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Summer, 1588. | 0:00:06 | 0:00:08 | |
Philip II, the Catholic King of Spain, | 0:00:09 | 0:00:13 | |
was on the verge of changing the shape of Europe. | 0:00:13 | 0:00:15 | |
The most powerful naval force on Earth, | 0:00:18 | 0:00:21 | |
the mighty Spanish Armada, had sailed through the Channel. | 0:00:21 | 0:00:24 | |
Its aim? To crush heretic England... | 0:00:26 | 0:00:29 | |
..and take the crown of Queen Elizabeth. | 0:00:30 | 0:00:32 | |
SHOUTING AND GUNFIRE | 0:00:32 | 0:00:35 | |
Our mission is a sacred one. | 0:00:35 | 0:00:37 | |
This was a war fought in the name of religion, | 0:00:39 | 0:00:41 | |
but it was also a war of power and politics. | 0:00:41 | 0:00:44 | |
And for the two great monarchs who started the whole thing off, | 0:00:44 | 0:00:47 | |
it was deeply personal, | 0:00:47 | 0:00:49 | |
the result of 30 years of increasing bitterness. | 0:00:49 | 0:00:53 | |
There you go. Look at that! | 0:00:56 | 0:00:57 | |
Now, to understand this defining moment in history, | 0:00:59 | 0:01:03 | |
I'm sailing the waters I love... | 0:01:03 | 0:01:05 | |
..following the course of the English navy | 0:01:06 | 0:01:08 | |
as it battled the Spanish Armada. | 0:01:08 | 0:01:10 | |
There's now a howling gale, | 0:01:11 | 0:01:13 | |
similar conditions to the ones that Drake and the fleet faced. | 0:01:13 | 0:01:17 | |
While access to unique, eye-witness accounts... | 0:01:18 | 0:01:21 | |
This is one of the most remarkable letters I have ever seen. | 0:01:21 | 0:01:24 | |
..will take us, for the very first time, | 0:01:25 | 0:01:28 | |
inside the minds of the commanders themselves... | 0:01:28 | 0:01:31 | |
For their heavy guns to have the greatest effect, | 0:01:31 | 0:01:33 | |
they've got to go in for the kill. | 0:01:33 | 0:01:36 | |
..and offer unprecedented insight into the corridors of power. | 0:01:36 | 0:01:40 | |
In England... | 0:01:40 | 0:01:42 | |
Bring me good tidings. | 0:01:42 | 0:01:44 | |
..and Spain... | 0:01:44 | 0:01:46 | |
GUNFIRE AND SHOUTING | 0:01:46 | 0:01:48 | |
..allowing us to bring to life 12 days in the summer of 1588... | 0:01:48 | 0:01:53 | |
GUNFIRE | 0:01:53 | 0:01:56 | |
..when England's very survival... | 0:01:56 | 0:01:58 | |
..hung in the balance. | 0:01:59 | 0:02:02 | |
Army and navy together, their might would be... | 0:02:02 | 0:02:06 | |
Unstoppable. | 0:02:06 | 0:02:07 | |
For nine days, the English navy had pursued the Spanish Armada | 0:02:25 | 0:02:29 | |
from Plymouth to the Isle of Wight. | 0:02:29 | 0:02:31 | |
But despite three ferocious battles, | 0:02:34 | 0:02:36 | |
the huge invasion force remained almost entirely intact. | 0:02:36 | 0:02:40 | |
On 7th August, 1588, the Spanish Armada was anchored | 0:02:42 | 0:02:46 | |
just here off Calais, on the coast of France. | 0:02:46 | 0:02:49 | |
It now appeared that they were within | 0:02:51 | 0:02:53 | |
a whisker of achieving their goal, | 0:02:53 | 0:02:54 | |
which was to link up with a Spanish army, | 0:02:54 | 0:02:58 | |
about 21 miles in that direction, | 0:02:58 | 0:03:00 | |
and then together invade England across the Straits of Dover. | 0:03:00 | 0:03:04 | |
This was the endgame. | 0:03:06 | 0:03:08 | |
Somehow, the English had to deal a killer blow. | 0:03:10 | 0:03:13 | |
And fast, | 0:03:13 | 0:03:15 | |
or the nation and its queen would fall. | 0:03:15 | 0:03:18 | |
Just 100 miles away, Elizabeth was about to receive | 0:03:30 | 0:03:33 | |
the latest reports from her most trusted advisors. | 0:03:33 | 0:03:37 | |
The two most powerful men in England. | 0:03:38 | 0:03:41 | |
Lord Burghley, her Lord High Treasurer | 0:03:42 | 0:03:45 | |
and Sir Francis Walsingham, | 0:03:45 | 0:03:47 | |
her Secretary of State and spy master. | 0:03:47 | 0:03:49 | |
They were coordinating the troops, they were organising supplies. | 0:03:51 | 0:03:54 | |
They were dealing with the Catholic threat and, of course, | 0:03:54 | 0:03:58 | |
they also had to provide counsel to the Queen. | 0:03:58 | 0:04:00 | |
Her mood will be most vile. | 0:04:02 | 0:04:04 | |
Where's the trumpeting porter when you need him? | 0:04:04 | 0:04:07 | |
How a commoner's fart can leave the Queen in more stitches | 0:04:07 | 0:04:10 | |
than an army of jesters... | 0:04:10 | 0:04:12 | |
Are you volunteering? | 0:04:12 | 0:04:13 | |
Both men knew that despite the navy's valiant efforts, | 0:04:15 | 0:04:19 | |
the Spanish were closing in | 0:04:19 | 0:04:21 | |
and England stood on the brink of defeat. | 0:04:21 | 0:04:24 | |
Gentlemen, bring me good tidings. | 0:04:24 | 0:04:29 | |
Your Majesty. | 0:04:29 | 0:04:30 | |
The Spanish are at Calais. | 0:04:30 | 0:04:33 | |
The peril is closing. | 0:04:33 | 0:04:35 | |
I do know where Calais is. | 0:04:35 | 0:04:37 | |
Yes, Your Majesty. | 0:04:37 | 0:04:38 | |
JESSIE CHILDS: 'The longer the Armada was in the Channel, | 0:04:40 | 0:04:42 | |
'the greater the threat to Elizabeth, and her future was pretty bleak. | 0:04:42 | 0:04:47 | |
'If the Spanish could land,' | 0:04:47 | 0:04:48 | |
if they could overrun England, | 0:04:48 | 0:04:50 | |
then she would either be captured or she would be killed on the spot. | 0:04:50 | 0:04:53 | |
It was a pretty grim prospect. | 0:04:53 | 0:04:55 | |
Elizabeth's arch-enemy, King Philip II, | 0:05:06 | 0:05:09 | |
was the most powerful man on Earth... | 0:05:09 | 0:05:11 | |
..ruler of the world's greatest empire. | 0:05:13 | 0:05:15 | |
But over 700 miles from the action, | 0:05:17 | 0:05:19 | |
he was out of touch with unfolding events. | 0:05:19 | 0:05:23 | |
There are rumours reverberating around Europe. | 0:05:25 | 0:05:27 | |
But, of course, unlike Elizabeth, who is only, | 0:05:27 | 0:05:31 | |
say half a day away from communication, | 0:05:31 | 0:05:34 | |
Philip is waiting more than two weeks at times | 0:05:34 | 0:05:37 | |
to hear conflicting reports about what is going on. | 0:05:37 | 0:05:40 | |
With no reliable news, | 0:05:42 | 0:05:44 | |
Philip was wise enough to ignore stories of the Armada's success. | 0:05:44 | 0:05:47 | |
The Spanish ambassador told Philip that half the English fleet | 0:05:49 | 0:05:53 | |
has been sunk. | 0:05:53 | 0:05:55 | |
First of all, Drake had had his legs blown off | 0:05:55 | 0:05:57 | |
by a cannon ball and then he'd been captured. | 0:05:57 | 0:06:00 | |
But in Madrid, Philip was wary of this optimistic talk. | 0:06:00 | 0:06:05 | |
Philip's master plan for | 0:06:10 | 0:06:11 | |
the invasion was for the Armada | 0:06:11 | 0:06:13 | |
to sail east up the Channel | 0:06:13 | 0:06:15 | |
to the Straits of Dover. | 0:06:15 | 0:06:17 | |
Then the 27,000-strong Spanish army, | 0:06:19 | 0:06:23 | |
based in Flanders, | 0:06:23 | 0:06:25 | |
commanded by the Duke of Parma, | 0:06:25 | 0:06:27 | |
would embark on 300 barges... | 0:06:27 | 0:06:30 | |
..sail out to meet the Armada, | 0:06:31 | 0:06:33 | |
and conquer England. | 0:06:33 | 0:06:35 | |
With his two huge forces joined | 0:06:37 | 0:06:40 | |
and God on his side, | 0:06:40 | 0:06:41 | |
the King of Spain remained piously confident of victory. | 0:06:41 | 0:06:45 | |
Soon the news would surely come | 0:06:47 | 0:06:49 | |
that the Spanish had landed and London had fallen. | 0:06:49 | 0:06:53 | |
The English navy knew what lay in store. | 0:07:05 | 0:07:07 | |
Lord High Admiral Charles Howard realised that the two halves | 0:07:09 | 0:07:12 | |
of Spain's invasion force must now be in direct contact. | 0:07:12 | 0:07:16 | |
Howard of Effingham had very little naval experience. | 0:07:18 | 0:07:22 | |
He'd been appointed Lord High Admiral but he was an administrator. | 0:07:22 | 0:07:26 | |
Just two miles away from the anchored Spanish fleet, | 0:07:29 | 0:07:32 | |
Howard needed to decide what his next move should be. | 0:07:32 | 0:07:35 | |
Don't dither, boy. Don't dither. | 0:07:39 | 0:07:41 | |
He was advised by his maverick second-in-command, | 0:07:41 | 0:07:44 | |
an experienced seaman... | 0:07:44 | 0:07:45 | |
Don't leave anything. | 0:07:45 | 0:07:46 | |
..who knew how to fight. | 0:07:46 | 0:07:48 | |
Sir Francis Drake, | 0:07:48 | 0:07:49 | |
a farmer's son from Devon who'd spent his entire life at sea. | 0:07:49 | 0:07:54 | |
He had made a very profitable career out of plundering Spanish ships. | 0:07:54 | 0:07:59 | |
Elizabeth had knighted him for his plunder. | 0:07:59 | 0:08:03 | |
Play the long game to become rich. | 0:08:03 | 0:08:05 | |
Nobody had shown more courage, | 0:08:06 | 0:08:08 | |
sometimes reckless courage, | 0:08:08 | 0:08:10 | |
in taking on the enemy. | 0:08:10 | 0:08:11 | |
Nobody was better equipped to deal with the Spanish Armada | 0:08:11 | 0:08:14 | |
when it arrived. | 0:08:14 | 0:08:15 | |
Over a week of fighting, Drake had taken some extreme risks | 0:08:21 | 0:08:25 | |
and learned some valuable lessons. | 0:08:25 | 0:08:28 | |
He'd known the English ships were faster. | 0:08:31 | 0:08:33 | |
SHOUTING | 0:08:33 | 0:08:35 | |
GUNFIRE | 0:08:35 | 0:08:37 | |
But when he'd plundered a stricken Spanish galleon, | 0:08:37 | 0:08:40 | |
he'd discovered that English cannon were superior too. | 0:08:40 | 0:08:42 | |
Keep going! | 0:08:44 | 0:08:46 | |
And during another attack, he'd worked out just how close | 0:08:46 | 0:08:49 | |
he needed to be to cause the enemy real damage. | 0:08:49 | 0:08:52 | |
MULTIPLE BLASTS | 0:08:52 | 0:08:55 | |
Now, though, it seemed the English position was dire. | 0:08:56 | 0:09:00 | |
They were desperately low on ammunition | 0:09:02 | 0:09:04 | |
because Elizabeth was too broke and too mean to properly equip her navy. | 0:09:04 | 0:09:08 | |
And the Armada was now more threatening than ever. | 0:09:11 | 0:09:15 | |
Howard and Drake were worried. | 0:09:17 | 0:09:19 | |
The Spanish Armada was anchored here in friendly Catholic waters. | 0:09:19 | 0:09:22 | |
They were being re-supplied with vital food and water. | 0:09:22 | 0:09:25 | |
But worst of all, they were only 21 miles away from a vast | 0:09:25 | 0:09:29 | |
Spanish army, 27,000 men commanded by the Duke of Parma. | 0:09:29 | 0:09:35 | |
Drake and Howard were very worried that if these two forces were on the | 0:09:35 | 0:09:38 | |
verge of joining hands, then that would create an invincible enemy. | 0:09:38 | 0:09:43 | |
For Elizabeth, sheltered in her country palace at Richmond, | 0:09:47 | 0:09:52 | |
this news was crushing. | 0:09:52 | 0:09:54 | |
Parma's army is waiting in Flanders. | 0:09:54 | 0:09:56 | |
Ready to embark? | 0:09:56 | 0:09:58 | |
We should assume so. | 0:09:58 | 0:09:59 | |
Days? | 0:09:59 | 0:10:01 | |
Hours? | 0:10:02 | 0:10:04 | |
If the Queen falls, England falls effectively. | 0:10:04 | 0:10:06 | |
She has no successor, she has no children, no direct heirs. | 0:10:06 | 0:10:10 | |
The throne would naturally pass to the invader. | 0:10:10 | 0:10:14 | |
Very well. | 0:10:15 | 0:10:16 | |
Historians have never been sure of Elizabeth's precise | 0:10:19 | 0:10:22 | |
movements during the 12 days of the Armada threat. | 0:10:22 | 0:10:25 | |
But brand-new research now suggests that on the 7th August, | 0:10:27 | 0:10:31 | |
she made the dramatic decision to relocate her entire court | 0:10:31 | 0:10:35 | |
to the very centre of her capital. | 0:10:35 | 0:10:37 | |
Defence of the realm is fundamentally | 0:10:39 | 0:10:42 | |
hinged on protection of the person of the Queen. | 0:10:42 | 0:10:45 | |
Elizabeth moves from Richmond to St James's Palace, | 0:10:45 | 0:10:50 | |
closer to the heart of London. | 0:10:50 | 0:10:52 | |
Moving Elizabeth and her court is no mean feat. | 0:10:54 | 0:10:58 | |
She routinely travels with about 200 attendants. | 0:10:58 | 0:11:03 | |
But St James's Palace, it's much more defendable and she can be | 0:11:03 | 0:11:07 | |
instantly surrounded by her own troops and safeguarded in that way. | 0:11:07 | 0:11:12 | |
The vast royal household would be rowed downriver by barge... | 0:11:14 | 0:11:18 | |
..the very next morning. | 0:11:19 | 0:11:21 | |
WIND WHISTLES | 0:11:25 | 0:11:27 | |
As they prepared for the worst, neither Elizabeth nor her navy | 0:11:29 | 0:11:32 | |
had any idea the Spanish fleet was facing | 0:11:32 | 0:11:35 | |
some serious problems of its own. | 0:11:35 | 0:11:37 | |
The king's orders are the king's orders. | 0:11:39 | 0:11:41 | |
(If only it were that simple.) | 0:11:41 | 0:11:43 | |
For a start, its commander, the Duke of Medina Sidonia, | 0:11:45 | 0:11:49 | |
was at loggerheads with his deputy, Admiral Juan Martinez de Recalde. | 0:11:49 | 0:11:53 | |
We're gaining the wind, closing for the kill. | 0:11:55 | 0:11:58 | |
We will sail forth and fulfil the king's plan. | 0:11:58 | 0:12:01 | |
Medina Sidonia was another administrator. | 0:12:02 | 0:12:05 | |
He had spent barely any time at all at sea | 0:12:05 | 0:12:11 | |
and would be seasick in a rowing boat. | 0:12:11 | 0:12:14 | |
This is war, sir. | 0:12:14 | 0:12:16 | |
Recalde is a sort of Spanish counterpart to Drake. | 0:12:16 | 0:12:20 | |
A man of action who believes, "This is my objective. | 0:12:20 | 0:12:24 | |
"Nothing is going to get in my way from achieving it." | 0:12:24 | 0:12:28 | |
Recalde had wanted to take an English harbour to secure | 0:12:29 | 0:12:33 | |
a safe base and wait for news from Parma and his army. | 0:12:33 | 0:12:37 | |
But he was overruled by the inexperienced Medina Sidonia, | 0:12:38 | 0:12:42 | |
who'd ordered the fleet to sail for the exposed coast of Calais | 0:12:42 | 0:12:46 | |
to be as close to the army as possible. | 0:12:46 | 0:12:49 | |
The problem was that despite repeated efforts, | 0:12:51 | 0:12:55 | |
Medina Sidonia hadn't received any word from the Duke of Parma | 0:12:55 | 0:12:59 | |
as to where or when their forces would meet. | 0:12:59 | 0:13:01 | |
Now, within touching distance, news finally came from Parma. | 0:13:03 | 0:13:08 | |
But it was devastating. | 0:13:10 | 0:13:11 | |
Parma wrote that he "had not yet embarked | 0:13:13 | 0:13:15 | |
"so much as a barrel of beer, let alone a single soldier" | 0:13:15 | 0:13:19 | |
and he couldn't possibly be ready to join forces | 0:13:19 | 0:13:22 | |
"until at least the following Friday," | 0:13:22 | 0:13:24 | |
which was a whole week away. | 0:13:24 | 0:13:25 | |
Medina Sidonia was horrified. | 0:13:25 | 0:13:27 | |
He'd raced all the way up the Channel trying to make this | 0:13:27 | 0:13:30 | |
rendezvous that turned out not to be a rendezvous at all. | 0:13:30 | 0:13:33 | |
To be fair, Saul, | 0:13:39 | 0:13:40 | |
the Duke of Parma has got every reason not to be ready. | 0:13:40 | 0:13:43 | |
He's got 300 barges ready | 0:13:43 | 0:13:45 | |
for his troops to embark. | 0:13:45 | 0:13:47 | |
But he can't get his troops on | 0:13:47 | 0:13:49 | |
until he knows where the Armada is. | 0:13:49 | 0:13:51 | |
Remember, they haven't been able to | 0:13:51 | 0:13:53 | |
talk to each other at all until now. | 0:13:53 | 0:13:55 | |
That's true but, of course, | 0:13:55 | 0:13:57 | |
he's been a little bit too clever for his own good, I think, | 0:13:57 | 0:13:59 | |
the Duke of Parma, because | 0:13:59 | 0:14:01 | |
to put English spies off the scent, | 0:14:01 | 0:14:03 | |
to try and confuse them about his intentions, | 0:14:03 | 0:14:05 | |
he's actually dispersed his forces | 0:14:05 | 0:14:07 | |
and it's going to take him time to regroup them. | 0:14:07 | 0:14:10 | |
So, pretty much you're stuck on the wrong side of the Channel. | 0:14:10 | 0:14:14 | |
This is no place to tarry. | 0:14:16 | 0:14:18 | |
The king's plan... We are trapped. | 0:14:18 | 0:14:21 | |
Trapped. | 0:14:21 | 0:14:22 | |
There is no sign of our valiant army. | 0:14:22 | 0:14:24 | |
Enough! | 0:14:24 | 0:14:26 | |
We wait for Parma. | 0:14:26 | 0:14:27 | |
Medina Sidonia was taking a huge risk. | 0:14:30 | 0:14:33 | |
Now he had to spend an entire week with his fleet on this | 0:14:34 | 0:14:38 | |
exposed stretch of coast with his English enemy | 0:14:38 | 0:14:42 | |
looming out there to the west. | 0:14:42 | 0:14:44 | |
The vast Armada was, for the first time, | 0:14:46 | 0:14:50 | |
unexpectedly vulnerable to attack. | 0:14:50 | 0:14:52 | |
Isolated in his palace, | 0:15:02 | 0:15:03 | |
the usually meticulous Spanish king had never realised | 0:15:03 | 0:15:07 | |
that his invasion plan depended on some very complex logistics. | 0:15:07 | 0:15:11 | |
There was a fatal flaw in Philip's master plan. | 0:15:14 | 0:15:17 | |
Bizarrely, he was astonishingly vague about exactly how and where | 0:15:17 | 0:15:21 | |
the Spanish Armada would meet up with the army of the Duke of Parma. | 0:15:21 | 0:15:26 | |
It's almost as though he thought the English Channel | 0:15:26 | 0:15:28 | |
was a small scrap of water on which it would be easy to meet. | 0:15:28 | 0:15:32 | |
In fact, of course, it's a long stretch of sea, | 0:15:32 | 0:15:35 | |
350 miles long, 20 miles wide at its narrowest point. | 0:15:35 | 0:15:39 | |
Philip assumed that his army and his Armada could simply send | 0:15:42 | 0:15:46 | |
notes to one another saying where and when they should meet. | 0:15:46 | 0:15:49 | |
But at sea, surrounded by the enemy, that had so far proved impossible. | 0:15:51 | 0:15:56 | |
Now, on 7th August, Philip at last became aware of the problem. | 0:15:57 | 0:16:02 | |
From a messenger. | 0:16:06 | 0:16:08 | |
From Parma? | 0:16:09 | 0:16:10 | |
Parma has written to Philip before | 0:16:13 | 0:16:16 | |
pointing out the failure, | 0:16:16 | 0:16:18 | |
the absence of any mechanism | 0:16:18 | 0:16:20 | |
for the fleet and the army to join together, | 0:16:20 | 0:16:23 | |
but perhaps he was too subtle. | 0:16:23 | 0:16:25 | |
Professor Geoffrey Parker is the world's foremost expert | 0:16:26 | 0:16:29 | |
on King Philip | 0:16:29 | 0:16:31 | |
and has spent a lifetime unearthing documents that take us | 0:16:31 | 0:16:34 | |
to the very heart of the Armada. | 0:16:34 | 0:16:36 | |
This letter had been sent from the Duke of Parma | 0:16:38 | 0:16:41 | |
a full two months earlier | 0:16:41 | 0:16:43 | |
and it made very uncomfortable reading. | 0:16:43 | 0:16:45 | |
This letter arrives at The Escorial on the 7th August, | 0:16:47 | 0:16:51 | |
the very day on which the Armada is stationed off Calais. | 0:16:51 | 0:16:54 | |
And in it, the Duke of Parma expresses just one more time | 0:16:56 | 0:17:00 | |
his worry that there's still no mechanism for joining | 0:17:00 | 0:17:04 | |
the Armada from Spain with the army. | 0:17:04 | 0:17:07 | |
This time the penny drops | 0:17:09 | 0:17:11 | |
because we see in the margin the king has written, | 0:17:11 | 0:17:13 | |
"Please, God, may there not be a screw-up." | 0:17:13 | 0:17:16 | |
"Embarazo" is the word he uses. | 0:17:16 | 0:17:18 | |
So for the first time, the king becomes aware that | 0:17:18 | 0:17:21 | |
there's a fatal flaw in the master plan. | 0:17:21 | 0:17:24 | |
The funny thing was that both sides, | 0:17:33 | 0:17:35 | |
English and Spanish, thought the other had the upper hand. | 0:17:35 | 0:17:38 | |
But the strategic balance had shifted. | 0:17:38 | 0:17:41 | |
Without Parma's army, the Spanish plan was falling apart. | 0:17:41 | 0:17:46 | |
The Spanish Armada, by itself, probably didn't have enough troops | 0:17:46 | 0:17:49 | |
to mount a successful invasion of England. | 0:17:49 | 0:17:51 | |
And Parma's army, without the Spanish Armada, | 0:17:51 | 0:17:54 | |
would struggle to get across the Channel. | 0:17:54 | 0:17:56 | |
And if it did, it wouldn't have the heavy artillery it needed | 0:17:56 | 0:17:59 | |
to capture English towns like London. | 0:17:59 | 0:18:02 | |
So, although they didn't know it at this stage, | 0:18:02 | 0:18:05 | |
the English had the upper hand. | 0:18:05 | 0:18:06 | |
But as far as Drake and Howard were concerned, | 0:18:08 | 0:18:11 | |
an invasion could be just hours away. | 0:18:11 | 0:18:13 | |
We have no choice but to strike now. | 0:18:16 | 0:18:18 | |
That is the only choice I want. | 0:18:18 | 0:18:20 | |
The English had to act fast. | 0:18:23 | 0:18:25 | |
But they knew it was dangerous to attack the Armada | 0:18:26 | 0:18:29 | |
anchored in its defensive formation. | 0:18:29 | 0:18:31 | |
So they came up with a desperate, last-ditch plan. | 0:18:33 | 0:18:36 | |
The idea was to cause maximum panic on the Spanish ships, | 0:18:37 | 0:18:40 | |
paving the way for the English to strike them hard the following day. | 0:18:40 | 0:18:44 | |
The plan called for eight old ships, | 0:18:44 | 0:18:46 | |
plenty of cannonballs and explosives. | 0:18:46 | 0:18:49 | |
It was time for the fireships. | 0:18:49 | 0:18:50 | |
Fireships had been used since the ancient Greeks. | 0:18:54 | 0:18:56 | |
They were a classic method for disrupting a fleet, destroying | 0:18:56 | 0:18:59 | |
it by fire or at least breaking it up and forcing it to flee. | 0:18:59 | 0:19:03 | |
An Italian engineer called Giambelli had already given | 0:19:03 | 0:19:05 | |
the Spanish every reason to fear fireships. | 0:19:05 | 0:19:07 | |
He created these things called the Hellburners of Antwerp | 0:19:07 | 0:19:10 | |
that had killed 800 Spanish troops. | 0:19:10 | 0:19:12 | |
Drake and Howard remembered just how devastating his fireships | 0:19:14 | 0:19:17 | |
had been at Antwerp and they decided to copy his idea. | 0:19:17 | 0:19:20 | |
They didn't have enough explosives to make them | 0:19:20 | 0:19:22 | |
quite as apocalyptic as Giambelli's ships | 0:19:22 | 0:19:24 | |
but they did gamble on the fact that the Spanish would panic | 0:19:24 | 0:19:26 | |
at the mere sight of burning ships heading towards their fleet. | 0:19:26 | 0:19:30 | |
Tides and westerly breeze are in our favour. | 0:19:31 | 0:19:34 | |
Pray God they remain so. | 0:19:36 | 0:19:38 | |
Pray God, Elizabeth and St George and even bloody Neptune! | 0:19:38 | 0:19:41 | |
I don't care, we must seize this moment. | 0:19:42 | 0:19:45 | |
We must. | 0:19:45 | 0:19:46 | |
Howard asked his commanders to volunteer eight ships between them. | 0:19:51 | 0:19:56 | |
With little hesitation, Drake handed one over... | 0:19:56 | 0:19:58 | |
..and the other commanders quickly followed. | 0:19:59 | 0:20:02 | |
Their alacrity at offering up boats to be sacrificed wasn't | 0:20:04 | 0:20:07 | |
quite as generous or as patriotic as it might at first appear. | 0:20:07 | 0:20:11 | |
They realised they'd be able to claim compensation | 0:20:11 | 0:20:13 | |
and of course that amount would be a lot more | 0:20:13 | 0:20:16 | |
than the old boat was worth. | 0:20:16 | 0:20:18 | |
Once a pirate, always a pirate. | 0:20:18 | 0:20:20 | |
Ball's here, wadding... | 0:20:27 | 0:20:28 | |
The principle is quite simple. You strip off anything of value. | 0:20:32 | 0:20:36 | |
You paint the masts and rigging with tar, you fill it with combustible | 0:20:36 | 0:20:41 | |
material and you double shot the guns so the heat sends them off. | 0:20:41 | 0:20:46 | |
Load Cherubim and Seraphim with two shots apiece. | 0:20:46 | 0:20:49 | |
Aye, sir, 'tis done. | 0:20:49 | 0:20:50 | |
A little present from El Draco. | 0:20:50 | 0:20:53 | |
Given the flood tide, you send them off, | 0:20:53 | 0:20:56 | |
sailed by skeleton volunteer crews who leap into their little boats | 0:20:56 | 0:21:00 | |
just before the fireships reach their target. | 0:21:00 | 0:21:05 | |
The obvious danger of a fireship is that if it rams your ship, | 0:21:07 | 0:21:10 | |
your ship will catch fire as well. | 0:21:10 | 0:21:12 | |
The greatest fear of any sailor in a wooden ship is fire at sea. | 0:21:14 | 0:21:18 | |
There's no escape, you either drown or you burn to death. | 0:21:18 | 0:21:22 | |
-Are we ready? -We can hurt them. | 0:21:26 | 0:21:28 | |
At midnight, the skeleton crews | 0:21:38 | 0:21:40 | |
on board the fireships | 0:21:40 | 0:21:42 | |
ignited their hulls and let them | 0:21:42 | 0:21:44 | |
drift toward the anchored Spanish. | 0:21:44 | 0:21:47 | |
BELLS RING | 0:21:48 | 0:21:52 | |
Medina Sidonia had suspected that the English might try | 0:21:55 | 0:21:57 | |
something like this so he'd put a screen of small boats | 0:21:57 | 0:22:00 | |
around the Armada to protect it. | 0:22:00 | 0:22:01 | |
They did manage to tow away two of the fireships. | 0:22:01 | 0:22:04 | |
But the rest of the burning vessels sailed on | 0:22:04 | 0:22:07 | |
right into the heart of the Spanish Armada. | 0:22:07 | 0:22:10 | |
As the six remaining fireships drifted ever nearer, | 0:22:11 | 0:22:15 | |
the Spaniards looked on in horror. | 0:22:15 | 0:22:18 | |
Raise the anchor. Move! And fast! | 0:22:18 | 0:22:21 | |
The problem with fireships is that, by very definition, | 0:22:29 | 0:22:32 | |
they are on fire, they've got no crew on, so actually | 0:22:32 | 0:22:34 | |
they are relatively easy to avoid. Medina Sidonia had given | 0:22:34 | 0:22:37 | |
orders to avoid the fireships. | 0:22:37 | 0:22:39 | |
And all of his captains managed to do that. | 0:22:39 | 0:22:42 | |
They do it but how do they do it? | 0:22:42 | 0:22:44 | |
They panic, of course, because he's effectively said to them | 0:22:44 | 0:22:47 | |
you can manoeuvre, bring up your anchors and get out of the way. | 0:22:47 | 0:22:50 | |
They don't do that, they cut their anchors. | 0:22:50 | 0:22:51 | |
And the problem with cutting an anchor | 0:22:51 | 0:22:54 | |
is you cannot then re-anchor. | 0:22:54 | 0:22:55 | |
It's a tactical disaster in terms | 0:22:55 | 0:22:57 | |
of the overall plan here. | 0:22:57 | 0:22:58 | |
And the Armada is heading, in flight, | 0:22:58 | 0:23:01 | |
away from Calais. | 0:23:01 | 0:23:03 | |
I'll accept that there was extreme panic in Calais Roads. | 0:23:03 | 0:23:07 | |
But they all still managed to get out, | 0:23:07 | 0:23:09 | |
leaving just a handful of ships | 0:23:09 | 0:23:12 | |
fighting for their lives, I admit, | 0:23:12 | 0:23:14 | |
on the Flanders' banks. | 0:23:14 | 0:23:16 | |
Drake's audacious plan worked. | 0:23:22 | 0:23:26 | |
The enemy's ships were scattered and vulnerable. | 0:23:26 | 0:23:29 | |
Now, for the first time, the English could launch an all-out attack. | 0:23:29 | 0:23:33 | |
And just possibly save England and Elizabeth. | 0:23:35 | 0:23:39 | |
As her household made the last arrangements to leave Richmond, | 0:23:51 | 0:23:54 | |
Elizabeth awoke knowing nothing of the night's events. | 0:23:54 | 0:23:59 | |
As far as she knew, the Spanish army might already be crossing | 0:23:59 | 0:24:03 | |
the Channel, escorted by a victorious Armada. | 0:24:03 | 0:24:06 | |
The Queen didn't know | 0:24:08 | 0:24:10 | |
if she'd still be wearing England's crown by nightfall. | 0:24:10 | 0:24:14 | |
Do stop fussing. | 0:24:14 | 0:24:17 | |
You act as if what you do is more important than | 0:24:17 | 0:24:20 | |
the defence of England. | 0:24:20 | 0:24:22 | |
Ladies, please grant Her Majesty some peace. | 0:24:22 | 0:24:25 | |
We can only imagine Elizabeth's state of mind. | 0:24:28 | 0:24:31 | |
I mean, this is a conflict she sought to avoid, | 0:24:31 | 0:24:34 | |
this a confrontation that | 0:24:34 | 0:24:36 | |
has now moved beyond her control and she simply is in a position | 0:24:36 | 0:24:40 | |
of waiting for the inevitable news of England falling to the Spanish. | 0:24:40 | 0:24:45 | |
As Elizabeth prepared for the journey downriver to London... | 0:24:46 | 0:24:50 | |
SHE SIGHS | 0:24:50 | 0:24:51 | |
I am drained. | 0:24:53 | 0:24:55 | |
..Walsingham and Burghley continued to organise the country's | 0:24:56 | 0:24:59 | |
last-ditch defence, | 0:24:59 | 0:25:02 | |
preparing the English for invasion | 0:25:02 | 0:25:04 | |
by spreading propaganda about the hated Spanish. | 0:25:04 | 0:25:07 | |
Hispanophobia, the fear of Spanish, is rife and Walsingham | 0:25:11 | 0:25:18 | |
and Burghley ramped up this fear for very good reasons, they wanted to | 0:25:18 | 0:25:22 | |
stiffen the resolve of the English people if there was an invasion. | 0:25:22 | 0:25:27 | |
Because, after all, every able-bodied man over the age of 16 | 0:25:27 | 0:25:33 | |
would be expected to take up arms to defend the country. | 0:25:33 | 0:25:37 | |
I have here a proclamation, a draft proclamation, | 0:25:37 | 0:25:41 | |
which was sent enclosed in a letter from Burghley to Walsingham. | 0:25:41 | 0:25:46 | |
It shows the heightened rhetoric that they are playing on. | 0:25:46 | 0:25:50 | |
It refers to "A full tyrannical conquest of the country, | 0:25:50 | 0:25:55 | |
"the depriving of Her Majesty and the slaughter of her subjects." | 0:25:55 | 0:26:01 | |
Walsingham went even further in his rhetoric | 0:26:01 | 0:26:05 | |
in trying to inculcate a sense of fear. | 0:26:05 | 0:26:09 | |
And he almost referred to | 0:26:09 | 0:26:11 | |
a sort of sense of genocide and ethnic cleansing, | 0:26:11 | 0:26:15 | |
that children over the age of seven would be slaughtered, | 0:26:15 | 0:26:19 | |
that babies would be branded in the face, | 0:26:19 | 0:26:22 | |
that women would be raped and whipped. | 0:26:22 | 0:26:26 | |
And what this did was to whip up a sense of fear in the people | 0:26:26 | 0:26:31 | |
of England, a fear of Spanish invasion. | 0:26:31 | 0:26:35 | |
In fact, on the morning of the 8th August, | 0:26:41 | 0:26:44 | |
the Spanish were in disarray and further from invasion than ever. | 0:26:44 | 0:26:49 | |
HE SINGS | 0:26:49 | 0:26:52 | |
As morning mass was celebrated, Medina Sidonia | 0:26:52 | 0:26:55 | |
and Recalde took stock of the previous night's disastrous events. | 0:26:55 | 0:26:59 | |
Most of the Armada had fled and was now scattered. | 0:27:02 | 0:27:05 | |
Only five Spanish ships remained anchored off Calais, | 0:27:08 | 0:27:11 | |
including Medina Sidonia's flagship. | 0:27:11 | 0:27:14 | |
Facing them, the entire English fleet, | 0:27:17 | 0:27:21 | |
preparing to attack. | 0:27:21 | 0:27:22 | |
All was now set for the largest confrontation | 0:27:30 | 0:27:33 | |
of the Armada campaign. | 0:27:33 | 0:27:35 | |
Monday, 8th August, 1588 has gone down as the date of one | 0:27:35 | 0:27:38 | |
of the greatest naval battles in history - | 0:27:38 | 0:27:41 | |
the Battle of Gravelines - | 0:27:41 | 0:27:43 | |
named after the town of Gravelines just here on the coast. | 0:27:43 | 0:27:45 | |
The stakes were high - the fate of England and its queen, | 0:27:45 | 0:27:50 | |
the primacy of Spain as a military and imperial power, | 0:27:50 | 0:27:54 | |
and the future of Christianity, all hung in the balance. | 0:27:54 | 0:27:57 | |
Howard's fleet was now joined by 35 ships from Kent, | 0:28:03 | 0:28:07 | |
filled with fresh stocks of ammunition. | 0:28:07 | 0:28:09 | |
For the first time, the English navy outnumbered the Armada. | 0:28:11 | 0:28:15 | |
Shot and wad, boys, shot and wad! | 0:28:15 | 0:28:17 | |
Make sure that coin is fast! | 0:28:17 | 0:28:19 | |
And with all he'd learned over the past ten days, | 0:28:20 | 0:28:22 | |
Drake was determined to destroy the Spanish once and for all. | 0:28:22 | 0:28:28 | |
Sailing as close as he dared, | 0:28:28 | 0:28:30 | |
so that the English cannon could do maximum damage to the enemy ships. | 0:28:30 | 0:28:35 | |
Until I say, you never stop! | 0:28:35 | 0:28:37 | |
At 6 o'clock in the morning, Drake's squadron attacks, | 0:28:37 | 0:28:41 | |
led by the Vice-Admiral. | 0:28:41 | 0:28:43 | |
Drake sweeps in, firing his bow guns, | 0:28:48 | 0:28:51 | |
heels over and gives | 0:28:51 | 0:28:53 | |
the Spanish ships a rippling broadside from his port battery. | 0:28:53 | 0:28:56 | |
EXPLOSIONS AND SHOUTS | 0:29:00 | 0:29:04 | |
Clear the pigs! | 0:29:13 | 0:29:15 | |
And then the rest of the English fleet attack. | 0:29:15 | 0:29:18 | |
The English coming in close for the first time. | 0:29:18 | 0:29:21 | |
But the Spanish were not about to retreat from the fight. | 0:29:27 | 0:29:31 | |
Up till now, Sam, the English, | 0:29:31 | 0:29:33 | |
I think, have very sensibly | 0:29:33 | 0:29:34 | |
kept their distance, they've been fighting | 0:29:34 | 0:29:37 | |
maybe at 100 or 200 yards. | 0:29:37 | 0:29:38 | |
But this is different. This is the decisive battle developing now. | 0:29:38 | 0:29:42 | |
And Medina Sidonia knows | 0:29:42 | 0:29:43 | |
he needs to do something. | 0:29:43 | 0:29:45 | |
So he's here, Drake attacks him - | 0:29:45 | 0:29:47 | |
he goes straight for the Spanish flagship, | 0:29:47 | 0:29:49 | |
but the Spanish here fight a very, very important | 0:29:49 | 0:29:53 | |
rearguard action that allows the | 0:29:53 | 0:29:55 | |
rest of the ships time to reform. | 0:29:55 | 0:29:57 | |
And so, displaying immense seamanship, | 0:29:57 | 0:30:00 | |
the rest of the ships | 0:30:00 | 0:30:01 | |
turn around and face the English. | 0:30:01 | 0:30:05 | |
EXPLOSIONS AND SHOUTS | 0:30:06 | 0:30:11 | |
MUFFLED SHOUTS | 0:30:23 | 0:30:24 | |
The battle was very fierce but also very confused. | 0:30:30 | 0:30:32 | |
The weather was terrible. | 0:30:32 | 0:30:33 | |
There was cloud, rainstorms and wind. | 0:30:33 | 0:30:36 | |
And that was made even worse by the huge banks of gun smoke, | 0:30:36 | 0:30:38 | |
caused by all the cannons firing so much. | 0:30:38 | 0:30:41 | |
Through it all, the English pressed home their attacks with new energy. | 0:30:41 | 0:30:44 | |
Keep pressing, men! | 0:30:44 | 0:30:46 | |
The English are closing in, causing structural damage. | 0:30:52 | 0:30:56 | |
Now, the Spanish ships are taking a terrible pounding. | 0:30:56 | 0:31:00 | |
It goes on for eight hours with | 0:31:01 | 0:31:03 | |
the English just coming again | 0:31:03 | 0:31:04 | |
and again and again at them. | 0:31:04 | 0:31:05 | |
You get a real sense that this proximity of fighting, | 0:31:05 | 0:31:08 | |
this new way of doing it is having a | 0:31:08 | 0:31:10 | |
massive effect on the Spanish ships. | 0:31:10 | 0:31:12 | |
Part of the problem is the disparity in the rate of fire | 0:31:14 | 0:31:16 | |
between the two sides. | 0:31:16 | 0:31:18 | |
The San Martin fires off 300 cannon balls | 0:31:18 | 0:31:20 | |
but it's got almost 50 cannon, | 0:31:20 | 0:31:22 | |
that's just over one an hour. | 0:31:22 | 0:31:24 | |
I mean, the English are firing five times as quickly. | 0:31:24 | 0:31:27 | |
The Spanish have no respite. | 0:31:28 | 0:31:30 | |
They simply haven't got the time to reload their cannon. | 0:31:30 | 0:31:33 | |
It helps you understand just how | 0:31:33 | 0:31:36 | |
one-sided this battle was. | 0:31:36 | 0:31:38 | |
The battle damage is becoming severe. | 0:31:43 | 0:31:46 | |
We have Spanish warships who are struggling to keep afloat. | 0:31:55 | 0:31:59 | |
The carnage is terrifying to see. | 0:32:00 | 0:32:03 | |
You like what we're giving to you? | 0:32:03 | 0:32:06 | |
Bastards! | 0:32:06 | 0:32:07 | |
On board the Spanish ships, | 0:32:12 | 0:32:14 | |
the salvos of cannon fire caused devastation. | 0:32:14 | 0:32:17 | |
Forward and then the two back. | 0:32:21 | 0:32:22 | |
Yes! | 0:32:22 | 0:32:23 | |
Using a pig carcass, it's possible to understand the mortal | 0:32:25 | 0:32:28 | |
peril the sailors faced that day. | 0:32:28 | 0:32:31 | |
A four-pound ball was one of the smallest | 0:32:31 | 0:32:34 | |
used during the battle of Gravelines. | 0:32:34 | 0:32:36 | |
Others were up to 15 times the size. | 0:32:36 | 0:32:40 | |
Four, three, two, one. | 0:32:42 | 0:32:45 | |
We've hit it fair and square on this massive oak target. | 0:33:17 | 0:33:21 | |
On the inside, you've got all these splinters. | 0:33:21 | 0:33:25 | |
You can see the jagged effect. Huge splinter come off. | 0:33:25 | 0:33:29 | |
This would not do you any good at all if it hit you. | 0:33:29 | 0:33:33 | |
There's a nasty hole there | 0:33:41 | 0:33:43 | |
and inside the flesh there's a chunk of oak. | 0:33:43 | 0:33:47 | |
A nasty jagged chunk of oak. | 0:33:47 | 0:33:50 | |
This is really a serious injury. | 0:33:50 | 0:33:53 | |
Onboard, the air was filled with splinters of oak | 0:33:55 | 0:33:59 | |
that mowed down hundreds of Spanish soldiers and sailors. | 0:33:59 | 0:34:02 | |
For gun crews below deck there was no escape. | 0:34:05 | 0:34:09 | |
If you were hit during the Armada battles, then you've got | 0:34:09 | 0:34:12 | |
several problems to contend with. | 0:34:12 | 0:34:14 | |
First of all, there's the immediate problem of the massive trauma | 0:34:14 | 0:34:17 | |
wound you may have suffered, either from some piece of flying | 0:34:17 | 0:34:20 | |
wood or if you were unlucky enough to get hit by a cannon ball. | 0:34:20 | 0:34:23 | |
Has it ruptured your internal organs, has it blown a limb apart? | 0:34:23 | 0:34:27 | |
If you survive that, you've then got to survive what the | 0:34:27 | 0:34:31 | |
barber surgeon is about to do to you. | 0:34:31 | 0:34:33 | |
Major amputation causes one of the biggest | 0:34:38 | 0:34:41 | |
problems for the barber surgeon and especially for the patient. | 0:34:41 | 0:34:45 | |
HE YELLS | 0:34:45 | 0:34:47 | |
First of all, there's the physical difficulty of hacking through | 0:34:47 | 0:34:50 | |
the bone and flesh of a patient. | 0:34:50 | 0:34:52 | |
They would need to use something like this, which is | 0:34:52 | 0:34:55 | |
a Tudor bone saw. Now, bearing in mind, if we're amputating the arm, | 0:34:55 | 0:34:58 | |
that's going through one of the biggest bones in the body | 0:34:58 | 0:35:01 | |
and some of the most hefty tendons. | 0:35:01 | 0:35:04 | |
It's physically very difficult to saw through the arm. | 0:35:04 | 0:35:07 | |
It requires the services not only of this, | 0:35:07 | 0:35:10 | |
but of several large, burly men to hold the patient down. | 0:35:10 | 0:35:14 | |
But then even if you survive that, | 0:35:15 | 0:35:18 | |
you've got a further stage, which is to stop the bleeding | 0:35:18 | 0:35:21 | |
but then to survive the infections that can creep in from infected, | 0:35:21 | 0:35:26 | |
dirty instruments or even the surgeon's hands. | 0:35:26 | 0:35:29 | |
As the battle raged on, 85 Spanish doctors on board the Armada | 0:35:35 | 0:35:40 | |
were overwhelmed by the wounded and the dying. | 0:35:40 | 0:35:43 | |
It was a bloodbath. | 0:35:44 | 0:35:45 | |
Official Spanish casualty figures put the number of Spanish dead | 0:35:50 | 0:35:54 | |
at 600, the wounded at 1,000. | 0:35:54 | 0:35:55 | |
But some historians think this is very conservative and they've | 0:35:55 | 0:35:59 | |
calculated that as many as 6,000 Spanish could have been wounded. | 0:35:59 | 0:36:04 | |
But whatever the numbers, the fact was that the English fleet | 0:36:04 | 0:36:07 | |
here at the Battle of Gravelines | 0:36:07 | 0:36:09 | |
had given the Spanish Armada a terrible battering. | 0:36:09 | 0:36:12 | |
Finally, the Spanish fleet was at England's mercy. | 0:36:15 | 0:36:20 | |
I mean, it looks at this point that it's going to be a famous | 0:36:20 | 0:36:22 | |
decisive victory and that the Spanish fleet are going to be | 0:36:22 | 0:36:25 | |
completely destroyed | 0:36:25 | 0:36:26 | |
by this superior English gunnery. | 0:36:26 | 0:36:28 | |
There's just one problem, | 0:36:28 | 0:36:29 | |
the English are running out of ammunition. | 0:36:29 | 0:36:31 | |
And so, finally, at about 5 o'clock, Howard calls off the attack. | 0:36:31 | 0:36:36 | |
Even with the fresh supplies of gunpowder and shot from Kent, | 0:36:38 | 0:36:42 | |
Howard did not have enough ammunition to finish the job. | 0:36:42 | 0:36:45 | |
A spirited fight, they are smarting more than we are. | 0:36:45 | 0:36:49 | |
The English have not landed any kind of killer blow. Why? | 0:36:49 | 0:36:54 | |
Because they were handicapped all the time by a shortage | 0:36:54 | 0:36:58 | |
of ammunition, shortage of gunpowder. | 0:36:58 | 0:37:00 | |
So even though English sailors had outfought the greatest | 0:37:04 | 0:37:08 | |
military fleet the world had ever seen, | 0:37:08 | 0:37:11 | |
the Armada escaped total destruction. | 0:37:11 | 0:37:14 | |
Now safely ensconced in St James's Palace, | 0:37:29 | 0:37:33 | |
Elizabeth was about to receive news of the victory at Gravelines. | 0:37:33 | 0:37:36 | |
But Walsingham and Burghley were acutely aware that even badly | 0:37:39 | 0:37:43 | |
damaged, the Armada still remained a dangerous threat. | 0:37:43 | 0:37:46 | |
Gentlemen. | 0:37:52 | 0:37:54 | |
The Spanish are heading north. | 0:37:54 | 0:37:56 | |
So we have prevailed? | 0:37:58 | 0:38:00 | |
They could turn back. They could even land. | 0:38:00 | 0:38:04 | |
I pray not. This whole enterprise is bankrupting us. | 0:38:04 | 0:38:07 | |
There is more to war than book-keeping. | 0:38:07 | 0:38:09 | |
Elizabeth always wanted | 0:38:11 | 0:38:12 | |
to achieve her results | 0:38:12 | 0:38:13 | |
at the cheapest possible price. | 0:38:13 | 0:38:15 | |
She hated spending a penny on anything and she simply | 0:38:15 | 0:38:18 | |
refused any more supplies, either of food or of ammunition. | 0:38:18 | 0:38:22 | |
Walsingham, we all know that your ideal would be for England to | 0:38:23 | 0:38:29 | |
spend everything on building your war machine. | 0:38:29 | 0:38:33 | |
We only follow where you lead, Your Majesty. | 0:38:33 | 0:38:37 | |
Indeed. | 0:38:37 | 0:38:39 | |
It is the Almighty who has kept us safe. | 0:38:39 | 0:38:43 | |
Amen. | 0:38:43 | 0:38:44 | |
Elizabeth's concern for her cash-strapped economy | 0:38:48 | 0:38:51 | |
rather than the will to press home victory, | 0:38:51 | 0:38:54 | |
meant she was still gambling with her own - | 0:38:54 | 0:38:57 | |
and her country's - future. | 0:38:57 | 0:38:59 | |
And at 11 o'clock on the 9th August, that gamble paid off. | 0:39:01 | 0:39:06 | |
The wind direction suddenly changed and the Armada was blown north, | 0:39:07 | 0:39:12 | |
far from the Duke of Parma's army. | 0:39:12 | 0:39:15 | |
The wind had finally done what the English had been trying to do | 0:39:15 | 0:39:18 | |
all along, which was push the Spanish Armada | 0:39:18 | 0:39:21 | |
out of the English Channel and into the North Sea. | 0:39:21 | 0:39:23 | |
It's long been thought that this was the moment the Armada threat | 0:39:28 | 0:39:32 | |
was finally at an end. | 0:39:32 | 0:39:34 | |
Many ships were in a desperate state. | 0:39:34 | 0:39:36 | |
And sailing back into the Channel, against prevailing winds, | 0:39:36 | 0:39:40 | |
was almost impossible. | 0:39:40 | 0:39:42 | |
So it seemed like the planned invasion was over. | 0:39:42 | 0:39:45 | |
But a remarkable recent discovery has revealed one more twist... | 0:39:47 | 0:39:52 | |
..an incredible eyewitness account of the Armada, | 0:39:53 | 0:39:56 | |
written by Recalde, and discovered by Professor Geoffrey Parker. | 0:39:56 | 0:40:00 | |
He was the first person to read it in over 400 years. | 0:40:02 | 0:40:07 | |
And this account revealed something utterly unexpected. | 0:40:07 | 0:40:11 | |
That even after the Battle of Gravelines, | 0:40:13 | 0:40:16 | |
Recalde believed the Armada could still fight, | 0:40:16 | 0:40:20 | |
rendezvous with Parma | 0:40:20 | 0:40:22 | |
and invade. | 0:40:22 | 0:40:23 | |
Recalde kept a log and it's the log of a very, very irritated man. | 0:40:24 | 0:40:29 | |
Recalde clearly thought that honour required a second attempt. | 0:40:29 | 0:40:33 | |
And he must have made his views felt at the Council of War. | 0:40:33 | 0:40:38 | |
We must resolve how to proceed. | 0:40:39 | 0:40:41 | |
We owe it to our king to return to the Channel | 0:40:41 | 0:40:43 | |
and execute what he commanded. | 0:40:43 | 0:40:45 | |
We must come to blows with our enemies once more. | 0:40:45 | 0:40:48 | |
Medina Sidonia could still do his duty | 0:40:49 | 0:40:53 | |
and fulfil his monarch's wishes. | 0:40:53 | 0:40:55 | |
But his courage failed him. | 0:40:56 | 0:40:58 | |
The Duke of Medina Sidonia also keeps a log | 0:41:00 | 0:41:03 | |
and his log for that day suggests that they discussed what to do next | 0:41:03 | 0:41:07 | |
and there was a unanimous decision to set sail for Spain going north, | 0:41:07 | 0:41:12 | |
about going round Scotland and Ireland | 0:41:12 | 0:41:14 | |
and heading back to Spain that way. | 0:41:14 | 0:41:16 | |
I propose that we sail westwards around the British Isles | 0:41:17 | 0:41:21 | |
and return home. | 0:41:21 | 0:41:22 | |
It is our duty to save as many of the king's ships as possible. | 0:41:22 | 0:41:26 | |
And face his wrath... | 0:41:26 | 0:41:28 | |
Are we in agreement? | 0:41:30 | 0:41:31 | |
Then it is decided. | 0:41:33 | 0:41:35 | |
Nothing is impossible! | 0:41:35 | 0:41:37 | |
We hold firm, we make rendezvous with Parma and proceed. | 0:41:38 | 0:41:43 | |
We are homeward bound. | 0:41:44 | 0:41:46 | |
HE HITS THE TABLE | 0:41:46 | 0:41:48 | |
The plague on whoever is responsible. | 0:41:48 | 0:41:52 | |
Medina Sidonia says there's a unanimous decision. | 0:41:52 | 0:41:54 | |
We go back to Spain. | 0:41:54 | 0:41:56 | |
Recalde says, "I didn't like this. I protested but I was overruled." | 0:41:56 | 0:42:00 | |
They can't both be right. | 0:42:00 | 0:42:01 | |
It just happens that we have another account from a senior commander | 0:42:02 | 0:42:06 | |
who backs Recalde's account to the hilt and says there was | 0:42:06 | 0:42:10 | |
a decision to go back to Spain and, "We protested and we were overruled." | 0:42:10 | 0:42:15 | |
I think I believe Recalde. | 0:42:15 | 0:42:16 | |
What is certain is that on the following day, | 0:42:25 | 0:42:27 | |
the 10th August, Medina Sidonia announced that the | 0:42:27 | 0:42:30 | |
remnants of the Spanish Armada would travel back to Spain. | 0:42:30 | 0:42:33 | |
And they'd go via the North Sea and the North Atlantic, | 0:42:33 | 0:42:36 | |
around England, Scotland and Ireland. | 0:42:36 | 0:42:38 | |
Humiliated and depressed, Medina Sidonia took to his cabin. | 0:42:42 | 0:42:46 | |
The Spanish Armada had been defeated. | 0:42:47 | 0:42:50 | |
Back in London, Elizabeth remained closeted away in St James's Palace. | 0:43:18 | 0:43:24 | |
But as the vanquished Armada sailed north and the danger clearly | 0:43:24 | 0:43:28 | |
passed, she decided it was time to present herself to her subjects. | 0:43:28 | 0:43:33 | |
It's very important for Elizabeth | 0:43:33 | 0:43:34 | |
to be publicly identified with | 0:43:34 | 0:43:37 | |
the victory, particularly as she is a female ruler. | 0:43:37 | 0:43:41 | |
Women do not know anything about matters of war. | 0:43:41 | 0:43:45 | |
And so, Elizabeth wants to be identified | 0:43:45 | 0:43:48 | |
as this great warrior queen. | 0:43:48 | 0:43:50 | |
She wants to show herself in victory. | 0:43:50 | 0:43:53 | |
Elizabeth's emergence from St James's Palace was quite deliberate, | 0:43:54 | 0:43:58 | |
quite calculated | 0:43:58 | 0:44:00 | |
and absolutely necessary. | 0:44:00 | 0:44:01 | |
I mean, London was full of rumour, of speculation, | 0:44:01 | 0:44:05 | |
and disorder was feared. | 0:44:05 | 0:44:08 | |
She needed to come out and put on a show. | 0:44:08 | 0:44:10 | |
It was time for Elizabeth to write one of the greatest political | 0:44:12 | 0:44:16 | |
speeches in history. | 0:44:16 | 0:44:17 | |
Wherefore I am come among you at this time... | 0:44:20 | 0:44:24 | |
..not for my recreation or pleasure, | 0:44:25 | 0:44:29 | |
but being resolved in the heat and midst of battle... | 0:44:29 | 0:44:35 | |
..to live and die amongst you all. | 0:44:37 | 0:44:39 | |
What comes next? | 0:44:41 | 0:44:43 | |
"Die amongst you all..." To lay down. | 0:44:44 | 0:44:47 | |
To lay down, yes, of course. | 0:44:47 | 0:44:50 | |
Tilbury Fort was where Elizabeth's troops were billeted, | 0:44:59 | 0:45:02 | |
and it gave her the perfect opportunity | 0:45:02 | 0:45:05 | |
to show herself to her people. | 0:45:05 | 0:45:06 | |
She could progress all the way from Westminster to Tilbury, | 0:45:06 | 0:45:10 | |
across the length of the Thames, and her people could see her. | 0:45:10 | 0:45:13 | |
It's almost like she's saying, "Here I am. I'm fine." | 0:45:13 | 0:45:17 | |
This was great PR, it was like a river pageant. | 0:45:17 | 0:45:20 | |
With church bells ringing in her ears, she mounted a white horse. | 0:45:24 | 0:45:28 | |
Accompanied by an honour guard | 0:45:28 | 0:45:30 | |
of 1,000 cavalrymen and 2,000 infantrymen, | 0:45:30 | 0:45:33 | |
she made her way here to where her army was encamped at Tilbury Fort. | 0:45:33 | 0:45:37 | |
Legend has it that she was wearing an armoured breastplate over her | 0:45:37 | 0:45:41 | |
dress as she reviewed all 17,000 men in her army. | 0:45:41 | 0:45:45 | |
Then came the piece de resistance. | 0:45:45 | 0:45:48 | |
..to lay down, for my God | 0:45:50 | 0:45:53 | |
and for my kingdom and for my people... | 0:45:53 | 0:45:58 | |
..my honour and my blood, even in the dust. | 0:45:59 | 0:46:05 | |
I know I have the body of a weak and feeble woman | 0:46:08 | 0:46:14 | |
but I have the heart and stomach of a king. | 0:46:14 | 0:46:18 | |
And a king of England too. | 0:46:18 | 0:46:21 | |
And take foul scorn that Parma or any prince of Europe | 0:46:21 | 0:46:27 | |
should dare invade the borders of my realm. | 0:46:27 | 0:46:31 | |
The speech was pure gold. It was magnificent. | 0:46:32 | 0:46:36 | |
It's up there with Shakespeare's Henry V. | 0:46:36 | 0:46:39 | |
She was acknowledging that she's a woman, but she's saying | 0:46:39 | 0:46:42 | |
she has the heart and stomach of a king and a king of England! | 0:46:42 | 0:46:46 | |
You know, this is all part of the Gloriana myth. | 0:46:46 | 0:46:48 | |
As a piece of propaganda, | 0:46:51 | 0:46:53 | |
Elizabeth's speech here at Tilbury was unrivalled. | 0:46:53 | 0:46:56 | |
Word of it quickly spread throughout the rest of the kingdom. | 0:46:56 | 0:46:59 | |
She knew full well that she wasn't just addressing | 0:46:59 | 0:47:02 | |
the men in the army here - she was talking to the whole nation. | 0:47:02 | 0:47:05 | |
This great heroine, a Protestant heroine who had defeated | 0:47:09 | 0:47:14 | |
the Spanish advance, who had defended England | 0:47:14 | 0:47:17 | |
against the Spanish, against this Catholic crusade. | 0:47:17 | 0:47:20 | |
So it was absolutely central to the myth making of Elizabeth. | 0:47:20 | 0:47:25 | |
It was central to understandings of the success of Elizabeth's | 0:47:25 | 0:47:29 | |
reign and very much explains why she is celebrated | 0:47:29 | 0:47:33 | |
today as one of England's greatest monarchs. | 0:47:33 | 0:47:36 | |
Medals were cast. | 0:47:37 | 0:47:39 | |
It shows the Spanish Armada foundering on these rocks. | 0:47:39 | 0:47:42 | |
It's got the date and it's got the words from a psalm | 0:47:42 | 0:47:44 | |
written around the edge. | 0:47:44 | 0:47:46 | |
"You God art great and doest wondrous things." | 0:47:46 | 0:47:50 | |
Even Elizabeth got in on the action, she wrote poems and hymns, | 0:47:51 | 0:47:55 | |
commemorating herself. | 0:47:55 | 0:47:57 | |
But behind Elizabeth's glorification, there was a cold | 0:48:00 | 0:48:03 | |
disregard for those who had saved her life and won her victory. | 0:48:03 | 0:48:08 | |
The English fleet limped home, short of stores | 0:48:11 | 0:48:16 | |
with the crews exhausted from battle, | 0:48:16 | 0:48:19 | |
only to be shunned by a queen who cared more for money than | 0:48:19 | 0:48:23 | |
for the men who'd brought her glory. | 0:48:23 | 0:48:25 | |
One would have thought that Elizabeth's navy would have | 0:48:27 | 0:48:30 | |
been covered in glory after the defeat of the Armada, | 0:48:30 | 0:48:33 | |
but in fact, there's an astonishing audacity | 0:48:33 | 0:48:37 | |
to what Elizabeth does next, | 0:48:37 | 0:48:39 | |
because she actually criticises the commanders of her navy for not | 0:48:39 | 0:48:43 | |
looting the Spanish ships enough and bringing her more riches. | 0:48:43 | 0:48:47 | |
Victory, apparently, was not enough. | 0:48:47 | 0:48:50 | |
And if her lack of gratitude to her commanders was surprising, | 0:48:52 | 0:48:56 | |
the treatment of her sailors was far, far worse. | 0:48:56 | 0:49:00 | |
When Howard and the ships returned, there was an epidemic of typhus, | 0:49:03 | 0:49:08 | |
which swept through the English fleet, | 0:49:08 | 0:49:10 | |
killing many of the sailors who had fought so bravely for her. | 0:49:10 | 0:49:15 | |
Elizabeth refused to spend any money looking after them. | 0:49:15 | 0:49:19 | |
One statistic tells the horrific story. | 0:49:23 | 0:49:25 | |
Though England did not lose a single ship during the course | 0:49:25 | 0:49:28 | |
of the battle with the Armada, yet the losses of men to disease | 0:49:28 | 0:49:31 | |
and starvation meant that their losses equalled | 0:49:31 | 0:49:34 | |
those of the Spanish, which lost half their fleet. | 0:49:34 | 0:49:38 | |
And had Elizabeth's commanders not used their own money to | 0:49:38 | 0:49:41 | |
provide some food and sustenance for these men, | 0:49:41 | 0:49:43 | |
the death toll would have been even more horrific than it was. | 0:49:43 | 0:49:47 | |
It's a stain on her character that I believe can never be erased. | 0:49:47 | 0:49:51 | |
What does this treatment of the sailors tell us about Elizabeth? | 0:49:53 | 0:49:56 | |
Well, Elizabeth is a lonely woman in a man's world. | 0:49:56 | 0:50:01 | |
She has to be more hardnosed than anybody else. | 0:50:01 | 0:50:05 | |
And so, those Tudor genes she inherited | 0:50:05 | 0:50:09 | |
enabled her to look very callous, | 0:50:09 | 0:50:13 | |
to look very cruel in her treatment, | 0:50:13 | 0:50:17 | |
but in the 16th century this wasn't unusual. | 0:50:17 | 0:50:21 | |
She was just better at it than others. | 0:50:21 | 0:50:24 | |
-HE PRAYS IN SPANISH: -Padre nuestro que estas en los cielos | 0:50:34 | 0:50:38 | |
Santificado sea tu nombre | 0:50:38 | 0:50:42 | |
Venga tu reino... | 0:50:42 | 0:50:43 | |
Whilst England and Elizabeth celebrated victory, | 0:50:43 | 0:50:46 | |
far away in Spain, Philip II continued to pray for success. | 0:50:46 | 0:50:51 | |
More than three weeks after the decisive battle, | 0:50:54 | 0:50:57 | |
he was still unaware of the Armada's terrible fate. | 0:50:57 | 0:51:00 | |
He had heard nothing from the Armada as to their progress, | 0:51:02 | 0:51:08 | |
even where they were, | 0:51:08 | 0:51:10 | |
but he was now becoming worried | 0:51:10 | 0:51:14 | |
that his plan had been fatally flawed. | 0:51:14 | 0:51:18 | |
And he prayed three hours at a time, | 0:51:18 | 0:51:23 | |
on his knees. | 0:51:23 | 0:51:24 | |
I mean, victory should be his. | 0:51:24 | 0:51:27 | |
"Isn't God on my side?" | 0:51:30 | 0:51:32 | |
Then, at last, on the 31st August, as the remnants of his Armada | 0:51:37 | 0:51:42 | |
struggled past the Hebrides, news finally arrived. | 0:51:42 | 0:51:46 | |
It's a letter from Parma himself | 0:51:48 | 0:51:51 | |
saying that the vital precondition for invasion has not been met, | 0:51:51 | 0:51:56 | |
that is to say the fleet and the army have not 'joined hands'. | 0:51:56 | 0:52:00 | |
That's bad but even worse is the news that comes three days later | 0:52:02 | 0:52:06 | |
that the Armada has decided to set sail for home, | 0:52:06 | 0:52:10 | |
going around Scotland and Ireland. | 0:52:10 | 0:52:11 | |
Philip has to shoulder a lot of responsibility for the failure | 0:52:15 | 0:52:19 | |
of the Armada. | 0:52:19 | 0:52:20 | |
And above all, Philip trusted too much in God, | 0:52:25 | 0:52:28 | |
he had this blind faith that it didn't matter how bad or how | 0:52:28 | 0:52:32 | |
flawed his strategy was, because God would make it work. | 0:52:32 | 0:52:35 | |
Too much could go wrong and lo, it did all go wrong. | 0:52:38 | 0:52:43 | |
God not only deserted the Spanish monarch, | 0:52:45 | 0:52:48 | |
but also the Armada as it struggled home. | 0:52:48 | 0:52:51 | |
Because for the sailors who'd survived battle, | 0:52:55 | 0:52:58 | |
there was even worse to come. | 0:52:58 | 0:52:59 | |
Terrible storms drove many of the Spanish Armada ships | 0:53:01 | 0:53:04 | |
onto the rocky coasts of Scotland and Ireland. | 0:53:04 | 0:53:08 | |
Perhaps 40 ships were lost. | 0:53:08 | 0:53:10 | |
Around 12,000 men drowned, died of exhaustion and hunger, | 0:53:10 | 0:53:15 | |
or were killed by the Irish or English. | 0:53:15 | 0:53:18 | |
Perhaps as little as 65 ships ended up returning home. | 0:53:18 | 0:53:22 | |
Around half the men were killed, including many of the commanders. | 0:53:22 | 0:53:26 | |
No wonder one monk in The Escorial called it | 0:53:26 | 0:53:29 | |
"The worst disaster to affect Spain for 600 years." | 0:53:29 | 0:53:32 | |
The Duke of Medina Sidonia was one of the lucky few. | 0:53:39 | 0:53:43 | |
His ship limped home in late September. | 0:53:43 | 0:53:46 | |
But he was utterly humiliated. | 0:53:46 | 0:53:49 | |
As he passes through the towns of Castile, people call him | 0:53:49 | 0:53:53 | |
Chicken Duke - Duque de Gallina. | 0:53:53 | 0:53:55 | |
And people ring his residence where he's sleeping | 0:53:55 | 0:53:58 | |
and say, "Drake, Drake, Drake is coming. | 0:53:58 | 0:54:00 | |
"Drake, Drake, Drake is coming." | 0:54:00 | 0:54:02 | |
But hey, he survives, the rest of them don't. | 0:54:05 | 0:54:08 | |
For Juan Martinez de Recalde, exhausted and sick with typhus, | 0:54:09 | 0:54:15 | |
this would be his last campaign. | 0:54:15 | 0:54:17 | |
Recalde gets back. I mean, he's a superb sailor, | 0:54:19 | 0:54:22 | |
but when he comes ashore he already knows that the Armada has | 0:54:22 | 0:54:25 | |
failed, he already knows that many, many other ships are not coming home. | 0:54:25 | 0:54:29 | |
And three days later, he dies. | 0:54:29 | 0:54:31 | |
Before he dies, he puts together this incriminating dossier, | 0:54:33 | 0:54:38 | |
and he sends it all to the king, | 0:54:38 | 0:54:40 | |
hoping to take down the Duke of Medina Sidonia. | 0:54:40 | 0:54:43 | |
Its pages reveal every beat of the Armada campaign from the inside. | 0:54:45 | 0:54:50 | |
From the moment it approached Plymouth | 0:54:52 | 0:54:54 | |
to the battle for the Isle of Wight, | 0:54:54 | 0:54:58 | |
and the tragedy of Gravelines, | 0:54:58 | 0:55:01 | |
this is an experienced warrior's indictment | 0:55:01 | 0:55:05 | |
of his pen-pushing commander. | 0:55:05 | 0:55:07 | |
We know the king reads it because Philip writes, "I've read it all, | 0:55:13 | 0:55:16 | |
"although I would rather not have done because it hurts so much." | 0:55:16 | 0:55:20 | |
But because Recalde's dead, he files it away | 0:55:20 | 0:55:24 | |
and it stays in these files until I find it 400 years later. | 0:55:24 | 0:55:27 | |
-As for Philip himself, -HE COUGHS | 0:55:32 | 0:55:35 | |
he also never recovered from his Armada's destruction. | 0:55:35 | 0:55:38 | |
Philip's health started to deteriorate, he suffered from | 0:55:40 | 0:55:44 | |
malarial fevers, his gout got worse, | 0:55:44 | 0:55:47 | |
and he had this incapacitating arthritis, | 0:55:47 | 0:55:51 | |
but he still believed that God was on his side. | 0:55:51 | 0:55:54 | |
So he sent two more Armadas against Elizabeth | 0:55:54 | 0:55:57 | |
and they were both foiled by the weather, | 0:55:57 | 0:55:59 | |
but he remained at war with England until his death. | 0:55:59 | 0:56:02 | |
Philip's great Protestant enemy, Elizabeth, was also ageing. | 0:56:09 | 0:56:13 | |
Her physical powers waning. | 0:56:13 | 0:56:15 | |
But her public image went from strength to strength. | 0:56:17 | 0:56:20 | |
And we can see that in one glorious painting - the Armada Portrait. | 0:56:21 | 0:56:27 | |
Behind Elizabeth, through two windows, | 0:56:30 | 0:56:33 | |
are the defeated Armada | 0:56:33 | 0:56:34 | |
and her victorious navy. | 0:56:34 | 0:56:37 | |
But a youthful queen sits centre stage, | 0:56:38 | 0:56:42 | |
bedecked in pearls and wearing the imperial crown. | 0:56:42 | 0:56:46 | |
We don't see the frail, fading woman that Elizabeth's ladies saw. | 0:56:48 | 0:56:53 | |
It says that her best years are ahead of her. | 0:56:53 | 0:56:57 | |
And where the codpiece should have been, had she been a king, | 0:56:57 | 0:57:00 | |
there is a pretty pink bow with a pearl pendant. | 0:57:00 | 0:57:04 | |
This is the Virgin Queen, | 0:57:04 | 0:57:07 | |
she is impregnable, and she is invincible, and so is England. | 0:57:07 | 0:57:11 | |
She was now firmly established as the great Gloriana, | 0:57:11 | 0:57:16 | |
the triumph of England. | 0:57:16 | 0:57:18 | |
It was really the birth of national identity | 0:57:18 | 0:57:21 | |
and that identity was inextricably bound with Elizabeth herself. | 0:57:21 | 0:57:26 | |
I think this is a pivotal point really in the development | 0:57:28 | 0:57:32 | |
of England as a world power. | 0:57:32 | 0:57:35 | |
This victory goes to England's head in a way that, perhaps, | 0:57:35 | 0:57:39 | |
has never really died. | 0:57:39 | 0:57:40 | |
If Spain had won, | 0:57:46 | 0:57:48 | |
the chances are her empire would have gone from strength to strength. | 0:57:48 | 0:57:51 | |
Instead, the defeat of the Armada is seen as the beginning | 0:57:51 | 0:57:55 | |
of Spain's decline and the start of England's formidable rise. | 0:57:55 | 0:58:00 | |
In the painting, Elizabeth is resting her hand on a globe, | 0:58:00 | 0:58:03 | |
her fingers touching the Americas. | 0:58:03 | 0:58:06 | |
In the decades that followed the Armada, | 0:58:07 | 0:58:09 | |
England and its navy would set about constructing what would | 0:58:09 | 0:58:13 | |
become the greatest empire in the history of the world. | 0:58:13 | 0:58:17 | |
CHORAL SINGING | 0:58:17 | 0:58:22 | |
# They swear they'll invade us These terrible foes | 0:58:27 | 0:58:32 | |
# They frighten our women Our children and beaus | 0:58:32 | 0:58:36 | |
# But should their flat bottoms in darkness get o'er | 0:58:36 | 0:58:41 | |
# Still Britons they'll find to receive them on shore | 0:58:41 | 0:58:45 | |
# Heart of oak are our ships Heart of oak are our men | 0:58:45 | 0:58:50 | |
# We always are ready Steady, boys, steady! | 0:58:50 | 0:58:54 | |
# We'll fight and we'll conquer again and again. # | 0:58:54 | 0:58:58 |