Episode 9 The Repair Shop


Episode 9

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Welcome to The Repair Shop, where cherished family heirlooms are

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brought back to life.

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Anything can happen. This is the workshop of dreams.

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Home to furniture restorer Jay Blades.

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Nowadays, things are not built to last,

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so we've become part of this throwaway culture.

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It's all about preserving and restoring.

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We bring the old back to new.

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Working alongside Jay will be

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some of the country's leading craftspeople...

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I like making things with my hands.

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I love to see how things work, and I want to know how things work.

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Whether it's a Rembrandt or somebody's family piece,

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every painting deserves the same.

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..each bringing their own unique set of skills.

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You're about to witness some magic.

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They will resurrect...

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-..revive...

-Oh, yes!

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..and rejuvenate...

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..treasured possessions

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and irreplaceable pieces of family history.

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Oh, my goodness me! It looks like it's new!

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Bringing both the objects...

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-Oh!

-Oh, wow!

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..and the memories that they hold...back to life.

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-SOBBING:

-Oh, thank you!

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Today, at The Repair Shop, clockmaker Steve Fletcher and

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furniture restorer Will Kirk team up to take on a grand project.

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Oh, my goodness!

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The back leg was so bad, it was rocking all over the place.

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This is what happens to grandfather clocks quite a lot.

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They fall onto the ground, smash, and obviously it's a lot bigger job.

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And ceramicist Kirsten Ramsay rescues a much-loved vase from a

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crack of doom.

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It's so vulnerable, with that huge crack going right way through it,

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could literally just send the crack right the way round

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and it could break in two.

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Hello, how we doing?

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-Very good, thank you.

-You all right?

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-Yeah, nice to see you.

-But first to arrive today is Zetta Rome, her

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husband Bill and a wounded member of the family in need of assistance,

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from Amanda Middleditch and Julie Tatchell,

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The Repair Shop teddy bear casualty department.

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This is Pink Ted.

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Ah, bless.

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Made of sheepskin.

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He's adorable, isn't he?

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Do you mind if we gently take all his clothes and bandages off?

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No, please do!

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So, what's the history, then, behind the teddy bear?

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Well, he was given to me just after I was born, I suppose.

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-Right.

-In the war, and I think he was bought from Harrods.

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He's been with me all that time.

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He got evacuated to Scotland.

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-OK.

-He survived measles and chickenpox and boarding school.

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-Yeah.

-And he's survived the first lot of children, my children,

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and then our grandchildren.

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What he did not survive was the puppy dog.

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And it was a good thing it was only the arm, really,

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it could have been a lot worse.

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I think because he took the arm off,

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he probably demolished the arm and left Pink Ted to one side.

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-That was lucky.

-Yes, yes, definitely.

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The children have played hospitals with him ever since!

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LAUGHTER

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That's why he came in all bandaged up.

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That's why he came in like that.

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So this is made of sheepskin, then, is that right?

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Yes. Teddy bears were usually made of mohair,

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which is really soft and lovely.

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But during the war and just after the war,

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there wasn't a lot of mohair,

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it had been used for soldiers' uniforms, blankets, etc,

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so they had to think of other ways they could make teddy bears.

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And he is really nicely made for a sheepskin teddy.

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I like his worn patches, and his fadedness.

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That gives him character and age and things,

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so I wouldn't want him to have a brand-new red ear on the side.

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No. With regards to his ears, we have one good ear,

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so with that we can remove the good ear, we will split it into two,

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so the back of Pink Ted's ear will become the front of the new ear.

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-That's wonderful!

-You're very welcome.

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-It's wonderful.

-He's in safe hands, OK.

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Oh, bless!

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Right, come on, leave them to it.

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So, are you going to be able to do it, ladies?

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It's notoriously difficult to work on.

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Because it's sheepskin,

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because of the frailty of the fabric that we're working with,

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a lot of restorers won't actually touch it.

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My relationship with Pink Ted is

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so special because we have always been together.

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Leaving Ted here is quite emotional for me.

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I feel a bit like a mother leaving her child in hospital.

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What I'm a bit scared about is that you said you were going to open him

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-up.

-Yeah.

-Her face when you said, like, open him up.

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-It's hard sometimes.

-It is quite interesting you saying that,

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because we do have to be very careful,

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particularly in front of the owners,

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what they see once we actually start to do a restoration,

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because it can be quite upsetting.

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Yeah, because you're going to open... You're operating on him.

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We are. We do it as lovingly as we can,

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but sometimes it can look a little bit brutal.

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Severe, yeah.

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We'll tell you when to look away, when it gets gory.

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Thank you. That's very kind of you.

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I'm worried about this front seam.

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I can't see any other way.

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Being really, really careful here.

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There it goes.

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When we're working on them,

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we actually build a bit of a relationship with them

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because they do have character,

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so you'll quite often find us saying,

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"It's all right, you'll be fine."

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They come in quite grumpy sometimes, don't they?

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And by the time they leave, they've got a smile on their faces.

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I know you think we're mad, but they do, they do, definitely.

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-No two ways about it.

-Out it comes.

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The stuffing that he's got in him is quite interesting.

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This is called sub and it's kind of, if you like, early recycling,

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because these were all the threads and bits that they swept up off the

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mill floors, and we will re-use that if we can.

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Taking this out, we have to be really careful that it's not adhered

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or stuck or anything, if he'd got damp at some point in his life.

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Then we could cause, again, more damage.

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I have to say, looking at him,

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he's actually in quite good condition inside.

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And he would have been this colour.

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The Repair Shop is a sanctuary for many ageing members of the animal

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kingdom in need of revival.

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But next to arrive is neither fish nor fowl.

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Patricia Leavy has a treasured heirloom in need of some attention.

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Here, I'll take that for you.

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-Thank you.

-Let's go over to Kirsten.

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Kirsten, here we go, we've got Patricia.

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-Hello, Patricia, how do you do?

-Hello.

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I'm Kirsten. What have you got in the bag, then, Patricia?

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A pot that was my mum's.

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It's been around ever since I can remember.

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-It's a good one.

-That's beautiful, isn't it?

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I think it's a lovely thing, even with that...

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I keep it turned to the wall.

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You know, it would have been valuable, but there we go.

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The pot is Royal Barum ware, produced by the firm CH Brannam.

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Brannam originally made floor tiles, before moving into art pottery in

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1879, counting Queen Victoria among their most distinguished customers.

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How did your mother come by it?

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Well, my mother had a marvellous eye for china.

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Some people she knew, they were a very big family,

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and there a big anniversary. They wanted vases,

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so she lent this out and got it back like that.

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Oh, how disappointing!

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She wasn't cross, she was just disconsolate and she said,

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"Oh, it would have been valuable, she said, "It's a good piece."

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-Yep.

-There's a little bit of a scratch in there,

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but I don't mind that.

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I'm really surprised actually, having happened so long ago,

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that actually more of these bits haven't flaked away.

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It's got a crack running through it.

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-Has it?

-Yeah, you can hear it, actually.

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Oh, where's the crack?

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So, there is actually a crack coming up from the base there,

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right the way across.

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Could I have just done it?

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I wouldn't have thought so.

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They must have done it at the time that that was done.

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Yeah, quite possibly. Asking an obvious question, you know,

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what is it that you would like to happen to this vase, you know,

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what would you like me to do?

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Make it nice again.

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OK. Such a beautiful glaze, isn't it?

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Will you get exactly the same blue?

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I will do the very best that I can.

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It's really good that Patricia's brought this vase to be restored

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because, actually, it's so vulnerable

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with that huge crack going right the way through it,

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could literally just send the crack right the way round and it

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-could break in two.

-I think, when you have things like that,

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it's a sort of moral responsibility to your family,

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and to family possessions.

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I mean, you don't sell the family silver.

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I'm hoping that I can mimic that glaze quite well,

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which I won't know till I try!

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But I shall certainly do my best.

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Bear doctors Julie and Amanda are mid-operation on

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Pink Ted's life-saving surgery.

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Ooh, steady on, now!

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-I know, that's his...

-What have you done?

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-Took his innards out.

-You took his guts out?

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But look what good condition that the sheepskin's in inside.

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We're very lucky.

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You're good, you're happy with that?

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-Yes, we're happy.

-Very happy.

-So no problems?

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-No.

-You sure?

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Oh, yeah, all going to plan.

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Because to me, it looks like that's a bit of a problem!

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LAUGHTER

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Isn't it amazing how all that came

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-out of there.

-It is, it is amazing, but I mean,

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I'm still worried about it.

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Are you? Don't worry.

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Now Pink Ted is unstitched and unstuffed,

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Amanda and Julie can start to repair him.

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The toughest job is making sure the new fur bears more than just a

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passing resemblance to the old.

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I'm painting

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onto the sheepskin, to try and replicate,

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not what he would have looked like when he was new,

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but what he actually looks like now.

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Played around and discovered that hair colour, of all things,

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is the best thing to colour it.

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It's just being able to get it into the right places, and I'm really

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pleased with the match.

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'It's something that we feel

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'very strongly about with these old bears.'

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You don't want it to look like a new arm on an old bear.

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The pieces that we put on have to look like

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they've been there forever.

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So I'm just going to keep working at it, looking at the original,

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until I get the result that I want.

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-How we doing, ladies, you all right?

-Hi, Jay, yes, we're really good.

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We're just discussing now that we're ready to put pink teddy back

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-together again.

-Is this the colouring that you've done, then?

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Yeah. So this is the piece for the new arm.

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That's the old arm.

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So I've kind of been trying to...

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Match them up. That's cool.

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-Yeah.

-So that's his arm, that's another arm?

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-Yeah.

-Yeah.

-What's these, then?

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-Ears.

-Oh, his ears.

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-That's its ears, yes.

-Not ITS, his ears.

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-His ears.

-Thank you.

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He can't hear at the moment because his ears are still there,

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-so we haven't caused any offence!

-Right, his ears.

-OK.

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So when you stuff his arm, you're not going to give him any biceps,

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-are you?

-Oh, no.

-You're just going to keep it simple, yeah?

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-No.

-Because he hasn't been to the gym.

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-He'll look like...

-He's an elderly gent.

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That's what I like to hear.

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Pink Ted is not the only elderly gent in the workshop today.

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A grandfather has arrived

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in need of resident horologist Steve's attention,

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to bring him out of retirement.

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-Excited!

-Hello, you must be Linda and Ian?

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-That's right.

-This grandfather or longcase clock has been passed down

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four generations to Ian Murphy and his wife, Linda.

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Would you like to tell me a bit about it?

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Yes, I inherited it from my mother,

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and she inherited it from her father,

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who inherited it from his father.

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Right. That's great to know.

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So, let's just pop the hood off and have a look at the mechanism.

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Right, can you tell me what sort of age you think it might be?

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Well, the date on the front there, 1712,

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and we've done some internet research and we can't find

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William Robb in 1712.

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We can find him in 1800s, but not 17.

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-OK.

-That date has been added afterwards.

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-Oh.

-Right.

-I would put it much later, at around 1750,

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-that sort of age period.

-As old as that?

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Yes. This is definitely from the 18th century.

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-Yes.

-So have you known it working?

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Oh, yes. I have known it working, definitely.

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It possibly hasn't worked great for maybe 20 years now.

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Right, OK. So we have just the basic time mechanism,

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which looks as if it's all there.

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It's absolutely black in there.

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You can't see that there's any brass at all, it's completely black.

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So that's quite a challenge, getting all that cleaned up,

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-but an enjoyable one.

-If we could just get it ticking, we'd be happy.

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OK. So there are different things we can do with the dial as well.

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See, originally, the chaptering would have been silvered and the

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centre would have been silvered.

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These outer bits would have been left brass and

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the spandrels here would have been polished brass.

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And over the years, it gets polished off.

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So this is a dial, and you can see the chaptering has been silvered.

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This would have been re-silvered. This is not the original silvering.

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And that's the sort of look that you get on it,

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if you wanted to go that way.

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I would like it to be silvered again, if that's how it used to be.

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They look really smart when they're done,

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so we can certainly do that for you.

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Yes. Oh, smashing, thank you very much.

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So, we need to talk about the case.

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Because that needs some work doing to it as well.

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Will, if you pop over and have a quick look at the case.

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While Steve's got the clock covered,

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Will's the man when it comes to the woodwork.

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I think this case looks in reasonable condition,

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but there are a few areas that need addressing.

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-Right.

-Number one,

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this plinth is loose.

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-Yep.

-It's been screwed up there, and also this bracket foot there is...

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I was about to say, it's loose, but at the back, you're missing one of

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-the legs!

-That's really kind of you to bring it along.

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-Thank you.

-Thank you.

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I'm so excited it's going to be restored.

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We've got an empty space at the moment and it would be nice to fill

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it again with the clock, all shiny and bright.

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Really excited, because it's nice

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to see it back in the living room again.

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And it'll be great to hear it ticking.

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That's no way to fix it...

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You scared me! What are you doing?!

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That's no way to fix a clock.

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Are those all the places that need work?

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Yeah, so what I'm doing is, I'm using this...

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..blue tape here to point out everything that needs to be done.

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That really is an excellent idea.

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So I've got all of this to do.

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What are you doing?

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I'm doing a complete overhaul on this.

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I've got to do a lot of repairs to the movement.

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I don't think it's been apart for 60, 70 years.

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So you've got all that cut out for you, as well.

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I'll pop this over on my bench.

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Oh!

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-Pretty straightforward.

-Then over to you with the case.

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Then over to me with the case.

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So the first thing I'm going to do is I'm going to strip the movement

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down completely. Then I can properly inspect it for the reason why it's

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not working. It just depends on how much, where there is.

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But I think it's pretty obvious that it's dirty and worn.

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Another Repair Shop patient is on the road to recovery.

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Pink Ted is finally on the mend.

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We are a little bit keen now to get those finishing touches done before

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Pink Teddy goes back.

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Literally the last few stitches going in,

0:16:060:16:09

then we have a few skin grafts to go in place.

0:16:090:16:11

-How we doing, ladies?

-You've walked in at the right moment.

0:16:150:16:19

They're never finished until they have a bow.

0:16:190:16:22

Aw, bless! He does look the part.

0:16:220:16:25

-He's got both ears.

-Both ears, both arms.

0:16:250:16:28

You've done a grand job.

0:16:280:16:30

We are really pleased... Zetta was wanting some of these areas left.

0:16:300:16:34

She liked some of his sort of ageing.

0:16:340:16:37

Internally, he has been completely lined and strengthened.

0:16:370:16:40

The arm looks like it's been there forever.

0:16:400:16:42

That's amazing. I can't believe you've done that.

0:16:420:16:45

Right, let's get the rest of them. All right, guys.

0:16:450:16:48

When you're ready, we've got a little reveal here.

0:16:480:16:51

-It's exciting, isn't it?

-Very exciting.

0:16:510:16:54

LAUGHTER

0:16:540:16:56

ALL: Aw!

0:16:560:16:57

Little chap.

0:16:570:16:58

Very good. Which are the new bits?

0:16:580:17:00

I was going to say...

0:17:000:17:02

Which arm is the new one?

0:17:020:17:05

This is the new arm.

0:17:050:17:07

And we made his new ear using the old ear as two fronts.

0:17:070:17:12

So the back of his ears...

0:17:130:17:14

-That's really clever.

-Yeah, really good idea.

0:17:140:17:17

The back of his ears are

0:17:170:17:18

-the new bits.

-That's brilliant.

0:17:180:17:20

-Zetta...

-She's going to be so happy with that.

0:17:200:17:23

Wonderful. I'm amazed.

0:17:230:17:25

I am as well. I'm blown away.

0:17:250:17:27

No, you've done a brilliant job.

0:17:270:17:29

I don't think anyone would look at Pink Teddy now and think it was a

0:17:290:17:33

different bear than we started with at the beginning.

0:17:330:17:36

I think he's still Pink Teddy but complete.

0:17:360:17:39

Now Pink Ted can be reunited with owner Zetta and her family.

0:17:430:17:47

And barring any more unfortunate canine encounters,

0:17:470:17:51

is ready for another 75 years of family service.

0:17:510:17:55

It's like Christmas and Easter and birthdays...

0:17:570:18:02

Oh!

0:18:020:18:04

Oh, my goodness!

0:18:040:18:06

He's all better.

0:18:060:18:07

Oh, that's brilliant!

0:18:070:18:09

"Hooray," he says!

0:18:110:18:13

That is so lovely.

0:18:130:18:16

Welcome back, Pink Ted.

0:18:160:18:18

It's totally amazing.

0:18:180:18:20

Before he was mended, he looked a bit sad.

0:18:200:18:24

He did look sad, didn't he?

0:18:240:18:26

You think he's happy now?

0:18:260:18:28

He does look happy now.

0:18:280:18:30

He's never had a bow as grand as that before.

0:18:300:18:34

I never thought that he would be able to be mended after the

0:18:340:18:38

puppy dog chewed him up.

0:18:380:18:41

And now he has come out the other side and he's brilliant now.

0:18:410:18:46

I have promised Pink Ted to my granddaughter, eventually.

0:18:460:18:50

But I hope that he and I will go through a bit more of life together.

0:18:500:18:55

I'm not finished with him yet.

0:18:550:18:56

As one old gent is restored to his family,

0:19:030:19:06

Steve is just getting started on the 18th-century grandfather clock.

0:19:060:19:10

First job, wash off the years of built-up dirt.

0:19:100:19:14

What's on the menu, then?

0:19:140:19:17

-Soup?

-Yeah, absolutely.

-I'll have some of that.

0:19:170:19:21

Clock-a-leaky.

0:19:210:19:22

Ho, ho, that's a sharp one.

0:19:220:19:25

There was an awful lot to do in this clock,

0:19:280:19:30

because it's about 240 years old.

0:19:300:19:33

It has ticked about seven and a half billion times in its life,

0:19:330:19:38

if it's been working every day.

0:19:380:19:40

So it's incredible.

0:19:400:19:42

All those ticks have taken their toll on the clock's moving parts,

0:19:420:19:46

and have left Steve a massive job to try and wind back time.

0:19:460:19:50

So this pinion here...

0:19:510:19:53

..has got quite a lot of wear to it.

0:19:540:19:57

But it's quite fortunate that this pin is quite soft as well,

0:19:580:20:01

so what I'm going to do - I can actually scrape it with a scalpel.

0:20:010:20:06

And I'm going to

0:20:080:20:10

just shape it to get rid of the little groove that has worn in it.

0:20:100:20:16

Because that, when it engages with

0:20:160:20:19

the teeth, can actually

0:20:190:20:22

stop the clock.

0:20:220:20:24

Meanwhile, Will is working on the case,

0:20:260:20:29

and discovering there might be

0:20:290:20:31

a little more to do than at first sight.

0:20:310:20:34

Steve?

0:20:340:20:36

Oh, my goodness.

0:20:360:20:38

This is what happens to grandfather clocks quite a lot,

0:20:380:20:41

is that actually the glue blocks that hold it all together, they

0:20:410:20:46

dry out and fall out. And they fall onto the ground, smash,

0:20:460:20:50

and obviously it's a lot bigger a job.

0:20:500:20:52

Yeah. The back leg was so bad,

0:20:520:20:55

it was rocking all over the place, so I think

0:20:550:20:58

that, and that was flapping off the side,

0:20:580:21:02

so that along with the fact

0:21:020:21:03

that everything's flapping everywhere else,

0:21:030:21:06

it was only a matter of time, do you think, before that just...

0:21:060:21:09

No, absolutely, it would have fallen over.

0:21:090:21:12

In the nick of time, I think.

0:21:120:21:14

-In the nick of time.

-Yeah, absolutely.

0:21:140:21:16

Leaving Will to deal with the shattered case,

0:21:170:21:20

Steve is forging ahead with returning the clock face silver.

0:21:200:21:25

I'm just putting the silver powder on, rubbing it in.

0:21:250:21:28

As you rub it on, it releases a

0:21:280:21:31

very, very thin layer of silver over

0:21:310:21:34

the surface of the brass.

0:21:340:21:37

Big areas are the most difficult ones to get a nice, even finish.

0:21:370:21:42

Sometimes you end up doing it

0:21:420:21:44

again and again until you get it right.

0:21:440:21:48

Right, now I've done that, I need to just wash it off quickly.

0:21:480:21:51

It's gone on so, so well, very pleased with that.

0:21:530:21:58

How are we doing, Steve? Your bench is empty!

0:21:590:22:02

-That means you've finished.

-No, no, no, no, I've not finished.

-No?

0:22:020:22:05

I'm getting on. I've just got the

0:22:050:22:07

dial all silvered and looking lovely.

0:22:070:22:09

I've just got to lacquer it now, then the dial's all done.

0:22:090:22:14

Steve's also decided to add an extra special touch for owners

0:22:140:22:18

Ian and Linda.

0:22:180:22:20

-I've found a hammer.

-That's a hammer?

0:22:200:22:23

Yeah, that's a hammer. And basically,

0:22:230:22:25

every hour the hammer will curl back like that and strike.

0:22:250:22:28

RESONANT DING

0:22:280:22:30

Ooh, that's nice.

0:22:300:22:32

Over at the ceramics desk,

0:22:320:22:35

Kirsten has been fixing the large crack on the Brannam vase that the

0:22:350:22:38

owner didn't even know was there.

0:22:380:22:41

I've consolidated this crack, this hairline crack.

0:22:410:22:45

It goes right the way from here all the way round,

0:22:450:22:49

right through the base.

0:22:490:22:51

Quite amazing that this actually stayed in one piece because it's a

0:22:510:22:55

really bad crack and you can hear...

0:22:550:22:57

ECHOING TAP

0:22:570:22:59

Before it sounded, it was like a

0:22:590:23:02

really sort of dull thud when you tapped on this.

0:23:020:23:05

And now it's got a nice

0:23:050:23:08

ring to it. I stabilised that, here, as well.

0:23:080:23:13

And filled it.

0:23:140:23:17

And I had to put in these ridges as

0:23:170:23:19

I was filling, to mimic the actual

0:23:190:23:22

original of the piece.

0:23:220:23:24

I'm going to start painting because when you put your first coat of

0:23:310:23:35

paint on, it always shows up any

0:23:350:23:37

imperfections and things you've missed out in

0:23:370:23:40

your fill. I'm kind of looking for the base colour there, really.

0:23:400:23:45

Now Kirsten is cracking on with fixing the original problem,

0:23:450:23:49

the chips in the glaze, before the pot's owner, Patricia,

0:23:490:23:53

returns to pick it up.

0:23:530:23:55

The blue pot belonged to my mum.

0:23:550:23:57

She gave it to me about 40 years ago.

0:23:570:24:00

I'm longing to see it, I really am.

0:24:000:24:03

Oh, hello again!

0:24:030:24:04

-How are you doing?

-Fine.

-You all right?

-Yeah.

0:24:040:24:06

Hello, nice to see you.

0:24:060:24:08

-So there's my baby.

-There's your piece. Yes. Yep.

0:24:080:24:11

Are you ready to have a look?

0:24:110:24:13

-Oh.

-There we are.

0:24:150:24:17

-Wow.

-OK?

-So which is the bit that's been...

0:24:170:24:22

No, let me guess.

0:24:220:24:25

This is metal so...

0:24:270:24:28

I can't see.

0:24:280:24:30

It all looks splendid.

0:24:300:24:33

That's great. Actually, that's the area.

0:24:330:24:35

-Really?

-There. Yeah.

0:24:350:24:37

-I'm thrilled to bits.

-That's lovely.

-Thank you so much.

0:24:370:24:40

You're very welcome. I'm just glad that you're pleased with it, really.

0:24:400:24:44

-It's lovely.

-Oops!

0:24:440:24:46

LAUGHTER

0:24:460:24:48

If it survives the journey back.

0:24:480:24:50

I might be back here next week!

0:24:500:24:51

LAUGHTER

0:24:510:24:53

I'm really cock-a-hoop.

0:24:550:24:57

It's marvellous, I'm thrilled to bits with it.

0:24:570:25:00

I think mum would love it, she might even want it back!

0:25:000:25:03

The rest of The Repair Shop team

0:25:100:25:12

is busy finishing the grandfather clock.

0:25:120:25:15

Will has spent hours stabilising the case, Steve has fixed the mechanism.

0:25:150:25:19

Now they can be reunited in all their 18th-century glory.

0:25:190:25:24

Plus, Steve's added a surprise chime.

0:25:240:25:28

Steve, now that's what I call a clock.

0:25:280:25:31

-You've done a good job here.

-Thank you very much.

0:25:310:25:33

Will's done a great job with the case - really, really good.

0:25:330:25:36

And the dial, I've re-silvered all the dial.

0:25:360:25:38

Will, come over here, mate.

0:25:380:25:40

What I want to say, is you've done a good job on the box here.

0:25:400:25:43

On the case.

0:25:430:25:45

Sorry, on the case.

0:25:450:25:47

And Steve's got this ready to strike.

0:25:470:25:50

CLOCK CHIMES

0:25:500:25:52

ALL: Hey!

0:25:520:25:53

And it's going to do that every hour.

0:25:530:25:55

Well done, Steve. Teamwork.

0:25:550:25:57

Dream work. Amazing.

0:25:570:25:58

250 miles away in Hull,

0:26:000:26:03

the clock has been returned to owners Ian and Linda, who have no

0:26:030:26:08

idea that Steve has added an extra little surprise.

0:26:080:26:12

-Look at that.

-Ah!

-It's fantastic, isn't it?

0:26:120:26:17

Oh! Look at the cabinet as well.

0:26:170:26:20

It doesn't look like the same clock at all, does it?

0:26:200:26:23

That's fantastic.

0:26:230:26:25

We don't really keep a lot of stuff in the family, but this is the big

0:26:250:26:29

-heirloom, if you like.

-It's a lovely sound.

0:26:290:26:33

Calming, homely.

0:26:330:26:35

TICKS

0:26:350:26:36

-I can fall asleep to that.

-You probably will!

0:26:370:26:40

CLOCK CHIMES

0:26:400:26:42

You're joking!

0:26:420:26:44

How's he done that?

0:26:440:26:48

Oh, God! That's great.

0:26:480:26:51

-Dear me.

-I don't know what to say.

0:26:520:26:55

That's fantastic.

0:26:560:26:59

That's the icing on the cake.

0:26:590:27:01

SHE GASPS

0:27:010:27:04

Fantastic, isn't it?

0:27:060:27:07

It makes you feel quite emotional to think,

0:27:110:27:13

-all those years it hasn't chimed.

-No.

0:27:130:27:16

-No.

-Oh, it's lovely.

0:27:190:27:21

It's a good surprise, is that one.

0:27:210:27:23

Yeah, it is, it's a lovely surprise.

0:27:230:27:25

Absolutely amazed. It looks absolutely fabulous.

0:27:270:27:30

And the chime, it was absolutely superb to hear it because it's

0:27:300:27:33

something... I've never heard it before in my life.

0:27:330:27:36

And it was a very, very nice surprise.

0:27:360:27:39

Now we know what it was like when it was made.

0:27:390:27:41

Everything is working.

0:27:410:27:44

It was nice just to have that little moment.

0:27:440:27:47

Before, it was really just a piece of furniture.

0:27:490:27:52

Now, when I look at it,

0:27:520:27:55

it's a real heirloom, it's something to be proud of,

0:27:550:27:59

something to be taken care of and something that will be passed down.

0:27:590:28:03

Join us again next time, as more family heirlooms are restored and

0:28:060:28:10

treasured keepsakes revived in The Repair Shop.

0:28:100:28:14

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