Browse content similar to Damilola, Our Loved Boy. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
SIRENS WAIL | 0:00:07 | 0:00:09 | |
PANTING | 0:00:09 | 0:00:11 | |
REPORTERS CLAMOUR | 0:00:51 | 0:00:53 | |
Mum? | 0:01:02 | 0:01:04 | |
INDISTINCT POLICE RADIO CHATTER | 0:01:07 | 0:01:09 | |
Detectives have started a murder hunt | 0:01:17 | 0:01:19 | |
after a ten-year-old boy bled to death... | 0:01:19 | 0:01:21 | |
..was stabbed in the leg. | 0:01:21 | 0:01:22 | |
Although emergency crews tried first aid, he later died... | 0:01:22 | 0:01:25 | |
..housing estate in South London. | 0:01:25 | 0:01:27 | |
Damilola Taylor was stabbed as he returned... | 0:01:27 | 0:01:29 | |
PLANE ENGINE STARTS UP | 0:01:29 | 0:01:30 | |
LIVELY MUSIC STARTS | 0:01:35 | 0:01:37 | |
Church? We'll only be an hour. | 0:02:24 | 0:02:26 | |
But I booked a table for 7:30pm. | 0:02:26 | 0:02:28 | |
You know I haven't eaten since lunchtime. | 0:02:29 | 0:02:31 | |
Oh, dear. | 0:02:31 | 0:02:33 | |
I am running low on fuel. STOMACH RUMBLES | 0:02:33 | 0:02:36 | |
Did you hear that? | 0:02:36 | 0:02:38 | |
Be at peace in Jesus' name. | 0:02:40 | 0:02:43 | |
SHE GIGGLES | 0:02:43 | 0:02:45 | |
LIVELY MUSIC STARTS | 0:02:45 | 0:02:47 | |
ALL: Happy anniversary! | 0:03:09 | 0:03:11 | |
THEY CHEER | 0:03:11 | 0:03:13 | |
MUSIC CONTINUES | 0:03:13 | 0:03:15 | |
Nothing to do with me. | 0:03:23 | 0:03:24 | |
CHEERING DROWNS SPEECH | 0:03:28 | 0:03:30 | |
After being childhood friends, | 0:03:30 | 0:03:32 | |
my father left for Great Britain in 1971 to study. | 0:03:32 | 0:03:35 | |
It seemed the romance had come to an end. | 0:03:35 | 0:03:39 | |
But God had other plans | 0:03:39 | 0:03:41 | |
and, in 1974, he led my father to a chance meeting with my mother | 0:03:41 | 0:03:45 | |
in Brixton, south London. | 0:03:45 | 0:03:47 | |
THEY LAUGH | 0:03:47 | 0:03:49 | |
Then, in 1977, my dad made an honest woman of my mum | 0:03:49 | 0:03:54 | |
and they married in Kensington Town Hall, London. | 0:03:54 | 0:03:57 | |
One year later, they had me. | 0:03:59 | 0:04:03 | |
Hey! SHE CHUCKLES | 0:04:03 | 0:04:05 | |
Two years later, they had me. | 0:04:07 | 0:04:10 | |
Ha-ha! | 0:04:10 | 0:04:12 | |
And then God sent me. | 0:04:14 | 0:04:16 | |
LAUGHTER AND APPLAUSE | 0:04:16 | 0:04:19 | |
LIVELY MUSIC STARTS | 0:04:27 | 0:04:29 | |
Thank you very much. | 0:04:43 | 0:04:44 | |
Who was that? Clarence. My auntie's first husband's brother. | 0:04:44 | 0:04:49 | |
Dad? Are you ready to eat? Yes, please. | 0:04:49 | 0:04:52 | |
Ooh! Stop running, Damilola. | 0:04:52 | 0:04:54 | |
By the way, wonderful presentation. Yes, wonderful presentation. | 0:04:54 | 0:04:59 | |
You have made us very proud. Thank you very much. | 0:04:59 | 0:05:03 | |
It was only yesterday he was wearing nappies. | 0:05:03 | 0:05:05 | |
He would happily sit in his own mess the whole day. | 0:05:05 | 0:05:09 | |
How we had to chase him to change his nappy. | 0:05:09 | 0:05:11 | |
Funny, I only remember one of us doing the chasing and the changing. | 0:05:11 | 0:05:15 | |
Hmm. Did you burp? | 0:05:17 | 0:05:19 | |
Mr Taylor? | 0:05:19 | 0:05:22 | |
Just a quick one, have you thought any more | 0:05:22 | 0:05:24 | |
about joining our bible group? HE COUGHS | 0:05:24 | 0:05:28 | |
THUD | 0:05:28 | 0:05:29 | |
Move back, move back. Everybody... | 0:05:29 | 0:05:32 | |
Somebody call an ambulance. | 0:05:32 | 0:05:35 | |
My daughter needs an ambulance. In the name of Jesus... | 0:05:35 | 0:05:37 | |
Stop all this nonsense now. | 0:05:37 | 0:05:39 | |
Give her some space. | 0:05:39 | 0:05:41 | |
ALL TALK AT ONCE | 0:05:41 | 0:05:43 | |
This needs more powder. | 0:05:47 | 0:05:49 | |
I'm not putting any more in. Mum would. | 0:05:49 | 0:05:52 | |
Bed. | 0:05:52 | 0:05:54 | |
Have you heard from the hospital yet? No. | 0:05:58 | 0:06:01 | |
Mum and Dad have it under control. OK? | 0:06:12 | 0:06:15 | |
We will administer more tranquillisers overnight | 0:06:20 | 0:06:23 | |
and she should be able to go home in the morning. More tranquillisers? | 0:06:23 | 0:06:26 | |
Is my daughter an animal? Richard. How many years have they been | 0:06:26 | 0:06:29 | |
pumping this black-market poison into her body, eh? How many? | 0:06:29 | 0:06:32 | |
Why don't you vent to your friends in the government, | 0:06:32 | 0:06:34 | |
instead of shouting at this poor girl? | 0:06:34 | 0:06:36 | |
My apologies. | 0:06:38 | 0:06:40 | |
We cannot keep waiting for God to throw us a miracle. | 0:06:52 | 0:06:55 | |
Hmm. | 0:07:22 | 0:07:23 | |
How is she? | 0:07:26 | 0:07:27 | |
She'll be home in the morning. | 0:07:27 | 0:07:30 | |
Just to let you know, I've changed my plans. | 0:07:30 | 0:07:35 | |
To help find a cure. | 0:07:35 | 0:07:37 | |
But what about playing for United? | 0:07:37 | 0:07:39 | |
Well, the matches are mostly on the weekends, so I can do both. | 0:07:39 | 0:07:44 | |
HE CHUCKLES | 0:07:44 | 0:07:46 | |
OK. Now get some sleep. | 0:07:53 | 0:07:55 | |
DOOR CLOSES | 0:08:07 | 0:08:08 | |
If it could be done here, we would be doing it. | 0:08:09 | 0:08:12 | |
I understand, Sir, | 0:08:14 | 0:08:16 | |
but it's the only place she can be treated. | 0:08:16 | 0:08:20 | |
She has the right to use the National Health, she's British-born. | 0:08:20 | 0:08:23 | |
OK. No, no, | 0:08:28 | 0:08:31 | |
thank you for your time. Bye. | 0:08:31 | 0:08:32 | |
Are you sure something can't be worked out? | 0:08:35 | 0:08:37 | |
The earliest they can release me is Christmas. | 0:08:37 | 0:08:40 | |
SHE SIGHS | 0:08:40 | 0:08:42 | |
We can't wait until then. | 0:08:42 | 0:08:44 | |
You must go ahead. I must go? | 0:08:44 | 0:08:47 | |
Richard, we never discussed this. This was never the plan. | 0:08:47 | 0:08:50 | |
You think I want you to go without me? | 0:08:50 | 0:08:53 | |
I'll call my cousin in London in the morning | 0:08:53 | 0:08:55 | |
and then sort out travel arrangements for you and Gbemi. | 0:08:55 | 0:08:58 | |
I'm not leaving my sons behind. | 0:08:58 | 0:09:00 | |
Hey, I understand perhaps you might also want to take Tunde, | 0:09:00 | 0:09:05 | |
but Damilola, he's only ten. He's no longer a baby. | 0:09:05 | 0:09:07 | |
He is the baby of this family. Well, then needs to be with his mother. | 0:09:07 | 0:09:10 | |
He stays here. | 0:09:10 | 0:09:11 | |
Four, five, six, seven, eight... | 0:09:16 | 0:09:19 | |
Dami, it's time to eat. | 0:09:22 | 0:09:25 | |
Bye. Bye. | 0:09:25 | 0:09:27 | |
You must also remember, I'm not sending you on holiday. | 0:09:33 | 0:09:37 | |
In my absence, you'll have to be the man of the house. No problem. | 0:09:37 | 0:09:41 | |
That means being there for your mother and sister. | 0:09:41 | 0:09:43 | |
You also have to apply to university so you can continue your studies | 0:09:43 | 0:09:46 | |
and you have to find a part-time job, so you can make your own money. | 0:09:46 | 0:09:50 | |
OK, OK. | 0:09:50 | 0:09:52 | |
London is not Lagos. | 0:09:52 | 0:09:54 | |
You think you can come from privilege | 0:09:54 | 0:09:56 | |
and just easily make it in the UK? What privilege? | 0:09:56 | 0:09:59 | |
What's the matter now? | 0:10:03 | 0:10:04 | |
Damilola... I'm just going to the toilet! Is that OK? | 0:10:08 | 0:10:12 | |
If that was me, I'd have got a shoe on my head. Be quiet! | 0:10:13 | 0:10:17 | |
He thinks he can sulk his way to London. | 0:10:17 | 0:10:19 | |
He will eat every grain, | 0:10:19 | 0:10:21 | |
stubborn boy. I wonder where he gets that from. | 0:10:21 | 0:10:24 | |
Look at it through his eyes. | 0:10:26 | 0:10:28 | |
Everyone here has been to the UK except for him, | 0:10:28 | 0:10:31 | |
and now he's missing out again. | 0:10:31 | 0:10:33 | |
Show me - where is Great Britain? | 0:10:55 | 0:10:57 | |
Only joking, it's here. | 0:11:00 | 0:11:03 | |
And London? | 0:11:03 | 0:11:05 | |
Here now. | 0:11:05 | 0:11:07 | |
What is the national language? English. | 0:11:07 | 0:11:09 | |
Huh. What is the President's name? President? | 0:11:09 | 0:11:12 | |
They don't have a President. | 0:11:12 | 0:11:14 | |
They have a Prime Minister and his name is Mr Tony Blair. | 0:11:14 | 0:11:16 | |
Why do you want to go to Great Britain? | 0:11:18 | 0:11:20 | |
Because it is GREAT Britain. | 0:11:26 | 0:11:28 | |
You see, Great. | 0:11:28 | 0:11:30 | |
Hmm. | 0:11:30 | 0:11:31 | |
Tonight, bedtime is 7:30pm on the dot. Huh? | 0:11:40 | 0:11:43 | |
I'll be waking you up early to sort out your passport and your visa. | 0:11:43 | 0:11:46 | |
Yes! | 0:11:46 | 0:11:47 | |
LIVELY MUSIC STARTS | 0:11:47 | 0:11:50 | |
Come now, let's play. | 0:11:55 | 0:11:57 | |
I'm going to beat you. Any time. | 0:11:57 | 0:11:59 | |
Practice. Me and Tunde are going to beat you. | 0:12:04 | 0:12:07 | |
RICHARD CHUCKLES | 0:12:07 | 0:12:08 | |
You start. | 0:12:08 | 0:12:09 | |
THEY CHEER AND LAUGH | 0:12:12 | 0:12:14 | |
All right, let's do it. | 0:12:16 | 0:12:18 | |
THEY LAUGH | 0:12:18 | 0:12:20 | |
ANNOUNCEMENT OVER TANOY | 0:12:48 | 0:12:50 | |
Good luck. Thank you, Papa. | 0:12:55 | 0:12:57 | |
Goodbye, Dad. | 0:13:02 | 0:13:04 | |
It'll be OK. | 0:13:04 | 0:13:06 | |
Call when you land. I will. | 0:13:15 | 0:13:17 | |
Come. | 0:13:19 | 0:13:21 | |
Bye, Dad. | 0:13:21 | 0:13:22 | |
HE SIGHS | 0:13:46 | 0:13:48 | |
Goodbye, Nigeria. Goodbye! | 0:13:52 | 0:13:55 | |
You see clouds? Yes. | 0:13:55 | 0:13:57 | |
SHE GIGGLES | 0:13:59 | 0:14:01 | |
Look over there. | 0:14:01 | 0:14:03 | |
You see it, Mummy? | 0:14:03 | 0:14:04 | |
HE BREATHES OUT | 0:14:15 | 0:14:17 | |
HE CHUCKLES | 0:14:58 | 0:14:59 | |
KNOCKING | 0:15:12 | 0:15:13 | |
You wanted to see me, Sir? | 0:15:13 | 0:15:15 | |
Yes, there is a call for you on an international line. | 0:15:15 | 0:15:18 | |
Oh, I'm so sorry, I didn't know that it would be... No, it's fine. | 0:15:18 | 0:15:21 | |
Hello? Hello, darling. Hey, Mrs Taylor! How was the flight? | 0:15:28 | 0:15:32 | |
Ah, we thank God, we're all fine. | 0:15:32 | 0:15:35 | |
Come and say hello to Daddy. | 0:15:35 | 0:15:37 | |
Hello, Dad! Hello, Dad. | 0:15:37 | 0:15:38 | |
Is Gbemi OK? Yes, no problems. | 0:15:40 | 0:15:42 | |
Dami? He's enjoying himself. | 0:15:42 | 0:15:45 | |
Yeah? And Tunde, is he being adult about things? | 0:15:45 | 0:15:48 | |
HE GROANS | 0:15:48 | 0:15:50 | |
He's trying his best. | 0:15:50 | 0:15:52 | |
We're just going to visit my auntie for the day in Peckham. | 0:15:52 | 0:15:55 | |
Your cousin's place is small. | 0:15:55 | 0:15:57 | |
Oh, surely it's not that bad. | 0:15:57 | 0:16:00 | |
Richard, he only has two bedrooms. | 0:16:00 | 0:16:02 | |
Well, make sure you get the number for Hillingdon Council, | 0:16:02 | 0:16:04 | |
hopefully by the end of the week | 0:16:04 | 0:16:05 | |
you'll have an accommodation in the borough. | 0:16:05 | 0:16:07 | |
Then afterwards, register Gbemi with a GP. | 0:16:07 | 0:16:10 | |
BEEPING | 0:16:10 | 0:16:11 | |
COIN DROPS | 0:16:11 | 0:16:12 | |
Yes, chief. | 0:16:12 | 0:16:13 | |
And as for the smallness of my cousin's place, | 0:16:13 | 0:16:16 | |
the closer you all are, | 0:16:16 | 0:16:18 | |
the warmer you all will be in that English weather. | 0:16:18 | 0:16:20 | |
Is that a joke? If it amuses you, yes, it is. | 0:16:20 | 0:16:23 | |
BEEPING The money's finished. | 0:16:23 | 0:16:26 | |
We have to go. OK. Bye, darling. | 0:16:26 | 0:16:29 | |
Bye. | 0:16:32 | 0:16:32 | |
LINE GOES DEAD | 0:16:35 | 0:16:37 | |
He hurt me. What did you do? I didn't touch him! | 0:16:40 | 0:16:43 | |
HE LAUGHS | 0:16:43 | 0:16:45 | |
Sit down. Aw, I want to see. | 0:16:51 | 0:16:54 | |
GENTLE MUSIC DROWNS SPEECH | 0:17:08 | 0:17:11 | |
Turn left. Left. | 0:17:14 | 0:17:16 | |
Dami, slow down. | 0:17:17 | 0:17:19 | |
Did you see that? No. | 0:17:26 | 0:17:28 | |
SHE LAUGHS | 0:17:28 | 0:17:30 | |
MUSIC POUNDS FROM CAR STEREO | 0:17:36 | 0:17:37 | |
You want a sweetie, little man? Thank you. No, thank you. | 0:17:37 | 0:17:41 | |
Thank you. | 0:18:02 | 0:18:04 | |
Hmm. Tunde, did you wet yourself? | 0:18:11 | 0:18:14 | |
Ha-ha(!) | 0:18:14 | 0:18:15 | |
GLORIA CHUCKLES | 0:18:15 | 0:18:17 | |
Damilola? | 0:18:22 | 0:18:24 | |
KNOCKING | 0:18:33 | 0:18:35 | |
Ah! | 0:18:39 | 0:18:41 | |
TRANSLATION: | 0:18:41 | 0:18:43 | |
AUNTIE DORCAS CHUCKLES | 0:18:46 | 0:18:48 | |
You're all most welcome! | 0:18:48 | 0:18:50 | |
Look at you! Oh... | 0:18:50 | 0:18:52 | |
Is this Miss Gbemi? | 0:18:52 | 0:18:54 | |
See here, she has become a big woman. Hey... | 0:18:54 | 0:18:57 | |
SLOW DISTORTED MUSIC | 0:18:58 | 0:19:00 | |
RINGING IN EARS | 0:19:00 | 0:19:02 | |
SHE GASPS What is going on? | 0:19:03 | 0:19:06 | |
It's OK. | 0:19:06 | 0:19:07 | |
GBEMI GROANS AND WAILS | 0:19:07 | 0:19:10 | |
We were interested in living in Hillingdon, | 0:19:10 | 0:19:12 | |
but my daughter's been admitted to hospital here in Peckham. | 0:19:12 | 0:19:16 | |
So now it would make sense for us to stay in this area. | 0:19:16 | 0:19:18 | |
Well, you can stay wherever you like, but what do you want from us? | 0:19:18 | 0:19:21 | |
A council house for myself and my children, | 0:19:21 | 0:19:23 | |
and for my husband when he finally joins us. | 0:19:23 | 0:19:25 | |
SHE SCOFFS | 0:19:25 | 0:19:27 | |
Look, Mrs...Taylor, | 0:19:32 | 0:19:35 | |
you can't just jet over here and demand a council house. | 0:19:35 | 0:19:38 | |
I'm not demanding. | 0:19:38 | 0:19:39 | |
Regardless if your children were born here... | 0:19:39 | 0:19:41 | |
I wasn't. I was born in Nigeria. | 0:19:41 | 0:19:43 | |
The best I can do for you | 0:19:43 | 0:19:44 | |
is to see if there's any emergency shelters available. | 0:19:44 | 0:19:47 | |
But then you said you were married. Yes? | 0:19:47 | 0:19:50 | |
The shelters are for single mothers. | 0:19:50 | 0:19:52 | |
Please, we are currently squashed in my auntie's living room. | 0:19:54 | 0:19:59 | |
My mother is sleeping on the floor. | 0:19:59 | 0:20:00 | |
Well, I'm sorry to hear that | 0:20:00 | 0:20:02 | |
but, to be blunt, you have two options - | 0:20:02 | 0:20:05 | |
continue where you're staying or go back to Nigeria. | 0:20:05 | 0:20:08 | |
It's a cool place. They sell all kinds of sports stuff. | 0:20:13 | 0:20:15 | |
So you're just selling what, footballs? | 0:20:15 | 0:20:17 | |
For now, but I might be able to get a position in head office one day. | 0:20:17 | 0:20:20 | |
How many people have made it from shop-floor to head office? | 0:20:20 | 0:20:23 | |
Yes! Pop-Tarts. Go and say thank you to Auntie Dorcas. | 0:20:23 | 0:20:26 | |
We're leaving now. Thank you, Auntie! | 0:20:26 | 0:20:29 | |
Make sure Dami wears his coat and jumper. He doesn't have a coat yet. | 0:20:29 | 0:20:33 | |
Then make sure he wears a second jumper. | 0:20:33 | 0:20:39 | |
My father, don't worry. I'm already wearing four jumpers! Four jumpers? | 0:20:39 | 0:20:42 | |
He's not waiting four jumpers. | 0:20:42 | 0:20:45 | |
I'll come down this phone line and slap you well well. | 0:20:45 | 0:20:48 | |
Make sure you wear a jumper. Tunde, are you rolling your eyes? | 0:20:48 | 0:20:51 | |
Yes, he is. Dami! OK, we're going now. | 0:20:51 | 0:20:54 | |
Everybody come and say goodbye to Daddy. Bye, Dad. Bye, Dad. | 0:20:54 | 0:20:57 | |
Richard? | 0:20:59 | 0:21:00 | |
Yes... Have a good first day at school. | 0:21:02 | 0:21:04 | |
Thanks, Dad. | 0:21:04 | 0:21:06 | |
MUSIC POUNDS IN STORE | 0:21:10 | 0:21:13 | |
Yo, Mr Lagos! You know you're not going to sell the trainers | 0:21:17 | 0:21:21 | |
just cos you perfectly loop the laces? | 0:21:21 | 0:21:24 | |
Oh, but our supervisor instructed me to make them look presentable. | 0:21:24 | 0:21:27 | |
Yeah, by making sure that they're on the shelves | 0:21:27 | 0:21:29 | |
and not just jamming on the floor. Sorry. | 0:21:29 | 0:21:32 | |
Some advice, bruv. You see, if you want the big commission, | 0:21:32 | 0:21:36 | |
you're going to have to up your sales technique. | 0:21:36 | 0:21:39 | |
Practice with these girls. | 0:21:39 | 0:21:41 | |
Be like, "Wagwan, are you lookin' for some creps?" | 0:21:41 | 0:21:44 | |
Trainers! | 0:21:46 | 0:21:47 | |
Oh, yeah, sorry. | 0:21:47 | 0:21:49 | |
Wigwam, girls them. Uh, are you lookin' for some creeps? | 0:22:01 | 0:22:05 | |
THEY LAUGH | 0:22:05 | 0:22:07 | |
BELL RINGS | 0:22:11 | 0:22:12 | |
Damilola? | 0:22:19 | 0:22:21 | |
Dami? | 0:22:23 | 0:22:25 | |
What was that all about? | 0:22:27 | 0:22:28 | |
They are my friends. They think they are faster than me, | 0:22:28 | 0:22:30 | |
but I've beaten them three times already. Where are your jumpers? | 0:22:30 | 0:22:33 | |
Damilola, you forgot these. | 0:22:33 | 0:22:36 | |
Thank you, Sir. | 0:22:36 | 0:22:38 | |
Hi, I'm Damilola's teacher. | 0:22:38 | 0:22:41 | |
You must be Mum? Yes. | 0:22:41 | 0:22:43 | |
Well, he has had a wonderful first day at school. | 0:22:43 | 0:22:45 | |
I'll see you tomorrow, Damilola. Bye, Sir. Nice to meet you. | 0:22:45 | 0:22:48 | |
What did you buy? This is your new coat. | 0:22:50 | 0:22:53 | |
Is it Avirex? Av-what? | 0:22:53 | 0:22:55 | |
Avirex. A boy in my class has an Avirex jacket. | 0:22:55 | 0:22:58 | |
It looks really cool. | 0:22:58 | 0:23:00 | |
Or is it Versace? | 0:23:00 | 0:23:02 | |
Versac... Just walk on. | 0:23:02 | 0:23:04 | |
SHE CHUCKLES | 0:23:04 | 0:23:05 | |
No. No, stop it! | 0:23:05 | 0:23:07 | |
It's mine. Give it to me! | 0:23:08 | 0:23:10 | |
GENTLE MUSIC DROWNS SPEECH | 0:23:10 | 0:23:12 | |
No, she didn't. She got it for me. | 0:23:17 | 0:23:19 | |
Why are you laughing? I'm not laughing. | 0:23:19 | 0:23:21 | |
Give it to me. No, it's mine. It's mine! | 0:23:21 | 0:23:23 | |
SHE GIGGLES | 0:23:35 | 0:23:37 | |
That was a draw. Watch this. | 0:23:43 | 0:23:46 | |
Dami! That was a good one. | 0:23:49 | 0:23:53 | |
The bus was stuck in traffic. Yeah, yeah. | 0:23:53 | 0:23:56 | |
Bye. Bye, Dami. | 0:23:57 | 0:23:58 | |
I could have been home ages ago. I don't need you to pick me up. | 0:23:59 | 0:24:03 | |
Did I embarrass you in front of your girlfriend? Stop being immature. | 0:24:03 | 0:24:06 | |
In the afternoon was PE. | 0:24:07 | 0:24:08 | |
We did football and I think I was the best goalie in the whole school. | 0:24:08 | 0:24:12 | |
After that, I went to computer club to type up my English poem. | 0:24:12 | 0:24:15 | |
Is that why you were late today? No. | 0:24:15 | 0:24:18 | |
I was standing outside the library for ages, waiting for Tunde. | 0:24:18 | 0:24:20 | |
You were waiting for Tunde? Yes. | 0:24:20 | 0:24:24 | |
Tunde, come to the phone. | 0:24:24 | 0:24:26 | |
Yes, Sir. Why were you late? | 0:24:30 | 0:24:33 | |
There was traffic. Well, like, lots of it. | 0:24:33 | 0:24:35 | |
But you knew you were picking up your brother today. | 0:24:35 | 0:24:38 | |
You should have ensured you got an earlier bus. | 0:24:38 | 0:24:40 | |
I tried to, but there was a lot of traffic... I don't want to hear any excuses. | 0:24:40 | 0:24:43 | |
You are responsible for your junior brother, OK? Yes, Sir. | 0:24:43 | 0:24:48 | |
Can't I just come home on my own? | 0:24:48 | 0:24:51 | |
What time does that computer club finish? 4:30pm. | 0:24:51 | 0:24:54 | |
I can be home by 4:38 and 20 seconds. | 0:24:54 | 0:24:57 | |
I will discuss with your mother. | 0:24:59 | 0:25:01 | |
And let me hear your English poem. | 0:25:01 | 0:25:03 | |
DAMILOLA CLEARS HIS THROAT | 0:25:07 | 0:25:08 | |
I will travel far and wide to choose my destiny | 0:25:08 | 0:25:11 | |
And remould the world | 0:25:11 | 0:25:13 | |
I know it is my destiny | 0:25:13 | 0:25:15 | |
To defend the world | 0:25:15 | 0:25:16 | |
Which I hope to achieve during my lifetime. | 0:25:16 | 0:25:18 | |
HE HUMS | 0:25:25 | 0:25:27 | |
You're going to be late. Come on. | 0:25:27 | 0:25:29 | |
You think I don't know that? And tuck in your shirt. I will. | 0:25:29 | 0:25:33 | |
Did you brush your teeth? Yes. | 0:25:36 | 0:25:37 | |
All right. Come on, let's go, let's go, let's go. | 0:25:37 | 0:25:40 | |
Quickly, quickly. Gbemi, I'll see you later. | 0:25:40 | 0:25:42 | |
Bye, Gbemi. Let's go! | 0:25:44 | 0:25:46 | |
Have a good day. | 0:25:46 | 0:25:48 | |
SHE CHUCKLES | 0:25:48 | 0:25:50 | |
Do you know them guys? | 0:25:59 | 0:26:00 | |
Well, if they ever try to call you over, | 0:26:02 | 0:26:04 | |
you just ignore them and keep walking like you're doing now. | 0:26:04 | 0:26:07 | |
I know. | 0:26:07 | 0:26:08 | |
Be good... | 0:26:16 | 0:26:18 | |
..and come straight home after computer club. I will! | 0:26:20 | 0:26:24 | |
Dami! Awesome skills. Pass to me, pass! | 0:26:29 | 0:26:32 | |
Shoot! What a goal. Yes! | 0:26:32 | 0:26:34 | |
Goal! | 0:26:36 | 0:26:38 | |
DISTANT SIRENS WAIL | 0:26:42 | 0:26:44 | |
TRAIN RUMBLES | 0:26:46 | 0:26:48 | |
KEY TURNS IN LOCK | 0:26:54 | 0:26:57 | |
DOOR CLOSES | 0:27:00 | 0:27:01 | |
Gbemi? | 0:27:07 | 0:27:08 | |
Gbemi, where's Damilola? | 0:27:10 | 0:27:14 | |
SHE GROANS | 0:27:14 | 0:27:16 | |
I don't know. He hasn't come home yet. | 0:27:16 | 0:27:18 | |
SHE TUTS | 0:27:18 | 0:27:20 | |
Dami left here on time. | 0:27:44 | 0:27:45 | |
I'm going to inform the head that he might be missing | 0:27:45 | 0:27:48 | |
and I'll have a look around the area, | 0:27:48 | 0:27:49 | |
but hopefully he'll be back at home already. | 0:27:49 | 0:27:51 | |
DISTANT SIRENS WAIL | 0:27:53 | 0:27:56 | |
SIRENS WAIL | 0:28:11 | 0:28:13 | |
Please bring this boy home. | 0:28:16 | 0:28:18 | |
SHE WHISPERS | 0:28:28 | 0:28:31 | |
INDISTINCT POLICE RADIO CHATTER | 0:28:31 | 0:28:33 | |
Excuse me, what happened? | 0:28:41 | 0:28:43 | |
ON RADIO: 'The victim was wearing black trousers, school uniform | 0:28:43 | 0:28:48 | |
'and a silver knee-length jacket. Over.' | 0:28:48 | 0:28:50 | |
Mum? | 0:29:07 | 0:29:09 | |
PHONE RINGS | 0:29:31 | 0:29:33 | |
Yes? | 0:29:35 | 0:29:36 | |
For you. | 0:29:36 | 0:29:38 | |
Hello? | 0:29:41 | 0:29:42 | |
Hello, Dad. | 0:29:43 | 0:29:45 | |
Tunde? | 0:29:45 | 0:29:47 | |
I'm sorry. | 0:29:49 | 0:29:50 | |
What? | 0:29:55 | 0:29:56 | |
Dad, something's happened. | 0:29:58 | 0:30:01 | |
Is it Gbemi? No. | 0:30:04 | 0:30:06 | |
Dami went to school today... | 0:30:09 | 0:30:11 | |
..and he didn't come back. | 0:30:12 | 0:30:14 | |
Hello? | 0:30:18 | 0:30:20 | |
Tunde?! | 0:30:20 | 0:30:21 | |
Some... Somebody stabbed him. | 0:30:23 | 0:30:26 | |
He's dead. | 0:30:29 | 0:30:30 | |
I'm sorry. | 0:30:37 | 0:30:38 | |
RICHARD HANGS UP | 0:31:02 | 0:31:04 | |
Mr Taylor? Mr Taylor? | 0:31:28 | 0:31:30 | |
REPORTERS CLAMOUR | 0:31:30 | 0:31:32 | |
PLANE ENGINE STARTS UP | 0:31:35 | 0:31:37 | |
DOOR CLOSES | 0:32:02 | 0:32:03 | |
HE SNIFFS | 0:32:19 | 0:32:21 | |
I'm sorry. | 0:32:26 | 0:32:27 | |
Get up. | 0:32:29 | 0:32:30 | |
HE SNIFFS | 0:32:40 | 0:32:42 | |
Where is my daughter? | 0:33:16 | 0:33:17 | |
She is with Auntie Dorcas. | 0:33:20 | 0:33:22 | |
In Peckham? | 0:33:22 | 0:33:24 | |
Mr Taylor? | 0:33:26 | 0:33:27 | |
Would you like to see your son? | 0:33:29 | 0:33:31 | |
Yes. | 0:33:32 | 0:33:33 | |
Please, strength. | 0:33:53 | 0:33:55 | |
DOOR CLOSES | 0:34:08 | 0:34:10 | |
We believe Damilola was stabbed over there | 0:34:31 | 0:34:33 | |
and then ran into that stairwell. | 0:34:33 | 0:34:36 | |
If you want, we can pause for now and I can get them to leave. No. | 0:34:41 | 0:34:45 | |
I want to see where my son died. | 0:34:46 | 0:34:48 | |
Thank you. | 0:35:45 | 0:35:46 | |
I'll show you where he made it to. | 0:35:51 | 0:35:53 | |
He came all this way? | 0:36:30 | 0:36:33 | |
It seems he was trying to get home | 0:36:33 | 0:36:35 | |
and somehow had dragged himself from the street and to the stairs here. | 0:36:35 | 0:36:40 | |
A builder followed his trail of blood | 0:36:41 | 0:36:44 | |
into the stairwell and found him. | 0:36:44 | 0:36:45 | |
Is this is where my son died? | 0:37:08 | 0:37:10 | |
Is this it? | 0:37:10 | 0:37:12 | |
Is this is where my son died?! | 0:37:18 | 0:37:20 | |
Why did you buy such a jacket? | 0:37:48 | 0:37:50 | |
That is what the killers were probably trying to steal. | 0:37:52 | 0:37:55 | |
It was dark when he was coming home. He needed to be seen. | 0:37:56 | 0:38:00 | |
You have made him to be seen well well. | 0:38:00 | 0:38:02 | |
DOOR OPENS | 0:38:02 | 0:38:04 | |
They're ready for you now. | 0:38:07 | 0:38:08 | |
Shall we make our way to the conference room? | 0:38:08 | 0:38:11 | |
We can delay for five minutes if you want. | 0:38:16 | 0:38:18 | |
No, I will do it on my own. | 0:38:18 | 0:38:19 | |
Good morning, ladies and gentlemen. Thank you all for coming. | 0:38:38 | 0:38:41 | |
I'm going to hand you over to Damilola's father, | 0:38:41 | 0:38:44 | |
Mr Richard Taylor, who will be making a statement. | 0:38:44 | 0:38:46 | |
Any questions, please wait till the end. Thank you. | 0:38:46 | 0:38:50 | |
Mr Taylor? | 0:38:53 | 0:38:54 | |
Damilola was a boy with a promising future. | 0:38:58 | 0:39:00 | |
Since he came here, he has invested his time in learning about | 0:39:01 | 0:39:06 | |
computers, made great friends and enjoyed playing football. | 0:39:06 | 0:39:11 | |
Someone somewhere knows something | 0:39:13 | 0:39:17 | |
and, for some reason, they are sheltering the perpetrators. | 0:39:17 | 0:39:19 | |
I appeal to them to help us to bring these perpetrators to justice. | 0:39:21 | 0:39:27 | |
I cannot tell you how... | 0:39:29 | 0:39:31 | |
..how aggrieved I am at the sad loss of my Damilola. | 0:39:33 | 0:39:38 | |
My last son, our loved boy. | 0:39:39 | 0:39:42 | |
Thank you. | 0:40:17 | 0:40:18 | |
TV: For the Government, though, the death of Damilola Taylor | 0:40:46 | 0:40:49 | |
shows that the twin problems of poverty and crime... | 0:40:49 | 0:40:51 | |
Is the Prime Minister aware that | 0:40:51 | 0:40:53 | |
the family and the whole of Peckham are devastated...? | 0:40:53 | 0:40:56 | |
TONY BLAIR: ..shock and outrage not just in this House | 0:40:56 | 0:40:58 | |
and in her constituency, but right across the country... | 0:40:58 | 0:41:01 | |
..following up thousands of leads. | 0:41:01 | 0:41:03 | |
They know the killer's name is in the file, | 0:41:03 | 0:41:05 | |
but they lack the evidence they need... | 0:41:05 | 0:41:07 | |
..anyone who has information | 0:41:07 | 0:41:09 | |
to come forward and contact the incident room... | 0:41:09 | 0:41:12 | |
PETER SISSONS: ..a culture of hostility among youths | 0:41:12 | 0:41:14 | |
who witnessed the stabbing is holding up... | 0:41:14 | 0:41:16 | |
..or saw anything, it's not cool to keep it to yourself... | 0:41:16 | 0:41:19 | |
..someone out there knows - | 0:41:19 | 0:41:20 | |
it's their friend, you know, someone that they play football with... | 0:41:20 | 0:41:23 | |
..breaking news on the murder of schoolboy Damilola Taylor. | 0:41:23 | 0:41:25 | |
Within the last hour and a half... | 0:41:25 | 0:41:27 | |
..the four juveniles have now been charged | 0:41:27 | 0:41:29 | |
with the murder of Damilola Taylor. | 0:41:29 | 0:41:30 | |
PHONE RINGS | 0:41:36 | 0:41:38 | |
TUNDE: OK. Thank you. | 0:41:42 | 0:41:44 | |
The cab is here. | 0:41:50 | 0:41:52 | |
God has not given us a spirit of fear, | 0:42:01 | 0:42:05 | |
but that of power and of love and of a sound mind. | 0:42:05 | 0:42:09 | |
Come. | 0:42:11 | 0:42:12 | |
OK. She needs just one at lunchtime, | 0:42:22 | 0:42:25 | |
but make sure she eats first. | 0:42:25 | 0:42:27 | |
ON RADIO: '..accused of murdering the ten-year-old schoolboy. | 0:42:27 | 0:42:30 | |
'There's an alternative offence of assault with intent to rob Damilola Taylor. | 0:42:30 | 0:42:34 | |
'Because the trial involves juveniles...' | 0:42:34 | 0:42:36 | |
You all right, bredren? | 0:42:36 | 0:42:38 | |
SWITCHES RADIO OFF | 0:42:38 | 0:42:39 | |
HE SIGHS | 0:42:39 | 0:42:41 | |
You know what gets me proper vexed about all this? | 0:42:41 | 0:42:45 | |
If it was little Jimmy, yeah, from Chelsea that got killed, | 0:42:45 | 0:42:49 | |
you know they would have caught the killer straight away, innit? | 0:42:49 | 0:42:52 | |
But no, because it was lickle Damilola from Pecknarm... | 0:42:52 | 0:42:57 | |
It's a conspiracy, ally. | 0:42:57 | 0:43:00 | |
Well, I hope not. I believe, bruv. Believe. | 0:43:00 | 0:43:04 | |
I was born in this country. I was born and bread in Blighty | 0:43:04 | 0:43:08 | |
and they don't care about me. | 0:43:08 | 0:43:10 | |
So you know for damn sure they don't care about you lot. | 0:43:10 | 0:43:13 | |
If Damilola's death weren't reported on TV, | 0:43:13 | 0:43:16 | |
you think it would have even gone court? Pfft. | 0:43:16 | 0:43:20 | |
You lot are lucky it got this far. Young man, this is not about luck. | 0:43:20 | 0:43:24 | |
This is about the law of the land. | 0:43:24 | 0:43:26 | |
And where I come from, we have a respect for the law, | 0:43:26 | 0:43:29 | |
which comes from a system built by Great Britain, | 0:43:29 | 0:43:31 | |
the same country where my son was born. | 0:43:31 | 0:43:33 | |
I'm sorry to hear about your problems, | 0:43:33 | 0:43:35 | |
but they are your problems. | 0:43:35 | 0:43:37 | |
For my family, justice will be done. | 0:43:37 | 0:43:39 | |
REPORTERS CLAMOUR | 0:44:27 | 0:44:29 | |
Do you think you're going to get justice for your son? | 0:44:30 | 0:44:33 | |
Hey, it'll be OK. | 0:44:33 | 0:44:35 | |
Mr Taylor. | 0:44:39 | 0:44:41 | |
Mr Taylor, this way, please. | 0:44:41 | 0:44:43 | |
Mr Taylor, hi. They're ready. | 0:45:05 | 0:45:09 | |
Good morning. How are you? | 0:45:21 | 0:45:23 | |
Is this the right room? | 0:45:23 | 0:45:26 | |
Because the accused are 15, 16 and 17, | 0:45:26 | 0:45:28 | |
the court have decided to do away with the usual gowns and wigs. | 0:45:28 | 0:45:31 | |
THEY CHATTER | 0:45:36 | 0:45:38 | |
Look at this. Small, small boys. | 0:45:41 | 0:45:43 | |
These four standing trial | 0:45:50 | 0:45:52 | |
were between 14 and 16 when they murdered Damilola. | 0:45:52 | 0:45:56 | |
They have a hard and cruel streak in them. | 0:45:56 | 0:45:59 | |
They were possibly part of a larger group | 0:45:59 | 0:46:01 | |
and they'd been loitering in the area, | 0:46:01 | 0:46:04 | |
waiting - it would appear - | 0:46:04 | 0:46:06 | |
for a young and vulnerable victim to rob. | 0:46:06 | 0:46:09 | |
Damilola Taylor, walking alone in the quiet side street, | 0:46:09 | 0:46:13 | |
proved to be an irresistible target for these four boys. | 0:46:13 | 0:46:17 | |
They accosted him as he walked along the pavement. | 0:46:17 | 0:46:20 | |
He was stopped, surrounded and trapped. | 0:46:20 | 0:46:24 | |
..so much blood going up the stairs that I thought that | 0:46:24 | 0:46:27 | |
children might have been playing with tomatoes. | 0:46:27 | 0:46:30 | |
That's when I saw Damilola. | 0:46:30 | 0:46:32 | |
And, as I held him in my arms... HIS VOICE CRACKS | 0:46:34 | 0:46:38 | |
..he tried to smile at me and he said, "I'm OK." | 0:46:38 | 0:46:41 | |
As if meaning that he didn't want to be any trouble. | 0:46:43 | 0:46:45 | |
And that's when he passed out in my arms. | 0:46:47 | 0:46:49 | |
HE SINGS | 0:46:55 | 0:46:57 | |
THEY LAUGH | 0:46:59 | 0:47:01 | |
Thank you. Was that all right? Yeah. | 0:47:09 | 0:47:12 | |
It's going to make a difference. | 0:47:12 | 0:47:13 | |
I should have been there. | 0:47:28 | 0:47:30 | |
Damilola died from a six-centimetre S-shaped wound to his left thigh. | 0:47:35 | 0:47:39 | |
We believe this was made from a twisting motion | 0:47:39 | 0:47:42 | |
immediately as he was stabbed by the broken bottle. | 0:47:42 | 0:47:45 | |
This severed Damilola's main blood vessels. | 0:47:45 | 0:47:48 | |
During the postmortem examination, | 0:47:49 | 0:47:51 | |
I also discovered a children's marble was lodged in his mouth. | 0:47:51 | 0:47:55 | |
GIRL: I don't know, I don't know, I can't remember now. | 0:48:03 | 0:48:05 | |
The reason you can't remember is because you were not there. I was! | 0:48:05 | 0:48:08 | |
Complete nonsense. | 0:48:08 | 0:48:10 | |
You concocted this story because you crave attention. | 0:48:10 | 0:48:12 | |
And you probably think that coming forward makes you look | 0:48:12 | 0:48:15 | |
incredibly brave and important. I'm not a liar! | 0:48:15 | 0:48:17 | |
You might think I'm a liar, | 0:48:17 | 0:48:19 | |
but no matter how many times you try and catch me out, | 0:48:19 | 0:48:21 | |
you're not gonna catch me out because I'm not a liar. | 0:48:21 | 0:48:24 | |
And which police officer gave you that little speech to repeat? | 0:48:24 | 0:48:27 | |
THEY LAUGH | 0:48:27 | 0:48:28 | |
Don't let their unfortunate backgrounds distract you | 0:48:31 | 0:48:35 | |
from the complete lack of forensic evidence | 0:48:35 | 0:48:37 | |
to place the defendants in that stairwell | 0:48:37 | 0:48:40 | |
or place the weapon in their hands. | 0:48:40 | 0:48:43 | |
Indeed, there is more evidence that points towards | 0:48:43 | 0:48:46 | |
the young schoolboy falling onto the broken bottle | 0:48:46 | 0:48:49 | |
that severed his artery. | 0:48:49 | 0:48:50 | |
The identity of Damilola's assailants has not been established. | 0:48:52 | 0:48:57 | |
There is no evidence that it was these four boys. | 0:48:57 | 0:48:59 | |
..because of that, I'm left with no other option. | 0:49:07 | 0:49:11 | |
THEY CHEER | 0:49:11 | 0:49:13 | |
I don't understand. | 0:49:24 | 0:49:25 | |
Since the judge ruled that the evidence of our key witness | 0:49:25 | 0:49:29 | |
was inadmissible, it leaves us with little to go on. | 0:49:29 | 0:49:32 | |
The prosecution case can't continue. | 0:49:32 | 0:49:35 | |
I'm sorry. | 0:49:35 | 0:49:36 | |
What does that mean? | 0:49:36 | 0:49:38 | |
He's saying it is the end. | 0:49:38 | 0:49:40 | |
What about my Damilola? | 0:49:45 | 0:49:48 | |
Richard... | 0:49:48 | 0:49:49 | |
REPORTERS CLAMOUR | 0:50:04 | 0:50:07 | |
Can we have a quick word? | 0:50:07 | 0:50:09 | |
Er, ladies and gentlemen... | 0:50:10 | 0:50:13 | |
TENSE MUSIC DROWNS SPEECH | 0:50:13 | 0:50:15 | |
..the case has been dismissed. | 0:50:20 | 0:50:22 | |
What now? | 0:50:55 | 0:50:57 | |
Dad? | 0:51:13 | 0:51:14 | |
HE SOBS | 0:51:45 | 0:51:47 | |
Excuse me. | 0:52:54 | 0:52:55 | |
Would you be able to book me a cab, please? Of course. | 0:52:55 | 0:52:58 | |
SHOUTING | 0:53:27 | 0:53:28 | |
MUSIC POUNDS FROM CAR STEREO | 0:53:31 | 0:53:33 | |
Oi! | 0:53:44 | 0:53:46 | |
CHILD CRIES Shut up! | 0:53:52 | 0:53:55 | |
Oi, police! What? | 0:53:57 | 0:53:59 | |
He ain't police! | 0:54:05 | 0:54:06 | |
Hey, small boy. Why aren't you in school? | 0:54:09 | 0:54:12 | |
Shut up, man. | 0:54:12 | 0:54:14 | |
You are telling me to shut up? | 0:54:14 | 0:54:16 | |
HE SHOUTS | 0:54:16 | 0:54:17 | |
Hold up, hold up. | 0:54:17 | 0:54:18 | |
Ain't you Damilola's dad? | 0:54:18 | 0:54:20 | |
Oh, snap. It is, innit? | 0:54:22 | 0:54:24 | |
Bruv, you shoulda said, man. | 0:54:24 | 0:54:26 | |
It's liberties what dem peeps did to little Damiola. Damilola. | 0:54:26 | 0:54:30 | |
That's what I said, bruv. | 0:54:30 | 0:54:31 | |
Real talk, like. Sorry for your loss, innit. | 0:54:33 | 0:54:36 | |
If Damilola wasn't my son, what would you have done to me just now? | 0:54:36 | 0:54:40 | |
You think you are men, but you're just small boys. | 0:54:43 | 0:54:48 | |
Go home. | 0:54:48 | 0:54:49 | |
Go home. | 0:54:51 | 0:54:53 | |
Come on. | 0:54:59 | 0:55:00 | |
PEOPLE SHOUT AND LAUGH IN DISTANCE | 0:55:18 | 0:55:20 | |
DOOR OPENS | 0:56:44 | 0:56:46 | |
DOOR CLOSES | 0:56:48 | 0:56:50 | |
Afternoon. Afternoon. | 0:56:52 | 0:56:54 | |
What's the matter? | 0:56:57 | 0:56:58 | |
The council said that the public have been sending donations - | 0:56:58 | 0:57:03 | |
that we can go and collect it when we're ready. | 0:57:03 | 0:57:05 | |
SHE SIGHS | 0:57:06 | 0:57:08 | |
Well, it will help with the bills. | 0:57:08 | 0:57:10 | |
Just because you stuff them into a drawer | 0:57:11 | 0:57:13 | |
doesn't mean they disappear. | 0:57:13 | 0:57:15 | |
Didn't I say I'm sorting it out? | 0:57:15 | 0:57:16 | |
How? | 0:57:16 | 0:57:17 | |
I'm going back to my job. | 0:57:19 | 0:57:21 | |
Back to Nigeria? | 0:57:23 | 0:57:25 | |
You and Gbemi can come to. | 0:57:25 | 0:57:27 | |
You will not uproot Gbemi in the middle of her treatment. | 0:57:27 | 0:57:30 | |
You hear me? | 0:57:30 | 0:57:32 | |
So, what am I supposed to do? | 0:57:32 | 0:57:34 | |
Sit within these four walls and live on other people's charity? | 0:57:34 | 0:57:38 | |
I'm not leaving my sons behind. | 0:57:40 | 0:57:42 | |
Yeah, we have heard that one before. | 0:57:42 | 0:57:44 | |
Yes, please. | 0:58:35 | 0:58:36 | |
Mr Taylor? | 0:58:42 | 0:58:45 | |
Look, just to say I'm so angry at the injustice | 0:58:45 | 0:58:48 | |
that you and your wife have suffered. | 0:58:48 | 0:58:50 | |
I'm leading a talk at the end of the week | 0:58:50 | 0:58:52 | |
with some people from the community... | 0:58:52 | 0:58:54 | |
..and I'd love it if you could come. | 0:58:55 | 0:58:57 | |
Hey, no littering. BOY: Shut up, man! | 0:59:05 | 0:59:07 | |
What are you doing with that? What, I can't buy milk for my mum? | 0:59:12 | 0:59:15 | |
I told you this shop is racist. I'm calling the police. | 0:59:15 | 0:59:18 | |
What you calling them for? Cos he's a prick. | 0:59:18 | 0:59:20 | |
I'll give you a proper reason to dial 999. Excuse me. | 0:59:20 | 0:59:24 | |
Mr Taylor, what's good? Yes, yes, Mr Taylor. | 0:59:24 | 0:59:27 | |
Pick up that milk. | 0:59:27 | 0:59:29 | |
No. This fool was tryin' to disrespect, man. | 0:59:29 | 0:59:31 | |
But the milk didn't disrespect you, so pick it up. | 0:59:31 | 0:59:35 | |
HE SIGHS Only cos it's you, innit. | 0:59:41 | 0:59:44 | |
Hey. Shut up. Shut up, man. | 0:59:46 | 0:59:48 | |
Stop this nonsense. Out. Waste, man. | 0:59:48 | 0:59:51 | |
If you fight fire with fire, you will always be fighting. | 0:59:54 | 0:59:57 | |
Well, that's life in the ghetto, innit? Ghetto?! | 0:59:57 | 1:00:00 | |
If it's that bad, why do you spend so much time on the streets? | 1:00:00 | 1:00:02 | |
Cos my mum won't buy me a PS2. | 1:00:02 | 1:00:04 | |
Oh! | 1:00:04 | 1:00:06 | |
Out here's all we got, man, and it's free. | 1:00:06 | 1:00:09 | |
What about school? | 1:00:09 | 1:00:10 | |
I flunked my GCSEs. | 1:00:10 | 1:00:11 | |
My school won't let me take them, | 1:00:11 | 1:00:13 | |
say I'll drag down the percentage grade or something. | 1:00:13 | 1:00:15 | |
So you just spend your days getting high and in mischief? | 1:00:15 | 1:00:18 | |
Mm. What about your parents? | 1:00:18 | 1:00:20 | |
Don't feel bad, Mr Taylor. | 1:00:22 | 1:00:23 | |
Some people are born with a golden spoon in their mouth, | 1:00:23 | 1:00:26 | |
others are born in Peckham. | 1:00:26 | 1:00:28 | |
So it's Peckham's fault? MAN SHOUTS | 1:00:28 | 1:00:30 | |
You said it, not me. | 1:00:30 | 1:00:32 | |
INDISTINCT CHATTER | 1:00:37 | 1:00:40 | |
We can do Brixton on Friday and do the club in West End on Saturday. | 1:00:44 | 1:00:48 | |
Where's the salt? | 1:00:48 | 1:00:49 | |
It doesn't need salt. | 1:00:49 | 1:00:51 | |
All right. | 1:00:51 | 1:00:55 | |
See you in a bit. | 1:00:55 | 1:00:56 | |
Just like your father. | 1:00:56 | 1:00:58 | |
Evening. | 1:01:07 | 1:01:09 | |
Good evening. | 1:01:09 | 1:01:10 | |
She's upstairs sleeping. OK. | 1:01:16 | 1:01:18 | |
Thank you. | 1:01:19 | 1:01:21 | |
Good evening. | 1:01:26 | 1:01:28 | |
He said, "Good evening," when he walked in. Didn't you hear? | 1:01:28 | 1:01:31 | |
For what we are about to receive, make us truly thankful. Amen. | 1:01:35 | 1:01:38 | |
It's good to see that you are at home, at least. | 1:01:41 | 1:01:44 | |
I'm going out soon. | 1:01:44 | 1:01:46 | |
Oh, of course you are. Boozing again. | 1:01:46 | 1:01:49 | |
Listen, I've been invited to a community event on Friday night. | 1:01:49 | 1:01:53 | |
You might be too busy fraternising to care about this, | 1:01:53 | 1:01:55 | |
but they care about your brother. | 1:01:55 | 1:01:57 | |
So, anyway, I thought I'd mention it. | 1:01:59 | 1:02:01 | |
DOORBELL RINGS | 1:02:01 | 1:02:03 | |
I'll get it. | 1:02:03 | 1:02:04 | |
DOOR OPENS | 1:02:10 | 1:02:12 | |
Good evening, Mr Taylor. | 1:02:12 | 1:02:14 | |
My name is Detective Chief Inspector Nick Ephgrave from Homicide Command. | 1:02:14 | 1:02:18 | |
I realise your first experience of a trial and everything | 1:02:20 | 1:02:25 | |
was, well, terrible. | 1:02:25 | 1:02:26 | |
Personally, I'm still in shock that after all of that | 1:02:27 | 1:02:30 | |
you came out with nothing | 1:02:30 | 1:02:32 | |
and it's my job to tell you that this isn't the end. | 1:02:32 | 1:02:35 | |
We are going to re-examine the evidence, | 1:02:35 | 1:02:37 | |
we're going to look for new evidence. | 1:02:37 | 1:02:39 | |
Now that's the task being given to me. | 1:02:39 | 1:02:41 | |
Please don't lose hope. | 1:02:41 | 1:02:43 | |
And in the meantime, those... the people that killed Damilola, | 1:02:43 | 1:02:47 | |
they are roaming free. | 1:02:47 | 1:02:49 | |
At the minute, we don't know who killed Damilola | 1:02:49 | 1:02:52 | |
but it's my job to find them, and I believe we can. | 1:02:52 | 1:02:55 | |
Well, we believe that faith in your judicial system | 1:02:55 | 1:02:57 | |
is a waste of time. | 1:02:57 | 1:02:59 | |
And I will not put my family through that again. | 1:03:00 | 1:03:02 | |
I need justice for Damilola. | 1:03:02 | 1:03:04 | |
Look, why don't I leave this with you? | 1:03:09 | 1:03:13 | |
And I'll get in touch in a couple of days. | 1:03:13 | 1:03:17 | |
OK, thanks. | 1:03:17 | 1:03:19 | |
Thank you for coming, Officer. | 1:03:19 | 1:03:20 | |
We really appreciate you taking the time to visit us. Bye. | 1:03:25 | 1:03:28 | |
DOOR CLOSES | 1:03:28 | 1:03:30 | |
LOUD MUSIC PLAYS | 1:03:35 | 1:03:38 | |
So when am I going to meet her? | 1:03:58 | 1:04:00 | |
Who? | 1:04:00 | 1:04:01 | |
Your girlfriend. | 1:04:03 | 1:04:04 | |
Shall I put these in the cupboard or leave them out for you? | 1:04:06 | 1:04:10 | |
Are you ashamed? | 1:04:10 | 1:04:12 | |
I'll leave them here for you. | 1:04:12 | 1:04:14 | |
Have you told her? | 1:04:16 | 1:04:17 | |
Tunde. | 1:04:20 | 1:04:22 | |
Are you afraid of what she might think? | 1:04:24 | 1:04:26 | |
You have nothing to be ashamed of. | 1:04:32 | 1:04:33 | |
I think it's unfair to stereotype all the teenagers | 1:04:39 | 1:04:42 | |
that live in these estates. | 1:04:42 | 1:04:43 | |
I finished school, went to sixth form and now go to uni, | 1:04:43 | 1:04:47 | |
all while doing a part-time job. | 1:04:47 | 1:04:48 | |
Do you feel like the youth need to work more with the police? | 1:04:48 | 1:04:51 | |
They would if they wasn't stopped and searched every second | 1:04:51 | 1:04:53 | |
and mashed up in the back of police vans. | 1:04:53 | 1:04:55 | |
It's only cos a boy's been killed | 1:04:55 | 1:04:57 | |
that they're now trying to be nice while begging for help. | 1:04:57 | 1:05:00 | |
APPLAUSE | 1:05:00 | 1:05:01 | |
All right. Thank you. Thank you. | 1:05:01 | 1:05:03 | |
At this point I'd like to, if I may, | 1:05:03 | 1:05:05 | |
bring Richard Taylor into the debate. | 1:05:05 | 1:05:09 | |
Richard, thank you so much for coming. | 1:05:09 | 1:05:11 | |
Do you have anything to add? | 1:05:11 | 1:05:13 | |
Well, I prefer not to comment about the police. | 1:05:18 | 1:05:22 | |
But I can talk as a father and a Nigerian. | 1:05:23 | 1:05:27 | |
When I came in 2000, I was shaken to see the lack of parenting | 1:05:30 | 1:05:35 | |
and all these absent fathers. | 1:05:35 | 1:05:38 | |
In Nigeria, we recognise the importance of both parents | 1:05:38 | 1:05:43 | |
and that a child needs to be disciplined. | 1:05:43 | 1:05:47 | |
APPLAUSE | 1:05:47 | 1:05:50 | |
And what was it like for your children growing up? | 1:05:50 | 1:05:54 | |
Is that your other son next to you? | 1:05:54 | 1:05:56 | |
What have you learned from your father? | 1:05:56 | 1:05:59 | |
Get up and tell the people what you have learned. | 1:06:04 | 1:06:06 | |
I... | 1:06:11 | 1:06:13 | |
We had a good upbringing. | 1:06:13 | 1:06:16 | |
But when we moved to Britain, | 1:06:16 | 1:06:18 | |
it was just me, my mum, my sister and Damilola. | 1:06:18 | 1:06:24 | |
Dad didn't arrive until later. | 1:06:26 | 1:06:28 | |
Before he did, I found a job, I got on to a college course | 1:06:30 | 1:06:33 | |
which then got me a provisional place for university. | 1:06:33 | 1:06:38 | |
So I don't know how much having a dad around | 1:06:38 | 1:06:41 | |
or even African discipline | 1:06:41 | 1:06:43 | |
would have stopped those boys that done what they did. | 1:06:43 | 1:06:50 | |
Surely it's about people taking responsibility for themselves. | 1:06:52 | 1:06:56 | |
Because, yes, this is my father, | 1:06:56 | 1:06:59 | |
but this is my life. | 1:06:59 | 1:07:00 | |
I have to take responsibility for my actions. Exactly. | 1:07:02 | 1:07:06 | |
APPLAUSE | 1:07:06 | 1:07:09 | |
MUSIC DROWNS SPEECH | 1:07:21 | 1:07:24 | |
Nearly two hours after the meeting finished | 1:07:38 | 1:07:41 | |
they didn't want to let me go. | 1:07:41 | 1:07:43 | |
They couldn't get enough of what I was saying. | 1:07:43 | 1:07:45 | |
I said to myself, I can help reintroduce morals. | 1:07:45 | 1:07:48 | |
The community is hungry for this. | 1:07:48 | 1:07:50 | |
How was it for you? | 1:07:50 | 1:07:52 | |
Sorry? The community meeting, how was it? | 1:07:54 | 1:07:57 | |
It was fine. Then I had a thought. | 1:07:59 | 1:08:02 | |
We can use the funds from Dami's trust to set up in a space | 1:08:02 | 1:08:05 | |
where the youth feels safe to come. | 1:08:05 | 1:08:09 | |
There I can teach about the value of respect and hard work. | 1:08:09 | 1:08:12 | |
You? | 1:08:12 | 1:08:14 | |
Yes, me. | 1:08:14 | 1:08:16 | |
That's what these disadvantaged are clearly missing. | 1:08:16 | 1:08:19 | |
Those children who are never given a vision to see beyond their area. | 1:08:19 | 1:08:23 | |
That's like the boys that killed Dami. | 1:08:23 | 1:08:26 | |
Would you help them? | 1:08:26 | 1:08:27 | |
It's a good question. | 1:08:31 | 1:08:32 | |
Did you born me? Hey! Did you born me? | 1:08:34 | 1:08:39 | |
Focus on your schoolwork. That's all you need to do. | 1:08:39 | 1:08:41 | |
I'm focused on university. | 1:08:41 | 1:08:43 | |
Then update me. What are your recent grades? | 1:08:43 | 1:08:45 | |
Come on. | 1:08:47 | 1:08:48 | |
I'm doing OK. | 1:08:49 | 1:08:51 | |
I've just got a couple retakes, but... Retakes! | 1:08:51 | 1:08:54 | |
But I am not... "Hey, this is my life." | 1:08:54 | 1:08:56 | |
Huh? | 1:08:56 | 1:08:58 | |
"This is my biggest responsibility." | 1:08:58 | 1:09:00 | |
PHONE RINGS | 1:09:00 | 1:09:02 | |
Hello. | 1:09:05 | 1:09:06 | |
Yes, speaking. | 1:09:08 | 1:09:09 | |
Oh. Hello, Officer. | 1:09:11 | 1:09:13 | |
Who? | 1:09:15 | 1:09:16 | |
Yes, I do. | 1:09:19 | 1:09:21 | |
Asking for me? | 1:09:22 | 1:09:24 | |
No, no, please, don't do that. | 1:09:25 | 1:09:27 | |
I'm on my way. | 1:09:27 | 1:09:29 | |
I will answer for them. | 1:09:29 | 1:09:30 | |
Yes, I am coming now. | 1:09:30 | 1:09:32 | |
I'm going out. | 1:09:41 | 1:09:43 | |
Who are you doing all of this for? | 1:09:44 | 1:09:47 | |
What kind of nonsense question is that? | 1:09:47 | 1:09:49 | |
I cannot live my live as a failure, | 1:09:50 | 1:09:53 | |
nor can I sit on my backside and wait for justice to come. | 1:09:53 | 1:09:56 | |
This is for my boy. | 1:09:56 | 1:09:57 | |
Hey! | 1:10:09 | 1:10:10 | |
Is this how you repay me for bringing you out? | 1:10:13 | 1:10:15 | |
Why did you ask for me and not your parents? | 1:10:17 | 1:10:19 | |
Cos we knew you'd come, innit? | 1:10:19 | 1:10:21 | |
I weren't even trying to get in trouble tonight. | 1:10:22 | 1:10:24 | |
I saw them Woolwich boys and I walked on, but he didn't let me go. | 1:10:24 | 1:10:27 | |
Why are you snitching for, bruv? Let him speak. | 1:10:27 | 1:10:29 | |
Shut your mouth, man. You think I'm a youth worker, | 1:10:29 | 1:10:31 | |
that you can talk to me like that? | 1:10:31 | 1:10:32 | |
I worked with the Nigerian government | 1:10:32 | 1:10:34 | |
alongside generals and politicians, | 1:10:34 | 1:10:36 | |
so if you want to test my authority, then step forward. | 1:10:36 | 1:10:39 | |
Whatever, man. Go back to your mud hut. Dapo, come. | 1:10:41 | 1:10:44 | |
Yes, go! Stop wasting my time! | 1:10:44 | 1:10:47 | |
I have bigger things to deal with than you foolish small boys. | 1:10:47 | 1:10:50 | |
You are lucky we are not in Nigeria. | 1:10:52 | 1:10:54 | |
Go and destroy your life. Nonsense. | 1:10:55 | 1:10:57 | |
Come, take me to your house. | 1:11:03 | 1:11:05 | |
Dapo! What did I tell you if you ever bring police to my door? | 1:11:24 | 1:11:27 | |
Go inside. Pack your bags. I am not police. | 1:11:27 | 1:11:30 | |
Oh? Who are you? | 1:11:30 | 1:11:32 | |
My name is Richard Adeyemi Taylor. | 1:11:32 | 1:11:34 | |
Adeyemi? | 1:11:34 | 1:11:36 | |
TRANSLATION: | 1:11:36 | 1:11:37 | |
Since this cheeky one was a small, small boy. | 1:11:50 | 1:11:52 | |
I just wanted to encourage you to keep a firm eye on Dapo. | 1:11:54 | 1:11:59 | |
Hm. | 1:11:59 | 1:12:00 | |
How can I work all the hours needed to keep a roof over our heads | 1:12:03 | 1:12:07 | |
and still watch over him? Is he a baby? | 1:12:07 | 1:12:09 | |
Look, I wasn't there for my son, to protect him... | 1:12:11 | 1:12:15 | |
Another one who forgets his family | 1:12:15 | 1:12:17 | |
after the London air reaches his nostrils. | 1:12:17 | 1:12:20 | |
Listen, I have raised Dapo to know right from wrong. | 1:12:20 | 1:12:24 | |
He must now make the right choice for himself. | 1:12:24 | 1:12:27 | |
Did you hear that? | 1:12:29 | 1:12:30 | |
DOOR CLOSES | 1:12:33 | 1:12:34 | |
He's gone. | 1:13:10 | 1:13:12 | |
RICHARD: Every child has a hidden talent. Our aim is to bring it out. | 1:13:48 | 1:13:52 | |
Every child becomes an adult. | 1:13:53 | 1:13:56 | |
Our aim is to encourage their growth in a safe and loving environment, | 1:13:57 | 1:14:02 | |
to provide more inner-city youths with the chance to play and learn | 1:14:02 | 1:14:06 | |
and live free from fear and violence... | 1:14:06 | 1:14:10 | |
..to channel their imagination into something positive. | 1:14:11 | 1:14:14 | |
Damilola was a big dreamer... | 1:14:17 | 1:14:18 | |
..and we promise to encourage others to dream big | 1:14:20 | 1:14:24 | |
and to work towards seeing their dreams come true. | 1:14:24 | 1:14:27 | |
And to inspire others, at the forefront, | 1:14:27 | 1:14:30 | |
will be my Damilola's poem. | 1:14:30 | 1:14:32 | |
I will travel far and wide to choose my destiny | 1:14:37 | 1:14:41 | |
And remould the world | 1:14:41 | 1:14:44 | |
I know it is my destiny to defend the world | 1:14:44 | 1:14:48 | |
Which I hope to achieve in my lifetime. | 1:14:48 | 1:14:51 | |
APPLAUSE | 1:14:51 | 1:14:53 | |
FAINT VOICES: Mr Taylor, how does it feel...? | 1:14:56 | 1:14:59 | |
It is a very proud day for us. | 1:14:59 | 1:15:01 | |
We have been on a long journey, | 1:15:01 | 1:15:04 | |
we are still on it. | 1:15:04 | 1:15:06 | |
To get to the point where we can | 1:15:06 | 1:15:07 | |
proudly open a place like this for the community... | 1:15:07 | 1:15:10 | |
VOICE FADES OUT | 1:15:10 | 1:15:12 | |
Yes, I'd gladly come to the next consultation meeting. | 1:15:14 | 1:15:18 | |
Next Tuesday is tricky but I will shift things around. | 1:15:18 | 1:15:22 | |
OK, wonderful. | 1:15:22 | 1:15:25 | |
Bye. | 1:15:25 | 1:15:26 | |
CHATTER | 1:15:38 | 1:15:40 | |
I know, but I want this one too. | 1:15:40 | 1:15:42 | |
CHUCKLING | 1:15:42 | 1:15:44 | |
Hello. | 1:15:46 | 1:15:47 | |
Hi. | 1:15:47 | 1:15:48 | |
Hmm. It is good to see you're looking after yourself. | 1:15:50 | 1:15:55 | |
Thanks. | 1:15:55 | 1:15:56 | |
Hello, Dad. | 1:15:57 | 1:15:58 | |
Oh, sorry, my dear. Good evening. | 1:15:58 | 1:16:01 | |
Please, make me a cup of tea. | 1:16:01 | 1:16:03 | |
I'm going to go. No, stay. | 1:16:14 | 1:16:16 | |
Aren't you going to ask him? | 1:16:19 | 1:16:21 | |
Well done. | 1:16:33 | 1:16:34 | |
Oh, what a busy day. | 1:16:35 | 1:16:38 | |
These youths are something else. | 1:16:38 | 1:16:41 | |
Especially that Dapo. | 1:16:41 | 1:16:43 | |
Every day he surprises me. | 1:16:43 | 1:16:45 | |
Before my eyes, I have seen him go from a boy to a man. | 1:16:45 | 1:16:50 | |
You know he has never been to Nigeria? | 1:16:50 | 1:16:52 | |
I think maybe I should organise a programme | 1:16:52 | 1:16:54 | |
that helps children like him to visit their homeland. | 1:16:54 | 1:16:56 | |
What do you think? | 1:16:56 | 1:16:57 | |
Oh, you'd be perfect at that - | 1:16:58 | 1:17:00 | |
just look at how you've led our family. | 1:17:00 | 1:17:02 | |
Are you OK? | 1:17:04 | 1:17:05 | |
You tell me, Richard. Why wouldn't I be OK? | 1:17:05 | 1:17:09 | |
Hey, excuse us. | 1:17:09 | 1:17:11 | |
No, let them stay. They're no longer children any more. | 1:17:11 | 1:17:14 | |
Let them hear how you sent their mother to this country | 1:17:16 | 1:17:20 | |
while you barked instructions from Nigeria. | 1:17:20 | 1:17:23 | |
You didn't provide us with a home, enough money. | 1:17:25 | 1:17:28 | |
You didn't keep the children fed. | 1:17:29 | 1:17:32 | |
You didn't have to find a school for Damilola. | 1:17:32 | 1:17:35 | |
And yet you flew in and you blamed me. | 1:17:35 | 1:17:39 | |
You blamed Tunde. | 1:17:41 | 1:17:42 | |
You blamed the school, you blamed Peckham, | 1:17:43 | 1:17:46 | |
you blamed the police, you blamed the government, | 1:17:46 | 1:17:48 | |
everyone is to blame for Damilola's death! | 1:17:48 | 1:17:51 | |
Every day, I blame myself. | 1:18:02 | 1:18:05 | |
Every day. | 1:18:05 | 1:18:06 | |
We didn't kill Damilola. | 1:18:11 | 1:18:13 | |
We didn't! | 1:18:22 | 1:18:23 | |
Where's Mum? | 1:19:24 | 1:19:25 | |
She's still getting ready. | 1:19:25 | 1:19:27 | |
How's your flat? | 1:19:31 | 1:19:33 | |
It's fine. | 1:19:33 | 1:19:34 | |
Hey, look at you! | 1:19:37 | 1:19:39 | |
It's the graduate! | 1:19:39 | 1:19:41 | |
SHE CHUCKLES | 1:19:41 | 1:19:43 | |
You are both looking wonderful. | 1:19:43 | 1:19:45 | |
A real gentleman and gentlewoman. | 1:19:45 | 1:19:47 | |
CAR HORN BEEPS | 1:19:49 | 1:19:51 | |
Gloria. | 1:19:51 | 1:19:52 | |
The gentleman is waiting for us. | 1:19:52 | 1:19:54 | |
Ah-ah! | 1:19:58 | 1:20:00 | |
Look at this fine girl! | 1:20:00 | 1:20:03 | |
Looking good, Mum. | 1:20:03 | 1:20:05 | |
Thank you. | 1:20:05 | 1:20:06 | |
Johanna Thea. | 1:20:11 | 1:20:12 | |
APPLAUSE | 1:20:12 | 1:20:14 | |
Babatunde Taylor. | 1:20:18 | 1:20:20 | |
WHOOPING AND APPLAUSE | 1:20:20 | 1:20:23 | |
Thank you, Jesus! | 1:20:23 | 1:20:25 | |
Today you have made me really proud. | 1:20:55 | 1:20:57 | |
Thank you. | 1:21:05 | 1:21:06 | |
What are you thanking me for? | 1:21:06 | 1:21:08 | |
All I did was send my boy to Britain. | 1:21:08 | 1:21:10 | |
Now, he is a man. | 1:21:12 | 1:21:13 | |
I missed so much... | 1:21:16 | 1:21:17 | |
..and I am sorry. | 1:21:18 | 1:21:20 | |
You lost Dami. | 1:21:21 | 1:21:23 | |
How can I expect you to think about me? | 1:21:23 | 1:21:25 | |
Because you're also my boy. | 1:21:25 | 1:21:27 | |
Hey. I know he must be dancing up in heaven now... | 1:21:41 | 1:21:44 | |
THEY CHUCKLE | 1:21:44 | 1:21:45 | |
..proud of his big brother. | 1:21:45 | 1:21:46 | |
And I know he still believes his daddy will get him justice. | 1:21:49 | 1:21:52 | |
The cab is here. | 1:22:24 | 1:22:26 | |
What? | 1:23:13 | 1:23:15 | |
Well, this is the end of a long journey. | 1:23:32 | 1:23:35 | |
Let's see it through. | 1:23:38 | 1:23:39 | |
It will be OK. | 1:23:47 | 1:23:49 | |
Father God, we ask for your strength today. | 1:23:56 | 1:24:01 | |
Amen. Baba, we pray for justice for Damilola. | 1:24:01 | 1:24:06 | |
In Jesus' mighty name, we pray. Amen. | 1:24:06 | 1:24:10 | |
Amen. | 1:24:10 | 1:24:11 | |
Phone went, and it was my sister, Jane, | 1:26:56 | 1:26:57 | |
Phone went, and it was my sister, Jane, | 1:26:57 | 1:26:58 | |
and she said, "It's looking quite serious, really serious." | 1:26:58 | 1:27:01 | |
A short while ago, Buckingham Palace confirmed | 1:27:01 | 1:27:03 | |
the death of Diana, Princess of Wales. | 1:27:03 | 1:27:06 |