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This is the most successful scam show of all time. | 0:00:02 | 0:00:04 | |
A hit in 45 countries around the world. | 0:00:05 | 0:00:08 | |
The real hustlers have stolen cars. | 0:00:12 | 0:00:14 | |
Bye! | 0:00:14 | 0:00:16 | |
It's perfectly safe there. | 0:00:16 | 0:00:18 | |
Burgled houses. | 0:00:20 | 0:00:21 | |
Picked, | 0:00:23 | 0:00:24 | |
switched, | 0:00:26 | 0:00:28 | |
and ditched. | 0:00:28 | 0:00:30 | |
-A tenner for the whole lot! -They've carried out close to 500 scams | 0:00:30 | 0:00:33 | |
and stolen over £1,000,000. | 0:00:33 | 0:00:37 | |
And now, they're back for an eleventh series. | 0:00:37 | 0:00:39 | |
With new recruits... | 0:00:43 | 0:00:45 | |
Their job? | 0:00:46 | 0:00:48 | |
To expose the tricks of the criminals' trade, | 0:00:48 | 0:00:50 | |
so that you don't get scammed. | 0:00:50 | 0:00:53 | |
On tonight's show, it's all Greek to one mark, | 0:00:57 | 0:01:00 | |
as he's left thousands of pounds out of pocket. | 0:01:00 | 0:01:03 | |
I can't take any more of it! | 0:01:03 | 0:01:04 | |
Jess turns water into gin. | 0:01:04 | 0:01:07 | |
I love a gin-and-tonic. | 0:01:07 | 0:01:09 | |
You're a very honest man. | 0:01:09 | 0:01:11 | |
And this mark's good deed, | 0:01:11 | 0:01:12 | |
leaves him with a very bad taste in his mouth. | 0:01:12 | 0:01:15 | |
I feel sad. | 0:01:15 | 0:01:16 | |
The hustlers have invited celebrity friends | 0:01:57 | 0:01:59 | |
to see if they can cut it as con artists. | 0:01:59 | 0:02:02 | |
But they'll have no clue what the scam is about | 0:02:02 | 0:02:04 | |
and there are no dress rehearsals. So this is sink or swim. | 0:02:04 | 0:02:09 | |
Today's guest hustler is star of Shameless | 0:02:13 | 0:02:16 | |
and Eastenders, Jody Latham. | 0:02:16 | 0:02:19 | |
I'd like to think that I've got what it takes to be a good hustler. | 0:02:23 | 0:02:27 | |
So we'll see. People who hustle for a living are real hustlers. | 0:02:27 | 0:02:32 | |
They must be crazy - it's so nerve-racking. | 0:02:32 | 0:02:34 | |
Every day not knowing what's going to happen. | 0:02:34 | 0:02:37 | |
It's a scary life. | 0:02:37 | 0:02:40 | |
Feel like the new member of Ocean's Twelve! It's great. | 0:02:41 | 0:02:45 | |
Argh! | 0:02:45 | 0:02:46 | |
Jody has been sent to some disused wasteland to meet a man about to scam. | 0:02:46 | 0:02:52 | |
-Welcome to The Real Hustle. What do you think? -Scary. -It's quite scary. | 0:02:52 | 0:02:57 | |
-Got a couple of questions for you, quite important. -OK. | 0:02:57 | 0:03:01 | |
-First one is do you play poker? -A little. -Well, now you play a lot. -OK. | 0:03:01 | 0:03:05 | |
The other question is how do you think you can take someone for a lot of money | 0:03:05 | 0:03:09 | |
by letting them win a lot more? | 0:03:09 | 0:03:11 | |
-I've got no idea! -We're going to let someone win thousands. -Are we? | 0:03:11 | 0:03:15 | |
-But you're the secret. -OK. | 0:03:15 | 0:03:17 | |
All right? I'll teach you everything you need to know. | 0:03:17 | 0:03:20 | |
-Sounds good. -Come on, I'll give you a few lessons on poker. | 0:03:20 | 0:03:23 | |
Usually have to start playing for as much money as you have | 0:03:23 | 0:03:26 | |
-and I'll be hoping to take that from you. -OK! -This is The Mad Greek. | 0:03:26 | 0:03:31 | |
It's weekday lunchtime in this bar. | 0:03:31 | 0:03:33 | |
I think these are the two guys. | 0:03:33 | 0:03:35 | |
These guys are both regular poker players, but this guy | 0:03:35 | 0:03:39 | |
in particular is carrying lots of cash, making him the mark. | 0:03:39 | 0:03:45 | |
Good to meet you, how are you? Have a seat. Stuart, nice to meet you. | 0:03:45 | 0:03:50 | |
-Have a seat. -Lee, how are you doing? You all right? | 0:03:50 | 0:03:52 | |
Jody's first role is to put the mark at ease and draw him into the scam. | 0:03:52 | 0:03:57 | |
I told you about the game tonight and you boys are up for that? | 0:03:57 | 0:04:01 | |
-Yeah. -Yeah? | 0:04:01 | 0:04:02 | |
Nick is coming over just to say hello and meet you, | 0:04:02 | 0:04:06 | |
he's the guy that runs the game. | 0:04:06 | 0:04:08 | |
He's a bit mental, he bets on anything. | 0:04:08 | 0:04:10 | |
He'll bet on two flies landing on sugar, I'm serious. | 0:04:10 | 0:04:13 | |
He's that guy. But he throws it around, he can afford it. | 0:04:13 | 0:04:16 | |
-It's a fun night if you're up for it. -Yeah. -Good. | 0:04:16 | 0:04:19 | |
And here's the man himself, poker organiser Nick the mad Greek, | 0:04:19 | 0:04:24 | |
in a flashy new Merc. | 0:04:24 | 0:04:27 | |
Yeah, that's a new car. He got a new car three months ago. | 0:04:27 | 0:04:30 | |
-He's nuts, this guy. -You've met him once. -Briefly. | 0:04:30 | 0:04:34 | |
-I'll bet you he doesn't remember you. -Do you reckon? How much? | 0:04:34 | 0:04:37 | |
£1. | 0:04:37 | 0:04:39 | |
It's actually Alex in his Saturday Night Fever disco suit. | 0:04:40 | 0:04:43 | |
He's a gambler who likes expensive cars and even more expensive women. | 0:04:43 | 0:04:49 | |
-Nick, this is Jim. -Have we met before? -Yeah. | 0:04:52 | 0:04:55 | |
-See, I nearly lost a pound! -This is Susie, everybody. | 0:04:55 | 0:05:00 | |
That will be Jess, playing Nick the Greek's long-suffering girlfriend. | 0:05:00 | 0:05:05 | |
-I said there were spaces tonight. You wanted to do the game tonight. -Fine, you bring money, you can play. | 0:05:05 | 0:05:11 | |
-Has he told you, we bet on anything? -I bet on something, he bets on anything. | 0:05:11 | 0:05:16 | |
I bet, because I'm Greek, you know? We bet on things. | 0:05:16 | 0:05:20 | |
-I tell you what, the guy there on the phone. -The hoodie? -Yeah. | 0:05:20 | 0:05:26 | |
-The bet is which way he goes when he finishes his phonecall. -The poker's not for hours, | 0:05:26 | 0:05:31 | |
but Alex is already gambling. He wants to bet on which a stranger will walk down the road. | 0:05:31 | 0:05:35 | |
-Everything you have in your pocket. -Anything I've got in my pocket? | 0:05:35 | 0:05:39 | |
-There's a couple of hundred there. -How much you got? | 0:05:39 | 0:05:43 | |
I've got you covered. No, no, I'll cover you. | 0:05:43 | 0:05:47 | |
HE SPEAKS IN GREEK | 0:05:47 | 0:05:51 | |
-I'm not going to lose it - take it off! -No! -Nah, come on. | 0:05:53 | 0:05:57 | |
-You know I'm good for my word. Come on, take it off. -Hang on! | 0:05:57 | 0:06:00 | |
This is from her parents or something. | 0:06:00 | 0:06:02 | |
The Greek shows he's completely barking | 0:06:02 | 0:06:05 | |
by using Jess' priceless family heirloom to cover his £500 bet. | 0:06:05 | 0:06:08 | |
OK, we're covered. All right, we're covered. We shake. | 0:06:08 | 0:06:13 | |
-What are you looking for? It's real! -If I had a fake necklace... | 0:06:15 | 0:06:19 | |
-I know that thing around your neck is fake. -Ah, he has to go that way. That way. | 0:06:19 | 0:06:24 | |
So, if the guy in the hoodie goes left, then Paul wins the bet. | 0:06:24 | 0:06:28 | |
If he goes right, Alex makes £500. | 0:06:28 | 0:06:32 | |
Are you sure you don't want any action? | 0:06:32 | 0:06:34 | |
The mark's staying out of this bet. | 0:06:34 | 0:06:36 | |
Just as well, as that random stranger is really Jazz. | 0:06:36 | 0:06:41 | |
He's actually on the phone to Jess listening in | 0:06:41 | 0:06:44 | |
to the conversation in the pub and waiting for his moment to walk away. | 0:06:44 | 0:06:48 | |
Whoa, hold on, there he goes. | 0:06:50 | 0:06:53 | |
-Turn you -BLEEP. -Turn. | 0:06:55 | 0:06:58 | |
Wait, wait, wait. Which way? | 0:06:58 | 0:07:00 | |
Oh, mamma mia! | 0:07:02 | 0:07:05 | |
Mamma Mia! | 0:07:05 | 0:07:06 | |
It's a bet! | 0:07:06 | 0:07:08 | |
The whole scene was staged to convince the mark | 0:07:09 | 0:07:12 | |
that Alex is 24-carat crazy. | 0:07:12 | 0:07:14 | |
Listen, tonight though, tonight we are going to play pockets. | 0:07:14 | 0:07:18 | |
This is the game I love. | 0:07:18 | 0:07:20 | |
It is my favourite, because it's a pure gambling game. | 0:07:20 | 0:07:23 | |
So, I see you tonight. | 0:07:23 | 0:07:24 | |
Before Alex heads off, | 0:07:25 | 0:07:27 | |
he reminds Paul that he wants to play pockets later on. | 0:07:27 | 0:07:30 | |
It's another crazy gambling game and it's clearly his favourite. | 0:07:30 | 0:07:34 | |
-You will lose more money to me tonight. -Absolutely. OK? | 0:07:34 | 0:07:37 | |
Yia mas. | 0:07:37 | 0:07:39 | |
Pockets which is the stupidest game in the world, | 0:07:39 | 0:07:43 | |
I've told him that he has a tell. | 0:07:43 | 0:07:45 | |
Right. And that if he puts something in his left or right pocket, | 0:07:45 | 0:07:49 | |
I always know where it is. | 0:07:49 | 0:07:50 | |
A tell is a gambler's unwitting giveaway sign. | 0:07:50 | 0:07:54 | |
He can't figure out what his tell is. | 0:07:54 | 0:07:56 | |
His tell is that somebody just tells me which pocket it is. Right? | 0:07:56 | 0:08:01 | |
That's the tell! | 0:08:01 | 0:08:04 | |
Paul must now persuade the mark to play a little trick on Alex. | 0:08:04 | 0:08:08 | |
He wants him to cheat when they're playing pockets later on. | 0:08:08 | 0:08:12 | |
All it is, is that if he puts it in his right pocket, | 0:08:12 | 0:08:15 | |
you put any hand in any pocket. | 0:08:15 | 0:08:18 | |
Right. If there's no hand in the pocket...nothing. | 0:08:18 | 0:08:21 | |
All I need is, if one of you wouldn't mind, | 0:08:21 | 0:08:24 | |
just letting me know which pocket he puts something in. | 0:08:24 | 0:08:26 | |
So... | 0:08:26 | 0:08:29 | |
I'll reach for my mobile phone if it's in the right... | 0:08:29 | 0:08:32 | |
Sounds like he's up for a spot of light cheating, by signalling | 0:08:32 | 0:08:36 | |
to Paul which pocket Alex is hiding an object in later tonight. | 0:08:36 | 0:08:41 | |
You do it as well? You can do it. | 0:08:41 | 0:08:43 | |
Jody also agrees to make the mark feel like it's no big deal. | 0:08:43 | 0:08:47 | |
They say their goodbyes and agree to meet up later at the card club | 0:08:47 | 0:08:51 | |
-for an evening of wild gambling. -Take care, guys. -See you later. | 0:08:51 | 0:08:56 | |
Still to come... the mark plays a game of poker he'll never forget... | 0:08:56 | 0:09:00 | |
If you beat me, I give you the car. | 0:09:00 | 0:09:02 | |
-And pockets the biggest win of his life. -Come on. | 0:09:02 | 0:09:07 | |
Double or nothing. Double or nothing! | 0:09:07 | 0:09:09 | |
When hustlers go out, they don't take money. | 0:09:18 | 0:09:21 | |
They take prop bets. | 0:09:21 | 0:09:24 | |
The proposition bet has only one rule | 0:09:25 | 0:09:28 | |
and that's that the hustler always wins. | 0:09:28 | 0:09:31 | |
The question is how many drops of water | 0:09:36 | 0:09:39 | |
from this glass, using this straw, do you think | 0:09:39 | 0:09:41 | |
I can get on the penny before it all spills over. | 0:09:41 | 0:09:45 | |
-Six. -Six drops? Before it spills over? | 0:09:45 | 0:09:49 | |
So if I say, if I get more than six, then you buy us a round of drinks? | 0:09:49 | 0:09:54 | |
Three drinks? That sounds nice, doesn't it? | 0:09:54 | 0:09:56 | |
If I get six or below, I'll buy you all a drink. | 0:09:56 | 0:10:00 | |
-OK. -Sound good? Yes? OK? Shake on it. | 0:10:00 | 0:10:03 | |
So, the bet is, if Jess can't fit six or more drops | 0:10:03 | 0:10:08 | |
onto the 1p piece, she has to buy a round of drinks. | 0:10:08 | 0:10:12 | |
One, two, three, | 0:10:13 | 0:10:16 | |
four, five, six... | 0:10:16 | 0:10:19 | |
First drink! Let's carry on. | 0:10:19 | 0:10:21 | |
seven, eight, nine, ten, | 0:10:21 | 0:10:24 | |
11, 12, 13, | 0:10:24 | 0:10:26 | |
14, 15, 16, 17 | 0:10:26 | 0:10:30 | |
18, 19, 20, 21, 22, | 0:10:30 | 0:10:33 | |
23, 24... 24! | 0:10:33 | 0:10:37 | |
Turns out you can fit a lot of drops on a 1p piece! | 0:10:38 | 0:10:41 | |
I think you owe us all a drink! I'd love a gin and tonic, please! | 0:10:41 | 0:10:45 | |
It's a rainy day in Edinburgh. | 0:10:55 | 0:10:58 | |
But the weather isn't putting people off from sitting outside | 0:10:58 | 0:11:01 | |
this city centre cafe. | 0:11:01 | 0:11:02 | |
Here come a couple of all-weather hustlers. | 0:11:04 | 0:11:06 | |
-Sorry. Hi! -It's Alex and Polly | 0:11:06 | 0:11:10 | |
who take a seat next to a friendly looking chap at the next table. | 0:11:10 | 0:11:14 | |
He's now the mark. | 0:11:14 | 0:11:17 | |
-Do you want to move your table? -Yeah, we'll just move it a little. | 0:11:18 | 0:11:22 | |
Thank you. I got so many bags! | 0:11:23 | 0:11:24 | |
So that's the ice well and truly broken. One thing's for sure - | 0:11:30 | 0:11:34 | |
the hustlers won't be buying anyone's lunch in... | 0:11:34 | 0:11:37 | |
Feel really embarrassed, you know. | 0:11:39 | 0:11:41 | |
-Asking to borrow some money and stuff. -It's OK. | 0:11:41 | 0:11:44 | |
-It's not a problem. I can lend you the money. I've brought 500. -That's fine. Perfect. | 0:11:44 | 0:11:49 | |
Sounds like Polly's short of money and Alex is helping her out. | 0:11:49 | 0:11:52 | |
They're trying hard to draw the mark's attention to the envelope | 0:11:52 | 0:11:57 | |
-and the cash. -100... | 0:11:57 | 0:11:59 | |
But he's so engrossed in conversation with his mate | 0:11:59 | 0:12:01 | |
that he doesn't even notice. | 0:12:01 | 0:12:03 | |
500. | 0:12:05 | 0:12:07 | |
Do you know what, I'm going to give you my new number | 0:12:07 | 0:12:10 | |
and put it on the envelope so if there's any problems... | 0:12:10 | 0:12:12 | |
-You got a pen? -Um... | 0:12:12 | 0:12:16 | |
That's not going to work for this scam. | 0:12:16 | 0:12:19 | |
Polly makes sure she gets the mark's attention. | 0:12:19 | 0:12:22 | |
-Excuse me, sorry to interrupt. You don't have a pen I could borrow? -I don't, actually. | 0:12:23 | 0:12:27 | |
-Actually, no, no, I've got one. -Boom! | 0:12:27 | 0:12:30 | |
He's clocked the big wad of cash. | 0:12:30 | 0:12:33 | |
-I am going to put it in here. -OK. | 0:12:33 | 0:12:35 | |
Alex makes a big deal of writing his mobile number on the envelope, | 0:12:35 | 0:12:39 | |
-talking loud enough to ensure the mark overhears. -Don't lose that. | 0:12:39 | 0:12:43 | |
-There's 500 quid in there. -I'm not going to lose that money. | 0:12:43 | 0:12:47 | |
Being a strong believer in not littering, | 0:12:47 | 0:12:50 | |
Polly takes a moment to throw away the coffee cup. | 0:12:50 | 0:12:53 | |
And the hustlers are gone, leaving the mark to enjoy his lunch. | 0:12:54 | 0:12:59 | |
A few minutes later, someone else arrives at the cafe. | 0:13:02 | 0:13:06 | |
He looks and smells like he hasn't had a shower for weeks. | 0:13:06 | 0:13:10 | |
Seems like he's found something. | 0:13:11 | 0:13:14 | |
The mark notices the tramp is holding a brown envelope, | 0:13:16 | 0:13:19 | |
but this is no ordinary down-and-out. | 0:13:19 | 0:13:22 | |
It's Paul, moving in for phase two of this scam. | 0:13:22 | 0:13:27 | |
Is this yours? | 0:13:27 | 0:13:29 | |
Sorry? | 0:13:36 | 0:13:37 | |
A lady put it in there with money in it? | 0:13:40 | 0:13:42 | |
Is that her number? | 0:13:44 | 0:13:45 | |
This isn't what Paul wants to hear. | 0:13:49 | 0:13:51 | |
It's not right, though, is it? Can you call that? | 0:13:51 | 0:13:54 | |
He's going to have to work a little harder. | 0:13:56 | 0:13:59 | |
Just... I don't want to get into trouble. Can you call that? | 0:13:59 | 0:14:02 | |
After a bit more persuasion, he gets him to call | 0:14:03 | 0:14:06 | |
the number on the envelope, knowing full well it belongs to Alex. | 0:14:06 | 0:14:11 | |
Oh, no! | 0:14:21 | 0:14:23 | |
Have you got it? | 0:14:24 | 0:14:26 | |
Oh. Has he opened it? | 0:14:30 | 0:14:31 | |
Good. | 0:14:36 | 0:14:37 | |
There's £500 in there for rent money for my colleague | 0:14:37 | 0:14:40 | |
who's with me. I'm going to send her back, | 0:14:40 | 0:14:43 | |
but I'm not able to get back for 20 minutes. | 0:14:43 | 0:14:45 | |
Maybe if you could give him £20 and when the lady comes | 0:14:45 | 0:14:48 | |
she can give it back. | 0:14:48 | 0:14:49 | |
That would be fantastic. | 0:14:51 | 0:14:53 | |
Is there money in there? | 0:14:58 | 0:15:00 | |
Can we say 40 quid? Don't know how much is here. | 0:15:00 | 0:15:03 | |
He's pushing his luck. | 0:15:04 | 0:15:05 | |
Keeps me out of the rain. | 0:15:05 | 0:15:07 | |
Thank you. | 0:15:09 | 0:15:11 | |
There's 40 quid. | 0:15:11 | 0:15:13 | |
-Say 50? -Why not? -Thank you. | 0:15:13 | 0:15:16 | |
-50's even better! -Thank you. | 0:15:16 | 0:15:19 | |
Thank you. You are too. I appreciate that. | 0:15:24 | 0:15:27 | |
Thank you very much. | 0:15:29 | 0:15:31 | |
So that's a good deed all-round and everyone's happy. | 0:15:34 | 0:15:37 | |
Pleased with his good work the mark calls the number | 0:15:43 | 0:15:47 | |
on the envelope again to let Alex know he gave the tramp 50 quid. | 0:15:47 | 0:15:51 | |
But the phone just rings out. | 0:15:51 | 0:15:55 | |
PHONE RINGS | 0:15:55 | 0:15:57 | |
Looks like he'll just have to sit tight | 0:16:00 | 0:16:03 | |
until the nice lady arrives to collect her envelope. | 0:16:03 | 0:16:05 | |
So he waits, | 0:16:05 | 0:16:07 | |
and waits. | 0:16:07 | 0:16:09 | |
20 minutes later and there's still no sign of her. | 0:16:12 | 0:16:16 | |
Eventually, curiosity gets the better of him and he sneaks a peak. | 0:16:16 | 0:16:21 | |
Instead of 500 quid in cash, | 0:16:29 | 0:16:32 | |
the envelope is stuffed with shreds of newspaper. | 0:16:32 | 0:16:35 | |
So what happened to all that cash? | 0:16:37 | 0:16:39 | |
Here's what really happened. | 0:16:42 | 0:16:44 | |
Earlier, when Polly dropped her coffee cup into the bin | 0:16:47 | 0:16:51 | |
she made sure the mark saw her. When Paul appeared posing as | 0:16:51 | 0:16:55 | |
a tramp, he dropped a brown envelope behind the bin, | 0:16:55 | 0:16:58 | |
identical to the one Alex gave Polly, making it look | 0:16:58 | 0:17:02 | |
as if he'd just found it. | 0:17:02 | 0:17:04 | |
This one didn't have any cash in it, just ripped up pieces of paper. | 0:17:04 | 0:17:09 | |
Playing the honesty card, Paul encouraged the mark to call the number on the envelope. | 0:17:10 | 0:17:15 | |
Has he opened it? | 0:17:16 | 0:17:18 | |
Paul knew Alex would pick up straight away, after all, | 0:17:18 | 0:17:21 | |
he and Polly were parked just around the corner | 0:17:21 | 0:17:24 | |
waiting for the phone to ring. | 0:17:24 | 0:17:25 | |
There's £500 in there for rent money. | 0:17:25 | 0:17:29 | |
Thinking the sealed envelope was full of cash, the mark | 0:17:29 | 0:17:31 | |
had no problem giving the tramp a finder's fee from his own pocket. | 0:17:31 | 0:17:35 | |
Maybe you could give him £20. | 0:17:35 | 0:17:37 | |
When the lady comes she can give it back to you. | 0:17:37 | 0:17:39 | |
Can I say 50? | 0:17:43 | 0:17:45 | |
Being the hustler he is, Paul even negotiated the money up | 0:17:45 | 0:17:48 | |
to 50 quid, plus a compliment for such outstanding honesty! | 0:17:48 | 0:17:53 | |
Once he had the cash, the tramp walked around the corner | 0:17:53 | 0:17:56 | |
to the van where Alex and Polly were waiting. | 0:17:56 | 0:17:59 | |
-What did you roll the window open for? -Because you stink! Oh! | 0:17:59 | 0:18:03 | |
I feel sad. | 0:18:07 | 0:18:08 | |
I've been humbled probably, | 0:18:08 | 0:18:10 | |
and we just have to get on with life. | 0:18:10 | 0:18:12 | |
Never hand over money for something that appears to be of greater value | 0:18:15 | 0:18:19 | |
unless you know who you're dealing with. | 0:18:19 | 0:18:22 | |
An envelope full of newspaper isn't going to be worth very much | 0:18:22 | 0:18:26 | |
when you take it down to the bank. | 0:18:26 | 0:18:28 | |
Earlier today, shameless star Jody Latham helped the hustlers | 0:18:35 | 0:18:40 | |
convince this mark to get involved in a poker game being run | 0:18:40 | 0:18:44 | |
by Nick the Mad Greek, a wealthy high-roller | 0:18:44 | 0:18:47 | |
known for his wild gambling habit. | 0:18:47 | 0:18:48 | |
Full house! | 0:18:48 | 0:18:50 | |
A game called pockets is also on the cards | 0:18:50 | 0:18:53 | |
and the mark has agreed to help Paul win in... | 0:18:53 | 0:18:56 | |
It's the biggest bet you've ever made in your life. | 0:18:56 | 0:18:59 | |
The mark arrives at the casino for tonight's poker game. | 0:19:03 | 0:19:06 | |
The Mad Greek's Mercedes AMG is parked right outside, | 0:19:06 | 0:19:09 | |
so it's game on. | 0:19:09 | 0:19:11 | |
Can we have £500. | 0:19:11 | 0:19:14 | |
Everybody buy in. We can settle up at the end. No problem. | 0:19:14 | 0:19:17 | |
I trust you guys. | 0:19:17 | 0:19:19 | |
The cards start flying | 0:19:19 | 0:19:21 | |
as the hustlers set about gaining the mark's confidence. | 0:19:21 | 0:19:24 | |
Give me my full house, baby! Yes! Full house! | 0:19:24 | 0:19:28 | |
Alex starts out winning. | 0:19:28 | 0:19:31 | |
125, I raise another hundred. | 0:19:34 | 0:19:36 | |
But as the game goes on, Alex's plays get more and more reckless. | 0:19:36 | 0:19:41 | |
I don't like mine. Have it. Take it. | 0:19:41 | 0:19:44 | |
The Greek starts losing his chips left, right and centre. | 0:19:47 | 0:19:51 | |
All in. | 0:19:51 | 0:19:53 | |
-Call. -And before long, Alex is almost broke. | 0:19:53 | 0:19:57 | |
Ah, you have me! You have me. | 0:19:58 | 0:20:01 | |
Put him out of his misery. | 0:20:02 | 0:20:04 | |
I cut you for everything. | 0:20:04 | 0:20:06 | |
-But Alex isn't done playing. -If you beat me, I give you the car. | 0:20:06 | 0:20:11 | |
Having run out of money, | 0:20:11 | 0:20:12 | |
Alex is now playing with the key to his £30,000 Mercedes. | 0:20:12 | 0:20:16 | |
The mark looks on in awe. | 0:20:16 | 0:20:18 | |
You don't have to give me the chip back. I can buy it. | 0:20:18 | 0:20:21 | |
The bet's off, to everyone's relief. | 0:20:21 | 0:20:25 | |
OK, take a break. | 0:20:25 | 0:20:26 | |
Do you want to come downstairs, boys? | 0:20:26 | 0:20:29 | |
So the Greek is out. | 0:20:29 | 0:20:30 | |
He's spent enough on poker but he hasn't run out of cash yet. | 0:20:30 | 0:20:34 | |
-He's saving some for his favourite game, Pocket. -I'm ready. | 0:20:34 | 0:20:39 | |
Paul turns his back, | 0:20:42 | 0:20:43 | |
while Alex puts his car key into one of his jacket pockets. | 0:20:43 | 0:20:47 | |
Right or left. | 0:20:47 | 0:20:48 | |
All Paul has to do, is guess which pocket the key is in. | 0:20:48 | 0:20:53 | |
Simple. | 0:20:53 | 0:20:54 | |
Left. | 0:20:54 | 0:20:55 | |
BLEEP! | 0:20:57 | 0:20:58 | |
How you do this now? You've never got it right. | 0:20:59 | 0:21:03 | |
How many? Five times in a row. | 0:21:03 | 0:21:05 | |
Every time, you've got a tell. | 0:21:05 | 0:21:08 | |
-I have a tell? -These guys already know what it is. | 0:21:08 | 0:21:11 | |
No way. | 0:21:11 | 0:21:12 | |
Do you know what his tell is? | 0:21:12 | 0:21:15 | |
His tell is that somebody tells me which pocket it is. | 0:21:15 | 0:21:19 | |
That's the tell. | 0:21:21 | 0:21:23 | |
-I do it with you. -No, no, no. | 0:21:23 | 0:21:25 | |
-I do with you, £1,000, I do with you. £1,000. -I'll do it for 1,000. | 0:21:25 | 0:21:30 | |
I'm going to the toilet, I do £1,000 with him. | 0:21:30 | 0:21:33 | |
With the help of Jody and the mark, Paul can't lose. | 0:21:33 | 0:21:36 | |
Alex refuses to play him any more. | 0:21:36 | 0:21:38 | |
He now wants to play the mark. | 0:21:38 | 0:21:40 | |
If you lose, I'll give you the money. | 0:21:42 | 0:21:46 | |
Christmas came early, right? | 0:21:46 | 0:21:48 | |
The mark finally agrees to play Alex at Pockets. | 0:21:48 | 0:21:51 | |
Paul is guaranteeing the bet, so he's got nothing to lose. | 0:21:51 | 0:21:55 | |
Remember, right in the pocket, left out the pocket. | 0:21:55 | 0:21:59 | |
If he puts it in his right pocket, you put any hand in any pocket. | 0:21:59 | 0:22:03 | |
If there's no hand in the pocket, nothing. | 0:22:03 | 0:22:05 | |
Are you ready? | 0:22:05 | 0:22:07 | |
-He's going to do it. -Don't be scared. | 0:22:07 | 0:22:11 | |
-Look away. -Yes, look away. | 0:22:12 | 0:22:16 | |
It's now down to Jody. | 0:22:16 | 0:22:18 | |
He has two signal to the mark, which pocket Alex has put the key in. | 0:22:18 | 0:22:22 | |
If this goes wrong, the scam is off. | 0:22:22 | 0:22:25 | |
The key is in Alex's right pocket. | 0:22:26 | 0:22:29 | |
Jody's signal is to put his hands in his pockets. | 0:22:29 | 0:22:32 | |
This is for a grand. | 0:22:37 | 0:22:40 | |
Left or right? | 0:22:40 | 0:22:42 | |
-In my right pocket? -BLEEP! | 0:22:45 | 0:22:48 | |
The mark gets it correct. He's just won £1,000. | 0:22:49 | 0:22:54 | |
-Double or nothing. Double or nothing. Come on. -You're crazy. | 0:22:55 | 0:23:00 | |
Double or nothing. | 0:23:00 | 0:23:03 | |
You've nothing to lose, play. | 0:23:03 | 0:23:05 | |
Alex puts the objects in his right pocket again, | 0:23:06 | 0:23:09 | |
so Jody, once again, puts his hands in his pockets for the signal. | 0:23:09 | 0:23:14 | |
You can turn around. | 0:23:14 | 0:23:16 | |
For 2,000. Left or right? | 0:23:18 | 0:23:20 | |
They're now playing for two grand. | 0:23:20 | 0:23:24 | |
Be honest. | 0:23:25 | 0:23:26 | |
Oh, my days. | 0:23:28 | 0:23:29 | |
-I told you. -I can't take any more of this. | 0:23:31 | 0:23:33 | |
Double or nothing. Double or nothing. Look away. | 0:23:35 | 0:23:39 | |
The Mad Greek just won't accept defeat, | 0:23:39 | 0:23:42 | |
so, it's double or nothing again. | 0:23:42 | 0:23:44 | |
-You all right? -No. | 0:23:44 | 0:23:47 | |
This time, it's left, so Jody's hands are out of his pockets. | 0:23:47 | 0:23:51 | |
This is 4,000 I owe him. | 0:23:51 | 0:23:53 | |
Four grand is on the line here. | 0:23:53 | 0:23:55 | |
BLEEP! | 0:23:59 | 0:24:00 | |
The mark's now £4,000 up on the game. | 0:24:01 | 0:24:04 | |
Double or nothing, one more time. One more time. | 0:24:04 | 0:24:08 | |
Paul advises the mark to take the massive eight-grand bet. | 0:24:09 | 0:24:13 | |
He knows he can't lose, but he's still nervous. | 0:24:13 | 0:24:16 | |
-Are you ready? -Yes. | 0:24:16 | 0:24:19 | |
The hands are out of the pocket and the signals are in place. | 0:24:19 | 0:24:22 | |
-This isn't my night. -£8,000. | 0:24:27 | 0:24:30 | |
Won in just a few seconds. | 0:24:30 | 0:24:33 | |
-A chance to get my money. Last one. -You've 16,000 with you? | 0:24:33 | 0:24:37 | |
I have the car. £30,000. | 0:24:37 | 0:24:41 | |
That's a brand-new Mercedes AMG worth more than 30 grand. | 0:24:41 | 0:24:46 | |
Alex is now using the car as collateral. | 0:24:46 | 0:24:49 | |
-Ready? -I'm ready. | 0:24:49 | 0:24:51 | |
Hands in and that means the right pocket. | 0:24:55 | 0:24:59 | |
-It is the biggest bet you've ever made in your life. -Come on. | 0:24:59 | 0:25:03 | |
Oh, my God! | 0:25:13 | 0:25:15 | |
16 grand. That's way more than the mark has ever won. | 0:25:15 | 0:25:19 | |
-Enough, no more. -Finally, enough. | 0:25:19 | 0:25:22 | |
Nick, the Greek, says enough. | 0:25:22 | 0:25:23 | |
I can give it to you Monday. | 0:25:24 | 0:25:26 | |
Tonight, we're good for 16,000. | 0:25:26 | 0:25:28 | |
On Monday, you tend to forget a little. | 0:25:28 | 0:25:30 | |
Listen, you want something, you can take the car. | 0:25:30 | 0:25:33 | |
£30,000, you can have the car. You give me 16,000, we're square. | 0:25:33 | 0:25:37 | |
You don't have 16,000 on you either. | 0:25:37 | 0:25:39 | |
Alex is happy to use the car as collateral, | 0:25:39 | 0:25:42 | |
but it's worth far more than the £16,000 he owes the mark. | 0:25:42 | 0:25:46 | |
Have a look at the car. | 0:25:46 | 0:25:48 | |
But this is worth 30,000. OK, we're clear? | 0:25:49 | 0:25:52 | |
Let me speak to them. | 0:25:52 | 0:25:54 | |
-Let's take a walk. -Have a look at the car. | 0:25:55 | 0:25:59 | |
Go outside to calm down and have a good look at the car. | 0:25:59 | 0:26:03 | |
Oh, my days. | 0:26:03 | 0:26:04 | |
You can't have it, surely. He's not going to give you his car. | 0:26:04 | 0:26:07 | |
Alex won't release the car for the 16 grand though. | 0:26:07 | 0:26:10 | |
-Maybe there's a compromise. -You owe him 16. | 0:26:10 | 0:26:13 | |
-I owe him 16 which I'm going to pay. -Gives you 6,000. | 0:26:13 | 0:26:17 | |
-That makes up to 22. -22,000 is a good price for that car. | 0:26:17 | 0:26:21 | |
In your game, that's a good price. | 0:26:21 | 0:26:23 | |
Paul's suggesting giving Alex a few grand | 0:26:23 | 0:26:25 | |
to make up the cost of the car and the mark can then keep it. | 0:26:25 | 0:26:29 | |
-OK, deal. -The mark will pay just six grand for a £30,000 car. | 0:26:29 | 0:26:35 | |
-Where is the cash? -Oh, yes, give him the cash. | 0:26:35 | 0:26:40 | |
-There go an awful lot of £50 notes. -Deal? -You've got yourself a car. | 0:26:40 | 0:26:45 | |
-You're happy? -It's not sunk in. -What do you want to drink, Stuart? | 0:26:45 | 0:26:49 | |
Miller. | 0:26:49 | 0:26:50 | |
Get him a Miller. | 0:26:50 | 0:26:51 | |
He's only going to have one beer though. | 0:26:51 | 0:26:54 | |
After all, he's got a brand-new car to drive home. | 0:26:54 | 0:26:57 | |
Go upstairs, sit down, I'll get Jackie. | 0:26:57 | 0:26:59 | |
The mark heads upstairs, while the hustlers go to buy drinks. | 0:26:59 | 0:27:04 | |
There's no sign of the hustlers or those beers. | 0:27:05 | 0:27:09 | |
What's the hold-up? | 0:27:09 | 0:27:11 | |
Eventually, the Mark gets suspicious | 0:27:11 | 0:27:13 | |
and goes back downstairs to find his new friends. | 0:27:13 | 0:27:16 | |
There's no sign of them at the bar, so he heads outside. | 0:27:18 | 0:27:22 | |
But they're not out here and there's no Mercedes either. | 0:27:22 | 0:27:25 | |
Go upstairs, sit down, I'll get Jackie. | 0:27:27 | 0:27:30 | |
The hustlers weren't getting the drinks in after all. | 0:27:30 | 0:27:32 | |
Alex wasn't handing over the real key to that sports car. | 0:27:35 | 0:27:40 | |
How else could he return it to the rental company | 0:27:40 | 0:27:43 | |
that hired it out to them for the day? | 0:27:43 | 0:27:45 | |
Watching it all fit into place, you're thinking, wow, wow, wow!. | 0:27:48 | 0:27:51 | |
You're getting more and more excited | 0:27:51 | 0:27:54 | |
and more and more keen to do it, to have someone off. | 0:27:54 | 0:27:57 | |
The reality of it is, it confirmed what I already knew, | 0:27:57 | 0:28:01 | |
and that is, it's very easy to get hustled. | 0:28:01 | 0:28:04 | |
We all love a bargain, | 0:28:04 | 0:28:06 | |
but the casino is the wrong place to think about buying a motorcar. | 0:28:06 | 0:28:10 | |
Make sure the person is offering you something | 0:28:10 | 0:28:12 | |
that really has the right to sell it. | 0:28:12 | 0:28:14 | |
Be challenging about it. A car key on its own is worth nothing. | 0:28:14 | 0:28:18 | |
If you want to know more about how this show is made, | 0:28:25 | 0:28:28 | |
go to bbc.co.uk/realhustle. | 0:28:28 | 0:28:31 | |
Subtitles by Red Bee Media Ltd | 0:28:47 | 0:28:51 |