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Britain at the time of Queen Elizabeth I was divided, | 0:00:03 | 0:00:07 | |
unstable and violent. | 0:00:07 | 0:00:09 | |
Despite this, Elizabeth stayed in power for over 40 years. | 0:00:13 | 0:00:17 | |
The secret of her incredible reign... | 0:00:18 | 0:00:20 | |
..is hidden in this portrait. | 0:00:21 | 0:00:23 | |
Detailed in the folds of her dress, | 0:00:27 | 0:00:30 | |
these eyes and ears represent a spy network. | 0:00:30 | 0:00:33 | |
The world's first secret service... | 0:00:36 | 0:00:38 | |
..run by a father-and-son team. | 0:00:39 | 0:00:41 | |
Both exceptionally intelligent, | 0:00:42 | 0:00:44 | |
and given the job of protecting Queen and country. | 0:00:44 | 0:00:47 | |
This series tells their story over five decades, | 0:00:48 | 0:00:52 | |
and reveals how the secret state was born... | 0:00:52 | 0:00:54 | |
..Elizabethan England as it really was, | 0:00:56 | 0:00:58 | |
with a network of spies battling a terrorist threat. | 0:00:58 | 0:01:01 | |
And both sides will stop at nothing. | 0:01:03 | 0:01:05 | |
The Elizabethan state is mirrors within mirrors, | 0:01:06 | 0:01:10 | |
the double-crossings, the conspiracies. | 0:01:10 | 0:01:13 | |
It's an endless labyrinth. | 0:01:13 | 0:01:14 | |
Leading historians have researched these events | 0:01:16 | 0:01:19 | |
from different individual perspectives. | 0:01:19 | 0:01:21 | |
Elizabeth was ineffably different. | 0:01:25 | 0:01:29 | |
She was exceptional, she was holy, | 0:01:29 | 0:01:33 | |
she was magical. | 0:01:33 | 0:01:34 | |
They'll take us inside the mind of each of the key players... | 0:01:36 | 0:01:38 | |
..dissecting their motives and actions, | 0:01:40 | 0:01:42 | |
while the course of British history hangs in the balance. | 0:01:42 | 0:01:45 | |
You have to wonder what personal cost comes with that. | 0:01:47 | 0:01:51 | |
That there must be some kind of damage to somebody's soul | 0:01:51 | 0:01:54 | |
to commit that kind of crime. | 0:01:54 | 0:01:56 | |
We'll see how history is really made, | 0:01:56 | 0:01:59 | |
in the corridors of power from just behind the throne. | 0:01:59 | 0:02:02 | |
In this episode, a new king, a Catholic extremist on the loose, | 0:02:07 | 0:02:12 | |
and the most infamous terrorist conspiracy in British history, | 0:02:12 | 0:02:15 | |
the Gunpowder Plot. | 0:02:15 | 0:02:16 | |
It's the dawn of the 17th century. | 0:02:30 | 0:02:32 | |
For hundreds of years, | 0:02:33 | 0:02:35 | |
England has been a separate country from Scotland. | 0:02:35 | 0:02:37 | |
But on the 23rd of March, 1603, when Queen Elizabeth dies, | 0:02:42 | 0:02:47 | |
her crown passes to her cousin, King James VI of Scotland. | 0:02:47 | 0:02:51 | |
The task of installing him as James I of England | 0:02:54 | 0:02:58 | |
falls to this man, England's spy master, Robert Cecil. | 0:02:58 | 0:03:02 | |
Robert Cecil has an exceptional combination of talent and drive | 0:03:04 | 0:03:10 | |
and intelligence and cunning, | 0:03:10 | 0:03:13 | |
and a willingness | 0:03:13 | 0:03:15 | |
to go to any length in order to succeed. | 0:03:15 | 0:03:19 | |
But he now has to get the unknown quantity... | 0:03:19 | 0:03:22 | |
..of a foreign king, | 0:03:24 | 0:03:27 | |
king of a country which has usually been an enemy country. | 0:03:27 | 0:03:30 | |
He has to get him down from Scotland, | 0:03:30 | 0:03:32 | |
down to London, get him crowned, | 0:03:32 | 0:03:35 | |
get him installed, and see if he can get the King in harness. | 0:03:35 | 0:03:40 | |
And he doesn't really know who James is by this point. | 0:03:41 | 0:03:44 | |
James is a mystery to him. | 0:03:46 | 0:03:47 | |
James has a reputation for being obsessed with the occult, | 0:03:55 | 0:03:59 | |
for promiscuity and extravagance. | 0:03:59 | 0:04:01 | |
James believes that the king's authority comes directly from God. | 0:04:02 | 0:04:10 | |
He is not to be legitimately challenged by any earthly authority. | 0:04:11 | 0:04:17 | |
God had particularly smiled upon and blessed him, | 0:04:19 | 0:04:23 | |
and he intends to enjoy this. | 0:04:23 | 0:04:25 | |
James has been King of Scotland since he was a year old | 0:04:27 | 0:04:30 | |
and he's rather spoilt. | 0:04:30 | 0:04:31 | |
In a favourite phrase of James's, "Kings are little gods, | 0:04:33 | 0:04:37 | |
"they exercise a manner of divine power." | 0:04:37 | 0:04:41 | |
So, in early 1603, Cecil has a lot on his plate. | 0:04:45 | 0:04:48 | |
It's not just that he has to deal with a boss who thinks he's God... | 0:04:50 | 0:04:54 | |
..Cecil is also trying to capture someone he regards | 0:05:02 | 0:05:04 | |
as the most dangerous man in England. | 0:05:04 | 0:05:06 | |
Catholic priest John Gerard is Cecil's archenemy. | 0:05:09 | 0:05:13 | |
Gerard was not like other priests, he was a maverick, he was brazen, | 0:05:17 | 0:05:22 | |
he was flamboyant. | 0:05:22 | 0:05:24 | |
You've got this cockiness, this swagger to him, | 0:05:25 | 0:05:29 | |
but also this absolute certainty that what he's doing | 0:05:29 | 0:05:33 | |
is the right thing. | 0:05:33 | 0:05:34 | |
Cecil and Gerard are more than just opponents in a bitter religious war, | 0:05:35 | 0:05:40 | |
this has become personal. | 0:05:40 | 0:05:41 | |
SHOUTING | 0:05:47 | 0:05:49 | |
Ten years ago, Cecil had Gerard in his grasp, | 0:05:49 | 0:05:53 | |
threw him in the Tower of London, and tortured him... | 0:05:53 | 0:05:56 | |
..only for the priest to escape. | 0:05:58 | 0:05:59 | |
Getting Gerard back behind bars is a top priority. | 0:06:02 | 0:06:04 | |
Cecil sincerely believed... | 0:06:06 | 0:06:08 | |
..that the defence of Protestant England, it was a sacred cause. | 0:06:09 | 0:06:14 | |
And, with that belief, there came, in this age of religious warfare, | 0:06:15 | 0:06:19 | |
the equally sincere conviction | 0:06:19 | 0:06:22 | |
that Catholicism was a perfidious doctrine, | 0:06:22 | 0:06:26 | |
and that English Catholic priests were agents of a hostile | 0:06:26 | 0:06:31 | |
and dangerous foreign power. | 0:06:31 | 0:06:33 | |
I think Robert Cecil would have said that Gerard was a traitor | 0:06:36 | 0:06:40 | |
and he was a plotter and he was a risk to national security. | 0:06:40 | 0:06:44 | |
But Gerard would say that the terror is coming from the state, | 0:06:44 | 0:06:46 | |
not the other way around. | 0:06:46 | 0:06:48 | |
Cecil puts his spy network on to finding Gerard. | 0:06:50 | 0:06:53 | |
He has agents in every port and market town... | 0:06:59 | 0:07:01 | |
..in the prisons and inside every suspect household. | 0:07:03 | 0:07:06 | |
Despite their efforts, Cecil can't find the priest. | 0:07:10 | 0:07:13 | |
Four weeks into the new reign, | 0:07:23 | 0:07:24 | |
King James is still travelling south. | 0:07:24 | 0:07:27 | |
Cecil needs to get some control over him, | 0:07:29 | 0:07:32 | |
so he travels north to meet James. | 0:07:32 | 0:07:34 | |
Cecil is England's Principal Secretary, | 0:07:38 | 0:07:41 | |
effectively Prime Minister, | 0:07:41 | 0:07:44 | |
and he's used to getting his way. | 0:07:44 | 0:07:46 | |
But from James's point of view, | 0:07:46 | 0:07:49 | |
it would have been unthinkable... | 0:07:49 | 0:07:52 | |
..that Cecil should dominate. | 0:07:53 | 0:07:56 | |
He's not an equal. No, he's not an equal. | 0:07:58 | 0:08:02 | |
What James wants is for the two to slot into | 0:08:03 | 0:08:09 | |
an appropriate relationship between master and servant. | 0:08:09 | 0:08:15 | |
Cecil comes out of this intense meeting with James | 0:08:17 | 0:08:21 | |
and sends a letter saying, "I've made a discovery of his | 0:08:21 | 0:08:24 | |
"royal perfections and I see the greatest felicity for the nation." | 0:08:24 | 0:08:30 | |
But Cecil must be thinking... | 0:08:32 | 0:08:33 | |
..that in English terms, James is not a perfect king at all | 0:08:35 | 0:08:42 | |
and that the coming years will be full of panics and surprises. | 0:08:42 | 0:08:46 | |
One of James's first acts as King rocks Cecil badly. | 0:08:50 | 0:08:54 | |
Although James himself is Protestant, | 0:08:55 | 0:08:58 | |
while still en route to London, he knights a Catholic. | 0:08:58 | 0:09:01 | |
And not just any Catholic, but Thomas Gerard, | 0:09:04 | 0:09:07 | |
the brother of Cecil's old enemy, John Gerard. | 0:09:07 | 0:09:10 | |
So, for Gerard, this is hope. | 0:09:11 | 0:09:13 | |
This King, you know, he must be their friend, and augur in | 0:09:13 | 0:09:17 | |
a golden age. Finally, a golden age for the Catholics in England. | 0:09:17 | 0:09:21 | |
Though himself a Protestant, James is the son of a Catholic. | 0:09:23 | 0:09:27 | |
He's married to a Catholic. | 0:09:27 | 0:09:29 | |
Now, he's sending a blatant signal that his reign | 0:09:30 | 0:09:32 | |
will be friendly to Catholics. | 0:09:32 | 0:09:34 | |
But to Robert Cecil... | 0:09:36 | 0:09:37 | |
..to normalise the situation of English Catholics | 0:09:39 | 0:09:43 | |
runs the risk of creating a bridgehead for foreign influence. | 0:09:43 | 0:09:48 | |
He sees them as an enemy within, | 0:09:48 | 0:09:51 | |
and therefore he won't do anything to allow them to fortify themselves. | 0:09:51 | 0:09:55 | |
Two days later, Cecil's situation gets even worse. | 0:09:58 | 0:10:01 | |
A source in his network tells him they've finally tracked down | 0:10:03 | 0:10:06 | |
John Gerard. | 0:10:06 | 0:10:07 | |
He's on his way to meet James. | 0:10:07 | 0:10:08 | |
This raises the nightmare scenario that James may be going behind | 0:10:12 | 0:10:15 | |
Cecil's back to strike a deal with Gerard and the Catholics. | 0:10:15 | 0:10:19 | |
Everything that Cecil has spent his life working for, | 0:10:20 | 0:10:23 | |
everything that Cecil's father, | 0:10:23 | 0:10:25 | |
and his father before him spent his life working for, | 0:10:25 | 0:10:27 | |
building up the English state with the Tudors, | 0:10:27 | 0:10:30 | |
everything is now in the balance, | 0:10:30 | 0:10:32 | |
because the real danger is that Cecil... | 0:10:32 | 0:10:34 | |
..will be caught on the wrong side of that kind of change. | 0:10:36 | 0:10:40 | |
And so it is in Cecil's interest to polarise the whole issue of religion | 0:10:41 | 0:10:47 | |
into the good and the bad, into loyal Protestants | 0:10:47 | 0:10:50 | |
and disloyal Catholics | 0:10:50 | 0:10:51 | |
and a picture of us-versus-them conflict. | 0:10:51 | 0:10:56 | |
Cecil knows the surest way to stop the King befriending the Catholics | 0:10:58 | 0:11:02 | |
is to show James the Catholics are plotting against him. | 0:11:02 | 0:11:05 | |
One of Cecil's agents passes on some chatter in the Catholic underground | 0:11:16 | 0:11:22 | |
that someone is recruiting desperados for an | 0:11:22 | 0:11:24 | |
extraordinary mission. | 0:11:24 | 0:11:26 | |
They're plotting an armed raid on a royal palace, | 0:11:26 | 0:11:29 | |
with the aim of kidnapping the King. | 0:11:29 | 0:11:30 | |
A captured priest is tricked into giving up the location | 0:11:35 | 0:11:38 | |
of the snatch | 0:11:38 | 0:11:40 | |
and the leader of the kidnap gang, | 0:11:40 | 0:11:42 | |
an ex-soldier on the fringes of the royal household. | 0:11:42 | 0:11:44 | |
Cecil can even identify the secretive ringleader, | 0:11:47 | 0:11:51 | |
a Catholic priest with the belief that if he can get him alone, | 0:11:51 | 0:11:54 | |
he can convert James to Catholicism. | 0:11:54 | 0:11:56 | |
That's why he wants to kidnap the King. | 0:11:58 | 0:11:59 | |
For Cecil, this is manna from heaven. | 0:12:03 | 0:12:05 | |
We don't know how much of the intelligence Cecil believed, | 0:12:08 | 0:12:12 | |
but we do know that he reacted as if all of it and more was true. | 0:12:12 | 0:12:17 | |
And this is seen in the way that he uses every asset | 0:12:17 | 0:12:20 | |
at his personal disposal to maximise the intelligence value | 0:12:20 | 0:12:28 | |
and also the political value of his response. | 0:12:28 | 0:12:31 | |
Two months after inheriting the English crown, | 0:12:39 | 0:12:42 | |
James finally reaches London. | 0:12:42 | 0:12:45 | |
He installs himself at Greenwich, | 0:12:45 | 0:12:47 | |
just one of the dozen vast palaces at his disposal now he's King here. | 0:12:47 | 0:12:51 | |
But James has barely begun to enjoy himself | 0:12:54 | 0:12:57 | |
when Cecil drops his bombshell. | 0:12:57 | 0:12:59 | |
Cecil tells the King some Catholics are plotting to raid the palace | 0:13:02 | 0:13:06 | |
and kidnap him. | 0:13:06 | 0:13:08 | |
And any deal between the King and the Catholics | 0:13:08 | 0:13:10 | |
is stopped dead in its tracks. | 0:13:10 | 0:13:11 | |
The discovery that he was going to be abducted helps to shape his views | 0:13:15 | 0:13:21 | |
on religion and kingship. | 0:13:21 | 0:13:23 | |
That is that Catholic extremists are wasps, vipers, | 0:13:23 | 0:13:29 | |
firebrands of sedition. | 0:13:29 | 0:13:31 | |
DOG BARKS | 0:13:32 | 0:13:34 | |
The priest behind the kidnap plot is hunted down by Cecil's men. | 0:13:34 | 0:13:38 | |
Within a fortnight of his arrest, he's executed. | 0:13:44 | 0:13:46 | |
Another Catholic priest, convicted of being his accomplice, | 0:13:48 | 0:13:51 | |
follows him to the scaffold. | 0:13:51 | 0:13:53 | |
Then James signs a bill reaffirming all of Protestant England's laws | 0:13:57 | 0:14:01 | |
against Catholicism. | 0:14:01 | 0:14:02 | |
Their rights remain banned. | 0:14:04 | 0:14:06 | |
Priests like Gerard are ordered out of the country on pain of death. | 0:14:06 | 0:14:10 | |
When the law banning Catholic priests is renewed, | 0:14:12 | 0:14:15 | |
this is a victory for Cecil. | 0:14:15 | 0:14:18 | |
You have to admire | 0:14:18 | 0:14:20 | |
the coldness and the skill with which he does all this. | 0:14:20 | 0:14:25 | |
It makes me think that Cecil is the supreme political operator | 0:14:25 | 0:14:29 | |
of his day, | 0:14:29 | 0:14:31 | |
but it is chilling as much as cold. | 0:14:31 | 0:14:34 | |
Gerard's brief glimpse of a golden future is snuffed out. | 0:14:36 | 0:14:39 | |
It's worse than ever. They'd had this hope, | 0:14:42 | 0:14:43 | |
and it's the hope that kills you. | 0:14:43 | 0:14:46 | |
And Gerard likened it to being in a dark room for a very, | 0:14:46 | 0:14:49 | |
very long time and then there's a flash of lightning | 0:14:49 | 0:14:53 | |
and then there's a pale light and then it goes out. | 0:14:53 | 0:14:57 | |
And then that room feels darker than it's ever been before. | 0:14:57 | 0:15:00 | |
But, even now, Cecil isn't finished. | 0:15:01 | 0:15:05 | |
He uses the kidnap plot's ringleader as a pawn in a move against rivals | 0:15:05 | 0:15:08 | |
at James's court. | 0:15:08 | 0:15:09 | |
Under interrogation, the ringleader was forced to implicate | 0:15:10 | 0:15:14 | |
one of the King's courtiers. | 0:15:14 | 0:15:15 | |
The man is Cecil's own brother-in-law, | 0:15:17 | 0:15:20 | |
but he's thrown in the Tower. | 0:15:20 | 0:15:22 | |
He gives up Sir Walter Raleigh, Cecil's real target. | 0:15:22 | 0:15:25 | |
Raleigh's poetry and exploration have made him a national treasure, | 0:15:26 | 0:15:31 | |
but he's made the mistake of trading on his fame | 0:15:31 | 0:15:34 | |
to compete for power with Cecil. | 0:15:34 | 0:15:36 | |
It takes just one dodgy confession for Cecil to get Raleigh convicted | 0:15:38 | 0:15:42 | |
of treason, and thrown in the Tower to await execution. | 0:15:42 | 0:15:45 | |
Cecil is utterly merciless. | 0:15:49 | 0:15:53 | |
You cannot help but admire his skill, | 0:15:55 | 0:15:57 | |
you cannot wish that you'd had the chance to meet him | 0:15:57 | 0:16:01 | |
and find out what made him tick. | 0:16:01 | 0:16:04 | |
But you wouldn't want to cross him. | 0:16:04 | 0:16:06 | |
And by meeting Robert Cecil, | 0:16:07 | 0:16:09 | |
you have the feeling that you would have somehow compromised yourself, | 0:16:09 | 0:16:12 | |
you'd have exposed yourself to his intelligence, to his sharp eye. | 0:16:12 | 0:16:17 | |
And it's because of that that he is a terrifying figure. | 0:16:17 | 0:16:20 | |
Father John Gerard is forced to go on the run again | 0:16:27 | 0:16:30 | |
when the law against priests is renewed. | 0:16:30 | 0:16:32 | |
He disguises himself as a country gentleman. | 0:16:35 | 0:16:38 | |
Though hidden in his luggage is all he needs | 0:16:39 | 0:16:42 | |
to practise Catholic ceremonies. | 0:16:42 | 0:16:44 | |
For Gerard, this fight will never be over. | 0:16:46 | 0:16:49 | |
John Gerard sees himself as a soldier of Christ. | 0:16:54 | 0:16:59 | |
This is a holy war for him. | 0:16:59 | 0:17:00 | |
That is Gerard's vision, | 0:17:02 | 0:17:04 | |
and he is utterly single-minded and ruthless in his pursuit of it. | 0:17:04 | 0:17:08 | |
Gerard becomes an expert at living undercover. | 0:17:10 | 0:17:13 | |
He has many false names. | 0:17:13 | 0:17:15 | |
Gerard knew that Cecil was after him and after him specifically. | 0:17:18 | 0:17:22 | |
He probably saw it as a vendetta. | 0:17:22 | 0:17:25 | |
You know, for Cecil, it's always Gerard first. | 0:17:25 | 0:17:28 | |
What Gerard needs is a base where he can hide out safely, | 0:17:34 | 0:17:38 | |
somewhere beyond the spy master's grasp. | 0:17:38 | 0:17:40 | |
And that brings him here to Harrowden Hall in Northamptonshire, | 0:17:44 | 0:17:48 | |
the home of a wealthy Catholic widow, Eliza Vaux. | 0:17:48 | 0:17:51 | |
Eliza Vaux was 29 when she was widowed, left with a large family, | 0:17:54 | 0:17:59 | |
and was devastated... | 0:17:59 | 0:18:00 | |
..refusing even to go into the part of the house | 0:18:01 | 0:18:03 | |
where her husband had died, and engulfed completely in misery. | 0:18:03 | 0:18:07 | |
In her sorrow, she turns to John Gerard. | 0:18:09 | 0:18:12 | |
He helped Eliza out of her grief, | 0:18:14 | 0:18:17 | |
he helped her out of that period of mourning. | 0:18:17 | 0:18:19 | |
Gerard comes along and it kind of seems God sent to her | 0:18:22 | 0:18:26 | |
and he becomes her spiritual confessor. | 0:18:26 | 0:18:29 | |
They're incredibly close. | 0:18:30 | 0:18:32 | |
A well-connected aristocrat, | 0:18:34 | 0:18:36 | |
Eliza Vaux is potentially very useful to Gerard. | 0:18:36 | 0:18:38 | |
The Catholic women were vital to the success of the mission, | 0:18:41 | 0:18:45 | |
and Gerard never underestimated their worth. | 0:18:45 | 0:18:49 | |
16th-century women were perceived to be inferior to men in this period, | 0:18:49 | 0:18:53 | |
they just weren't as important. | 0:18:53 | 0:18:55 | |
But what it did mean is that they could fly under the radar in a way | 0:18:55 | 0:19:00 | |
that men just couldn't. | 0:19:00 | 0:19:02 | |
And women, especially widows who had money, they're absolutely vital. | 0:19:02 | 0:19:06 | |
Eliza Vaux was previously a friend of Robert Cecil, | 0:19:08 | 0:19:12 | |
but now it's Gerard she wants to help. | 0:19:12 | 0:19:14 | |
Eliza seems to have got along fairly well with being a Catholic, | 0:19:15 | 0:19:19 | |
but wasn't a particularly fervent one. | 0:19:19 | 0:19:22 | |
But it was the death of her husband and her introduction to John Gerard, | 0:19:22 | 0:19:27 | |
who helped to turn her grief into a real burning passion for her faith | 0:19:27 | 0:19:35 | |
and replace the grief with a sense of purpose. | 0:19:35 | 0:19:37 | |
Though it's an offence punishable by death to shelter Gerard, | 0:19:42 | 0:19:45 | |
Eliza Vaux invites him to make Harrowden his base of operations. | 0:19:45 | 0:19:49 | |
He takes complete control over her house... | 0:19:52 | 0:19:54 | |
..installs secret passageways | 0:19:56 | 0:19:58 | |
and gets rid of any servant he considers not Catholic enough. | 0:19:58 | 0:20:01 | |
But John Gerard is only just getting started. | 0:20:03 | 0:20:06 | |
Via Eliza Vaux's friends and neighbours, | 0:20:06 | 0:20:09 | |
he replicates Harrowden in other grand households nearby. | 0:20:09 | 0:20:13 | |
Soon, much of the Catholic gentry across the English Midlands | 0:20:13 | 0:20:16 | |
is secretly assisting Gerard. | 0:20:16 | 0:20:17 | |
All the ladies want to be converted by him, | 0:20:19 | 0:20:21 | |
all the men want to be friends with him. | 0:20:21 | 0:20:24 | |
And so it goes on and on, | 0:20:24 | 0:20:25 | |
almost like he's a sort of octopus with tentacles. | 0:20:25 | 0:20:28 | |
He was so effective, and he had so many friends and followers latterly, | 0:20:29 | 0:20:33 | |
that he said that he could travel 150 miles or so | 0:20:33 | 0:20:37 | |
without ever once having to stop in a tavern. | 0:20:37 | 0:20:39 | |
Gerard even gives some of those in his network code names. | 0:20:42 | 0:20:45 | |
Through trusted couriers, he can communicate with | 0:20:47 | 0:20:49 | |
other Catholic networks. | 0:20:49 | 0:20:50 | |
Cecil is receiving fragments of intelligence about Gerard - | 0:20:59 | 0:21:04 | |
Gerard is moving from house to house amongst the Catholic gentry of the | 0:21:04 | 0:21:08 | |
Midlands, and Cecil is watching these houses, he knows | 0:21:08 | 0:21:13 | |
that they're against him. | 0:21:13 | 0:21:15 | |
He doesn't know how it's going to fall into a shape. | 0:21:15 | 0:21:18 | |
He has, in other words, a known unknown. | 0:21:19 | 0:21:22 | |
And it is his task now to try and identify the extent of that unknown, | 0:21:23 | 0:21:29 | |
what kind of threat it represents, and how, | 0:21:29 | 0:21:34 | |
as he brings it to the light, he can turn it to his advantage. | 0:21:34 | 0:21:38 | |
A year into his reign, | 0:21:47 | 0:21:49 | |
King James begins to reveal the scale of his ambitions. | 0:21:49 | 0:21:52 | |
With the dream of bringing Christians together, | 0:21:54 | 0:21:57 | |
he commissions the King James Bible. | 0:21:57 | 0:21:59 | |
It'll become the most widely read book in the history | 0:22:00 | 0:22:03 | |
of the English language. | 0:22:03 | 0:22:04 | |
And he has a bold thought about how he will rule his joint kingdoms | 0:22:07 | 0:22:10 | |
of England and Scotland. | 0:22:10 | 0:22:13 | |
His big idea began when English crowds cheered his coronation. | 0:22:13 | 0:22:17 | |
James mistakes such celebrations for a popular appetite, | 0:22:20 | 0:22:28 | |
and a political appetite for union beyond their having a king, | 0:22:28 | 0:22:34 | |
who happened to be King of Scotland, as well. | 0:22:34 | 0:22:38 | |
The idea of a union of England and Scotland into another entity, | 0:22:38 | 0:22:45 | |
Britain, I think then starts to gain shape in James's mind. | 0:22:45 | 0:22:50 | |
Cecil feels a union could actually create deep instability in a country | 0:22:53 | 0:22:59 | |
which, as he knows, under a new king, under a new royal house, | 0:22:59 | 0:23:02 | |
is not on a stable footing to start with. | 0:23:02 | 0:23:05 | |
Cecil fears that if James unites England and Scotland against | 0:23:12 | 0:23:16 | |
the wishes of the people, there's a risk of a popular revolt. | 0:23:16 | 0:23:19 | |
But though the King has come to appreciate Cecil the spy master, | 0:23:23 | 0:23:27 | |
he's much less respectful of Cecil the politician. | 0:23:27 | 0:23:29 | |
James refers to Cecil quite often as "my little beagle". | 0:23:34 | 0:23:38 | |
Sometimes there are other nicknames that feature, "parrot-monger", | 0:23:38 | 0:23:42 | |
"monkey-monger", but the most common one is "my little beagle". | 0:23:42 | 0:23:46 | |
His little beagle in Cecil is loyal and good at sniffing out | 0:23:49 | 0:23:53 | |
what he has to sniff out. | 0:23:53 | 0:23:55 | |
It's probably better than being called a lapdog, | 0:23:59 | 0:24:01 | |
but it's still a mocking reference to his dependency | 0:24:01 | 0:24:06 | |
and the fact that he survives by serving. | 0:24:06 | 0:24:09 | |
But Cecil's doubts about union are shared by the English Parliament. | 0:24:13 | 0:24:16 | |
They turn down James's request to be called King of Great Britain. | 0:24:18 | 0:24:21 | |
James ignores Parliament. | 0:24:34 | 0:24:36 | |
He issues a coin called the Unite. | 0:24:38 | 0:24:40 | |
It describes James as King of Great Britain, | 0:24:50 | 0:24:54 | |
a title he has now adopted in open defiance of Parliament. | 0:24:54 | 0:24:57 | |
There's also a declaration. | 0:25:00 | 0:25:01 | |
"I shall make them one people." | 0:25:02 | 0:25:04 | |
From Robert Cecil's point of view, this is making trouble. | 0:25:06 | 0:25:11 | |
It is putting James's ambitions... | 0:25:11 | 0:25:15 | |
..literally on show, in circulation. | 0:25:16 | 0:25:18 | |
Cecil's greatest successes have come when he has been able to watch from | 0:25:21 | 0:25:25 | |
the side of events as the forces have clashed, | 0:25:25 | 0:25:28 | |
and been able to steer the conflict one way or another. | 0:25:28 | 0:25:31 | |
He is now in the middle | 0:25:33 | 0:25:35 | |
and the great force of the will of the Scottish King | 0:25:35 | 0:25:40 | |
versus the resistance of the English Parliament | 0:25:40 | 0:25:44 | |
threatens to crush him. | 0:25:44 | 0:25:46 | |
James makes Cecil even more vulnerable by diluting his power. | 0:25:49 | 0:25:53 | |
Cecil becomes just one voice in a council | 0:25:55 | 0:25:58 | |
of the King's closest advisers. | 0:25:58 | 0:26:00 | |
These men form the nucleus of a new court | 0:26:02 | 0:26:05 | |
that will do whatever James wants. | 0:26:05 | 0:26:08 | |
It's not possible for Cecil to have a final victory | 0:26:08 | 0:26:11 | |
in which he is the most powerful individual at the court. | 0:26:11 | 0:26:16 | |
He'll never be supreme, in that sense, | 0:26:16 | 0:26:20 | |
but there is no way out now for Robert Cecil. | 0:26:20 | 0:26:22 | |
He's been someone who's been born in this game, | 0:26:22 | 0:26:26 | |
has risen to the top of it, so he can only carry on playing. | 0:26:26 | 0:26:29 | |
And his willingness to stop at nothing... | 0:26:29 | 0:26:33 | |
..is his last and greatest asset in this game. | 0:26:34 | 0:26:37 | |
Meanwhile, Father John Gerard arrives in London. | 0:26:47 | 0:26:50 | |
He stays in a Catholic safe house next-door to a pub. | 0:26:54 | 0:26:57 | |
Here, he meets up with a splinter cell in the Catholic underground. | 0:27:02 | 0:27:05 | |
It contains five young men. | 0:27:08 | 0:27:10 | |
Among them, a mercenary called Guy Fawkes. | 0:27:10 | 0:27:13 | |
Guy Fawkes is a Yorkshireman. | 0:27:16 | 0:27:17 | |
He's got a Protestant father and a Catholic mother. | 0:27:17 | 0:27:21 | |
And, for some reason, he decided early to go for the Catholicism. | 0:27:21 | 0:27:25 | |
He's become a fanatic. | 0:27:25 | 0:27:27 | |
And what he wants to do is to destroy the English government. | 0:27:27 | 0:27:30 | |
All the men with Fawkes are of the same desperate mould. | 0:27:32 | 0:27:35 | |
They are wild by temperament, they're young, | 0:27:36 | 0:27:40 | |
quite a few of them have had careers of violence, | 0:27:40 | 0:27:43 | |
either as soldiers or notable for their use of arms. | 0:27:43 | 0:27:48 | |
Second thing is that most of them have had a conversion experience | 0:27:48 | 0:27:52 | |
in the recent past, having either been Protestant for a bit, | 0:27:52 | 0:27:56 | |
or being lukewarm Catholics. | 0:27:56 | 0:27:58 | |
They're burning with a new sense of the importance of their religion. | 0:27:58 | 0:28:03 | |
So, they're people who've suddenly found God | 0:28:03 | 0:28:05 | |
and they're letting rip. | 0:28:05 | 0:28:07 | |
They've got faith for the first time and now they want to show it. | 0:28:07 | 0:28:11 | |
Minutes before they meet with Gerard, | 0:28:13 | 0:28:15 | |
Fawkes and his friends agreed a plan | 0:28:15 | 0:28:17 | |
to get rid of the entire Protestant state in one moment. | 0:28:17 | 0:28:20 | |
They will blow up the Houses of Parliament with the King inside. | 0:28:20 | 0:28:24 | |
But they want their lethal violence to have God's blessing | 0:28:26 | 0:28:30 | |
and that's why they've come to Gerard. | 0:28:30 | 0:28:33 | |
It's important to the conspirators that the priest who administers the | 0:28:33 | 0:28:37 | |
sacrament to them is John Gerard, | 0:28:37 | 0:28:40 | |
because he's a man in the same mould. | 0:28:40 | 0:28:42 | |
He's relatively young, he's incredibly daring, | 0:28:42 | 0:28:45 | |
he's forever escaping from the authorities | 0:28:45 | 0:28:48 | |
and he's one of them. | 0:28:48 | 0:28:50 | |
John Gerard has just set in motion the Gunpowder Plot. | 0:28:53 | 0:28:56 | |
The May meeting is the key meeting. | 0:28:58 | 0:29:02 | |
This is the moment when the Gunpowder Plot becomes a real thing | 0:29:02 | 0:29:06 | |
and this is the moment when, from the plotters' point of view, | 0:29:06 | 0:29:10 | |
the mass seals the Gunpowder Plot in the blood of Christ. | 0:29:10 | 0:29:14 | |
It's late autumn, 1605. | 0:29:24 | 0:29:26 | |
Tensions that have been building for almost half a century, | 0:29:26 | 0:29:30 | |
since Queen Elizabeth came to the throne, are about to come to a head. | 0:29:30 | 0:29:33 | |
Parliament has been asked to meet | 0:29:38 | 0:29:40 | |
to discuss the huge challenges that lie ahead. | 0:29:40 | 0:29:43 | |
King James will attend the State Opening | 0:29:43 | 0:29:45 | |
on the fifth of November. | 0:29:45 | 0:29:47 | |
But just ten days before Parliament is due to open, | 0:29:54 | 0:29:57 | |
something catches the eye of Robert Cecil. | 0:29:57 | 0:29:59 | |
This is the actual piece of paper that crosses Cecil's desk that day. | 0:30:03 | 0:30:07 | |
It comes from one of his Catholic informants, | 0:30:08 | 0:30:11 | |
who has been given an anonymous tip-off. | 0:30:11 | 0:30:13 | |
Cecil picks up on one crucial phrase... | 0:30:16 | 0:30:19 | |
What does it mean? That there shall be a terrible blow delivered to the | 0:30:27 | 0:30:31 | |
Parliament from some unseen hand? | 0:30:31 | 0:30:33 | |
This is a piece of paper saying something quite worrying. | 0:30:35 | 0:30:38 | |
So Cecil has to find out the extent and the reality | 0:30:40 | 0:30:45 | |
at what might lie behind it. | 0:30:45 | 0:30:47 | |
With so little time before the State Opening of Parliament, | 0:30:49 | 0:30:52 | |
Cecil knows he must act fast. | 0:30:52 | 0:30:55 | |
But there's a problem. | 0:30:55 | 0:30:57 | |
The Privy Council is the official body for dealing with threats | 0:30:57 | 0:31:00 | |
against Parliament and the King, | 0:31:00 | 0:31:03 | |
but it's dominated by men who've learnt to be wary | 0:31:03 | 0:31:06 | |
when Cecil cries wolf. | 0:31:06 | 0:31:08 | |
Everybody knows that Cecil is a man perfectly happy to take the whiff of | 0:31:08 | 0:31:14 | |
a plot and produce a great cloud of supposition from this | 0:31:14 | 0:31:19 | |
and to exploit it to his advantage, | 0:31:19 | 0:31:22 | |
even putting Walter Raleigh in the Tower. | 0:31:22 | 0:31:26 | |
So the Privy Council is not going to give | 0:31:26 | 0:31:28 | |
Cecil a free hand to run with this, | 0:31:28 | 0:31:31 | |
to increase his power by producing the full plot. | 0:31:31 | 0:31:36 | |
The threat is as serious as it could possibly be... | 0:31:39 | 0:31:42 | |
..but Cecil's investigation appears to be making no progress at all. | 0:31:43 | 0:31:46 | |
Meanwhile, the plotters are at work. | 0:31:53 | 0:31:56 | |
One of them, Thomas Percy, | 0:31:58 | 0:32:01 | |
is a minor aristocrat with a position at court. | 0:32:01 | 0:32:04 | |
He gets them access to the Palace of Westminster | 0:32:05 | 0:32:09 | |
and rents them a cellar beneath it, in what's known as the undercroft. | 0:32:09 | 0:32:13 | |
They store 36 barrels here, | 0:32:15 | 0:32:17 | |
all of which Guy Fawkes has filled with gunpowder. | 0:32:17 | 0:32:19 | |
And if they go off at once, they're going to have the impact of, | 0:32:23 | 0:32:27 | |
in modern terms, a small-scale nuclear bomb. | 0:32:27 | 0:32:30 | |
EXPLOSION | 0:32:30 | 0:32:33 | |
It's going to be a hell of a bang. | 0:32:33 | 0:32:35 | |
The blast range will spread across almost a mile of Central London. | 0:32:35 | 0:32:39 | |
Everything within 40 metres will be razed to the ground | 0:32:39 | 0:32:42 | |
and anybody inside those buildings killed. | 0:32:42 | 0:32:44 | |
And the cellar is right underneath the House of Lords, | 0:32:45 | 0:32:49 | |
which, on the fifth of November, will be packed with | 0:32:49 | 0:32:52 | |
the 300 most important people in the British state, | 0:32:52 | 0:32:55 | |
including all of Parliament, the King and both his young sons. | 0:32:55 | 0:33:00 | |
There's no way of killing like overkill | 0:33:00 | 0:33:03 | |
and to make the biggest possible bang | 0:33:03 | 0:33:05 | |
ensures the greatest possible number | 0:33:05 | 0:33:07 | |
of deaths among the people at whom you're aiming. | 0:33:07 | 0:33:10 | |
Guy knows exactly what he's up to. | 0:33:10 | 0:33:12 | |
The bomb will create a power vacuum that will most likely lead | 0:33:14 | 0:33:18 | |
to a civil war, in which both Protestant and Catholic | 0:33:18 | 0:33:21 | |
will die in their tens of thousands. | 0:33:21 | 0:33:23 | |
At no point do I find any evidence that the conspirators worried | 0:33:25 | 0:33:29 | |
unduly about innocent deaths in the whole process. | 0:33:29 | 0:33:33 | |
After all, it's a glorious cause, | 0:33:33 | 0:33:35 | |
and this life is a short vale of tears | 0:33:35 | 0:33:38 | |
and the real point is the everlasting glory | 0:33:38 | 0:33:41 | |
to which a good Catholic is going to go. | 0:33:41 | 0:33:43 | |
With just four days left to prevent catastrophe, | 0:33:52 | 0:33:55 | |
Cecil goes to Whitehall Palace to see James. | 0:33:55 | 0:33:57 | |
He plans to bypass the Privy Council by getting the King | 0:34:01 | 0:34:04 | |
to kick-start his investigation. | 0:34:04 | 0:34:06 | |
And we have James's account of what happened. | 0:34:09 | 0:34:12 | |
James is given the letter without a word from Cecil, he reads it, | 0:34:12 | 0:34:18 | |
pauses, presumably for thought, and reads it again. | 0:34:18 | 0:34:22 | |
And at this point, according to James, Cecil says, | 0:34:22 | 0:34:24 | |
"The letter must've been written by a fool." | 0:34:24 | 0:34:27 | |
Cecil understands that the King will only become involved if he thinks | 0:34:29 | 0:34:33 | |
he has ownership of the investigation. | 0:34:33 | 0:34:35 | |
So Cecil lets James work out for himself that this is a tip-off | 0:34:35 | 0:34:39 | |
about a terrorist attack on the State Opening of Parliament. | 0:34:39 | 0:34:43 | |
James himself interprets the wording as the use of gunpowder. | 0:34:46 | 0:34:52 | |
He revels in how clever he has been in working this out. | 0:34:54 | 0:35:00 | |
He says, "I did upon the instant interpret | 0:35:00 | 0:35:03 | |
"some dark phrases therein." | 0:35:03 | 0:35:06 | |
You know, he talks about how he worked this out in a means | 0:35:06 | 0:35:09 | |
that couldn't have been worked out | 0:35:09 | 0:35:10 | |
by any theologian or lawyer in any university. | 0:35:10 | 0:35:15 | |
So, he's ever so clever to have worked it out and... | 0:35:15 | 0:35:23 | |
..James is like that. | 0:35:23 | 0:35:24 | |
So, he leaves this meeting with James with the King's endorsement, | 0:35:26 | 0:35:30 | |
effectively, to set to work. | 0:35:30 | 0:35:33 | |
And also, as he always tries to do, | 0:35:33 | 0:35:37 | |
to take charge of events, | 0:35:37 | 0:35:39 | |
to start planning for the triumph that he hopes will produce itself, | 0:35:39 | 0:35:46 | |
magically, like a rabbit from the hat, | 0:35:46 | 0:35:48 | |
out of a threat to the state, a victory for the King, | 0:35:48 | 0:35:52 | |
and also for Cecil. | 0:35:52 | 0:35:54 | |
Cecil's network is put on the case. | 0:35:56 | 0:35:58 | |
A double agent in the Catholic underground comes up with a name, | 0:35:58 | 0:36:02 | |
Guy Fawkes, and connects him with a leading Catholic conspirator, | 0:36:02 | 0:36:06 | |
Robert Catesby. | 0:36:06 | 0:36:07 | |
But where are these men? | 0:36:09 | 0:36:11 | |
And what is their plan? | 0:36:11 | 0:36:14 | |
Cecil is running out of time. | 0:36:14 | 0:36:15 | |
It is a test of Cecil. It's a test of his intelligence, | 0:36:20 | 0:36:23 | |
the fact that he's ready for this. | 0:36:23 | 0:36:25 | |
The situation is so advanced and so desperate, | 0:36:25 | 0:36:27 | |
it's also a test of his nerve. | 0:36:27 | 0:36:30 | |
The evening before the State Opening of Parliament, | 0:36:38 | 0:36:41 | |
Fawkes enters the cellar beneath it to lay the fuse for his bomb. | 0:36:41 | 0:36:45 | |
This is not a suicide mission | 0:36:46 | 0:36:48 | |
and Fawkes's fuse will be long enough to allow his escape. | 0:36:48 | 0:36:51 | |
But a search party approaches. | 0:36:57 | 0:36:58 | |
The game should be up, but Fawkes proves quick-witted. | 0:37:12 | 0:37:16 | |
He acts the innocent, he gives a fake name, John Johnson, | 0:37:17 | 0:37:21 | |
and they then go away. | 0:37:21 | 0:37:23 | |
Fawkes can barely believe his luck, to have had so simple an escape. | 0:37:24 | 0:37:27 | |
So, it must look to him as though God is blessing his venture. | 0:37:29 | 0:37:33 | |
The place has been searched, it's been given the all clear, | 0:37:33 | 0:37:37 | |
and all he has to do is just wait to light the fuse. | 0:37:37 | 0:37:39 | |
But he doesn't realise he's dealing with Robert Cecil. | 0:37:44 | 0:37:47 | |
The search party go back to Whitehall Palace to make their | 0:37:51 | 0:37:53 | |
report direct to the King. | 0:37:53 | 0:37:56 | |
Cecil is there, too. | 0:37:56 | 0:37:57 | |
The search party describes stumbling on someone | 0:37:59 | 0:38:01 | |
calling himself John Johnson. | 0:38:01 | 0:38:05 | |
They've also found out who is renting the cellar he's in. | 0:38:05 | 0:38:07 | |
Thomas Percy. | 0:38:09 | 0:38:10 | |
Thomas Percy. | 0:38:12 | 0:38:13 | |
That the tenant of the undercroft is Thomas Percy. | 0:38:14 | 0:38:18 | |
The name Percy probably doesn't mean much to James, | 0:38:20 | 0:38:22 | |
but Cecil has a file on Percy. | 0:38:22 | 0:38:24 | |
Because Percy is part of this network of Catholic families, | 0:38:26 | 0:38:29 | |
of gentry who are unwilling to accommodate to a Protestant state, | 0:38:29 | 0:38:34 | |
who are hiding priests and who are, | 0:38:34 | 0:38:36 | |
according to the chatter that Cecil's agents are picking up, | 0:38:36 | 0:38:40 | |
discussing a change of regime. | 0:38:40 | 0:38:42 | |
Cecil can connect Percy to the men he thinks are behind the plot, | 0:38:44 | 0:38:48 | |
Catesby and Fawkes. | 0:38:48 | 0:38:50 | |
It's midnight in the Palace of Whitehall by now. | 0:38:50 | 0:38:53 | |
Parliament will open in a matter of hours, just after dawn. | 0:38:53 | 0:38:56 | |
There are just hours to go. | 0:39:06 | 0:39:07 | |
On Cecil's advice, a second search is ordered into the undercroft. | 0:39:07 | 0:39:11 | |
SHOUTING | 0:39:21 | 0:39:23 | |
Fawkes is found beside his barrels, with matches to hand. | 0:39:26 | 0:39:30 | |
The Gunpowder Plot has been foiled just in time. | 0:39:30 | 0:39:33 | |
And, at this point, he throws the disguise aside, and says, | 0:39:34 | 0:39:38 | |
yes, there is a plot. | 0:39:38 | 0:39:39 | |
Yes, I was about to blow you all to smithereens, | 0:39:39 | 0:39:43 | |
and, hey, you know what? I'm still proud of this. | 0:39:43 | 0:39:46 | |
As soon as Fawkes is arrested, his fellow plotters run for the hills, | 0:39:50 | 0:39:56 | |
chased by Cecil's men. | 0:39:56 | 0:39:57 | |
The plotters get as far as the remote Holbeche House | 0:40:08 | 0:40:10 | |
in Staffordshire. | 0:40:10 | 0:40:11 | |
This will be their last stand, | 0:40:14 | 0:40:16 | |
because this is where Cecil's men catch up with them. | 0:40:16 | 0:40:19 | |
The plotters only have a small amount of gunpowder left | 0:40:30 | 0:40:33 | |
for their muskets, but it's got wet on the road. | 0:40:33 | 0:40:36 | |
So they dry it out by the fire. | 0:40:37 | 0:40:38 | |
That's the first no-no with gunpowder - | 0:40:40 | 0:40:43 | |
you don't put it near a fire. | 0:40:43 | 0:40:44 | |
It blows up and seriously injures a couple of them. | 0:40:46 | 0:40:50 | |
And then, when they actually are surrounded, there is no shoot-out. | 0:40:50 | 0:40:55 | |
They take up swords, they put themselves on full view | 0:40:55 | 0:40:59 | |
at the entrance, and prepare to go hand-to-hand. | 0:40:59 | 0:41:01 | |
And, of course, they're shot down. | 0:41:20 | 0:41:22 | |
So they don't even make a decent job of a last stand. | 0:41:22 | 0:41:25 | |
It has that essential silliness, | 0:41:25 | 0:41:27 | |
combined with tragedy which is the keynote of the plot. | 0:41:27 | 0:41:29 | |
The day after the plotters' last stand, | 0:41:39 | 0:41:41 | |
the State Opening of Parliament finally takes place. | 0:41:41 | 0:41:44 | |
The arguments about James's plan for union of England and Scotland | 0:41:46 | 0:41:50 | |
are set aside and the King receives a hero's welcome for having saved | 0:41:50 | 0:41:55 | |
the entire ruling elite from being blown to smithereens. | 0:41:55 | 0:41:58 | |
From this point on, | 0:42:00 | 0:42:01 | |
James doesn't fear the threat of a violent overturning of his right | 0:42:01 | 0:42:06 | |
or of a diverting of his claim to the English throne. | 0:42:06 | 0:42:10 | |
And to that extent, James can feel more secure. | 0:42:10 | 0:42:17 | |
James will begin designs for a flag for his new kingdom | 0:42:19 | 0:42:22 | |
of Great Britain, the Union Jack. | 0:42:22 | 0:42:25 | |
Cecil is also sitting pretty. | 0:42:28 | 0:42:31 | |
James rewards him for breaking the Gunpowder Plot by ennobling him | 0:42:31 | 0:42:35 | |
as Viscount Cranborne. | 0:42:35 | 0:42:38 | |
The uncovering of the Gunpowder Plot and Cecil's handling of it | 0:42:38 | 0:42:43 | |
certainly doesn't do Cecil a disservice in James's eyes. | 0:42:43 | 0:42:47 | |
So, it confirms... | 0:42:49 | 0:42:53 | |
I think it's one of those many things that confirms | 0:42:53 | 0:42:56 | |
Cecil's utility to James. | 0:42:56 | 0:43:00 | |
But not everyone believes it's safe to relax. | 0:43:01 | 0:43:04 | |
Something is niggling away at the spy master. | 0:43:05 | 0:43:07 | |
Parliament is safe, the King is safe, | 0:43:11 | 0:43:15 | |
but Cecil doesn't know the extent of this conspiracy. | 0:43:15 | 0:43:18 | |
Robert Cecil does not like loose ends, he doesn't like mess. | 0:43:20 | 0:43:25 | |
He needs a storyline for a plot, if he is to make something of this. | 0:43:25 | 0:43:30 | |
Cecil now knows all of the five original gunpowder plotters. | 0:43:36 | 0:43:39 | |
Only Fawkes and Thomas Wintour, who has somehow survived the last stand, | 0:43:44 | 0:43:48 | |
are still alive. | 0:43:48 | 0:43:50 | |
Both are interrogated in the Tower of London. | 0:43:51 | 0:43:54 | |
Though they don't give Cecil a mastermind behind the plot, | 0:43:57 | 0:44:00 | |
they do give him something he can use. | 0:44:00 | 0:44:02 | |
They confess to knowing certain priests | 0:44:04 | 0:44:07 | |
and that these men of God are part of the Catholic underground. | 0:44:07 | 0:44:10 | |
Cecil has confessions which say that there are priests involved | 0:44:15 | 0:44:20 | |
in the plot. | 0:44:20 | 0:44:22 | |
He then spins this information in the direction of his preferred | 0:44:22 | 0:44:28 | |
narrative of events, which is, as there were priests in the plot, | 0:44:28 | 0:44:34 | |
the plot is made by priests. | 0:44:34 | 0:44:36 | |
Fawkes even admits the name of the priest who gave them God's blessing. | 0:44:40 | 0:44:43 | |
And the name which comes up... | 0:44:47 | 0:44:48 | |
..early in the narrative of the plot is that of Cecil's old enemy, | 0:44:50 | 0:44:56 | |
John Gerard. | 0:44:56 | 0:44:57 | |
For Cecil, the story behind the Gunpowder Plot | 0:45:03 | 0:45:06 | |
now becomes starkly clear. | 0:45:06 | 0:45:08 | |
This unparalleled act of terror was part of a holy war led by priests. | 0:45:10 | 0:45:15 | |
These are men he sees as the greatest danger | 0:45:16 | 0:45:18 | |
to peace and security | 0:45:18 | 0:45:20 | |
and the worst of them is Gerard. | 0:45:20 | 0:45:22 | |
You have to wonder, by this point, why Cecil is pursuing | 0:45:25 | 0:45:30 | |
the old enemies? | 0:45:30 | 0:45:32 | |
You have to wonder how much of this is rooted in Cecil's background, | 0:45:32 | 0:45:36 | |
and how much of this is confirmed by his political experience. | 0:45:36 | 0:45:39 | |
That you should treat everybody as an enemy, | 0:45:40 | 0:45:42 | |
that sooner or later it'll come to bloodshed. | 0:45:42 | 0:45:46 | |
And it is better to be giving it out than receiving it. | 0:45:46 | 0:45:50 | |
The need to prove oneself, | 0:45:50 | 0:45:51 | |
to always assume that you start in a position of weakness, | 0:45:51 | 0:45:56 | |
but he's actually now in a position of unparalleled power. | 0:45:56 | 0:46:00 | |
Cecil is like a man who has a shovel | 0:46:01 | 0:46:04 | |
and believes he's digging himself out, | 0:46:04 | 0:46:06 | |
but he's actually getting deeper and deeper in. | 0:46:06 | 0:46:08 | |
In the Tower of London, | 0:46:25 | 0:46:26 | |
in the chamber where Fawkes and Wintour were interrogated, | 0:46:26 | 0:46:29 | |
is a trophy board commemorating Cecil's unravelling of | 0:46:29 | 0:46:33 | |
the Gunpowder Plot. | 0:46:33 | 0:46:34 | |
It lists the conspirators he's brought to justice... | 0:46:37 | 0:46:40 | |
..but one key figure remains at large. | 0:46:44 | 0:46:46 | |
Cecil needs to find John Gerard | 0:46:50 | 0:46:52 | |
and he's using every resource that he has. | 0:46:52 | 0:46:55 | |
Gerard is the most wanted man in England at the moment. | 0:46:57 | 0:47:00 | |
You know, if you think about the manhunt for bin Laden after 9/11, | 0:47:01 | 0:47:03 | |
it's a bit like that. | 0:47:03 | 0:47:05 | |
He's a dead man walking. | 0:47:05 | 0:47:06 | |
During the week after the plot has failed, | 0:47:12 | 0:47:14 | |
Gerard remains at Harrowden Hall with Eliza Vaux, | 0:47:14 | 0:47:19 | |
but both know there is no way out. | 0:47:19 | 0:47:21 | |
Gerard stays put. He knows he's comparatively safe | 0:47:21 | 0:47:26 | |
in Harrowden Hall | 0:47:26 | 0:47:28 | |
and he knows that there will be watchers everywhere. | 0:47:28 | 0:47:31 | |
Eliza would have known that they would come for her. | 0:47:34 | 0:47:36 | |
It was well known in Catholic circles that John Gerard | 0:47:36 | 0:47:39 | |
was staying with her. | 0:47:39 | 0:47:40 | |
So she would have known that they were coming for him | 0:47:40 | 0:47:43 | |
and that they would come for her also. | 0:47:43 | 0:47:45 | |
It was Tuesday the 12th of November, it was midday, | 0:47:53 | 0:47:57 | |
and about 100 armed men surrounded Harrowden Hall. | 0:47:57 | 0:48:01 | |
This is huge. This is probably the biggest raid that's happened | 0:48:04 | 0:48:07 | |
to date. The cordon stretched for three miles. | 0:48:07 | 0:48:10 | |
Gerard has prepared for this by having a hideout installed | 0:48:19 | 0:48:21 | |
at Harrowden, called a priest-hole. | 0:48:21 | 0:48:23 | |
Gerard hears the hooves, he gets into his priest-hole | 0:48:30 | 0:48:35 | |
and the door is opened. | 0:48:35 | 0:48:38 | |
They fan out all the searches, they interrogate Eliza Vaux, | 0:48:38 | 0:48:41 | |
they interrogate her family, her children, her servants. | 0:48:41 | 0:48:45 | |
They go through everything. | 0:48:45 | 0:48:47 | |
She must have been terrified, but she was very sensible | 0:48:48 | 0:48:52 | |
and level-headed, and she decided to take to her bed. | 0:48:52 | 0:48:56 | |
And act the, "Oh, my goodness me. Poor sick woman. I'm only a widow | 0:48:57 | 0:49:01 | |
"and all you gentlemen are in my house | 0:49:01 | 0:49:03 | |
"and of course I'll help and cooperate, | 0:49:03 | 0:49:05 | |
"but I'm having a fit of the vapours and I'll have to go and lie down." | 0:49:05 | 0:49:08 | |
The search goes on for nine days. | 0:49:12 | 0:49:14 | |
And Gerard, all this time, is in his priest-hole. | 0:49:18 | 0:49:21 | |
It's cold, it's dark, he's cramped, he can't stand up, | 0:49:21 | 0:49:24 | |
he can't stretch his legs. | 0:49:24 | 0:49:25 | |
This intense meditative focus on Christ's suffering | 0:49:28 | 0:49:32 | |
helped him get through, he said, | 0:49:32 | 0:49:35 | |
those dark moments when he feared for his soul and his body. | 0:49:35 | 0:49:38 | |
Cecil's men are unable to find Gerard. | 0:49:46 | 0:49:48 | |
Instead, they take Eliza Vaux back to London, | 0:49:51 | 0:49:55 | |
accused of sheltering a Catholic priest. | 0:49:55 | 0:49:57 | |
The only way she can save her skin is to give up Gerard. | 0:50:00 | 0:50:03 | |
She had his life in her hands, | 0:50:06 | 0:50:09 | |
but Gerard absolutely trusts Eliza Vaux. | 0:50:09 | 0:50:13 | |
Eliza Vaux arrives in a London gripped by an atmosphere of terror. | 0:50:19 | 0:50:22 | |
The only two of the original five plotters still alive, | 0:50:30 | 0:50:33 | |
Wintour and Fawkes, endure a brutally violent public punishment. | 0:50:33 | 0:50:37 | |
Tied to wooden boards, | 0:50:40 | 0:50:42 | |
they're dragged through the crowded streets to a scaffold that has been | 0:50:42 | 0:50:45 | |
specially erected in the heart of the city. | 0:50:45 | 0:50:47 | |
The two main surviving conspirators, that's Guy and Thomas Wintour, | 0:50:54 | 0:50:59 | |
die together and they get the grandstand executions. | 0:50:59 | 0:51:04 | |
Their fates are rather different. | 0:51:12 | 0:51:15 | |
The hangman cuts Wintour down while he's still very much alive, | 0:51:15 | 0:51:19 | |
so he can experience the full, appalling experience of being | 0:51:19 | 0:51:23 | |
cut to pieces while still living. | 0:51:23 | 0:51:25 | |
Wintour is castrated, disembowelled, and then cut into quarters. | 0:51:28 | 0:51:32 | |
Guy is different, | 0:51:37 | 0:51:39 | |
he's in such bad shape after torture that the executioner actually has to | 0:51:39 | 0:51:44 | |
push him up the ladder. | 0:51:44 | 0:51:45 | |
But, like the efficient ex-soldier he is, | 0:51:45 | 0:51:48 | |
Guy throws himself off with such violence, | 0:51:48 | 0:51:51 | |
he breaks his neck immediately. | 0:51:51 | 0:51:53 | |
He has a much easier death. | 0:51:53 | 0:51:54 | |
Eliza Vaux is brought before | 0:52:04 | 0:52:06 | |
a council of Gunpowder Plot investigators | 0:52:06 | 0:52:08 | |
and asked to reveal the whereabouts of John Gerard. | 0:52:08 | 0:52:11 | |
I think that the interrogation before the council must have been | 0:52:18 | 0:52:22 | |
one of the most terrifying moments of Eliza's life. | 0:52:22 | 0:52:27 | |
Her old friend Cecil is on the council. | 0:52:30 | 0:52:33 | |
He demands she give up Gerard or die in agony on the scaffold. | 0:52:35 | 0:52:39 | |
Cecil is using these uncompromising, merciless methods | 0:52:42 | 0:52:47 | |
in trying to extract information from Elizabeth Vaux, | 0:52:47 | 0:52:51 | |
who is meant to be a friend. | 0:52:51 | 0:52:52 | |
We have a sudden flash, as it were, where we see | 0:52:54 | 0:52:59 | |
the willingness of Robert Cecil to go to any extent | 0:52:59 | 0:53:04 | |
in order to defeat his enemies, to achieve his objectives. | 0:53:04 | 0:53:10 | |
Because you could argue that by this point, | 0:53:11 | 0:53:14 | |
James is secure, the plot is broken, the country is secure. | 0:53:14 | 0:53:19 | |
And Robert Cecil is still driving forward to try and tie up | 0:53:19 | 0:53:24 | |
every last detail. | 0:53:24 | 0:53:26 | |
So Eliza Vaux has a choice - | 0:53:29 | 0:53:31 | |
to save her own life or Gerard's. | 0:53:31 | 0:53:33 | |
And she said, "Well, then, I will die. | 0:53:37 | 0:53:39 | |
"Then I will go to the scaffold. | 0:53:43 | 0:53:44 | |
"Nothing worse can happen, other than death." | 0:53:49 | 0:53:53 | |
And in that death, although the act of being executed is... | 0:53:56 | 0:54:00 | |
..awful and vile and dreadful, but through that, | 0:54:02 | 0:54:05 | |
if she manages to hold her nerve through that, | 0:54:05 | 0:54:07 | |
she would gain the crown of martyrdom, a place in heaven. | 0:54:07 | 0:54:10 | |
So, in a way, | 0:54:10 | 0:54:12 | |
she had already accepted that the worst that could happen to her | 0:54:12 | 0:54:15 | |
would be a great, a great crowning of somebody of her faith | 0:54:15 | 0:54:21 | |
and that would have strengthened her. | 0:54:21 | 0:54:22 | |
For once, Cecil relents. | 0:54:24 | 0:54:27 | |
He lets Eliza Vaux go home. | 0:54:27 | 0:54:29 | |
In the aftermath of the Gunpowder Plot, | 0:54:36 | 0:54:38 | |
the Protestant-Catholic divide calms somewhat. | 0:54:38 | 0:54:41 | |
Britain even signs a peace treaty with Spain, | 0:54:47 | 0:54:50 | |
Europe's Catholic superpower. | 0:54:50 | 0:54:51 | |
The turbulence that began when Elizabeth came to the throne | 0:54:53 | 0:54:56 | |
45 years earlier has given way to a kind of peace. | 0:54:56 | 0:55:00 | |
And the English Parliament agrees to let James pursue his designs | 0:55:03 | 0:55:06 | |
for a flag of Great Britain. | 0:55:06 | 0:55:07 | |
It's at this time that Shakespeare writes of England, | 0:55:16 | 0:55:19 | |
"This sceptred isle, this other Eden, demi-paradise, | 0:55:19 | 0:55:24 | |
"this happy breed of men, this little world, this precious stone | 0:55:24 | 0:55:28 | |
"set in the silver sea." | 0:55:28 | 0:55:30 | |
But the somewhat shameful truth is that our modern world was partly | 0:55:37 | 0:55:41 | |
formed and kept alive by men like Robert Cecil. | 0:55:41 | 0:55:44 | |
It's in Robert Cecil's lifetime that Great Britain comes into focus. | 0:55:50 | 0:55:55 | |
He's not a poet like Shakespeare, | 0:55:55 | 0:55:57 | |
who can say, "This is who we are and who we've always been." | 0:55:57 | 0:56:00 | |
But this is because Cecil, by what he does, | 0:56:02 | 0:56:06 | |
is actually making this sceptred isle. | 0:56:06 | 0:56:09 | |
And the final chapter of the story, | 0:56:18 | 0:56:22 | |
James is congratulated for foiling the Gunpowder Plot. | 0:56:22 | 0:56:24 | |
Among those who come to pay their respects is a Spanish diplomat. | 0:56:27 | 0:56:30 | |
He arrives with a golden cup for James and jewels for Cecil. | 0:56:32 | 0:56:35 | |
And he departs with the King's best wishes. | 0:56:37 | 0:56:39 | |
But, as he leaves, the Spaniard's retinue of attendants | 0:56:41 | 0:56:45 | |
has grown by one. | 0:56:45 | 0:56:46 | |
This is how Father John Gerard escapes Cecil's clutches once again. | 0:56:50 | 0:56:54 | |
It's a really interesting dynamic between Gerard and Cecil, in a way. | 0:56:58 | 0:57:02 | |
There's this sense for both of them that they are absolutely | 0:57:03 | 0:57:06 | |
on the right side. You know, there's good and evil, | 0:57:06 | 0:57:08 | |
there's Christ and Antichrist, | 0:57:08 | 0:57:10 | |
there's freedom and tyranny, there's truth and falsehood. | 0:57:10 | 0:57:13 | |
And one will be hubris, one will be Nemesis. | 0:57:13 | 0:57:17 | |
So, in a way, they are the perfect foil to each other. | 0:57:17 | 0:57:19 | |
Nobody knows just how embarrassing it is for Cecil that Gerard escapes | 0:57:26 | 0:57:30 | |
as Gerard. | 0:57:30 | 0:57:33 | |
Cecil and Gerard are tied together in this conflict. | 0:57:33 | 0:57:36 | |
And Gerard, by escaping, delivers a humiliating private injury to Cecil. | 0:57:38 | 0:57:44 | |
And it is a failure, ultimately, | 0:57:48 | 0:57:50 | |
to capture and execute one of his greatest enemies. | 0:57:50 | 0:57:54 | |
In other words, however strong he is, he's not safe... | 0:57:56 | 0:58:01 | |
..and he can never be certain. | 0:58:02 | 0:58:04 |