Episode 8 The Real Hustle


Episode 8

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Transcript


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This is the most successful scam show of all time.

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A hit in 45 countries around the world.

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The real hustlers have stolen cars...

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It's perfectly safe there.

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..burgled houses...

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..picked...

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..switched

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and ditched.

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A tenner for the whole lot.

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They've carried out close to 500 scams and stolen over £1 million.

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And now,

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they're back for an 11th series.

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Alex, Jess, and Paul.

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With new recruits Polly and Jazz.

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Their job, to expose the tricks of the criminal's trade

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so that you don't get scammed.

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On tonight's show, guest hustler

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Lucien Laviscount's on an antiques Hunt.

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Paul's prop bet is all in the balance.

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-Is this yours?

-Ah!

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And Polly leaves her mark

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kicking himself for doing a good deed.

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The hustlers have invited celebrity friends to see if they can

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cut it as con artists, but

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they'll have no clue what the scam

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is about and there are no

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dress rehearsals,

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so this is sink or swim.

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Today's guest hustler is Corrie and Celeb Big Brother star...

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actor Lucien Laviscount.

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I woke up this morning, I'm in a new city, I'm so nervous,

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I'm a sheep in a field full of lions.

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I think you've just got to be ballsy.

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I think you've just got to have big cajones, really.

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The people that do this in the real world, I've a lot of time for them,

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because it's a crazy way to make money, and it's kind of cool as well.

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I'm a hustler. It's got a nice little tag to it.

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Hello.

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Lucien's been told to meet sexy swindler Jess

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for his hustle briefing.

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I've got a question for you. Do you own a pair of handcuffs,

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by any chance?

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Yes.

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-Have you got them with you?

-I can't say... No, I don't.

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Well, that's just no good. That's just no good, because today, you're going to be scamming someone

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and by the end of the day, they're going to be desperate to buy

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a pair of handcuffs from you, and they're going to pay a lot of money for them.

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-Handcuffs?

-Yes.

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-Come with me. I'll tell you more about it.

-All right, OK.

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So, Lucien's going to be working off the cuff in The Feud.

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The hustlers love dabbling in the antiques world,

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so today, they've come to an upmarket Georgian gallery in Edinburgh,

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a rambling four-storey warehouse stuffed full of expensive treasures.

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You could easily get lost in this place. It's massive.

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And that's exactly why the hustlers have chosen it, as the staff

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won't notice them going about their business.

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Paul's looking dapper.

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He's playing the role of historical artefacts expert Rob Marx,

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a local dealer who often uses this place to do some freelance business.

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Lucien is posing as the owner's son, a rookie dealer learning the ropes.

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Can you tell me about the history of this?

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Looks like Jess and Polly are here to buy,

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but they're actually just testing Lucien to see

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if he can pull off his role by thinking on his feet.

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-The first black diver, deep sea diver, actually wore this.

-Really?

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Yeah, yeah. And the reason why we've got it up here,

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is because October is Black History Month.

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-Oh, really?

-Yeah, so we just got it for the month.

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These guys are also here to buy.

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They notice Lucien talking to the girls and assume he works here.

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Time for some improv.

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Sorry. How are you guys?

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This guy's carrying £2,000 in cash, making him the mark.

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Rob, who is one of the distributors here, he's downstairs.

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He'll be able to give you a hand. Do you know much about the piece? Or...?

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-It's two grand?

-Well, come down. Come down and meet Rob.

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So the mark is keen to buy a Victorian picture viewer,

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but he's got absolutely no idea what one looks like,

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and neither does Lucien.

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-You've been down here before?

-No, no. It's the first time.

-First time?

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He offers help in the form of expert dealer Rob Marx,

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who's set up office on the floor below.

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It's my dad's place, so he's had it for about...

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Hearing Lucien and the mark approaching,

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Paul and Alex spring into action to stage a little scene for them.

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We won't do business together.

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You want to buy them, find the person I'll sell them to,

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and buy them off them. You're not buying them off me.

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Rob Marx seems to be having a very heated argument with someone.

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Listen, I'm sorry. Say hi to your dad, and my apologies for this.

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That someone is Alex, playing Paul's old business partner

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and now archrival Ian Steel.

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-I'll get out of your way...

-Actually, Rob, these gentlemen

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-were interested in the Victorian picture viewer.

-Ah, how can I help?

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This chap doesn't sound like he's from these parts,

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but the hustlers are equal opportunity scammers.

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They'll take anyone's money.

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If you have that one, then get it.

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I don't think it's been sold.

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I'll have a look. I'll be two minutes.

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Lucien heads off to hunt for a viewer,

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while Paul gives the mark the benefit of his expert knowledge.

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Before there was television, people would get around and show pictures.

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The heat's on. He texts the other hustlers to help hunt for the picture viewer.

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Jess searches the web to find an image.

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After all, that's what the Internet's for.

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It's like looking for a needle in a haystack,

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and the hustlers don't have much time.

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This place is an Aladdin's Cave. If you didn't know what you were doing, you'd never find anything in here.

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Paul's stalling the mark with his very best small talk,

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while the others are scouring every inch of the warehouse for the viewer.

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I think if you're looking for a collector, it's like gold dust.

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Just as Paul's chat is scraping the bottom of the barrel,

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Lucien strikes gold.

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I thought this was sold!

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-The cleaner crew have been in and it was down the back.

-Oh, OK.

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Paul's now going to give the mark a sales pitch about an antique

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he's never even seen.

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Luckily, he seems to know a bit about Victorian picture viewers.

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In Victorian times,

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when your family died, it became fashionable to take a photograph of the deceased,

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so after they were dead, they would take a picture.

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You can see this is a... this lady's passed on.

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It's a little bit macabre, but very, very, very collectable,

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and very interesting.

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But it doesn't have any cards.

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This card does not belong with this viewer.

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This is a completely different piece.

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The cards, as a collection, are worth approximately £800.

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You put it together with this, this is selling retail for 750.

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Say 1,500 for the two together would be, I think, would be a fair price.

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You would then be able to sell at auction for anything in the region of 10,000.

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Wow! What an amazing deal!

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But for this scam to work, Paul's plan all along was to

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pretend he had a matching item for whatever the mark had come to buy.

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After all, a set is far more valuable than a single item.

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There must be a catch.

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I would also be willing to give it to you for an even better

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price in return for a small trade in services,

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if that's of interest to you?

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So, that's it.

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Paul wants something from the mark in return for this great deal.

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He's got a little favour to ask him.

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My business partner, who was here earlier,

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we don't do business any more.

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We have a, not a very great relationship.

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You want to buy them, find the person

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I'll sell them to, and buy them off them. You're not buying off me.

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The only thing I collect is Houdini memorabilia.

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I don't know if you're familiar with Houdini?

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That's him there, with the only set of handcuffs that he couldn't open.

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And it was made by the same person that made these.

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Both together, for me, as a collector, would be very good.

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Unfortunately, the person who has them is Ian.

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So, Paul's a Houdini expert.

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He's been collecting memorabilia for years

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and he desperately wants to get his mitts on a set of handcuffs that belong to ex-business partner Alex.

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The cuffs match a set of leg irons that Paul already owns,

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but Alex is point-blank refusing to sell to him.

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Paul needs to persuade the mark to buy them for him

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and Lucien is the key.

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If you're willing to at least put them together with Ian...

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-Because he'll sell it to anyone. He just won't sell it to me.

-Yeah.

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Lucien eventually agrees to act as a go-between,

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but will the mark go for it?

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Here's the deal - if you'd be willing to do that for me,

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I'll give you the cash, you buy them from him

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and then give them back to me.

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I'll even give you a small profit. Does that sound fair to you?

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Yeah, yeah, of course.

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It's on.

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The mark has agreed to help Paul buy the Houdini handcuffs

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from Alex in return for the viewer, cards, and some cash.

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I'm taking a big risk, because I'll give you the cash,

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so long as you promise not to take a holiday in the next couple of hours with my money.

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So, everyone's happy. It's the deal of a lifetime all-round.

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£2,000.

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You know, I'm going by instinct. I know when I can trust somebody.

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You don't see that every day.

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A hustler giving someone two grand out of his own pocket?

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What is he playing at?

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For now, the deal's on.

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But will the mark take off with Paul's cash,

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or will he honour his agreement to meet Lucien later to help settle The Feud?

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When hustlers go out, they don't take money. They take prop bets.

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The proposition bet has only one rule,

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and that's that the hustler always wins.

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I tell you what, does anybody have a £20 note?

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-Or a £10 note, doesn't really matter, anything you've got.

-I do.

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You have to fold it like this, so it's almost like a little Z.

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All right?

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You have to do exactly what I do.

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We're going to hold it in our hands, but you have to hold it in exactly

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the way that I hold it, and the last person holding a £20 note

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keeps any money that falls on the table or the floor.

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-Fair enough?

-Yeah.

-Quite reasonable.

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Now, this is what I want you to do. Take your fingers like that.

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One pinching this way and the other pinching this way.

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And the idea is you have to be able to take your fingers away...

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..and then take one away like that.

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That one fell, that one fell, and that one fell, which means I get to keep this one.

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The secret is just a little bit of extra investment.

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All you need is that 10p.

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So that sneaky 10p balanced on Paul's thumb weighted his folded note,

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earning him three crisp twenties.

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That's a whole lot of free drinks.

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That's mine, that's mine, that's mine,

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and the drinks are definitely on you.

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A busy courtyard in a city centre plaza.

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This guy's a keen photographer.

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He's here to buy a second-hand camera lens from a guy he's arranged to meet.

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He's brought cash, so that makes him the mark...

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..in The Lost Fob.

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-Hi.

-Ian?

-Andrew.

-Yeah.

-Hi.

-Pleased to meet you.

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Sit down, sorry, I'm in a bit of a... Have a seat, have a seat.

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I'm going to get the camera lens. It's here, but it's in the office.

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I've just had a bit of a mini disaster.

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You know, I work in PR and we do film PR and stuff like that, and, erm,

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during the course of this day, somehow, somewhere in the meetings,

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I seem to have lost a USB stick with all our clients' info on it,

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and if I don't find it, I'm going to lose my job.

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So... I've been looking for it here,

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I've been texting people who I've had meetings with.

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I've just been on the phone to the cab companies to see if they've found anything, so, but let me...

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-You want to do this another time, then?

-No, it's fine.

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The guy selling the lens is Alex. Looks like he's in a bit of a tizzy.

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In fact, he's in a total panic.

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He's posing as a PR agent and it turns out

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he's lost a computer fob with all his famous clients' sensitive details on it.

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Listen, do me a favour, if... I've already spoken to the bar,

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I said 100 quid to...if anybody finds it and hands it in,

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cos I'm going to have to go back and tell my boss that I can't find it,

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but listen, I'll be back in ten minutes. Is that OK?

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I'm so sorry to bring all this on you,

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but if you find it, can you just call me straightaway, please?

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Because if I don't have to tell my boss, that would be great.

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Cheers, and again, apologies.

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Alex heads off to 'fess up to his boss about the lost fob

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and also to get the lens.

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The mark decides to text a friend while he waits for Alex to return.

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-Is this yours?

-Oh! Where did you find that?

-Is it, is it yours?

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Well, this guy who I'm meeting just lost a USB stick

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and he says he's going to lose his job...

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-OK.

-Hang on, well... Where did you find it?

-Literally under my table.

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What a stroke of luck.

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The girl at the next table seems to have found the lost fob.

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But this is no ordinary girl.

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It's Polly, and her role in the scam is about to begin.

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-Hello?

-Hi, Ian.

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Yes, Andrew.

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-Hi, can you describe the USB stick to me?

-What, have you found it? Is it there?

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The girl at the table next to me has found it,

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but she wants me to describe it to her, to make sure it's yours.

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-Oh, you're kidding? Oh, well, pass her on.

-I'm going to put you on to him, OK?

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-Hello?

-Hi, there. Have you got my USB stick?

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Yeah, I've just found it. It's by my bag under my table.

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Right, OK. Brilliant. It's a black one with red stuff, it's a flip one.

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-Oh, yeah, no. That's definitely yours.

-Oh, brilliant. Oh, listen, thank you so much.

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Listen, I said to the guy 100 quid to whoever hands it in.

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-£100?

-Yeah, £100, yeah.

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The mark is happy for Alex, but shrugs in disbelief at his generous reward.

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I'm going to be back in 15 minutes, yeah?

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Oh, no. I've got to go, because I've got a train to catch.

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Do you want to text me your address and I'll send you the cash?

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I don't really want to give you my address, just, you know,

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I don't really know you, you know.

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No, no. That's all right, it's just, I'm trying to get the money,

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I'd love to give you the £100 for being so honest.

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Well, £100 would be lovely, yeah, but...

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The mark can't believe that this woman is actually

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holding out for the cash.

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Do you want to pass me back to the guy?

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Yeah, yeah. Sure, sure. He wants to speak to you.

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-Hello?

-Hi, Andrew.

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Listen, she's done the right thing and I just want to thank her for it.

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I was going to give her 100 quid when I come back.

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Can I just ask you for a massive favour?

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I'll knock 50 quid of the lens if you could give her 100 quid.

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You want me to give her £100 out of the money for the lens?

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Yeah, and I'll knock 60 quid off the lens for you.

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-Are you sure?

-Absolutely, listen, this girl, right now,

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has just saved my job and my family.

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She's done the right thing. So...

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Alex lays it on thick and offers the mark 60 quid off the lens

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if he gives her £100 from the cash he's brought with him to buy the lens.

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So, I'll only have to give you 150?

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Only 150 when I come back, and you've still got my laptop, yeah?

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And I've still got your bag here, yeah.

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All right, I'll be there in 15 minutes, no later. Thanks, Andrew.

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OK, that's fine, bye.

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The Mark is now warming to Alex's generosity.

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After all, he's getting a 330 quid lens for 150 quid.

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And, of course, he has Alex's laptop as security for the deal.

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This guy really is the honest type.

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I'll give you £100 of my money on the understanding...

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-That he will give it back to you.

-Yeah.

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-And there's the cash.

-Nice to meet you.

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Polly waves goodbye £100 richer.

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And the mark gets his money ready

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for when Alex returns in ten minutes

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with his bargain priced camera lens.

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While he's waiting, he decides to call a friend and tell them

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about his good fortune with the film PR guy.

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Do you want me to have a look at the laptop to see if I can get any...

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get Brad Pitt's phone number?

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I should take the memory stick and I should run off.

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He must come back. His laptop's there.

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He tries calling Alex, but the phone just rings out.

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A full 40 minutes later,

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the mark checks the laptop bag that Alex left behind,

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only to find a useless leaflet and some plastic packaging.

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He's been hustled out of 100 quid cash.

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And here's how they did it.

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When Alex picked up his laptop,

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he was really just dropping it into Polly's bag.

0:18:240:18:28

He then left his empty computer bag with the mark for safekeeping

0:18:280:18:32

and beat a hasty retreat.

0:18:320:18:34

Polly then pretended to pick up the lost fob from the floor.

0:18:350:18:39

-Is this yours?

-Oh!

0:18:390:18:41

I'll knock 60 quid off the lens, if you could give her 100 quid.

0:18:410:18:44

OK, that's fine.

0:18:440:18:46

She then handed the mark the fob in return for that cash reward.

0:18:460:18:50

Polly waves goodbye to the mark, as he waves goodbye to 100 quid.

0:18:500:18:54

He's been ripped off and all he's left with is a cheap, empty bag

0:18:540:18:58

and a useless fob.

0:18:580:19:00

I feel like an idiot.

0:19:010:19:03

I feel angry and stupid.

0:19:030:19:05

By all means, help somebody if they seem to be having a problem,

0:19:080:19:11

but as soon as money is mentioned and you're asked to put your hand in your own pocket,

0:19:110:19:16

you should just take a step back and ask yourself what's really going on.

0:19:160:19:19

Earlier today, this guy came to an Edinburgh antiques warehouse

0:19:330:19:36

to buy a Victorian picture viewer.

0:19:360:19:39

You want to buy them, find the person I'll sell them to,

0:19:390:19:41

and buy them off them. You're not buying them off me.

0:19:410:19:43

But he's ended up acting as middleman in an ongoing

0:19:430:19:47

dispute between art dealer Rob Marx and his bitter rival Ian Steel,

0:19:470:19:51

who've been fighting for years over a set of leg irons

0:19:510:19:54

and handcuffs that once belonged to escape artist Harry Houdini.

0:19:540:19:58

As two separate items, you would pay 1,500,

0:19:580:20:00

and getting them together for 1,000 is a fantastic price.

0:20:000:20:03

In auction, you'd sell it for seven to ten, easily.

0:20:030:20:06

-Does that sound fair to you?

-Yeah, yeah, of course.

0:20:060:20:09

Paul's agreed to cut him an amazing deal on the picture viewer.

0:20:090:20:13

But in return, he's asked the mark to help him get the cuffs from Alex.

0:20:130:20:17

He's already given him £2,000 in cash to secure the cuffs

0:20:170:20:20

and he's agreed to meet Alex tonight to do the deal

0:20:200:20:24

in The Feud part two.

0:20:240:20:27

True to his word, the mark turns up bang on time to meet Lucien,

0:20:270:20:32

who's agreed to be on hand to broker the deal.

0:20:320:20:34

-Thank you. See you soon.

-Pleasure.

0:20:340:20:36

Take care.

0:20:380:20:39

I'll see you soon. Take it easy. Bye-bye.

0:20:390:20:41

The mark recognises the two girls he met earlier at the warehouse.

0:20:430:20:46

It's Polly and Jess, and they also seem to have been having

0:20:460:20:50

a meeting with Lucien, but are now just on their way out.

0:20:500:20:53

-Take a seat. Dive in.

-Thank you.

-How are you, man? Are you all right?

-Good, good.

-You well?

-Yeah.

-Good.

0:20:530:20:59

-Well, the situation is, Ian is on his way with the handcuffs.

-All right.

0:20:590:21:03

And Rob is stuck in traffic at the moment.

0:21:030:21:08

Fine. How are you?

0:21:080:21:09

I'm all right. It's been a long, long day.

0:21:090:21:11

The mark buys Lucien's explanation.

0:21:110:21:14

And right on cue, here comes Alex with the goods.

0:21:140:21:18

-Hey!

-How are you?

-I'm good. How are you? You all right?

0:21:180:21:22

Hi, I'm George. Nice to meet you.

0:21:220:21:24

-George?

-Yeah, George.

-Nice to meet you.

0:21:240:21:26

-Thanks for setting this up.

-Not a problem. It's fantastic.

0:21:260:21:30

They get straight down to business.

0:21:300:21:33

Sorry, don't mind me asking,

0:21:330:21:35

but are you in the antiques game, are you...?

0:21:350:21:38

That's handy. Neither's Alex.

0:21:400:21:42

Now, you mentioned that you gentlemen might be

0:21:420:21:45

interested in a pair of Houdini handcuffs.

0:21:450:21:48

Yeah, that's right.

0:21:480:21:49

Do you want to have, shall I...?

0:21:490:21:51

-Yeah.

-Sorry, I don't mean to rush everybody.

-No, no, no.

-I'd love to

0:21:510:21:55

spend more time, it's just that I have, I only come up for

0:21:550:21:58

a very short period of time, because I'm based out of London, so I've got a meeting

0:21:580:22:03

to go to after this.

0:22:030:22:04

And there they are.

0:22:060:22:08

Harry Houdini's very own handcuffs.

0:22:080:22:10

Are you interested?

0:22:100:22:12

The price for these that I'm happy to let them go for is 4,000.

0:22:130:22:17

There seems to be a misunderstanding here

0:22:170:22:19

about the price Paul gave the mark earlier.

0:22:190:22:21

One, two, three, four...

0:22:210:22:24

£2,000.

0:22:240:22:25

-Sorry, but the price is four.

-4,000.

-Yeah. How is that with you?

0:22:310:22:36

Do you want me to give you...?

0:22:390:22:42

I've got a bit of time, but I'll give you a couple of minutes

0:22:420:22:44

so you guys can talk about it.

0:22:440:22:45

That's a big problem.

0:22:450:22:47

Paul told the mark the cuffs would cost £2,000,

0:22:470:22:51

but Alex is now asking for double that.

0:22:510:22:53

What's he going to do?

0:22:530:22:55

Alex heads outside to give them some time to work the money out.

0:22:550:23:00

All I can think of is if we give Rob a call

0:23:000:23:03

and see what he says about the situation, yeah?

0:23:030:23:06

Lucien calls Paul to let him know the money situation

0:23:100:23:13

and check if he's still stuck in traffic.

0:23:130:23:15

Hey, buddy, how are you?

0:23:150:23:17

The situation is, Ian's saying four for the handcuffs.

0:23:170:23:19

-You're kidding?

-How far away are you?

0:23:190:23:22

Maybe 20 minutes, but I'm just sitting in traffic right now.

0:23:220:23:25

The thing is, he's got to go, he's got a flight to catch,

0:23:250:23:27

I'm guessing, back to London, so...

0:23:270:23:29

I mean, if you've got two grand on you, Lucien, why don't you

0:23:290:23:32

give it to the, throw it in there. I mean, I'll cover it, of course.

0:23:320:23:35

I know you'll cover it. I haven't got the two on me now though.

0:23:350:23:38

-I know you're 20 minutes away, but...

-You're kidding?

0:23:380:23:42

He's in traffic. Do you want to speak to him? Want to talk to him?

0:23:420:23:45

-Yeah, of course.

-I'm going to pass you on now, bro. All right?

-All right, OK.

0:23:450:23:48

So, Lucien's not got a spare two grand on him.

0:23:480:23:51

But maybe the mark can help.

0:23:510:23:53

-Let me tell you what I'll do. I'll make you an offer that you can't refuse. OK?

-Yeah.

0:23:530:23:58

You've got 4,000 on you right now, including my two, yes?

0:23:580:24:01

Right, if you pay for the cuffs, I will give you the 4,000, so you're covered.

0:24:030:24:08

You haven't lost a penny.

0:24:080:24:10

I will give you the viewer with the cards as a fee

0:24:120:24:17

for doing this for me.

0:24:170:24:19

So you'll walk away with every penny you brought with you today,

0:24:190:24:24

plus the viewer.

0:24:240:24:25

Paul has asked the mark

0:24:280:24:29

if he can put the two grand he has with him for the viewer,

0:24:290:24:32

together with the two grand that Paul gave him earlier.

0:24:320:24:35

That'll make up the required four grand to buy the handcuffs from Alex.

0:24:350:24:38

And in return for this,

0:24:380:24:40

he's offering the mark the viewer for free.

0:24:400:24:42

The mark's still not biting, and suggests that they ask Alex

0:24:490:24:52

to wait a bit longer until Paul arrives with the cash.

0:24:520:24:56

But here's the thing, Paul's not stuck in traffic at all.

0:24:560:25:00

In fact, he's parked right outside in the Hustle van with Polly and Jess.

0:25:000:25:04

And someone else who looks remarkably like Ian Steel.

0:25:040:25:08

It's time for Alex to go back in and nail the deal.

0:25:080:25:14

No, no, no, no. I've got to be out of here in the next ten minutes.

0:25:150:25:19

But we can negotiate on price, if that's the problem.

0:25:190:25:22

That, I can't do. You know, I can meet you at three and a half.

0:25:260:25:31

I have to give a phone call. I'm sorry.

0:25:310:25:34

No, no. Do so. I've got five, ten minutes.

0:25:340:25:38

The mark excuses himself

0:25:380:25:39

and goes outside to call a friend for some advice.

0:25:390:25:41

If this doesn't work, then the deal is most definitely off.

0:25:410:25:45

The mark heads back to the table.

0:25:450:25:47

Well, I said we could negotiate.

0:25:490:25:51

-This guy drives a hard bargain.

-35 cash now?

0:25:540:25:57

-Cash now.

-Fine. Deal.

0:25:570:25:59

Finally, the Mark hands over Paul's £2,000, along with £1,500 of his own cash.

0:26:000:26:07

Hey!

0:26:070:26:08

You're all right?

0:26:080:26:10

Here come the girls again.

0:26:100:26:12

-This is Georgie.

-Hi, there. I'm Daisy. How are you? Are you all right?

-Nice to meet you.

0:26:120:26:17

We just bought this and we forgot our bags.

0:26:170:26:19

Seems they left their bag earlier and have come back to get it.

0:26:190:26:23

-Is this the one?

-Oh!

-I'll put you in the taxi.

-Oh, fantastic, thank you.

0:26:230:26:28

-Lovely to meet you. Take care, bye.

-Bye.

0:26:280:26:32

I'm going to give you a book of photographs with the cuffs, but the problem is I've got them in the car,

0:26:320:26:36

so I'm just quickly going to get in the car.

0:26:360:26:39

I'm going to give you the key as well.

0:26:390:26:41

I'm going to be back in one tiny second, yeah?

0:26:410:26:43

Alex legs it straightaway,

0:26:450:26:47

but the mark can't wait to get a closer look at the antique cuffs.

0:26:470:26:50

I don't think Houdini ever wore those.

0:26:500:26:54

The mark chases after Alex, but it's too late,

0:26:540:26:57

and the mark is left wondering what just happened.

0:26:570:27:01

-Oh, hi there, I'm Daisy.

-How are you?

0:27:020:27:04

Distracted by Polly and Jess coming back to get their bag,

0:27:040:27:07

the mark didn't notice Alex slickly switching the Houdini cuffs box

0:27:070:27:11

with an identical one containing the cheap furry ones.

0:27:110:27:14

Alex dropped the original box into the girls' bag

0:27:140:27:18

and they quickly left with Lucien,

0:27:180:27:20

running straight out to meet Paul, who had the Hustle van running.

0:27:200:27:23

Then, all Alex had to do was join them. It was that easy.

0:27:230:27:27

I'm really angry that somebody that I trusted used me.

0:27:310:27:36

I give them £3,500 and they left me here with something like this.

0:27:360:27:43

I have just been involved in a crime and, you know what,

0:27:430:27:45

put the handcuffs on.

0:27:450:27:47

My top tip for anyone out there to not get hustled,

0:27:480:27:51

if it sounds too good to be true, usually,

0:27:510:27:53

well, it probably is going to be too good to be true.

0:27:530:27:56

You don't get nothing in this world for free.

0:27:560:27:59

The trick that fraudsters have used

0:27:590:28:00

here is that they've tried to

0:28:000:28:01

speed up the action,

0:28:010:28:03

so you end up making a decision,

0:28:030:28:05

an important decision, far too quickly.

0:28:050:28:07

Take a deep breath and try and slow down the action.

0:28:070:28:11

Making decisions hurriedly about important things

0:28:110:28:15

will almost always end in tears.

0:28:150:28:17

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0:28:240:28:27

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0:28:520:28:55

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