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Summer, 1588... | 0:00:07 | 0:00:10 | |
England was under attack | 0:00:12 | 0:00:14 | |
from the most powerful naval force on earth. | 0:00:14 | 0:00:17 | |
Our mission | 0:00:17 | 0:00:19 | |
is a sacred one. | 0:00:19 | 0:00:21 | |
Philip II, the Catholic King of Spain, | 0:00:22 | 0:00:25 | |
had sent a mighty Armada | 0:00:25 | 0:00:27 | |
to conquer Protestant England... | 0:00:27 | 0:00:30 | |
..and take the crown of Queen Elizabeth. | 0:00:31 | 0:00:33 | |
This was a war fought in the name of religion - | 0:00:35 | 0:00:38 | |
Catholics versus Protestants - but it was also a war of power | 0:00:38 | 0:00:42 | |
and politics and, for the two great monarchs | 0:00:42 | 0:00:44 | |
who started the whole thing off, it was deeply personal - | 0:00:44 | 0:00:47 | |
the result of 30 years of increasing bitterness. | 0:00:47 | 0:00:51 | |
'Now, to understand this defining moment in history, | 0:00:55 | 0:00:58 | |
'I'm sailing the waters I love...' | 0:00:58 | 0:01:00 | |
There you go. Look at that! | 0:01:00 | 0:01:02 | |
'..following the course of the English Navy, | 0:01:02 | 0:01:05 | |
'as they fought the Spanish Armada in the Channel.' | 0:01:05 | 0:01:08 | |
There's now a howling gale - similar conditions | 0:01:09 | 0:01:12 | |
to the ones that Drake and the fleet faced. | 0:01:12 | 0:01:14 | |
'While access to unique, eye-witness accounts...' | 0:01:15 | 0:01:19 | |
This is one of the most remarkable letters I have ever seen. | 0:01:19 | 0:01:22 | |
'..will take us, for the very first time, inside the minds | 0:01:22 | 0:01:26 | |
'of the commanders themselves...' | 0:01:26 | 0:01:28 | |
Clearly, they're setting a trap here. | 0:01:28 | 0:01:30 | |
'..and offer unprecedented insight into the corridors of power... | 0:01:30 | 0:01:35 | |
'..in England | 0:01:35 | 0:01:37 | |
'and Spain...' | 0:01:37 | 0:01:39 | |
This is war, sir. Orders. | 0:01:39 | 0:01:41 | |
'..allowing us to bring to life | 0:01:43 | 0:01:46 | |
'12 days in the summer of 1588...' | 0:01:46 | 0:01:49 | |
Fire! | 0:01:49 | 0:01:50 | |
'..when England's very survival | 0:01:52 | 0:01:55 | |
'hung in the balance.' | 0:01:55 | 0:01:58 | |
Army and Navy together - | 0:01:58 | 0:02:00 | |
their might would be unstoppable. | 0:02:00 | 0:02:02 | |
On Monday, 1st August, 1588, | 0:02:21 | 0:02:23 | |
the Spanish Armada was here, | 0:02:23 | 0:02:26 | |
heading east, along the coast of Dorset. | 0:02:26 | 0:02:28 | |
Of its original 125 ships, | 0:02:28 | 0:02:31 | |
only two had fallen into English hands. | 0:02:31 | 0:02:34 | |
But the rest remained intact, | 0:02:34 | 0:02:36 | |
sailing towards England's great southern ports | 0:02:36 | 0:02:39 | |
and London itself. | 0:02:39 | 0:02:41 | |
The Armada had left Spain ten days earlier. | 0:02:44 | 0:02:49 | |
125 ships... | 0:02:50 | 0:02:51 | |
..carrying 23,000 men. | 0:02:54 | 0:02:56 | |
More than just an invasion, this was a religious crusade... | 0:03:01 | 0:03:04 | |
..sent to crush a heretic nation. | 0:03:06 | 0:03:08 | |
When it arrived in the Channel, | 0:03:11 | 0:03:12 | |
the English navy was unprepared and tide-bound in Plymouth harbour. | 0:03:12 | 0:03:17 | |
But the Armada missed | 0:03:18 | 0:03:19 | |
the opportunity for a decisive early strike. | 0:03:19 | 0:03:22 | |
The two forces had finally clashed the next day. | 0:03:25 | 0:03:28 | |
And despite losing two ships, | 0:03:33 | 0:03:36 | |
the mighty Spanish force sailed on, | 0:03:36 | 0:03:40 | |
its progress unchecked. | 0:03:40 | 0:03:42 | |
ECHOING: I acknowledge that, without thee, oh, my King, | 0:03:58 | 0:04:03 | |
my throne is unstable, my seat unsafe, my kingdom tottering, | 0:04:03 | 0:04:08 | |
my life uncertain. | 0:04:08 | 0:04:11 | |
Queen Elizabeth's life was in immediate danger. | 0:04:16 | 0:04:20 | |
54 years old, unmarried and without an heir, | 0:04:20 | 0:04:24 | |
she was plagued by nightmares. | 0:04:24 | 0:04:27 | |
I was in a dark cell, imprisoned in my own Tower. | 0:04:27 | 0:04:33 | |
Don't fret. | 0:04:33 | 0:04:35 | |
'Elizabeth seems to be in a quite a tremulous state. | 0:04:35 | 0:04:39 | |
'She's having trouble sleeping,' | 0:04:39 | 0:04:41 | |
she's afflicted with night terrors. She has her most trusted lady, | 0:04:41 | 0:04:48 | |
Blanche Parry, sleep in the same bed as her. | 0:04:48 | 0:04:51 | |
I dread the darkness. | 0:04:51 | 0:04:53 | |
Just a dream. | 0:04:53 | 0:04:56 | |
It felt so real, | 0:04:56 | 0:04:59 | |
as if I have a demoness in my soul. | 0:04:59 | 0:05:03 | |
The longer the Armada was in the Channel, | 0:05:03 | 0:05:05 | |
the greater the threat to Elizabeth. And her future was pretty bleak. | 0:05:05 | 0:05:09 | |
If the Spanish could land and overrun England, | 0:05:09 | 0:05:12 | |
then she would either be captured | 0:05:12 | 0:05:14 | |
or she would be killed on the spot. | 0:05:14 | 0:05:16 | |
What shall we do, Blanche? | 0:05:16 | 0:05:19 | |
Elizabeth's fate rested with her naval commanders | 0:05:25 | 0:05:29 | |
the aristocratic Lord High Admiral, Charles Howard... | 0:05:29 | 0:05:32 | |
-Are we ready? -We're patching up. | 0:05:32 | 0:05:35 | |
..and his second-in-command, | 0:05:35 | 0:05:37 | |
the flamboyant explorer | 0:05:37 | 0:05:40 | |
and pirate, Sir Francis Drake. | 0:05:40 | 0:05:42 | |
My ships will be ready. Won't they, men? | 0:05:42 | 0:05:45 | |
ALL: Aye! | 0:05:45 | 0:05:47 | |
But on Monday, 1st August, Howard knew that his forces | 0:05:47 | 0:05:51 | |
faced an almost impossible task. | 0:05:51 | 0:05:53 | |
Come on, men! Hurry! | 0:05:53 | 0:05:56 | |
The Navy was scattered | 0:05:58 | 0:06:00 | |
and trailing far behind the Spanish fleet. | 0:06:00 | 0:06:02 | |
And it was all because of Howard's maverick deputy, | 0:06:05 | 0:06:07 | |
Drake himself. | 0:06:07 | 0:06:09 | |
Are we happy? | 0:06:11 | 0:06:12 | |
ALL: Aye! | 0:06:12 | 0:06:13 | |
It was all Sir Francis Drake's fault. | 0:06:15 | 0:06:17 | |
The night before, Howard had given him instructions | 0:06:17 | 0:06:20 | |
to lead the English fleet, place a light on his stern, | 0:06:20 | 0:06:24 | |
on the back of his ship, and everyone else could follow, | 0:06:24 | 0:06:26 | |
but Drake had snuffed out the light when he saw the opportunity to go | 0:06:26 | 0:06:30 | |
and snap up a damaged, abandoned Spanish ship, called the Rosario. | 0:06:30 | 0:06:34 | |
This was classic Drake behaviour - | 0:06:34 | 0:06:36 | |
piratical, looking to enrich himself, | 0:06:36 | 0:06:39 | |
and he was happy to let the English fleet just sail on blind | 0:06:39 | 0:06:42 | |
through the night but, of course, above all, Drake was lucky. | 0:06:42 | 0:06:45 | |
And what Drake found on that ship was invaluable. | 0:06:45 | 0:06:49 | |
Operating alone, the previous night, Drake had boarded the Spanish | 0:06:54 | 0:06:58 | |
Rosario and began to plunder its treasure. | 0:06:58 | 0:07:01 | |
He'd found 50,000 golden ducats - | 0:07:04 | 0:07:07 | |
about £2.5 million in today's money. | 0:07:07 | 0:07:10 | |
Leave something for England | 0:07:10 | 0:07:12 | |
or Her Majesty's blind eye will regain its sight very quickly. | 0:07:12 | 0:07:15 | |
You, you carry enough to sink like an anchor, fool. | 0:07:15 | 0:07:20 | |
LAUGHTER | 0:07:20 | 0:07:22 | |
Remember, greed will buy you a short life. | 0:07:22 | 0:07:25 | |
You must play the long game, to become rich. | 0:07:25 | 0:07:29 | |
Drake also knew that, on board the Rosario, | 0:07:30 | 0:07:32 | |
there was something even more valuable... | 0:07:32 | 0:07:35 | |
Come on! Take the dark cargo, too! | 0:07:36 | 0:07:39 | |
..a Spanish hoard of ammunition and gunpowder. | 0:07:39 | 0:07:43 | |
The English fleet was already running low | 0:07:45 | 0:07:47 | |
on powder and shot. There was a simple reason for that - | 0:07:47 | 0:07:50 | |
Elizabeth's government was simply too broke | 0:07:50 | 0:07:53 | |
to afford to properly fit out the navy. | 0:07:53 | 0:07:56 | |
So, the big supply of gunpowder was an absolute godsend, | 0:07:56 | 0:07:59 | |
but the Rosario had yet another gift. | 0:07:59 | 0:08:02 | |
This time, it was one of intelligence. | 0:08:02 | 0:08:04 | |
Drake had a cursory scan around the gun deck of the Rosario | 0:08:04 | 0:08:07 | |
and he immediately twigged there was something very different | 0:08:07 | 0:08:11 | |
about the Spanish cannon. | 0:08:11 | 0:08:13 | |
This is the kind of gun | 0:08:17 | 0:08:19 | |
that Drake found on the Rosario. | 0:08:19 | 0:08:22 | |
When cannon first went to sea, they were really land cannon and so, | 0:08:22 | 0:08:26 | |
if you are moving guns on land, you have spoked wheels, | 0:08:26 | 0:08:30 | |
but the carriage is not really convenient on a cramped gun deck. | 0:08:30 | 0:08:36 | |
You're going to run into the wheels. | 0:08:36 | 0:08:38 | |
It's got a great long trail coming back here. | 0:08:38 | 0:08:42 | |
It's really a monster on the gun deck. | 0:08:42 | 0:08:44 | |
The English had come up with something completely different. | 0:08:45 | 0:08:49 | |
It couldn't look more different and it couldn't behave in a more | 0:08:49 | 0:08:53 | |
different way. You had a much lower carriage. | 0:08:53 | 0:08:56 | |
It's on a massive bed that supports it, that's going right underneath. | 0:08:56 | 0:09:00 | |
It was easy to change the aim, it's easy to reload. | 0:09:00 | 0:09:05 | |
The English gun carriage being more compact helped the English crews | 0:09:05 | 0:09:10 | |
achieve a greater rate of fire | 0:09:10 | 0:09:12 | |
than the Spanish, with their cumbersome carriages. | 0:09:12 | 0:09:15 | |
Drake's discovery on the Rosario offered a glimmer of hope. | 0:09:20 | 0:09:24 | |
Go, fire! | 0:09:24 | 0:09:26 | |
In fact, the rate of fire of the English cannons | 0:09:28 | 0:09:31 | |
was up to five times that of the Spaniards'. | 0:09:31 | 0:09:35 | |
Remember, speed! | 0:09:35 | 0:09:36 | |
But no-one knew if even that would be enough in the battles ahead | 0:09:36 | 0:09:41 | |
against the mightiest fleet on Earth. | 0:09:41 | 0:09:44 | |
Fire! | 0:09:45 | 0:09:47 | |
CHORAL SINGING | 0:09:51 | 0:09:55 | |
The Armada was the plan of King Philip II of Spain... | 0:09:59 | 0:10:02 | |
..the most powerful man on the planet - | 0:10:04 | 0:10:07 | |
an obsessive workaholic | 0:10:07 | 0:10:09 | |
and religious fanatic. | 0:10:09 | 0:10:11 | |
He's fairly simply dressed. Always the same, | 0:10:13 | 0:10:16 | |
always in black, The only ornament he has on | 0:10:16 | 0:10:19 | |
is the Order of the Golden Fleece... | 0:10:19 | 0:10:21 | |
..the golden dead sheep hanging round his neck. | 0:10:22 | 0:10:26 | |
Dignity, through understatement. | 0:10:26 | 0:10:28 | |
He lives a life which you and I would think was pretty boring. | 0:10:28 | 0:10:32 | |
He spends many hours at prayer, | 0:10:32 | 0:10:34 | |
he spends the rest of his time, primarily, working. | 0:10:34 | 0:10:37 | |
A pretty odd life, but then, Philip is a pretty odd man. | 0:10:37 | 0:10:41 | |
Philip was a man of the shadows. | 0:10:43 | 0:10:46 | |
He hardly spoke to anyone and, everything he did, | 0:10:46 | 0:10:50 | |
he noted down. When pieces of paper | 0:10:50 | 0:10:54 | |
came in from the people who worked outside his room, he would scribble | 0:10:54 | 0:10:59 | |
notations in the margins | 0:10:59 | 0:11:01 | |
or he'd write them orders. | 0:11:01 | 0:11:04 | |
He had an empire to run and an empire runs, | 0:11:05 | 0:11:08 | |
as far as he was concerned, on detail. | 0:11:08 | 0:11:11 | |
It was a lonely existence, but he still felt he had the world | 0:11:11 | 0:11:15 | |
at his fingertips. | 0:11:15 | 0:11:17 | |
Canarias... Madeira... | 0:11:18 | 0:11:20 | |
For Philip, the conquest of England was the will of God, | 0:11:20 | 0:11:25 | |
to preserve a safe, ordered and, most importantly, | 0:11:25 | 0:11:30 | |
Catholic world. | 0:11:30 | 0:11:32 | |
The success of Philip's Armada | 0:11:38 | 0:11:40 | |
depended on its inexperienced commander, | 0:11:40 | 0:11:44 | |
the 7th Duke of Medina Sidonia... | 0:11:44 | 0:11:47 | |
..and on Spain's most gifted admiral, | 0:11:47 | 0:11:52 | |
Juan Martinez de Recalde. | 0:11:52 | 0:11:54 | |
But there was already simmering tension between the two. | 0:12:01 | 0:12:05 | |
Just three days earlier, | 0:12:07 | 0:12:09 | |
it had been Recalde's plan to attack the English in Plymouth. | 0:12:09 | 0:12:12 | |
There is no time to be wasted. | 0:12:12 | 0:12:15 | |
It is better to destroy the serpent in its egg. | 0:12:15 | 0:12:18 | |
I propose we attack Plymouth. | 0:12:18 | 0:12:20 | |
But Medina Sidonia had overruled him. | 0:12:20 | 0:12:23 | |
We must not be distracted from our true and pious course, | 0:12:23 | 0:12:27 | |
as laid down by the King. | 0:12:27 | 0:12:30 | |
The King is not here and situations change in battle all the time. | 0:12:30 | 0:12:35 | |
Recalde, mind your tongue! | 0:12:35 | 0:12:37 | |
Recalde was beginning to doubt whether Medina Sidonia | 0:12:39 | 0:12:42 | |
was the right man for the job... | 0:12:42 | 0:12:44 | |
..and a new discovery suggests he may have been right. | 0:12:47 | 0:12:50 | |
Professor Geoffrey Parker | 0:12:56 | 0:12:57 | |
has been studying the world of Philip II of Spain | 0:12:57 | 0:13:01 | |
for over 50 years. | 0:13:01 | 0:13:03 | |
At the Hispanic Society of America, in New York, he recently unearthed | 0:13:04 | 0:13:08 | |
a huge archive of papers from the Spanish court. | 0:13:08 | 0:13:12 | |
I spent eight weeks | 0:13:15 | 0:13:16 | |
going through every single document, 100 a day, figuring out | 0:13:16 | 0:13:20 | |
who it was from, who it was to, | 0:13:20 | 0:13:22 | |
what it was about. And some of them were absolutely sensational. | 0:13:22 | 0:13:27 | |
Within them were extraordinary new revelations | 0:13:29 | 0:13:32 | |
about the aristocratic leader of the Spanish fleet, | 0:13:32 | 0:13:35 | |
the Duke of Medina Sidonia, who, it turns out, | 0:13:35 | 0:13:39 | |
never wanted the job in the first place. | 0:13:39 | 0:13:42 | |
This is one of the most remarkable letters I have ever seen. | 0:13:44 | 0:13:46 | |
It's a letter in which Medina Sidonia says to the king, | 0:13:46 | 0:13:50 | |
"Please don't do this to me." | 0:13:50 | 0:13:52 | |
Here, he is giving reasons why he does not want to go on the Armada. | 0:13:52 | 0:13:57 | |
He says, "The sea is not good to me. | 0:13:57 | 0:13:59 | |
"I have no experience of naval warfare." | 0:14:01 | 0:14:04 | |
"I have never been to sea. Don't send me." | 0:14:04 | 0:14:07 | |
Take it away. Take it away! | 0:14:07 | 0:14:09 | |
The 7th Duke of Medina Sidonia is one of the richest men in Spain, | 0:14:09 | 0:14:12 | |
if not in the western world. | 0:14:12 | 0:14:14 | |
And then, he says, "If you send me, remember I'm poor." | 0:14:14 | 0:14:18 | |
Right at the end he says, "Estoy muy pobre." | 0:14:18 | 0:14:20 | |
"I'm very poor," The richest man in Spain. | 0:14:20 | 0:14:22 | |
"And I've got four children who live in great hunger" - "tienen hambre". | 0:14:22 | 0:14:28 | |
"So, if I go, I have some things I want from you, Your Majesty. | 0:14:28 | 0:14:32 | |
"Humildemente. Humildemente supplico." | 0:14:32 | 0:14:35 | |
"I humbly ask that you give them some reward, | 0:14:35 | 0:14:37 | |
"before I sail, please." | 0:14:37 | 0:14:40 | |
So, what we take away here is he really doesn't want to go to sea | 0:14:42 | 0:14:46 | |
and he's prepared to resort to blackmailing the king, | 0:14:46 | 0:14:49 | |
to try and get out of it. | 0:14:49 | 0:14:51 | |
The truth is that the man who'd been given command over the most powerful | 0:14:53 | 0:14:57 | |
naval force on Earth had hardly ever been to sea before. | 0:14:57 | 0:15:00 | |
He had certainly never been in a sea battle and he did not want | 0:15:00 | 0:15:04 | |
to be there. Medina Sidonia had been given explicit instructions | 0:15:04 | 0:15:08 | |
by King Philip of Spain and he was sticking to them, so far, | 0:15:08 | 0:15:11 | |
but he was beginning to realise that there was a fatal flaw in them. | 0:15:11 | 0:15:15 | |
The Spanish Admiral might not have been a military man, | 0:15:23 | 0:15:26 | |
but even he was beginning to realise that Philip's orders, | 0:15:26 | 0:15:30 | |
which seemed so brilliant on paper, did not look quite as clever | 0:15:30 | 0:15:34 | |
on the hostile seas of the Channel. | 0:15:34 | 0:15:36 | |
The Armada is just one half of Philip's master plan. | 0:15:41 | 0:15:44 | |
It's an enormous fleet, in a tight crescent formation | 0:15:44 | 0:15:47 | |
that's still over two miles wide. | 0:15:47 | 0:15:48 | |
Up here, in the Spanish-controlled Netherlands, | 0:15:48 | 0:15:51 | |
we have the Duke of Parma, with an army 27,000-strong. | 0:15:51 | 0:15:54 | |
The idea is to get these two to "join hands" | 0:15:54 | 0:15:58 | |
and to land at Margate, in Kent, and, then, to march on London. | 0:15:58 | 0:16:02 | |
Joining hands is easier said than done, of course, isn't it? | 0:16:02 | 0:16:06 | |
Two factors can get in the way. | 0:16:06 | 0:16:07 | |
One - the English. They're not going to stay inactive. | 0:16:07 | 0:16:10 | |
They'll continue to harry the Spanish fleet, | 0:16:10 | 0:16:12 | |
hopefully, push them past the Duke Parma, | 0:16:12 | 0:16:14 | |
but the other problem that the Spanish have got is that no-one - | 0:16:14 | 0:16:17 | |
not the Duke of Parma in Flanders, nor the Duke of Medina Sidonia | 0:16:17 | 0:16:20 | |
in the Armada itself - know exactly how they're going to join hands. | 0:16:20 | 0:16:24 | |
We know from the archives that Medina Sidonia was repeatedly | 0:16:30 | 0:16:33 | |
writing to the Spanish General, the Duke of Parma, | 0:16:33 | 0:16:37 | |
in an attempt to keep him updated about the Armada's progress, | 0:16:37 | 0:16:41 | |
but he heard nothing in return. | 0:16:41 | 0:16:44 | |
The letters just weren't getting through. | 0:16:44 | 0:16:48 | |
In this era of radio and satellite communications, | 0:16:48 | 0:16:51 | |
it's very, very hard for us to understand just how difficult it was | 0:16:51 | 0:16:54 | |
to communicate with, even, ships in the same fleet as you, | 0:16:54 | 0:16:58 | |
let alone with an allied army miles away, on land. | 0:16:58 | 0:17:02 | |
And yet, Philip's plan demanded that the Spanish do exactly that. | 0:17:02 | 0:17:07 | |
The only way that Medina Sidonia could get a message through | 0:17:07 | 0:17:10 | |
to the army of Parma was by sending a small, fast ship | 0:17:10 | 0:17:13 | |
right up the Channel here, but this Channel was controlled | 0:17:13 | 0:17:16 | |
by Dutch and English ships. | 0:17:16 | 0:17:18 | |
It would be very hard for that message to get through. | 0:17:18 | 0:17:20 | |
And if it did get through and Parma wanted to send a message back, | 0:17:20 | 0:17:24 | |
then, where does he send it to? | 0:17:24 | 0:17:25 | |
The 123 ships of the Spanish Armada was a moving address, | 0:17:25 | 0:17:29 | |
out here somewhere in the vastness of the Channel. | 0:17:29 | 0:17:32 | |
Together, the two halves of Philip's mighty invasion plan | 0:17:34 | 0:17:38 | |
would be unstoppable. But right now, both army and navy | 0:17:38 | 0:17:42 | |
were in the dark, as to where, when, or even how, | 0:17:42 | 0:17:47 | |
they were to join forces. | 0:17:47 | 0:17:49 | |
The English, though, were obsessed by a different threat. | 0:17:52 | 0:17:57 | |
They thought that the Armada wanted to make land and capture | 0:17:57 | 0:18:01 | |
one of England's great southern ports. | 0:18:01 | 0:18:04 | |
The Armada was well ahead of the English fleet, | 0:18:04 | 0:18:06 | |
which was a big problem, because in front of the Spanish Armada lay | 0:18:06 | 0:18:10 | |
a couple of really good, deep-water harbours. | 0:18:10 | 0:18:13 | |
There was Weymouth, behind Portland Bill, | 0:18:13 | 0:18:16 | |
and then there was the Solent, tucked in behind the Isle of Wight. | 0:18:16 | 0:18:19 | |
The English knew they had to stop the Spanish from capturing | 0:18:19 | 0:18:22 | |
these harbours, because that would give them the option | 0:18:22 | 0:18:24 | |
of launching an invasion from there. So, the English raced to catch up. | 0:18:24 | 0:18:28 | |
Drake's raid on the Rosario might have cost the English time... | 0:18:31 | 0:18:35 | |
..but during the morning of the 1st of August, | 0:18:36 | 0:18:39 | |
they were able to gain ground... | 0:18:39 | 0:18:40 | |
..because in the late 16th century, | 0:18:42 | 0:18:44 | |
the cutting edge of naval design lay not with Spain... | 0:18:44 | 0:18:48 | |
..but with England. | 0:18:50 | 0:18:52 | |
The main differences between | 0:18:52 | 0:18:54 | |
the Spanish galleon and the English galleon, | 0:18:54 | 0:18:57 | |
as you can see here, is that the Spanish galleon is much higher in | 0:18:57 | 0:19:00 | |
the bow and stern, with the castles. It's wider in the beam... | 0:19:00 | 0:19:04 | |
..whereas the English, race-built galleons are much lower | 0:19:05 | 0:19:09 | |
in the water. It's longer, it's narrower. | 0:19:09 | 0:19:11 | |
And the castles at the bow and the stern are much lower, as well. | 0:19:11 | 0:19:15 | |
This made the English galleon much faster to sail | 0:19:15 | 0:19:19 | |
and more manoeuvrable. | 0:19:19 | 0:19:21 | |
Spanish warships were of a design that really dates back | 0:19:22 | 0:19:25 | |
hundreds of years. | 0:19:25 | 0:19:27 | |
And they were loaded with soldiers. The whole aim was to close | 0:19:27 | 0:19:30 | |
with the enemy, | 0:19:30 | 0:19:32 | |
throw grapples, pull them alongside and then swarm aboard | 0:19:32 | 0:19:36 | |
and wipe them out and win the battle that way. | 0:19:36 | 0:19:38 | |
The English way was entirely different. | 0:19:38 | 0:19:40 | |
Their whole aim was to stand off from the Spanish fleet | 0:19:40 | 0:19:43 | |
and blast it to pieces with their cannons. | 0:19:43 | 0:19:45 | |
In terms of how the Armada was going to be battling up the Channel, | 0:19:47 | 0:19:52 | |
we're talking here about | 0:19:52 | 0:19:53 | |
an elderly heavyweight boxer | 0:19:53 | 0:19:57 | |
being confronted by a nimble, agile opponent darting around him. | 0:19:57 | 0:20:02 | |
With their faster ships, the English navy chased down the Spanish. | 0:20:04 | 0:20:08 | |
As evening fell, the Armada had sailed a full 100 miles | 0:20:11 | 0:20:15 | |
from Plymouth and seemed to the English to be bearing down | 0:20:15 | 0:20:18 | |
on Weymouth. | 0:20:18 | 0:20:19 | |
If the Spanish made land there, it could spell the end | 0:20:21 | 0:20:24 | |
of Tudor England and the realisation | 0:20:24 | 0:20:26 | |
of Philip's Catholic dream. | 0:20:26 | 0:20:29 | |
BIRDSONG | 0:20:46 | 0:20:49 | |
BELLS CHIME | 0:20:49 | 0:20:52 | |
Every day, Elizabeth's routine remained the same. | 0:20:54 | 0:20:57 | |
Now that battle had been engaged, she was a helpless observer | 0:20:59 | 0:21:02 | |
of the events unfolding in the Channel. | 0:21:02 | 0:21:05 | |
The waging of war | 0:21:07 | 0:21:08 | |
is essentially a male preserve and we can see this from a letter, | 0:21:08 | 0:21:13 | |
where Elizabeth is giving charge | 0:21:13 | 0:21:17 | |
to her Admiral, Howard. And she's saying that the best thing to do | 0:21:17 | 0:21:20 | |
would, essentially, | 0:21:20 | 0:21:22 | |
be to leave decisions to the discretion of Howard, himself. | 0:21:22 | 0:21:26 | |
But appearances had to be maintained. | 0:21:28 | 0:21:31 | |
Every morning, she was painstakingly transformed, | 0:21:31 | 0:21:35 | |
from an ailing and ageing woman, | 0:21:35 | 0:21:38 | |
to a vibrant and powerful queen. | 0:21:38 | 0:21:42 | |
Now that the Armada was in the Channel, | 0:21:44 | 0:21:47 | |
it was more important than ever for Elizabeth | 0:21:47 | 0:21:50 | |
to present a youthful, vital, regal face to the country, | 0:21:50 | 0:21:55 | |
so that meant these endless, laborious make-up sessions | 0:21:55 | 0:21:59 | |
and it meant the power dressing. | 0:21:59 | 0:22:01 | |
Naval strategy might have been left to the men, | 0:22:03 | 0:22:05 | |
but Elizabeth was the living embodiment of England | 0:22:05 | 0:22:10 | |
and God's representative on Earth. | 0:22:10 | 0:22:13 | |
Tighter. | 0:22:13 | 0:22:14 | |
Elizabeth, of course, | 0:22:14 | 0:22:16 | |
was famous for her gowns, famous for the spectacle and splendour | 0:22:16 | 0:22:21 | |
of the Elizabethan court. That was important, to demonstrate | 0:22:21 | 0:22:23 | |
-England's strength and stability. -And the whole point was that | 0:22:23 | 0:22:29 | |
the monarch had to look the most magnificent, | 0:22:29 | 0:22:31 | |
so Elizabeth had the finest silks and the widest ruffs | 0:22:31 | 0:22:37 | |
and she had the most embroidery. | 0:22:37 | 0:22:39 | |
And she had the most bling. | 0:22:40 | 0:22:43 | |
She had rubies and sapphires and diamonds and pearls - | 0:22:43 | 0:22:46 | |
a lot of pearls - because they symbolise virginity. | 0:22:46 | 0:22:49 | |
She is the Virgin Queen, | 0:22:49 | 0:22:52 | |
almost the Virgin Mary, here for her people to worship on Earth. | 0:22:52 | 0:22:57 | |
Elizabeth had spent a lifetime using her femininity for the strength | 0:22:58 | 0:23:03 | |
of England, playing off foreign royal suitors, | 0:23:03 | 0:23:07 | |
while remaining firmly independent, | 0:23:07 | 0:23:10 | |
but she knew those days were over, as a woman | 0:23:10 | 0:23:14 | |
and as a queen. | 0:23:14 | 0:23:16 | |
Who gave that to you? | 0:23:20 | 0:23:22 | |
A friend, Your Majesty. | 0:23:22 | 0:23:24 | |
A suitor? | 0:23:25 | 0:23:26 | |
Don't ever keep me in the dark. | 0:23:28 | 0:23:32 | |
You know I don't like secrets. | 0:23:32 | 0:23:34 | |
Go and fetch the brooch with the half moon. | 0:23:36 | 0:23:38 | |
Elizabeth is undoubtedly jealous of her ladies. | 0:23:41 | 0:23:45 | |
They are younger, they're more beautiful and desirable. | 0:23:45 | 0:23:49 | |
She knows that she is no longer the queen bee at court, | 0:23:49 | 0:23:53 | |
the soul focus of her male courtiers' attentions. | 0:23:53 | 0:23:56 | |
They are being drawn elsewhere and Elizabeth hates it. | 0:23:56 | 0:24:00 | |
Is it too much to ask that my ladies-in-waiting remain virgins? | 0:24:00 | 0:24:07 | |
Green-eyed monster. | 0:24:07 | 0:24:09 | |
This would have fed Elizabeth's anxiety, because women like | 0:24:09 | 0:24:12 | |
Bess Throckmorton, | 0:24:12 | 0:24:14 | |
who were younger, were attractive, were vivacious, | 0:24:14 | 0:24:17 | |
were charismatic. This would have unsettled Elizabeth, somewhat. | 0:24:17 | 0:24:21 | |
In this time of crisis, | 0:24:21 | 0:24:24 | |
Elizabeth had to remain strong... | 0:24:24 | 0:24:26 | |
We shall prevail. | 0:24:27 | 0:24:30 | |
I expect only good news. | 0:24:32 | 0:24:35 | |
..or, at the very least, | 0:24:35 | 0:24:37 | |
appear so. | 0:24:37 | 0:24:39 | |
Well? | 0:24:43 | 0:24:45 | |
You're a force to be reckoned with, Your Majesty. | 0:24:45 | 0:24:50 | |
Meanwhile, 150 miles to the south, | 0:24:53 | 0:24:56 | |
the Spanish fleet was approaching the strategic port of Weymouth. | 0:24:56 | 0:25:00 | |
With their faster ships, the English had caught up with them, | 0:25:00 | 0:25:04 | |
believing that Weymouth was a target for invasion. | 0:25:04 | 0:25:07 | |
Now, they prepared for the second battle of the Armada. | 0:25:10 | 0:25:13 | |
On Tuesday, August 2nd, both fleets found themselves here, | 0:25:14 | 0:25:18 | |
off the tip of Portland Bill, | 0:25:18 | 0:25:20 | |
a very prominent landmark on the south coast of England. | 0:25:20 | 0:25:23 | |
It's a headland that stretches down from the coast of Dorset | 0:25:23 | 0:25:26 | |
and behind it is the excellent harbour of Weymouth. | 0:25:26 | 0:25:29 | |
The English were particularly keen to stop the Spanish Armada | 0:25:29 | 0:25:32 | |
going into Weymouth and going ashore. | 0:25:32 | 0:25:34 | |
One of the English commanders made a decision that has puzzled | 0:25:34 | 0:25:37 | |
historians ever since. His name was Martin Frobisher | 0:25:37 | 0:25:41 | |
and he led his six ships, a small flotilla, | 0:25:41 | 0:25:44 | |
in here, right up next to Portland Bill itself. | 0:25:44 | 0:25:48 | |
It was almost as if he was inviting the Spanish to come and attack him. | 0:25:48 | 0:25:51 | |
-Clearly, they're setting a trap here. -Well, you say it's a trap, | 0:25:57 | 0:26:01 | |
but to us, it looks like you're stuck in the lee | 0:26:01 | 0:26:03 | |
of Portland Bill. Whatever happens, the Spanish unleash their galleasses | 0:26:03 | 0:26:08 | |
which is a squadron of hybrid fighting craft, | 0:26:08 | 0:26:10 | |
perfect for this type of inshore work | 0:26:10 | 0:26:12 | |
and they head towards Frobisher's squadron. | 0:26:12 | 0:26:15 | |
But it seems that Frobisher, one of Howard's most experienced | 0:26:19 | 0:26:22 | |
commanders, did indeed have a plan. | 0:26:22 | 0:26:26 | |
Martin Frobisher knew these waters like nobody else | 0:26:27 | 0:26:29 | |
and he knew that this is one of the most treacherous sections | 0:26:29 | 0:26:34 | |
of coastline anywhere in the British Isles. | 0:26:34 | 0:26:36 | |
And today, you can see why. | 0:26:36 | 0:26:38 | |
We're just off something called the Portland Race, | 0:26:38 | 0:26:42 | |
which he'd have known all about. We're in fairly calm water here, | 0:26:42 | 0:26:46 | |
but just 50 metres off on our starboard side are these white caps, | 0:26:46 | 0:26:50 | |
huge, standing waves. caused by the tidal flows. | 0:26:50 | 0:26:53 | |
They race up and down the Channel. An absolute graveyard for ships. | 0:26:53 | 0:26:57 | |
What it looks like Frobisher was doing was, he was in here, | 0:26:57 | 0:27:01 | |
enticing the Spanish to attack. He knew they'd have to cross this Race, | 0:27:01 | 0:27:05 | |
which could be devastating for them. | 0:27:05 | 0:27:08 | |
The ruse worked. | 0:27:12 | 0:27:13 | |
Four Spanish ships became trapped in the Race. | 0:27:13 | 0:27:17 | |
What we see at this battle off Portland Bill | 0:27:17 | 0:27:21 | |
is the English becoming increasingly confident. They knew these waters | 0:27:21 | 0:27:24 | |
and the Spanish didn't. | 0:27:24 | 0:27:26 | |
So, while, on the one hand, you have Frobisher, | 0:27:26 | 0:27:28 | |
who is, in my opinion, luring the Spanish into the Portland Race, | 0:27:28 | 0:27:32 | |
on the other wing, you've got Drake's squadron, | 0:27:32 | 0:27:35 | |
attacking the seaborne wing of the Spanish. | 0:27:35 | 0:27:39 | |
They're attacking on both sides. | 0:27:39 | 0:27:41 | |
-Be sure that coin is fast! -Give fire! | 0:27:46 | 0:27:49 | |
In the centre, Howard is charging straight for the middle | 0:27:54 | 0:27:57 | |
of the Armada, going directly for the Spanish flagship. | 0:27:57 | 0:28:01 | |
The English have re-armed themselves with all of the ammunition | 0:28:01 | 0:28:04 | |
they've stolen from the Spanish Rosario. | 0:28:04 | 0:28:06 | |
Talk about a self-inflicted wound. And the sheer amount of metal | 0:28:06 | 0:28:10 | |
fired at the Spanish flagship, something like 12 tonnes | 0:28:10 | 0:28:13 | |
of cast iron. | 0:28:13 | 0:28:15 | |
Over the course of the afternoon, the English fired salvo upon salvo | 0:28:28 | 0:28:33 | |
of cannonballs into the Armada. | 0:28:33 | 0:28:35 | |
The Spanish, with their cumbersome land cannons, | 0:28:37 | 0:28:40 | |
just couldn't compete with the intensity of the English onslaught. | 0:28:40 | 0:28:44 | |
For the English, it had the desired effect, because after fire hours | 0:28:47 | 0:28:51 | |
of ferocious and continuous combat, | 0:28:51 | 0:28:52 | |
they had finally achieved their aim, | 0:28:52 | 0:28:54 | |
to drive the Spanish past Weymouth and that allowed them to disengage. | 0:28:54 | 0:28:59 | |
The Spanish watched the English speedily sailing back out to sea. | 0:29:03 | 0:29:06 | |
One Spanish observer said it was as if "the Spanish were anchored, | 0:29:06 | 0:29:10 | |
"while the English appeared to have wings to fly, | 0:29:10 | 0:29:12 | |
"as and where they wished". | 0:29:12 | 0:29:14 | |
Certainly, it looked like the English were combining | 0:29:14 | 0:29:17 | |
their new technology and new tactics very effectively. | 0:29:17 | 0:29:21 | |
By this stage, many of the Spanish commanders were rueing | 0:29:21 | 0:29:23 | |
Medina Sidonia's decision not to bottle up and destroy | 0:29:23 | 0:29:26 | |
the English fleet at Plymouth, just a few days before. | 0:29:26 | 0:29:29 | |
But as evening fell, | 0:29:31 | 0:29:33 | |
the Armada was still in its tight formation, virtually intact... | 0:29:33 | 0:29:39 | |
..and heading ever closer to fulfilling | 0:29:41 | 0:29:43 | |
King Philip's master plan... | 0:29:43 | 0:29:45 | |
..to join forces with the Duke of Parma's huge army... | 0:29:47 | 0:29:50 | |
..before conquering England. | 0:29:51 | 0:29:53 | |
CHURCH BELLS TOLL | 0:30:00 | 0:30:02 | |
It was now nearly a week since the Armada had entered English waters. | 0:30:07 | 0:30:12 | |
And 700 miles away in Spain, deep in the bowels of his palace, | 0:30:13 | 0:30:19 | |
Philip spent another day occupied with the administration of his empire... | 0:30:19 | 0:30:23 | |
..and awaiting news of his great enterprise. | 0:30:25 | 0:30:28 | |
He follows his usual regimen - praying and working. | 0:30:30 | 0:30:33 | |
He does have the sense to know that even | 0:30:33 | 0:30:36 | |
he cannot micromanage the Armada now. | 0:30:36 | 0:30:38 | |
He sometimes hears rumours of success, | 0:30:40 | 0:30:42 | |
he sometimes hears rumours of failure, | 0:30:42 | 0:30:45 | |
and he's sensible enough to know, "We know nothing, so pray some more | 0:30:45 | 0:30:48 | |
"and hope for good convincing certified news of the outcome." | 0:30:48 | 0:30:52 | |
MATEO COUGHS | 0:30:56 | 0:30:58 | |
Thank you, Mateo. | 0:30:58 | 0:30:59 | |
Keep it coming. | 0:30:59 | 0:31:00 | |
Take your leave. | 0:31:02 | 0:31:03 | |
While Philip could only hope and pray, Elizabeth was receiving | 0:31:08 | 0:31:13 | |
regular reports from Admiral Howard on the English fleet. | 0:31:13 | 0:31:17 | |
The latest dispatches took only 12 hours to reach Richmond, | 0:31:18 | 0:31:23 | |
delivered first to Elizabeth's two most trusted ministers - | 0:31:23 | 0:31:26 | |
spy master Sir Francis Walsingham and her treasurer, Lord Burghley. | 0:31:26 | 0:31:32 | |
Burghley was one of Elizabeth's long-serving advisers. | 0:31:33 | 0:31:37 | |
He was sensible, he was pragmatic, he had an eye on finances, | 0:31:37 | 0:31:42 | |
he would try and be cautious. | 0:31:42 | 0:31:45 | |
That is in sharp contrast to Francis Walsingham... | 0:31:48 | 0:31:53 | |
From Howard. | 0:31:53 | 0:31:55 | |
..who is a charismatic, reckless, rather gung-ho figure. | 0:31:55 | 0:31:59 | |
I mean, he's very much a hawk. He wants confrontation with Spain. | 0:31:59 | 0:32:03 | |
He has been champing at the bit for years, really. | 0:32:03 | 0:32:06 | |
Just past Weymouth. | 0:32:06 | 0:32:08 | |
"Sir, I will not trouble you with any long letter - we are, | 0:32:08 | 0:32:11 | |
"at present, otherwise occupied than writing." | 0:32:11 | 0:32:14 | |
Well, that's good. He's kept his sense of humour. | 0:32:14 | 0:32:17 | |
Do, please, get to the meat... | 0:32:17 | 0:32:18 | |
"At nine of the clock we gave them fight, which continued until one. | 0:32:18 | 0:32:23 | |
"In this fight we made some of them bear room to stop their leaks." | 0:32:23 | 0:32:27 | |
Promising... Thank God they haven't landed. | 0:32:27 | 0:32:31 | |
"Notwithstanding, we dare not adventure to put in among them... | 0:32:31 | 0:32:35 | |
"..their fleet being so strong." | 0:32:36 | 0:32:38 | |
The outlook does not improve, I fear. | 0:32:41 | 0:32:44 | |
"Sir, for the love of God and our country, let us have, | 0:32:44 | 0:32:48 | |
"with some speed, some great shot sent us of all bigness, | 0:32:48 | 0:32:55 | |
"for this service will continue long... | 0:32:55 | 0:32:57 | |
"And some powder with it." | 0:33:00 | 0:33:03 | |
Despite the stocks taken from the Rosario, Howard's reports | 0:33:08 | 0:33:12 | |
continued to plea for more gunpowder and cannonballs. | 0:33:12 | 0:33:15 | |
But Elizabeth was famously mean... and broke. | 0:33:17 | 0:33:22 | |
She and Burghley knew there simply wasn't the money available to | 0:33:22 | 0:33:26 | |
properly defend the nation. | 0:33:26 | 0:33:29 | |
And everyone was aware that the Armada was about to reach | 0:33:29 | 0:33:32 | |
the most vulnerable spot of all... | 0:33:32 | 0:33:34 | |
Gentlemen... | 0:33:35 | 0:33:36 | |
The Isle of Wight. | 0:33:37 | 0:33:39 | |
Today, the Isle of Wight is famous for its sailing. | 0:33:45 | 0:33:49 | |
It shelters the Solent, a straight of water between the island | 0:33:50 | 0:33:53 | |
and mainland England. | 0:33:53 | 0:33:55 | |
Back in 1588, the English feared that the Spanish would | 0:33:56 | 0:34:00 | |
capture the Isle of Wight and anchor the Armada in the Solent. | 0:34:00 | 0:34:04 | |
They worried the island was a defensive weak spot. | 0:34:06 | 0:34:09 | |
First of all, the Isle of Wight wouldn't be able to put up much resistance. | 0:34:15 | 0:34:18 | |
Secondly, it was adjacent to one of the best harbours on | 0:34:18 | 0:34:21 | |
the south coast of England, the Solent, | 0:34:21 | 0:34:23 | |
just tucked in behind the Isle of Wight. | 0:34:23 | 0:34:25 | |
And lastly, it was the perfect place from which to threaten | 0:34:25 | 0:34:28 | |
the rest of the south of England. | 0:34:28 | 0:34:30 | |
There was a very real sense that if the Isle of Wight fell, | 0:34:30 | 0:34:34 | |
so too might the whole kingdom. | 0:34:34 | 0:34:35 | |
Elizabeth had sent 3,000 men to defend the Isle of Wight, | 0:34:39 | 0:34:42 | |
and basic earthworks had been dug to prevent invasion. | 0:34:42 | 0:34:45 | |
But beyond that, its defences were poor. | 0:34:48 | 0:34:50 | |
There were just four cannon on the Isle of Wight | 0:34:53 | 0:34:56 | |
and enough ammunition to last one day. | 0:34:56 | 0:34:58 | |
The defenders were given bows and arrows | 0:34:58 | 0:35:01 | |
to deflect the might of the Spanish Armada. | 0:35:01 | 0:35:04 | |
And much of the money that was sent here to boost the defence was | 0:35:04 | 0:35:08 | |
actually spent on improving and enlarging the governor's castle. | 0:35:08 | 0:35:11 | |
And it wasn't just the Isle of Wight - | 0:35:14 | 0:35:17 | |
the whole of England was pitifully defended. | 0:35:17 | 0:35:19 | |
Elizabeth had no standing army. It cost too much money. | 0:35:22 | 0:35:26 | |
She has to rely on the rather dubious talents of her militia. | 0:35:26 | 0:35:32 | |
Most of them are untrained. Most of them don't have any weapons. | 0:35:32 | 0:35:38 | |
They make Dad's Army look like a finely honed fighting force. | 0:35:39 | 0:35:43 | |
The commander of the Dorset militia believed that his men would | 0:35:44 | 0:35:48 | |
sooner kill each other than kill the Spaniards. | 0:35:48 | 0:35:51 | |
Facing them was the most formidable army in Europe - ferocious, | 0:35:53 | 0:35:57 | |
battle-hardened troops, who had fought for years | 0:35:57 | 0:36:00 | |
and years in Philip's campaign. | 0:36:00 | 0:36:02 | |
There is no doubt whatsoever that had the Spanish army been | 0:36:02 | 0:36:06 | |
able to land on the English coast, they would simply have | 0:36:06 | 0:36:08 | |
overwhelmed Dad's Army and reached London in record time. | 0:36:08 | 0:36:11 | |
Drake and Howard knew that the naval battle for | 0:36:15 | 0:36:17 | |
the Isle of Wight would be a pivotal moment for the future of England. | 0:36:17 | 0:36:21 | |
What little money Elizabeth had to spare, she'd sunk into her navy. | 0:36:23 | 0:36:28 | |
If they failed, there was no second line of defence... | 0:36:30 | 0:36:34 | |
no land army | 0:36:34 | 0:36:35 | |
that could stand in the way of seasoned Spanish troops. | 0:36:35 | 0:36:38 | |
On the third of August 1588, the Spanish Armada was approaching from there, | 0:36:41 | 0:36:45 | |
from the west, and the defence of the Isle of Wight here, and of the whole | 0:36:45 | 0:36:49 | |
of England was pretty much totally in the hands of the Royal Navy. | 0:36:49 | 0:36:53 | |
Now, pressure was on Drake and Howard because, so far, | 0:36:53 | 0:36:56 | |
though there'd been a huge amount of firing, their guns hadn't done | 0:36:56 | 0:37:00 | |
that much damage to the Spanish fleet. | 0:37:00 | 0:37:02 | |
That would have to change. | 0:37:02 | 0:37:04 | |
So, when Drake saw a Spanish ship in difficulty just here off | 0:37:04 | 0:37:08 | |
the Isle of Wight, he decided to close with it | 0:37:08 | 0:37:11 | |
and get some target practice in. | 0:37:11 | 0:37:13 | |
SHOUTS OF INSTRUCTION | 0:37:16 | 0:37:17 | |
Drake knew that to cause real damage in battle, | 0:37:17 | 0:37:20 | |
the English had to get closer... | 0:37:20 | 0:37:22 | |
Ram it home! | 0:37:22 | 0:37:24 | |
..but if they came too close, there was the danger of being | 0:37:24 | 0:37:27 | |
grappled and boarded. | 0:37:27 | 0:37:28 | |
Drake needed to discover a sweet spot - to be effective, but safe. | 0:37:30 | 0:37:35 | |
Prepare to fire. | 0:37:36 | 0:37:38 | |
Whoa! | 0:37:40 | 0:37:42 | |
Good bang on the cliff, wasn't it? | 0:37:42 | 0:37:44 | |
-That took a piece out of the cliff. -Yeah. | 0:37:44 | 0:37:46 | |
Drake wanted to find out just how effective his cannon would be | 0:37:46 | 0:37:50 | |
at different ranges. | 0:37:50 | 0:37:51 | |
So this is from the period, is it? | 0:37:53 | 0:37:55 | |
It's a replica of an Elizabethan English iron gun. | 0:37:55 | 0:38:00 | |
And it fires about a four- pound ball, | 0:38:01 | 0:38:04 | |
so it's not too difficult a gun to handle but it delivers | 0:38:04 | 0:38:08 | |
a reasonably powerful hit at the target, if you hit the target. | 0:38:08 | 0:38:13 | |
But of course, we've got a stable platform and a stable target. | 0:38:13 | 0:38:16 | |
-Exactly. -Their ships were moving around. | 0:38:16 | 0:38:19 | |
You've hit the nail on the head. | 0:38:19 | 0:38:20 | |
Right, so the gun is loaded. | 0:38:21 | 0:38:23 | |
Right, here we go! | 0:38:23 | 0:38:25 | |
Firing from 200 metres, we're aiming at wood | 0:38:26 | 0:38:29 | |
the same thickness as the hull of a Spanish ship. | 0:38:29 | 0:38:32 | |
Four, three, two, one. | 0:38:32 | 0:38:36 | |
Nowhere near. Well, I'm disappointed about that. | 0:38:48 | 0:38:51 | |
I thought that one was a sure-fire hit. | 0:38:51 | 0:38:54 | |
And I suppose that's what the English felt like in those | 0:38:54 | 0:38:56 | |
first few scuffles with the Armada. | 0:38:56 | 0:38:58 | |
They just weren't doing the damage that they wanted to. | 0:38:58 | 0:39:01 | |
No, no, and with the ships moving it's a very difficult business. | 0:39:01 | 0:39:05 | |
The answer is, of course - get close. | 0:39:05 | 0:39:08 | |
Yes. Let's do it. | 0:39:08 | 0:39:09 | |
Firing at the isolated Spanish ship, | 0:39:14 | 0:39:17 | |
Drake moved in to within 100 metres - | 0:39:17 | 0:39:20 | |
as close as he dared to go without risking being grappled and boarded. | 0:39:20 | 0:39:24 | |
That's it, that's it. That's good. | 0:39:25 | 0:39:28 | |
Now we've halved the distance to that Spanish ship over there. | 0:39:31 | 0:39:35 | |
Now, if that doesn't hit, I'll be very surprised. | 0:39:35 | 0:39:38 | |
Four, three, two, one. | 0:39:40 | 0:39:42 | |
You'd think Tudor weapons are a bit primitive | 0:39:55 | 0:39:58 | |
but there's nothing primitive about that. | 0:39:58 | 0:40:00 | |
-It fired straight and true, didn't it? -Yes. Perfect aim. | 0:40:00 | 0:40:03 | |
It makes a mess of the hull, doesn't it? | 0:40:05 | 0:40:07 | |
Yes, below the water line that would be very, very difficult to repair. | 0:40:07 | 0:40:11 | |
And this is just with a four-pounder. | 0:40:11 | 0:40:15 | |
Drake was firing balls that were up to 15 times as big. | 0:40:15 | 0:40:18 | |
It does show, if you want to hit, you've got to get close. | 0:40:20 | 0:40:23 | |
-You've got to be able to see the whites of their eyes, haven't you? -Yeah. | 0:40:23 | 0:40:26 | |
-Let's do it again. -Yeah. | 0:40:26 | 0:40:28 | |
Drake had learnt a vital lesson... | 0:40:34 | 0:40:36 | |
Just how close he needed to get to be really effective. | 0:40:39 | 0:40:43 | |
The English had faster ships, with cannon that could fire more quickly. | 0:40:48 | 0:40:53 | |
But if they wanted to have any chance of breaking the impregnable force | 0:40:53 | 0:40:57 | |
of the Armada, they'd have to start taking some risks. | 0:40:57 | 0:41:00 | |
With a third battle looming, both Howard and Drake knew that | 0:41:03 | 0:41:06 | |
unless they started firing from closer range, they risked defeat. | 0:41:06 | 0:41:11 | |
BIRDS CAW | 0:41:16 | 0:41:19 | |
Evening... | 0:41:19 | 0:41:21 | |
and the closer the Spanish were, the more afraid Elizabeth was becoming. | 0:41:21 | 0:41:25 | |
Not only did she fear the Armada landing, | 0:41:27 | 0:41:30 | |
but its very presence, visible from the cliffs of southern England, | 0:41:30 | 0:41:34 | |
could be enough to incite a Catholic uprising from within. | 0:41:34 | 0:41:38 | |
The Armada is not the only threat at this point. | 0:41:41 | 0:41:44 | |
There's Catholics within England that are understood to be traitors, | 0:41:44 | 0:41:47 | |
a potential fifth column, and there's been over the | 0:41:47 | 0:41:50 | |
course of the reign, and particularly during the 1580s, | 0:41:50 | 0:41:54 | |
various plots, | 0:41:54 | 0:41:55 | |
various assassination attempts that have sought to kill Elizabeth. | 0:41:55 | 0:41:59 | |
Please, eat... | 0:42:00 | 0:42:02 | |
When it pleases me... | 0:42:02 | 0:42:04 | |
Elizabeth would have felt incredibly precarious at this time. | 0:42:04 | 0:42:08 | |
And she feels almost defenceless. | 0:42:08 | 0:42:10 | |
She knows that at least half the country has remained | 0:42:10 | 0:42:13 | |
faithful to the old Catholic religion. | 0:42:13 | 0:42:16 | |
The threat was all too real. | 0:42:17 | 0:42:19 | |
And it even spread to Elizabeth's inner circle... | 0:42:21 | 0:42:24 | |
with a fear that bordered on paranoia. | 0:42:24 | 0:42:27 | |
There's the constant threat of assassination, of being poisoned. | 0:42:28 | 0:42:33 | |
All her ladies-in-waiting are having to taste her food before it | 0:42:33 | 0:42:36 | |
gets to the royal plate. | 0:42:36 | 0:42:39 | |
Let Bess try, she looks in need of a meal. | 0:42:39 | 0:42:43 | |
Your Majesty, please, forgive me, but... | 0:42:45 | 0:42:47 | |
Bess would have unsettled Elizabeth somewhat, because her cousin | 0:42:49 | 0:42:53 | |
had been involved in a plot, five years before, to assassinate her. | 0:42:53 | 0:42:58 | |
You would do England great service to protect me from assassins. | 0:42:59 | 0:43:04 | |
Do. England. Great. Service. | 0:43:08 | 0:43:14 | |
Chew it. | 0:43:24 | 0:43:26 | |
More. | 0:43:28 | 0:43:29 | |
Now swallow it. | 0:43:35 | 0:43:36 | |
BESS SWALLOWS | 0:43:38 | 0:43:39 | |
The food is unsullied. | 0:43:45 | 0:43:46 | |
If you serve me, you serve God. And he will protect us both. | 0:43:48 | 0:43:55 | |
Almost a whole week since entering the Channel, the Spanish ships still | 0:44:06 | 0:44:10 | |
hadn't established communication with Parma and his army. | 0:44:10 | 0:44:13 | |
And Medina Sidonia was becoming increasingly frustrated. | 0:44:18 | 0:44:22 | |
So far, much to Recalde's irritation, | 0:44:24 | 0:44:27 | |
he'd followed Philip's master plan to the letter. | 0:44:27 | 0:44:31 | |
BOY CHANTS | 0:44:31 | 0:44:33 | |
But now, as his fleet approached the Isle of Wight, Medina Sidonia | 0:44:33 | 0:44:37 | |
was faced with a momentous decision. | 0:44:37 | 0:44:40 | |
To continue to follow his king's orders and trust that word | 0:44:41 | 0:44:44 | |
would come from Parma... | 0:44:44 | 0:44:46 | |
or to follow the advice of Recalde and attack. | 0:44:46 | 0:44:50 | |
Sam, the English have been harrying the Spanish for a week now, | 0:44:53 | 0:44:56 | |
all the while assuming that they are going to try | 0:44:56 | 0:44:58 | |
and take one of these deepwater ports along the south coast of England. | 0:44:58 | 0:45:02 | |
Well, the reality is the Spanish are continuing | 0:45:02 | 0:45:05 | |
with their plan, which is | 0:45:05 | 0:45:06 | |
to link up, of course, link up hands with the Duke of Parma in the Spanish Netherlands. | 0:45:06 | 0:45:10 | |
At this stage, Medina Sidonia decides to try something different. | 0:45:10 | 0:45:14 | |
He actually goes away from his orders and he decides to | 0:45:14 | 0:45:17 | |
anchor his fleet in the Solent, this anchorage behind the Isle of Wight. | 0:45:17 | 0:45:22 | |
It was a major about-face for the Spanish commander. | 0:45:23 | 0:45:27 | |
But Medina Sidonia felt forced to take matters into his own hands - | 0:45:28 | 0:45:33 | |
to capture a safe anchorage from where he could wait for Parma. | 0:45:33 | 0:45:36 | |
It was, though, a massive risk. | 0:45:37 | 0:45:41 | |
I've been sailing in the waters around the Isle of Wight ever | 0:45:44 | 0:45:47 | |
since I was a kid, and I still find them really challenging. | 0:45:47 | 0:45:52 | |
The idea of being here on Medina Sidonia's big, | 0:45:52 | 0:45:55 | |
cumbersome ships without engines, without GPS, | 0:45:55 | 0:45:58 | |
without really proper charts, it's terrifying. | 0:45:58 | 0:46:01 | |
The English, though, they knew this place like the back of their hand. | 0:46:01 | 0:46:06 | |
And they were now going to use their local advantage to maximum effect. | 0:46:06 | 0:46:11 | |
For the very first time, | 0:46:13 | 0:46:14 | |
the English were right about the Spanish Armada's intentions. | 0:46:14 | 0:46:19 | |
Both sides knew what the prize was, | 0:46:20 | 0:46:23 | |
and its importance for the future of England, when, on the morning | 0:46:23 | 0:46:26 | |
of the fourth of August, the battle for the Isle of Wight began. | 0:46:26 | 0:46:31 | |
Armed with Drake's advice to sail closer, | 0:46:34 | 0:46:37 | |
Howard began the attack, driving hard into the heart of the Armada. | 0:46:37 | 0:46:41 | |
It was the first salvo in a desperate attempt to scupper | 0:46:45 | 0:46:48 | |
Medina Sidonia's plan to seize an anchorage. | 0:46:48 | 0:46:51 | |
The way the English combat this new Spanish threat, Sam, | 0:46:53 | 0:46:57 | |
is that Frobisher repeats his Portland Bill trick by putting | 0:46:57 | 0:47:00 | |
himself between the Spaniards and where they want to go, | 0:47:00 | 0:47:04 | |
which, of course, is the Solent, in another difficult tidal seaway. | 0:47:04 | 0:47:08 | |
Medina Sidonia knows this is the crucial moment of the campaign, | 0:47:08 | 0:47:11 | |
so he sends in Recalde to try and fight Frobisher off. | 0:47:11 | 0:47:15 | |
If he can drive Frobisher's squadron clear of the Solent, | 0:47:15 | 0:47:18 | |
the Armada can still get in. | 0:47:18 | 0:47:20 | |
Of course, the English don't just leave it at this one action. | 0:47:20 | 0:47:23 | |
At the same time, they attack from another direction, as well. | 0:47:23 | 0:47:27 | |
You've got Drake closing in, actually closing in a lot | 0:47:27 | 0:47:30 | |
tighter than they have been at some of the previous battles, | 0:47:30 | 0:47:32 | |
for the simple reason that things are now getting desperate. | 0:47:32 | 0:47:35 | |
This could be the key moment of the actual Armada. | 0:47:35 | 0:47:38 | |
The English attacked the Spanish Armada from all sides, | 0:47:41 | 0:47:43 | |
putting enormous pressure on the defensive formation. | 0:47:43 | 0:47:47 | |
They used what they'd learned from Drake about the | 0:47:47 | 0:47:49 | |
optimum distance at which to fire their guns - close enough to do | 0:47:49 | 0:47:53 | |
great damage to the Spanish hulls, but far enough away | 0:47:53 | 0:47:56 | |
to ensure that they didn't get grappled and be forced to fight hand-to-hand. | 0:47:56 | 0:48:00 | |
For the Spanish, it was like being at the centre of a storm. | 0:48:00 | 0:48:04 | |
SHOUTING AND CHEERING | 0:48:06 | 0:48:09 | |
CANNONS ROAR | 0:48:13 | 0:48:15 | |
Let's give it to them, boy! | 0:48:19 | 0:48:22 | |
Fire! | 0:48:22 | 0:48:23 | |
Then, in the heat of battle, the Spanish faced another threat - | 0:48:31 | 0:48:35 | |
the wind and tide started to push them into notoriously | 0:48:35 | 0:48:39 | |
shallow waters... | 0:48:39 | 0:48:40 | |
off the eastern end of the Isle of Wight. | 0:48:40 | 0:48:43 | |
The waters around these shallows are so treacherous that I've had | 0:48:46 | 0:48:49 | |
to transfer from the yacht, with its deeper keel, into this RIB, | 0:48:49 | 0:48:52 | |
which can go into much shallower water. | 0:48:52 | 0:48:55 | |
SHOUTING | 0:48:58 | 0:49:00 | |
SCREAMING | 0:49:05 | 0:49:06 | |
As you can see, in some tidal conditions it's easy for me | 0:49:14 | 0:49:18 | |
to stand out here. | 0:49:18 | 0:49:19 | |
And you can imagine Medina Sidonia's big, | 0:49:19 | 0:49:22 | |
deep-hulled battleships getting up to sandbanks like this. | 0:49:22 | 0:49:26 | |
They'd be wrecked. It would be a catastrophe. | 0:49:26 | 0:49:29 | |
He had no choice but to pull out. | 0:49:29 | 0:49:30 | |
CANNON FIRES THREE TIMES | 0:49:33 | 0:49:38 | |
Medina Sidonia fired his cannon three times, which was | 0:49:40 | 0:49:43 | |
the distinctive signal to disengage. | 0:49:43 | 0:49:46 | |
And so the Spanish ships turned away, | 0:49:46 | 0:49:48 | |
and they started heading off back into the Channel. | 0:49:48 | 0:49:52 | |
The English knew, of course, that this was the crucial moment. | 0:49:52 | 0:49:55 | |
There were cheers on the island, church bells were rung - | 0:49:55 | 0:49:58 | |
the Isle of Wight had been saved. | 0:49:58 | 0:50:00 | |
England's maverick pirate was delivering. | 0:50:05 | 0:50:08 | |
Are we happy? | 0:50:08 | 0:50:11 | |
CHEERING | 0:50:11 | 0:50:12 | |
First, ammunition and intelligence from the Rosario... | 0:50:12 | 0:50:15 | |
Take the dark cargo, too. | 0:50:15 | 0:50:17 | |
..and then a bold tactic to fire at closer range. | 0:50:17 | 0:50:20 | |
Are you loving this, boys? | 0:50:22 | 0:50:23 | |
For his Spanish counterpart, the experienced Recalde, | 0:50:24 | 0:50:28 | |
things were looking grim. | 0:50:28 | 0:50:29 | |
The Spanish had lost their last chance to win a safe haven | 0:50:31 | 0:50:33 | |
on the English coast... and Medina Sidonia's decision to | 0:50:33 | 0:50:37 | |
pull out of the battle left him incensed. | 0:50:37 | 0:50:40 | |
We were gaining the wind. Closing for the kill! | 0:50:41 | 0:50:44 | |
It is for the best. | 0:50:44 | 0:50:46 | |
We will sail forth and fulfil the King's plan. | 0:50:46 | 0:50:49 | |
If only it were that simple. | 0:50:49 | 0:50:51 | |
Of all Professor Geoffrey Parker's remarkable discoveries, | 0:50:53 | 0:50:57 | |
one of the most precious is a cache of Recalde's letters | 0:50:57 | 0:51:01 | |
and journals, found hidden away in an archive in Madrid. | 0:51:01 | 0:51:06 | |
One journal entry about Medina Sidonia is brutally candid. | 0:51:08 | 0:51:12 | |
He's very explicit. Let me read you what he has to say. | 0:51:14 | 0:51:17 | |
"We should not have desisted, as our flagship did, until we'd | 0:51:18 | 0:51:22 | |
"either made them run aground or else followed them into a port." | 0:51:22 | 0:51:26 | |
This is war, sir. | 0:51:26 | 0:51:28 | |
Orders... | 0:51:28 | 0:51:29 | |
RECALDE SIGHS | 0:51:29 | 0:51:31 | |
It was unwise not to weigh anchor... | 0:51:31 | 0:51:33 | |
"Nor was it wise to sail with our fleet beyond the Solent, | 0:51:33 | 0:51:38 | |
"until we'd heard from the Prince of Parma, | 0:51:38 | 0:51:40 | |
"because that was the best anchorage in the whole Channel." | 0:51:40 | 0:51:43 | |
The King's orders are the King's orders. | 0:51:43 | 0:51:46 | |
I have done my best for the King and for God. | 0:51:46 | 0:51:49 | |
-I can sleep well in my bed. -You are here to lead. | 0:51:51 | 0:51:54 | |
I am here to hand you a victory. | 0:51:55 | 0:51:57 | |
'There's two criticisms, here, of the Duke of Medina Sidonia. | 0:52:01 | 0:52:05 | |
'The first is - we should have fought on when we had a chance, | 0:52:05 | 0:52:09 | |
'and we should never have left the Solent.' | 0:52:09 | 0:52:12 | |
So, Medina Sidonia disregards this advice, | 0:52:13 | 0:52:16 | |
what is going to happen next? | 0:52:16 | 0:52:18 | |
The Armada's now got a bit of problem, it looks to me, Sam. | 0:52:19 | 0:52:22 | |
Because if it continues with its original plan to go to | 0:52:22 | 0:52:25 | |
Margate in Kent, over here, they'd, of course, be sitting ducks | 0:52:25 | 0:52:28 | |
for the English navy, which is still intact. | 0:52:28 | 0:52:31 | |
So the only other option is the Armada goes across to Dunkirk to | 0:52:31 | 0:52:34 | |
join hands, but Dunkirk's harbour is not big enough. | 0:52:34 | 0:52:38 | |
The sea around Dunkirk's not capable of taking this huge fleet, | 0:52:38 | 0:52:42 | |
so what do you do next? | 0:52:42 | 0:52:44 | |
Well, we've certainly got problems but we still have options. | 0:52:44 | 0:52:47 | |
One of the key things to bear in mind after | 0:52:47 | 0:52:50 | |
the Battle of the Solent is that the Armada is also still intact. | 0:52:50 | 0:52:53 | |
They're also in really good formation | 0:52:53 | 0:52:55 | |
and effectively the English haven't really done anything to them at all. | 0:52:55 | 0:52:59 | |
And what we can do now is we can head across the narrow sea | 0:52:59 | 0:53:02 | |
and go to Calais. | 0:53:02 | 0:53:03 | |
Now, Calais is only 21 miles from Parma. | 0:53:03 | 0:53:06 | |
It's still some distance, but it's close enough. | 0:53:06 | 0:53:09 | |
The battle for the Isle of Wight had been a huge turning point. | 0:53:10 | 0:53:14 | |
Medina Sidonia's attempt to secure a safe anchorage had failed. | 0:53:15 | 0:53:20 | |
So he issued a new order... | 0:53:21 | 0:53:23 | |
change direction and sail for Calais. | 0:53:23 | 0:53:27 | |
HORSE NEIGHS | 0:53:33 | 0:53:35 | |
The Spanish were in difficulty. | 0:53:37 | 0:53:40 | |
But news that the Armada was heading towards Calais seemed, | 0:53:40 | 0:53:43 | |
to Elizabeth, to be devastating. | 0:53:43 | 0:53:46 | |
Elizabeth was very conscious of the fact that if the Armada reached the | 0:53:47 | 0:53:51 | |
forces of the Duke of Parma in the Netherlands, | 0:53:51 | 0:53:53 | |
then her reign was over. | 0:53:53 | 0:53:56 | |
A Spanish invasion was inevitable. | 0:53:56 | 0:53:59 | |
She had to do whatever she could to stop the Armada reaching Parma. | 0:54:00 | 0:54:06 | |
Elizabeth must have felt like a gambler who is seeing that the | 0:54:06 | 0:54:10 | |
game of dice is running against them. | 0:54:10 | 0:54:13 | |
She can do very little to influence events. | 0:54:13 | 0:54:16 | |
So far, Elizabeth had allowed her naval commanders to conduct | 0:54:18 | 0:54:21 | |
the war as they saw fit. | 0:54:21 | 0:54:23 | |
Show me what you're working on, Bess. | 0:54:25 | 0:54:27 | |
It is...a dolphin, Your Majesty. | 0:54:28 | 0:54:32 | |
It will bring our great cause the blessing of the seas. | 0:54:32 | 0:54:37 | |
But on Friday the fifth of August, Elizabeth could stand by no longer. | 0:54:39 | 0:54:44 | |
Instead of leaving military decisions entirely to Howard, | 0:54:46 | 0:54:49 | |
she decided to intervene for the first time. | 0:54:49 | 0:54:52 | |
There was an instruction, and here's a copy of it. | 0:54:54 | 0:54:57 | |
An instruction to send musketeers into the English fleet, | 0:54:57 | 0:55:01 | |
to reinforce it. | 0:55:01 | 0:55:03 | |
And this demonstrates her lack of understanding of military affairs. | 0:55:03 | 0:55:07 | |
Because what Howard and Drake | 0:55:07 | 0:55:09 | |
and the other commanders wanted was gunpowder and ammunition. | 0:55:09 | 0:55:13 | |
Not musketeers with their popguns. | 0:55:13 | 0:55:15 | |
That's not the way to land a killer blow on the Armada. | 0:55:15 | 0:55:19 | |
Elizabeth didn't understand naval warfare. | 0:55:22 | 0:55:25 | |
Her order was a sign of simple desperation. | 0:55:27 | 0:55:30 | |
The decree from Elizabeth must have hit Howard like a kick in the guts. | 0:55:31 | 0:55:35 | |
He didn't need more musketeers. | 0:55:35 | 0:55:36 | |
He needed powder and shot for his big guns, as he'd been writing | 0:55:36 | 0:55:40 | |
to London nearly every day. | 0:55:40 | 0:55:41 | |
Now, particularly after the battle at the Isle of Wight, | 0:55:41 | 0:55:43 | |
he was running dangerously low. | 0:55:43 | 0:55:46 | |
But Elizabeth was still too mean | 0:55:46 | 0:55:48 | |
and too broke to give the Navy what it needed. | 0:55:48 | 0:55:51 | |
After two days of sailing across the Channel from the Isle of Wight, | 0:56:02 | 0:56:06 | |
the 123 ships of the Armada anchored off Calais in France. | 0:56:06 | 0:56:10 | |
The English fleet had tracked behind, watching every move, | 0:56:15 | 0:56:19 | |
and was now gathering in the seas to the west. | 0:56:19 | 0:56:22 | |
Despite the English fleet hovering out there, Medina Sidonia | 0:56:26 | 0:56:29 | |
must have been relieved to be here in friendlier waters. | 0:56:29 | 0:56:33 | |
Calais was a solidly Catholic town. | 0:56:33 | 0:56:36 | |
The governor even sent a message of welcome to the Spanish | 0:56:36 | 0:56:39 | |
and offered to sell them much-needed supplies of food and water. | 0:56:39 | 0:56:43 | |
Above all, the vast army of the Duke of Parma was just 21 miles | 0:56:43 | 0:56:49 | |
that way, just up the coast, almost within touching distance. | 0:56:49 | 0:56:52 | |
Just like their queen, Drake and Howard thought that the | 0:56:55 | 0:56:58 | |
Spanish Armada was at last about to "join hands" with Parma's vast army. | 0:56:58 | 0:57:03 | |
And if that happened, it would all be over for the defence of England. | 0:57:04 | 0:57:08 | |
They've been revictualling - bloody French. | 0:57:11 | 0:57:15 | |
It's time for the fox to enter the henhouse... | 0:57:15 | 0:57:18 | |
No more plucking of feathers. | 0:57:18 | 0:57:21 | |
Howard and their men had done everything they could to drive | 0:57:21 | 0:57:24 | |
the Spanish fleet up the Channel, | 0:57:24 | 0:57:26 | |
but now they knew they had to act fast. | 0:57:26 | 0:57:28 | |
There could be no more sitting off from a safe distance | 0:57:28 | 0:57:31 | |
and harrying the Spanish ships. | 0:57:31 | 0:57:33 | |
Instead, they knew they had to press home those attacks | 0:57:33 | 0:57:35 | |
and destroy the Spanish Armada. | 0:57:35 | 0:57:38 | |
The fate of England and Elizabeth was about to be decided once | 0:57:38 | 0:57:42 | |
and for all. | 0:57:42 | 0:57:43 | |
Next time... | 0:57:51 | 0:57:53 | |
England sends in the fire ships... | 0:57:53 | 0:57:57 | |
HE CURSES IN SPANISH | 0:57:57 | 0:57:59 | |
The final battle... | 0:57:59 | 0:58:01 | |
Keep perfect line. | 0:58:01 | 0:58:03 | |
And Elizabeth is transformed... | 0:58:07 | 0:58:09 | |
..into Gloriana. | 0:58:10 | 0:58:11 |