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Britain, at the time of Queen Elizabeth I, was divided, | 0:00:03 | 0:00:07 | |
unstable and violent. | 0:00:07 | 0:00:09 | |
Despite this, Elizabeth stayed in power for over 40 years. | 0:00:13 | 0:00:17 | |
The secret of her incredible reign... | 0:00:18 | 0:00:20 | |
..is hidden in this portrait. | 0:00:21 | 0:00:23 | |
Detailed in the folds of her dress, | 0:00:27 | 0:00:30 | |
these eyes and ears represent a spy network. | 0:00:30 | 0:00:33 | |
The world's first Secret Service. | 0:00:36 | 0:00:38 | |
Run by a father and son team. | 0:00:39 | 0:00:41 | |
Both exceptionally intelligent and given the job of protecting Queen | 0:00:42 | 0:00:46 | |
and country. | 0:00:46 | 0:00:48 | |
This series tells their story over five decades, | 0:00:48 | 0:00:52 | |
and reveals how the Secret State was born. | 0:00:52 | 0:00:54 | |
Elizabethan England as it really was, | 0:00:56 | 0:00:58 | |
with a network of spies battling a terrorist threat. | 0:00:58 | 0:01:01 | |
And both sides will stop at nothing. | 0:01:03 | 0:01:05 | |
The Elizabethan state was mirrors within mirrors. | 0:01:06 | 0:01:10 | |
The double crossings, the conspiracies. | 0:01:10 | 0:01:13 | |
It's an endless labyrinth. | 0:01:13 | 0:01:14 | |
Leading historians have researched these events from different | 0:01:16 | 0:01:19 | |
individual perspectives. | 0:01:19 | 0:01:21 | |
Elizabeth was ineffably different. | 0:01:25 | 0:01:29 | |
She was exceptional, she was holy, she was magical. | 0:01:29 | 0:01:34 | |
They'll take us inside the mind of each of the key players. | 0:01:36 | 0:01:38 | |
Dissecting their motives and actions, | 0:01:40 | 0:01:42 | |
while the course of British history hangs in the balance. | 0:01:42 | 0:01:45 | |
By meeting Robert Cecil, | 0:01:46 | 0:01:48 | |
you have the feeling that you would have somehow compromised yourself. | 0:01:48 | 0:01:51 | |
You would have exposed yourself to his sharp eye. | 0:01:51 | 0:01:54 | |
And, it's because of that that he is a terrifying figure. | 0:01:54 | 0:01:57 | |
We'll see how history is really made in the corridors of power, | 0:01:58 | 0:02:02 | |
from just behind the throne. | 0:02:02 | 0:02:04 | |
In this episode, | 0:02:08 | 0:02:10 | |
a Catholic threat... | 0:02:10 | 0:02:12 | |
..a rival at court... | 0:02:13 | 0:02:14 | |
..and the death of Queen Elizabeth I. | 0:02:15 | 0:02:17 | |
1594, England is alone. | 0:02:32 | 0:02:35 | |
A Protestant country surrounded by Catholic Europe. | 0:02:36 | 0:02:39 | |
The Spanish Armada has just been defeated. | 0:02:39 | 0:02:41 | |
But there is still the fear they might try again. | 0:02:44 | 0:02:46 | |
Merchant ships are bringing spices, tobacco and immigrants | 0:02:50 | 0:02:53 | |
into the ports, | 0:02:53 | 0:02:55 | |
as well as Protestant refugees and the occasional Catholic terrorist. | 0:02:55 | 0:02:59 | |
Most people live in tremendous poverty, | 0:03:03 | 0:03:05 | |
but those who are close to the Queen have extraordinary wealth. | 0:03:06 | 0:03:09 | |
Here at Burghley House lived the Cecils, her spy masters. | 0:03:11 | 0:03:16 | |
The father, William Cecil, | 0:03:18 | 0:03:20 | |
saved Elizabeth from seven assassination attempts. | 0:03:20 | 0:03:23 | |
But, when he took the decision to execute Mary, Queen of Scots, | 0:03:25 | 0:03:28 | |
Elizabeth was furious and banished him from court. | 0:03:28 | 0:03:32 | |
It's 30 years of work, hard graft in the offices of state, | 0:03:36 | 0:03:43 | |
working with correspondents, networks of spies. | 0:03:43 | 0:03:46 | |
So, to have this taken away from him, it's devastating. | 0:03:46 | 0:03:50 | |
He would rather be sent to the tower and probably executed, than just be | 0:03:52 | 0:03:57 | |
banished and watch politics going on from afar. | 0:03:57 | 0:04:01 | |
The hope is, though, that son Robert | 0:04:03 | 0:04:06 | |
can take over the father's spy network and regain the family's | 0:04:06 | 0:04:09 | |
position at court. | 0:04:09 | 0:04:11 | |
Robert Cecil is trained to do the dirty work of government. | 0:04:12 | 0:04:18 | |
He is clever... | 0:04:19 | 0:04:21 | |
..cunning, feeble... | 0:04:22 | 0:04:25 | |
..rich, lonely. | 0:04:26 | 0:04:28 | |
He dreams of following his father into becoming the Queen's | 0:04:30 | 0:04:33 | |
principle secretary - | 0:04:33 | 0:04:36 | |
the equivalent of her Prime Minister. | 0:04:36 | 0:04:37 | |
But she is currently a little less than impressed with Robert Cecil. | 0:04:39 | 0:04:42 | |
I think she was initially quite mistrustful of him. | 0:04:44 | 0:04:47 | |
She was quite dismissive. | 0:04:47 | 0:04:51 | |
I think she thought he was a bit of a prig. | 0:04:51 | 0:04:53 | |
And he certainly didn't have any of the swaggering glamour, which | 0:04:53 | 0:04:59 | |
Elizabeth usually preferred in her court favourites. | 0:04:59 | 0:05:03 | |
Born with a curved spine, Cecil was less than five feet tall. | 0:05:05 | 0:05:09 | |
Poor little pygmy, she calls him. | 0:05:11 | 0:05:13 | |
Although people think that pygmy was a horrible nickname, | 0:05:13 | 0:05:15 | |
she gave everyone nicknames, and I think it was rather affectionate. | 0:05:15 | 0:05:19 | |
When the Queen called him pygmy, | 0:05:20 | 0:05:24 | |
Cecil was deeply hurt. | 0:05:24 | 0:05:25 | |
And later, to his father, he writes quite candidly, | 0:05:25 | 0:05:29 | |
"If anyone else calls me pygmy, I would admit how much it hurts." | 0:05:29 | 0:05:33 | |
"But in the case of the Queen, I don't dare to." | 0:05:34 | 0:05:37 | |
The pressures on Elizabeth's courtiers were intense. | 0:05:41 | 0:05:43 | |
She had executed 15 of them since she had come to the throne. | 0:05:44 | 0:05:48 | |
But Robert Cecil did have something up his sleeve. | 0:05:55 | 0:05:58 | |
He inherited his father's spy network. | 0:05:59 | 0:06:01 | |
Cecil has spies watching every suspect Catholic family | 0:06:07 | 0:06:13 | |
in the country. | 0:06:13 | 0:06:15 | |
He has informants in the prisons, he has turned priests, | 0:06:15 | 0:06:20 | |
he has corrupted servants who are reporting back directly to Cecil. | 0:06:20 | 0:06:25 | |
He knows his best chance of impressing the Queen is to capture | 0:06:27 | 0:06:30 | |
Catholics plotting against her. | 0:06:30 | 0:06:32 | |
Every plot foiled can be used as a pawn in a bigger game at court. | 0:06:35 | 0:06:38 | |
In 1594, he hears of a Catholic priest described as very dangerous. | 0:06:41 | 0:06:46 | |
Cecil sends some men to arrest him. | 0:06:48 | 0:06:50 | |
The man they are after is Father John Gerard, | 0:07:02 | 0:07:05 | |
a priest who snuck into the country just after the Spanish Armada and | 0:07:05 | 0:07:10 | |
has been trying to win over hearts and minds in Norfolk and Suffolk. | 0:07:10 | 0:07:14 | |
Priests are not social workers, | 0:07:27 | 0:07:29 | |
they are at the sharp end of a religious war and they are prepared | 0:07:29 | 0:07:34 | |
to die for the cause. | 0:07:34 | 0:07:36 | |
If one of these agents of foreign powers get close enough | 0:07:37 | 0:07:41 | |
to the Queen, then her life is in danger. | 0:07:41 | 0:07:44 | |
Cecil then takes the news of Gerard's capture to the Queen. | 0:07:48 | 0:07:51 | |
She should be pleased, but the Queen's mind is elsewhere. | 0:07:51 | 0:07:55 | |
There's a new star at court. | 0:07:55 | 0:07:57 | |
The Earl of Essex was everything Cecil wasn't. | 0:08:06 | 0:08:09 | |
He was handsome, an expert swordsman and a war hero. | 0:08:09 | 0:08:13 | |
Essex was an athlete. | 0:08:16 | 0:08:18 | |
You can see it in the paintings. | 0:08:18 | 0:08:20 | |
I mean, those legs, with armour tied round them like modern skinny jeans. | 0:08:21 | 0:08:27 | |
He is so obviously playing up what he considers to be his strength. | 0:08:28 | 0:08:34 | |
For Cecil, the Catholic terrorists are the official enemy. | 0:08:36 | 0:08:40 | |
But Essex is the real enemy. | 0:08:41 | 0:08:42 | |
Everybody at the Elizabethan court knows that the court is a theatre, | 0:08:46 | 0:08:51 | |
it's the stage on which people compete for power. | 0:08:51 | 0:08:54 | |
So, Robert Cecil... | 0:08:55 | 0:08:56 | |
..when he sees the Earl of Essex appear, | 0:08:58 | 0:09:01 | |
he knows that he's no longer in full control of the plotlines. | 0:09:01 | 0:09:06 | |
Essex could flirt with the Queen, | 0:09:14 | 0:09:16 | |
there's talk of him playing cards late at night with the Queen, | 0:09:16 | 0:09:19 | |
suggesting a sexual closeness with the Queen, | 0:09:19 | 0:09:24 | |
that clearly was ridiculous and was out of the question. | 0:09:24 | 0:09:27 | |
Elizabeth was extremely susceptible to.. | 0:09:29 | 0:09:32 | |
I wouldn't say it was flattery exactly, | 0:09:32 | 0:09:35 | |
there was a particular way to address or approach her. | 0:09:35 | 0:09:39 | |
Essex was extremely adept at playing this game of courtly love, | 0:09:39 | 0:09:43 | |
so when Essex casts himself at her feet and describes her as | 0:09:43 | 0:09:47 | |
his goddess and Elizabeth responds in kind, they're playing a game. | 0:09:47 | 0:09:52 | |
Now, she may have felt attracted to Essex, | 0:09:52 | 0:09:55 | |
he was a very handsome young man. | 0:09:55 | 0:09:56 | |
Cecil's rivalry with Essex is also deeply personal. | 0:10:02 | 0:10:05 | |
They grew up under the same roof. | 0:10:08 | 0:10:09 | |
When Essex's parents died, he was taken in by the Cecils. | 0:10:11 | 0:10:15 | |
He and Robert were brought up almost like brothers. | 0:10:16 | 0:10:19 | |
When Essex makes this great entry into court life... | 0:10:22 | 0:10:28 | |
..it's not just that Robert Cecil is wondering how he's going to | 0:10:29 | 0:10:33 | |
stay on top of the situation in the court, it's also a return of all | 0:10:33 | 0:10:38 | |
kinds of insecurities and worries that go back | 0:10:38 | 0:10:40 | |
to his earliest childhood. | 0:10:40 | 0:10:43 | |
There's a story of them riding along together in a carriage one day and | 0:10:43 | 0:10:48 | |
engaging in a furious row in which all courtliness and veneer | 0:10:48 | 0:10:53 | |
is stripped away. | 0:10:53 | 0:10:55 | |
So, I would think that Robert Cecil felt he had reason to worry. | 0:10:55 | 0:11:03 | |
Crucially, Essex has bought himself his own private spy network. | 0:11:09 | 0:11:13 | |
Essex runs agents through a handler he's stolen from Cecil's network | 0:11:21 | 0:11:25 | |
with an offer of more money. | 0:11:25 | 0:11:27 | |
Cecil's code breaker, and a double agent in the Catholic underground | 0:11:30 | 0:11:34 | |
also defect from Cecil's network to his rival's. | 0:11:34 | 0:11:37 | |
Gradually, they thin out | 0:11:44 | 0:11:47 | |
into two rival teams of intelligence operatives. | 0:11:47 | 0:11:50 | |
And the material they are generating is the grist to the mill of the | 0:11:53 | 0:11:58 | |
competition between Cecil and Essex. | 0:11:58 | 0:12:01 | |
And the spy game has changed. | 0:12:03 | 0:12:04 | |
No longer simply a necessary system to keep the Queen safe, | 0:12:05 | 0:12:09 | |
now it's about playing politics and gaining power. | 0:12:09 | 0:12:12 | |
The first person caught in the centre of it | 0:12:24 | 0:12:26 | |
is a man called Roderigo Lopez. | 0:12:26 | 0:12:29 | |
He's from a wealthy Portuguese merchant family, | 0:12:29 | 0:12:32 | |
and he's also the Queen's doctor. | 0:12:32 | 0:12:34 | |
Lopez is also working for Cecil. | 0:12:41 | 0:12:43 | |
Cecil is using Lopez as a kind of private back channel | 0:12:43 | 0:12:47 | |
for communication with Spain. | 0:12:47 | 0:12:49 | |
So, Essex gets involved in something called the Lopez plot, | 0:12:53 | 0:12:56 | |
which I've studied for weeks and can't get to the bottom of. | 0:12:56 | 0:13:01 | |
What is known is that at this point, Essex makes | 0:13:04 | 0:13:07 | |
a wild accusation. | 0:13:07 | 0:13:08 | |
He claims Lopez has taken 50,000 crowns, and in return, | 0:13:10 | 0:13:14 | |
he has promised to poison the Queen. | 0:13:14 | 0:13:16 | |
Elizabeth initially seemed to be horrified at the accusations against | 0:13:20 | 0:13:24 | |
Lopez, this is a man she trusted very intimately, who knew her, | 0:13:24 | 0:13:28 | |
arguably, physically in a way that no other man ever had. | 0:13:28 | 0:13:32 | |
And she was really appalled by the accusations. | 0:13:33 | 0:13:37 | |
However, she did appear to allow herself to be convinced. | 0:13:37 | 0:13:42 | |
Lopez is thrown in the tower and Cecil has a decision to make | 0:13:45 | 0:13:50 | |
about whether to stand by him. | 0:13:50 | 0:13:51 | |
Lopez may be too expensive to defend. | 0:13:54 | 0:13:57 | |
There is nothing at this point to suggest that Robert Cecil | 0:13:58 | 0:14:03 | |
believes that Lopez is guilty of conspiracy to kill the Queen. | 0:14:03 | 0:14:07 | |
But Cecil gets behind the investigation, | 0:14:09 | 0:14:12 | |
and Lopez, who is an old man... | 0:14:12 | 0:14:14 | |
..is shown the rack. | 0:14:16 | 0:14:18 | |
And that's the phrase that's used, he was shown the rack. | 0:14:18 | 0:14:21 | |
There is only one rack in England. | 0:14:22 | 0:14:24 | |
It's the one in the Tower. | 0:14:24 | 0:14:26 | |
It's a legendary, fearsome, and awful punishment. | 0:14:27 | 0:14:33 | |
Lopez is a doctor, | 0:14:40 | 0:14:42 | |
he knows exactly what is going to happen if he's racked. | 0:14:42 | 0:14:46 | |
And, so, Lopez signs the confession. | 0:14:47 | 0:14:49 | |
And Lopez says, "Yes, I did it. | 0:14:59 | 0:15:02 | |
"I offered to kill the Queen." | 0:15:02 | 0:15:04 | |
Essex has forced Cecil to get a false confession out of | 0:15:07 | 0:15:10 | |
his own agent. | 0:15:10 | 0:15:11 | |
Lopez is then hanged, cut down while still alive and disembowelled. | 0:15:13 | 0:15:17 | |
When Lopez has been executed, Robert Cecil has come to a kind | 0:15:33 | 0:15:40 | |
of maturity, | 0:15:40 | 0:15:42 | |
in that he has faced the full implications | 0:15:42 | 0:15:48 | |
of the intelligence game. | 0:15:48 | 0:15:50 | |
In that it is not just a matter of gathering paper and messages | 0:15:50 | 0:15:54 | |
and moving information around. | 0:15:54 | 0:15:56 | |
He's been prepared to sentence to death | 0:16:00 | 0:16:04 | |
a man that he knows to be innocent. | 0:16:04 | 0:16:07 | |
It is the behaviour of somebody who aspires | 0:16:13 | 0:16:16 | |
to be a supreme professional... | 0:16:16 | 0:16:18 | |
..to outdo his father, in that respect, | 0:16:19 | 0:16:23 | |
and who, to do this, is prepared to do almost anything. | 0:16:23 | 0:16:28 | |
And you have to wonder... | 0:16:29 | 0:16:30 | |
..what the personal cost is of somebody who has done this, | 0:16:32 | 0:16:37 | |
who has knowingly sent to the most horrific death, | 0:16:37 | 0:16:40 | |
to be publicly mutilated and chopped up while still alive, | 0:16:40 | 0:16:46 | |
knowingly done this to a long-time servant of his family | 0:16:46 | 0:16:50 | |
and of the Queen. | 0:16:50 | 0:16:52 | |
You have to wonder what personal cost comes with that. | 0:16:52 | 0:16:56 | |
That there must be some kind of damage to somebody's soul | 0:16:57 | 0:17:00 | |
to commit that kind of crime. | 0:17:00 | 0:17:02 | |
Whatever the Lopez plot did or did not involve, the outcome... | 0:17:07 | 0:17:11 | |
..did seem to boost the reputation of Essex. | 0:17:13 | 0:17:18 | |
He could feel that he had saved the Queen. | 0:17:18 | 0:17:22 | |
And now here, in this dramatic sinister area, involving Spain, | 0:17:23 | 0:17:28 | |
Catholics, he has apparently proved that he can be the master of that. | 0:17:28 | 0:17:33 | |
The Queen needs protection, um, | 0:17:33 | 0:17:36 | |
and he can give it just as well as Robert Cecil can. | 0:17:36 | 0:17:40 | |
It falls to Cecil to make the next move in their rivalry | 0:17:42 | 0:17:45 | |
for the Queen's favour. | 0:17:45 | 0:17:46 | |
Cecil believes that the priest he captured earlier is the real threat. | 0:17:51 | 0:17:54 | |
Now he wants to find out what Father John Gerard knows. | 0:17:57 | 0:18:01 | |
He was held up like that. | 0:18:07 | 0:18:09 | |
And was made to hang from these manacles for hours and hours on end. | 0:18:10 | 0:18:15 | |
And he kept passing out, so they would put a little step | 0:18:17 | 0:18:20 | |
underneath him, and every time he came to, they would drop it again. | 0:18:20 | 0:18:24 | |
And this went on for two days. | 0:18:26 | 0:18:29 | |
And on the second day, | 0:18:29 | 0:18:30 | |
he had to wear a looser robe because his hands were so swollen | 0:18:30 | 0:18:34 | |
and he said the pain was worse in his chest, and his belly, and his | 0:18:34 | 0:18:40 | |
arms, and his fingers and he felt blood was pouring out of his | 0:18:40 | 0:18:43 | |
fingers' ends, he felt blood was pouring out of his pores. | 0:18:43 | 0:18:46 | |
John Gerard is in fact a key player in the Catholic underground. | 0:18:51 | 0:18:55 | |
When Cecil's men had come close to arresting him before, | 0:18:55 | 0:18:58 | |
he had hidden in priest holes - | 0:18:58 | 0:19:01 | |
secret chambers cut into the floors and walls of houses. | 0:19:01 | 0:19:04 | |
Now Cecil wants him to reveal which families had been hiding him, | 0:19:07 | 0:19:11 | |
but Gerard is resisting. | 0:19:11 | 0:19:12 | |
You knew that Cecil would go to hell | 0:19:13 | 0:19:16 | |
and he, Gerard and God's children would go to heaven. | 0:19:16 | 0:19:20 | |
So, he has this sort of tunnel vision, | 0:19:20 | 0:19:22 | |
this single-minded purpose, and that gave him strength, | 0:19:22 | 0:19:25 | |
that undoubtedly gave him strength. | 0:19:25 | 0:19:28 | |
Gerard resists all his tortures. | 0:19:28 | 0:19:30 | |
Refusing to give up a single name. | 0:19:31 | 0:19:33 | |
Gerard did rightly to that he had what he called | 0:19:36 | 0:19:39 | |
an interior temptation. | 0:19:39 | 0:19:42 | |
He thought that he would give up, give in. | 0:19:42 | 0:19:44 | |
But then he said that he realised the worst they could do to him was | 0:19:44 | 0:19:49 | |
kill him, and then he would be with his brothers, he would be a martyr. | 0:19:49 | 0:19:53 | |
So, he said that gave him strength, the idea of suffering. | 0:19:53 | 0:19:56 | |
And I think with Gerard, whether this is retrospective or | 0:19:56 | 0:19:58 | |
in the moment, I don't know, but there's almost a sense that | 0:19:58 | 0:20:02 | |
him hanging there with the manacles is his passion. | 0:20:02 | 0:20:06 | |
It's the Passion of Christ for John Gerard. | 0:20:06 | 0:20:09 | |
While Cecil gets nowhere, | 0:20:12 | 0:20:14 | |
Essex, meanwhile, has a truly bold way to impress the Queen. | 0:20:14 | 0:20:18 | |
An informant Essex has at the Spanish court | 0:20:26 | 0:20:29 | |
tells him they are planning an invasion. | 0:20:29 | 0:20:30 | |
He tells Elizabeth that he will lead a pre-emptive strike, | 0:20:32 | 0:20:35 | |
attacking the port of Cadiz. | 0:20:35 | 0:20:37 | |
It's a raid. It's an attempt to inflict a bloody nose. | 0:20:40 | 0:20:45 | |
It's an attack on a rich Spanish port... | 0:20:45 | 0:20:50 | |
..where he could hope for crude booty, which he could present | 0:20:52 | 0:20:56 | |
to the Queen as tokens of his triumph and as gifts to her. | 0:20:56 | 0:21:00 | |
It's the old way of doing things. | 0:21:00 | 0:21:02 | |
So, Essex heads for Cadiz, | 0:21:04 | 0:21:06 | |
with 8,000 men on 120 ships on a raid that took three months. | 0:21:06 | 0:21:11 | |
With Essex away, Cecil has the Queen to himself and he takes the | 0:21:17 | 0:21:22 | |
opportunity of inviting her to his house and gardens - | 0:21:22 | 0:21:25 | |
Theobalds in North London. | 0:21:25 | 0:21:27 | |
He has something to show her. | 0:21:34 | 0:21:35 | |
Before Essex left, he had sent a note. | 0:21:38 | 0:21:41 | |
In it, Essex revealed his plan was not just to raid Cadiz, | 0:21:42 | 0:21:46 | |
but also to establish a garrison there - | 0:21:46 | 0:21:49 | |
something Elizabeth had expressly ordered him not to do. | 0:21:49 | 0:21:52 | |
Essex countermanded her orders, which she could never bear. | 0:22:00 | 0:22:04 | |
Elizabeth was prepared to indulge him up to a point, | 0:22:04 | 0:22:08 | |
but the more impetuous he grew, the more impatient with him she became. | 0:22:08 | 0:22:14 | |
That lovely word she used about him, | 0:22:14 | 0:22:15 | |
a temerarious youth. | 0:22:15 | 0:22:18 | |
She just thought he was too big for his very elegant golden boots, and | 0:22:19 | 0:22:23 | |
after a while she got tired of it. | 0:22:23 | 0:22:25 | |
Cecil is able to convince her to look to the future... | 0:22:27 | 0:22:31 | |
..beyond the Cadiz raid. | 0:22:32 | 0:22:35 | |
Elizabeth will know that in leaving the care of the state to | 0:22:35 | 0:22:40 | |
the Earl of Essex, she's committing it... | 0:22:40 | 0:22:43 | |
..to, in effect, endless war, and a war that can never really be won... | 0:22:44 | 0:22:48 | |
..against the might of Spain. | 0:22:50 | 0:22:51 | |
So, while Essex is away in Cadiz, Cecil gets what he's always wanted. | 0:23:08 | 0:23:12 | |
Like his father before him, he becomes the Queen's | 0:23:14 | 0:23:17 | |
Principal Secretary. | 0:23:17 | 0:23:18 | |
The secretary is the forerunner of what will become | 0:23:23 | 0:23:26 | |
the Prime Minister. | 0:23:26 | 0:23:27 | |
The secretary has to be close to the monarch at all times. | 0:23:27 | 0:23:31 | |
So, to be the secretary | 0:23:31 | 0:23:34 | |
is to control the politics of the court and to control | 0:23:34 | 0:23:41 | |
the body of the monarch. | 0:23:41 | 0:23:43 | |
Essex's raid in Cadiz was a success, | 0:23:45 | 0:23:49 | |
but he returns to find Cecil in power. | 0:23:49 | 0:23:51 | |
When Essex came back from Spain, | 0:23:54 | 0:23:58 | |
Robert Cecil has got the job that really matters. | 0:23:58 | 0:24:02 | |
Essex can go on flirting with the Queen, he can dance with the Queen, | 0:24:02 | 0:24:07 | |
he can whisper sweet nothings in her ear, | 0:24:07 | 0:24:10 | |
but it's clear now that when it comes to business, | 0:24:10 | 0:24:13 | |
she's not going to listen to Essex. | 0:24:13 | 0:24:15 | |
It's Robert Cecil who is the coming man. | 0:24:16 | 0:24:20 | |
After 1596, we see quite how much Elizabeth relies on Cecil | 0:24:25 | 0:24:30 | |
and, in fact, has always taken Cecil far more seriously | 0:24:30 | 0:24:34 | |
than she ever took Essex. | 0:24:34 | 0:24:35 | |
Their relationship begins to look much more intimate, | 0:24:37 | 0:24:39 | |
at times rather stormy, but much more, um, much more | 0:24:39 | 0:24:44 | |
kind of reliable and trustworthy, I think, in Elizabeth's view. | 0:24:44 | 0:24:48 | |
Cecil seems to have won the battle with Essex, but it isn't over yet. | 0:24:51 | 0:24:55 | |
Cecil has got his position at exactly the wrong time. | 0:24:57 | 0:24:59 | |
In the late 1590s, there are bad harvests, | 0:25:03 | 0:25:06 | |
the Black Death breaks out again and there is rioting | 0:25:06 | 0:25:10 | |
reported across the country. | 0:25:10 | 0:25:12 | |
And Queen Elizabeth, who has ruled England for almost 40 years, | 0:25:14 | 0:25:19 | |
is looking tired. | 0:25:19 | 0:25:21 | |
I really love this picture because I think it really shows Elizabeth | 0:25:26 | 0:25:29 | |
as an actual human being, rather than an idea, | 0:25:29 | 0:25:33 | |
although she was so angry with it that it was never allowed | 0:25:33 | 0:25:36 | |
to be exhibited. | 0:25:36 | 0:25:37 | |
And here we see her for what she was, which is | 0:25:41 | 0:25:44 | |
an exhausted old woman. | 0:25:44 | 0:25:46 | |
She has bags under her eyes. | 0:25:48 | 0:25:50 | |
We see she's sort of flopping forward. | 0:25:50 | 0:25:53 | |
The ring of office has fallen from her hand and its resting very | 0:25:53 | 0:25:57 | |
exhaustedly on her prayer book. | 0:25:57 | 0:25:59 | |
She looks like someone who's given all her life and her energy to the | 0:25:59 | 0:26:04 | |
cares of the realm, and it's the opposite of the triumphant portraits | 0:26:04 | 0:26:10 | |
of the Virgin Queen that we see from mid-reign. | 0:26:10 | 0:26:12 | |
And yet, to me, it's Elizabeth at her most human because we finally | 0:26:16 | 0:26:21 | |
see her as a human being, and we have a sense of the extraordinary | 0:26:21 | 0:26:26 | |
weight of the burden that she carried alone for so very long. | 0:26:26 | 0:26:30 | |
The succession, the passing of the Crown... | 0:26:35 | 0:26:39 | |
..from a dead person to a living person is the moment at which | 0:26:40 | 0:26:45 | |
the early modern state hangs in the balance. | 0:26:45 | 0:26:47 | |
So, now the spy masters turned their dark attentions on to who will be | 0:26:52 | 0:26:56 | |
the next King or Queen of England. | 0:26:56 | 0:26:58 | |
Particularly interesting, as Elizabeth refuses | 0:26:59 | 0:27:02 | |
to name a successor. | 0:27:02 | 0:27:04 | |
As Elizabeth has no children, | 0:27:12 | 0:27:14 | |
the focus turns to her closest relations - her cousins. | 0:27:14 | 0:27:18 | |
But most of them are Catholics, too old, or have no successor. | 0:27:20 | 0:27:25 | |
But there is one, who, despite his flaws, | 0:27:27 | 0:27:30 | |
people are beginning to turn to. | 0:27:30 | 0:27:31 | |
There are other candidates, but none of them | 0:27:34 | 0:27:36 | |
is as serious a candidate as James. | 0:27:36 | 0:27:38 | |
He's Protestant, he's of the Royal blood... | 0:27:38 | 0:27:41 | |
..he's a man... | 0:27:43 | 0:27:44 | |
..and he has children. | 0:27:45 | 0:27:47 | |
He has two sons. | 0:27:47 | 0:27:48 | |
James, though, has a reputation for being devious. | 0:28:13 | 0:28:16 | |
He's helplessly extravagant and it's thought | 0:28:16 | 0:28:19 | |
that he may sleep with both men and women. | 0:28:19 | 0:28:22 | |
His whole life has been complicated. | 0:28:22 | 0:28:25 | |
James VI comes to the throne as an infant | 0:28:28 | 0:28:32 | |
on the back of political violence. | 0:28:32 | 0:28:36 | |
His father is strangled after an explosion that failed to kill him, | 0:28:39 | 0:28:44 | |
in which his mother and her lover are implicated. | 0:28:44 | 0:28:50 | |
But James would love to be King of England. | 0:28:52 | 0:28:54 | |
James sees himself as, by right, the only true lineal claimant. | 0:28:56 | 0:29:04 | |
But he's not absolutely certain that that's not going to be upset. | 0:29:04 | 0:29:10 | |
Elizabeth certainly didn't want James to feel that the Crown was | 0:29:13 | 0:29:17 | |
assuredly his, because as soon as he began to feel that, | 0:29:17 | 0:29:20 | |
he could gather allegiance around him, he could begin to plot, | 0:29:20 | 0:29:24 | |
effectively. So, she very much wanted to make him feel insecure. | 0:29:24 | 0:29:28 | |
The English Crown hangs in the balance. | 0:29:31 | 0:29:33 | |
It's a messy situation that Cecil wants to keep on top of. | 0:29:35 | 0:29:38 | |
Since becoming secretary, | 0:29:42 | 0:29:43 | |
he has been using government funds to massively expand his spy network. | 0:29:43 | 0:29:47 | |
Including paying an informant at the Scottish court. | 0:29:48 | 0:29:50 | |
This informant tells Cecil | 0:29:54 | 0:29:55 | |
someone using the codename Plato is offering to help James become | 0:29:55 | 0:29:59 | |
Elizabeth's heir. | 0:29:59 | 0:30:01 | |
And he soon works out who it is. | 0:30:01 | 0:30:03 | |
Essex is coming to see that he NEEDS James. | 0:30:09 | 0:30:13 | |
If he's losing the battle for control over Elizabeth, | 0:30:15 | 0:30:18 | |
she's not going to last long anyway. | 0:30:18 | 0:30:20 | |
He also discovers that the Earl of Essex... | 0:30:23 | 0:30:26 | |
..is denouncing Cecil to James at every opportunity. | 0:30:27 | 0:30:31 | |
And that Essex is positioning himself... | 0:30:32 | 0:30:34 | |
..as the King's future right-hand man by the throne of England. | 0:30:35 | 0:30:40 | |
They were playing for the highest of stakes, and Robert Cecil had every | 0:30:42 | 0:30:47 | |
reason to fear what Essex's triumph, if it happened, could mean for him. | 0:30:47 | 0:30:55 | |
If Cecil loses, he dies. | 0:30:58 | 0:31:00 | |
Cecil is now in a nightmare position. | 0:31:09 | 0:31:11 | |
He'd love to expose Essex's secret communications with James, | 0:31:13 | 0:31:18 | |
but if he tells Elizabeth about it, she might rule out | 0:31:18 | 0:31:21 | |
James' succession - | 0:31:21 | 0:31:23 | |
the only real option for the future of Protestant England. | 0:31:23 | 0:31:26 | |
Cecil would like to talk directly to James, but that's tricky too, | 0:31:30 | 0:31:35 | |
because of a little personal history. | 0:31:35 | 0:31:37 | |
Because Cecil's father executed James's mother. | 0:31:39 | 0:31:45 | |
His father had masterminded the execution of Mary, Queen of Scots | 0:31:47 | 0:31:51 | |
and Robert Cecil was now concerned that James | 0:31:51 | 0:31:55 | |
might hold that against him. | 0:31:55 | 0:31:56 | |
But, bizarrely, in reality, James was not that bothered. | 0:31:58 | 0:32:03 | |
James does not bear a grudge for his mother's execution. | 0:32:06 | 0:32:09 | |
In many ways, I suppose his mother's execution does him a favour. | 0:32:11 | 0:32:16 | |
It removes, um, a, an embarrassment, | 0:32:17 | 0:32:22 | |
in that James is Protestant. | 0:32:22 | 0:32:25 | |
That can't be said of his mother. | 0:32:25 | 0:32:27 | |
Cecil, though, can't be certain that James feels that way. | 0:32:29 | 0:32:32 | |
Cecil knows that he cannot be the one to initiate contact | 0:32:33 | 0:32:39 | |
with the King of Scotland. | 0:32:39 | 0:32:41 | |
And, so, for a while, everything is stuck, | 0:32:43 | 0:32:46 | |
with nobody trusting anybody enough to move forward. | 0:32:46 | 0:32:49 | |
The Earl of Essex now visits the Queen at her vast palace | 0:33:03 | 0:33:07 | |
at Greenwich, and he does something he will live to regret. | 0:33:07 | 0:33:10 | |
He's there to suggest someone he knows for an important position | 0:33:14 | 0:33:17 | |
in government. | 0:33:17 | 0:33:19 | |
But the Queen is no longer interested in his opinion | 0:33:19 | 0:33:23 | |
and laughs at him. | 0:33:23 | 0:33:24 | |
He lost his temper. | 0:33:31 | 0:33:32 | |
He is so angry, | 0:33:35 | 0:33:36 | |
that for a moment it looks like Essex might draw his sword. | 0:33:36 | 0:33:39 | |
Then he turns his back on her and walks away. | 0:33:40 | 0:33:43 | |
Ultimately insulting gesture. | 0:33:44 | 0:33:46 | |
Off he storms into outer darkness. | 0:33:54 | 0:33:57 | |
He was no more use to her, and really not much more of an ornament. | 0:34:03 | 0:34:08 | |
So, I think she was quite happy to wash her hands of him. | 0:34:08 | 0:34:11 | |
Over the next two years, she strips Essex of all his titles. | 0:34:13 | 0:34:18 | |
He's banned from court. | 0:34:18 | 0:34:19 | |
Elizabeth must have felt... | 0:34:21 | 0:34:22 | |
..she was quite safe in just dispatching him... | 0:34:23 | 0:34:27 | |
..away from court, banning him. | 0:34:29 | 0:34:31 | |
And that, um, nothing more would happen. | 0:34:33 | 0:34:36 | |
But, in fact... | 0:34:38 | 0:34:39 | |
..Essex doesn't consider himself finished. | 0:34:40 | 0:34:43 | |
So, Essex is sort of saying, | 0:34:48 | 0:34:51 | |
yes, I realise I'm finished with Elizabeth, but that doesn't matter. | 0:34:51 | 0:34:55 | |
There's the coming man. | 0:34:55 | 0:34:56 | |
The great worry, of course, for Cecil is that the further | 0:34:58 | 0:35:03 | |
Essex is cast from the orbit of Elizabeth, | 0:35:03 | 0:35:06 | |
the closer he comes to the orbit of James of Scotland. | 0:35:06 | 0:35:10 | |
And, of course, with each passing day, the Queen gets older. | 0:35:12 | 0:35:15 | |
And, so, the great denouement of all of this approaches, | 0:35:15 | 0:35:20 | |
like the ticking of a clock. | 0:35:20 | 0:35:22 | |
At the turn of the century, England starts | 0:35:39 | 0:35:42 | |
what will later become an empire. | 0:35:42 | 0:35:44 | |
The East India Company is formed and merchants set sail for the | 0:35:45 | 0:35:48 | |
subcontinent to deal in tea, silk, and opium. | 0:35:48 | 0:35:52 | |
In London, at the New Globe Theatre, | 0:35:56 | 0:35:58 | |
Shakespeare's Hamlet is performed for the first time. | 0:35:58 | 0:36:01 | |
And a man known as Norton the bookseller | 0:36:04 | 0:36:07 | |
is making one of his regular visits to Scotland. | 0:36:07 | 0:36:09 | |
This time, though, he's carrying secret messages to King James | 0:36:10 | 0:36:14 | |
from the Earl of Essex. | 0:36:14 | 0:36:16 | |
Essex asks James to help him. | 0:36:26 | 0:36:28 | |
"Relieve my poor country that groans under her burden." | 0:36:30 | 0:36:34 | |
Essex is inviting James to join him in a coup d'etat. | 0:36:36 | 0:36:39 | |
To signal his approval, | 0:36:42 | 0:36:44 | |
he asks James to send a reply hidden in the pages of the books. | 0:36:44 | 0:36:48 | |
He must sanction the overthrow of Elizabeth I, | 0:36:52 | 0:36:56 | |
and accept the Crown for himself. | 0:36:56 | 0:36:58 | |
James signals his approval. | 0:37:04 | 0:37:06 | |
This is... | 0:37:08 | 0:37:09 | |
..on one level, it's surprising. | 0:37:11 | 0:37:13 | |
It's surprising in how dangerous this could have been, | 0:37:13 | 0:37:18 | |
this does seem pretty desperate. | 0:37:18 | 0:37:20 | |
Once again, Cecil's network is able to tell him everything | 0:37:28 | 0:37:32 | |
that's going on. | 0:37:32 | 0:37:33 | |
But he can't expose this conspiracy either. | 0:37:33 | 0:37:36 | |
This is explosive information of the kind that would absolutely destroy | 0:37:37 | 0:37:43 | |
James's candidacy for the throne of England. | 0:37:43 | 0:37:46 | |
So, he takes the risky decision to let Essex try his rebellion. | 0:37:49 | 0:37:52 | |
By the 7th of February 1601, | 0:38:04 | 0:38:06 | |
Essex has assembled a force of over 300 armed men at Essex House, | 0:38:06 | 0:38:11 | |
his palace on the river in London. | 0:38:11 | 0:38:12 | |
They'll start the rebellion the following day. | 0:38:20 | 0:38:23 | |
The extraordinary idea is devised, well, it seems extraordinary to us, | 0:38:30 | 0:38:36 | |
but it also seemed very simple to them. | 0:38:36 | 0:38:39 | |
The Queen, she's fallen into the hands of this sinister figure, | 0:38:39 | 0:38:44 | |
Robert Cecil, who is cutting Essex and his friends off | 0:38:44 | 0:38:49 | |
from the influence that matters. | 0:38:49 | 0:38:52 | |
What will they do? | 0:38:52 | 0:38:53 | |
Go down to Whitehall, seize control of the area, | 0:38:53 | 0:38:59 | |
lock up Cecil, presumably... | 0:38:59 | 0:39:02 | |
..execute him in due course and take physical control of what was | 0:39:02 | 0:39:07 | |
the centre of the Elizabethan state - Queen Elizabeth herself. | 0:39:07 | 0:39:11 | |
But Essex doesn't know that Cecil has had an informant | 0:39:16 | 0:39:19 | |
inside his house throughout the planning of it. | 0:39:19 | 0:39:22 | |
Robert Cecil knows pretty much every stage of the preparation. | 0:39:24 | 0:39:28 | |
And yet, he allows Essex to play out the whole thing. | 0:39:31 | 0:39:36 | |
The following day, Essex leads his 300 armed followers | 0:39:44 | 0:39:48 | |
onto the streets of London. | 0:39:48 | 0:39:49 | |
This is the playing out of treason in public. | 0:39:52 | 0:39:56 | |
And not only is it conclusive evidence against Essex, | 0:40:00 | 0:40:05 | |
but Cecil knows where Essex will go next. | 0:40:05 | 0:40:08 | |
Wherever Essex and his men go, | 0:40:12 | 0:40:14 | |
they find Cecil has larger forces waiting for them. | 0:40:14 | 0:40:17 | |
The conspirators went back to Essex House, | 0:40:22 | 0:40:25 | |
they barricaded themselves inside. | 0:40:25 | 0:40:29 | |
Cecil now has the whole place surrounded and Essex | 0:40:29 | 0:40:32 | |
has nowhere left to go. | 0:40:32 | 0:40:34 | |
Effectively, the conspirators came out with their hands up. | 0:40:34 | 0:40:37 | |
Essex was an idiot. | 0:40:42 | 0:40:44 | |
He was an idiot! I mean, he went flouncing around the place | 0:40:44 | 0:40:47 | |
as though he was some, you know, kind of medieval champion. | 0:40:47 | 0:40:50 | |
He didn't seem to realise he lived in a modern world which was governed | 0:40:50 | 0:40:54 | |
by authority, peace, prudence and civil servants. | 0:40:54 | 0:40:58 | |
For a young man, he was tragically behind the times. | 0:40:58 | 0:41:01 | |
For a few hours, Elizabeth contemplates forgiving Essex, | 0:41:05 | 0:41:09 | |
but ultimately decides to sign his death warrant. | 0:41:09 | 0:41:12 | |
He is beheaded. | 0:41:14 | 0:41:15 | |
He was 33. | 0:41:16 | 0:41:18 | |
There's a sadness at the heart of the Essex story, a poignancy. | 0:41:21 | 0:41:25 | |
Yes, he was a headstrong young man... | 0:41:25 | 0:41:28 | |
..but what he was in love with... | 0:41:31 | 0:41:32 | |
..the syndrome he was trying to recreate and preserve... | 0:41:34 | 0:41:38 | |
..the courtly lover, the courtly servant to the Queen. | 0:41:40 | 0:41:44 | |
The brave military hero. | 0:41:45 | 0:41:48 | |
Writing his poems to Elizabeth, believing she would save him | 0:41:50 | 0:41:55 | |
to the end. | 0:41:55 | 0:41:56 | |
It was a whole way of life that was doomed. | 0:41:56 | 0:42:00 | |
But also contained human values... | 0:42:01 | 0:42:06 | |
..that it was sad to see go. | 0:42:10 | 0:42:12 | |
Cecil is victorious. | 0:42:20 | 0:42:22 | |
How did Cecil feel about it is another question. | 0:42:23 | 0:42:25 | |
Cecil and Essex, | 0:42:28 | 0:42:30 | |
in relation to Elizabeth I, had been like two feuding brothers, | 0:42:30 | 0:42:33 | |
feuding for their mother's affection. | 0:42:33 | 0:42:35 | |
Cecil and Essex in childhood had been like two feuding brothers | 0:42:37 | 0:42:43 | |
struggling for the affection or approval of William Cecil. | 0:42:43 | 0:42:46 | |
So we have to assume that some kind of guilty feelings... | 0:42:49 | 0:42:53 | |
..almost fratricidal... | 0:42:54 | 0:42:55 | |
..emotions... | 0:42:56 | 0:42:58 | |
..it's impossible not to feel... | 0:43:00 | 0:43:03 | |
..some kind of pity... | 0:43:05 | 0:43:08 | |
..for Robert Cecil, | 0:43:09 | 0:43:10 | |
who, the more he succeeds, | 0:43:10 | 0:43:14 | |
the more isolated he becomes. | 0:43:14 | 0:43:16 | |
And the longer he stays in the game, the lonelier he becomes. | 0:43:16 | 0:43:20 | |
That he is edging up and up and up... | 0:43:21 | 0:43:25 | |
..and yet becoming more and more... | 0:43:26 | 0:43:28 | |
..single and alone and isolated. | 0:43:31 | 0:43:33 | |
Whatever the psychological cost, Cecil seems to be winning. | 0:43:36 | 0:43:40 | |
But there is only one thing that slips his attention. | 0:43:41 | 0:43:43 | |
In the Tower of London, the Catholic priest, John Gerard, | 0:43:45 | 0:43:49 | |
makes a slightly strange request. | 0:43:49 | 0:43:51 | |
He asks for some lemons, which his jailers can't see a problem with. | 0:43:55 | 0:43:59 | |
Gerard communicated with his friends on the outside with lemon juice. | 0:44:07 | 0:44:12 | |
When it dries, it would be invisible. | 0:44:13 | 0:44:15 | |
But then if you dip that paper in water, the writing comes out. | 0:44:16 | 0:44:21 | |
And so he begins a secret communication with Catholics | 0:44:25 | 0:44:28 | |
in London, asking to be rescued. | 0:44:28 | 0:44:30 | |
Cecil is unaware of this. | 0:44:36 | 0:44:38 | |
He's still thinking about how he can work with King James of Scotland. | 0:44:38 | 0:44:42 | |
In Scotland, news of Essex's failed rebellion reaches James. | 0:44:52 | 0:44:56 | |
And with Essex dead, | 0:44:59 | 0:45:01 | |
James needs someone else to help him become King of England. | 0:45:01 | 0:45:04 | |
In May 1601, two men ask to meet Cecil. | 0:45:21 | 0:45:25 | |
They said that James wants Cecil to work for him | 0:45:32 | 0:45:35 | |
inside Elizabeth's court. | 0:45:35 | 0:45:37 | |
Cecil has to assess... firstly whether he can believe this. | 0:45:41 | 0:45:45 | |
This is just after the Essex rebellion. | 0:45:45 | 0:45:48 | |
He knows that James and Essex were in contact. | 0:45:49 | 0:45:52 | |
So, Cecil's immediate worry has to be that this is a set-up. | 0:45:55 | 0:46:00 | |
So it takes two weeks before Cecil gives a reply. | 0:46:02 | 0:46:05 | |
And in that time, we can assume that he's doing everything he can to try | 0:46:06 | 0:46:11 | |
and see around the corners here and work out whether this is a genuine, | 0:46:11 | 0:46:14 | |
sincere offer and this is going to be the road that leads | 0:46:14 | 0:46:17 | |
quite directly to the succession, | 0:46:17 | 0:46:20 | |
or whether this is a dark and convoluted path, which will end up | 0:46:20 | 0:46:24 | |
in Cecil being implicated in a treasonous correspondence. | 0:46:24 | 0:46:28 | |
Robert Cecil wasn't right to think that this was a trap. | 0:46:32 | 0:46:36 | |
Indeed, his ambassadors write this to him. | 0:46:36 | 0:46:42 | |
They make plain to him | 0:46:42 | 0:46:43 | |
that there is a great difference between vigilancy and credulity. | 0:46:43 | 0:46:47 | |
You know, they didn't have coffee, but you need to wake up and | 0:46:48 | 0:46:51 | |
smell it. | 0:46:51 | 0:46:53 | |
Cecil decides to go for it. | 0:46:53 | 0:46:55 | |
He opens the correspondence. | 0:46:55 | 0:46:56 | |
Cecil penetrated Essex's conspiracy with James. | 0:47:06 | 0:47:09 | |
He goes to elaborate lengths to ensure this won't happen to him. | 0:47:10 | 0:47:13 | |
Cecil refers to himself and James in code. | 0:47:15 | 0:47:19 | |
They are 10 and 30. | 0:47:19 | 0:47:22 | |
The letters are not written in Cecil's own hand, | 0:47:22 | 0:47:24 | |
but by a trusted proxy. | 0:47:24 | 0:47:25 | |
They're then given to a courier, known as the pigeon, | 0:47:27 | 0:47:30 | |
a hand-picked agent who uses a diplomatic bag that can't be search, | 0:47:30 | 0:47:35 | |
to take them to the king. | 0:47:35 | 0:47:37 | |
"Your best approach," he tells James, | 0:47:47 | 0:47:50 | |
"is to prefer quietness over needless expostulation." | 0:47:50 | 0:47:53 | |
He advises James to take a step back, not to press Elizabeth. | 0:48:00 | 0:48:04 | |
And it's into that space that Cecil will then place himself | 0:48:04 | 0:48:09 | |
as the intermediary, as the only intermediary who can bring about | 0:48:09 | 0:48:14 | |
the succession that both he and James want. | 0:48:14 | 0:48:16 | |
This makes perfect sense to James in those circumstances. | 0:48:19 | 0:48:23 | |
He can then correspond with Elizabeth less often | 0:48:23 | 0:48:26 | |
and in a less fraught sort of way and in a less needly sort of way. | 0:48:26 | 0:48:31 | |
So, in that sense, | 0:48:31 | 0:48:32 | |
the correspondence with Cecil does help to reduce tensions between | 0:48:32 | 0:48:38 | |
the two monarchs that had been developing through the 1590s. | 0:48:38 | 0:48:42 | |
By late 1602, Cecil has James in the palm of his hand. | 0:48:47 | 0:48:51 | |
But the real pawn of this manipulation | 0:48:52 | 0:48:54 | |
is not the Scottish King, but the ageing English Queen. | 0:48:54 | 0:48:58 | |
"I've spent all my life," Elizabeth says, "in little rooms." | 0:49:02 | 0:49:08 | |
And I thought that was the best description of her I'd ever read. | 0:49:08 | 0:49:11 | |
Because actually, in many ways, | 0:49:11 | 0:49:14 | |
she lived a very confined and constricted life. | 0:49:14 | 0:49:18 | |
And much of her life, although its public aspect was so splendid, | 0:49:18 | 0:49:22 | |
so formal, so magnificent, was spent in confined spaces, | 0:49:22 | 0:49:27 | |
guarded and never on her own. | 0:49:27 | 0:49:30 | |
This world of spiery, | 0:49:36 | 0:49:38 | |
of conspiracies and small candlelit rooms, where danger was always | 0:49:38 | 0:49:44 | |
lurking outside the door and you were never quite sure | 0:49:44 | 0:49:47 | |
what was going to happen when someone entered. | 0:49:47 | 0:49:49 | |
And I do wonder if, at the end of her life, | 0:49:49 | 0:49:53 | |
Elizabeth didn't feel that affinity rather regretfully. | 0:49:53 | 0:49:58 | |
Cecil is, in some ways, responsible for this. | 0:50:05 | 0:50:08 | |
Prisoners live in little rooms. | 0:50:08 | 0:50:10 | |
And Cecil, in guaranteeing her survival, | 0:50:11 | 0:50:15 | |
has boxed her in, in a small space and it does suit him, of course, | 0:50:15 | 0:50:20 | |
to have her manageable and contained. | 0:50:20 | 0:50:22 | |
Inside the Tower of London, under the noses of his jailers, | 0:50:46 | 0:50:50 | |
Father John Gerard has been busy running his Catholic network, | 0:50:50 | 0:50:54 | |
sending instructions to Catholic nobles. | 0:50:54 | 0:50:57 | |
Now, though, it's time to leave. | 0:50:58 | 0:51:00 | |
Gerard bribes the warder a little bit, | 0:51:03 | 0:51:05 | |
to allow him to just cross the courtyard of where his cell is, | 0:51:05 | 0:51:09 | |
over to the Cradle Tower. | 0:51:09 | 0:51:10 | |
Gerard now throws a cord down to his friends, | 0:51:14 | 0:51:17 | |
to create a primitive zip wire. | 0:51:17 | 0:51:18 | |
But he has to climb down the rope with hands swollen by torture. | 0:51:23 | 0:51:26 | |
He starts, he grabs the rope, and very soon he swings round, and has | 0:51:30 | 0:51:35 | |
to do the rest of it hanging upside down, and halfway across, he stops. | 0:51:35 | 0:51:40 | |
He's exhausted and he just dangles there lifelessly. | 0:51:40 | 0:51:45 | |
But he said he got the faith from his prayers, | 0:51:49 | 0:51:52 | |
the prayers of his friends and from God. | 0:51:52 | 0:51:54 | |
And somehow he got over that rope, | 0:51:57 | 0:52:00 | |
he got right to the end of the wharf, then one of his followers | 0:52:00 | 0:52:04 | |
grabbed his legs, hoiked him over, and got him, basically almost | 0:52:04 | 0:52:09 | |
had to carry him into the boat, and then they rowed for their lives. | 0:52:09 | 0:52:13 | |
A monarch dies in public, and so Elizabeth's court | 0:52:57 | 0:53:01 | |
has gathered around her bedside. | 0:53:01 | 0:53:03 | |
Her life has contracted down from the palaces to a few rooms, | 0:53:11 | 0:53:16 | |
to her bedroom, and now the bed in which she will die. | 0:53:16 | 0:53:19 | |
In her last 24 hours of life... | 0:53:20 | 0:53:22 | |
..she cannot move or speak. | 0:53:23 | 0:53:26 | |
And it is only then that Cecil... | 0:53:37 | 0:53:39 | |
..leans over... | 0:53:41 | 0:53:43 | |
..and asks, will it be the King of the Scots? | 0:53:44 | 0:53:48 | |
And she puts a hand to her face | 0:54:12 | 0:54:14 | |
when James's name is mentioned. | 0:54:14 | 0:54:17 | |
People do that when they have bad news. | 0:54:21 | 0:54:24 | |
It's Robert Cecil who interprets this gesture, | 0:54:27 | 0:54:32 | |
that she wanted the King of the Scots to succeed her. | 0:54:32 | 0:54:36 | |
The audience in this room, the councillors | 0:54:43 | 0:54:47 | |
squashed into this small space, | 0:54:47 | 0:54:49 | |
they all knew Cecil was the most powerful man in government. | 0:54:49 | 0:54:54 | |
So they have to play their part in this script, | 0:54:56 | 0:55:01 | |
regardless of what their private thoughts might be. | 0:55:01 | 0:55:04 | |
They have to acknowledge James... | 0:55:07 | 0:55:09 | |
..because Cecil has arranged... | 0:55:10 | 0:55:15 | |
..this as only having one outcome. | 0:55:17 | 0:55:19 | |
Elizabeth never recovers the power of speech | 0:55:24 | 0:55:26 | |
and dies in the early hours of the morning. | 0:55:26 | 0:55:29 | |
On the 24th of March 1603, | 0:55:31 | 0:55:33 | |
Cecil proclaims James as the new King of England. | 0:55:33 | 0:55:36 | |
For Cecil, this must have been a moment of dizzying responsibility | 0:55:39 | 0:55:45 | |
and gratifying power. | 0:55:45 | 0:55:48 | |
He now holds the reins. | 0:55:49 | 0:55:52 | |
He has managed the death of Elizabeth... | 0:55:52 | 0:55:55 | |
..and he's going to now manage... | 0:55:56 | 0:55:58 | |
..the arrival of James of Scotland. | 0:55:59 | 0:56:02 | |
When Robert Cecil comes out of the palace the morning after | 0:56:13 | 0:56:20 | |
Elizabeth has died... | 0:56:20 | 0:56:22 | |
..he has exchanged one sea of troubles for another. | 0:56:23 | 0:56:27 | |
James is... | 0:56:31 | 0:56:33 | |
..not the same as Elizabeth. | 0:56:34 | 0:56:37 | |
And Cecil cannot expect... | 0:56:40 | 0:56:44 | |
..this to be the same sort of gig. | 0:56:46 | 0:56:49 | |
So we enter, in the spring of 1603, into an uncertain world. | 0:56:50 | 0:56:56 | |
And what's more, John Gerard is on the loose. | 0:57:06 | 0:57:08 | |
Gerard is hungrier than ever, and he's also got this sort of aura | 0:57:10 | 0:57:15 | |
about him now. He has escaped. | 0:57:15 | 0:57:17 | |
He has escaped from the Tower of London. | 0:57:17 | 0:57:19 | |
There's almost a sort of sense of untouchability to him. | 0:57:19 | 0:57:22 | |
He will soon meet a man called Guido Fawkes, | 0:57:26 | 0:57:30 | |
as they devise their master plan - the Gunpowder Plot. | 0:57:30 | 0:57:34 | |
And it's Cecil's job to stop it. | 0:57:34 | 0:57:36 | |
36 barrels of gunpowder under the Houses of Parliament. | 0:58:19 | 0:58:22 | |
They are going to have the impact of a small-scale nuclear bomb. | 0:58:24 | 0:58:27 | |
It's going to be a hell of a bang. | 0:58:27 | 0:58:29 | |
The clock is ticking. | 0:58:29 | 0:58:31 | |
It's midnight in the Palace of Whitehall by now, | 0:58:31 | 0:58:34 | |
Parliament will open in a matter of hours. | 0:58:34 | 0:58:36 | |
It's Cecil's ultimate test. | 0:58:36 | 0:58:38 | |
And the name which comes up is that of Cecil's old enemy, John Gerard. | 0:58:41 | 0:58:47 |