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This is the most successful scam show of all time, | 0:00:02 | 0:00:05 | |
a hit in 45 countries around the world. | 0:00:05 | 0:00:08 | |
The Real Hustlers have stolen cars... | 0:00:12 | 0:00:15 | |
It's perfectly safe there. | 0:00:16 | 0:00:17 | |
..burgled houses... | 0:00:20 | 0:00:21 | |
..picked... | 0:00:23 | 0:00:24 | |
..switched and ditched. | 0:00:26 | 0:00:30 | |
A tenner the lot! | 0:00:30 | 0:00:31 | |
They've carried out close to 500 scams and stolen over £1 million. | 0:00:31 | 0:00:37 | |
Now they're back for an 11th series. | 0:00:37 | 0:00:39 | |
With new recruits - | 0:00:43 | 0:00:44 | |
Their job? To expose the tricks of the criminals' trade | 0:00:46 | 0:00:50 | |
so that you don't get scammed. | 0:00:50 | 0:00:53 | |
On tonight's show, | 0:00:56 | 0:00:58 | |
guest hustler Laura Hamilton claims she's innocent. | 0:00:58 | 0:01:01 | |
That's my wages. That's all the money I've got. You can search me. | 0:01:01 | 0:01:06 | |
Polly proves she's tops when it comes to winning prop bets. | 0:01:06 | 0:01:09 | |
And that goes in the middle! | 0:01:09 | 0:01:12 | |
And this guy has a very expensive lunch. | 0:01:12 | 0:01:15 | |
-It's been scammed. -BLEEP's -sake! | 0:01:15 | 0:01:19 | |
The hustlers have invited celebrity friends | 0:02:00 | 0:02:03 | |
to see if they can cut it as con artists, | 0:02:03 | 0:02:05 | |
but they'll have no clue what the scam is about | 0:02:05 | 0:02:07 | |
and there are no dress rehearsals, so this is sink or swim. | 0:02:07 | 0:02:12 | |
Tonight's guest hustler is TV presenter | 0:02:14 | 0:02:17 | |
and Dancing On Ice finalist Laura Hamilton. | 0:02:17 | 0:02:21 | |
I have absolutely no idea what's going to happen today. | 0:02:25 | 0:02:29 | |
Currently in a park near a pond. It's pretty wet and windy. | 0:02:29 | 0:02:34 | |
I'm completely in an unknown world here. It's a little bit daunting. | 0:02:34 | 0:02:40 | |
I'm going to give it my best shot to be a good hustler. | 0:02:42 | 0:02:46 | |
Watching the programme, I often feel really sorry for the mark | 0:02:46 | 0:02:50 | |
and think, "That's so cruel. How can the hustlers do that to them?" | 0:02:50 | 0:02:54 | |
The fact I'm going to be doing that myself, | 0:02:54 | 0:02:56 | |
I'm going to feel really evil. | 0:02:56 | 0:02:59 | |
-Hello. -Hi. -Good weather for it. | 0:02:59 | 0:03:03 | |
I thought I'd bring the rain with me. | 0:03:03 | 0:03:04 | |
-How are you? I'm Alex. -Laura. Nice to meet you. -Are you ready for today? | 0:03:04 | 0:03:08 | |
-I feel really naughty and nervous. -Meeting in a park? -Yeah! | 0:03:08 | 0:03:14 | |
-What's going to happen? -I'll tell you. | 0:03:14 | 0:03:16 | |
Today you're playing two parts. You're going to help somebody | 0:03:16 | 0:03:19 | |
-and then you're going to become a victim. -OK... | 0:03:19 | 0:03:23 | |
-After you become a victim we're going to make a lot of money. -Right. | 0:03:23 | 0:03:27 | |
-Come with me. -Any more? -I'll tell you the rest! Let's go. | 0:03:27 | 0:03:31 | |
Let's get out of this rain. | 0:03:31 | 0:03:32 | |
So to help the hustlers scam that cash, | 0:03:32 | 0:03:35 | |
Laura's going to have her work cut out in The Honey Trap. | 0:03:35 | 0:03:40 | |
Today the hustlers are operating in an upmarket pub just outside a city centre. | 0:03:43 | 0:03:48 | |
They park up outside a local hotel and get into position. | 0:03:48 | 0:03:52 | |
Hot on the heels of the hustlers are these guys. | 0:03:56 | 0:03:59 | |
They're here to buy a second-hand laptop from a stranger. | 0:03:59 | 0:04:02 | |
This guy's holding the cash and that makes him the mark. | 0:04:02 | 0:04:07 | |
All right, guys? How are you doing? | 0:04:07 | 0:04:10 | |
The stranger in the bar just happens to be Jazz. | 0:04:10 | 0:04:13 | |
You've come to get the laptop, right? | 0:04:13 | 0:04:15 | |
I dropped it this morning and it's given a crack to the screen | 0:04:15 | 0:04:19 | |
so I don't want to give you that because it's broken. | 0:04:19 | 0:04:22 | |
I don't think I can get it to you today. | 0:04:22 | 0:04:25 | |
So the laptop's not available yet. Shame. | 0:04:25 | 0:04:29 | |
What's the mark going to do with the rest of his day and all that money in his pocket? | 0:04:29 | 0:04:33 | |
-Sorry, guys. -Good luck. -Cheers, guys. | 0:04:33 | 0:04:38 | |
The mark leaves the bar and walks straight into a bit of a scene. | 0:04:39 | 0:04:45 | |
JESS SOBS | 0:04:45 | 0:04:46 | |
-Sorry, can you help me, please? Sorry. I'm having such a -BLEEP -day. | 0:04:46 | 0:04:51 | |
Sorry. Can you help me with my bag? | 0:04:51 | 0:04:53 | |
It's Jess playing the damsel in distress | 0:04:53 | 0:04:56 | |
and she clearly needs a helping hand. | 0:04:56 | 0:04:59 | |
Here comes someone else to the rescue. It's Laura. | 0:04:59 | 0:05:03 | |
Are you OK? | 0:05:03 | 0:05:04 | |
Posing as a staff member of the adjoining hotel, | 0:05:04 | 0:05:07 | |
it's her job to make sure the guys accompany Jess back into the building. | 0:05:07 | 0:05:11 | |
Come inside. Bring her inside. Come on inside. | 0:05:11 | 0:05:16 | |
Job done. | 0:05:16 | 0:05:17 | |
There's a quiet room if you go in there. | 0:05:18 | 0:05:20 | |
Jess keeps up the waterworks | 0:05:20 | 0:05:23 | |
and the boys follow Laura into a quiet function room. | 0:05:23 | 0:05:25 | |
-SOBS:. -I'm really sorry. | 0:05:25 | 0:05:28 | |
-Everything started falling out my bag. -Are you OK? | 0:05:28 | 0:05:31 | |
-I've just had a shit day. Sorry, have you got everything? -Yeah. | 0:05:31 | 0:05:35 | |
-Do you want a glass of water? -Yes, please. | 0:05:35 | 0:05:37 | |
What else was in there? Was it just these two? | 0:05:37 | 0:05:41 | |
-Can you just help me check that's everything in my bag? -Yeah. | 0:05:41 | 0:05:45 | |
The mark has no real reason to hang about, | 0:05:45 | 0:05:48 | |
but being a gent he wants to make sure poor Jess is OK. | 0:05:48 | 0:05:51 | |
JESS SOBS | 0:05:51 | 0:05:54 | |
-What happened? -I'm really sorry. | 0:05:54 | 0:05:58 | |
Before he can leave, here come Alex and Paul. | 0:05:58 | 0:06:02 | |
They're about to make this situation a whole lot more complicated. | 0:06:02 | 0:06:06 | |
She's in here. | 0:06:06 | 0:06:07 | |
Suzie, are you all right? | 0:06:07 | 0:06:10 | |
What are you two doing here? | 0:06:10 | 0:06:12 | |
-Who are these guys? -This is my boss. | 0:06:12 | 0:06:16 | |
-What are you two doing here? -What are YOU doing here, Suzie? | 0:06:16 | 0:06:20 | |
These guys obviously mean business. | 0:06:20 | 0:06:23 | |
-What's your name? -Jane. I'm going to have to go back to work. -Have a seat. | 0:06:23 | 0:06:28 | |
The mark is trying to work out what he's got himself into. | 0:06:28 | 0:06:31 | |
-What's your name? -James. -Stephen. | 0:06:31 | 0:06:34 | |
What's wrong? Why are you upset? | 0:06:34 | 0:06:36 | |
Alex and Paul are playing Jess's bosses. | 0:06:36 | 0:06:39 | |
Sounds like they're not very happy about something. | 0:06:39 | 0:06:41 | |
-Is that my money in that bag? -I was just taking it to the bank. | 0:06:41 | 0:06:45 | |
-Can I count the money in the bag, please, Suzie? -Yeah. | 0:06:45 | 0:06:48 | |
-Why are you trying to hide the money? -I'm not. | 0:06:48 | 0:06:51 | |
We just basically met her outside and picked up... | 0:06:51 | 0:06:55 | |
The mark doesn't know anything about any money. | 0:06:55 | 0:06:57 | |
-Guys, I've got to go back to work. -Just sit there for a second. | 0:06:57 | 0:07:01 | |
Alex makes sure Laura stays put | 0:07:01 | 0:07:04 | |
as he counts out the money from Jess's bag. | 0:07:04 | 0:07:07 | |
Please, what is going on? I haven't got a clue what's going on. | 0:07:07 | 0:07:11 | |
Nor does he. | 0:07:11 | 0:07:14 | |
We are £1,570 short. | 0:07:14 | 0:07:18 | |
OK? Can I look through the rest of your bag, please? | 0:07:18 | 0:07:22 | |
There's over £1,500 missing from the bar's moneybag | 0:07:22 | 0:07:26 | |
and Alex suspects Jess's light fingers. | 0:07:26 | 0:07:29 | |
-I don't understand what's going on! -Calm down. | 0:07:29 | 0:07:32 | |
Suzie, I need to look in your bag, sweetheart. | 0:07:32 | 0:07:34 | |
If the rest of the money is here then something's not right. | 0:07:34 | 0:07:37 | |
-It's not. -Take her over there and give her a handkerchief or something. -Come with me. | 0:07:37 | 0:07:42 | |
-I don't understand. -Calm down. -I don't understand what's happening. | 0:07:42 | 0:07:47 | |
Alex takes Jess away to find out where the missing money is. | 0:07:47 | 0:07:50 | |
They picked everything up out of my bag and everything was in there. | 0:07:50 | 0:07:55 | |
-Wait a minute. -What are you saying? The rest of the money is where? | 0:07:55 | 0:07:59 | |
-You picked everything up. -That's news to him. | 0:07:59 | 0:08:03 | |
-I dropped everything. -So they've got it? | 0:08:03 | 0:08:05 | |
-So they've got your money? -Did you pick everything up? -We didn't... | 0:08:05 | 0:08:09 | |
£1,570 short. | 0:08:09 | 0:08:12 | |
-Hold on. -I've never seen that girl in my life. -Have a seat. | 0:08:12 | 0:08:17 | |
Where do you live? | 0:08:21 | 0:08:24 | |
-You don't know her at all? -I've never seen her in my life. | 0:08:26 | 0:08:30 | |
I'm on my break and I've got to get back to work. | 0:08:30 | 0:08:34 | |
What's that money there? | 0:08:34 | 0:08:35 | |
It suddenly dawns on the mark that he does have a big wad of cash in his pocket, | 0:08:35 | 0:08:39 | |
the £1,500 for the laptop. He decides to come clean. | 0:08:39 | 0:08:44 | |
-Have you got money on you? -Yeah. -Have a word with my colleague? | 0:08:44 | 0:08:48 | |
On that bombshell, Alex takes Laura out of the way, | 0:08:48 | 0:08:51 | |
leaving Paul to ramp up the pressure. | 0:08:51 | 0:08:54 | |
How much money have you got on you? | 0:08:56 | 0:08:58 | |
So you just happen to be here? | 0:09:05 | 0:09:07 | |
-That's a lot of money. -I know. -You just happen to be... | 0:09:19 | 0:09:22 | |
Yes! That just happens to be there. | 0:09:22 | 0:09:26 | |
It all sounds a bit too much of a coincidence. | 0:09:26 | 0:09:28 | |
I know you say you don't have it but we need to get to the bottom of this. | 0:09:30 | 0:09:34 | |
Right now hotel worker Laura is being given | 0:09:34 | 0:09:37 | |
a going-over by Alex in the hallway. | 0:09:37 | 0:09:40 | |
That's 1,500. | 0:09:40 | 0:09:41 | |
And this guy's got an awful lot of explaining to do about that cash. | 0:09:41 | 0:09:47 | |
That's exactly the amount of money that is missing. | 0:09:47 | 0:09:49 | |
That's a hell of a coincidence. | 0:09:49 | 0:09:52 | |
He's left wondering what on earth he's got himself into. | 0:09:53 | 0:09:57 | |
And how he will ever get back out. | 0:09:59 | 0:10:02 | |
When hustlers go out, they don't take money. They take prop bets. | 0:10:14 | 0:10:19 | |
The proposition bet has only one rule, | 0:10:22 | 0:10:25 | |
and that's that the hustler always wins. | 0:10:25 | 0:10:27 | |
Polly is out on the town | 0:10:31 | 0:10:33 | |
but tonight she isn't going to buy a single drink. | 0:10:33 | 0:10:36 | |
Instead she's going to make her friends buy them for her. | 0:10:36 | 0:10:40 | |
Who wants to bet with me? Yeah? | 0:10:40 | 0:10:43 | |
OK, if you lose, you have to buy everyone a round of drinks. | 0:10:43 | 0:10:47 | |
If you win, I'll buy everyone one. Here I have three bottle tops. | 0:10:47 | 0:10:51 | |
The bet is I want you to get this one in the middle of these two, OK? | 0:10:51 | 0:10:58 | |
There's a couple of rules. | 0:10:58 | 0:11:00 | |
This one you can move, touch, do whatever you like with that one. | 0:11:00 | 0:11:03 | |
This one you can't move, it has to stay there. | 0:11:03 | 0:11:06 | |
-And this one you can't touch. Do you want to give it a whirl? -Sure. | 0:11:06 | 0:11:11 | |
So this top needs to go in here | 0:11:11 | 0:11:14 | |
but they can't move this one and they can't touch that one. Eh? | 0:11:14 | 0:11:19 | |
-I can move this one? -Yes, you can touch or move it. | 0:11:19 | 0:11:22 | |
Get it in between. | 0:11:22 | 0:11:24 | |
That's good but it has to be in between like this. | 0:11:24 | 0:11:27 | |
-Actually in between? -Yeah. | 0:11:27 | 0:11:29 | |
That's quite good but this one moved. | 0:11:32 | 0:11:34 | |
-I give up. -Give up? -Yeah. | 0:11:38 | 0:11:40 | |
So three, I can move and touch this one. | 0:11:40 | 0:11:42 | |
This one I can touch but not move. That one I can't touch. | 0:11:42 | 0:11:46 | |
And that goes in the middle! | 0:11:48 | 0:11:49 | |
So Polly holds this one, knocks it with that one, | 0:11:49 | 0:11:54 | |
and moves the bottle top into the resulting gap. | 0:11:54 | 0:11:57 | |
Simple, sort of. | 0:11:57 | 0:11:59 | |
-This time I will have a glass of wine. -Brilliant. -Lovely. | 0:11:59 | 0:12:02 | |
It's a soggy weekday morning | 0:12:15 | 0:12:17 | |
and this couple is sheltering from the rain in a cosy caff. | 0:12:17 | 0:12:21 | |
The guy's got his mobile phone on the table | 0:12:22 | 0:12:24 | |
and although there isn't a hustler in sight, | 0:12:24 | 0:12:27 | |
that makes him the mark | 0:12:27 | 0:12:30 | |
in SMS SOS. | 0:12:30 | 0:12:34 | |
The mark has just received a text from a mate called Jamie. | 0:12:34 | 0:12:38 | |
Jamie has filled up with petrol and left his wallet at home. | 0:12:40 | 0:12:44 | |
Looks like he needs some help. | 0:12:44 | 0:12:47 | |
Jamie? | 0:12:48 | 0:12:50 | |
Jamie? He must not be able to hear me. | 0:12:52 | 0:12:55 | |
He tries to ring him. | 0:12:55 | 0:12:56 | |
No answer but another text. | 0:12:56 | 0:13:00 | |
And another. | 0:13:04 | 0:13:06 | |
-Have you got cash on you? -No. | 0:13:12 | 0:13:14 | |
They're going to send someone over to the cafe. | 0:13:14 | 0:13:17 | |
I don't have any cash on me. | 0:13:17 | 0:13:19 | |
Check my wallet. I think I've got 12 quid in cash. | 0:13:24 | 0:13:27 | |
Oh, dear. | 0:13:33 | 0:13:34 | |
I've only got 12 quid on me. | 0:13:36 | 0:13:38 | |
So his mate needs some cash to pay for a petrol bill | 0:13:38 | 0:13:41 | |
but the mark hasn't got enough on him. | 0:13:41 | 0:13:43 | |
It's out into the rain to find a cashpoint | 0:13:43 | 0:13:46 | |
and back into the dry as quickly as possible. | 0:13:46 | 0:13:49 | |
-Did you get the money? -Yes. | 0:13:51 | 0:13:53 | |
Just in time for someone else's entrance. | 0:13:53 | 0:13:55 | |
It's a petrol station attendant sent to pick up the cash | 0:13:55 | 0:13:58 | |
and he looks a lot like Jazz. | 0:13:58 | 0:14:02 | |
-It's to pay for the petrol for... -Oh, yeah, yeah. Oh, perfect. | 0:14:02 | 0:14:06 | |
Let me just get the receipt for you. It's for 50. There you go, mate. | 0:14:06 | 0:14:11 | |
50 quid for his mate's tank of petrol. | 0:14:11 | 0:14:14 | |
Perfect. Nice one. Thanks, pal. | 0:14:14 | 0:14:16 | |
Jazz heads off with the cash and the mark feels | 0:14:16 | 0:14:19 | |
like he's done a good deed. | 0:14:19 | 0:14:22 | |
But somehow, this guy having a quiet lunch | 0:14:22 | 0:14:25 | |
has really been scammed out of his money. | 0:14:25 | 0:14:29 | |
Earlier that morning, | 0:14:32 | 0:14:34 | |
a clumsy customer knocked his mobile phone onto the floor. | 0:14:34 | 0:14:37 | |
It was Alex, who'd been sitting right behind the mark at the bar. | 0:14:37 | 0:14:40 | |
He made sure that the phone smashed right under the couple's table, | 0:14:40 | 0:14:44 | |
with pieces flying everywhere. | 0:14:44 | 0:14:45 | |
I'm looking for another piece that might have... | 0:14:45 | 0:14:48 | |
-Sorry. A piece of phone. -Oh, OK. | 0:14:48 | 0:14:52 | |
No, I think that'll be the end of that one. | 0:14:52 | 0:14:56 | |
You won't be making calls on that again. | 0:14:56 | 0:15:00 | |
Sorry, I couldn't ask you for a quick favour? | 0:15:00 | 0:15:03 | |
Could I borrow your phone just to let somebody know that they can't contact me? | 0:15:03 | 0:15:08 | |
It's just another mobile. Is that all right? | 0:15:08 | 0:15:11 | |
-Absolutely. -Thank you. Sorry. -No problem. -Thanks. | 0:15:11 | 0:15:14 | |
The mark then let Alex use his phone to let a colleague know | 0:15:14 | 0:15:17 | |
where to find him. | 0:15:17 | 0:15:19 | |
-Do you mind if I send a quick text message? Thank you. -No problem at all. | 0:15:19 | 0:15:22 | |
Unable to reach him, Alex then asked to send a text instead. | 0:15:22 | 0:15:27 | |
I think I've done it. I've deleted it so you don't have to have any... | 0:15:27 | 0:15:30 | |
-Oh, don't worry. -Thank you. | 0:15:30 | 0:15:32 | |
-OK. -Thanks. | 0:15:32 | 0:15:33 | |
Alex then returned the mark's phone | 0:15:33 | 0:15:35 | |
and headed upstairs to wait for his business partner. | 0:15:35 | 0:15:39 | |
So what really happened? | 0:15:40 | 0:15:44 | |
I couldn't ask you...? To borrow your phone...? | 0:15:44 | 0:15:47 | |
When he got hold of the mark's phone, | 0:15:47 | 0:15:49 | |
he actually called his own perfectly intact phone in his pocket | 0:15:49 | 0:15:53 | |
in order to find out the mark's phone number... | 0:15:53 | 0:15:56 | |
Do you mind if I send a quick text message? | 0:15:56 | 0:15:58 | |
-They might be on the train. Thank you. -No problem at all. | 0:15:58 | 0:16:01 | |
..and instead of texting, he looked up a recent call, | 0:16:01 | 0:16:05 | |
in this case, the mark's mate, Jamie. | 0:16:05 | 0:16:08 | |
Then he deleted Jamie's phone number and replaced it with his own phone number. | 0:16:08 | 0:16:13 | |
-I think I have done it. I've deleted it, so you don't have to have any... -Oh, don't worry. | 0:16:13 | 0:16:17 | |
From this point on, he could sit upstairs texting the mark | 0:16:17 | 0:16:21 | |
from his phone, and it would look as if it was coming from Jamie. | 0:16:21 | 0:16:24 | |
And the mark's fate was sealed. | 0:16:24 | 0:16:27 | |
Once Jazz had collected the money, Alex made his exit. | 0:16:29 | 0:16:33 | |
Slowly, the light bulb comes on in the mark's head. | 0:16:33 | 0:16:36 | |
WOMAN SPEAKS, INDISTINCT | 0:16:39 | 0:16:42 | |
..15, 20 minutes. | 0:16:42 | 0:16:44 | |
What's Jamie's number? | 0:16:45 | 0:16:46 | |
HE SIGHS | 0:16:49 | 0:16:51 | |
I've just been scammed. The guy that picked my phone up, | 0:16:52 | 0:16:55 | |
he changed Jamie's number. That's why he didn't pick the phone up. | 0:16:55 | 0:16:59 | |
BLEEP! | 0:17:00 | 0:17:02 | |
The guy's unlucky, dropped his phone, it's smashed. | 0:17:04 | 0:17:07 | |
He's in trouble, needs to borrow someone's phone. | 0:17:07 | 0:17:10 | |
I didn't think anything of it at all. | 0:17:10 | 0:17:11 | |
I saw him dart out of the cafe just after, | 0:17:11 | 0:17:15 | |
and that was when I thought something suspicious happened. | 0:17:15 | 0:17:18 | |
I got my girlfriend to check her phone number | 0:17:18 | 0:17:21 | |
and compare it with the number in my phone. It was different, | 0:17:21 | 0:17:23 | |
and that was when I thought, "Oh, something's not right here." | 0:17:23 | 0:17:27 | |
You hear about it but it's not something | 0:17:27 | 0:17:29 | |
you think will happen to yourself, | 0:17:29 | 0:17:31 | |
so I was quite shocked and angry and upset about it. | 0:17:31 | 0:17:34 | |
This is a devious little scam. | 0:17:37 | 0:17:40 | |
The mark believes he's helping other people out - | 0:17:40 | 0:17:43 | |
first Alex with his broken phone and then his mate, | 0:17:43 | 0:17:46 | |
who's stuck at a petrol station. | 0:17:46 | 0:17:47 | |
Never give anyone access to your Smartphone. | 0:17:47 | 0:17:50 | |
If there is an emergency, dial the number yourself | 0:17:50 | 0:17:52 | |
and watch as they use the phone. | 0:17:52 | 0:17:54 | |
More importantly, if someone contacts you looking for money | 0:17:54 | 0:17:58 | |
or assistance, and you can't speak to them directly, | 0:17:58 | 0:18:01 | |
there's a good chance someone is hiding behind their identity. | 0:18:01 | 0:18:05 | |
We store our lives on our smart phones. They're not just telephones. | 0:18:05 | 0:18:09 | |
We very often have banking details, | 0:18:09 | 0:18:11 | |
personal information on there that's really important, | 0:18:11 | 0:18:14 | |
and you need to protect that | 0:18:14 | 0:18:15 | |
and look after that information and keep it close to you. | 0:18:15 | 0:18:18 | |
The best advice is never to let a stranger | 0:18:18 | 0:18:21 | |
have access to your phone in that way. | 0:18:21 | 0:18:23 | |
Dial a number for them by all means | 0:18:23 | 0:18:25 | |
but don't hand over control of your life to a stranger. | 0:18:25 | 0:18:29 | |
Are you OK? | 0:18:37 | 0:18:38 | |
Earlier today, TV presenter Laura Hamilton helped Jess | 0:18:38 | 0:18:42 | |
put this mark in a very sticky situation. | 0:18:42 | 0:18:45 | |
-SOBBING: -I don't understand what's going on... -Suzie, I need to look at your bag, sweetheart. | 0:18:45 | 0:18:51 | |
Jess stands accused of stealing bar takings from bosses Alex and Paul | 0:18:51 | 0:18:55 | |
and has pointed the finger at the mark. | 0:18:55 | 0:18:58 | |
-Where's the money? -I don't know. | 0:18:58 | 0:19:00 | |
Though he's totally innocent, | 0:19:00 | 0:19:02 | |
he's actually carrying a very incriminating £1,500. | 0:19:02 | 0:19:05 | |
-That's a lot of money. -I know. | 0:19:05 | 0:19:07 | |
And he thinks he's in deep, deep trouble | 0:19:07 | 0:19:10 | |
in The Honey Trap, part two. | 0:19:10 | 0:19:13 | |
-Just have a seat for me, will you? -Laura comes back into the room. | 0:19:13 | 0:19:19 | |
Give me a second, will you? | 0:19:19 | 0:19:21 | |
-This is Paul's cue to leave. -Suzie, please just stay there. | 0:19:21 | 0:19:24 | |
It's Laura's big moment. | 0:19:24 | 0:19:27 | |
Guys, look, I don't know what's going on but whatever they say, | 0:19:27 | 0:19:30 | |
just do, because I'm, like... | 0:19:30 | 0:19:32 | |
SHE SIGHS | 0:19:32 | 0:19:34 | |
Yeah, I don't think we want to kind of mess with them. I'm just like... | 0:19:34 | 0:19:38 | |
Right now, Laura is alone with the mark and his mate. | 0:19:38 | 0:19:41 | |
She's been sent in to convince him that the hustlers mean business. | 0:19:41 | 0:19:46 | |
And the mark isn't arguing. | 0:19:46 | 0:19:49 | |
All right. I need to count this. | 0:19:49 | 0:19:51 | |
Yeah, that's fine. | 0:19:51 | 0:19:54 | |
-I'm sorry to... -Here. -No, it's fine... | 0:19:54 | 0:19:57 | |
-..but this money does not belong to Suzie. It belongs to... -Yeah, yeah. | 0:19:57 | 0:20:01 | |
The guys return and Alex makes a big show | 0:20:01 | 0:20:04 | |
of counting the mark's cash. | 0:20:04 | 0:20:06 | |
He's convinced it's the cash that Jess has stolen from them. | 0:20:06 | 0:20:10 | |
The mark can't believe what's happening. | 0:20:10 | 0:20:12 | |
That's 1,500. Plus the 70 from you. That's 1,570. | 0:20:17 | 0:20:21 | |
That's exactly the amount of money that is missing. | 0:20:21 | 0:20:25 | |
-It's a hell of a coincidence, isn't it? -I know it is... | 0:20:25 | 0:20:29 | |
How are they going to resolve this terrible situation? | 0:20:29 | 0:20:32 | |
Boys, I've got to call the police, no matter what happens here. | 0:20:32 | 0:20:35 | |
Yeah, that is fine. That is absolutely fine. | 0:20:35 | 0:20:37 | |
All right. Let me, um... | 0:20:37 | 0:20:40 | |
Have a word with her for me, will you? | 0:20:40 | 0:20:42 | |
-Do you want to tell me now where the money is? -I told you, | 0:20:46 | 0:20:48 | |
that's it! I haven't got it in my bag! That'll be it, there. | 0:20:48 | 0:20:51 | |
I haven't got it. Look. That'll be it. | 0:20:51 | 0:20:53 | |
-We're missing a lot of money. -Yeah, but I dropped everything. | 0:20:53 | 0:20:56 | |
They probably just picked it up. | 0:20:56 | 0:20:58 | |
Jess is still claiming that money came from her handbag. | 0:20:58 | 0:21:02 | |
As you've got all this money, I've got to check it - understand? | 0:21:02 | 0:21:05 | |
No, that makes sense. | 0:21:05 | 0:21:07 | |
Looking more nervous by the second, the mark has no choice but to agree | 0:21:07 | 0:21:11 | |
to allow Paul to check the cash. | 0:21:11 | 0:21:13 | |
Just tell me honestly, you did not get this money from her? | 0:21:13 | 0:21:16 | |
100%. That is my wages. | 0:21:16 | 0:21:18 | |
Laura's protesting her innocence too. | 0:21:18 | 0:21:21 | |
-Can you take a photograph of this? -Yeah. -I'll take a photo of some of these serial numbers. | 0:21:21 | 0:21:26 | |
-Yeah. -We've got all the serial numbers back at the office. | 0:21:26 | 0:21:29 | |
There is a way to sort this out. | 0:21:29 | 0:21:31 | |
Alex is going to check the serial numbers of the mark's notes | 0:21:31 | 0:21:34 | |
against ones they've photographed back at the office. | 0:21:34 | 0:21:37 | |
As they already suspected Jess of stealing, | 0:21:37 | 0:21:40 | |
it was a trap they set for her. | 0:21:40 | 0:21:43 | |
Right, keep all the money together just now, if you don't mind. | 0:21:43 | 0:21:46 | |
All the cash - Jess's, Laura's and the mark's, goes into the same bag. | 0:21:46 | 0:21:51 | |
So, what I'll do is... | 0:21:54 | 0:21:56 | |
Why don't you come with me? You stay with the money. | 0:21:56 | 0:21:59 | |
OK? It'll take about ten minutes, and then we'll come back and sort this out. | 0:21:59 | 0:22:03 | |
How does that sound? | 0:22:03 | 0:22:04 | |
-All right. -So the mark comes to the bar | 0:22:04 | 0:22:07 | |
and Laura watches the cash. | 0:22:07 | 0:22:10 | |
In fact... | 0:22:10 | 0:22:11 | |
-What does she have - 70? -70. -All right, why don't YOU come with us? | 0:22:12 | 0:22:18 | |
This is your money. You stay with your money. | 0:22:18 | 0:22:20 | |
No - change of plan. The mark had the most cash, | 0:22:20 | 0:22:23 | |
so it's only fair he stays with the blue money bag. | 0:22:23 | 0:22:27 | |
I didn't take it. They've probably got... That's it on the table there! | 0:22:27 | 0:22:30 | |
As Laura and the other hustlers leave, | 0:22:30 | 0:22:33 | |
Paul has a few reassuring words for the mark. | 0:22:33 | 0:22:36 | |
-Listen... -Yeah. -She's done this before. | 0:22:36 | 0:22:39 | |
-She's dropped people right in it. -Yeah, yeah. -OK? | 0:22:39 | 0:22:42 | |
Thing is, there's nobody to back it up. | 0:22:42 | 0:22:44 | |
-Yeah, yeah, yeah. -But we've taken a record of everything she took out. | 0:22:44 | 0:22:48 | |
She went nowhere near the bank and we saw her drop it off. | 0:22:48 | 0:22:51 | |
-Promise me you'll be here in ten minutes. -Yeah! | 0:22:51 | 0:22:54 | |
All right, we'll be right back. | 0:22:54 | 0:22:57 | |
I want your word on it. | 0:22:57 | 0:22:58 | |
Paul makes the mark shake on it. | 0:23:00 | 0:23:02 | |
The mark breathes a sigh of relief. | 0:23:03 | 0:23:06 | |
Hopefully, this whole mess will be sorted out soon, | 0:23:06 | 0:23:09 | |
and after all, he's been left looking after all the cash. | 0:23:09 | 0:23:13 | |
The mark waits... | 0:23:15 | 0:23:18 | |
..and waits... | 0:23:22 | 0:23:23 | |
..and waits. | 0:23:30 | 0:23:32 | |
There's no sign of the hustlers returning, and the mark | 0:23:32 | 0:23:35 | |
is starting to tear his hair out. | 0:23:35 | 0:23:38 | |
But he's still too scared to touch the money bag. | 0:23:48 | 0:23:52 | |
A full hour of waiting later, the mark has had enough, | 0:23:56 | 0:24:00 | |
and he has a look inside the money bag. | 0:24:00 | 0:24:03 | |
There's the envelope, but it contains precisely £0 sterling. | 0:24:03 | 0:24:08 | |
No. | 0:24:10 | 0:24:12 | |
-How did this happen? -Here's what he didn't see. | 0:24:12 | 0:24:15 | |
Earlier today, Jazz scouted the area for the laptop deal. | 0:24:17 | 0:24:22 | |
As well as a bar, he wanted a quiet room nearby, just like this one. | 0:24:22 | 0:24:28 | |
He then stashed a blue money bag on the table. | 0:24:31 | 0:24:36 | |
Later on, when Alex counted the mark's cash, | 0:24:39 | 0:24:43 | |
it went into an identical blue bag. | 0:24:43 | 0:24:45 | |
Whilst the mark was stressing out, Alex switched one blue bag | 0:24:47 | 0:24:51 | |
for the other, concealing the one with the cash inside the newspaper. | 0:24:51 | 0:24:57 | |
Why don't you come with me? You stay with the money. | 0:24:57 | 0:25:00 | |
Suzie, come on, in the car. | 0:25:01 | 0:25:03 | |
The hustlers walked out with all the mark's money... | 0:25:03 | 0:25:07 | |
I want your word on it. | 0:25:07 | 0:25:09 | |
..leaving him looking after nothing but a load of worthless newspaper. | 0:25:09 | 0:25:14 | |
But by this time, the hustlers were long gone, along with his £1,500. | 0:25:16 | 0:25:23 | |
Finally, computer salesman Jazz was picked up just around the corner | 0:25:28 | 0:25:32 | |
and the getaway was complete. | 0:25:32 | 0:25:36 | |
I was scared. I thought, "How will anyone believe me about the money?" | 0:25:37 | 0:25:41 | |
I was terrified. I was like, "I'll co-operate fully with these guys," | 0:25:41 | 0:25:45 | |
and I didn't want to leave, because I thought, | 0:25:45 | 0:25:47 | |
"I'm not having these people after me," and stuff like that. | 0:25:47 | 0:25:51 | |
I think you need to be careful and check your money | 0:25:51 | 0:25:54 | |
and stuff like that. | 0:25:54 | 0:25:55 | |
When the cash was being counted on the table, | 0:25:55 | 0:25:58 | |
I kept looking over at the guys and I could see they were really scared. | 0:25:58 | 0:26:03 | |
My heart was really racing and I was pretty scared, too. | 0:26:03 | 0:26:09 | |
I just felt like I was totally in the situation | 0:26:09 | 0:26:12 | |
and really felt for them. I really think they thought if they don't | 0:26:12 | 0:26:17 | |
give the money over, something was going to happen to them. | 0:26:17 | 0:26:20 | |
I think people that actually do this for work in the real world | 0:26:20 | 0:26:23 | |
quite clearly have no morals. | 0:26:23 | 0:26:25 | |
I mean, the boys were genuinely feeling for Jess. | 0:26:25 | 0:26:29 | |
They wanted to help her, comfort her, pick her bits and pieces up, | 0:26:29 | 0:26:33 | |
and yet... You know, when someone's good-natured | 0:26:33 | 0:26:37 | |
and you play on that... It's a pretty nasty thing to do. | 0:26:37 | 0:26:40 | |
Please don't let this scam put you off helping someone in distress. | 0:26:44 | 0:26:48 | |
There's nothing wrong with a good deed, | 0:26:48 | 0:26:50 | |
but when you're suddenly faced with a demand for cash, | 0:26:50 | 0:26:53 | |
then you should know that all is not as it seems. | 0:26:53 | 0:26:56 | |
If anyone tries to pressure you into handing over your money, | 0:26:56 | 0:26:59 | |
you have the right to walk away or call the police for assistance. | 0:26:59 | 0:27:02 | |
Consider that the entire situation | 0:27:02 | 0:27:04 | |
may have been orchestrated just to separate you from your cash. | 0:27:04 | 0:27:09 | |
The best advice is call the police. You can't know what's going on | 0:27:09 | 0:27:12 | |
in this argument - you can't get beneath the surface. | 0:27:12 | 0:27:15 | |
Let the professionals deal with it. | 0:27:15 | 0:27:17 | |
If you want to know more about how this show is made, go to... | 0:27:24 | 0:27:28 | |
Subtitles by Red Bee Media Ltd | 0:27:54 | 0:27:57 |