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Welcome to The Repair Shop, | 0:00:02 | 0:00:03 | |
where cherished family heirlooms are brought back to life. | 0:00:03 | 0:00:06 | |
Anything could happen. This is the workshop of dreams. | 0:00:06 | 0:00:09 | |
Home to furniture restorer Jay Blades. | 0:00:09 | 0:00:12 | |
Nowadays things are not built to last, | 0:00:12 | 0:00:14 | |
so we've become part of this throwaway culture. | 0:00:14 | 0:00:16 | |
It's all about preserving and restoring. | 0:00:16 | 0:00:19 | |
We bring the old back to new. | 0:00:19 | 0:00:22 | |
Working alongside Jay will be some | 0:00:22 | 0:00:24 | |
of the country's leading craftspeople... | 0:00:24 | 0:00:27 | |
I like making things with my hands. | 0:00:27 | 0:00:28 | |
I love to see how things work, and I want to know how things work. | 0:00:28 | 0:00:32 | |
Whether it's a Rembrandt, or somebody's family piece, | 0:00:32 | 0:00:35 | |
every painting deserves the same. | 0:00:35 | 0:00:37 | |
..each bringing their own unique set of skills. | 0:00:37 | 0:00:41 | |
You're about to witness some magic! | 0:00:41 | 0:00:43 | |
They will resurrect... | 0:00:43 | 0:00:44 | |
-..revive... -Oh, yes! | 0:00:45 | 0:00:47 | |
..and rejuvenate treasured possessions | 0:00:47 | 0:00:51 | |
and irreplaceable pieces of family history... | 0:00:51 | 0:00:55 | |
Oh, my goodness me! It looks like it's new! | 0:00:55 | 0:00:58 | |
..bringing both the objects... | 0:00:58 | 0:01:00 | |
-Oh, wow! -..and the memories that they hold back to life. | 0:01:01 | 0:01:06 | |
Oh, thank you. | 0:01:06 | 0:01:07 | |
In The Repair Shop today... | 0:01:14 | 0:01:16 | |
for clock specialist Steve, it's a round of applause... | 0:01:16 | 0:01:19 | |
Oh, my goodness! | 0:01:20 | 0:01:22 | |
..as he turns his hand to toy repair. | 0:01:22 | 0:01:24 | |
And there's a box of delights for ceramics conservator Kirsten... | 0:01:26 | 0:01:30 | |
-Careful on the ceramics... -Yeah. | 0:01:30 | 0:01:32 | |
..with a little help from woodwork wunderkind Will. | 0:01:32 | 0:01:36 | |
Whoa, yay! | 0:01:36 | 0:01:37 | |
Well done. | 0:01:39 | 0:01:40 | |
The Repair Shop team is no stranger to weird and wonderful items. | 0:01:47 | 0:01:51 | |
Just come round this way... | 0:01:51 | 0:01:53 | |
And today is no exception. | 0:01:53 | 0:01:55 | |
And then over around there. | 0:01:55 | 0:01:57 | |
-That's it. Just there. -Right there? | 0:02:00 | 0:02:02 | |
Right here. | 0:02:02 | 0:02:04 | |
Thank you. | 0:02:04 | 0:02:06 | |
This iconic blast from the past is owned by Mike Pearce, | 0:02:06 | 0:02:10 | |
who has come to see Jay and jukebox expert Laurence Richardson. | 0:02:10 | 0:02:14 | |
-Hello, how we doing? -Morning. -You all right? -Yes, thank you, and you? | 0:02:14 | 0:02:17 | |
Yeah, not too bad. How can we help you? | 0:02:17 | 0:02:19 | |
-My jukebox has been delivered. -Oh, it's YOUR jukebox? | 0:02:19 | 0:02:21 | |
-Yes, it is. -OK, come round this way... | 0:02:21 | 0:02:23 | |
-Thank you. -I think this is the one. | 0:02:23 | 0:02:25 | |
So how long have you had this one, then? | 0:02:28 | 0:02:29 | |
Getting on 30 years. | 0:02:29 | 0:02:31 | |
30 years? How did you get hold of it? Was it in a coffee shop | 0:02:31 | 0:02:34 | |
or something, or has it come over for America? | 0:02:34 | 0:02:36 | |
No, I've always loved them in coffee shops. | 0:02:36 | 0:02:38 | |
I wanted to buy a pinball machine which I had seen advertised. | 0:02:38 | 0:02:40 | |
-Oh, right? -When I went to the gentleman's house, | 0:02:40 | 0:02:43 | |
this was standing in the corner. | 0:02:43 | 0:02:45 | |
So in the coffee shops, there would have been a lot of these... | 0:02:45 | 0:02:47 | |
-Yes. -Every coffee shop had one. -In those days, we didn't go to clubs, | 0:02:47 | 0:02:50 | |
there's no such thing as that. | 0:02:50 | 0:02:51 | |
We all thought we were James Dean... | 0:02:51 | 0:02:53 | |
-Oh, right! -We used to lean on it and see what the reaction was with | 0:02:53 | 0:02:58 | |
the other people. And if the prettiest girl in the coffee bar | 0:02:58 | 0:03:01 | |
-was... Like this. So that's when you play that one again! -Oh, OK! | 0:03:01 | 0:03:05 | |
This is my glorious 1957 Wurlitzer 2104 jukebox. | 0:03:10 | 0:03:15 | |
Unfortunately, like me, it's getting old and it's deteriorating, | 0:03:15 | 0:03:19 | |
and it gradually ground to a halt. | 0:03:19 | 0:03:21 | |
You have to remember with a jukebox, you've got these enormous speakers, | 0:03:21 | 0:03:25 | |
so they reverberate. They become part of the room. | 0:03:25 | 0:03:28 | |
It bounces off the walls. | 0:03:28 | 0:03:29 | |
Anyone of my age remembers music, this is how you would listen to it. | 0:03:29 | 0:03:34 | |
It doesn't sound the same from a CD or an iPod or anything. | 0:03:34 | 0:03:37 | |
It's not the same sound. It's a dear old friend. | 0:03:37 | 0:03:40 | |
I love it passionately. And it's so sad to see something | 0:03:40 | 0:03:43 | |
which should give so much pleasure just sulking in a corner, | 0:03:43 | 0:03:47 | |
poor thing. | 0:03:47 | 0:03:48 | |
-So, Laurence, what do you reckon? -Yeah. -Can it be done? | 0:03:50 | 0:03:53 | |
-Can we get this playing again? -Hopefully. | 0:03:53 | 0:03:54 | |
Have you worked on anything like this before? | 0:03:54 | 0:03:56 | |
I have worked on a few of these. | 0:03:56 | 0:03:57 | |
So, how often do these need a service? | 0:03:57 | 0:03:59 | |
Really, they need a service every year. | 0:03:59 | 0:04:01 | |
-Every year? -But most people leave it a couple of years. | 0:04:01 | 0:04:03 | |
And you've had this for 30... You've had it for 30 years! | 0:04:03 | 0:04:07 | |
If you leave it with us, we'll get it fully restored and working. | 0:04:07 | 0:04:11 | |
Lights flashing, yeah? | 0:04:11 | 0:04:14 | |
Yeah. To see it playing again, that would make an old man very happy. | 0:04:14 | 0:04:17 | |
-Miraculous. Thank you very much indeed. -No problem. -Thank you. | 0:04:17 | 0:04:21 | |
If it IS restored, it would be the most wonderful achievement. | 0:04:26 | 0:04:30 | |
Once it comes to life with music and light, it would be sensational. | 0:04:30 | 0:04:34 | |
-What have you got to do? -Well, open it up, have a look at it, | 0:04:34 | 0:04:38 | |
and then power it up and... keep your fingers crossed! | 0:04:38 | 0:04:40 | |
Power it up! | 0:04:40 | 0:04:42 | |
Yes, just to assess what's wrong. | 0:04:42 | 0:04:44 | |
Have you ever had any problems with these before? | 0:04:44 | 0:04:46 | |
-Yeah, you get problems, but... -Yeah? -I don't let them beat me! | 0:04:46 | 0:04:49 | |
Wurlitzer jukeboxes energised young people across Britain | 0:04:51 | 0:04:55 | |
during the late 1940s and '50s. | 0:04:55 | 0:04:58 | |
Excited teenagers could select from up to 104 tunes, | 0:04:59 | 0:05:03 | |
transporting them into the world of American rock and roll. | 0:05:03 | 0:05:07 | |
ELECTRICAL BUZZING | 0:05:11 | 0:05:14 | |
No. It shouldn't be making that buzzing noise. | 0:05:14 | 0:05:16 | |
As soon as I press a letter and a number button, | 0:05:16 | 0:05:19 | |
it should select the mechanism and it should start spinning round. | 0:05:19 | 0:05:24 | |
I'm going to manually flick a pin up, | 0:05:24 | 0:05:27 | |
which is what the buttons do electronically. | 0:05:27 | 0:05:30 | |
That will tell me whether the mechanism is functioning, | 0:05:30 | 0:05:33 | |
whether this motor works. | 0:05:33 | 0:05:35 | |
OK, it's going, but very slowly. | 0:05:39 | 0:05:41 | |
The speed is telling me that the motor isn't functioning correctly. | 0:05:41 | 0:05:44 | |
The motor feels a bit stiff, | 0:05:44 | 0:05:46 | |
so I'd like to take it off and clean it as well. | 0:05:46 | 0:05:48 | |
And then we need to see what it sounds like. | 0:05:48 | 0:05:52 | |
But that's a while off at the moment. | 0:05:52 | 0:05:54 | |
For craftspeople like Laurence, Jay, and the rest of the team, | 0:06:06 | 0:06:10 | |
it's a pleasure to get their hands on these little pieces of history. | 0:06:10 | 0:06:13 | |
They may arrive showing their years, | 0:06:15 | 0:06:18 | |
but they leave with a new lease of life, | 0:06:18 | 0:06:20 | |
to be enjoyed for generations to come. | 0:06:20 | 0:06:23 | |
The next guests are keen to restore their precious piece back to | 0:06:23 | 0:06:27 | |
its former glory. Mary and David Shockley, and Freddie, the dog, | 0:06:27 | 0:06:31 | |
-from Wiltshire. -How are we doing? | 0:06:31 | 0:06:33 | |
-Oh, fine, thank you. -Hello. | 0:06:33 | 0:06:35 | |
It's a job for ceramics conservator Kirsten. | 0:06:35 | 0:06:39 | |
That's great, lovely. | 0:06:39 | 0:06:41 | |
Oh, my goodness! Look at that. | 0:06:41 | 0:06:43 | |
What have we got here. What can you tell me about this, please? | 0:06:45 | 0:06:48 | |
Well, as far as I know, it was a ladies' Victorian travelling box. | 0:06:48 | 0:06:54 | |
It was given to me when I was about 10 or 11 years old. | 0:06:54 | 0:06:57 | |
-Yeah? -I understand that the panels on the front are hand-painted | 0:06:57 | 0:07:03 | |
French panels, which is quite unusual. | 0:07:03 | 0:07:06 | |
Because apparently, they usually just come with wooden fronts. | 0:07:06 | 0:07:12 | |
Oh, right. They're rather beautiful, actually, aren't they? | 0:07:12 | 0:07:14 | |
Beautifully painted. | 0:07:14 | 0:07:16 | |
Lovely colours. Has it always had that crack down...? | 0:07:16 | 0:07:19 | |
-Yes. -It has. -It had it when I had it. | 0:07:19 | 0:07:21 | |
Right. I can certainly have a look at that for you. | 0:07:21 | 0:07:25 | |
That would be absolutely marvellous! | 0:07:25 | 0:07:27 | |
-OK, all right. -Thank you. | 0:07:27 | 0:07:29 | |
It hasn't been out of my sight for the 60 years | 0:07:34 | 0:07:39 | |
that I've had it! | 0:07:39 | 0:07:40 | |
So leaving it somewhere is quite a wrench! | 0:07:40 | 0:07:44 | |
Will? | 0:07:46 | 0:07:47 | |
-How can I help? -These apparently are, um, French painted panels. | 0:07:47 | 0:07:54 | |
It's going to make my life a lot easier if it could come out of here. | 0:07:54 | 0:07:58 | |
-What do you think? -Right... Hmm. | 0:07:58 | 0:08:01 | |
Well done. | 0:08:08 | 0:08:10 | |
The painted tile is already cracked in two. | 0:08:10 | 0:08:13 | |
-Careful on the ceramics. -Yep. | 0:08:13 | 0:08:15 | |
It's up to Will to remove it without causing any further damage. | 0:08:15 | 0:08:19 | |
Whoa, yay! | 0:08:19 | 0:08:22 | |
Well done. | 0:08:22 | 0:08:23 | |
OK, so I'm just going to stick this final piece on here. | 0:08:28 | 0:08:32 | |
I tipped it onto its side, | 0:08:32 | 0:08:35 | |
to...use gravity to help pull the two edges together. | 0:08:35 | 0:08:39 | |
It should go together really nicely. | 0:08:41 | 0:08:44 | |
There we are. So, I'm just going to leave that now... | 0:08:47 | 0:08:51 | |
to go off. | 0:08:51 | 0:08:52 | |
From treasure box to jukebox. | 0:09:06 | 0:09:09 | |
Laurence is trying to resurrect Mike's classic 1950s Wurlitzer, | 0:09:09 | 0:09:13 | |
whose innards have remained untouched for three decades. | 0:09:13 | 0:09:17 | |
I've taken the motor off, | 0:09:17 | 0:09:18 | |
and it's really difficult to turn the spindle, | 0:09:18 | 0:09:21 | |
which is this piece at the end. | 0:09:21 | 0:09:23 | |
That tells me that it's seized up inside. | 0:09:23 | 0:09:26 | |
It should be nice and free, it definitely needs to be cleaned | 0:09:29 | 0:09:33 | |
and be lubricated. | 0:09:33 | 0:09:34 | |
-Oh, that's nice, isn't it? -Yeah, good, Jay. | 0:09:36 | 0:09:38 | |
-Yeah, we're getting there. -Got the back open? | 0:09:38 | 0:09:40 | |
-Got the back open. -Have you got it working? -No, not yet. -Not yet! | 0:09:40 | 0:09:44 | |
So, what's the problem with it? | 0:09:44 | 0:09:45 | |
Well, the motor is definitely very slow... | 0:09:45 | 0:09:48 | |
-OK. -So I've taken it apart. -What's that part? -That's the transformer. | 0:09:48 | 0:09:51 | |
-That's power, then? -That's power. | 0:09:51 | 0:09:53 | |
And then that's the mechanism? | 0:09:53 | 0:09:55 | |
This is the brain, if you like. | 0:09:55 | 0:09:57 | |
-This part. -Right, OK. -And it's not getting the signal from the button. | 0:09:57 | 0:10:00 | |
When you press the buttons, it's just buzzing. | 0:10:00 | 0:10:02 | |
It should click a pin up to make it rotate to select the record, | 0:10:02 | 0:10:06 | |
-and it's not doing that. -I want to get this going, man. | 0:10:06 | 0:10:09 | |
-Yeah, OK, OK! -Are you going to do it, are you going to do it? | 0:10:09 | 0:10:11 | |
-Yeah, I'll do it. -All right, I'm not going to stand over you | 0:10:11 | 0:10:13 | |
cos that's the worst thing. Put too much pressure on you. | 0:10:13 | 0:10:16 | |
-You're in control, ain't you? -I'm in control. | 0:10:16 | 0:10:18 | |
ROCK AND ROLL MUSIC | 0:10:18 | 0:10:20 | |
So, we've given this a clean-up. | 0:10:26 | 0:10:28 | |
And it's running much freer now. | 0:10:31 | 0:10:36 | |
Should be fine to go back in. | 0:10:36 | 0:10:37 | |
I love restoring jukeboxes | 0:10:38 | 0:10:40 | |
because there's something different to do every day, | 0:10:40 | 0:10:43 | |
and there's real satisfaction when you've restored something that | 0:10:43 | 0:10:48 | |
most people think looks ready for the tip. | 0:10:48 | 0:10:50 | |
The end result's just stunning. | 0:10:52 | 0:10:55 | |
Now I'm going to put the amplifier and power supply | 0:10:57 | 0:11:00 | |
back into the jukebox. | 0:11:00 | 0:11:01 | |
Hopefully, it will have speeded up the motor, the drive motor, | 0:11:01 | 0:11:05 | |
so it functions properly. | 0:11:05 | 0:11:07 | |
It's made a clunk... | 0:11:09 | 0:11:11 | |
Yup, the carousel's turning much faster now. | 0:11:12 | 0:11:14 | |
So it should stop when it gets to this pin. | 0:11:16 | 0:11:20 | |
It should lift the record up. | 0:11:23 | 0:11:25 | |
Which it's doing... | 0:11:25 | 0:11:27 | |
ROCK AND ROLL MUSIC PLAYS | 0:11:27 | 0:11:30 | |
Now the Wurlitzer is starting to get its mojo back, | 0:11:38 | 0:11:41 | |
Laurence gives it a well-earned drink. | 0:11:41 | 0:11:44 | |
Right, it's time to get the button bank out now. | 0:11:48 | 0:11:51 | |
This 1957 Wurlitzer 2104 is one of the most collectable from the era. | 0:11:51 | 0:11:57 | |
Fully working models can change hands for several thousand pounds. | 0:11:57 | 0:12:02 | |
All of the contacts look really dirty. | 0:12:02 | 0:12:05 | |
I'm going to completely clean everything there, | 0:12:05 | 0:12:07 | |
and then hopefully the signal will go through | 0:12:07 | 0:12:09 | |
when you press the buttons to start the jukebox working. | 0:12:09 | 0:12:12 | |
Right, I'm putting the button bank back in. | 0:12:16 | 0:12:19 | |
MUSIC: Moonlight Serenade by Glenn Miller | 0:12:24 | 0:12:27 | |
-MUSIC SLOWS TO A HALT -Ooh. | 0:12:35 | 0:12:38 | |
Put an end to THAT party, didn't it? | 0:12:38 | 0:12:39 | |
It sounds all right. Like, everything is rocking and rolling. | 0:12:39 | 0:12:42 | |
Yeah, it's selecting really well. | 0:12:42 | 0:12:44 | |
-But you don't look happy. -No, well... I am happy. | 0:12:44 | 0:12:47 | |
-What's left? -I think the sound could be a bit better, so... | 0:12:47 | 0:12:49 | |
I think that needle's worn out. | 0:12:49 | 0:12:51 | |
I don't think that's been changed for a while. | 0:12:51 | 0:12:53 | |
So that will make it sound good? | 0:12:53 | 0:12:54 | |
Mike's going to come in and lose his mind! It'll take him right back. | 0:12:54 | 0:12:57 | |
He's going to have the leather jacket on, the quiff. So basically, | 0:12:57 | 0:12:59 | |
we've got to get this sorted. | 0:12:59 | 0:13:01 | |
What else have you got left to do? Cos he's coming today, | 0:13:01 | 0:13:03 | |
-he's got to pick this up. -Is he? -Yeah, he is! | 0:13:03 | 0:13:05 | |
We need to give it a good clean. The screen's really dirty. | 0:13:05 | 0:13:08 | |
I could take care of that. Once you let me know when I can... | 0:13:08 | 0:13:11 | |
He's going to be made up, Mike's going to be made up. | 0:13:11 | 0:13:13 | |
-But listen, we've got to get this going. -Yeah, we will. -Call me! | 0:13:13 | 0:13:16 | |
-Right, OK. Thanks, Jay. -No problem! | 0:13:16 | 0:13:19 | |
No challenge is too big... | 0:13:28 | 0:13:30 | |
..or too small for the expertise and experience of the Repair Shop team. | 0:13:32 | 0:13:37 | |
Yet the objects that arrive... | 0:13:37 | 0:13:39 | |
-Ooh! -Oh, yes! | 0:13:39 | 0:13:42 | |
..still have the capacity to surprise and delight. | 0:13:42 | 0:13:45 | |
Oh, wow! | 0:13:45 | 0:13:46 | |
And none more so than the next offering, | 0:13:47 | 0:13:49 | |
brought by Peter Veal from south-east London. | 0:13:49 | 0:13:53 | |
-Hello. -Hi, there. -What have you got in there, then? | 0:13:53 | 0:13:56 | |
-So, we have a monkey. -A monkey? -Not a real monkey. | 0:13:56 | 0:13:58 | |
-Not a real monkey... -No. | 0:13:58 | 0:14:00 | |
What we've got is a toy monkey. | 0:14:00 | 0:14:02 | |
I spent quite a few summer holidays | 0:14:02 | 0:14:05 | |
in Montrose in Scotland with my best friend, James, and his grandmother, | 0:14:05 | 0:14:09 | |
who was an amazing woman. She'd lived all over the world, | 0:14:09 | 0:14:12 | |
and when she died, I was asked, | 0:14:12 | 0:14:13 | |
"Would you like anything to remember her by?" | 0:14:13 | 0:14:15 | |
-Right. -And the monkey, to be honest, | 0:14:15 | 0:14:17 | |
was the only thing I remember from this amazing room full of toys! | 0:14:17 | 0:14:20 | |
The first time I saw it, it actually moved, it's supposed to work. | 0:14:20 | 0:14:24 | |
But since I inherited it, and I think that was in '91, | 0:14:24 | 0:14:26 | |
-it's not moved a muscle. -It's not moved, no? -No. | 0:14:26 | 0:14:29 | |
This slightly scary simian was produced by Japanese toymakers | 0:14:31 | 0:14:36 | |
Bandai in the 1950s, which makes him between 60 and 70 years old. | 0:14:36 | 0:14:41 | |
-How do you operate it? -You just | 0:14:41 | 0:14:43 | |
press the lever and it moves its face, and it claps the cymbals. | 0:14:43 | 0:14:48 | |
So all of this moves up and down? | 0:14:48 | 0:14:50 | |
You can kind of re-enact it by doing... | 0:14:50 | 0:14:52 | |
-what you're doing there. -Right. | 0:14:52 | 0:14:53 | |
It can be terrifying for young children... | 0:14:53 | 0:14:55 | |
-Yeah, I bet it is! -I have a big print of it in my house, | 0:14:55 | 0:14:58 | |
and my niece came to stay at Christmas and she said, | 0:14:58 | 0:15:01 | |
"Can I have another room?" | 0:15:01 | 0:15:03 | |
We had to remove the picture from the wall. | 0:15:03 | 0:15:05 | |
I've done a lot of toys, I haven't done one of these, so... | 0:15:05 | 0:15:08 | |
His name is Mungo, by the way. | 0:15:08 | 0:15:09 | |
-Mungo the monkey, I don't know why. -Mungo the monkey? | 0:15:09 | 0:15:11 | |
How fast do these go when they're... | 0:15:11 | 0:15:13 | |
-When it is working? -I don't remember the speed! | 0:15:13 | 0:15:16 | |
What do you want, hertz or per second, what do you want(?) | 0:15:16 | 0:15:19 | |
I wondered whether it just goes like this or whether it goes like that. | 0:15:19 | 0:15:23 | |
-Yeah, the faster of the two. -The faster? All right. | 0:15:23 | 0:15:26 | |
Well, I think this is a job for you, Jay. | 0:15:26 | 0:15:29 | |
-Is it? -Taking off the clothes... | 0:15:29 | 0:15:31 | |
Steady on! Taking off the clothes of a monkey!? | 0:15:31 | 0:15:33 | |
-Yeah. -Yeah, because we've got to stitch them back, haven't we? | 0:15:33 | 0:15:36 | |
-No, that one's glued. -It is glued. -If you leave it with us, | 0:15:36 | 0:15:38 | |
we'll definitely get back to you once we've got him working again. | 0:15:38 | 0:15:42 | |
-OK. -Is that all right? -All right. -Thanks very much. Thank you. | 0:15:42 | 0:15:45 | |
-Thank you. -All right. -Thank you very much. Thanks a lot. | 0:15:45 | 0:15:47 | |
Well, Mungo's in quite a sorry state, to be honest. | 0:15:51 | 0:15:54 | |
He's looking worse for wear. | 0:15:54 | 0:15:55 | |
He's aged worse than me, I'm happy to say! | 0:15:55 | 0:15:58 | |
So if he could look almost as good as new, um, that would be amazing. | 0:15:58 | 0:16:04 | |
So, I've got to take this to my bench, get the clothes off... | 0:16:04 | 0:16:07 | |
-OK, all right. -I'll see you in a bit. | 0:16:07 | 0:16:09 | |
This is what it must feel like to get your chest waxed. | 0:16:16 | 0:16:20 | |
Almost there. | 0:16:20 | 0:16:21 | |
I think we've got lift-off! | 0:16:21 | 0:16:23 | |
He was resisting. He hasn't had his clothes off in many years! | 0:16:25 | 0:16:28 | |
Oh, was he? | 0:16:28 | 0:16:30 | |
-I suppose he hasn't! -And he could feel the chill in this building. | 0:16:30 | 0:16:33 | |
-Yeah. -And then... | 0:16:33 | 0:16:35 | |
-Well done, you! -See, if you can get... | 0:16:35 | 0:16:38 | |
-I can't get this off. -No, I don't think you need to. | 0:16:38 | 0:16:40 | |
I think the less we have to take off, the better. | 0:16:40 | 0:16:43 | |
So the shoulders... I think this whole back bit just comes out, | 0:16:43 | 0:16:45 | |
-doesn't it? -Yeah, no. It does. Yeah, no, that's perfect. Thank you. | 0:16:45 | 0:16:48 | |
-Leave that with me. -Yeah. -And... -You'll get him working, yeah? | 0:16:48 | 0:16:51 | |
-All right! -Hey, hey! -What's that? -Bye! | 0:16:51 | 0:16:55 | |
There you go. See you later, mate! | 0:16:55 | 0:16:57 | |
While Steve gets to grips with Mungo, | 0:16:57 | 0:17:00 | |
the jukebox is almost ready to return to active service, | 0:17:00 | 0:17:03 | |
complete with new needle and working lights. | 0:17:03 | 0:17:07 | |
For the final touches, | 0:17:07 | 0:17:09 | |
Laurence is calling in some Repair Shop reinforcements... | 0:17:09 | 0:17:12 | |
Right, Jay? Can we get these windows clean? | 0:17:13 | 0:17:16 | |
-How dirty are they? -They are filthy, mate! | 0:17:16 | 0:17:18 | |
They are, aren't they? | 0:17:18 | 0:17:20 | |
-It's had a hard life. -A hard life! | 0:17:20 | 0:17:22 | |
That's good stuff. | 0:17:24 | 0:17:25 | |
Yeah, it bit of vinegar, don't go amiss with that... | 0:17:25 | 0:17:28 | |
-IN AMERICAN ACCENT: -Gary, come and have a look at this! | 0:17:28 | 0:17:31 | |
-Unbelievable. -Put on my favourite song! | 0:17:31 | 0:17:33 | |
Aw, it stinks! | 0:17:33 | 0:17:35 | |
-Is that vinegar? -Yeah. | 0:17:35 | 0:17:37 | |
Ugh! Come on, guys, I want to listen to music. | 0:17:37 | 0:17:39 | |
ROCK AND ROLL MUSIC PLAYS | 0:17:39 | 0:17:42 | |
With the Wurlitzer sparkling once again, | 0:17:42 | 0:17:45 | |
Mike is back to be reunited with this most-treasured piece | 0:17:45 | 0:17:49 | |
of musical memorabilia. | 0:17:49 | 0:17:50 | |
Hearing the music coming out of my Wurlitzer again would take me | 0:17:50 | 0:17:54 | |
straight back to the 1950s. | 0:17:54 | 0:17:56 | |
The sounds will be the same, it would look the same. | 0:17:56 | 0:18:00 | |
And the feeling will be the same. | 0:18:00 | 0:18:02 | |
-Thanks, mate. -Right! | 0:18:07 | 0:18:10 | |
-There he is. How we doing, Mike? -Hello again, Jay. -You all right? | 0:18:11 | 0:18:14 | |
-I'm good, thank you. -OK, are you ready for this? | 0:18:14 | 0:18:18 | |
Laurence is smiling, that's good enough for me! | 0:18:18 | 0:18:20 | |
Yeah? Here we go, here we go. | 0:18:20 | 0:18:22 | |
Oh, that is beautiful! | 0:18:23 | 0:18:25 | |
Isn't that the most beautiful thing? | 0:18:25 | 0:18:27 | |
Laurence, you're a star, thank you so much - and thank you, Jay. | 0:18:27 | 0:18:30 | |
-It's amazing what he's done on this. -Never looked this good before... | 0:18:30 | 0:18:33 | |
-No? -Nope. That is wonderful. | 0:18:33 | 0:18:36 | |
So, does it take you back to the coffee shop days? | 0:18:36 | 0:18:38 | |
Sorry, that's where I WAS! | 0:18:38 | 0:18:39 | |
Oh, is it? I should leave you there, we should go, then! | 0:18:39 | 0:18:42 | |
Yeah, exactly. | 0:18:42 | 0:18:45 | |
She's exactly as they should look. | 0:18:45 | 0:18:47 | |
Yeah? I tell you what the best thing to do now is play a song. | 0:18:47 | 0:18:50 | |
That's the first time for a few years too. | 0:18:54 | 0:18:57 | |
Here comes the magic bit... | 0:18:57 | 0:18:59 | |
MUSIC: At The Hop by Danny And The Juniors | 0:19:03 | 0:19:06 | |
That sounds good! | 0:19:06 | 0:19:08 | |
Is that all right? | 0:19:08 | 0:19:10 | |
'The sound, something else with the giant speakers, | 0:19:12 | 0:19:15 | |
'took me straight back to the '50s, the coffee bar days.' | 0:19:15 | 0:19:19 | |
And we'd play all the early rock and roll records. | 0:19:19 | 0:19:23 | |
Wonderful sensation. | 0:19:23 | 0:19:24 | |
It looks so beautiful, that it can't have looked that good since 1957! | 0:19:27 | 0:19:32 | |
So, Mike, are you happy with the job that Laurence has done? | 0:19:36 | 0:19:39 | |
-I know he's standing there! -Happy's not the word. I'm ecstatic about it! | 0:19:39 | 0:19:43 | |
It is absolutely wonderful. | 0:19:43 | 0:19:44 | |
No, I didn't expect it to come up as well as this. | 0:19:44 | 0:19:47 | |
I'm pleased with it. | 0:19:47 | 0:19:48 | |
Honestly, it just looks so nice, sounds so nice, and it looks right. | 0:19:48 | 0:19:51 | |
That's the important thing. And it feels good, too. | 0:19:51 | 0:19:54 | |
-Yeah, it does. -You're an absolute star, thank you so much. | 0:19:54 | 0:19:58 | |
-That's OK. -Press a number... | 0:19:58 | 0:20:00 | |
-It's very clever. -It's very clever! | 0:20:03 | 0:20:05 | |
MUSIC: Moonlight Serenade by Glenn Miller | 0:20:05 | 0:20:09 | |
Laurence and Jay have done the most spectacular job on it. | 0:20:15 | 0:20:18 | |
It's beyond my expectations, for sure. | 0:20:18 | 0:20:20 | |
It is back to how it should be - it's living, it's breathing, | 0:20:20 | 0:20:23 | |
it's a real thing again. | 0:20:23 | 0:20:25 | |
It will be cherished and be given the future that it deserves. | 0:20:25 | 0:20:28 | |
But The Repair Shop can't stop to party for too long. | 0:20:33 | 0:20:37 | |
Steve's got monkey business to attend to. | 0:20:37 | 0:20:39 | |
Most clockmakers do repairs to all sorts of things, | 0:20:41 | 0:20:44 | |
because we're sort of the last resort in a lot of cases, | 0:20:44 | 0:20:47 | |
so we get a lot of mechanical toys to mend, especially vintage ones. | 0:20:47 | 0:20:52 | |
This happy chappie has been popping up in popular culture | 0:20:52 | 0:20:56 | |
since it was first manufactured in the 1950s, | 0:20:56 | 0:20:59 | |
making appearances in Rebel Without A Cause, Toy Story 3, | 0:20:59 | 0:21:03 | |
and even The Simpsons. | 0:21:03 | 0:21:05 | |
The clapping monkey has become an enduring childhood image. | 0:21:05 | 0:21:09 | |
I'm following the wires around, to check to see where they are, and... | 0:21:09 | 0:21:14 | |
..I've actually identified a loose wire just here. | 0:21:16 | 0:21:19 | |
Ooh! | 0:21:21 | 0:21:22 | |
Oh, brilliant, we've got life there! | 0:21:25 | 0:21:28 | |
-Oh, my goodness! -HE LAUGHS | 0:21:34 | 0:21:36 | |
You got him working, then? | 0:21:36 | 0:21:38 | |
Well, I'm holding a wire in place at the moment. | 0:21:38 | 0:21:41 | |
-He's a mad little monkey, isn't he? -He is. | 0:21:41 | 0:21:44 | |
What are you holding together, just a bit of wiring? | 0:21:44 | 0:21:46 | |
I've got this wire that's loose in there - can you see this wire here? | 0:21:46 | 0:21:50 | |
-There we go. -Oh, as soon as it touches that, yeah? | 0:21:50 | 0:21:53 | |
Yeah, yeah. So, yeah, it's all right. | 0:21:53 | 0:21:56 | |
And then you've got to solder in there, but how you going to do that, | 0:21:56 | 0:21:59 | |
-without getting this...? -I just, I'll just... | 0:21:59 | 0:22:02 | |
I've got to move that out of the way, so I don't burn it or melt it. | 0:22:02 | 0:22:04 | |
-And that's it? -Well, no. | 0:22:04 | 0:22:06 | |
Then, then there's this lever, this little button on top, | 0:22:06 | 0:22:10 | |
-that's then supposed to... -What, on his head? | 0:22:10 | 0:22:12 | |
Yeah. | 0:22:12 | 0:22:13 | |
-Oh, wow. -That then changes its action. | 0:22:13 | 0:22:17 | |
I think - and I don't know this - I think it stops the cymbals | 0:22:17 | 0:22:21 | |
and then it makes a noise and its lips go up and down | 0:22:21 | 0:22:25 | |
and eyes go in and out and things like that. | 0:22:25 | 0:22:26 | |
-Is it? -So, yeah, watch this space. -OK. | 0:22:26 | 0:22:30 | |
There's this button on top here. | 0:22:40 | 0:22:42 | |
I was hoping that this would actually engage | 0:22:42 | 0:22:46 | |
the mechanism to alter the... | 0:22:46 | 0:22:50 | |
eyes and the lips. | 0:22:50 | 0:22:53 | |
The lips are supposed to open like this, | 0:22:53 | 0:22:55 | |
and the eyes are supposed to bulge out. | 0:22:55 | 0:22:58 | |
And I think it's had quite a bash in its past. | 0:22:58 | 0:23:03 | |
There are levers really bent and broken in here, | 0:23:03 | 0:23:08 | |
but I'll have a look at it and see what I can do. | 0:23:08 | 0:23:11 | |
While Steve goes like the clappers to bring Mungo back to life, | 0:23:13 | 0:23:17 | |
Kirsten is applying some blue-sky thinking to the treasure box. | 0:23:17 | 0:23:21 | |
So, I'm just sort of finishing off this plaque from the treasure chest. | 0:23:21 | 0:23:27 | |
I'm hoping that it's going to look really, really nice | 0:23:29 | 0:23:31 | |
and that the owners will be very happy with it. | 0:23:31 | 0:23:34 | |
All that remains is for Will to carefully reattach the door | 0:23:41 | 0:23:45 | |
and Mary, along with her husband, David, | 0:23:45 | 0:23:47 | |
can be reunited with the box she has loved since she was ten years old. | 0:23:47 | 0:23:52 | |
-How we doing? -Very well, thank you. | 0:23:52 | 0:23:54 | |
With Kirsten off on a Repair Shop mission, | 0:23:54 | 0:23:57 | |
it's over to Jay to do the honours. | 0:23:57 | 0:23:59 | |
-You ready for this? -I am. | 0:23:59 | 0:24:02 | |
-Wow. -Oh gosh, that's beautiful. | 0:24:04 | 0:24:07 | |
Hasn't she done a lovely job? | 0:24:07 | 0:24:09 | |
Brilliant! You can't see the mend at all. | 0:24:09 | 0:24:12 | |
Oh, it's absolutely brilliant, and it's come up beautifully. | 0:24:12 | 0:24:15 | |
My mother would be thrilled to see it like that, as well. | 0:24:15 | 0:24:19 | |
And I hope to pass it down the generations. | 0:24:19 | 0:24:21 | |
-That's good. -Because I've got a daughter and a granddaughter, | 0:24:21 | 0:24:24 | |
-which would be lovely. -Yeah, that would be. | 0:24:24 | 0:24:26 | |
It's absolutely fantastic. | 0:24:26 | 0:24:28 | |
-Yeah? -Yes, I can't thank you enough for doing it. | 0:24:28 | 0:24:33 | |
'I couldn't believe my eyes.' | 0:24:36 | 0:24:38 | |
That crack has been there ever since I owned it, | 0:24:38 | 0:24:41 | |
and to see it gone is absolutely marvellous. | 0:24:41 | 0:24:46 | |
It makes it so much more complete. | 0:24:46 | 0:24:49 | |
The treasure box is going to be kept now in the lounge and not | 0:24:51 | 0:24:55 | |
in a wardrobe in my bedroom, and put it on display, | 0:24:55 | 0:24:59 | |
so that everybody can admire it. | 0:24:59 | 0:25:01 | |
If there's one project in The Repair Shop that's in danger of driving | 0:25:05 | 0:25:09 | |
everyone bananas... | 0:25:09 | 0:25:10 | |
..it's this one, Mungo the musical monkey. | 0:25:12 | 0:25:16 | |
-All right, Jay? -How you doing, Steve? | 0:25:24 | 0:25:26 | |
Yeah, he's ready to... He's ready to be redressed. | 0:25:26 | 0:25:30 | |
-Redressed! -Yes. -OK, let's have a look. | 0:25:30 | 0:25:33 | |
He ain't been to the dentist for a long time, though, has he? | 0:25:34 | 0:25:37 | |
-He hasn't been to the dentist for a while. -You sorted him out. | 0:25:37 | 0:25:39 | |
-He could do with a gold tooth in there. -He could, actually. | 0:25:39 | 0:25:41 | |
I might have to put one in there for him! | 0:25:41 | 0:25:44 | |
I'm not an expert at dressing a monkey, so I'll leave that to you! | 0:25:45 | 0:25:49 | |
Yes, please! | 0:25:49 | 0:25:51 | |
Cheers, Steve. | 0:25:52 | 0:25:54 | |
Steve's done a brilliant job in getting Mungo working again, | 0:25:58 | 0:26:03 | |
so the only thing that's left for me to do is basically glue him | 0:26:03 | 0:26:08 | |
so he doesn't stretch his fur. | 0:26:08 | 0:26:11 | |
There we go, Steve, one fully dressed monkey. | 0:26:17 | 0:26:20 | |
He's got his dignity back, then. | 0:26:20 | 0:26:21 | |
He has a bit, he has. | 0:26:21 | 0:26:23 | |
-Waah! -I know, the batteries are in! | 0:26:23 | 0:26:27 | |
Turn him off, mate, turn him off! | 0:26:29 | 0:26:31 | |
-He's a bit scary. -Yeah, you've done a great job there, well done. | 0:26:31 | 0:26:35 | |
Restored and re-dressed... | 0:26:36 | 0:26:39 | |
-How we doing? -Hello again. | 0:26:39 | 0:26:40 | |
..Mungo can be returned to owner Peter. | 0:26:40 | 0:26:43 | |
-Hello, Peter, how are you? -All right, you? | 0:26:43 | 0:26:45 | |
A reminder of childhood memories of holidays in Scotland, | 0:26:45 | 0:26:48 | |
with his best friend and his grandmother. | 0:26:48 | 0:26:51 | |
There we go, all tucked up nicely. | 0:26:51 | 0:26:53 | |
How long is it since you saw him doing anything? | 0:26:53 | 0:26:57 | |
-Er... 1988, so what's that...? -'88, oh, my word! -29 years? | 0:26:57 | 0:27:00 | |
Gosh! Right, once upon a time he used to open and close its lips | 0:27:00 | 0:27:06 | |
and the eyes used to bulge out, and he used to make a noise, as well. | 0:27:06 | 0:27:11 | |
But at some stage in its life, | 0:27:11 | 0:27:13 | |
it's had a wallop or two or three, or maybe a lot more wallops on it, | 0:27:13 | 0:27:18 | |
and is beyond repair, really. | 0:27:18 | 0:27:20 | |
But what you remember happening is happening now. | 0:27:20 | 0:27:24 | |
Hey! He didn't go THAT fast! | 0:27:24 | 0:27:27 | |
Very good, thank you. I've never seen him twirl on his bum like that. | 0:27:30 | 0:27:35 | |
No. | 0:27:35 | 0:27:36 | |
-Well done. -So, yeah, all good. | 0:27:38 | 0:27:41 | |
-May I? -Yes, sir, absolutely you can, yeah. | 0:27:41 | 0:27:43 | |
I can't stop it... | 0:27:49 | 0:27:50 | |
Oh, it's exhausting! | 0:27:50 | 0:27:53 | |
-Thank you. -To tell you the truth, | 0:27:53 | 0:27:54 | |
I'm quite chuffed that he's leaving the workshop. | 0:27:54 | 0:27:57 | |
I haven't had a good night's sleep since he's been here! | 0:27:57 | 0:27:59 | |
I'm feeling very happy, | 0:28:01 | 0:28:02 | |
because I honestly had given up on him | 0:28:02 | 0:28:04 | |
ever being a working monkey again. | 0:28:04 | 0:28:07 | |
It feels very nice that Mungo's been brought back to life, | 0:28:07 | 0:28:10 | |
because it connects me with the memories again | 0:28:10 | 0:28:12 | |
and I can't wait to show James, because I think that... | 0:28:12 | 0:28:15 | |
the memories will come flooding back for him, as well. | 0:28:15 | 0:28:18 | |
Join us next time, as more treasured possessions | 0:28:22 | 0:28:25 | |
are brought back to life. | 0:28:25 | 0:28:27 |