Browse content similar to In the Doghouse. Check below for episodes and series from the same categories and more!
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murdering five-year-old April Jones, Mark Bridger was sentenced today. | :01:28. | :01:34. | |
April's body has never been found. George Wilson went missing from her | :01:34. | :01:38. | |
home in Shropshire on Sunday. A 22-year-old man has been questioned | :01:38. | :01:41. | |
on suspicion of murder. Some hospitals in Spain are refusing to | :01:41. | :01:47. | |
give tourists free healthcare. Holders of the European health card | :01:47. | :01:51. | |
should get treatment. Mark uses the news manager of Stoke | :01:51. | :01:59. | |
City. He has a three-year deal. -- Mark Hughes. | :01:59. | :02:03. | |
Fashion designers Dolce and the banner ad on trial in Italy, accused | :02:03. | :02:08. | |
of not paying tax on Ning is of 1 billion euros. Up next is traffic | :02:08. | :02:18. | |
:02:18. | :02:18. | ||
Apology for the loss of subtitles for 60 seconds | :02:18. | :03:19. | |
Tonight, the traffic cops and Hertfordshire come face-to-face- | :03:19. | :03:29. | |
:03:29. | :03:31. | ||
Don't get in my face, else I'll get- Deal with a shoplifter that's | :03:31. | :03:35. | |
Just confirm it's the one that I've got with me now. | :03:35. | :03:37. | |
A late-night reveller who's in the doghouse... | :03:37. | :03:40. | |
'We've got it on video'. | :03:40. | :03:43. | |
And a gruesome dog mauling incident in Luton town centre. | :03:43. | :03:45. | |
You just don't know what a dog's going to do. | :03:45. | :03:48. | |
In the wrong situation those dogs could be really dangerous, | :03:48. | :03:50. | |
and they would just attack anybody. | :03:50. | :04:00. | |
:04:00. | :04:17. | ||
It's a late summer's afternoon Luton in Bedfordshire, | :04:17. | :04:22. | |
and there are binge drinkers out in force in the town centre. | :04:22. | :04:30. | |
Operators in the CCTV control centre are watching their every move. | :04:30. | :04:35. | |
Trouble has erupted. | :04:35. | :04:40. | |
A man is being viciously attacked directly beneath one of the cameras. | :04:40. | :04:46. | |
Unusually, the nearest available cops | :04:46. | :04:49. | |
are Shona Gillen and Ian Leeson. Traffic cops. | :04:49. | :04:54. | |
Just got an IC. One female, white top, black leggings, | :04:54. | :04:59. | |
who's allegedly assaulted someone else next to the White House pub. | :04:59. | :05:01. | |
Possibly a robbery. She may have taken some money from him. | :05:01. | :05:06. | |
We can tell by CCTV there was a male lying on the floor | :05:06. | :05:09. | |
who was being hit and kicked by a female | :05:10. | :05:11. | |
and he seemed to be unconscious on the floor. | :05:11. | :05:14. | |
This was in Luton town centre, mid-afternoon, | :05:14. | :05:18. | |
and there were no available Luton units. | :05:18. | :05:21. | |
In Luton, that's unheard of. | :05:21. | :05:26. | |
If it is a robbery, it's strange that the girl hasn't actually left yet. | :05:26. | :05:30. | |
She's still sitting there on the wall. | :05:30. | :05:33. | |
Normally, if you got a robbery offender, they won't hang around. | :05:33. | :05:38. | |
They'll commit the robbery and try to get out of the town centre as quickly as possible. | :05:38. | :05:41. | |
But not this one. She's decided to go and do some shopping instead. | :05:41. | :05:44. | |
I hate arresting drunk girls. | :05:44. | :05:47. | |
They are worse than men half the time. | :05:47. | :05:49. | |
Snappy dogs? No, they don't run near the walls, apparently. | :05:49. | :05:53. | |
Whoa, whoa, whoa, whoa, whoa. | :05:53. | :05:58. | |
she's in that shop. | :05:58. | :06:00. | |
An ambulance has come for the injured man | :06:00. | :06:04. | |
while Ian and Shona are going after his attacker. | :06:04. | :06:07. | |
If they're your dogs, keep hold of them. | :06:07. | :06:10. | |
Seeing somebody matching the description swigging a can of lager. | :06:10. | :06:13. | |
Are you having a laugh? She's going to be cuffed. | :06:13. | :06:16. | |
Let me just put these on you. What are you doing? | :06:16. | :06:18. | |
We need to chat to you first. | :06:19. | :06:21. | |
We'll have a chat with you back at the traffic car. | :06:21. | :06:24. | |
For the moment, she isn't being arrested. | :06:24. | :06:26. | |
It's better if you can speak to her quietly | :06:26. | :06:28. | |
rather than going in there saying, "I'm arresting you for assault", | :06:29. | :06:31. | |
when you don't know the nature of the injuries or the full circumstances of what has gone on, | :06:32. | :06:35. | |
that conversation never arose. | :06:35. | :06:39. | |
It just went wrong very quickly. | :06:39. | :06:43. | |
This is the girl. I know how she gets, yeah? | :06:43. | :06:46. | |
How do you get the other one on the lead? I'm actually her, you know. | :06:46. | :06:49. | |
She doesn't... She needs me. It's for her. He's good. | :06:49. | :06:52. | |
The girl's got company, her two dogs, | :06:52. | :06:55. | |
and it seems, an assortment of friends. | :06:55. | :06:58. | |
I'll go speak to them in a minute. | :06:58. | :07:01. | |
Can you come to the centre? We need a dog lead. | :07:01. | :07:04. | |
Come on. I ain't going. Nope. Twins, look. Twins. | :07:04. | :07:08. | |
Sooner rather than later would be great. OK. | :07:08. | :07:11. | |
The girl's called Joanne. Her dogs, Minnie and Vinnie. | :07:11. | :07:15. | |
'She was OK when we were at the shop. | :07:15. | :07:17. | |
'Come out of the shop, a bit verbal, but she wasn't a handful. | :07:18. | :07:19. | |
'She wasn't an issue.' | :07:20. | :07:21. | |
My boyfriend attacked me, yeah? | :07:21. | :07:24. | |
Joanne's claiming the altercation was with her boyfriend. | :07:24. | :07:27. | |
The only issue I had was the fact that we had two dogs | :07:27. | :07:31. | |
that were her property and anybody's property has to go with them. | :07:31. | :07:36. | |
More of the girl's drinking partners have appeared from nowhere. | :07:36. | :07:39. | |
Look, we'll look after your dogs... | :07:39. | :07:42. | |
Can you move away from me, please? | :07:42. | :07:44. | |
Is she getting arrested for being a mongrel? | :07:44. | :07:46. | |
Let me go. Get in the car. | :07:46. | :07:48. | |
Now there's another problem. | :07:48. | :07:50. | |
What are they doing in our car? j | :07:50. | :07:53. | |
It was like a scene from Benny Hill. | :07:53. | :07:57. | |
It was just a comedy sketch, because you were dealing with one thing, | :07:58. | :08:01. | |
and then something very random was happening, | :08:01. | :08:04. | |
and I was dealing with three people, and the next thing I know, | :08:04. | :08:06. | |
the door's open to the traffic car, | :08:06. | :08:09. | |
and the two dogs are jumping around- in the traffic car. | :08:09. | :08:13. | |
No. You're not taking my... Let go.- You're not taking my... | :08:13. | :08:20. | |
Things are going from bad to worse. | :08:20. | :08:24. | |
Ian and I had to get the dogs out of the car. | :08:24. | :08:28. | |
Next thing you know, BLEEP is opening the passenger door | :08:28. | :08:30. | |
and letting Joanne out. | :08:30. | :08:34. | |
No! No! Get in the traffic car, don't mess about. | :08:34. | :08:37. | |
You need to go away. | :08:37. | :08:42. | |
'By the bus stop outside The Galaxy...' | :08:42. | :08:45. | |
INDISTINGUISHABLE CHATTERING | :08:45. | :08:47. | |
Move the dog away then! Can you grab hold of him? | :08:48. | :08:50. | |
You, I've just about had enough of. | :08:50. | :08:54. | |
The dogs aren't going anywhere. They'll come with you. | :08:54. | :08:58. | |
Just chill out. No, you're going that way. | :08:58. | :09:02. | |
'There's two offices with five people, six people, | :09:02. | :09:07. | |
'all drunk, all trying to get across their frustrations | :09:07. | :09:10. | |
'and their anger, and there's just too much going on. | :09:10. | :09:12. | |
'You're asking for another unit and they're not turning up.' | :09:12. | :09:16. | |
Move. You do that, and I swear... Move away from me! | :09:16. | :09:20. | |
Get the hell away from me! | :09:20. | :09:23. | |
Oh, my God... That's assault, that is. | :09:23. | :09:25. | |
I told you to move away! | :09:25. | :09:27. | |
When we feel threatened, we have a right to lay hands on people, | :09:27. | :09:31. | |
and on this occasion, about eight, nine minutes | :09:31. | :09:33. | |
into the whole incident, this girl is still getting into my face, | :09:33. | :09:37. | |
so my only other option now was to give her a double-handed push away. | :09:38. | :09:45. | |
Unfortunately, it does look rather strong, | :09:45. | :09:47. | |
but it's only because height on height and weight on weight, | :09:47. | :09:50. | |
she just tumbled over, and the fact- that she'd had alcohol as well. | :09:50. | :09:59. | |
It was just a very difficult, very stressful situation to be in. | :09:59. | :10:02. | |
And now, the prisoner's escaping again. | :10:02. | :10:07. | |
Where are my dogs? Oh, Jesus Christ! | :10:07. | :10:14. | |
Reinforcements are still on their way to help Ian and Shona. | :10:14. | :10:19. | |
Fortunately, someone from a nearby club has offered a hand. | :10:19. | :10:24. | |
The doorman came over and stood by the side of the traffic car | :10:24. | :10:27. | |
just to stop anybody else from opening the car | :10:27. | :10:30. | |
and getting Joanna out, which freed- Ian to come and give me a hand. | :10:30. | :10:34. | |
Now you've got me in front of you. | :10:34. | :10:36. | |
You want to start on a girl, start on me. | :10:36. | :10:38. | |
Walk away. Walk away. | :10:38. | :10:42. | |
We had members of the public crowding round, | :10:42. | :10:45. | |
we're been videoed, members of the public were getting involved. | :10:45. | :10:49. | |
You're asking for another unit and they're not turning up. | :10:49. | :10:55. | |
Swearing at me and calling me a BLEEPwhore | :10:55. | :10:57. | |
is bang out of order, sweetheart, so you can't stay there. | :10:57. | :11:01. | |
Joanne's friend is being arrested. | :11:01. | :11:05. | |
I was stressed and scared that either myself or Leeson | :11:05. | :11:07. | |
or even both of us had the potential to get injured, | :11:07. | :11:11. | |
especially with the guy with the stripy top on is a boxer. | :11:11. | :11:16. | |
You realise just how vulnerable, | :11:16. | :11:21. | |
even as police officers, you are in that situation. | :11:21. | :11:24. | |
At last, backup has arrived. I was really pleased that they were there. | :11:24. | :11:30. | |
We could actually just start to work out what had gone on, | :11:30. | :11:34. | |
and start arresting the people that needed to be arrested. | :11:34. | :11:39. | |
Get yourself in the car. Do you know what? | :11:39. | :11:43. | |
RADIO TRAFFIC | :11:43. | :11:47. | |
Where are you going? Because you are not going to do that. | :11:47. | :11:51. | |
Which way's home? Start going then. Yeah, I'm going. | :11:51. | :11:54. | |
That is my dog. | :11:54. | :11:56. | |
SHE HONKS THE HORN | :11:56. | :12:00. | |
That's my dog. All right, I hit my boyfriend, so what? | :12:00. | :12:04. | |
I get beaten and raped by him every day. Where are you lot, yeah? | :12:04. | :12:08. | |
That is my dog. Don't do this to me, please. What is the charge? | :12:08. | :12:11. | |
What am I nicked for? What? Slapping my boyfriend. | :12:11. | :12:15. | |
At the moment, we haven't even got round to who he is, and what's gone on. | :12:15. | :12:24. | |
It's what my counsellor told me to do, stick up for myself, and I did. | :12:24. | :12:31. | |
The worst thing about all of that, for me, is that while we were... | :12:31. | :12:36. | |
..dealing with those people, we know someone's been injured, | :12:37. | :12:40. | |
and we didn't know how serious the injuries were, | :12:40. | :12:42. | |
if he wanted to make a complaint, | :12:42. | :12:45. | |
if he didn't want to make a complaint. | :12:45. | :12:47. | |
He could've just been a member of the public | :12:47. | :12:49. | |
that had been robbed and beaten up. | :12:49. | :12:51. | |
Are these involved? Can we get rid of them? | :12:51. | :12:54. | |
None of them are involved in the assault. | :12:54. | :12:56. | |
I mean, all they are, are just being loopholes. | :12:56. | :12:59. | |
But she needs to come in for public- order, the rest can go. | :12:59. | :13:01. | |
What about the guy, you've got someone in the back? | :13:01. | :13:04. | |
That's the girl that is responsible for some assault. | :13:04. | :13:07. | |
It's sad really, because going back even three or four years ago | :13:07. | :13:09. | |
we had the numbers in response policing, | :13:09. | :13:12. | |
that incidents like this, traffic w | :13:12. | :13:15. | |
but if you went down there and an officer needs assistance, | :13:16. | :13:21. | |
or the system can clearly see that officers are struggling, | :13:21. | :13:24. | |
backup was only ever a minute, two minutes away. | :13:24. | :13:27. | |
At a boy. DOG YELPS | :13:27. | :13:30. | |
The problem now is what to do with Minnie and Vinnie. | :13:30. | :13:33. | |
we need to sort your dogs out. | :13:33. | :13:35. | |
We can't just hand them over to anybody, can we? | :13:35. | :13:37. | |
The Staffies were stressed because of the situation, | :13:37. | :13:40. | |
and the fact that Joanna was winding them up, | :13:41. | :13:44. | |
and trying to get them to come to her, and they couldn't. | :13:44. | :13:47. | |
He's a rubbish boy. | :13:47. | :13:51. | |
Shut up, Minnie, you're not even my dog! Get back in there, love. | :13:51. | :13:55. | |
If they present me a danger, I'm going to shoot them. What? | :13:55. | :13:59. | |
If they present a danger, I'll get them shot, so be quiet. | :13:59. | :14:03. | |
In the wrong situation, those dogs could be really, really dangerous. | :14:03. | :14:08. | |
And they would just attack anybody.- I'll walk away. | :14:08. | :14:11. | |
all right? What for? | :14:11. | :14:14. | |
Trying to let her out of the vehicle earlier. | :14:14. | :14:16. | |
So I'm going to caution you, you don't have to say anything... | :14:16. | :14:19. | |
She was arrested at 20.35. Basically... | :14:19. | :14:24. | |
She was given a public order warning. No, you can take all that. | :14:24. | :14:29. | |
The man in pink has been arrested well | :14:29. | :14:31. | |
for opening the door of the police car. | :14:31. | :14:34. | |
All of a sudden, it appears Luton isn't so short of police after all. | :14:34. | :14:40. | |
Armed cops and canines have shown up. | :14:40. | :14:43. | |
What are we going to do with her two dogs? Whose dogs?Her dogs. | :14:43. | :14:47. | |
DOG BARKS | :14:47. | :14:49. | |
That's the issue. That's why we would have gone otherwise. | :14:49. | :14:52. | |
Why's there dogs here? He said he's going to shoot my dogs! | :14:52. | :14:55. | |
Nobody is going to shoot your dogs.- No-one's going to shoot your dogs. | :14:55. | :14:59. | |
There's dogs here. I can hear the dogs. | :14:59. | :15:02. | |
He said he was going to shoot my dogs. Listen. | :15:02. | :15:06. | |
I can hear police dogs. Why? All I done was slap my boyfriend. | :15:06. | :15:09. | |
Who's looking after the dogs? The sergeant, apparently. | :15:09. | :15:11. | |
I slapped my boyfriend. | :15:12. | :15:14. | |
The slapper is going to the police station | :15:14. | :15:16. | |
to be charged with a bit more than just giving someone a slap. | :15:16. | :15:20. | |
It turned out that the offender's boyfriend, | :15:20. | :15:22. | |
or ex-boyfriend, as he seemed to be at the time was lying on the floor. | :15:23. | :15:26. | |
The two dogs are mauling the side of his face. | :15:27. | :15:30. | |
I think they had hold of his ears, | :15:30. | :15:32. | |
and the side of his face, and just mauling on it. | :15:32. | :15:35. | |
She has obviously been captured kicking him | :15:35. | :15:38. | |
whilst this is taking place on the floor. | :15:38. | :15:41. | |
Then walks away slightly. | :15:41. | :15:47. | |
Then comes back, kicks him again. | :15:47. | :15:49. | |
The dogs continue to obviously go in again, and bite him gain. | :15:49. | :15:54. | |
During that whole incident, | :15:54. | :15:56. | |
some money's fallen out of his pocket, and rather callously, | :15:56. | :16:00. | |
she's just decided, "Well, actually, I'll have that." | :16:00. | :16:04. | |
Walk away as though nothing's happened. | :16:04. | :16:08. | |
Sat down on a wall, continued her afternoon of drinking | :16:08. | :16:12. | |
and chatting with her friends. | :16:12. | :16:14. | |
It's the new status symbol for people to have dogs, | :16:14. | :16:19. | |
and it seems to be the bigger, | :16:19. | :16:21. | |
or traditionally more aggressive dogs are the preferred choice. | :16:21. | :16:25. | |
You think to yourself, these dogs are quite young, | :16:25. | :16:28. | |
and they've already got this mentality that they're quite happy | :16:28. | :16:31. | |
to maul on the side of somebody's face at the age that they are. | :16:31. | :16:34. | |
it could have been | :16:34. | :16:38. | |
a very, very serious assault. | :16:38. | :16:46. | |
In Stevenage, in neighbouring Hertfordshire, | :16:46. | :16:49. | |
they've also embraced CCTV camera technology. | :16:49. | :16:53. | |
Theirs is even hooked up to the local shops. | :16:53. | :16:56. | |
Mothercare have reported that they've been hit by shoplifters. | :16:57. | :17:02. | |
Before police can get there, they've made off in a car, | :17:02. | :17:06. | |
but they haven't escaped the watchful eye of the CCTV operator. | :17:06. | :17:13. | |
Traffic cops Nathan Catley and Jim Norton happened to be nearby. | :17:13. | :17:23. | |
:17:23. | :17:27. | ||
Whisky seven, what you got? | :17:27. | :17:29. | |
W | :17:29. | :17:32. | |
and across the local radio channel came the report of a blue Astra | :17:32. | :17:37. | |
that had been involved in a shoplifting | :17:37. | :17:39. | |
in Mothercare in the town centre. | :17:39. | :17:41. | |
We're going to head towards Lytton Way. | :17:41. | :17:43. | |
Local cops in a Panda have heard the operator's call as well, | :17:43. | :17:46. | |
and have already got the suspect car in their sights. | :17:46. | :17:49. | |
RADIO OPERATOR: Vehicle is now at St George's Way, heading back the other way. | :17:49. | :17:53. | |
As in Big Brother, CCTV cameras are dotted | :17:53. | :17:56. | |
everywhere around Stevenage, all with pan, tilt and zoom lenses. | :17:56. | :18:00. | |
Hiding from them won't be easy. | :18:00. | :18:03. | |
Have you got an RO for that, we'll run it through, | :18:03. | :18:05. | |
and we'll try and make it out? | :18:05. | :18:08. | |
The RO is the registered owner. If they can find out who he is, | :18:08. | :18:11. | |
they might get an idea where he's heading for. | :18:11. | :18:16. | |
It was looking like it was going to have turned left onto Fairlands | :18:16. | :18:19. | |
or St George's in that lane. | :18:19. | :18:21. | |
All the signs are the car | :18:21. | :18:23. | |
and the occupants are going to make a run for it. | :18:23. | :18:27. | |
Vehicle's going to stop. | :18:27. | :18:29. | |
And they have. Whisky seven is coming down now. | :18:29. | :18:32. | |
Um, we're going to going up Six Hills Way to try and cut them off. | :18:32. | :18:35. | |
Can we go to interrupt one, please. | :18:35. | :18:38. | |
He's going right onto Broadwater Crescent. | :18:38. | :18:44. | |
The shoplifters have abandoned their car and are out on foot. Decamped. | :18:44. | :18:49. | |
But even off road, there's no escaping Big Brother. | :18:49. | :18:54. | |
'The passenger decamped and was on foot. The officer was behind the vehicle. | :18:54. | :18:59. | |
'She was then chasing this male on foot.' | :18:59. | :19:04. | |
Spin, spin, spin, spin. | :19:04. | :19:13. | |
The man with the swag is heading for the backstreets of town. | :19:13. | :19:17. | |
'Broadwater Crescent is a housing estate. It's full of cul-de-sacs. | :19:17. | :19:20. | |
'It's just a rat run, basically.' | :19:20. | :19:23. | |
On Bedwell Crescent now, going down the side path. | :19:23. | :19:28. | |
'We've pulled up at a junction. | :19:28. | :19:31. | |
'One of the guys has come through at one of the back alleys | :19:31. | :19:34. | |
'through the garage block. And Lou was chasing after him.' | :19:34. | :19:39. | |
The man's shopping spree is about to come to an end. | :19:39. | :19:43. | |
Jim's leapt out of the car, and they've more or less grabbed him at the same time. | :19:43. | :19:53. | |
:19:53. | :19:56. | ||
More cops are still after his mate,- who was driving. | :19:56. | :20:00. | |
Driver has actually made off in the direction of Mayfield. | :20:00. | :20:03. | |
'He was a rather dishevelled, unkempt kind of chap.' | :20:03. | :20:06. | |
Sweating profusely. | :20:06. | :20:13. | |
All right, mate, what have you go on you? No pins? | :20:13. | :20:17. | |
No, I've got pipes in that pocket. Pipes in that pocket, yeah? | :20:18. | :20:20. | |
Any gear on you at all, mate? | :20:20. | :20:23. | |
The man's a drug addict who's more likely to have been stealing | :20:23. | :20:25. | |
from Mothercare to feed his habit than stocking up on baby things. | :20:25. | :20:30. | |
Nobody else got out the car, then? No. Have you got a bag, mate? | :20:30. | :20:34. | |
Got some crack here, mate. | :20:34. | :20:36. | |
Brown. Brown, is it? A bit of brown? | :20:36. | :20:39. | |
We recovered from his packet a small wrap and a plastic bag. | :20:39. | :20:46. | |
'He basically said it was brown, which is street terminology for heroin.' | :20:46. | :20:49. | |
The brown substance is going to be bagged up | :20:49. | :20:50. | |
for examination at the laboratory. | :20:50. | :20:53. | |
Have you got a description of the driver for us? No, not really. | :20:53. | :20:56. | |
What's in the shoplifter's swag bag- is about to be revealed. | :20:56. | :21:00. | |
'Rather expensive baby monitor.' | :21:00. | :21:03. | |
I know it's expensive because I had to buy one! | :21:03. | :21:07. | |
'And although it's worth �100 or so- to Mothercare, | :21:07. | :21:11. | |
'probably stick that on eBay or take it to Cash Converters | :21:11. | :21:14. | |
'and get �20 for it at the most, I would think.' | :21:14. | :21:17. | |
OK, you're under arrest on suspicion of theft from shop | :21:17. | :21:20. | |
and also for possession of Class A drugs. | :21:20. | :21:22. | |
You don't have to say anything, but it may harm your defence | :21:22. | :21:25. | |
if you do not mention when questioned something which you later rely on in court. Understand? | :21:25. | :21:29. | |
OK. How much gear have you had today? | :21:29. | :21:32. | |
Cos you're sweating quite profusely. Just been running, mate. | :21:32. | :21:36. | |
No, no, no, but I know you've been running, | :21:36. | :21:38. | |
just so we know for your welfare needs, yeah? | :21:38. | :21:40. | |
The man is a regular shoplifter, | :21:40. | :21:43. | |
as the Co-op in town have also recently found out. | :21:43. | :21:46. | |
'Unfortunately for him, he hasn't got a job, | :21:46. | :21:48. | |
'so he can't feed his habit that way. | :21:48. | :21:51. | |
'So he has to go out stealing, | :21:51. | :21:53. | |
'and that's the way for a lot of drug users. | :21:53. | :21:56. | |
'It's what we call acquisitive crime. | :21:56. | :21:58. | |
'They're just acquiring things' | :21:58. | :22:00. | |
to sell to then feed their drug habit. | :22:01. | :22:04. | |
I had such a good pick-up on CCTV. Very good, yeah. | :22:04. | :22:07. | |
Moved in in just the right place. Superb. | :22:07. | :22:10. | |
'Initially, they were seen on CCTV in the store, and then | :22:10. | :22:14. | |
'the Stevenage CCTV operator had picked the car up on St George's Way.' | :22:14. | :22:21. | |
If they hadn't have seen it, we may- not have caught the car at all. | :22:21. | :22:31. | |
:22:31. | :22:32. | ||
Joanne, the other person caught thanks to CCTV in Luton, | :22:32. | :22:37. | |
has arrived at the police station, where she'll be interviewed and charged. | :22:37. | :22:41. | |
You don't have to cuff me. I'm not a dangerous prisoner. | :22:41. | :22:44. | |
No, but you were an angry lady when we first came across you. | :22:44. | :22:47. | |
I'm worried about my dog, mate. Can I just do something? | :22:47. | :22:49. | |
I'm not doing anything. I'm going to pull your top up. | :22:50. | :22:52. | |
I don't think you want the whole world seeing your bra. | :22:52. | :22:55. | |
I thought I had my luck in then! Pulling it down. What, me?! | :22:55. | :22:58. | |
See the name Claire? I do like ladies. Do you?Come on, darling! | :22:58. | :23:02. | |
Ah, you're well out of that one, then. I'll leave you two to it. | :23:02. | :23:05. | |
Go ahead. You lost out, mate. It's always the way(!) | :23:05. | :23:09. | |
'You know there's been a nasty assault. | :23:09. | :23:11. | |
'You know that, the end of the day, | :23:11. | :23:13. | |
'the dogs might end up getting destroyed for the assault itself. | :23:13. | :23:17. | |
arrive at Luton police station, | :23:17. | :23:22. | |
she changes into quite a jovial character. | :23:22. | :23:27. | |
She's identified that male as being h | :23:27. | :23:31. | |
What, and a chap on the wrists? | :23:31. | :23:34. | |
..giving him a kicking. I did not, I give him a couple slaps. | :23:34. | :23:37. | |
A couple of slaps. The pussy. He's at the hospital at the moment. | :23:37. | :23:40. | |
We're sending somebody up to ascertain the nature of the injuries, but we think it's ABH. | :23:40. | :23:50. | |
:23:50. | :23:52. | ||
I'm on about... I was going to say. | :23:52. | :23:55. | |
At the moment, there's an allegation | :23:55. | :23:58. | |
that his ears may have been bitten off by a dog, | :23:58. | :24:00. | |
which we're looking into, and she's apparently kicked and slapped him. | :24:00. | :24:04. | |
So men can beat women up but we can't give them a slap back, no? | :24:04. | :24:08. | |
What was the advice I give you earlier? | :24:08. | :24:10. | |
And he already come out with a bleeding face from the White House. | :24:10. | :24:15. | |
So whatever he done in there, he got barred out of there for, | :24:15. | :24:18. | |
it's down to him, mate, yeah, it's down to him. | :24:18. | :24:20. | |
I give him a slap and a tickle and a punch. | :24:20. | :24:23. | |
Joanne is as familiar with the police station | :24:23. | :24:26. | |
as ordinary people in Luton are with their railway station. | :24:26. | :24:29. | |
'She wanted two blankets and toilet roll, | :24:30. | :24:32. | |
a cup of tea, cup of coffee. | :24:32. | :24:35. | |
I need two of them. I know where the bookshelf is. | :24:35. | :24:39. | |
Joanne, don't go running off. I'm not, I know exactly where to go. | :24:39. | :24:43. | |
Where are you going? Listen, I live here, don't I? | :24:43. | :24:47. | |
I know exactly where I'm going. | :24:47. | :24:50. | |
Yeah, it's probably nicer than her flat, from what she was saying. | :24:50. | :24:54. | |
And, and... No! Stick to two. A hardback, a hardback book. | :24:54. | :24:58. | |
I'm going to be in there all night,- in't I? You got a buzzer. | :24:58. | :25:01. | |
If you want to change your reading material, we'll sort that out. | :25:01. | :25:04. | |
When you know a police station that well, | :25:04. | :25:06. | |
you're obviously doing something a bit wrong in your life. | :25:06. | :25:08. | |
With the prisoners safely locked up, | :25:08. | :25:11. | |
Ian and Shona have got a chance to analyse what happened. | :25:11. | :25:15. | |
It all kind of got a bit excitable.- I thought I'd go from being | :25:15. | :25:17. | |
a traffic officer to a dog handler, why not? | :25:17. | :25:21. | |
Lassoo, using one lead in a minute. I know! Very creative. | :25:21. | :25:25. | |
I was quite impressed with that! That's the footage for you. | :25:25. | :25:29. | |
Well, if you don't make it on traffic, Lucy, | :25:29. | :25:31. | |
you can always go for the dog section, eh? | :25:31. | :25:34. | |
Only now has Ian realised that his police issue mobile's gone missing. | :25:34. | :25:39. | |
that my Blackberry was no longer | :25:39. | :25:42. | |
prior to the incident taking place. | :25:42. | :25:47. | |
I've done a full search of the car, no Blackberry located. | :25:47. | :25:52. | |
Despite having been searched when she arrived at the police station, | :25:52. | :25:55. | |
Ian and Shona have a pretty strong feeling that Joanne took it | :25:55. | :25:59. | |
and where she might have hidden it. | :25:59. | :26:02. | |
And Ian was going, "Where's my Blackberry? Can you ring it for me?" | :26:02. | :26:09. | |
And we rang it three or four times and I said, "Is it on ring?" | :26:09. | :26:12. | |
He went, "No, it's on vibrate." | :26:12. | :26:15. | |
'It wasn't until the next day, during a strip search, | :26:15. | :26:17. | |
'that the Blackberry was located down the front trousers of the offender, | :26:17. | :26:22. | |
and the Blackberry had been in there all night. | :26:22. | :26:30. | |
Back in Stevenage, the shoplifter caught with the brown stuff | :26:30. | :26:33. | |
is also making an appearance at the police station. | :26:33. | :26:37. | |
Sergeant, this afternoon a theft occurred of some items from Co-op | :26:37. | :26:41. | |
in Stevenage. Mothercare. Mothercare, sorry. | :26:41. | :26:46. | |
It was monitored on CCTV. The offender was seen to get into a vehicle. | :26:46. | :26:50. | |
This vehicle was subsequently located b | :26:50. | :26:53. | |
Stevenage, and failed to stop, resulting in a decamp. | :26:53. | :26:57. | |
The man's accomplice has been caught as well. | :26:57. | :27:00. | |
' | :27:00. | :27:02. | |
'He came into the police station and he was interviewed | :27:02. | :27:06. | |
and charged with the offence of failing to stop for police. | :27:06. | :27:11. | |
The final procedure is to document the man's identity. | :27:11. | :27:14. | |
'And then we hand the prisoner over to the case investigation team, | :27:14. | :27:18. | |
'who do all the further investigation work. | :27:18. | :27:22. | |
'They phoned us up and said, "That guy that you nicked with the heroin, | :27:22. | :27:26. | |
"it was actually a dog biscuit." | :27:26. | :27:31. | |
'The reason why he was going out to steal was because the brown, | :27:31. | :27:34. | |
'as he put it, was no good. He wasn't getting a hit out of it. | :27:34. | :27:39. | |
'It could be quite bad for him, I'd have thought. He might be BARKING up the wrong tree. | :27:39. | :27:45. | |
Nightfall, and trouble is brewing. | :27:45. | :27:50. | |
Reports are coming in of a serious disturbance in a block of flats | :27:50. | :27:53. | |
in a residential part of Stevenage,- and a person armed with a blade. | :27:53. | :28:00. | |
PC Chris Payne and his sergeant, Carl McDermott, are on their way. | :28:00. | :28:04. | |
When a job like that comes in, you know that it could turn serious. | :28:04. | :28:10. | |
And it seems it has. An officer has pressed his panic alarm. | :28:10. | :28:16. | |
Our radios are equipped with an emergency button. | :28:16. | :28:20. | |
When that is pressed, it sends an audible alert over everyone's radio who's monitoring that channel. | :28:20. | :28:27. | |
And that audible alert makes your heart stop. | :28:27. | :28:29. | |
It is an awful sound to hear. | :28:30. | :28:39. | |
And you hear someone's in trouble, that's it. | :28:39. | :28:42. | |
You drop everything, you get there. | :28:42. | :28:45. | |
Someone has been stabbed and is being rushed to hospital. | :28:45. | :28:48. | |
The offender is on the loose. | :28:48. | :28:53. | |
RADIO: 'Blue-and-white striped T-shirt, wearing possibly a pair of jeans. | :28:53. | :28:56. | |
'I think he's on foot in the area.' | :28:56. | :28:58. | |
'A local person has been named as being the offender. | :28:58. | :29:00. | |
'That person may still have a knife on them.' | :29:00. | :29:03. | |
Left, left, left, left. | :29:03. | :29:06. | |
Traffic colleagues of Carl and Chris have found someone. | :29:06. | :29:09. | |
'Frosty had detained someone just round the corner and that was | :29:09. | :29:12. | |
'a person who matched the description of the offender we were looking for. | :29:13. | :29:18. | |
But he isn't the knifeman. | :29:18. | :29:22. | |
'As they've turned the corner and seen this male, | :29:22. | :29:25. | |
'they've also seen the shadow of another male | :29:25. | :29:27. | |
'run down the side of a house into gardens and out of their view.' | :29:27. | :29:32. | |
Sierra 671306, I believe someone has already made off where Whisky four was, into a rear garden. | :29:32. | :29:38. | |
The police helicopter, X-ray Alpha 9-9, | :29:38. | :29:40. | |
has been called in to help with the manhunt. | :29:40. | :29:42. | |
9-9 is on route. I just heard something. | :29:43. | :29:45. | |
I don't know if it was that lot down there. | :29:45. | :29:48. | |
More cops, some with dogs, have arrived too. | :29:48. | :29:54. | |
Oh, yeah, you don't like dogs, do you? | :29:54. | :29:57. | |
It's not that I don't like them, | :29:57. | :29:59. | |
I would just prefer to be further away. | :29:59. | :30:01. | |
Chris has good reason to be cautious. | :30:01. | :30:04. | |
He was once a dog's dinner. | :30:04. | :30:06. | |
I've got a lovely scar to show for that day. | :30:06. | :30:10. | |
They hurt, they really hurt, and ever since then, | :30:10. | :30:13. | |
I don't go anywhere near them. | :30:13. | :30:15. | |
I'll take you to as far as we've been down here. We ain't gone that far. | :30:15. | :30:19. | |
The chopper's overhead and already on to something. | :30:19. | :30:22. | |
There's a big white Transit van parked up | :30:23. | :30:27. | |
and near that van is a drain which I believe an object of some sort, | :30:27. | :30:31. | |
possibly a knife, has been dropped down. | :30:31. | :30:34. | |
The dog's picked up the knifeman's scent as he was garden-hopping. | :30:34. | :30:38. | |
'She's successfully followed the scent to here. | :30:38. | :30:41. | |
'The wall's all been broken down. Trying to work it out from here. | :30:41. | :30:44. | |
'I'll give you a flash of the torch. | :30:44. | :30:47. | |
'Yes, we've got you, a visual on thermal.' | :30:47. | :30:49. | |
cuffs off you. Relax, please. | :30:49. | :30:53. | |
The man already captured is being charged with public order offences. | :30:53. | :31:03. | |
:31:03. | :31:06. | ||
He was quite a big bloke and he was very, very drunk. | :31:06. | :31:08. | |
At this point he couldn't stand up. He was getting a little bit agitated | :31:09. | :31:11. | |
and a little aggressive with the officers. | :31:11. | :31:14. | |
In case he was a part of what went on as well, | :31:14. | :31:16. | |
the cops have detained another young lad they found near by. | :31:16. | :31:19. | |
I'm going to take your picture, fella, OK? Look forward. | :31:19. | :31:23. | |
What's this for? Stay still. | :31:23. | :31:26. | |
Right, lovely. OK, you can go on your way. | :31:26. | :31:29. | |
'We had no evidence to suggest that he'd been involved in anything | :31:30. | :31:32. | |
'so he was allowed to go on his way.' | :31:32. | :31:34. | |
But Carl has a suspicion he might be connected with the man | :31:34. | :31:37. | |
they're searching for. | :31:37. | :31:40. | |
of the end they made off in. | :31:40. | :31:43. | |
'Maybe if you could keep tabs on him as best you can. | :31:43. | :31:46. | |
'I've got my unmarked vehicle following at a distance. | :31:46. | :31:50. | |
'Yes, we're watching him. As soon as he got past police, he was straight out on the phone, | :31:50. | :31:53. | |
'texting, so we'll keep an eye on him for you.' | :31:53. | :31:57. | |
'I decided I would follow just in the hope that he might lead us somewhere. | :31:57. | :32:04. | |
Catching criminals is what police officers live for | :32:04. | :32:07. | |
but there comes a point in all their careers | :32:07. | :32:10. | |
when it's finally time to hang up the handcuffs. | :32:10. | :32:14. | |
After 30 years' service, Sergeant Tony Richardson, | :32:14. | :32:17. | |
one of Bedfordshire's finest, is retiring tonight. | :32:17. | :32:21. | |
My last ever shift on traffic. Last ever shift in the force. | :32:21. | :32:26. | |
He's seen quite a few changes since he started. | :32:27. | :32:30. | |
I don't think violence in itself has changed | :32:31. | :32:33. | |
but the way that people use that violence has changed. | :32:33. | :32:37. | |
People picking up weapons and using and carrying weapons | :32:37. | :32:40. | |
as a matter of course, seems to be the norm. | :32:40. | :32:45. | |
It's all going to happen tonight. | :32:45. | :32:47. | |
'It was quite emotional. G | :32:47. | :32:52. | |
'Craig, bless him, wanted it to be something that I would remember | :32:52. | :32:57. | |
and, consequently, he made it his goal to get me to every incident | :32:57. | :33:03. | |
that was going, whether it be traffic related or not. | :33:03. | :33:08. | |
First stop, a burglary in Luton | :33:08. | :33:10. | |
and a chance for one last arrest for old time's sake. | :33:10. | :33:15. | |
Just confirm there is a dog coming down, over. T | :33:15. | :33:19. | |
Due to where we are now, you can see the fences, | :33:19. | :33:21. | |
it's so easy to go garden-hopping. | :33:21. | :33:24. | |
'It was a really busy night that night. | :33:24. | :33:27. | |
'I was trying to get Tony round as many jobs as possible, | :33:27. | :33:30. | |
varied jobs, obviously, just to let- him go away with the reminder | :33:30. | :33:34. | |
of what he used to do. Garden hopping isn't easy for everyone. | :33:34. | :33:38. | |
I'm going to do myself an injury! | :33:38. | :33:41. | |
There's no sign of any burglars beating about the bushes, | :33:41. | :33:45. | |
but they could be closer to home. | :33:45. | :33:47. | |
What's happened is, next door, the back of that is the allotments. Y | :33:47. | :33:52. | |
It would appear that they've gone from the allotments | :33:52. | :33:55. | |
over to next door's garden. Yeah. Lots of noise, OK, and then nothing. | :33:55. | :34:02. | |
So it could well be that they're actually in next door. | :34:02. | :34:04. | |
Right, Gary's in there now. He's in- there? Gary's in the garden now. | :34:04. | :34:08. | |
Can we go and actually look? But it's not Tony's lucky night. | :34:08. | :34:16. | |
Someone else has found the suspected burglars. Yeah, it's that one. | :34:16. | :34:20. | |
There's no last hurrah for Tony. | :34:20. | :34:24. | |
The Luton burglars may have been caught | :34:24. | :34:26. | |
but the knifeman in Stevenage seems to have disappeared. | :34:26. | :34:34. | |
'He seems to have turned right on the end of Bridge Road, | :34:34. | :34:37. | |
'on to Lytton Way. I then lost visuals with him under the trees. | :34:37. | :34:39. | |
'I don't know if he's gone towards the subway.' | :34:39. | :34:41. | |
Even the lad allowed to go on his way has vanished. | :34:41. | :34:44. | |
'Confirm, was that the underpass under Lytton Way?' | :34:44. | :34:48. | |
'The problem we have is that it's reported that person has got a knife | :34:48. | :34:53. | |
'and that is someone that we cannot have out on the streets, | :34:53. | :34:57. | |
so we need to find them and we will put all resources | :34:57. | :35:01. | |
into finding that person as quickly as possible. | :35:01. | :35:05. | |
Burglars are also hard at it tonight in Stevenage Town Centre. | :35:05. | :35:13. | |
Jim and Nathan have been called to check on an office building, | :35:13. | :35:17. | |
if they can stay awake. | :35:17. | :35:21. | |
Oh, dear, it's not good, mate, it's not good. I'm yawning already. | :35:21. | :35:25. | |
'Night shifts go one of two ways. | :35:25. | :35:27. | |
'You either have absolutely nothing and you are dying of boredom | :35:27. | :35:30. | |
'and you struggle to stay awake, or you are totally run ragged, | :35:30. | :35:36. | |
especially if it's a full moon, and you don't get a chance to stop. | :35:37. | :35:43. | |
With a full moon tonight, the outlook isn't good. | :35:43. | :35:48. | |
'The first floor window, the ground-floor window is secure. | :35:48. | :35:51. | |
'Apparently they were secure earlier on | :35:51. | :35:53. | |
'and there's been a number of break-ins at this premises.' | :35:53. | :35:56. | |
Intriguingly, the disused building is just the other side of the road | :35:56. | :36:00. | |
from Stevenage's main police station. | :36:00. | :36:05. | |
It doesn't take long for this place to get overgrown. | :36:05. | :36:11. | |
'It was about 15 floors and literally, | :36:11. | :36:14. | |
'it's been stripped top to bottom of all its piping, fixtures, cable. | :36:14. | :36:20. | |
'Offenders who had been there that night had been disturbed.' | :36:20. | :36:23. | |
We knew fairly certainly they would come back. | :36:23. | :36:26. | |
�1 million worth of infrastructure has either been damaged or stolen. | :36:26. | :36:29. | |
check the building as part of their routine checks | :36:29. | :36:33. | |
and found that first floor window open up there, and a kitchen sink's been thrown out. | :36:33. | :36:38. | |
So they phoned us straight away, suspecting that there might be people | :36:38. | :36:40. | |
remove the metal from inside. | :36:40. | :36:43. | |
It's a massive problem that we're dealing with, | :36:43. | :36:47. | |
a massive problem, and thieves are going to extreme lengths. | :36:47. | :36:53. | |
And it's not only in Stevenage. | :36:53. | :36:55. | |
More than 1,000 metal thefts are being reported across Britain | :36:55. | :36:58. | |
every single week. | :36:58. | :37:01. | |
They've ripped all the tiles down, | :37:01. | :37:03. | |
they've even hacked into the concrete. | :37:03. | :37:05. | |
See that corridor, is absolutely... | :37:05. | :37:10. | |
And the whole building's like that. | :37:10. | :37:14. | |
The soaring value of scrap metal has meant that nowhere is safe from the metal thieves. | :37:15. | :37:24. | |
Do you want us to follow you in? Yeah, all right. | :37:24. | :37:29. | |
It would have been a nice, plush office building before. | :37:29. | :37:32. | |
They've even cut out lumps of the supporting structure | :37:32. | :37:36. | |
to get the copper piping. | :37:36. | :37:38. | |
It's all encased in concrete and they've cut it out. | :37:38. | :37:41. | |
Everything of any metal value is gone. | :37:41. | :37:44. | |
Guys, got a door open round this side, as well. | :37:44. | :37:47. | |
It's looking like Jim and Nathan have got there too late - | :37:48. | :37:50. | |
the thieves have slipped away into the night. | :37:50. | :37:53. | |
It's been call after call after call there, from their security, | :37:54. | :37:58. | |
but of course, they only patrol it once in a blue moon. | :37:58. | :38:01. | |
We only know about it when they get there, | :38:01. | :38:03. | |
which is inevitably long after the thieves have gone. | :38:03. | :38:07. | |
It is like a film set out of Day After Tomorrow or 28 Days Later. | :38:07. | :38:12. | |
It's quite spooky. | :38:12. | :38:15. | |
I can't believe they just left it. | :38:15. | :38:19. | |
Saying to the bloke, if they'd have- just left the power on, | :38:19. | :38:23. | |
then nobody would nick any cable, because all... | :38:23. | :38:26. | |
Well, mind you, they still nick live cable, don't they? | :38:26. | :38:28. | |
'We've had two deaths' | :38:28. | :38:31. | |
from people trying to steal high tension cable. | :38:31. | :38:36. | |
Bloody hell, that took a while. It's 12.20. | :38:36. | :38:40. | |
An emergency call has just come in from Baldock, | :38:40. | :38:42. | |
ten miles outside of Stevenage. | :38:42. | :38:44. | |
What's going on there? | :38:44. | :38:46. | |
It's a quiet little town, | :38:47. | :38:49. | |
not somewhere the cops get called to very often. | :38:49. | :38:52. | |
RADIO: You're getting closer to the side of the approach. | :38:52. | :38:55. | |
A 15-year-old girl has been found there who had been reported missing. | :38:55. | :38:59. | |
She'll do a runner, mate, if we go round there. | :38:59. | :39:02. | |
RADIO: and a bright red hoodie. | :39:02. | :39:06. | |
Yeah, and just confirm she is currently reported missing, over? | :39:06. | :39:10. | |
'Yes, she is.' Jim has dealt with the youngster before. | :39:10. | :39:13. | |
I met her at the train station a couple of weeks back | :39:13. | :39:15. | |
when I was off duty, going home. | :39:15. | :39:18. | |
She was rabbiting on like nobody's business. There she is. | :39:18. | :39:21. | |
On a railway platform, going to another town in Hertfordshire, | :39:21. | :39:27. | |
talking to an unknown male about prostitution and drug use. | :39:27. | :39:31. | |
Have a quick word? Oh, my God. What are you up to again? | :39:31. | :39:35. | |
Basically, I'm missing from my kids' home. You are. | :39:35. | :39:38. | |
Yeah, and I'm not going back. | :39:38. | :39:41. | |
They keep getting hold of me and I keep saying I'm safe and everything. | :39:41. | :39:43. | |
You've got to go back. | :39:43. | :39:45. | |
'She is actually at a placement at a Social Services care home' | :39:45. | :39:49. | |
and that's where teenagers are placed - basically, | :39:49. | :39:52. | |
either have been taken out of their own family environment | :39:52. | :39:55. | |
can cope with the child's behaviour, | :39:55. | :39:59. | |
or they're taken there because they're at risk. | :39:59. | :40:02. | |
The home is not allowed to confine the girl | :40:02. | :40:05. | |
and Jim cannot force her to return there. | :40:05. | :40:07. | |
And she knows that. | :40:07. | :40:10. | |
It's 12.30 at night. Well, I'm not going back. | :40:10. | :40:12. | |
You've gone back before. We need to take you back. I'm not going back. | :40:12. | :40:15. | |
Why not? Cos I'm not. Why not? Can you shush? | :40:15. | :40:18. | |
Can you let me speak to her? He's only trying to talk. Let me speak to her. Go and stand over there. | :40:19. | :40:23. | |
What's wrong with the home? | :40:23. | :40:25. | |
I'm not getting along with anyone in that house at the moment. | :40:25. | :40:27. | |
Have you spoken to staff? | :40:27. | :40:29. | |
Yeah, I told the staff and the staff said to me, | :40:29. | :40:32. | |
"As long as you keep in contact and keep phoning | :40:32. | :40:34. | |
"and keep answering your phone, then I'm going to listen to you." | :40:34. | :40:37. | |
I've been answering the phone. That's not going to change tonight. | :40:37. | :40:40. | |
The cops have got one last option. | :40:40. | :40:42. | |
If we think you're at risk, I said you can be placed in protection. | :40:42. | :40:45. | |
What's that? Basically a police protection order. All right? | :40:45. | :40:48. | |
But you can't do that. We can do that. | :40:48. | :40:50. | |
You're 15 years of age, it's 1 | :40:50. | :40:53. | |
You can't force me to go back. We can take you | :40:53. | :40:56. | |
and Social Services will place you where they're going to place you. | :40:56. | :41:02. | |
Well, I'll go back to mine, then. BLEEP, I'll text you when I get back, yeah? | :41:02. | :41:06. | |
Oi, make sure you stay out, cos I'm going to text you. | :41:06. | :41:08. | |
The girl has agreed to go back to her care home, | :41:08. | :41:10. | |
but now there's another problem. | :41:10. | :41:13. | |
Her friend might also be on the missing list. | :41:13. | :41:15. | |
Is your name BLEEP? No. | :41:15. | :41:18. | |
Got any ID on you? You got any ID on you? No. My name ain't BLEEP. | :41:18. | :41:21. | |
Why are you laughing? | :41:21. | :41:23. | |
I'm not laughing! When people laugh, it makes me think they're lying. | :41:23. | :41:27. | |
They'll often try and give false details to us because they know they'll be reported missing. | :41:27. | :41:33. | |
What's your name, then? Charmaine. Charmaine what? Charmaine BLEEP. | :41:33. | :41:37. | |
Why can't you look at me? Why can't you look at me? | :41:37. | :41:40. | |
Cos you are BLEEP,aren't you? No, I'm not. | :41:40. | :41:43. | |
We've got a fingerprint ID kit, we can find out your identification. | :41:43. | :41:46. | |
She tried to give us a bluff, but as soon as we got her description, | :41:46. | :41:49. | |
it was obvious it was that person. | :41:49. | :41:52. | |
I'll blatantly run away again, there's no point taking me back. | :41:52. | :41:56. | |
Why are you crowding around me? he's come to give you a lift back. | :41:56. | :41:59. | |
You'll probably run away at some point, but... | :41:59. | :42:01. | |
Well, I'm running away, I'm telling- you now. I know the way back. | :42:01. | :42:05. | |
Both girls are on their way back to the home, but there's still another young girl to deal with, | :42:05. | :42:09. | |
who's with an older boy. | :42:09. | :42:12. | |
What, you're a mate of hers, are you? No. | :42:12. | :42:15. | |
I just met him! They're not missing, but the girl is only 14. | :42:15. | :42:18. | |
Should be tucked up in bed! | :42:18. | :42:20. | |
She'd never met this guy before, he was a lot older than her. | :42:20. | :42:24. | |
She's 14, we're going to be taking her home. | :42:24. | :42:27. | |
She's going back to her parents. 'They're at serious risk. | :42:27. | :42:30. | |
'Out one o'clock in the morning, inebriated, don't know who's about,' | :42:30. | :42:35. | |
could easily be lured into a situation where they're at risk. | :42:35. | :42:39. | |
I'm not trying to scare you, what I'm trying to say is that it's probably a bit... | :42:39. | :42:43. | |
Dangerous environment for a 14-year-old to be out walking the streets this time of night. | :42:43. | :42:47. | |
She needs to be at home and that's where we took her to. | :42:47. | :42:50. | |
Place of safety. | :42:50. | :42:52. | |
Er, probably not. | :42:52. | :42:55. | |
Hello, it's police. | :42:55. | :43:00. | |
And before you ask, I ain't done nothing wrong! Hello. | :43:00. | :43:04. | |
PC Norton from Herts Police. Yes, hello. | :43:04. | :43:08. | |
BLEEP has been hanging out with some of her friends. | :43:08. | :43:12. | |
Ten to one in the morning. Yes. | :43:12. | :43:15. | |
It's not really an appropriate place for a 14-year-old to be. No, it's not. | :43:15. | :43:18. | |
However worldly wise she thinks she might be, obviously she's not. | :43:18. | :43:22. | |
She's not supposed to be in the streets at that time of night. | :43:22. | :43:25. | |
The wool's been pulled over Mum's eyes and she's not where she should be. | :43:25. | :43:28. | |
Were you unaware of the fact she was out or...? | :43:28. | :43:32. | |
Well, I knew she was with her friend BLEEP, | :43:32. | :43:34. | |
but I didn't realise they were actually out on the street. Yeah. Unfortunately, that's the problem. | :43:34. | :43:39. | |
So as long as you know, Mum, the f | :43:39. | :43:42. | |
Just bear in mind what we said to you tonight, OK? Yes. | :43:42. | :43:48. | |
OK, all right, take care. Thanks. Bye. | :43:48. | :43:55. | |
As safe as a little town like Baldock might be, | :43:55. | :43:58. | |
you never know who's travelling through | :43:58. | :44:01. | |
and there's always the dangers there of people willing to take advantage of young people. | :44:01. | :44:06. | |
Especially young girls. | :44:06. | :44:10. | |
Back in Stevenage, there's still no sign of the man with the knife, | :44:10. | :44:13. | |
so the search is going to be called off. | :44:13. | :44:18. | |
But before the helicopter can leave for home, | :44:18. | :44:20. | |
the crew have all of a sudden spotted something else. | :44:20. | :44:25. | |
A gang of youths tearing down shop signs. | :44:25. | :44:29. | |
RADIO: The man on Dowling's just ripped letters off a shop front. | :44:30. | :44:35. | |
Now trying to jump up the wall of Coral's. | :44:35. | :44:41. | |
Received, he's on the high street, is he? Yes, yes. | :44:41. | :44:46. | |
Sierra six, we're about 30 seconds away from that. | :44:46. | :44:51. | |
Vandalism is not something the police helicopter usually gets involved with, | :44:51. | :44:56. | |
but the cops can't ignore what's just happened. | :44:56. | :44:58. | |
'We are looking for someone who we consider to be very dangerous.' | :44:59. | :45:03. | |
with is a group of lads | :45:03. | :45:08. | |
who have been out on the town who decide they're going to be... | :45:08. | :45:14. | |
idiotic. | :45:14. | :45:17. | |
Thanks to the chopper, the lad is easy to identify. | :45:17. | :45:21. | |
'99, it's the one next to the police officer on your left. | :45:21. | :45:27. | |
'Tango three whisky four. X-ray.' | :45:27. | :45:31. | |
Chap, can I have a word with you over here? Me?Yeah, you. | :45:31. | :45:34. | |
And everything he's done has been caught on camera. | :45:34. | :45:39. | |
Right, OK, what have you done at Coral's? Coral's?Yeah, bookmakers. | :45:39. | :45:44. | |
Nothing much. I've done nothing at Coral's. | :45:44. | :45:47. | |
Right, you got any ID on you? Yeah, man. | :45:47. | :45:50. | |
'I've asked him outright,' | :45:50. | :45:54. | |
"What have you done?" He tries to get out of it and you'll find that with people, | :45:54. | :45:57. | |
they will try and lie and think, "I can get away with this. I can have one over here." | :45:57. | :46:01. | |
What you done to your hand? I don't know, I fell over. | :46:01. | :46:03. | |
Been climbing a wall? Probably. | :46:04. | :46:07. | |
'What he failed to realise was that loud, droning noise that he heard | :46:07. | :46:12. | |
'was actually a police helicopter. | :46:12. | :46:14. | |
'They're not quiet. They're not designed for stealth.' | :46:14. | :46:19. | |
T | :46:19. | :46:23. | |
Just confirm it's the one I've got with me now. Holding my hand up. | :46:23. | :46:29. | |
RADIO: Yeah, the one that you're talking to now, got it on video, | :46:29. | :46:33. | |
been pulling off letters off the front of a shop... | :46:33. | :46:41. | |
Come with me, chap. | :46:41. | :46:46. | |
Yes, all received, thank you. | :46:46. | :46:48. | |
Why on earth they thought it would be a great idea to damage a shop front | :46:48. | :46:51. | |
is up is beyond me. | :46:51. | :46:57. | |
What's going on, fella, is that off the front of Coral's. Coral's? | :46:57. | :47:02. | |
Yeah. Bookmaker's. | :47:02. | :47:05. | |
Strangely, though, there's no apparent damage to Coral's. | :47:05. | :47:08. | |
Nine, nine, zero six. Yeah, go ahead. | :47:08. | :47:12. | |
If you go back to the other side of the junction, Basil Road, you've got a large green hedge. | :47:12. | :47:18. | |
The letter he ripped off the building was thrown into that | :47:18. | :47:21. | |
and then just at the bottom of that- hedge on the footpath | :47:21. | :47:24. | |
should be a wet area where the glass was thrown on the floor. | :47:24. | :47:30. | |
Yes, all received. Um, whereabouts on the shop front did he do it? | :47:30. | :47:36. | |
They were able to tell us exactly where these letters were. | :47:36. | :47:40. | |
But something still doesn't quite add up for Chris. | :47:41. | :47:43. | |
Run me through what you've done again, to the front. | :47:43. | :47:47. | |
All right, I run up the wall and then, just messing around, we're just walking home, you know... | :47:47. | :47:51. | |
What wall, what wall? The side of Coral's. Just messing around. | :47:51. | :47:56. | |
That wall there, the glass wall. | :47:56. | :47:59. | |
That was clever, weren't it? I know, it's stupid, stupid. | :47:59. | :48:02. | |
You know, we're not... Leaving aside the criminal damage for a second... | :48:02. | :48:06. | |
There's no criminal damage. No, no, leaving that aside, if that window breaks, | :48:06. | :48:09. | |
you go straight through it, OK? | :48:09. | :48:12. | |
A shard of glass falls down, it takes you out. OK, yes. | :48:12. | :48:16. | |
I know you've had a few sherbets, yeah, and then you suddenly think you're Superman or something, | :48:16. | :48:21. | |
all right, but that's just insane. | :48:21. | :48:26. | |
Chris has found some evidence. | :48:26. | :48:28. | |
It's a D, or maybe a B, but it doesn't seem to be from Coral's. | :48:28. | :48:32. | |
Tell me where you got this from. No idea, I don't know. | :48:32. | :48:36. | |
Honestly, mate, I just want to go home. | :48:36. | :48:39. | |
Chris is going to apply the letter of the law. | :48:39. | :48:43. | |
This point in time, you're under arrest on suspicion of criminal damage, OK? | :48:43. | :48:46. | |
You don't have to say anything. It may harm your defence if you don't mention when questioned | :48:46. | :48:50. | |
something you rely on in court. Anything you say may be given in evidence. | :48:50. | :48:53. | |
If you're not straight with me, I'll take you in until I find out where all these have come from. | :48:53. | :48:57. | |
They're up in the sky, I knew it was him. | :48:58. | :49:00. | |
I'd identified him, they'd p | :49:00. | :49:05. | |
He knows they've seen him, | :49:05. | :49:08. | |
'because he can hear what the helicopter's telling me.' | :49:08. | :49:11. | |
Literally, cos I know where all the letters are. | :49:11. | :49:13. | |
There is a small chance of redeeming the situation. | :49:13. | :49:16. | |
I | :49:16. | :49:20. | |
What? We'll see how it goes. You got the rest of the letters? | :49:20. | :49:25. | |
There's another one back there. If I can find them all, | :49:25. | :49:27. | |
then, we'll deal with it that way. | :49:27. | :49:30. | |
But we'll go and have a little walk down there. OK. | :49:30. | :49:34. | |
Right then, my friend... I can find them all. | :49:34. | :49:37. | |
Find the letters! Find the letters!- Find the letters. | :49:37. | :49:41. | |
Find the letters! Find them. | :49:41. | :49:44. | |
You tell them to find them. We know where they are, mate. | :49:44. | :49:47. | |
Right. Look, I apologise... | :49:47. | :49:49. | |
Your friends are going to go on a little expedition now. | :49:49. | :49:52. | |
If they find them all, does that mean I can go? | :49:52. | :49:55. | |
Find them all, and then we'll see how we go. AND if they fit back on there. | :49:55. | :49:59. | |
'I was trying to find another way to deal with it | :49:59. | :50:01. | |
'purely because there was still' | :50:01. | :50:03. | |
a male out there who potentially had a knife on him. | :50:03. | :50:07. | |
Whilst the boys hunt for the missing letters, | :50:07. | :50:09. | |
Jim and Nathan have turned their attention | :50:09. | :50:11. | |
back to searching for the office building metal thieves. | :50:11. | :50:15. | |
There's a couple of people in that doorway. | :50:15. | :50:17. | |
Anyone around at this time of night- will be checked out. | :50:17. | :50:23. | |
Yep, running. | :50:23. | :50:24. | |
'I saw two shadows dart into an alleyway, | :50:25. | :50:28. | |
' | :50:28. | :50:31. | |
maybe an attempted burglary or burglary in progress. | :50:31. | :50:36. | |
It's not burglars after all. | :50:36. | :50:38. | |
It's the girls who were returned to the care home. | :50:38. | :50:41. | |
'It was all a big joke to them.' | :50:42. | :50:44. | |
I thought, it's going to be a long night. Here we go again. | :50:44. | :50:46. | |
Listen, listen. I am sick and tired of chasing after you two. | :50:46. | :50:51. | |
We are absolutely run off our feet tonight. | :50:51. | :50:54. | |
We thought for a second there was s | :50:54. | :50:58. | |
which there is tonight? What?What? Are they breaking into a building? | :50:58. | :51:02. | |
Yeah, there are people breaking into buildings. | :51:02. | :51:04. | |
There's crimes being committed. | :51:04. | :51:10. | |
They're not going to break into a country property... Yeah! | :51:10. | :51:14. | |
Right, if you don't stop swearing, you'll get yourself arrested, all right? | :51:14. | :51:16. | |
You do know we'll just go again. I'll never swear in my life again. | :51:16. | :51:18. | |
I've done what I need to do by getting you back home | :51:18. | :51:21. | |
cos when you end up in a ditch somewhere... | :51:21. | :51:23. | |
You're not getting us home! No, no, no! | :51:23. | :51:25. | |
When something really bad happens to you, | :51:25. | :51:28. | |
there are people out there, right, that you won't even know about. | :51:28. | :51:30. | |
They'll just find you, OK cos they'll pick on you | :51:30. | :51:33. | |
because you're two girls. It's happened to me before! Right, OK. | :51:33. | :51:36. | |
Why go round saying we'll end up in a ditch? I'm trying- to prevent that from happening. | :51:36. | :51:38. | |
Nothing BLEEPscares me. That's what we're trying to prevent. | :51:39. | :51:41. | |
Nothing scares me any more. | :51:41. | :51:43. | |
They were drunk, but that was frustrating me even more, | :51:43. | :51:46. | |
because at their age, they should not be drunk. | :51:46. | :51:50. | |
GIRLS LAUGH | :51:50. | :51:53. | |
Right, as I say, we're really busy tonight... Let's go home! | :51:53. | :51:56. | |
Oh, dear, you're a joker! | :51:56. | :52:01. | |
I don't know if you've noticed... These are the safe police officers! | :52:01. | :52:04. | |
..but none of us are laughing. I don't care! | :52:04. | :52:07. | |
Put a smile on your face! | :52:07. | :52:10. | |
it's very apparent you are children. | :52:10. | :52:13. | |
So let's get you back to the home. Come on. Put a smile on your face! | :52:13. | :52:16. | |
It's very frustrating. You think, | :52:16. | :52:18. | |
here I am again, I'm needed elsewhere and I'm dealing with this. | :52:18. | :52:21. | |
THEY LAUGH | :52:21. | :52:24. | |
'And you know in your heart of hearts | :52:24. | :52:27. | |
'that they are going to probably run away again, | :52:27. | :52:29. | |
'but you've got to worry about that risk to that child' | :52:29. | :52:32. | |
and you've got to try and convince them and explain to them the risks | :52:32. | :52:35. | |
and get them back. Every time they go missing, you'll have to deal with it. | :52:35. | :52:39. | |
Just pointless, because we'll put her in, she'll go upstairs and... | :52:39. | :52:42. | |
Can't you handcuff her in her room or something? | :52:42. | :52:45. | |
I thought someone was breaking into the shop. | :52:45. | :52:47. | |
I didn't even notice it was a bright red and bright yellow hoodie. | :52:47. | :52:50. | |
Cheers, guys. | :52:50. | :52:52. | |
If it's not troublesome girls wasting busy police's time, | :52:52. | :52:55. | |
then it's troublemaking boys tying them up. | :52:55. | :52:59. | |
I wasted your time. | :52:59. | :53:01. | |
Now three officers are written off because we have to deal with you. | :53:01. | :53:04. | |
PHONE RINGS | :53:04. | :53:06. | |
Hello? I've been arrested, Mum. | :53:06. | :53:09. | |
Our decision-making isn't great when we've had a few, | :53:09. | :53:11. | |
but I think the majority of people in this country | :53:11. | :53:13. | |
would be able to walk down a high street without doing what they did. | :53:13. | :53:17. | |
The rest of the missing letters have been recovered | :53:17. | :53:19. | |
and what they spell is the clue to where they're from. | :53:19. | :53:23. | |
He said, if we find the letters, they can go tonight with us. | :53:23. | :53:27. | |
It's the first time I've been arrested. Know what I mean? | :53:27. | :53:29. | |
'He was a nice lad. He'd never been in trouble with us before.' | :53:29. | :53:31. | |
Too many sherbets and he's being a silly boy. | :53:32. | :53:36. | |
It just shows you what drinking, or drinking to excess does. | :53:36. | :53:41. | |
Even the nicest of people do silly things. | :53:41. | :53:43. | |
The holder in the wall has come out with it. | :53:43. | :53:46. | |
It's the same, that one as well. Unfortunately for the young man, | :53:46. | :53:49. | |
it's apparent that the shop sign isn't going to be repairable. | :53:49. | :53:52. | |
So that's damaged. | :53:52. | :53:55. | |
Now he's really in the doghouse. | :53:55. | :53:59. | |
The mystery of where the letters came from has been solved. | :53:59. | :54:03. | |
The word on the street is it's not Corals after all, | :54:03. | :54:06. | |
but another well-known bookies - Ladbrokes. | :54:06. | :54:10. | |
Pardon? | :54:10. | :54:12. | |
Yeah, that was quite amusing. | :54:12. | :54:16. | |
Quite apt, but in the same vein, it's some drunken antics that... | :54:16. | :54:23. | |
really someone who should know a bit better. | :54:23. | :54:26. | |
We can all say that we've been there and done silly things | :54:26. | :54:29. | |
at some point in life. Just unfortunate for him | :54:29. | :54:32. | |
he was silly enough to do it with a helicopter above him. | :54:32. | :54:34. | |
Yeah, we're en route to custard. If you could "um" them for me. | :54:34. | :54:37. | |
'In the great scheme of things, you're dealing with' | :54:37. | :54:40. | |
a minor criminal damage, when really, | :54:40. | :54:42. | |
we're there to be looking for someone who's committed a stabbing. | :54:42. | :54:49. | |
It's almost the end of a very long night for the traffic cops | :54:49. | :54:54. | |
and just time for a cuppa before the end of Tony's last ever shift. | :54:54. | :54:58. | |
Ah! Last time we ended up in here, we bloody nicked someone, didn't we? | :54:58. | :55:01. | |
Yes. | :55:01. | :55:02. | |
'We were just nipping into the petrol station for a cup of coffee.' | :55:02. | :55:10. | |
RADIO: 'Youths present on the track on stuck on the track.' | :55:10. | :55:13. | |
Where? Over there. | :55:13. | :55:15. | |
'A job at Grange Avenue near to Leagrave Railway Station. | :55:15. | :55:17. | |
'BTP have called us. | :55:18. | :55:20. | |
'Off CCTV, they can see two youths trespassing on the tracks.' | :55:20. | :55:26. | |
'Can't see what colour they are, IC codes, | :55:26. | :55:29. | |
'but they're both wearing white tops. | :55:29. | :55:31. | |
'They were throwing rubbish on the track earlier. | :55:31. | :55:34. | |
'There's a train due to arrive at 3.20.' | :55:34. | :55:38. | |
Yeah, we're there now. | :55:38. | :55:41. | |
Should be able to see if there's...- if they've got it on CCTV. | :55:41. | :55:46. | |
We were given the description... | :55:46. | :55:48. | |
Who's actually looking at the CCTV? | :55:48. | :55:50. | |
'..and the only two people on the platform | :55:50. | :55:53. | |
'were these two people that met the description.' Yeah, copy. | :55:53. | :55:57. | |
Yeah, we've got them on platform two and three. | :55:57. | :55:59. | |
Yeah, we've got them in sight now. Platform two. | :55:59. | :56:02. | |
One of the reports was, | :56:02. | :56:03. | |
they may have been putting stuff on the railway track itself. | :56:03. | :56:07. | |
Right, what you been up to? Nothing much, mate. | :56:07. | :56:09. | |
If you've got one more unit that can just hang fire in the area, | :56:09. | :56:11. | |
er, they're a bit volatile, just in case we need them. | :56:12. | :56:18. | |
Look, get back. You're trespassing the railway, mate, | :56:18. | :56:25. | |
Am I drunk? Quite clearly you are. | :56:25. | :56:28. | |
You know what I'm saying? You actually are. | :56:28. | :56:29. | |
They clearly wanted to fight. | :56:29. | :56:31. | |
Don't get in my face, else I'll get in your face. | :56:32. | :56:33. | |
I'm not in your face, mate. Move back. | :56:33. | :56:36. | |
They're not here to catch a train | :56:36. | :56:38. | |
so Craig and Tony are going to move them on. | :56:38. | :56:40. | |
You become fluent in...in yobbish, after a little while. | :56:41. | :56:45. | |
Yo, policeman, you think you're special or something? | :56:46. | :56:48. | |
Do you think you're special? Cos you got bullied at school, mate? | :56:48. | :56:51. | |
Yeah, absolutely. Exactly. Look at them. He ain't got no missus. | :56:51. | :56:55. | |
He's probably bum chums with him. | :56:55. | :56:58. | |
Used to find it a little bit infuriating | :56:58. | :57:00. | |
but now it's just very funny - d | :57:00. | :57:03. | |
THEN it becomes infuriating. | :57:03. | :57:08. | |
You're really hard, ain't you? | :57:08. | :57:10. | |
Hey, I'm harder than you, mate, simple as that. Oh, go home. | :57:10. | :57:12. | |
No, you go home, mate. Your mum's going to be waiting for you. | :57:12. | :57:19. | |
I've had enough now, go. I've not got a mum! No! Just go. | :57:19. | :57:21. | |
My mum died, mate. Put your arms down and go. | :57:21. | :57:24. | |
My mum died, what you trying to say? | :57:24. | :57:27. | |
They were two kids, drunk, absolutely silly, | :57:27. | :57:29. | |
been in trouble with us numerous times. | :57:29. | :57:31. | |
I've not got a mum. Go home. Not since six years... Six years! | :57:31. | :57:34. | |
Go home, stop waving your arms. | :57:34. | :57:37. | |
I've not had enough! I've not had a mum, like you. | :57:37. | :57:41. | |
We're off that subject, and stop swearing at me. | :57:41. | :57:44. | |
You telling me about my mum? Go home. My mum's dead. | :57:44. | :57:47. | |
Are you going to go home, yes or no? My mum died of cancer. | :57:47. | :57:50. | |
OK, I apologise for that but now go home, all right? | :57:50. | :57:56. | |
Go home and go quick. | :57:56. | :57:59. | |
You could see everything he was doing was trying to wind me and Tone up. | :57:59. | :58:01. | |
I want to know his number. Wind your neck in and go home. | :58:01. | :58:03. | |
It's beginning to look as if Tony IS going to get that last arrest | :58:03. | :58:07. | |
not that he really wants it any more. | :58:07. | :58:09. | |
I don't care! I want to know what his number is. Go home! | :58:09. | :58:12. | |
Excuse me! I have a right to know his number. | :58:12. | :58:15. | |
He told me to suck my mum, and my mum's dead, so what's his number? | :58:15. | :58:18. | |
What are you laughing for? I didn't say that, buddy. | :58:18. | :58:20. | |
Go home. You did say that. I was there, I heard it. Go home... | :58:20. | :58:24. | |
A normal night, those two would've been in the cells. | :58:24. | :58:26. | |
But this isn't a normal night for Tony. | :58:26. | :58:29. | |
You are that far away from being locked up for the night, all right? | :58:29. | :58:32. | |
Do yourselves a favour, stop being silly and go home. | :58:32. | :58:35. | |
What's your number? This is your last warning. | :58:35. | :58:37. | |
You talked to me about my mother! My mother's dead. | :58:37. | :58:40. | |
We were probably a little bit too, um, lenient with them. | :58:40. | :58:45. | |
Go away. What's his number? | :58:45. | :58:47. | |
Because I have had just about enough of you. | :58:47. | :58:50. | |
Go away. I want his number, that's all I want. | :58:50. | :58:53. | |
Go away. Why's he not getting done instead of me? | :58:53. | :58:57. | |
I'll put my hands up to that one. | :58:57. | :59:02. | |
My last night. I think we dealt with it quite well. | :59:02. | :59:07. | |
In Stevenage, the Ladbrokes lad is about to be dealt with at the nick. | :59:07. | :59:12. | |
Sit there. | :59:12. | :59:14. | |
Edward, is it? How do you prefer to be called? Edward, Eddie? Ed? | :59:14. | :59:17. | |
I don't mind. Whatever. | :59:17. | :59:20. | |
You won't be in here longer than a day. | :59:20. | :59:22. | |
I can pretty much 100% assure you that | :59:22. | :59:25. | |
unless we take your fingerprints and it comes back | :59:25. | :59:27. | |
that you're some kind of big criminal type... I'm not. | :59:27. | :59:30. | |
..who we've been looking for for years, you ain't staying here. | :59:30. | :59:33. | |
The worst thing I've done is got a speeding ticket, ever. | :59:34. | :59:36. | |
Y | :59:36. | :59:38. | |
We'll then fingerprint, photograph and take your DNA, all right? | :59:38. | :59:43. | |
All for a drunken prank. That's the thing, OK? Idiot!Yes. | :59:43. | :59:47. | |
'Cos he was drunk, he couldn't be dealt with at that time. | :59:47. | :59:50. | |
'He stayed in custody overnight, was interviewed next morning' | :59:50. | :59:53. |