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'This is the most successful scam show ever - | 0:00:02 | 0:00:04 | |
'a hit in 45 countries around the world.' | 0:00:04 | 0:00:08 | |
'The Real Hustlers have stolen cars,... | 0:00:12 | 0:00:16 | |
It's safe there. | 0:00:16 | 0:00:18 | |
'..burgled houses,... | 0:00:19 | 0:00:21 | |
'..picked,... | 0:00:23 | 0:00:25 | |
'..switched... | 0:00:27 | 0:00:28 | |
'..and ditched.' | 0:00:28 | 0:00:30 | |
A tenner for the lot. | 0:00:30 | 0:00:31 | |
'They've carried out close to 500 scams | 0:00:31 | 0:00:33 | |
'and stolen over £1 million.' | 0:00:33 | 0:00:37 | |
'And now they're back for an 11th series.' | 0:00:37 | 0:00:39 | |
'With new recruits...' | 0:00:43 | 0:00:44 | |
'Their job - to expose the tricks of the criminals' trade | 0:00:46 | 0:00:50 | |
'so that you don't get scammed.' | 0:00:50 | 0:00:53 | |
'On tonight's show - | 0:00:55 | 0:00:56 | |
'Hollyoaks star Marcus Patrick digs being a guest Hustler.' | 0:00:56 | 0:01:00 | |
It's a box. | 0:01:00 | 0:01:02 | |
Oh, my God! | 0:01:02 | 0:01:04 | |
'Alex does some paperwork to win some drinks.' | 0:01:04 | 0:01:06 | |
You've got to balance this piece of newspaper | 0:01:06 | 0:01:09 | |
on one hand. | 0:01:09 | 0:01:11 | |
'And Jess and Alex leave this guy | 0:01:11 | 0:01:13 | |
'speechless and penniless.' | 0:01:13 | 0:01:16 | |
'The Hustlers have invited celebrity friends | 0:01:58 | 0:02:01 | |
'to try out as con artists.' | 0:02:01 | 0:02:03 | |
'They won't know what the scam is about and there are no rehearsals.' | 0:02:03 | 0:02:08 | |
'So this is sink or swim.' | 0:02:08 | 0:02:10 | |
'Today's guest Hustler is Hollyoaks star | 0:02:12 | 0:02:14 | |
'and 71 Degrees North champion actor Marcus Patrick.' | 0:02:14 | 0:02:19 | |
When you're acting, there's usually other people around, also acting. | 0:02:19 | 0:02:24 | |
Some of the stuff I see on the show, | 0:02:24 | 0:02:27 | |
it beggars belief that it goes on. | 0:02:27 | 0:02:30 | |
I want to find out what it is so I can relax | 0:02:30 | 0:02:33 | |
and think about what I'm doing. So please tell me! | 0:02:33 | 0:02:36 | |
'To put him out of his misery, Marcus goes to a garden centre | 0:02:36 | 0:02:40 | |
'for his Hustle briefing.' | 0:02:40 | 0:02:42 | |
Morning. Welcome to the Real Hustle garden. | 0:02:42 | 0:02:45 | |
We stole all of this, naturally. | 0:02:45 | 0:02:48 | |
-Nice and spacious. -Today we're going to take part | 0:02:48 | 0:02:51 | |
in a bit of piracy. You like pirates? | 0:02:51 | 0:02:54 | |
-Love 'em. -And what do pirates like? -Treasure. | 0:02:54 | 0:02:56 | |
-And what do they do with treasure? -They... | 0:02:56 | 0:02:59 | |
-Bury it. -They bury it, of course! | 0:02:59 | 0:03:02 | |
Usually with a map. This is an old scam we're pulling today. | 0:03:02 | 0:03:05 | |
Real old-school stuff. One of the main principles | 0:03:05 | 0:03:08 | |
is that you will have to do | 0:03:08 | 0:03:10 | |
-a little bit of forced labour. -Meaning? | 0:03:10 | 0:03:14 | |
-Meaning... -Ohh... | 0:03:14 | 0:03:17 | |
-Was this in the contract? -This actually was. | 0:03:17 | 0:03:20 | |
-Check the small print. -OK. -You'll need that. | 0:03:20 | 0:03:23 | |
-Come on, I'll show you the place. -We're off. | 0:03:23 | 0:03:27 | |
'So Marcus is going to have to dig deep | 0:03:27 | 0:03:30 | |
'to convince the mark in... The Buried Treasure.' | 0:03:30 | 0:03:33 | |
'A large house on a suburban road.' | 0:03:36 | 0:03:38 | |
'Some workmen pull up outside and go about their business.' | 0:03:38 | 0:03:43 | |
'It's Paul, Jazz and Marcus, | 0:03:44 | 0:03:47 | |
'suited and booted to do a bit of digging.' | 0:03:47 | 0:03:51 | |
There we go. | 0:03:51 | 0:03:52 | |
'They've told the house owner they're investigating water leaks, | 0:03:52 | 0:03:56 | |
'but shouldn't need to bother them | 0:03:56 | 0:03:58 | |
'unless there's a problem.' | 0:03:58 | 0:04:01 | |
-Do you wanna start round the edge first? -Yeah, start round the edge. | 0:04:01 | 0:04:06 | |
'Marcus's first role is to be in charge | 0:04:06 | 0:04:08 | |
'of the metal detector.' | 0:04:08 | 0:04:11 | |
-DETECTOR BUZZES -Do that bit again. | 0:04:11 | 0:04:13 | |
'And he's already got a reading.' | 0:04:13 | 0:04:16 | |
-What's that? Stop. -What have you got? | 0:04:16 | 0:04:20 | |
Oh. | 0:04:20 | 0:04:22 | |
-Every time round here. -Don't do anything | 0:04:22 | 0:04:25 | |
until I've spoken to the owner, please. | 0:04:25 | 0:04:27 | |
'They can't just dig up the lawn without letting the owner know, | 0:04:27 | 0:04:31 | |
'so Paul goes to get permission.' | 0:04:31 | 0:04:34 | |
Sorry to trouble you... | 0:04:37 | 0:04:39 | |
'This lady is the owner, making her the mark.' | 0:04:39 | 0:04:43 | |
You do have something in your lawn, | 0:04:43 | 0:04:45 | |
but not where the pipe should be. | 0:04:45 | 0:04:47 | |
-Have you got anything under there? -No. SHE LAUGHS | 0:04:47 | 0:04:51 | |
It's quite a dense object. | 0:04:51 | 0:04:53 | |
Erm... | 0:04:53 | 0:04:55 | |
-We probably should have a look. Do you mind... -No. | 0:04:55 | 0:04:59 | |
'The metal detecting has shown that there's an object under the lawn.' | 0:04:59 | 0:05:03 | |
'But it's the wrong shape | 0:05:03 | 0:05:05 | |
'for a pipe.' | 0:05:05 | 0:05:07 | |
-Do you mind if they... -No. -All right, take the top off and go down. | 0:05:07 | 0:05:12 | |
It can't be a pipe, it's too wide. | 0:05:12 | 0:05:16 | |
-Are you sure? -Yeah. | 0:05:16 | 0:05:18 | |
The pipe's supposed to run | 0:05:18 | 0:05:20 | |
through the back here. There might be an old tributary. | 0:05:20 | 0:05:24 | |
Do you want to see what this is? If it's a pound coin, | 0:05:25 | 0:05:28 | |
I'd be surprised, it's too big. | 0:05:28 | 0:05:30 | |
'Paul leads her downstairs | 0:05:30 | 0:05:32 | |
'to investigate.' | 0:05:32 | 0:05:35 | |
If it's not a pipe, just leave it. | 0:05:36 | 0:05:39 | |
Yeah, I can definitely feel something there. | 0:05:39 | 0:05:41 | |
I cut it in a nice square | 0:05:41 | 0:05:43 | |
so I can just fill it back up for you. | 0:05:43 | 0:05:47 | |
Yeah, it's a box. | 0:05:47 | 0:05:49 | |
Oh, my God! It's exciting! | 0:05:49 | 0:05:51 | |
It's not always like this! | 0:05:51 | 0:05:53 | |
Watch it's not a bomb or anything crazy. | 0:05:53 | 0:05:56 | |
THEY LAUGH | 0:05:56 | 0:05:57 | |
-Very good point. -I'm not being daft, | 0:05:57 | 0:06:01 | |
they found an old World War II bomb... | 0:06:01 | 0:06:04 | |
-'That's definitely no water pipe.' -It's like a deposit box. -My God! | 0:06:04 | 0:06:09 | |
Oh, here you go. | 0:06:09 | 0:06:11 | |
SHE GASPS | 0:06:11 | 0:06:13 | |
'The Hustlers have discovered a rusty old box.' | 0:06:13 | 0:06:17 | |
This has been wet for a long time. Would you hold onto that? | 0:06:17 | 0:06:20 | |
Yeah, sure. | 0:06:20 | 0:06:22 | |
'The mark's intrigued and wants to examine the contents.' | 0:06:22 | 0:06:25 | |
That's very wet. | 0:06:25 | 0:06:28 | |
-Wow, what is that? -What is that? | 0:06:28 | 0:06:30 | |
Is it a picture? | 0:06:30 | 0:06:32 | |
No, it's a letter. | 0:06:32 | 0:06:34 | |
It's quite incredible. Oh, it's somebody's old medal! | 0:06:34 | 0:06:38 | |
-Oh, wow! -Let's touch it very, very carefully, | 0:06:38 | 0:06:42 | |
-you can see the water's... -Don't touch it, then. | 0:06:42 | 0:06:45 | |
Oh, my God, that's so gorgeous. | 0:06:45 | 0:06:47 | |
-Let me take this... -Carefully. | 0:06:47 | 0:06:49 | |
-Let me put this in there. -That's crazy. | 0:06:49 | 0:06:52 | |
Fill that back in and give me a minute. | 0:06:52 | 0:06:55 | |
'Paul heads to the back of the garden to get a closer look.' | 0:06:55 | 0:06:59 | |
Let's have a look. | 0:06:59 | 0:07:00 | |
-This is coming apart. -Very fragile. | 0:07:00 | 0:07:03 | |
Wow, that's quite emotional. That's somebody's letter - "Lewis Saul, | 0:07:05 | 0:07:11 | |
"Princes Street, Edinburgh." | 0:07:11 | 0:07:13 | |
Oh, it's unbelievable. What a gorgeous find. | 0:07:13 | 0:07:16 | |
-What's that? -Oh, wow, | 0:07:19 | 0:07:21 | |
it's a wee map for hidden treasure. | 0:07:21 | 0:07:23 | |
'The box also contains a map of the mark's garden, | 0:07:23 | 0:07:26 | |
'showing the lawn and trees with pointers to a further possible haul | 0:07:26 | 0:07:30 | |
'of treasure - but how did it get there?' | 0:07:30 | 0:07:34 | |
'Earlier that week, Paul had recced a number of gardens in the area.' | 0:07:34 | 0:07:38 | |
'Finding no-one at home, he surveyed this back garden | 0:07:38 | 0:07:41 | |
'and took notes on layout and key features.' | 0:07:41 | 0:07:46 | |
'In the Den, | 0:07:46 | 0:07:49 | |
'Jazz and Polly filled an old box with a fake letter, | 0:07:49 | 0:07:52 | |
'a black-and-white photograph of a couple, some trinkets | 0:07:52 | 0:07:55 | |
'and most importantly, a map with an X marking the spot | 0:07:55 | 0:07:59 | |
'of more treasure in another area of the garden.' | 0:07:59 | 0:08:04 | |
"Hello?" Hi, my name's Daisy, | 0:08:04 | 0:08:06 | |
I'm calling from TRH Surveyors. | 0:08:06 | 0:08:09 | |
'Polly then made a call from a water-engineering company | 0:08:09 | 0:08:12 | |
'to check when the owner would be out.' | 0:08:12 | 0:08:15 | |
"No, there won't be anybody in tomorrow." We can contact you another time. | 0:08:15 | 0:08:20 | |
-"Thank you. Bye." Bye. Cool. -All good? | 0:08:20 | 0:08:24 | |
'Coast clear, Paul and Alex return to the house, | 0:08:24 | 0:08:27 | |
'sneaked around the back and buried the box beneath the lawn.' | 0:08:27 | 0:08:30 | |
'Foreman Paul made sure Alex did all the hard work.' | 0:08:30 | 0:08:34 | |
BLEEP | 0:08:35 | 0:08:37 | |
Let me have a look at this. | 0:08:37 | 0:08:39 | |
-This is a map... -I'm going to put it on here, right... | 0:08:39 | 0:08:42 | |
Aye, please do. | 0:08:42 | 0:08:44 | |
'The mark takes the sodden box | 0:08:44 | 0:08:46 | |
'and its contents inside to dry out.' | 0:08:46 | 0:08:48 | |
Does that map relate to these trees? | 0:08:50 | 0:08:52 | |
He's written "To my darling, keep you can | 0:08:52 | 0:08:56 | |
"and all this." | 0:08:56 | 0:08:58 | |
Right, let me... I'll be right back. | 0:08:58 | 0:09:00 | |
'Paul signals to Marcus and Jazz | 0:09:00 | 0:09:02 | |
'that the next phase can begin.' | 0:09:02 | 0:09:05 | |
-You boys find anything else? -There's something here. | 0:09:05 | 0:09:09 | |
'Soon, more beeping from Marcus's metal detector | 0:09:09 | 0:09:12 | |
'has the mark's attention.' | 0:09:12 | 0:09:15 | |
-Find anything else, boys? -There is actually. | 0:09:15 | 0:09:18 | |
-Whoo-hoo-hoo! -Careful, now! | 0:09:18 | 0:09:20 | |
It's bigger than that one. | 0:09:20 | 0:09:22 | |
-It goes from here... -What do you think? -It's deeper. | 0:09:25 | 0:09:28 | |
'This is it - the big moment | 0:09:28 | 0:09:31 | |
'the Hustlers have been building towards.' | 0:09:31 | 0:09:33 | |
'The metal detector goes off the scale. Something else is down there | 0:09:33 | 0:09:37 | |
'and it seems much, much bigger than the first find.' | 0:09:37 | 0:09:42 | |
There's something over here. It's four or five times as big | 0:09:42 | 0:09:45 | |
-and it's deeper. -My goodness. | 0:09:45 | 0:09:47 | |
-What do you wanna do? -Don't dig that up. | 0:09:47 | 0:09:49 | |
Don't dig anything else up. They are pointing at a tree in the map. | 0:09:49 | 0:09:53 | |
There's an arrow pointing to a tree in the map. | 0:09:53 | 0:09:57 | |
'The map in the box has an X | 0:09:57 | 0:09:59 | |
'marking that exact spot in the mark's garden - | 0:09:59 | 0:10:02 | |
'funny that.' | 0:10:02 | 0:10:03 | |
'So she's got the metal box with a map promising further treasure - | 0:10:03 | 0:10:08 | |
'is this the find of a lifetime?' | 0:10:08 | 0:10:10 | |
'Maybe not.' | 0:10:10 | 0:10:12 | |
Our company's found things like this before. | 0:10:12 | 0:10:16 | |
They tend to just take these things. | 0:10:16 | 0:10:18 | |
The reason I know about this... | 0:10:18 | 0:10:20 | |
For example, there was a box of gold coins found about eight years ago | 0:10:20 | 0:10:25 | |
and the council kept all of it. | 0:10:25 | 0:10:27 | |
'Paul's worried the council will claim the loot, | 0:10:27 | 0:10:30 | |
'meaning the mark will lose out.' | 0:10:30 | 0:10:32 | |
If there's a connection between that box and that box | 0:10:32 | 0:10:35 | |
and they take that one, I'm not sure if that means they take that also. | 0:10:35 | 0:10:40 | |
'Jazz helpfully points out | 0:10:40 | 0:10:42 | |
'that any treasure dug up by workmen must, by law, | 0:10:42 | 0:10:46 | |
'be reported to the local authorities.' | 0:10:46 | 0:10:50 | |
-I should report it tonight. -That's fine. -But I won't take it away. | 0:10:50 | 0:10:53 | |
I'm just concerned that you'll lose whatever this is. | 0:10:53 | 0:10:57 | |
I just don't want to see them dig up your garden and keep your stuff. | 0:10:57 | 0:11:01 | |
'So the mark might not get to keep the treasure trove after all.' | 0:11:01 | 0:11:05 | |
'What was promising to be a great day is now about to turn sour.' | 0:11:05 | 0:11:10 | |
'When Hustlers go out, | 0:11:25 | 0:11:27 | |
'they don't take money.' | 0:11:27 | 0:11:30 | |
'They take prop bets.' | 0:11:30 | 0:11:32 | |
'The proposition bet has only one rule | 0:11:34 | 0:11:36 | |
'and that's that the Hustler always wins.' | 0:11:36 | 0:11:39 | |
I've got a proposition bet for you. | 0:11:44 | 0:11:47 | |
I'm going to use something. I've got a piece of newspaper here. | 0:11:47 | 0:11:51 | |
You've got to balance this piece of newspaper | 0:11:51 | 0:11:54 | |
upright, like this, | 0:11:54 | 0:11:56 | |
on one hand. | 0:11:56 | 0:11:58 | |
And you've got to keep it up there for, let's say, five seconds. | 0:11:58 | 0:12:02 | |
But you can't roll it up and you can't fold it | 0:12:02 | 0:12:06 | |
into a stiff piece of paper. Do you want to have a go? | 0:12:06 | 0:12:09 | |
'To win a drink, Alex bets that his new friends | 0:12:09 | 0:12:12 | |
'can't balance a page of newspaper on their hands from corner to corner | 0:12:12 | 0:12:16 | |
'without folding or rolling it up.' | 0:12:16 | 0:12:19 | |
-Slightly sceptical. -OK, OK, OK. All right. | 0:12:19 | 0:12:22 | |
OK. Any other ideas? | 0:12:22 | 0:12:24 | |
-Like this? -OK, try whatever you want. | 0:12:24 | 0:12:27 | |
You can't hold the top, can you? | 0:12:27 | 0:12:29 | |
You can't. Do you want me to let go now? | 0:12:29 | 0:12:32 | |
-No. -OK. | 0:12:32 | 0:12:34 | |
Almost. You've got to keep it up there for five seconds, | 0:12:34 | 0:12:38 | |
at least. OK? | 0:12:38 | 0:12:40 | |
Paul? You can hold it like that if you want. | 0:12:40 | 0:12:44 | |
Why not? Why not? | 0:12:44 | 0:12:46 | |
That's how Paul reads! | 0:12:46 | 0:12:48 | |
-THEY LAUGH -Right. | 0:12:48 | 0:12:50 | |
OK, for a round of drinks... | 0:12:50 | 0:12:52 | |
There you go. | 0:12:56 | 0:12:57 | |
One hand. Five seconds. | 0:12:57 | 0:13:01 | |
I think I've done five seconds now. | 0:13:01 | 0:13:03 | |
Whoa! | 0:13:03 | 0:13:05 | |
'Alex proves it's easy when you know how.' | 0:13:05 | 0:13:07 | |
'He doesn't need to fold it.' | 0:13:07 | 0:13:09 | |
'He snaps the page along its length | 0:13:09 | 0:13:11 | |
'to form a strong spine.' | 0:13:11 | 0:13:14 | |
'The newspaper then stands straight up on his hand for five seconds.' | 0:13:14 | 0:13:18 | |
'A relaxed bar in the West End of Glasgow.' | 0:13:26 | 0:13:29 | |
'But this smart couple aren't on a date.' | 0:13:29 | 0:13:31 | |
'It's Alex and Jess and it looks like these guys | 0:13:31 | 0:13:35 | |
'are here to meet them, but not for drinks.' | 0:13:35 | 0:13:37 | |
'They've been told that Alex is selling cheap tablet computers | 0:13:37 | 0:13:41 | |
'and they're here to buy.' | 0:13:41 | 0:13:44 | |
-Have a seat. -'This makes them the marks | 0:13:44 | 0:13:47 | |
'in The Splitter.' | 0:13:47 | 0:13:50 | |
So it was one iPad? | 0:13:50 | 0:13:52 | |
-Are you each gonna buy one? -You want another one? | 0:13:55 | 0:13:58 | |
'Alex opens the box so the marks can see that what they've come to buy | 0:13:59 | 0:14:04 | |
'is the real deal.' | 0:14:04 | 0:14:06 | |
'But Alex and Jess already know | 0:14:06 | 0:14:08 | |
'they want two.' | 0:14:08 | 0:14:10 | |
'They've deliberately only brought one. This is the key to the scam.' | 0:14:10 | 0:14:15 | |
OK. I can... | 0:14:15 | 0:14:17 | |
-You've got a car here, have you? -Yeah. | 0:14:17 | 0:14:20 | |
We can go down to the lockup and pick another one up. Is that OK? | 0:14:20 | 0:14:24 | |
But you need to pay for them now because then we can release them. | 0:14:24 | 0:14:29 | |
'Alex is happy to get another one | 0:14:29 | 0:14:31 | |
'from their lockup and the first mark agrees to drive him there.' | 0:14:31 | 0:14:35 | |
'But Alex wants the money first.' | 0:14:35 | 0:14:37 | |
'The mark hands over hundreds of pounds.' | 0:14:37 | 0:14:41 | |
'Alex quickly counts the cash.' | 0:14:45 | 0:14:47 | |
'After all, there are lots of con artists around!' | 0:14:47 | 0:14:51 | |
-Perfect. -Brilliant, thank you. | 0:14:51 | 0:14:53 | |
-Back in the envelope. -Edward, do you want... | 0:14:53 | 0:14:56 | |
You've got the car, you said. | 0:14:56 | 0:14:58 | |
Er, let's go. | 0:14:58 | 0:15:00 | |
-'Alex and the first mark go to the lockup.' -You won't be long? | 0:15:00 | 0:15:03 | |
No, five minutes. | 0:15:03 | 0:15:04 | |
'The second mark stays put with Jess, the original iPad | 0:15:04 | 0:15:08 | |
'and all that cash | 0:15:08 | 0:15:10 | |
'as Alex's chauffeur takes him to his car.' | 0:15:10 | 0:15:15 | |
'And off they go.' | 0:15:15 | 0:15:18 | |
'Meanwhile, Jess and the other mark are making a little small talk.' | 0:15:19 | 0:15:23 | |
Oh, you do security? Whereabouts? | 0:15:24 | 0:15:28 | |
Oh, are you a bouncer? | 0:15:28 | 0:15:30 | |
I remember I kicked a bouncer when I was about 18. | 0:15:30 | 0:15:33 | |
-PHONE PINGS -'The mark's just received a text.' | 0:15:33 | 0:15:36 | |
Sorry? You OK? | 0:15:40 | 0:15:42 | |
Oh, has it? | 0:15:43 | 0:15:44 | |
Are you gonna go out and give it a... boy thing? | 0:15:44 | 0:15:48 | |
'That text isn't completely accurate.' | 0:15:51 | 0:15:54 | |
'It was from the first mark's phone, but not from the mark himself.' | 0:15:54 | 0:15:58 | |
'Just a few streets away, | 0:15:58 | 0:16:00 | |
'Alex made up an excuse about having to collect the lockup keys | 0:16:00 | 0:16:03 | |
'from a mate in another pub.' | 0:16:03 | 0:16:06 | |
We're here early and I left my mobile with Suzy. | 0:16:06 | 0:16:09 | |
Have you got your mobile? | 0:16:09 | 0:16:11 | |
I'll let him know we're here. | 0:16:11 | 0:16:13 | |
'Alex borrowed the mark's phone to text his mate about the keys, | 0:16:13 | 0:16:17 | |
'but what he was really doing was texting the other mark.' | 0:16:17 | 0:16:21 | |
'Back at the first bar, this guy heads outside to help his pal.' | 0:16:23 | 0:16:27 | |
I'll just go in. I'll be two secs. | 0:16:27 | 0:16:30 | |
'Alex hands back the phone and then does a runner through the pub | 0:16:30 | 0:16:33 | |
'into a parked car and he's gone.' | 0:16:33 | 0:16:36 | |
'And suddenly, Jess also seems to have somewhere else to be.' | 0:16:36 | 0:16:40 | |
'Alex is taking ages and the first mark is getting restless.' | 0:16:48 | 0:16:53 | |
'Outside the first pub, there's no sign of the broken-down car.' | 0:16:53 | 0:16:58 | |
'Fed up waiting for Alex, | 0:16:58 | 0:17:01 | |
eventually, the first mark calls his mate.' | 0:17:01 | 0:17:04 | |
'Jess has disappeared along with the iPad and the cash.' | 0:17:10 | 0:17:15 | |
'The poor mark is so gobsmacked, | 0:17:15 | 0:17:19 | |
'he's lost the power of speech.' | 0:17:19 | 0:17:21 | |
'And it soon starts to dawn on both of them | 0:17:27 | 0:17:30 | |
'something's gone seriously wrong.' | 0:17:30 | 0:17:33 | |
'Alex meets Jess at a prearranged rendezvous point | 0:17:39 | 0:17:42 | |
'and their getaway is complete.' | 0:17:42 | 0:17:44 | |
Got the money? Got the iPad? Splendid. | 0:17:44 | 0:17:48 | |
When we separated, that's when the confusion began. I couldn't see him, | 0:17:51 | 0:17:55 | |
he can't see me. He thought I was round the corner | 0:17:55 | 0:17:58 | |
when I was a couple of miles | 0:17:58 | 0:18:00 | |
-down the road. -Planned it quite well. | 0:18:00 | 0:18:03 | |
Got the separation thing bang on. | 0:18:03 | 0:18:05 | |
Taking sweets from a baby really. | 0:18:05 | 0:18:07 | |
Divide and conquer is a classic battle technique | 0:18:10 | 0:18:13 | |
and works just as well for scammers. | 0:18:13 | 0:18:15 | |
By separating the marks, we create confusion | 0:18:15 | 0:18:17 | |
and give ourselves time to get away | 0:18:17 | 0:18:20 | |
before they realise they've been scammed. | 0:18:20 | 0:18:22 | |
The only thing you should buy in a pub | 0:18:22 | 0:18:25 | |
is a pint and a packet of peanuts. | 0:18:25 | 0:18:27 | |
You buy electronics from a retailer or a trusted reseller. | 0:18:27 | 0:18:31 | |
Otherwise, you're begging to be ripped off. | 0:18:31 | 0:18:34 | |
'Earlier today, the Hustlers posed as water-board contractors | 0:18:41 | 0:18:45 | |
'investigating leaky pipes and dug up an old metal box | 0:18:45 | 0:18:48 | |
'in this mark's back garden.' | 0:18:48 | 0:18:50 | |
Oh, it's exciting! | 0:18:50 | 0:18:53 | |
It's not always like this! | 0:18:53 | 0:18:55 | |
'The box contained some vintage trinkets, a letter and an old map | 0:18:55 | 0:18:59 | |
'promising more treasure buried elsewhere in the garden.' | 0:18:59 | 0:19:02 | |
'Excited at the prospect of getting to keep the booty, | 0:19:02 | 0:19:05 | |
'the mark was soon let down | 0:19:05 | 0:19:08 | |
'by Paul's insistence on having to report it to the authorities.' | 0:19:08 | 0:19:11 | |
I just don't want to see them dig up your garden and keep your stuff. | 0:19:11 | 0:19:15 | |
'Paul's worried that if the council step in, | 0:19:15 | 0:19:18 | |
'they'll claim the loot, | 0:19:18 | 0:19:20 | |
'meaning the mark will lose out. Maybe he's got a solution.' | 0:19:20 | 0:19:24 | |
I'm gonna make a quick phone call. | 0:19:24 | 0:19:26 | |
'He now pretends | 0:19:26 | 0:19:28 | |
'to be asking a lawyer friend for advice.' | 0:19:28 | 0:19:31 | |
'After all, he really just wants to help the mark out.' | 0:19:31 | 0:19:34 | |
Hi. I think you remember me, this is Robert Marks. | 0:19:34 | 0:19:38 | |
'Paul's talking loud enough | 0:19:38 | 0:19:40 | |
'for the mark to hear him - he seems keen for her to be able | 0:19:40 | 0:19:43 | |
'to keep the box and not report it.' | 0:19:43 | 0:19:45 | |
It's like a pirate film. There's a map | 0:19:45 | 0:19:48 | |
and there's a bunch of trees here, some are gone now, | 0:19:48 | 0:19:51 | |
but there might be | 0:19:51 | 0:19:53 | |
something else. Um, but... Yeah. OK. | 0:19:53 | 0:19:57 | |
What Ian has told me is that you should keep everything in the box... | 0:19:59 | 0:20:03 | |
I'm not touching anything. | 0:20:03 | 0:20:06 | |
..so it's all in one place and to put something of yours in the box | 0:20:06 | 0:20:10 | |
that's of equal value | 0:20:10 | 0:20:12 | |
-because they can't take it away from you. -Right. | 0:20:12 | 0:20:15 | |
'Paul's found a legal loophole | 0:20:15 | 0:20:18 | |
'to stop the council taking the box.' | 0:20:18 | 0:20:21 | |
'If the mark places something | 0:20:21 | 0:20:23 | |
'of high value in the box, she has a legal right to keep it | 0:20:23 | 0:20:28 | |
'as it's now storage for her valuables.' | 0:20:28 | 0:20:30 | |
'That means the council can't touch it and, crucially, | 0:20:30 | 0:20:33 | |
'they won't get their hands on that map leading to the bigger treasure.' | 0:20:33 | 0:20:38 | |
I have to take a photograph of it to show to my boss. | 0:20:38 | 0:20:41 | |
Um... | 0:20:41 | 0:20:43 | |
Can I take a photo | 0:20:43 | 0:20:44 | |
of it all in the box? I might get into trouble for taking it all out. | 0:20:44 | 0:20:49 | |
No, don't throw it back in the box. Just say I've done it. | 0:20:49 | 0:20:52 | |
I have to insist actually. | 0:20:52 | 0:20:54 | |
-I know how these things go. -You can't insist | 0:20:54 | 0:20:56 | |
because you're now in my house. | 0:20:56 | 0:20:59 | |
-It's different when you're outside. -You could get me in trouble. | 0:20:59 | 0:21:02 | |
Och, no! It was me who found the box and brought it up here. | 0:21:02 | 0:21:08 | |
'Despite offering to help, the mark seems unconvinced | 0:21:08 | 0:21:11 | |
'and is getting more frustrated | 0:21:11 | 0:21:13 | |
'with Mr Jobsworth and his endless nit-picking.' | 0:21:13 | 0:21:16 | |
I know it's a pain in the neck, | 0:21:17 | 0:21:19 | |
but if I don't do that... | 0:21:19 | 0:21:21 | |
See, well, I mean... Unfortunately, | 0:21:26 | 0:21:30 | |
that won't wash with my boss. | 0:21:30 | 0:21:32 | |
Well, I'll speak to your boss. | 0:21:32 | 0:21:35 | |
I'm a little lost, to be honest - | 0:21:35 | 0:21:37 | |
he's told me to put something of value in there and say it's yours. | 0:21:37 | 0:21:42 | |
I need a photograph of it though. | 0:21:43 | 0:21:45 | |
-Do it, then. -What can you put in there of value? | 0:21:45 | 0:21:48 | |
All right. | 0:21:51 | 0:21:53 | |
Can we bring it out? Then I haven't shown it in your house. I'm sorry. | 0:21:53 | 0:21:58 | |
It's bureaucracy gone mad is what it is. | 0:21:58 | 0:22:01 | |
'The mark needs to put the wet and muddy items back into the box | 0:22:01 | 0:22:05 | |
'so Paul can take a photo.' | 0:22:05 | 0:22:07 | |
'To make the find hers, she has to put in | 0:22:07 | 0:22:10 | |
'an item of value of her own, along with the historical artefacts.' | 0:22:10 | 0:22:15 | |
Do you want to put anything of value in, | 0:22:15 | 0:22:17 | |
-like some cash... -No, just my watch is fine, not a problem. | 0:22:17 | 0:22:21 | |
It's very wet in there. | 0:22:21 | 0:22:23 | |
'The mark puts her watch in the box.' | 0:22:23 | 0:22:25 | |
'It's a nice one, but that's not what Paul's after.' | 0:22:25 | 0:22:28 | |
'He wants cash. Unless she starts to play ball, | 0:22:28 | 0:22:32 | |
'the whole scam will have been a complete waste of time.' | 0:22:32 | 0:22:36 | |
Are you sure you want me holding onto your watch? It's getting dirty. | 0:22:36 | 0:22:41 | |
I need to hurry you, I've got things to do. | 0:22:41 | 0:22:44 | |
'She takes her watch back. She's losing patience - | 0:22:44 | 0:22:47 | |
'this scam's about to be going nowhere.' | 0:22:47 | 0:22:49 | |
'Paul goes in for the kill.' | 0:22:49 | 0:22:52 | |
'He says that if she doesn't place an item | 0:22:52 | 0:22:55 | |
'of great personal value in the box, | 0:22:55 | 0:22:57 | |
'she'll lose out on any further treasure buried in her back garden.' | 0:22:57 | 0:23:02 | |
The last haul was worth about 200,000. | 0:23:02 | 0:23:05 | |
They lost all of that and I felt that was very bad. | 0:23:06 | 0:23:11 | |
-I could put money in it. -'Finally - Paul's suggestion | 0:23:17 | 0:23:21 | |
'of another recent find being worth over £200,000 | 0:23:21 | 0:23:24 | |
'seems to have grabbed her attention.' | 0:23:24 | 0:23:27 | |
So long as your money stays in there, nobody can take it off you. | 0:23:27 | 0:23:30 | |
'By putting cash in the box and having it photographed | 0:23:30 | 0:23:33 | |
'in situ, she'll be able to claim it as hers.' | 0:23:33 | 0:23:36 | |
Do you want to do that now? Can I have the box | 0:23:36 | 0:23:38 | |
and I'll do it the way it was before you put in whatever it is | 0:23:38 | 0:23:42 | |
you wanna put in there? | 0:23:42 | 0:23:43 | |
I'm guessing the more it is, the less they can argue. Is that OK? | 0:23:43 | 0:23:48 | |
I will, I promise. | 0:23:49 | 0:23:51 | |
'Paul takes the delicate items and puts them back in the box.' | 0:23:51 | 0:23:56 | |
'And the mark has come up with the goods.' | 0:23:56 | 0:23:58 | |
'That's £1,000.' | 0:23:58 | 0:24:01 | |
Oh, my goodness. That's a lot of cash. | 0:24:01 | 0:24:04 | |
-Jay, do you have a camera? This one's rubbish. -Oh, here. | 0:24:04 | 0:24:09 | |
'Jazz brings his phone up to take the picture of the cash | 0:24:09 | 0:24:12 | |
in the box of treasure.' | 0:24:12 | 0:24:14 | |
-My hands are a bit dirty. -That's all right. Thank you. | 0:24:14 | 0:24:19 | |
That's clearly yours. | 0:24:19 | 0:24:21 | |
'Paul folds the muddy cloth around the cash and other contents | 0:24:21 | 0:24:25 | |
-'and hands the box to Jazz.' -I want another photograph | 0:24:25 | 0:24:28 | |
of it on the lawn and then we're done. | 0:24:28 | 0:24:31 | |
-Do you want to come? -We've checked everywhere here now. | 0:24:31 | 0:24:35 | |
-What's your dog's name? -Stella. | 0:24:35 | 0:24:37 | |
-That's a nice name. -Come on, Stell. | 0:24:37 | 0:24:40 | |
'They then head down to the garden | 0:24:40 | 0:24:42 | |
'to take the important final photo - | 0:24:42 | 0:24:44 | |
'a shot of the box in the exact spot | 0:24:44 | 0:24:47 | |
'where it was dug up.' | 0:24:47 | 0:24:50 | |
See, it doesn't come out, I don't think, any further than that. | 0:24:53 | 0:24:58 | |
Right, do you boys wanna get the markers, please? | 0:24:58 | 0:25:01 | |
I got all wet. | 0:25:01 | 0:25:03 | |
The most important thing is I leave it how I found it and it's up to you | 0:25:03 | 0:25:08 | |
what you do with it. | 0:25:08 | 0:25:10 | |
Can you just do me one big, big favour? Don't tell anybody | 0:25:10 | 0:25:14 | |
-that we know about that. -No, I won't say anything about that. | 0:25:14 | 0:25:18 | |
Is that it done? You've done it, then. | 0:25:18 | 0:25:21 | |
'So the mark's happy. She thinks she has a box of treasure just dug up | 0:25:21 | 0:25:26 | |
'out of her lawn. She also thinks | 0:25:26 | 0:25:29 | |
'there's more loot buried there.' | 0:25:29 | 0:25:31 | |
'And she also thinks her cash is safe inside the box.' | 0:25:31 | 0:25:35 | |
'Wrong.' | 0:25:35 | 0:25:38 | |
'Here's what really happened.' | 0:26:01 | 0:26:04 | |
'The muddy cloth containing the cash was switched by Jazz | 0:26:04 | 0:26:09 | |
'as the mark headed over to Marcus to gloat over the new find, | 0:26:09 | 0:26:12 | |
'as Paul pretended | 0:26:12 | 0:26:14 | |
'to take a photo of the cash | 0:26:14 | 0:26:16 | |
'in the box.' | 0:26:16 | 0:26:18 | |
'Of course, there's nothing buried | 0:26:18 | 0:26:21 | |
'under those trees - Alex made sure | 0:26:21 | 0:26:23 | |
'the metal detector would go off by hammering some nails in | 0:26:23 | 0:26:27 | |
'when he buried the metal box.' | 0:26:27 | 0:26:30 | |
She's quite spirited | 0:26:30 | 0:26:31 | |
and there were points where I thought "This isn't happening". | 0:26:31 | 0:26:36 | |
Paul went back a third time and I thought "Is he serious?" | 0:26:36 | 0:26:39 | |
He tapped on the window as if he hadn't finished yet. | 0:26:39 | 0:26:42 | |
Doing this sort of thing for real is too nerve-racking. | 0:26:42 | 0:26:46 | |
You've got to have real bottle. | 0:26:46 | 0:26:48 | |
It's devious. You're constantly conning people | 0:26:48 | 0:26:51 | |
and that's no way to go through life, so, no, | 0:26:51 | 0:26:55 | |
I'm not gonna go into criminality | 0:26:55 | 0:26:57 | |
and I'm not gonna sell my granny for a fiver after this. Honest! | 0:26:57 | 0:27:02 | |
The mark didn't seem to have much to lose. | 0:27:04 | 0:27:08 | |
What's the harm in putting some money in a box | 0:27:08 | 0:27:11 | |
that she then gets to hold onto? | 0:27:11 | 0:27:13 | |
Plus she wanted to get rid of that annoying council official. | 0:27:13 | 0:27:16 | |
We need to be real here - | 0:27:16 | 0:27:19 | |
what's the likelihood of buried treasure being in your garden? | 0:27:19 | 0:27:23 | |
If officials start asking you to dig up your garden | 0:27:23 | 0:27:26 | |
or come into your home, | 0:27:26 | 0:27:28 | |
you have to ask for identification. | 0:27:28 | 0:27:30 | |
If they're genuine, they'll produce it. | 0:27:30 | 0:27:33 | |
If you've got any doubt, ring the organisation they work for - | 0:27:33 | 0:27:37 | |
the water board, police force, whoever - | 0:27:37 | 0:27:40 | |
but check them out thoroughly | 0:27:40 | 0:27:42 | |
and don't allow them to start digging up your garden. | 0:27:42 | 0:27:46 | |
'If you want to know more about how this show is made, | 0:27:52 | 0:27:56 | |
'go to...' | 0:27:56 | 0:27:58 | |
Subtitles by Red Bee Media Ltd | 0:28:19 | 0:28:23 |