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This is the most successful scam show of all time. | 0:00:00 | 0:00:03 | |
A hit in 45 countries around the world. | 0:00:05 | 0:00:08 | |
The Real Hustlers have stolen cars... | 0:00:12 | 0:00:14 | |
It's perfectly safe there. | 0:00:15 | 0:00:17 | |
..burgled houses... | 0:00:19 | 0:00:21 | |
..picked... | 0:00:22 | 0:00:24 | |
..switched... | 0:00:27 | 0:00:28 | |
and ditched | 0:00:28 | 0:00:30 | |
A tenner for the lot. | 0:00:30 | 0:00:31 | |
They've carried out close to 500 scams and stolen over £1 million. | 0:00:31 | 0:00:37 | |
Now they're back for an 11th series. | 0:00:37 | 0:00:39 | |
With new recruits... | 0:00:43 | 0:00:46 | |
Their job: to expose the tricks of the criminals' trade | 0:00:46 | 0:00:50 | |
so that YOU don't get scammed. | 0:00:50 | 0:00:53 | |
On tonight's show there's a new four-legged hustler on the team. | 0:00:55 | 0:01:00 | |
-Excuse me, is this your bag? -No. | 0:01:00 | 0:01:02 | |
Polly turns pennies into free drinks. | 0:01:02 | 0:01:04 | |
I want you to end it all the coins in a row. | 0:01:04 | 0:01:07 | |
And guest hustler Sam Faiers gets Alex all hot and bothered. | 0:01:07 | 0:01:11 | |
-That's my car! -That is my car! -That's not your car. -I'm taking the car. | 0:01:11 | 0:01:15 | |
The Hustlers have invited celebrity friends to see if they can cut it as con artists. | 0:01:54 | 0:01:59 | |
But they'll have no clue as to what the scam is about | 0:01:59 | 0:02:02 | |
and there are no dress rehearsals. | 0:02:02 | 0:02:04 | |
So this is sink or swim. | 0:02:04 | 0:02:06 | |
Today's guest hustler is one of the stars of The Only Way is Essex, | 0:02:09 | 0:02:13 | |
Sam Faiers. | 0:02:13 | 0:02:15 | |
You need to be sort of like a strong person. You need to be on the ball | 0:02:18 | 0:02:22 | |
and like almost like a good actress as well. To be honest, | 0:02:22 | 0:02:25 | |
my acting skills aren't amazing but I might be good. See what happens! | 0:02:25 | 0:02:29 | |
Our show is reality. It's our lives. | 0:02:29 | 0:02:33 | |
We know what to expect, it's our relationship. Whereas this is, at the moment, a secret. | 0:02:33 | 0:02:38 | |
Time for Sam to find out what's in store for her today. | 0:02:38 | 0:02:42 | |
-Have you ever heard the term "woman scorned"? -No. | 0:02:44 | 0:02:48 | |
A woman scorned is a woman who's very, very angry. | 0:02:48 | 0:02:52 | |
-Am I going to be making somebody feel really bad? -Yeah - me! | 0:02:52 | 0:02:56 | |
-OK, that's good. -That's all right, is it? -It's all right! -OK! | 0:02:56 | 0:03:01 | |
First thing to do is get ourselves a big mansion. | 0:03:01 | 0:03:04 | |
-You and I are going to pretend to be very rich. -Cool. -Ready? -Yeah! | 0:03:04 | 0:03:09 | |
Sam's going to have to turn on the tantrums in A Woman Scorned. | 0:03:11 | 0:03:17 | |
The first step in the scam was to find a nice big house to set the scene. | 0:03:20 | 0:03:24 | |
That was Jazz and Polly's job. | 0:03:24 | 0:03:27 | |
It needed to be in an upmarket area and had to look proper money. | 0:03:27 | 0:03:32 | |
-The name's Mr and Mrs Steele. -That's what I'm talking about! | 0:03:32 | 0:03:36 | |
Jazz then went down to the property and placed a hidden camera pointing at the gate's security key pad. | 0:03:36 | 0:03:43 | |
And then he waited. | 0:03:43 | 0:03:46 | |
Later that day, a wealthy couple turn up for a booked house viewing. | 0:03:47 | 0:03:51 | |
-It's actually Sam and Alex. -Hi. Liz. Nice to meet you. You OK? | 0:03:51 | 0:03:54 | |
They're posing as potential buyers. | 0:03:54 | 0:03:57 | |
As far as this estate agent is concerned, | 0:03:57 | 0:04:00 | |
they just want to have a good look around the property. | 0:04:00 | 0:04:04 | |
My work's moved me up here. It's a temporary move up here | 0:04:04 | 0:04:08 | |
which might be permanent, but we'll see. | 0:04:08 | 0:04:12 | |
I've been to Edinburgh before, a couple of times. | 0:04:14 | 0:04:17 | |
Sam heads upstairs with the agent, to see the bedrooms. | 0:04:17 | 0:04:20 | |
-Is this the main bedroom? -Yes. | 0:04:20 | 0:04:22 | |
Her job is actually to keep him busy. | 0:04:22 | 0:04:25 | |
Wow, this has got nice wardrobe space in here. | 0:04:25 | 0:04:28 | |
Whilst Alex opens the back door and lets in a young man waiting in the bushes. | 0:04:28 | 0:04:33 | |
Now Jazz needs to hide inside the house. | 0:04:33 | 0:04:36 | |
With Jazz in position, Alex quickly winds up the tour. | 0:04:46 | 0:04:49 | |
We've got to shoot because I have to meet the guy from the office. | 0:04:49 | 0:04:54 | |
The agent is keen to point out all the mod cons of this remarkable property. | 0:04:54 | 0:04:59 | |
But he's wasting his breath. | 0:04:59 | 0:05:01 | |
Once Sam and Alex have left, the agent makes sure the place is secure. | 0:05:06 | 0:05:10 | |
But Jazz is still hiding inside. | 0:05:10 | 0:05:12 | |
Thanks to the hidden camera by the gate, | 0:05:14 | 0:05:17 | |
the hustlers now know the entry code. | 0:05:17 | 0:05:19 | |
That means Alex can let the team back into the grounds. | 0:05:19 | 0:05:24 | |
Jazz pops out from his hiding place under the stairs, | 0:05:28 | 0:05:31 | |
unlocks the front door from inside and it's scam on. | 0:05:31 | 0:05:34 | |
A few hidden cameras and lots of empty packing cases complete the preparations. | 0:05:34 | 0:05:39 | |
Time to hustle! | 0:05:41 | 0:05:44 | |
A couple of visitors turn up for a household sale of unwanted items. | 0:05:46 | 0:05:51 | |
This lady's here to buy a high-end plasma TV. | 0:05:51 | 0:05:55 | |
That makes her the mark. | 0:05:55 | 0:05:58 | |
Sam is playing the lady of the house, so she answers the door. | 0:06:01 | 0:06:06 | |
-Hi. Are you here for the telly? -Yes. -Come in. | 0:06:06 | 0:06:08 | |
The stunning house is now in a right state. | 0:06:08 | 0:06:12 | |
Boxes, bubble wrap and people all over the place. | 0:06:12 | 0:06:16 | |
We're packing. It's a bit hectic at the moment. Joe, will you get the telly for us? | 0:06:16 | 0:06:21 | |
Yeah, give me one sec. I'll just move this box. | 0:06:21 | 0:06:24 | |
The mark is in no doubt that Sam is in the process of moving out. | 0:06:24 | 0:06:28 | |
-This is the one you want, isn't it? -Yes. | 0:06:28 | 0:06:31 | |
Removal man Jazz brings in the top-of-the-range 3D TV she's here to collect. | 0:06:31 | 0:06:35 | |
It's £500. Half the normal selling price. | 0:06:35 | 0:06:38 | |
-I'd give it to you for less, but... -Sorry! | 0:06:38 | 0:06:42 | |
Jay, will you get that boxed up for me? Have you got the controls for it? | 0:06:42 | 0:06:47 | |
I do have the controls. They're in a separate box. | 0:06:47 | 0:06:51 | |
-I'll go to the van quickly and get it. -It's in a separate box? | 0:06:51 | 0:06:55 | |
-Yeah. The van's only there. -Sorry, he won't be long. Take a seat. -I'll be a couple of minutes. | 0:06:55 | 0:07:01 | |
The TV's not much use without the remote. | 0:07:01 | 0:07:04 | |
Jazz thinks he's seen it in a packing box. | 0:07:04 | 0:07:07 | |
Meanwhile, the mark and her mate take a seat. A good time to take payment. | 0:07:07 | 0:07:11 | |
Could I get the money for the telly? I'll put this in the safe, OK? | 0:07:12 | 0:07:16 | |
Lawyer Paul is always happy to look after money, even if the safe is really his pocket! | 0:07:16 | 0:07:22 | |
Still, that's just peanuts compared to what the hustlers are really after. | 0:07:22 | 0:07:27 | |
Is it everything you're selling? | 0:07:27 | 0:07:29 | |
We've had loads of stuff. I'm selling everything, like for nothing | 0:07:29 | 0:07:34 | |
because I'm going back to London. | 0:07:34 | 0:07:36 | |
I've only been here about a year. My ex and I are just getting rid of it all. | 0:07:36 | 0:07:40 | |
So that's why she's selling her possessions off cheap. | 0:07:40 | 0:07:45 | |
There's clearly been a nasty break-up. | 0:07:45 | 0:07:48 | |
He's pulling boxes out. He'll be a few minutes. Sorry. | 0:07:48 | 0:07:51 | |
Jess is playing Sam's best mate. | 0:07:52 | 0:07:55 | |
And she's got bad news. | 0:07:55 | 0:07:56 | |
A car has just pulled into the driveway. | 0:07:56 | 0:08:00 | |
-Liz, did you know Ian was coming here? He's here now. -Ian? -Yeah. | 0:08:00 | 0:08:04 | |
What's he doing here? He's not allowed here. Sorry! | 0:08:04 | 0:08:08 | |
It's the horrible ex-husband. | 0:08:08 | 0:08:10 | |
It's my house! BLEEP | 0:08:11 | 0:08:12 | |
Sorry, girls. This is the ex! | 0:08:12 | 0:08:15 | |
This could get awkward. It's Alex and he's here to cause a scene. | 0:08:15 | 0:08:19 | |
-What are you doing here? -It's still technically my house. -You're not allowed here. | 0:08:19 | 0:08:24 | |
-I just want to pick a few things up. -Everything's gone. It's packed. | 0:08:24 | 0:08:29 | |
-Listen, there's no need to make a problem. -You're going to upset her again. | 0:08:29 | 0:08:35 | |
-I'm not upsetting anybody. I want to pick up the TV and go. -The TV's sold. | 0:08:35 | 0:08:39 | |
-Nice to see you. -The TV's sold, Ian. Everything's being sold. | 0:08:39 | 0:08:43 | |
Hang on a minute. Can I speak to you outside? | 0:08:43 | 0:08:46 | |
-Sorry. -You OK? -Yeah. | 0:08:46 | 0:08:48 | |
He's definitely not getting that TV because it now belongs to the mark. | 0:08:48 | 0:08:52 | |
It's sold. It's mine to sell. It's gone. | 0:08:52 | 0:08:55 | |
Alex and Sam make sure the mark can hear every word of their ex-lovers' spat. | 0:08:55 | 0:08:59 | |
Do what the hell you want, but we had a deal. | 0:08:59 | 0:09:03 | |
I've only just calmed her down. | 0:09:03 | 0:09:06 | |
The TV is mine to sell, so is the house. Everything is. | 0:09:06 | 0:09:09 | |
-You're not meant to be here. -Do you know what? -Let me see what I can do. | 0:09:09 | 0:09:13 | |
-I'm asking you to leave. -Listen! -Put your hands on me again and we'll carry you out! | 0:09:13 | 0:09:18 | |
-I'm going to take the car. I'm taking the car... -Move! | 0:09:18 | 0:09:22 | |
-The car's not yours. -The car's mine to sell. That is my car! | 0:09:22 | 0:09:28 | |
You never drove that car. You drove it once! | 0:09:28 | 0:09:31 | |
Sounds like Sam's got the right to sell whatever she chooses as part of the divorce, | 0:09:31 | 0:09:36 | |
including his car, whether Alex likes it or not. | 0:09:36 | 0:09:40 | |
I'm really sorry about this, girls. | 0:09:42 | 0:09:45 | |
-That has always been my car. You can have everything else. -It isn't your car. -It is my car! | 0:09:45 | 0:09:50 | |
And to throw the cat amongst the pigeons, here's the new girlfriend! | 0:09:50 | 0:09:55 | |
-Polly. -I've got my hair appointment. -What are YOU doing here? | 0:09:55 | 0:09:59 | |
Oh, the new girlfriend's here now! | 0:09:59 | 0:10:02 | |
The girls go to watch the fireworks! | 0:10:02 | 0:10:05 | |
-It's my car to sell. And why are you here? -I'm supporting my boyfriend. | 0:10:05 | 0:10:09 | |
Get her off here! She's absolutely vile! | 0:10:09 | 0:10:13 | |
I'm coming back in an hour and I'm picking up that car! | 0:10:13 | 0:10:16 | |
God, are you OK? | 0:10:16 | 0:10:18 | |
-Ridiculous. -I know. | 0:10:18 | 0:10:19 | |
-BLEEP. -Are you OK? Why is he even here? -Why did he bring her here? | 0:10:19 | 0:10:23 | |
I'm so sorry. I'm really embarrassed about that. | 0:10:23 | 0:10:27 | |
-God! -Are you OK? -I'm shaking. | 0:10:27 | 0:10:29 | |
-Why was she here? -She just got out of the car. I'm sorry about this. | 0:10:29 | 0:10:34 | |
The mark's heard enough squabbling. She wants her remote so she can get out of here. | 0:10:37 | 0:10:42 | |
-I need to sell that car. -Was he after the car? -I'll make sure he doesn't come again. | 0:10:42 | 0:10:47 | |
-You need to get rid of that car. -Do you want me to get somebody? -Do you want a car, £50? | 0:10:47 | 0:10:53 | |
Can I sell the car for 50 quid? | 0:10:53 | 0:10:55 | |
Can I seriously sell that car for next to nothing so he gets nothing for it? | 0:10:55 | 0:11:00 | |
You can't sell it for £50. You have to sell it for at least 80% of its value. | 0:11:00 | 0:11:05 | |
-At least five grand. -You can buy it! -I can't. -It's the only thing that'll keep me in contact with him. | 0:11:05 | 0:11:10 | |
So I want to sell it for nothing. | 0:11:10 | 0:11:12 | |
Then that'll really get him for coming here. He's screwed. | 0:11:12 | 0:11:16 | |
Why don't you go have a glass of juice? | 0:11:16 | 0:11:19 | |
I'm amazed he brought that new girl along. | 0:11:19 | 0:11:22 | |
Jess leads Sam away to calm her down, | 0:11:22 | 0:11:25 | |
leaving behind lawyer Paul. | 0:11:25 | 0:11:27 | |
This is a particularly nasty break-up. | 0:11:27 | 0:11:31 | |
Do you want to buy a car? | 0:11:31 | 0:11:33 | |
She just wants her remote control, not an expensive car. | 0:11:33 | 0:11:37 | |
Although... | 0:11:37 | 0:11:39 | |
-It is an Aston Martin. -What's the engine size on that? | 0:11:39 | 0:11:44 | |
Well, it's a DB9, so something like 480 horsepower. She'll sell it to you for the mere minimum. | 0:11:44 | 0:11:52 | |
She's sold the house for peanuts. | 0:11:52 | 0:11:54 | |
She won't give him a penny. Would you be interested in the car? | 0:11:54 | 0:11:59 | |
I ask you seriously, because if you are, I can wrap it up for her today. | 0:11:59 | 0:12:04 | |
She's actually thinking about it. | 0:12:04 | 0:12:06 | |
Obviously you'd want to be paid today? £3,000 I can come up with. | 0:12:06 | 0:12:10 | |
Could you do five? | 0:12:10 | 0:12:12 | |
-Do you want a look at the car? -Yes. | 0:12:18 | 0:12:19 | |
No harm in taking a look at the car. Though she hasn't forgotten about the TV. | 0:12:19 | 0:12:24 | |
I'll sort him out, don't worry! | 0:12:28 | 0:12:30 | |
The mark can't believe she's being offered a 60-grand car for a fraction of its market value. | 0:12:30 | 0:12:36 | |
Come and have a quick look, girls. | 0:12:36 | 0:12:38 | |
Paul leads her out to look at the motor. | 0:12:38 | 0:12:41 | |
Good luck to you. It breaks my heart I can't buy it myself, to be honest. | 0:12:41 | 0:12:45 | |
Here's what I'd do for you. I'd make sure all the paperwork and everything is completely done. | 0:12:45 | 0:12:53 | |
Have a seat. I'll let you guys take it for a test drive in a bit. | 0:12:53 | 0:12:58 | |
It doesn't look like the mark needs much more convincing. | 0:12:58 | 0:13:03 | |
But Paul turns up the heat. | 0:13:03 | 0:13:05 | |
This is a very high-end sports car. This is James Bond's car. | 0:13:05 | 0:13:10 | |
If you sell it, you'll get 60 grand. | 0:13:12 | 0:13:14 | |
It finally dawns on the mark that Paul is being serious. | 0:13:14 | 0:13:18 | |
For five grand, she can't afford not to buy it. | 0:13:18 | 0:13:22 | |
It breaks my heart I can't buy it myself. | 0:13:26 | 0:13:30 | |
I'll get him to sort out your remote control, pack it up for you. Come back in 20 minutes | 0:13:30 | 0:13:36 | |
and I'll have the paperwork ready. | 0:13:36 | 0:13:38 | |
Paul arranges for the mark to come back later with the cash to pick up the car. | 0:13:38 | 0:13:43 | |
And her TV, of course! | 0:13:43 | 0:13:45 | |
But if someone offers you a brand-new Aston Martin for five grand, | 0:13:45 | 0:13:49 | |
you should really stop and think. | 0:13:49 | 0:13:54 | |
When hustlers go out, they don't take money. | 0:14:08 | 0:14:12 | |
They take prop bets. | 0:14:12 | 0:14:14 | |
The proposition bet has only one rule, | 0:14:15 | 0:14:18 | |
and that's that the hustler always wins. | 0:14:18 | 0:14:21 | |
-I've got another challenge. Up for it? -Yes. | 0:14:27 | 0:14:29 | |
If you lose, you buy everyone a drink. If you win, I buy you a drink. | 0:14:29 | 0:14:34 | |
I have four coins here. | 0:14:34 | 0:14:37 | |
This is the starting position and I want you to end it with all the coins in a row. | 0:14:37 | 0:14:42 | |
-Right. -OK? It's not that simple. | 0:14:42 | 0:14:44 | |
You can only move one coin at a time. | 0:14:44 | 0:14:48 | |
And it has to end touching two. | 0:14:48 | 0:14:51 | |
Move them as often as you want, but it has to touch two each time you move it. | 0:14:51 | 0:14:55 | |
So to win the bet, Holly's new pals have to go from this... | 0:14:55 | 0:14:59 | |
to this. | 0:14:59 | 0:15:01 | |
But they can only move one coin at a time and it has to end up touching two other coins. | 0:15:01 | 0:15:06 | |
Try and get them in a straight line. | 0:15:06 | 0:15:09 | |
-I can only move one? -One at a time. | 0:15:09 | 0:15:11 | |
Yep. | 0:15:13 | 0:15:15 | |
That's good. You just played it in a reverse position! | 0:15:17 | 0:15:21 | |
-Fair enough. -Do you want a go? | 0:15:21 | 0:15:24 | |
-Just one at a time? -One at a time, yes. | 0:15:26 | 0:15:29 | |
I think I'm just repeating what he did! | 0:15:29 | 0:15:32 | |
-Shall I show you? If I do, you'll all buy me a drink? -Yes. -OK. | 0:15:32 | 0:15:36 | |
Whee! | 0:15:44 | 0:15:46 | |
Holly never said the coins couldn't be separated. | 0:15:48 | 0:15:51 | |
One, two, three, four moves | 0:15:51 | 0:15:54 | |
equal one free drink! | 0:15:54 | 0:15:57 | |
-I will have a whisky and Coke, please. -Oh, OK, then! -Thank you! | 0:15:59 | 0:16:02 | |
One mark, four bags. | 0:16:10 | 0:16:13 | |
Five minutes later, one mark, no bags! | 0:16:14 | 0:16:18 | |
An indoor shopping plaza. | 0:16:21 | 0:16:24 | |
Looks like hustler Polly is on the hunt for a mark in The Sniff. | 0:16:24 | 0:16:30 | |
This guy's got a lot of bags with him, making him a perfect potential mark. | 0:16:30 | 0:16:35 | |
Polly's looking a little strained. | 0:16:38 | 0:16:41 | |
Like she's bursting to be somewhere else! | 0:16:41 | 0:16:43 | |
-Excuse me. Could you do me a favour? I want to pop to the bathroom. Can you look after my bags? -OK. | 0:16:46 | 0:16:53 | |
Thank you. I won't be long. | 0:16:53 | 0:16:55 | |
The mark's already looking after several bags. | 0:16:55 | 0:16:58 | |
What difference will a couple more make? | 0:16:58 | 0:17:01 | |
The one garish bag stands out from the rest of the luggage. | 0:17:01 | 0:17:06 | |
But it's nothing compared to the eye-watering fluorescent jackets | 0:17:06 | 0:17:10 | |
at the other side of the plaza. | 0:17:10 | 0:17:12 | |
It's Alex and Paul. They've brought along a special little friend. | 0:17:12 | 0:17:17 | |
The mark clocks the unusual security officers trolling the plaza. | 0:17:18 | 0:17:22 | |
Seems like they're checking for suspicious packages. | 0:17:22 | 0:17:26 | |
They're slowly closing in on this unfortunate chap. | 0:17:26 | 0:17:29 | |
Good girl. Good girl! | 0:17:29 | 0:17:33 | |
Paul's sniffer dog seems to have picked up a scent from one of Polly's bags. | 0:17:40 | 0:17:45 | |
Search. Search. | 0:17:45 | 0:17:47 | |
-Excuse me, is this your bag? -No. | 0:17:50 | 0:17:52 | |
-These are not your bags? -These two aren't. There's a lady just gone to the toilet. | 0:17:52 | 0:17:56 | |
She asked me to watch them for a second. | 0:17:56 | 0:17:59 | |
She was a stranger. | 0:18:00 | 0:18:01 | |
The mark tries to explain the bag wasn't his | 0:18:01 | 0:18:04 | |
as Alex checks it with his metal detector. | 0:18:04 | 0:18:06 | |
-I'd check it out if I were you. -Do you mind? | 0:18:06 | 0:18:09 | |
-Which of these are yours? -That and that. | 0:18:09 | 0:18:14 | |
-These are all yours? -We need to quickly run a swab test on these, | 0:18:14 | 0:18:18 | |
if that's all right. Because she's picked up a scent on one bag, | 0:18:18 | 0:18:22 | |
-we'll have to swipe all of them, if that's OK. -Yes. -A quick swab. | 0:18:22 | 0:18:26 | |
Can you come with me? | 0:18:26 | 0:18:28 | |
-Oh, God, that's heavy. Just takes a couple of minutes. -Sure. | 0:18:28 | 0:18:33 | |
It'll take two seconds. If you'll accompany me, that's fine. | 0:18:33 | 0:18:37 | |
-Are you with the person whose bag this is? -No. She was a stranger, sitting over there. | 0:18:37 | 0:18:42 | |
-What did she look like? -Pretty, dark hair, tanned skin. | 0:18:42 | 0:18:46 | |
-OK. Do you want to wait here in case she comes back? -I'll keep an eye out. | 0:18:47 | 0:18:52 | |
If she picks up a scent, we've got to swab all the bags. Mostly it's... | 0:18:52 | 0:18:59 | |
The thing is, I've got to take your word for it, don't I? | 0:19:02 | 0:19:05 | |
I've got to do my job. | 0:19:07 | 0:19:10 | |
He's got no choice but to follow the security guards to a van outside. | 0:19:11 | 0:19:16 | |
Just about to do the swab now. | 0:19:26 | 0:19:28 | |
Could you ask the gentleman to come back in? There's a girl here. I want to know if it's her bag. | 0:19:28 | 0:19:35 | |
OK, I'll send the gentleman back. OK. | 0:19:35 | 0:19:38 | |
I'll swipe these. I think the girl's shown up. He wants you to identify her. | 0:19:38 | 0:19:43 | |
Just leave these with me. I'll bring them back in. | 0:19:43 | 0:19:47 | |
Sounds like Paul's found the owner of the bags. | 0:19:47 | 0:19:49 | |
So the mark heads back in to identify her, leaving Alex to continue his checks. | 0:19:49 | 0:19:55 | |
-Is this the lady over here? -Um... I can't remember. | 0:19:55 | 0:20:00 | |
Is that your... No? | 0:20:00 | 0:20:01 | |
-'They all seem fine.' -Sorry. | 0:20:03 | 0:20:05 | |
Are you bringing them back in? | 0:20:05 | 0:20:07 | |
'All negative. Tell the gentleman to wait for me there. I'll bring them back in.' | 0:20:08 | 0:20:13 | |
He'll bring them back in. | 0:20:13 | 0:20:14 | |
The bags have got the all-clear. The mark stays put whilst Paul goes off to get them for him. | 0:20:14 | 0:20:20 | |
He's done enough heavy lifting for one day. | 0:20:20 | 0:20:22 | |
The mark decides to lend a hand after all and also heads outside. | 0:20:29 | 0:20:33 | |
But by the time he reaches the door, it's much, much too late. | 0:20:35 | 0:20:40 | |
BLEEP | 0:20:42 | 0:20:45 | |
So how did they do it? | 0:20:46 | 0:20:48 | |
I won't be long. Cheers. Thank you. | 0:20:49 | 0:20:51 | |
Holly picked a particularly garish bag so the boys could spot it from a distance. | 0:20:51 | 0:20:56 | |
Oo-oo! Done it! | 0:20:56 | 0:20:58 | |
Once she'd asked the mark to look after it, she hid in the van whilst the dog squad went to work. | 0:20:58 | 0:21:03 | |
Paul led his canine friend over to the mark. | 0:21:03 | 0:21:06 | |
Right on cue, it started sniffing at Polly's bag. | 0:21:06 | 0:21:10 | |
That's because it was smeared with dog food before the scam. | 0:21:10 | 0:21:14 | |
The dog and the outfits had the mark totally convinced | 0:21:14 | 0:21:18 | |
he was dealing with bona fide security officers. | 0:21:18 | 0:21:21 | |
Once Alex had the mark and the bags at the van, | 0:21:22 | 0:21:25 | |
the radio call from Paul was just an excuse to get him back inside | 0:21:25 | 0:21:29 | |
and away from the bags. | 0:21:29 | 0:21:31 | |
'All negative. Tell the gentleman to wait and I'll bring them back in.' | 0:21:31 | 0:21:35 | |
Then, once Paul had made his excuses, | 0:21:35 | 0:21:38 | |
the hustlers, the dog and the bags were out of there. | 0:21:38 | 0:21:42 | |
We're all used to a heightened level of security these days. | 0:21:50 | 0:21:53 | |
If someone in a uniform asks us to do something, most of the time we comply. | 0:21:53 | 0:21:58 | |
Unfortunately, around the world, | 0:21:58 | 0:22:00 | |
hustlers abuse this to help them lie, cheat and steal. | 0:22:00 | 0:22:04 | |
Always check the credentials of anybody claiming to be in authority. | 0:22:05 | 0:22:09 | |
Whatever you do, never allow yourself to be separated from your bags. | 0:22:09 | 0:22:14 | |
Let them out of your sight for one minute and you may never see them again. | 0:22:14 | 0:22:18 | |
Earlier, Essex girl Sam Faiers helped the hustlers convince this mark | 0:22:28 | 0:22:32 | |
she had walked into a full-scale domestic. | 0:22:32 | 0:22:35 | |
Take Ian away. | 0:22:35 | 0:22:37 | |
She only came to buy a TV, but has now been offered a 60-grand luxury car | 0:22:37 | 0:22:42 | |
for a fraction of the price. It's too good to be true | 0:22:42 | 0:22:45 | |
in A Woman Scorned, Part 2. | 0:22:45 | 0:22:49 | |
Later that day, the mark returns to the house to pay for her shiny new car. | 0:22:54 | 0:22:58 | |
Hi! Sorry, come in. | 0:23:01 | 0:23:03 | |
I'm really sorry about earlier. I feel really embarrassed. Come through. | 0:23:03 | 0:23:07 | |
Sam leads the mark into the kitchen, where Paul has laid out all the paperwork. | 0:23:07 | 0:23:13 | |
Everything's good. How are you? Did you go to the coffee place? | 0:23:13 | 0:23:17 | |
No, we just went for a walk. | 0:23:17 | 0:23:19 | |
OK. Just a couple of details. This registration will come off the car. | 0:23:19 | 0:23:24 | |
-All the other paperwork is... -It's in the car. | 0:23:24 | 0:23:28 | |
-The log book's in the car? -It's all in there. | 0:23:28 | 0:23:30 | |
-Great. -There won't be any problems. -OK? | 0:23:30 | 0:23:35 | |
So, who's got the money? | 0:23:35 | 0:23:36 | |
Paul is suggesting they pay for the car first, then go for a test drive. | 0:23:36 | 0:23:41 | |
But it's all moving a bit too fast for the mark. | 0:23:41 | 0:23:44 | |
I'd rather do the paperwork first, then give you the money. | 0:23:44 | 0:23:48 | |
You know how I feel? I want to do this quickly. | 0:23:48 | 0:23:51 | |
Yes, but I want you to run the car and re-fill that in if you change your mind. | 0:23:51 | 0:23:55 | |
-I won't change my mind, regardless of... -Let's do it that way anyway. | 0:23:55 | 0:23:59 | |
Do the money and we'll take this with us. | 0:23:59 | 0:24:01 | |
I am a lawyer, it is my, unfortunately... | 0:24:01 | 0:24:03 | |
I'm not, honestly, I'd just rather sign the paper first before I get in the car. | 0:24:03 | 0:24:09 | |
Tell you what, wait right here. | 0:24:09 | 0:24:11 | |
-I don't know anything about cars, so don't ask me! -I've bought plenty. | 0:24:11 | 0:24:18 | |
Despite Paul's best efforts, the mark is not handing over £5,000 without a signature on the document. | 0:24:18 | 0:24:26 | |
-Registered keeper. -Where do I sign? -Sign it right here. | 0:24:26 | 0:24:30 | |
Sign here and I'll let you take that with you so you're covered. | 0:24:32 | 0:24:36 | |
Done. | 0:24:40 | 0:24:42 | |
-This must be so exciting for you! -Yeah. | 0:24:42 | 0:24:44 | |
Paul countersigns the document to complete the deal and the car is now officially hers. | 0:24:44 | 0:24:49 | |
And there's five grand. | 0:24:50 | 0:24:52 | |
-Do you want me to... -Put that in the safe and then close the door. I'll be right up. | 0:24:52 | 0:24:57 | |
Formalities complete, Paul leads the mark outside to test-drive her brand-new car. | 0:24:57 | 0:25:03 | |
Is your car parked in the drive? | 0:25:07 | 0:25:10 | |
And best not forget that plasma TV she's already paid for! | 0:25:10 | 0:25:13 | |
-Grab that other box, if you don't mind. -Yep. | 0:25:13 | 0:25:16 | |
Open it up, sit inside. I'll go get the cover note for the insurance. | 0:25:18 | 0:25:22 | |
Paul remembers the insurance document. They can't drive without it. | 0:25:22 | 0:25:26 | |
Something's not right with the keys. | 0:25:31 | 0:25:34 | |
The car's not opening. | 0:25:34 | 0:25:36 | |
But here comes someone new that the mark hasn't seen before. | 0:25:36 | 0:25:40 | |
And he's also here for a car. | 0:25:40 | 0:25:43 | |
In fact, he's here for the same car. | 0:25:50 | 0:25:54 | |
She heads back to the house, but nobody's answering. | 0:25:54 | 0:25:58 | |
The man's been sent by his boss from a luxury car hire company | 0:26:06 | 0:26:10 | |
to pick up their one-day rental. | 0:26:10 | 0:26:12 | |
DOORBELL | 0:26:12 | 0:26:14 | |
DOORBELL ECHOES | 0:26:14 | 0:26:16 | |
The lights aren't on and there's nobody home. | 0:26:22 | 0:26:25 | |
That's because the hustlers are long gone | 0:26:25 | 0:26:28 | |
by the back exit. | 0:26:28 | 0:26:29 | |
The car is also gone. The mark is left holding a £5,000 set of useless car keys. | 0:26:37 | 0:26:44 | |
Still, at least she's got that bargain of a plasma TV. | 0:26:44 | 0:26:48 | |
Oh, my God, it's rigged! | 0:26:49 | 0:26:50 | |
He sold us this TV for £500 and it's not a TV! | 0:26:50 | 0:26:53 | |
And I've paid £5,000 for an Aston Martin car | 0:26:53 | 0:26:56 | |
which isn't an Aston Martin. It was a hired shot. | 0:26:56 | 0:27:00 | |
Don't get fooled that it's cheap, "Oh, I'll get it." You'll lose what you've got. | 0:27:00 | 0:27:04 | |
Oh, my God, I can't believe that I've conned somebody! | 0:27:04 | 0:27:08 | |
Today there was parts of me where I felt really bad for them. | 0:27:08 | 0:27:12 | |
To actually do it and rob these people blind, all ages as well, I think it's terrible. | 0:27:12 | 0:27:18 | |
We staged quite a scheme for the mark in this scam | 0:27:21 | 0:27:24 | |
and the gradual ramping up of pressure | 0:27:24 | 0:27:26 | |
is all designed to make her jump at the amazing opportunity about to be made. | 0:27:26 | 0:27:31 | |
Stop and think. Did you expect to be buying a luxury car for £5,000 | 0:27:31 | 0:27:38 | |
when you woke up this morning? Probably not. | 0:27:38 | 0:27:40 | |
This is a classic case of something being too good to be true. | 0:27:40 | 0:27:45 | |
If you want to know more about how this show is made, | 0:27:52 | 0:27:55 | |
go to: | 0:27:55 | 0:27:57 | |
Subtitles by Red Bee Media Ltd | 0:28:23 | 0:28:26 |