | 0:16:00 | 0:16:03 | |
-Do you want to win your money back? -Aye. Yeah. | 0:16:03 | 0:16:06 | |
'Paul gives him another chance to win.' | 0:16:06 | 0:16:09 | |
-All you have to to do is find that. It's called Find The Lady, that's the queen. -I find it? | 0:16:09 | 0:16:13 | |
-Anybody actually. Do you want to play? You haven't put any money down. -Oh, here we go! | 0:16:13 | 0:16:18 | |
I'm going to mix these up. | 0:16:18 | 0:16:19 | |
All you have to do is decide where the queen is. All right? | 0:16:19 | 0:16:22 | |
'Paul is going to play the classic Three-Card Monty, | 0:16:22 | 0:16:25 | |
'also known as Find The Lady.' | 0:16:25 | 0:16:28 | |
-Where would you say it is? -I'd say there. -And how much do you bet? | 0:16:28 | 0:16:31 | |
-It's over the far side. Don't lose your money. -I watched him. | 0:16:31 | 0:16:35 | |
'Jazz's role here is to be a rubbish gambler. And he's good.' | 0:16:35 | 0:16:40 | |
-You think it is there? -That's not it. -Turn that one over. | 0:16:40 | 0:16:44 | |
-Dude, what is wrong with you? -'Alex gets it right.' | 0:16:44 | 0:16:48 | |
Mate, do me a favour, lend him your glasses, would you? I'm putting money on this one. | 0:16:48 | 0:16:53 | |
So, you should know where it is. Anybody want to bet? 20 quid. Where? | 0:16:53 | 0:16:58 | |
-There. -This one? -Yep. | 0:16:58 | 0:17:01 | |
No, no. I want this one. Don't try and cheat... Ah, ah! This one. | 0:17:03 | 0:17:06 | |
-This one! -All right! | 0:17:06 | 0:17:09 | |
'And Alex gets it right again. | 0:17:09 | 0:17:12 | |
'The marks can see how easy it is to win.' | 0:17:13 | 0:17:16 | |
-Are you sure? Have a shot. -I'm not playing. No! | 0:17:16 | 0:17:20 | |
'Maybe the lady will be good at finding the lady.' | 0:17:20 | 0:17:23 | |
-I never get it right. -It's just guess work. Not for money. | 0:17:23 | 0:17:26 | |
-Agh! -You should have put some money! -I know. | 0:17:27 | 0:17:31 | |
'The marks are watching with interest, but not getting their money out yet. | 0:17:31 | 0:17:35 | |
'The hustlers make it look easy but the marks are right to be wary | 0:17:36 | 0:17:40 | |
'because this is a game you can never win.' | 0:17:40 | 0:17:44 | |
Whoa! Cards everywhere. | 0:17:44 | 0:17:47 | |
'But Jess is just about to convince them that they simply can't lose. | 0:17:47 | 0:17:51 | |
'The distraction has been staged to let Jess mark the queen with a dab of lipstick. | 0:17:51 | 0:17:56 | |
'She then makes sure one of the marks knows all about it.' | 0:17:56 | 0:17:59 | |
'It may be a tiny smudge, but both marks can clearly see which card is marked.' | 0:18:04 | 0:18:10 | |
How much? | 0:18:11 | 0:18:14 | |
'Now knowing they are onto a sure thing, they go straight for their wallets.' | 0:18:14 | 0:18:18 | |
I'll let you both put your money together. | 0:18:18 | 0:18:21 | |
-What is that, is that a red one? -Yeah. | 0:18:21 | 0:18:24 | |
I'll put 40 down on that one there. | 0:18:24 | 0:18:28 | |
Which one are you going on? | 0:18:28 | 0:18:30 | |
'There's now around 100 quid on the table. All their money is on the marked card.' | 0:18:30 | 0:18:35 | |
So long as you go on one, I'll take all the money together. On that one? | 0:18:35 | 0:18:39 | |
-We want that one. -That one? -Yeah. -That's all you got. Turn it over. | 0:18:39 | 0:18:42 | |
'But it's a disaster. That's not the queen.' | 0:18:45 | 0:18:49 | |
-I mean, that's clubs there. -I'm so sorry. | 0:18:49 | 0:18:52 | |
'They're stunned. And Paul has cleaned them out.' | 0:18:52 | 0:18:57 | |
Look, I'll come back and we'll do it again. Have you got any more money? Get some more money. | 0:18:57 | 0:19:02 | |
'One by one, the hustlers leave the table. | 0:19:02 | 0:19:05 | |
I'll be right back. I'm so sorry. | 0:19:07 | 0:19:10 | |
'The marks try to work out what just happened to their beer money. | 0:19:10 | 0:19:13 | |
'Here's what they didn't see. | 0:19:16 | 0:19:18 | |
'Jess made sure the marks saw her marking the queen, | 0:19:21 | 0:19:24 | |
'making them think it was impossible to lose.' | 0:19:24 | 0:19:27 | |
I'll put 40 down on that one there. | 0:19:27 | 0:19:30 | |
'But by thinking they could hustle the hustlers, | 0:19:30 | 0:19:33 | |
'they were actually waving goodbye to all their cash. | 0:19:33 | 0:19:36 | |
'Just before the crucial final hand, Alex distracted the marks | 0:19:38 | 0:19:42 | |
'and Paul switched all three cards with a duplicate set from his pocket. | 0:19:42 | 0:19:47 | |
'The only difference was that now the losing three of clubs had a lipstick smudge on the back. | 0:19:47 | 0:19:52 | |
'Once this guy turned it over... | 0:19:52 | 0:19:55 | |
'..Alex marked the remaining cards | 0:19:57 | 0:19:59 | |
'to make them think the lipstick had accidentally smeared across all three, | 0:19:59 | 0:20:03 | |
'losing them all their money.' | 0:20:03 | 0:20:06 | |
It's our night in Edinburgh. It's cut short a bit after losing that money at the bar. | 0:20:22 | 0:20:26 | |
I feel gutted and feel like I've been made a mug of, to be honest. | 0:20:26 | 0:20:30 | |
The worst thing is, we can't win the money back. | 0:20:30 | 0:20:32 | |
Normally if you lose something, you have a chance to get it back. It's put me off gambling. | 0:20:32 | 0:20:37 | |
This scam is very convincing because the mark thinks he's getting one over on Paul. | 0:20:40 | 0:20:46 | |
But if you can see the lipstick mark on the back of the card, you can be sure everybody else can see it, too. | 0:20:46 | 0:20:52 | |
Three-Card Monty is the granddaddy of crooked gambling games. | 0:20:52 | 0:20:56 | |
There are hundreds of variations out there, but the result is always the same. | 0:20:56 | 0:21:00 | |
Everyone loses. If you think you know the secret, remember, a little knowledge can be a dangerous thing. | 0:21:00 | 0:21:07 | |
And it could cost you a fortune. | 0:21:07 | 0:21:10 | |
'Earlier today, Shane Lynch went from pop star to tramp.' | 0:21:17 | 0:21:21 | |
Excuse me, gentlemen. My name is Alan Ladd. | 0:21:21 | 0:21:24 | |
'He went undercover to persuade this mark to follow him to a hidden stakeout location.' | 0:21:24 | 0:21:30 | |
Come with us right now, just up here. You're not in trouble. We just need to check everything that happened. | 0:21:30 | 0:21:35 | |
'Paul then tried to persuade him to be part of a sting operation | 0:21:35 | 0:21:39 | |
'to catch fraudsters, Alex and Jess.' | 0:21:39 | 0:21:42 | |
There's a £5,000 reward if we can arrest them with more than £1,000. | 0:21:42 | 0:21:47 | |
'But unsure who to trust, this guy just wanted out. | 0:21:47 | 0:21:51 | |
'Is this scam already all over in Fool Me Once part two? | 0:21:52 | 0:21:58 | |
'Fraudsters Alex and Jess are waiting at their van. Inside the stakeout, | 0:21:58 | 0:22:04 | |
'Paul and Shane are trying to talk the mark into taking part in the undercover sting.' | 0:22:04 | 0:22:08 | |
Derek, look at me, I'm telling you, there's a £5,000 reward. It's yours if you want it. | 0:22:08 | 0:22:13 | |
That's what we do when we catch these guys. | 0:22:13 | 0:22:15 | |
We've got to get it off the street but we can only do it for a certain amount or he'll not go to jail. | 0:22:15 | 0:22:20 | |
-Guaranteed you're in no danger. -None. -Guaranteed. | 0:22:20 | 0:22:23 | |
No. Here's what we want you to do. | 0:22:26 | 0:22:29 | |
Just say to him, "I've taken out more money, could you check it for me?" | 0:22:29 | 0:22:32 | |
Just look like you're a complete sucker. The minute he switches the money, we'll step in. OK? | 0:22:32 | 0:22:38 | |
Derek, there's a £5,000 reward. OK? | 0:22:38 | 0:22:42 | |
-OK. -No problem. You're a good man. | 0:22:43 | 0:22:46 | |
'Finally, he's been convinced.' | 0:22:46 | 0:22:49 | |
Will you buy me a drink if I'm right? | 0:22:49 | 0:22:52 | |
All right. Can I see how much you've got? | 0:22:54 | 0:22:56 | |
What I'll do is, I'll put it in an envelope. OK? | 0:22:56 | 0:22:58 | |
The minute he opens the envelope, take him. What do you have? | 0:22:58 | 0:23:02 | |
'The mark gets out the rest of the cash he's carrying.' | 0:23:02 | 0:23:06 | |
OK. Perfect. | 0:23:08 | 0:23:11 | |
'For evidence purposes, Paul marks the cash with a UV-tagging spray | 0:23:11 | 0:23:16 | |
'so it can be identified later in court.' | 0:23:16 | 0:23:19 | |
-Let's put this in here. -'All the marked money goes into an envelope.' | 0:23:22 | 0:23:26 | |
I'm also going to give you a microphone. Put that at the side. | 0:23:26 | 0:23:29 | |
'It wouldn't be a proper undercover sting without a wire.' | 0:23:29 | 0:23:33 | |
Er, yes, there is one. | 0:23:33 | 0:23:37 | |
Just put it in here. | 0:23:37 | 0:23:40 | |
So drop this in here. I'll do it for you. Hold on to this. OK. | 0:23:40 | 0:23:44 | |
Erm, right, I think we'd better go. Stay close. Please stay close. | 0:23:44 | 0:23:48 | |
And just do what he tells you. Let's go. | 0:23:48 | 0:23:51 | |
Don't get involved at any point when I go in for the arrest, just stand back, let me do what I have to do. | 0:23:51 | 0:23:56 | |
-We stay safe. It's all good. -The instant he opens the envelope. | 0:23:56 | 0:23:59 | |
-OK? -All right. -Very important. Hurry up. | 0:23:59 | 0:24:02 | |
-'The mark follows Shane down the steps and out onto the street.' -We're recording everything. | 0:24:02 | 0:24:07 | |
'So the mark is going to entrap Alex by letting him switch the rest of his cash for counterfeit notes. | 0:24:07 | 0:24:14 | |
'The whole thing is being recorded and undercover investigator Shane | 0:24:14 | 0:24:18 | |
'will be on hand to apprehend the fraudsters. | 0:24:18 | 0:24:21 | |
'He does what he's been told, and takes over three grand of holiday cash to Alex and Jess.' | 0:24:23 | 0:24:29 | |
Oh, yeah, I'm just going to spin it around. | 0:24:31 | 0:24:34 | |
'But Alex wants to turn the van around before he checks the cash. | 0:24:34 | 0:24:38 | |
'He seems a bit twitchy. Maybe Shane hanging about is putting him off. | 0:24:40 | 0:24:45 | |
'Alex isn't turning the van around. Instead, he's out of here.' | 0:24:57 | 0:25:02 | |
Do you still have the envelope? | 0:25:02 | 0:25:04 | |
Don't move! Don't move! | 0:25:04 | 0:25:07 | |
'Shane legs after them, telling the mark to stay where he is. | 0:25:07 | 0:25:11 | |
'Not sure what to do, the mark stays put. | 0:25:14 | 0:25:18 | |
'Of course, Shane isn't really giving chase. | 0:25:18 | 0:25:22 | |
'He runs round the corner and jumps straight into the waiting van. | 0:25:22 | 0:25:26 | |
'The mark isn't concerned about being left waiting in the street. | 0:25:34 | 0:25:38 | |
'After all, he's still holding the envelope full of his cash. | 0:25:38 | 0:25:42 | |
'Meanwhile, upstairs, it's not so much stakeout...' | 0:25:42 | 0:25:45 | |
-Go! Got everything? -'.. as get out. | 0:25:45 | 0:25:48 | |
'It looks like no-one is coming back. | 0:26:00 | 0:26:03 | |
'Fearing the worst, the mark opens his envelope.' | 0:26:03 | 0:26:07 | |
It was very quick. And very deceiving. | 0:26:16 | 0:26:19 | |
And I don't know how they put paper in, or how it was changed. Never seen it. | 0:26:19 | 0:26:24 | |
A pile of receipts from £3,000. | 0:26:25 | 0:26:28 | |
'So how did the mark end up with a handful of worthless paper? | 0:26:30 | 0:26:34 | |
'After marking the money, Paul put it in an envelope and sealed it.' | 0:26:35 | 0:26:39 | |
-I'm also going to give you a microphone. -'Whilst being asked to wear a wire for the sting, | 0:26:39 | 0:26:44 | |
'the mark didn't notice Paul switching the envelope with real money | 0:26:44 | 0:26:49 | |
'for an identical one full of newspaper sitting on the book shelf. | 0:26:49 | 0:26:53 | |
'Shane also let Paul know the mark wasn't paying attention. | 0:26:53 | 0:26:57 | |
'And from that moment, the cash was as good as gone.' | 0:26:57 | 0:27:01 | |
The kind of hustles that go on in the real world, I think it's very easy to fall victim. | 0:27:02 | 0:27:08 | |
As a witness myself today and a participant myself today, | 0:27:08 | 0:27:13 | |
I think I very easily would be one of those victims without a shadow of a doubt. | 0:27:13 | 0:27:17 | |
I could be a mark as much as everybody else could be, but I think, without a doubt, | 0:27:17 | 0:27:22 | |
you need to be aware of what's around you. | 0:27:22 | 0:27:24 | |
This is a classic case of compliance. | 0:27:27 | 0:27:30 | |
The mark is dealing with people he thinks are officials, | 0:27:30 | 0:27:33 | |
and although it goes against all his basic instincts | 0:27:33 | 0:27:36 | |
he has little choice but to do exactly as they say. | 0:27:36 | 0:27:39 | |
Working in an undercover role takes real skill and professionalism. | 0:27:39 | 0:27:43 | |
The police and security agencies are never going to come along to you as an amateur | 0:27:43 | 0:27:47 | |
and ask you to get involved in an undercover sting operation. | 0:27:47 | 0:27:51 | |
If something like that ever occurs, step back from it, ask for their ID, | 0:27:51 | 0:27:56 | |
they won't be able to produce it, and walk away. | 0:27:56 | 0:27:59 | |
'If you want to know more about how this show is made go to...' | 0:28:06 | 0:28:12 | |
Subtitles by Red Bee Media Ltd | 0:28:16 | 0:28:20 | |
E-mail [email protected] | 0:28:20 | 0:28:24 | |
. | 0:28:24 | 0:28:25 |