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To celebrate the start of the Commonwealth Games, | 0:00:04 | 0:00:07 | |
we're going to show you the Commonwealth | 0:00:07 | 0:00:09 | |
as you've never seen it before. | 0:00:09 | 0:00:11 | |
We've travelled to the ends of the Earth. | 0:00:13 | 0:00:16 | |
To explore seven of the natural wonders of the Commonwealth. | 0:00:16 | 0:00:19 | |
There are so many treasures within its 53 countries, | 0:00:21 | 0:00:25 | |
we've chosen just some that give an insight into our shared history | 0:00:25 | 0:00:29 | |
and the Commonwealth today. | 0:00:29 | 0:00:30 | |
It's magnificent. | 0:00:32 | 0:00:34 | |
The gateway to heaven. | 0:00:34 | 0:00:35 | |
We'll take you on a remarkable journey | 0:00:38 | 0:00:40 | |
to the richest coral reef on the planet. | 0:00:40 | 0:00:43 | |
It is incredible. | 0:00:43 | 0:00:45 | |
That is beautiful. | 0:00:46 | 0:00:48 | |
A forest in an ocean. How's that for a wonder? | 0:00:48 | 0:00:52 | |
From the oldest desert on Earth... | 0:00:54 | 0:00:56 | |
It just goes on and on and on. | 0:00:56 | 0:00:58 | |
..to the world's greatest waterfall... | 0:01:00 | 0:01:02 | |
I can't believe I'm doing this! | 0:01:02 | 0:01:05 | |
..revealing the most unspoilt rainforest on the planet... | 0:01:05 | 0:01:09 | |
That is what you call shaking your tail feather. | 0:01:10 | 0:01:12 | |
THEY CHANT | 0:01:12 | 0:01:15 | |
-..and a landscape... -Oh, wow. | 0:01:15 | 0:01:17 | |
..thought by many to be the most spectacular fjords in the world. | 0:01:17 | 0:01:21 | |
And I'll be exploring a surprising treasure on our own doorstep | 0:01:24 | 0:01:28 | |
that matches anything the rest of the Commonwealth has to offer. | 0:01:28 | 0:01:32 | |
The Commonwealth may have its origins in a colonial past, | 0:01:44 | 0:01:47 | |
but today it's founded on the coming together of 53 independent nations | 0:01:47 | 0:01:52 | |
from all around the globe, | 0:01:52 | 0:01:55 | |
united by shared values of equality and democracy. | 0:01:55 | 0:01:59 | |
One of the founder members of the Commonwealth is New Zealand. | 0:02:01 | 0:02:05 | |
It's the location of our first natural wonder. | 0:02:05 | 0:02:09 | |
The remote south-western coastline is home to Fiordland. | 0:02:09 | 0:02:14 | |
Historian Dan Snow is setting out to explore it. | 0:02:18 | 0:02:21 | |
I'm a child of the Commonwealth. | 0:02:23 | 0:02:25 | |
My dad's from Britain but my mum was from Canada | 0:02:25 | 0:02:27 | |
so I grew up in a world divided by geography | 0:02:27 | 0:02:30 | |
but united by language and culture. | 0:02:30 | 0:02:33 | |
And this is one remote corner of the Commonwealth | 0:02:33 | 0:02:36 | |
that I've always wanted to visit. | 0:02:36 | 0:02:38 | |
I'm following in the footsteps of the great explorer Captain Cook, | 0:02:38 | 0:02:43 | |
the first European to reach here in 1770. | 0:02:43 | 0:02:47 | |
I'm about to kayak down the fjord Doubtful Sound | 0:02:49 | 0:02:52 | |
and then head 50 miles up the coast into Milford Sound, | 0:02:52 | 0:02:57 | |
one of the marvels of the natural world. | 0:02:57 | 0:02:59 | |
My guide is local kayaker Fiona Lee. | 0:03:03 | 0:03:06 | |
Wow, it's just so beautiful, isn't it? | 0:03:08 | 0:03:11 | |
I wasn't expecting it to be this lush. | 0:03:11 | 0:03:14 | |
Yeah, we get up to eight metres of rain a year, which is phenomenal. | 0:03:14 | 0:03:18 | |
Kind of thing you'd expect in Scotland. | 0:03:18 | 0:03:20 | |
I suppose that's the funny thing about the Commonwealth. | 0:03:20 | 0:03:23 | |
You can travel halfway across the world | 0:03:23 | 0:03:25 | |
and see a landscape, hear a language, meet people who are familiar. | 0:03:25 | 0:03:29 | |
But the first people to explore these fjords | 0:03:31 | 0:03:33 | |
arrived about 1,000 years before the Commonwealth existed. | 0:03:33 | 0:03:37 | |
The Maoris were so impressed | 0:03:37 | 0:03:39 | |
this landscape became part of their mythology. | 0:03:39 | 0:03:42 | |
There was a demigod in the North Island. | 0:03:43 | 0:03:45 | |
His name was Tu-te-raki-whanoa | 0:03:45 | 0:03:47 | |
and he was sent out to create an inland passageway. | 0:03:47 | 0:03:51 | |
He planted one foot and then the other | 0:03:51 | 0:03:53 | |
and used his magical axe to carve into the landscape. | 0:03:53 | 0:03:57 | |
Ah, this is just the best pastime - | 0:03:58 | 0:04:01 | |
kayaking through Fiordland. | 0:04:01 | 0:04:04 | |
Oh, what am I seeing over there? Do you see them? | 0:04:06 | 0:04:09 | |
-Yeah, the bottlenose dolphins? -Yeah. | 0:04:09 | 0:04:11 | |
Yeah, I can see them jumping. Oh, my goodness. | 0:04:11 | 0:04:15 | |
Some bottlenose dolphins we've just seen ahead of me. | 0:04:15 | 0:04:17 | |
Oh, wow. | 0:04:17 | 0:04:19 | |
Come on, dolphins. | 0:04:20 | 0:04:22 | |
If you paddle really quick, Dan, you might be able to surf with them. | 0:04:22 | 0:04:25 | |
OK. Here we go. They want to surf in the bow wave? Let's see. | 0:04:25 | 0:04:27 | |
-Ah. -Ah, look at that. | 0:04:27 | 0:04:29 | |
Yeah, they are, they're right underneath me! | 0:04:30 | 0:04:32 | |
Woo-hoo! | 0:04:33 | 0:04:35 | |
That's the bottlenose dolphins that live in Doubtful Sound. | 0:04:37 | 0:04:40 | |
They're really amazing. | 0:04:40 | 0:04:41 | |
How many of them would there be in a pod? | 0:04:41 | 0:04:42 | |
Oh, the pod is around about 60 in size. | 0:04:42 | 0:04:45 | |
It's actually pretty intimidating. | 0:04:47 | 0:04:49 | |
-They're big animals, aren't they? -They're really big and fat. | 0:04:49 | 0:04:52 | |
They are about three or four metres long. | 0:04:52 | 0:04:53 | |
Oh, amazing. | 0:04:53 | 0:04:55 | |
Woo-hoo! | 0:04:58 | 0:04:59 | |
-Wow! -Wow. | 0:05:03 | 0:05:06 | |
Oh, my goodness, that's cool. | 0:05:06 | 0:05:09 | |
-Not a bad day at the office, really. -Amazing. | 0:05:09 | 0:05:12 | |
I've never done anything like that at all. | 0:05:26 | 0:05:28 | |
What an amazing thing to do on a day like this, in these surroundings. | 0:05:28 | 0:05:31 | |
-Yee-hah. -Is that reg... Do they always do that? | 0:05:31 | 0:05:34 | |
Just a treat for us today. | 0:05:34 | 0:05:36 | |
Hello, boys! | 0:05:38 | 0:05:39 | |
Doubtful Sound got its name from Captain Cook. | 0:05:43 | 0:05:46 | |
He didn't dare enter here for fear the steep sides of the fjord | 0:05:46 | 0:05:50 | |
would becalm his sailing ship | 0:05:50 | 0:05:51 | |
and would make it doubtful he could ever get out again. | 0:05:51 | 0:05:55 | |
For the next part of our journey, | 0:05:55 | 0:05:57 | |
we're hitching a lift on a fishing boat. | 0:05:57 | 0:06:00 | |
We're now following in Cook's wake | 0:06:05 | 0:06:07 | |
as he travelled north along the coast. | 0:06:07 | 0:06:09 | |
Nearly 250 years ago, | 0:06:10 | 0:06:12 | |
his historic voyage first brought New Zealand and Britain | 0:06:12 | 0:06:15 | |
into contact with each other. | 0:06:15 | 0:06:17 | |
These are the conditions that Cook would have loved - | 0:06:18 | 0:06:21 | |
pushing his Endeavour as it became the first European ship | 0:06:21 | 0:06:24 | |
to circumnavigate New Zealand back in 1770. | 0:06:24 | 0:06:27 | |
He was looking for the fabled southern continent. | 0:06:27 | 0:06:30 | |
He didn't find that exactly. | 0:06:30 | 0:06:32 | |
What he did find was just as good. | 0:06:32 | 0:06:34 | |
New Zealand and the east coast of Australia, | 0:06:34 | 0:06:36 | |
both of which he claimed for the British Government. | 0:06:36 | 0:06:38 | |
It was a seminal moment in the formation of the British Empire | 0:06:38 | 0:06:42 | |
and of course that led to the Commonwealth. | 0:06:42 | 0:06:44 | |
Our fishermen are hauling in | 0:06:48 | 0:06:50 | |
one of the most lucrative catches in the world. | 0:06:50 | 0:06:52 | |
That was a bumper, that last one. | 0:06:55 | 0:06:57 | |
Yeah, every pot's a bit different, you know. | 0:06:57 | 0:07:00 | |
These crayfish sell for over £50 a kilo | 0:07:00 | 0:07:03 | |
and they export them all around the globe. | 0:07:03 | 0:07:06 | |
And how many pots do you look to do in a day? | 0:07:06 | 0:07:08 | |
-About 130 at the moment. -Oh, wow. | 0:07:08 | 0:07:11 | |
We can do up to... Oh, we can do as many as we want. | 0:07:11 | 0:07:14 | |
Up to 200 sometimes. | 0:07:14 | 0:07:16 | |
The boat can make over £50,000 a day. | 0:07:17 | 0:07:21 | |
At that price, I feel it's only polite for Fi and I to devour some. | 0:07:22 | 0:07:27 | |
Here we go, guys. | 0:07:27 | 0:07:28 | |
I'm very grateful, | 0:07:29 | 0:07:30 | |
this is like 1,000 worth of crayfish, here. | 0:07:30 | 0:07:33 | |
Let's see what these people are paying the big money for. | 0:07:33 | 0:07:35 | |
Go for it. | 0:07:35 | 0:07:37 | |
Ah, nice work, team. Cheers. Good day out. | 0:07:37 | 0:07:40 | |
Mm! | 0:07:45 | 0:07:47 | |
-Not bad, mate. -Fruits of our labour. | 0:07:47 | 0:07:50 | |
I can see why you make a good living from this. | 0:07:50 | 0:07:52 | |
That's to die for. | 0:07:52 | 0:07:53 | |
I don't really eat it much. | 0:07:55 | 0:07:57 | |
We live on steak and roasts and stuff! | 0:07:57 | 0:08:00 | |
It's time to leave the crayfish behind, | 0:08:06 | 0:08:08 | |
as we're now approaching our destination. | 0:08:08 | 0:08:10 | |
Just coming round the corner, here, into Milford Sound, | 0:08:12 | 0:08:16 | |
widely regarded as the absolute gem in Fiordland. | 0:08:16 | 0:08:21 | |
Captain Cook, perhaps the greatest explorer of all time, | 0:08:23 | 0:08:27 | |
actually missed this jewel. | 0:08:27 | 0:08:30 | |
It's easy to see why. | 0:08:30 | 0:08:32 | |
The entrance lies hidden behind these rocks. | 0:08:32 | 0:08:35 | |
Wow. Well, that's incredible. | 0:08:35 | 0:08:39 | |
-What a reveal. -Welcome to Milford Sound. | 0:08:39 | 0:08:42 | |
Oh, my goodness! | 0:08:42 | 0:08:43 | |
The cliffs are even more finely cut than Doubtful Sound. | 0:08:47 | 0:08:51 | |
According to Maori legend, | 0:08:51 | 0:08:53 | |
this is where the demigod perfected his carving skills. | 0:08:53 | 0:08:56 | |
The centrepiece is the 150 metre high Stirling Falls. | 0:09:01 | 0:09:05 | |
It's fed by the abundant rains here, six times the UK average. | 0:09:05 | 0:09:10 | |
It's quite impressive, isn't it? | 0:09:10 | 0:09:12 | |
Whoa! It's like being in a storm. | 0:09:12 | 0:09:16 | |
Wow, you've really got to lean over against the wind. | 0:09:16 | 0:09:20 | |
Wow, just incredible. | 0:09:20 | 0:09:23 | |
Woo-hoo! | 0:09:23 | 0:09:25 | |
This journey has exceeded all my expectations. | 0:09:29 | 0:09:32 | |
An incredible mix of a unique landscape, Maori myths | 0:09:32 | 0:09:36 | |
and European explorers. | 0:09:36 | 0:09:38 | |
The author Rudyard Kipling said | 0:09:40 | 0:09:42 | |
that this, Victoria Falls, the Himalayas and the Grand Canyon | 0:09:42 | 0:09:45 | |
were four wonders of the natural world. | 0:09:45 | 0:09:47 | |
He wasn't wrong. | 0:09:47 | 0:09:49 | |
The modern Commonwealth came into being in the 1940s | 0:10:04 | 0:10:08 | |
and has been evolving ever since. | 0:10:08 | 0:10:11 | |
18 countries are represented from Africa alone. | 0:10:11 | 0:10:15 | |
Namibia chose to join in 1990 when it gained independence. | 0:10:15 | 0:10:19 | |
It's one of the newest members. | 0:10:19 | 0:10:21 | |
It's also home to the oldest desert in the world. | 0:10:23 | 0:10:28 | |
Anita Rani is setting out to travel from its harsh interior | 0:10:28 | 0:10:31 | |
to the treacherous coast. | 0:10:31 | 0:10:33 | |
And meet some of the people who live in the most sparsely populated | 0:10:34 | 0:10:38 | |
of all the Commonwealth countries. | 0:10:38 | 0:10:41 | |
It's three times the size of the UK and has a population of two million. | 0:10:41 | 0:10:46 | |
I've not seen a soul! | 0:10:48 | 0:10:49 | |
It's quite simply stunning. | 0:10:51 | 0:10:54 | |
I feel like I'm on Mars. | 0:10:56 | 0:10:57 | |
Stepping out into such a hot desert is immediately daunting. | 0:11:02 | 0:11:07 | |
The average rainfall here is as little as 2mm a year. | 0:11:08 | 0:11:13 | |
And temperatures sometimes reach over 50 degrees Celsius. | 0:11:15 | 0:11:20 | |
So, it was suggested that I should climb one of the dunes. | 0:11:26 | 0:11:28 | |
Naturally, I was well up for it. | 0:11:28 | 0:11:30 | |
But I thought a quick scramble to the top | 0:11:30 | 0:11:32 | |
of something like Camber Sands, | 0:11:32 | 0:11:33 | |
that's what I had in my mind. | 0:11:33 | 0:11:35 | |
But these sand dunes are some of the highest in the world. | 0:11:35 | 0:11:39 | |
It's more of a mountain range. | 0:11:39 | 0:11:41 | |
I mean, it is spectacular | 0:11:41 | 0:11:43 | |
but I've still got 1,000 feet to go. And it's not that easy. | 0:11:43 | 0:11:48 | |
Oh, whoa! | 0:11:48 | 0:11:49 | |
It's not just the scale of these dunes that's impressive, | 0:12:07 | 0:12:10 | |
this place has been a desert for 55 million years. | 0:12:10 | 0:12:15 | |
I'm meeting up with research scientist Ruusa Gottlieb | 0:12:16 | 0:12:19 | |
to find out how dry this environment really is. | 0:12:19 | 0:12:23 | |
Wow, Ruusa. What is this place? | 0:12:24 | 0:12:27 | |
-This place is known as Deadvlei. -Deadvlei. What does that mean? | 0:12:27 | 0:12:31 | |
Deadvlei just means dead valley. | 0:12:31 | 0:12:34 | |
Dead valley. Gosh. | 0:12:34 | 0:12:35 | |
Yeah, dead valley because of all the dead trees that you see. | 0:12:35 | 0:12:38 | |
yeah, I can see. This one - it's incredible looking. | 0:12:38 | 0:12:41 | |
Yeah, you can see that the wood is so dry and hard. | 0:12:41 | 0:12:43 | |
It's really dry, it's really hard. How old is it? | 0:12:43 | 0:12:45 | |
It's known to be 900 years old. | 0:12:45 | 0:12:48 | |
But in the UK trees die all the time, | 0:12:48 | 0:12:50 | |
but you don't see them standing here for 900 years. | 0:12:50 | 0:12:53 | |
Well, because in wetter areas normally it would rain | 0:12:53 | 0:12:56 | |
and then the thing starts to rot. | 0:12:56 | 0:12:57 | |
But because it's dry here | 0:12:57 | 0:12:59 | |
the tree can't rot, because there's no moisture. | 0:12:59 | 0:13:02 | |
From the world's largest dunes to ancient dead trees, | 0:13:04 | 0:13:09 | |
this place is both unforgiving and mesmerising. | 0:13:09 | 0:13:13 | |
But to get a true sense of the size of the desert | 0:13:15 | 0:13:18 | |
I need to go up. | 0:13:18 | 0:13:19 | |
I've never seen anything like this. It's so magnificent. | 0:13:31 | 0:13:37 | |
360 degrees around me, to the horizon, | 0:13:37 | 0:13:41 | |
all I can see is desert. | 0:13:41 | 0:13:43 | |
I'd expected the Atlantic coast to offer some respite from the desert, | 0:13:56 | 0:14:00 | |
but in fact the shore is littered with shipwrecks | 0:14:00 | 0:14:05 | |
and is known as the Skeleton Coast. | 0:14:05 | 0:14:07 | |
It's a reminder of just how tough it is | 0:14:15 | 0:14:18 | |
to survive in this desert. | 0:14:18 | 0:14:19 | |
I want to find out how people not only live | 0:14:25 | 0:14:28 | |
but flourish in what must be | 0:14:28 | 0:14:30 | |
one of the most inhospitable environments. | 0:14:30 | 0:14:32 | |
It just goes on and on and on, nothingness. | 0:14:32 | 0:14:35 | |
-That's right. -No people, no traffic jams, here. | 0:14:35 | 0:14:38 | |
HE LAUGHS | 0:14:38 | 0:14:40 | |
My guide, Oanee, is from the Himba tribe, | 0:14:43 | 0:14:46 | |
masters of Namibia's harsh environment. | 0:14:46 | 0:14:49 | |
He's taking me to a Himba village | 0:14:50 | 0:14:52 | |
to show me some of the secrets | 0:14:52 | 0:14:55 | |
that help his people cope in this unforgiving place. | 0:14:55 | 0:14:58 | |
-Moro, Moro, Moro. -Moro, Moro, Moro. | 0:14:59 | 0:15:01 | |
Moro. Grivi, Nawa. | 0:15:01 | 0:15:05 | |
-Nawa. -Pleased to meet you. Anita. | 0:15:05 | 0:15:09 | |
You look amazing. THE INTERPRETER RELAYS, SHE RESPONDS | 0:15:09 | 0:15:13 | |
-INTERPRETER: -Thank you. -Wow. | 0:15:13 | 0:15:15 | |
To help with the burning sun, | 0:15:15 | 0:15:17 | |
the women cover their skin in a paste of red ochre and butter. | 0:15:17 | 0:15:21 | |
I've been told it's a natural sunblock. | 0:15:21 | 0:15:23 | |
Now, my mum will be delighted with this | 0:15:23 | 0:15:26 | |
because the one thing my mum will do before I'm about to travel anywhere | 0:15:26 | 0:15:29 | |
is phone me up to remind me to take my sunblock, | 0:15:29 | 0:15:31 | |
which she calls "factor". | 0:15:31 | 0:15:33 | |
So here you go, Mum, | 0:15:33 | 0:15:35 | |
I'm dousing myself in some natural "factor"! | 0:15:35 | 0:15:39 | |
What do we think this is? | 0:15:39 | 0:15:41 | |
About SPF 50? Probably SPF 100. | 0:15:41 | 0:15:45 | |
-We're about the same, now. -Mm. -Yeah! | 0:15:45 | 0:15:49 | |
The Himba have another secret for surviving on the desert's edge. | 0:15:49 | 0:15:53 | |
The women purify their bodies using perfumed smoke. | 0:15:55 | 0:15:59 | |
Hm, it does smell nice. | 0:15:59 | 0:16:02 | |
You know, they're in a very dry, arid landscape | 0:16:02 | 0:16:05 | |
and water is scarce. | 0:16:05 | 0:16:06 | |
So when water's scarce you've got to think of alternatives. | 0:16:06 | 0:16:09 | |
Let's do mine. | 0:16:13 | 0:16:14 | |
Hm, it smells good. | 0:16:15 | 0:16:17 | |
I'm just going to hang here | 0:16:18 | 0:16:19 | |
and try and attract some men that are walking by, | 0:16:19 | 0:16:22 | |
now that I'm all beautified. | 0:16:22 | 0:16:25 | |
THEY LAUGH | 0:16:25 | 0:16:27 | |
Namibia is a country of contrasts. | 0:16:30 | 0:16:32 | |
You've got this developing African nation | 0:16:32 | 0:16:34 | |
that's a member of the Commonwealth | 0:16:34 | 0:16:36 | |
where some people still live this ancient way of life. | 0:16:36 | 0:16:38 | |
You've got this landmass, the Namib desert, | 0:16:38 | 0:16:41 | |
55 million years old, | 0:16:41 | 0:16:43 | |
where it's so dry that trees don't decompose, | 0:16:43 | 0:16:47 | |
where you get some of the highest sand dunes in the world, | 0:16:47 | 0:16:49 | |
and where the coast is so treacherous | 0:16:49 | 0:16:51 | |
that it's lined with shipwrecks. | 0:16:51 | 0:16:53 | |
And yes, it is some of the most barren, austere, | 0:16:53 | 0:16:56 | |
harshest landscape in the world, | 0:16:56 | 0:16:58 | |
but it's also incredibly beautiful. | 0:16:58 | 0:17:01 | |
Now, I use this adjective far too much in real life, | 0:17:01 | 0:17:04 | |
but for once I'm absolutely justified. | 0:17:04 | 0:17:07 | |
Namibia is awesome. | 0:17:07 | 0:17:09 | |
Some member nations of the Commonwealth | 0:17:14 | 0:17:16 | |
are surprisingly remote. | 0:17:16 | 0:17:18 | |
Nowhere feels more exotic | 0:17:18 | 0:17:20 | |
than the tens of thousands of tropical islands | 0:17:20 | 0:17:23 | |
found in the South Pacific. | 0:17:23 | 0:17:25 | |
1,000 of them make up Solomon Islands. | 0:17:29 | 0:17:32 | |
The ocean here contains | 0:17:32 | 0:17:34 | |
three quarters of the world's coral species. | 0:17:34 | 0:17:38 | |
It's said to be ten times more biodiverse | 0:17:38 | 0:17:40 | |
than the Great Barrier Reef. | 0:17:40 | 0:17:42 | |
Reggie Yates is flying in to dive a little deeper. | 0:17:46 | 0:17:49 | |
It's hard not to smile when you turn up in a place like this. | 0:17:52 | 0:17:56 | |
On my way over, the pilot stuck his head out of the cockpit | 0:17:56 | 0:17:58 | |
and said "You're not in a rush, are you? | 0:17:58 | 0:18:00 | |
"Because I've got a few things I need to drop off on the way over." | 0:18:00 | 0:18:03 | |
And when we actually touched down, | 0:18:03 | 0:18:05 | |
a group of kids had to disperse | 0:18:05 | 0:18:06 | |
cos they were playing football on the runway. | 0:18:06 | 0:18:08 | |
That was the journey in and we've not even hit the water yet! | 0:18:08 | 0:18:12 | |
Who knows what we're going to see when we get out there. | 0:18:12 | 0:18:14 | |
Solomons got their name from the first explorers | 0:18:16 | 0:18:19 | |
who thought they'd discovered the source of King Solomon's wealth. | 0:18:19 | 0:18:23 | |
But the bounty here isn't gold, | 0:18:24 | 0:18:27 | |
it's the riches of the ocean. | 0:18:27 | 0:18:29 | |
I'm heading to the island of Tetepare, | 0:18:31 | 0:18:34 | |
a global centre for marine conservation. | 0:18:34 | 0:18:36 | |
This is the largest uninhabited island in the South Pacific | 0:18:37 | 0:18:41 | |
and it's going to be absolutely stunning. | 0:18:41 | 0:18:44 | |
This reef is part of the Coral Triangle | 0:18:53 | 0:18:56 | |
that stretches from Indonesia to Solomon Islands. | 0:18:56 | 0:18:59 | |
It's larger than the Great Barrier Reef | 0:19:00 | 0:19:03 | |
and it's the richest marine environment on the planet. | 0:19:03 | 0:19:06 | |
There's more marine life in a typical reef here | 0:19:12 | 0:19:15 | |
than there is in the whole of the Caribbean. | 0:19:15 | 0:19:18 | |
These islands are such a natural paradise | 0:19:28 | 0:19:31 | |
people have fought over them for centuries. | 0:19:31 | 0:19:34 | |
I'm heading to the ominously named Skull Island with local guide Sunga | 0:19:35 | 0:19:40 | |
to find out more about the dark side | 0:19:40 | 0:19:42 | |
of this tropical paradise. | 0:19:42 | 0:19:43 | |
Sunga is one of the few people | 0:19:47 | 0:19:49 | |
allowed to take me to this sacred site, | 0:19:49 | 0:19:52 | |
the final resting place for local tribal kings. | 0:19:52 | 0:19:56 | |
That's fantastic. | 0:20:00 | 0:20:01 | |
So, that's where they keep the kings' skulls, | 0:20:01 | 0:20:04 | |
and their families down at the bottom. | 0:20:04 | 0:20:07 | |
And the one on the left | 0:20:07 | 0:20:09 | |
that's King Hinguva, died in 1934. | 0:20:09 | 0:20:12 | |
Right. | 0:20:12 | 0:20:14 | |
These people, they do the head-hunting | 0:20:14 | 0:20:17 | |
and they're cannibals, they eat people. | 0:20:17 | 0:20:20 | |
The victims of these cannibalistic head-hunters are also kept here. | 0:20:20 | 0:20:25 | |
Displaying these trophies | 0:20:25 | 0:20:26 | |
was an important part of the head-hunting cult. | 0:20:26 | 0:20:29 | |
So by eating them as well as keeping their skulls | 0:20:30 | 0:20:33 | |
they would see that as a way of gaining their power. | 0:20:33 | 0:20:35 | |
-That's right. -Right. | 0:20:35 | 0:20:36 | |
If they don't do that | 0:20:36 | 0:20:38 | |
the power's going to go to somebody else. | 0:20:38 | 0:20:40 | |
You seem to know lot about Hinguva. What's your relationship with him? | 0:20:40 | 0:20:44 | |
Hinguva is my great-great-grandfather. | 0:20:44 | 0:20:48 | |
Right. | 0:20:48 | 0:20:49 | |
I'm so proud to see my great-great-grandfather's skull | 0:20:50 | 0:20:54 | |
-still remain on this island. -Yeah. | 0:20:54 | 0:20:56 | |
SUNGA BLOWS CONCH SHELL | 0:20:57 | 0:20:59 | |
Before missionaries stopped the practice | 0:21:07 | 0:21:09 | |
at the end of the 19th century, | 0:21:09 | 0:21:12 | |
head-hunters had driven the people of Tetepare from their island. | 0:21:12 | 0:21:16 | |
Today, its descendants use this deserted paradise | 0:21:16 | 0:21:20 | |
for more peaceful purposes. | 0:21:20 | 0:21:22 | |
They've turned it into a centre for marine conservation. | 0:21:22 | 0:21:26 | |
What we're about to get into is going to be very exciting. | 0:21:26 | 0:21:28 | |
They call it the turtle rodeo. | 0:21:28 | 0:21:30 | |
Basically it's conservation, but the turtle rodeo sounds a lot more fun. | 0:21:30 | 0:21:33 | |
Let's check it out. | 0:21:33 | 0:21:34 | |
The ocean is so rich here | 0:21:37 | 0:21:39 | |
it's home to five out of the seven species of marine turtle. | 0:21:39 | 0:21:44 | |
Monitoring and tagging the island's population | 0:21:44 | 0:21:47 | |
is an important part of the conservation work here. | 0:21:47 | 0:21:50 | |
So Tony is stood at the end of the boat right now, spotting. | 0:21:50 | 0:21:53 | |
It's his job to try and identify where the turtles are | 0:21:53 | 0:21:55 | |
and the minute he sees one, he's in. | 0:21:55 | 0:21:57 | |
THEY SHOUT TO EACH OTHER | 0:21:58 | 0:22:01 | |
I think we might be on. | 0:22:01 | 0:22:03 | |
I think we got something, I think we got something! | 0:22:03 | 0:22:06 | |
We've caught ourselves a turtle. | 0:22:12 | 0:22:14 | |
Not bad going. | 0:22:14 | 0:22:15 | |
And he's a beaut, as well. | 0:22:18 | 0:22:19 | |
It turns out that he's actually been tagged already. | 0:22:19 | 0:22:21 | |
So in terms of conservation, the work is already done. | 0:22:21 | 0:22:24 | |
So the only thing left to do with this bad boy is to let him go. | 0:22:24 | 0:22:27 | |
'Then they spot another one. | 0:22:34 | 0:22:35 | |
'Cue the belly flop.' | 0:22:35 | 0:22:37 | |
Wow, look at that! No way. | 0:22:38 | 0:22:40 | |
'And this is a huge green turtle.' | 0:22:41 | 0:22:45 | |
Whoa. Look at the size of it! | 0:22:45 | 0:22:48 | |
'And it hasn't been tagged.' | 0:22:48 | 0:22:50 | |
My goodness. | 0:22:50 | 0:22:51 | |
I tell you what - she's beautiful, but she doesn't half reek. | 0:22:53 | 0:22:57 | |
Four of the marine turtle species that live here are endangered | 0:22:58 | 0:23:02 | |
and the green turtle is one of them. | 0:23:02 | 0:23:04 | |
The team measure, weigh and DNA test this female. | 0:23:07 | 0:23:11 | |
It helps build a picture of population health | 0:23:11 | 0:23:14 | |
and movement throughout the vast South Pacific. | 0:23:14 | 0:23:17 | |
And they've asked if I'll tag this wonderful creature. | 0:23:18 | 0:23:22 | |
OK. | 0:23:22 | 0:23:23 | |
OK. So number is, T00022. | 0:23:25 | 0:23:31 | |
T00022. | 0:23:31 | 0:23:34 | |
'Then it's time to release her.' | 0:23:36 | 0:23:38 | |
She's heavy, isn't she? | 0:23:38 | 0:23:39 | |
THEY MUTTER | 0:23:39 | 0:23:41 | |
The scientists say she's 20 years old | 0:23:41 | 0:23:44 | |
and hasn't even reached sexual maturity yet. | 0:23:44 | 0:23:47 | |
With a life expectancy of over 80, | 0:23:47 | 0:23:50 | |
she might even outlast me. | 0:23:50 | 0:23:52 | |
It's not every day you do that before lunch, is it?! | 0:23:55 | 0:23:58 | |
What a morning. | 0:23:58 | 0:24:00 | |
And there she goes. | 0:24:00 | 0:24:02 | |
She's tagged, she's been weighed, DNA's been taken | 0:24:02 | 0:24:04 | |
and apparently it'll be about two years before they see her again. | 0:24:04 | 0:24:08 | |
Even on the most remote of these 1,000 islands | 0:24:13 | 0:24:16 | |
there's still a fascination with the Queen. | 0:24:16 | 0:24:19 | |
In both her roles as the Head of the Commonwealth | 0:24:19 | 0:24:22 | |
and Queen of the Solomons | 0:24:22 | 0:24:24 | |
she's seen as a benign figurehead. | 0:24:24 | 0:24:26 | |
In 1982, when the Queen last visited, | 0:24:27 | 0:24:30 | |
Mary, a leader of the Tetepare Descendants, | 0:24:30 | 0:24:33 | |
travelled to the capital to pay homage to her Queen. | 0:24:33 | 0:24:36 | |
As a small girl, I thought of the Queen | 0:24:37 | 0:24:40 | |
-as somebody really big for my country. -Yeah. | 0:24:40 | 0:24:43 | |
So I was very excited, with the other students, | 0:24:43 | 0:24:45 | |
to meet the Queen. | 0:24:45 | 0:24:47 | |
And when she came, we were very happy. | 0:24:47 | 0:24:49 | |
We sing her songs. | 0:24:49 | 0:24:50 | |
We saw her for the first time and we thought, | 0:24:50 | 0:24:53 | |
"This is historical for us." | 0:24:53 | 0:24:55 | |
Do you remember the song that you sang? | 0:24:55 | 0:24:57 | |
# Come again and visit us | 0:24:57 | 0:25:00 | |
# Come again, our Queen | 0:25:00 | 0:25:02 | |
# We will all remember you | 0:25:02 | 0:25:05 | |
# Remember you, dear Queen | 0:25:05 | 0:25:07 | |
# From our heart we say | 0:25:07 | 0:25:10 | |
# With happy memories of this day | 0:25:10 | 0:25:13 | |
# God bless you As you travel on your way. # | 0:25:13 | 0:25:17 | |
On anyone's list of the wonders of the world | 0:25:22 | 0:25:26 | |
is Victoria Falls on the border of Zambia and Zimbabwe. | 0:25:26 | 0:25:30 | |
It's the greatest waterfall on the planet. | 0:25:31 | 0:25:33 | |
Olympic and Commonwealth champion Denise Lewis | 0:25:38 | 0:25:40 | |
is about to canoe to the falls. | 0:25:40 | 0:25:42 | |
I've been to lots of Commonwealth countries, | 0:25:44 | 0:25:46 | |
but it's almost always been to compete. | 0:25:46 | 0:25:49 | |
So you can imagine I've seen lots of stadiums, | 0:25:49 | 0:25:52 | |
I've met a lot of Commonwealth members, | 0:25:52 | 0:25:54 | |
but rarely have I had the opportunity | 0:25:54 | 0:25:57 | |
to experience anything like this. | 0:25:57 | 0:25:59 | |
So it's going to be a real adventure for me. | 0:25:59 | 0:26:01 | |
To reach the falls I have to navigate the Zambezi. | 0:26:02 | 0:26:06 | |
And, rather worryingly, the river is at its highest | 0:26:06 | 0:26:09 | |
and in full flow. | 0:26:09 | 0:26:11 | |
Luckily I'm not going alone. | 0:26:11 | 0:26:14 | |
-Dominic. -Hi. -Hi, I'm Denise. -Dominic. | 0:26:15 | 0:26:18 | |
-Really nice to meet you. -Pleased to meet you. | 0:26:18 | 0:26:20 | |
I cannot believe how much it's moving. It's so fast. | 0:26:20 | 0:26:24 | |
We have all the time to check for animals. | 0:26:24 | 0:26:26 | |
Yeah, so we don't rush. | 0:26:26 | 0:26:28 | |
Because, if we rush, we will miss the exciting things. | 0:26:28 | 0:26:31 | |
-So when you say animals... -Yeah. | 0:26:31 | 0:26:34 | |
-Crocodiles? -Crocodiles, yeah. | 0:26:34 | 0:26:36 | |
Then the other thing is the hippos. | 0:26:36 | 0:26:40 | |
I think you're going to be on your own today, Dominic. | 0:26:40 | 0:26:42 | |
-I'll see you soon. -No, no, no! | 0:26:42 | 0:26:44 | |
No, I've been on this river for a long time. | 0:26:44 | 0:26:48 | |
-This is why I'm still alive. -Yeah. | 0:26:48 | 0:26:51 | |
I don't know why I was worried about crocs. | 0:27:00 | 0:27:03 | |
I think these rapids might get me first! | 0:27:03 | 0:27:05 | |
SHE SHRIEKS | 0:27:05 | 0:27:07 | |
I can't believe I'm doing this! | 0:27:16 | 0:27:18 | |
Keep on checking these areas, the bare ground under the trees. | 0:27:27 | 0:27:32 | |
-Yeah. -OK. | 0:27:32 | 0:27:33 | |
That's where, at this time of the year, | 0:27:33 | 0:27:36 | |
the crocs could be, you can see. | 0:27:36 | 0:27:38 | |
-Is that him? That long thing? -That's a croc, there. | 0:27:38 | 0:27:41 | |
No way. Oh, he's moving. | 0:27:41 | 0:27:43 | |
-He's moving. He's moving into the water. -Yeah! | 0:27:43 | 0:27:48 | |
It's coming, like, this way. | 0:27:48 | 0:27:49 | |
Yes, it can just surface under our canoe. | 0:27:49 | 0:27:52 | |
You're making fun of me, Dominic. | 0:27:52 | 0:27:54 | |
I don't want to raise alarm, but I thought I saw some nostrils. | 0:27:56 | 0:28:00 | |
-That's a... -No, I'm serious, look! What's that? | 0:28:00 | 0:28:03 | |
-That's grass. That's grass. -Oh. Phew. | 0:28:03 | 0:28:07 | |
Um... | 0:28:08 | 0:28:09 | |
-That's a piece of wood floating. -That's wood. Now I'm paranoid. | 0:28:11 | 0:28:15 | |
-Now I can see crocs everywhere. -Yes. | 0:28:15 | 0:28:18 | |
I wasn't very cool about the crocs. | 0:28:23 | 0:28:26 | |
I'll have to try harder with the hippos. | 0:28:26 | 0:28:29 | |
Wow, he's a biggy. | 0:28:29 | 0:28:30 | |
Zambia is home to 40,000 hippos. | 0:28:33 | 0:28:36 | |
They may look placid | 0:28:39 | 0:28:40 | |
but they're killers. | 0:28:40 | 0:28:42 | |
This is like travelling through an animal minefield. | 0:28:42 | 0:28:45 | |
So how far have I actually paddled today? | 0:28:49 | 0:28:52 | |
Ah, you've paddled for more than 30km. | 0:28:52 | 0:28:55 | |
It feels like it. | 0:28:55 | 0:28:57 | |
I can't begin to tell you how glad I am | 0:28:57 | 0:29:02 | |
to see land again. | 0:29:02 | 0:29:05 | |
SHE SIGHS | 0:29:05 | 0:29:07 | |
-Commonwealth champion! -Yeah. | 0:29:09 | 0:29:11 | |
Oh, my arms, my legs! | 0:29:11 | 0:29:15 | |
The river was just the most amazing thing I've ever seen | 0:29:20 | 0:29:26 | |
and I still haven't seen the big thing yet. | 0:29:26 | 0:29:28 | |
So I've just been totally amazed. | 0:29:28 | 0:29:32 | |
But the thing that I'm really dreading tonight | 0:29:32 | 0:29:35 | |
is the camping. | 0:29:35 | 0:29:37 | |
I don't do camping. | 0:29:37 | 0:29:39 | |
I hope nothing creepy comes and drags me out of my tent! | 0:29:41 | 0:29:45 | |
It was possibly my worst night's sleep ever. | 0:29:56 | 0:29:58 | |
So many hippo noises and creatures and minibeasts. | 0:30:00 | 0:30:05 | |
But Dominic promises it's all going to be worth it. | 0:30:10 | 0:30:13 | |
My first sight of the falls, | 0:30:15 | 0:30:17 | |
known in the local Tongan language as Mosi-oa-Tunya, | 0:30:17 | 0:30:21 | |
the smoke that thunders. | 0:30:21 | 0:30:23 | |
I can see it! | 0:30:23 | 0:30:25 | |
I can see just this kaleidoscope of colour | 0:30:25 | 0:30:29 | |
just going into the sky. Is that it? | 0:30:29 | 0:30:31 | |
Yes, that's the smoke that thunders. | 0:30:31 | 0:30:34 | |
Wow! | 0:30:34 | 0:30:37 | |
It's incredible, it really is a sight to behold. | 0:30:37 | 0:30:40 | |
Just all this smoke just going into the air, | 0:30:40 | 0:30:45 | |
definitely worth all this hard work. | 0:30:45 | 0:30:47 | |
I think I'm a bit scared now. | 0:30:50 | 0:30:52 | |
Just hope I don't go over the edge! | 0:30:53 | 0:30:55 | |
No-one is allowed to venture further on the river. | 0:31:00 | 0:31:03 | |
It's just too dangerous. | 0:31:03 | 0:31:05 | |
Oh, my goodness! | 0:31:06 | 0:31:08 | |
I didn't know what I would feel when I got to this point, | 0:31:12 | 0:31:16 | |
but it's breathtaking. | 0:31:16 | 0:31:18 | |
It's kind of... | 0:31:18 | 0:31:20 | |
rendered me spellbound. | 0:31:20 | 0:31:22 | |
The beautiful rainbow is... | 0:31:22 | 0:31:25 | |
It's almost like if you were religious | 0:31:25 | 0:31:28 | |
this would be the gateway to heaven. It's magnificent. | 0:31:28 | 0:31:32 | |
This is the largest curtain of falling water in the world. | 0:31:43 | 0:31:48 | |
It's over a mile wide | 0:31:48 | 0:31:50 | |
and about 500 million litres of water plummet over the edge every minute. | 0:31:50 | 0:31:55 | |
The huge cloud announcing the falls | 0:32:00 | 0:32:02 | |
is a spray plume that rises up half a kilometre. | 0:32:02 | 0:32:05 | |
On my travels with Dominic | 0:32:09 | 0:32:10 | |
he said to truly say I'd been to Zambia | 0:32:10 | 0:32:13 | |
I have to get myself immersed in the Mosi-oa-Tunya. | 0:32:13 | 0:32:16 | |
So that's what I'm going to do, | 0:32:16 | 0:32:18 | |
I'm going to get very wet! | 0:32:18 | 0:32:19 | |
Oh, my goodness. | 0:32:23 | 0:32:25 | |
SHE CHEERS AND LAUGHS | 0:32:26 | 0:32:28 | |
I am so ridiculously wet at the moment. | 0:32:30 | 0:32:32 | |
I can just about open my eyes. | 0:32:32 | 0:32:35 | |
It's the best shower I've had in ages, | 0:32:36 | 0:32:38 | |
but it's so exhilarating. | 0:32:38 | 0:32:41 | |
Woo! | 0:32:41 | 0:32:42 | |
The first European to see the falls | 0:32:51 | 0:32:53 | |
was the Victorian missionary and explorer David Livingstone. | 0:32:53 | 0:32:57 | |
When Livingstone was here he said, | 0:32:59 | 0:33:01 | |
"Scenes so lovely could only have been gazed upon | 0:33:01 | 0:33:03 | |
"by angels in their flight." | 0:33:03 | 0:33:05 | |
Well, Livingstone couldn't do that, | 0:33:05 | 0:33:07 | |
but I'm hoping to get this angels' view. | 0:33:07 | 0:33:09 | |
I've survived the crocs and the hippos, | 0:33:11 | 0:33:14 | |
not to mention a night in a tent. | 0:33:14 | 0:33:16 | |
I've been soaked by the smoke that thunders | 0:33:16 | 0:33:19 | |
and now I feel like I'm in heaven, with the angels' view. | 0:33:19 | 0:33:23 | |
Two billion people, | 0:33:32 | 0:33:34 | |
one third of the world's population, | 0:33:34 | 0:33:36 | |
live in the Commonwealth. | 0:33:36 | 0:33:37 | |
And nowhere on the globe is more packed | 0:33:39 | 0:33:41 | |
than the Indian subcontinent. | 0:33:41 | 0:33:43 | |
But there's a mysterious natural wonder here | 0:33:45 | 0:33:48 | |
that's barely touched by humanity. | 0:33:48 | 0:33:51 | |
The Sundarbans forest straddles the border of Bangladesh and India. | 0:33:52 | 0:33:57 | |
It's the largest mangrove swamp on the planet. | 0:33:58 | 0:34:01 | |
It's also the realm of 400 Bengal tigers. | 0:34:03 | 0:34:06 | |
Ever since the British came here in the 17th century, | 0:34:08 | 0:34:11 | |
the man-eating tiger has loomed large in our imaginations. | 0:34:11 | 0:34:15 | |
Dan Snow is exploring this dangerous wilderness. | 0:34:17 | 0:34:21 | |
I want to get close to a tiger | 0:34:27 | 0:34:29 | |
and find out what it's like | 0:34:29 | 0:34:30 | |
for people to live cheek by jowl with this fearsome animal. | 0:34:30 | 0:34:34 | |
In fact I'm now heading to a place | 0:34:35 | 0:34:37 | |
where I'm most likely to come face-to-face with one. | 0:34:37 | 0:34:40 | |
Kotka is where the swamp meets the Indian ocean. | 0:34:42 | 0:34:45 | |
Mangroves are one of the few trees | 0:34:46 | 0:34:48 | |
that can survive in salty tidal waters. | 0:34:48 | 0:34:51 | |
It's also home to enough wildlife | 0:34:52 | 0:34:55 | |
to sustain what is perhaps the world's largest tiger population. | 0:34:55 | 0:34:58 | |
WHOOPING AND HOLLERING | 0:35:00 | 0:35:04 | |
My guide, Tanjil Rahman, promises I'll get close enough to the beast | 0:35:04 | 0:35:08 | |
to justify the armed guards. | 0:35:08 | 0:35:10 | |
We're heading into the swamp's dense ferns, | 0:35:13 | 0:35:15 | |
the favourite haunt of the tiger, | 0:35:15 | 0:35:18 | |
with conservationist Abu Naser. | 0:35:18 | 0:35:20 | |
-So this is where they rest up during the day? -Yeah. | 0:35:20 | 0:35:23 | |
There's two ways and one way is here... | 0:35:23 | 0:35:26 | |
'Setting a camera trap is our best chance to see a tiger.' | 0:35:26 | 0:35:29 | |
'But we may be closer to one right now than we've bargained for.' | 0:35:30 | 0:35:33 | |
RUSTLING AND SHOUTING | 0:35:33 | 0:35:37 | |
Be careful, something is moving. | 0:35:38 | 0:35:40 | |
Tell everyone make loud noise. | 0:35:40 | 0:35:42 | |
THEY HOLLER | 0:35:42 | 0:35:45 | |
I definitely heard something. | 0:35:48 | 0:35:50 | |
SHOUTING | 0:35:50 | 0:35:53 | |
These guys are pretty sure we heard what sounded like | 0:35:55 | 0:35:57 | |
a pretty heavy beast running through the undergrowth just there. | 0:35:57 | 0:36:01 | |
And this is exactly where tigers would be spending | 0:36:01 | 0:36:03 | |
the warmest part of the day. | 0:36:03 | 0:36:05 | |
Back on our houseboat, | 0:36:08 | 0:36:09 | |
Naser shows me what a close shave we had. | 0:36:09 | 0:36:13 | |
So this is stuff that you've shot previously. | 0:36:13 | 0:36:15 | |
-Yeah. It's a night capture. -Wow, look at that. | 0:36:15 | 0:36:19 | |
Is it the place where I was terrified | 0:36:19 | 0:36:21 | |
-when we heard the feet in the bushes? -Yeah! | 0:36:21 | 0:36:24 | |
-Very nice, you can see how sleek it is. -Yeah, exactly, | 0:36:24 | 0:36:28 | |
get a sense of its power and its movement, there. | 0:36:28 | 0:36:32 | |
And this is another place. | 0:36:32 | 0:36:34 | |
-You can see the deers. -Yes. | 0:36:34 | 0:36:37 | |
-Whoa! -You see. -Look at that. | 0:36:37 | 0:36:41 | |
What an amazing thing, | 0:36:41 | 0:36:42 | |
to see it in its natural environment like that. | 0:36:42 | 0:36:44 | |
-It's like a ghost stalking across the landscape. -Yeah. | 0:36:44 | 0:36:47 | |
And if proof were needed that there are tigers close by, | 0:36:50 | 0:36:53 | |
Naser finds more evidence on the river bank | 0:36:53 | 0:36:55 | |
yards from our house boat - | 0:36:55 | 0:36:58 | |
fresh tiger footprints. | 0:36:58 | 0:37:00 | |
-These are huge pugmarks, aren't they? -Yeah, huge. | 0:37:01 | 0:37:04 | |
And it seems to be the male tiger. | 0:37:04 | 0:37:07 | |
Look how massive that is. | 0:37:07 | 0:37:09 | |
How old do you think these are? How long ago were these made? | 0:37:09 | 0:37:13 | |
Yeah, it's only... | 0:37:13 | 0:37:15 | |
Yeah, 24 hours. | 0:37:15 | 0:37:17 | |
So within the last 24 hours a big male tiger has come down here | 0:37:17 | 0:37:20 | |
and swum across this little canal. | 0:37:20 | 0:37:22 | |
-Do you have any doubt, sir? -Nope. | 0:37:22 | 0:37:26 | |
In the forest, the biggest footprint is from tiger | 0:37:26 | 0:37:29 | |
so you cannot miss it. | 0:37:29 | 0:37:31 | |
So wherever you go in this swamp | 0:37:31 | 0:37:33 | |
you might be just feet away from a tiger. | 0:37:33 | 0:37:36 | |
That's food for thought as I begin the next part of my journey. | 0:37:40 | 0:37:44 | |
For two months each year | 0:37:44 | 0:37:46 | |
local fishermen dare to venture | 0:37:46 | 0:37:48 | |
into the heart of this vast, untamed wilderness | 0:37:48 | 0:37:51 | |
to harvest wild honey. | 0:37:51 | 0:37:53 | |
I'm joining a group on their annual expedition into the mangroves. | 0:37:54 | 0:37:57 | |
Every year, tigers attack honey hunters, | 0:38:02 | 0:38:05 | |
often fatally. | 0:38:05 | 0:38:06 | |
The threat is so great | 0:38:08 | 0:38:09 | |
they do everything they can to scare the cats away. | 0:38:09 | 0:38:12 | |
MAN CHANTS | 0:38:14 | 0:38:16 | |
ALL JOIN IN | 0:38:16 | 0:38:18 | |
You know, the honey collection is the most dangerous job in the world | 0:38:22 | 0:38:25 | |
and that is because of the tiger. | 0:38:25 | 0:38:27 | |
And in some bad years... | 0:38:27 | 0:38:29 | |
maybe say more than 100 honey collectors | 0:38:29 | 0:38:31 | |
can be killed by tigers in the forest, in two months. | 0:38:31 | 0:38:34 | |
Tigers aren't the only problem. | 0:38:37 | 0:38:39 | |
The honey the men are after is guarded by | 0:38:39 | 0:38:42 | |
some of the largest and most aggressive bees in the world. | 0:38:42 | 0:38:45 | |
I'm extremely nervous. | 0:38:49 | 0:38:50 | |
I don't know what I'm more nervous about, | 0:38:50 | 0:38:52 | |
the fact that we're all looking around nervously for tigers | 0:38:52 | 0:38:54 | |
or the fact we're about to go and disturb a bunch of bees | 0:38:54 | 0:38:57 | |
who'll be very angry about it, | 0:38:57 | 0:38:58 | |
wearing, well, not exactly modern safety kit. | 0:38:58 | 0:39:01 | |
Like a bank robber, a honey robber. | 0:39:03 | 0:39:06 | |
It's a heist, isn't it? | 0:39:06 | 0:39:07 | |
The men smoke the bees from the hive. | 0:39:11 | 0:39:13 | |
They believe it mimics a forest fire, forcing the bees to flee. | 0:39:15 | 0:39:18 | |
THEY SHOUT | 0:39:18 | 0:39:21 | |
How about the tigers? What do they think about the smoke? | 0:39:21 | 0:39:24 | |
When it's really smoky, | 0:39:24 | 0:39:25 | |
that is also a dangerous time for tiger attack, | 0:39:25 | 0:39:28 | |
-because you don't see much around. -OK, great. | 0:39:28 | 0:39:31 | |
HE SPEAKS OWN LANGUAGE | 0:39:31 | 0:39:33 | |
THEY SHOUT | 0:39:33 | 0:39:35 | |
I can see the hive. | 0:39:38 | 0:39:39 | |
This is the time of greatest danger. | 0:39:40 | 0:39:42 | |
If the bees "flash", | 0:39:42 | 0:39:44 | |
the bee equivalent of a Mexican wave, | 0:39:44 | 0:39:47 | |
they're about to swarm. | 0:39:47 | 0:39:49 | |
Then we need to get out of here fast! | 0:39:50 | 0:39:52 | |
The trick is to get the smoke in quickly | 0:39:54 | 0:39:56 | |
before the bees become too angry. | 0:39:56 | 0:39:58 | |
BUZZING | 0:39:58 | 0:40:00 | |
You can tell how bees are feeling | 0:40:05 | 0:40:06 | |
cos there's something about the noise - | 0:40:06 | 0:40:08 | |
it gets a little bit more high-pitched, | 0:40:08 | 0:40:10 | |
a little bit more angry. | 0:40:10 | 0:40:11 | |
They're definitely beginning to make that noise now. | 0:40:11 | 0:40:15 | |
BUZZING DROWNS SPEECH | 0:40:15 | 0:40:17 | |
Now it's my turn to harvest some. | 0:40:21 | 0:40:23 | |
I haven't collected honey since I was a child | 0:40:25 | 0:40:28 | |
when I did it with my grandfather. | 0:40:28 | 0:40:30 | |
But this is a bit different from the beekeeping he was used to. | 0:40:30 | 0:40:33 | |
Half, half...yeah. | 0:40:33 | 0:40:35 | |
So now you go that way. | 0:40:36 | 0:40:38 | |
-Oh, wow, look at this honey. -It's that easy. | 0:40:40 | 0:40:42 | |
It's amazing. | 0:40:42 | 0:40:44 | |
That is beautiful. | 0:40:44 | 0:40:45 | |
The men don't harvest all the honey. | 0:40:48 | 0:40:51 | |
It means the bees can re-colonise the hive | 0:40:51 | 0:40:53 | |
without having to make another one from scratch. | 0:40:53 | 0:40:56 | |
We got away lightly. | 0:41:00 | 0:41:02 | |
No bee stings and no sign of a tiger. | 0:41:02 | 0:41:05 | |
How's the nectar? | 0:41:05 | 0:41:07 | |
Chew this bit. | 0:41:09 | 0:41:10 | |
THEY MUTTER | 0:41:10 | 0:41:13 | |
Oh, my god, that's amazing. | 0:41:13 | 0:41:15 | |
Oh, I can see why people risk their lives for this. | 0:41:15 | 0:41:18 | |
Valuable honey and beeswax are their reward, | 0:41:23 | 0:41:25 | |
but it isn't just economics that make these men return every year. | 0:41:25 | 0:41:31 | |
I spoke to many honey collectors. | 0:41:31 | 0:41:32 | |
They said, "When we hear that bees are buzzing, | 0:41:32 | 0:41:35 | |
"it's in our blood." You know? | 0:41:35 | 0:41:37 | |
"We can't really resist to go there, | 0:41:37 | 0:41:40 | |
"despite of all of the tiger accident and life." | 0:41:40 | 0:41:45 | |
That's just how it is. | 0:41:45 | 0:41:47 | |
The closest I came to a big cat was a camera trap, | 0:41:51 | 0:41:54 | |
but we heard later that a honey hunter working close to us | 0:41:54 | 0:41:58 | |
was killed by a tiger on that very same day. | 0:41:58 | 0:42:01 | |
But the danger the tiger poses | 0:42:08 | 0:42:09 | |
has helped preserve this wonder of nature | 0:42:09 | 0:42:12 | |
ever since Bangladesh joined the Commonwealth | 0:42:12 | 0:42:14 | |
some 40 years ago. | 0:42:14 | 0:42:15 | |
Let's hope that in another 40 years | 0:42:17 | 0:42:19 | |
this astonishing landscape, and the tiger, will still be here. | 0:42:19 | 0:42:23 | |
There are some countries | 0:42:34 | 0:42:36 | |
you'd be surprised are part of the Commonwealth family at all. | 0:42:36 | 0:42:39 | |
Papua New Guinea, on the edge of the South Pacific, | 0:42:41 | 0:42:44 | |
is one of them. | 0:42:44 | 0:42:45 | |
The island's isolation and inhospitable terrain | 0:42:48 | 0:42:51 | |
mean its interior remains largely untouched, | 0:42:51 | 0:42:54 | |
leaving an impressively pristine rainforest. | 0:42:54 | 0:42:59 | |
Its people are incredibly diverse. | 0:42:59 | 0:43:02 | |
There are up to 7,000 languages in the world | 0:43:02 | 0:43:05 | |
and 832 of them are spoken here. | 0:43:05 | 0:43:08 | |
And it shelters at least 39 species | 0:43:08 | 0:43:12 | |
of the most exotic and colourful birds, | 0:43:12 | 0:43:15 | |
the appropriately named birds-of-paradise. | 0:43:15 | 0:43:18 | |
Anita Rani is heading deep into the forest | 0:43:20 | 0:43:23 | |
to fulfil a childhood dream. | 0:43:23 | 0:43:25 | |
I've finally made it to Papua New Guinea, | 0:43:26 | 0:43:29 | |
a country I have always wanted to visit, | 0:43:29 | 0:43:32 | |
ever since my wonderful English teacher, | 0:43:32 | 0:43:34 | |
the rather aptly named Mrs Bird, | 0:43:34 | 0:43:36 | |
said that she used to live here. | 0:43:36 | 0:43:37 | |
And it just seemed like the most far away, exotic place on Earth. | 0:43:37 | 0:43:42 | |
I've come here to try and find something very rare | 0:43:42 | 0:43:44 | |
and incredibly beautiful - | 0:43:44 | 0:43:46 | |
the bird-of-paradise. | 0:43:46 | 0:43:47 | |
'When David Attenborough first came here 60 years ago | 0:43:51 | 0:43:55 | |
'it took him six weeks to see a bird-of-paradise. | 0:43:55 | 0:43:59 | |
'I've only got three days to witness its famous courtship display. | 0:43:59 | 0:44:03 | |
'So if I'm going to have half a chance, | 0:44:05 | 0:44:07 | |
'I'll need a local guide to help me.' | 0:44:07 | 0:44:10 | |
This is a path?! | 0:44:10 | 0:44:12 | |
'Samuel is known as the Bird Man of Papua New Guinea.' | 0:44:12 | 0:44:15 | |
Why are they called the bird-of-paradise? | 0:44:17 | 0:44:19 | |
They thought these birds come down from heaven, | 0:44:19 | 0:44:23 | |
fly around, do feeding and late in the afternoon, | 0:44:23 | 0:44:26 | |
they fly up to heaven or paradise. | 0:44:26 | 0:44:28 | |
So that's why they called it birds-of-paradise. | 0:44:28 | 0:44:31 | |
-Wow, because they thought they descended from heaven. -Yes. | 0:44:31 | 0:44:34 | |
I've never done any bird watching. | 0:44:34 | 0:44:37 | |
What qualities do I need? | 0:44:37 | 0:44:38 | |
Because I'll tell you straight off the bat | 0:44:38 | 0:44:40 | |
I am not patient. | 0:44:40 | 0:44:42 | |
The plan is to trek deep into the forest | 0:44:47 | 0:44:50 | |
to see the lesser bird-of-paradise. | 0:44:50 | 0:44:53 | |
The male's beautiful courtship display | 0:44:53 | 0:44:56 | |
is notoriously difficult to see. | 0:44:56 | 0:44:58 | |
So we'll have to be incredibly quiet, | 0:44:58 | 0:45:01 | |
which isn't going to be easy for a chatterbox like me. | 0:45:01 | 0:45:05 | |
WHISPERING: This is the territory of the lesser bird-of-paradise. | 0:45:05 | 0:45:08 | |
Now, it's not spotted that often, | 0:45:08 | 0:45:11 | |
but if it does make an appearance it should be on that tree, there. | 0:45:11 | 0:45:15 | |
Hopefully we'll be lucky. | 0:45:15 | 0:45:16 | |
WHISPERING: We've been waiting in the sweatbox | 0:45:25 | 0:45:27 | |
for an hour and a half, now. | 0:45:27 | 0:45:29 | |
We can... BIRD CALLS | 0:45:29 | 0:45:32 | |
You can hear the bird but we can't see the bird. | 0:45:32 | 0:45:35 | |
It's like it's teasing us. | 0:45:35 | 0:45:36 | |
I guess this is what it really means to be a twitcher, | 0:45:38 | 0:45:41 | |
just hanging out and waiting. | 0:45:41 | 0:45:42 | |
I can't even wait for a bus! | 0:45:43 | 0:45:45 | |
I can't believe I've done... CALL DRAWS CLOSER | 0:45:50 | 0:45:54 | |
There it is. | 0:45:54 | 0:45:55 | |
Look at that tail. | 0:45:57 | 0:45:58 | |
It's so beautiful, I just want to touch it. | 0:46:00 | 0:46:02 | |
Oh, he didn't stick around to display. | 0:46:10 | 0:46:13 | |
But it was so beautiful. | 0:46:14 | 0:46:16 | |
It makes me really want to see one displaying, now. | 0:46:16 | 0:46:19 | |
I might not have seen the birds | 0:46:23 | 0:46:24 | |
display their extraordinary plumage yet, | 0:46:24 | 0:46:26 | |
but I've heard the people use bird-of-paradise feathers | 0:46:26 | 0:46:30 | |
when they strut their stuff. | 0:46:30 | 0:46:32 | |
I've been invited to a traditional ceremony called a sing-sing | 0:46:33 | 0:46:37 | |
with community leader Pym Mamindi. | 0:46:37 | 0:46:39 | |
The sing-sing involves a lot of dressing up. | 0:46:40 | 0:46:43 | |
It's clear these people prize bird-of-paradise feathers | 0:46:47 | 0:46:50 | |
extremely highly. | 0:46:50 | 0:46:52 | |
-Hello, ladies. -Hello! -How are you? -Fine. | 0:46:54 | 0:46:57 | |
-This is looking pretty impressive, very fancy. -Yeah. | 0:46:57 | 0:47:01 | |
-So you'll be attracting the guys? -The guys. -Yeah. So... | 0:47:01 | 0:47:04 | |
Me. She's going to attract me. | 0:47:04 | 0:47:06 | |
She's going to attract you? | 0:47:06 | 0:47:08 | |
Are you going to attract him? | 0:47:08 | 0:47:10 | |
-Is he the man for you? -Yes, he is. | 0:47:10 | 0:47:13 | |
You're lucky she said yes. | 0:47:13 | 0:47:15 | |
Now we're getting to the heart of it, | 0:47:15 | 0:47:17 | |
basically this is like a courtship dance. | 0:47:17 | 0:47:19 | |
-You're trying to attract the opposite sex. -Exactly. | 0:47:19 | 0:47:21 | |
You're telling them you're a somebody. You've got moves. | 0:47:21 | 0:47:23 | |
THEY SING | 0:47:23 | 0:47:26 | |
Adorned with their feathers and paint, | 0:47:26 | 0:47:28 | |
the men and women dance. | 0:47:28 | 0:47:30 | |
First up are the ladies. | 0:47:30 | 0:47:32 | |
SINGING CONTINUES | 0:47:32 | 0:47:35 | |
And then the men join in. | 0:47:40 | 0:47:43 | |
They're using the feathers in the same way a bird-of-paradise would | 0:47:45 | 0:47:49 | |
to attract a partner. | 0:47:49 | 0:47:51 | |
In our society you can get married to two to three wives. | 0:47:51 | 0:47:54 | |
-Two to three wives? -Yeah. Even more! | 0:47:54 | 0:47:57 | |
He has to put up a good show so that the ladies will say, | 0:47:57 | 0:47:59 | |
"Oh, this man is dancing nicely, and he's got good feathers." | 0:47:59 | 0:48:03 | |
And maybe you can get another wife. | 0:48:03 | 0:48:05 | |
HE YELLS Pym takes me to meet the chief, | 0:48:11 | 0:48:14 | |
who has five wives. | 0:48:14 | 0:48:16 | |
He said he killed three men. | 0:48:16 | 0:48:18 | |
-He's killed three men? -Yes. -Who are these men? | 0:48:18 | 0:48:20 | |
-His enemies! I don't know. -Who are they? | 0:48:20 | 0:48:23 | |
'The chief has a surprising affection for the Queen | 0:48:23 | 0:48:26 | |
'who, for him, is the chief of all chiefs.' | 0:48:26 | 0:48:29 | |
Do you know the Queen? | 0:48:29 | 0:48:31 | |
-Yeah. -Yes. | 0:48:31 | 0:48:32 | |
HE SPEAKS OWN LANGUAGE | 0:48:32 | 0:48:34 | |
'He tells me he once tried to see the Queen, | 0:48:34 | 0:48:37 | |
'but made the mistake | 0:48:37 | 0:48:38 | |
'of travelling to the capital of Papua New Guinea, Port Moresby.' | 0:48:38 | 0:48:42 | |
-He thought the Queen lived in Port Moresby? -Yes! | 0:48:42 | 0:48:44 | |
-And he went to Port Moresby! -THE CHIEF GIGGLES | 0:48:44 | 0:48:46 | |
He had a chance to go to Port Moresby | 0:48:46 | 0:48:48 | |
and the Queen doesn't live here, the Queen lives in England! | 0:48:48 | 0:48:50 | |
What does it mean to Papua New Guinea | 0:48:50 | 0:48:52 | |
-to be part of the Commonwealth and to have this Queen? -OK. | 0:48:52 | 0:48:54 | |
It's a big community, Commonwealth is a big community. | 0:48:54 | 0:48:57 | |
So when we are Papua New Guineans, they feel they're secured, | 0:48:57 | 0:49:01 | |
or they feel that there is a network, | 0:49:01 | 0:49:03 | |
there are many, many countries | 0:49:03 | 0:49:05 | |
that are coming together as one under one umbrella | 0:49:05 | 0:49:07 | |
because of the Queen and the Commonwealth. | 0:49:07 | 0:49:10 | |
After the people's courtship dance, | 0:49:17 | 0:49:19 | |
I'm determined to finally see a bird-of-paradise display. | 0:49:19 | 0:49:24 | |
And I've chosen the most iconic of all - | 0:49:24 | 0:49:27 | |
the raggiana. | 0:49:27 | 0:49:28 | |
WHISPERING: 'I've got a direct view to the tree | 0:49:31 | 0:49:33 | |
where hopefully the raggiana bird, | 0:49:33 | 0:49:35 | |
the national emblem of Papua New Guinea, | 0:49:35 | 0:49:38 | |
will come and show me its display. | 0:49:38 | 0:49:40 | |
Now, I've been told that it's on its way | 0:49:40 | 0:49:41 | |
because we can actually hear it in the distance. | 0:49:41 | 0:49:44 | |
So it's just a waiting game. | 0:49:44 | 0:49:45 | |
BIG BROTHER NARRATOR IMPRESSION: Day 75. | 0:49:53 | 0:49:55 | |
Anita's still sweating it out, looking for the bird-of-paradise! | 0:49:55 | 0:49:58 | |
BIRD CALLS There it is! There it is! | 0:49:58 | 0:50:02 | |
I can see the bird is in the tree. | 0:50:02 | 0:50:04 | |
Wow! | 0:50:09 | 0:50:10 | |
Oh, wow. | 0:50:11 | 0:50:13 | |
Well, I knew it was going to be pretty, | 0:50:17 | 0:50:19 | |
but that's just beautiful. | 0:50:19 | 0:50:21 | |
Mesmerizingly beautiful. | 0:50:23 | 0:50:25 | |
HE CONTINUES CALLING | 0:50:27 | 0:50:30 | |
Now that is what you call shaking your tail feather! | 0:50:34 | 0:50:37 | |
I've become a twitcher. | 0:50:44 | 0:50:45 | |
It's quite good fun actually. | 0:50:45 | 0:50:47 | |
There's a noise the raggiana bird-of-paradise makes | 0:50:50 | 0:50:53 | |
that perfectly sums up Papua New Guinea | 0:50:53 | 0:50:55 | |
and that is "wow". | 0:50:55 | 0:50:57 | |
BIRD CALLS "WOW" | 0:50:57 | 0:51:00 | |
With its untouched rainforest, | 0:51:00 | 0:51:01 | |
its people still living the traditional way of life | 0:51:01 | 0:51:04 | |
and their undying devotion to the Queen... | 0:51:04 | 0:51:06 | |
But this is a country that's changing. | 0:51:06 | 0:51:08 | |
As it develops, they are naturally going to embrace the modern world. | 0:51:08 | 0:51:12 | |
So to have experienced it right now, as it is, | 0:51:12 | 0:51:15 | |
has been an absolute privilege. | 0:51:15 | 0:51:18 | |
We could have chosen 1,000 natural treasures | 0:51:27 | 0:51:30 | |
from all around the Commonwealth. | 0:51:30 | 0:51:32 | |
But one of my favourites is much closer to home. | 0:51:32 | 0:51:36 | |
For our seventh and final wonder I've come here to Scotland, | 0:51:39 | 0:51:41 | |
to explore an area of outstanding natural beauty. | 0:51:41 | 0:51:45 | |
And it's a place that's inspired writers and artists and musicians | 0:51:45 | 0:51:49 | |
for generations. | 0:51:49 | 0:51:50 | |
They came to the tiny uninhabited Island of Staffa | 0:51:52 | 0:51:57 | |
to Fingal's Cave. | 0:51:57 | 0:51:58 | |
The cave gets its name from the legend of an Irish giant, | 0:51:59 | 0:52:03 | |
Fionn MacCumhaill, | 0:52:03 | 0:52:04 | |
who built a bridge from Ireland to Scotland. | 0:52:04 | 0:52:07 | |
In 1829, | 0:52:08 | 0:52:10 | |
this place stirred the 20-year-old composer Felix Mendelssohn | 0:52:10 | 0:52:14 | |
to write The Hebrides overture. | 0:52:14 | 0:52:17 | |
MUSIC: "THE HEBRIDES (OVERTURE)" | 0:52:17 | 0:52:20 | |
On the nearby island of Mull | 0:52:30 | 0:52:31 | |
I'm meeting classical violinist Seonaid Aitken | 0:52:31 | 0:52:35 | |
who has performed the overture in the cave. | 0:52:35 | 0:52:38 | |
I want to learn more | 0:52:38 | 0:52:40 | |
about how Mendelssohn was moved by the experience. | 0:52:40 | 0:52:43 | |
He was inspired to write that immediately after seeing the cave. | 0:52:46 | 0:52:49 | |
Apparently he wrote a letter back to his sister | 0:52:49 | 0:52:52 | |
with the opening 21 bars of the overture | 0:52:52 | 0:52:55 | |
and said, "In order to make you realise | 0:52:55 | 0:52:57 | |
"how extraordinarily the Hebrides have affected me, | 0:52:57 | 0:53:00 | |
"the following came into my head there." | 0:53:00 | 0:53:02 | |
And what makes it so evocative of the landscape, | 0:53:02 | 0:53:05 | |
of the place, of the mood? | 0:53:05 | 0:53:07 | |
Well, I think it's the feeling of the unknown. | 0:53:07 | 0:53:11 | |
And Mendelssohn really creates that in his music | 0:53:11 | 0:53:13 | |
and depicts the ebb and flow of the tide, really, | 0:53:13 | 0:53:17 | |
and the crashing of the waves. | 0:53:17 | 0:53:18 | |
And it's really quite dramatic. It's like a storm, you know. | 0:53:18 | 0:53:21 | |
It's brilliant towards the end, that's my favourite part. | 0:53:21 | 0:53:24 | |
I can't wait to go there. | 0:53:24 | 0:53:26 | |
I shall hear your music in my head when I do. | 0:53:26 | 0:53:29 | |
Mendelssohn made his way to the cave under sail. | 0:53:40 | 0:53:44 | |
So I'm doing the same. | 0:53:44 | 0:53:45 | |
Local writer Jan Sutch Pickard is accompanying me on the voyage. | 0:53:48 | 0:53:53 | |
So, Jan, tell me why it's called Fingal's Cave. | 0:53:53 | 0:53:55 | |
And was that always its name? | 0:53:55 | 0:53:58 | |
Actually that wasn't originally its name. | 0:53:58 | 0:54:00 | |
Its original name was Uamh-Binn, | 0:54:00 | 0:54:03 | |
which means the melodious cave | 0:54:03 | 0:54:07 | |
which expressed the wonder of the sound of it. | 0:54:07 | 0:54:10 | |
How is the best way to experience Fingal's Cave? | 0:54:10 | 0:54:13 | |
I think you need to experience it for yourself, | 0:54:13 | 0:54:16 | |
without a big set-up. | 0:54:16 | 0:54:17 | |
Queen Victoria went in in the Royal barge | 0:54:17 | 0:54:20 | |
with the standard flying. | 0:54:20 | 0:54:22 | |
But I think to simply walk in on your own | 0:54:22 | 0:54:26 | |
and let the cave speak to you with its melodious voice. | 0:54:26 | 0:54:30 | |
Just emerging from the mist | 0:54:33 | 0:54:35 | |
you can start to see the black rock of Staffa. | 0:54:35 | 0:54:38 | |
Waves are crashing in at the base. | 0:54:38 | 0:54:40 | |
These rocks were formed some 65 million years ago | 0:54:44 | 0:54:48 | |
when an underwater volcano erupted. | 0:54:48 | 0:54:51 | |
The water caused the lava to crack | 0:54:53 | 0:54:55 | |
and then solidify into these astonishing polygonal shapes. | 0:54:55 | 0:55:00 | |
I feel like I'm following in the footsteps | 0:55:03 | 0:55:05 | |
of some of the great artists of the 19th century. | 0:55:05 | 0:55:08 | |
Writers like Keats and painters like JMW Turner | 0:55:09 | 0:55:13 | |
fell in love with this place. | 0:55:13 | 0:55:15 | |
I can now see why. | 0:55:19 | 0:55:21 | |
It is like walking into the grandest cathedral you could ever imagine. | 0:55:22 | 0:55:26 | |
The scale of it's incredible. | 0:55:28 | 0:55:31 | |
You've got the massive pillars like organ pipes - | 0:55:31 | 0:55:33 | |
very, very smooth and cold and dark. | 0:55:33 | 0:55:36 | |
And then this roof | 0:55:38 | 0:55:40 | |
that looks like it's been sculpted. | 0:55:40 | 0:55:42 | |
Man could never have made this. | 0:55:44 | 0:55:46 | |
You know, it's just too big, too impressive. | 0:55:46 | 0:55:48 | |
And the sound of it as well. | 0:55:51 | 0:55:52 | |
I can hear my voice bouncing back from the wall. | 0:55:52 | 0:55:56 | |
You have to be pretty careful clambering over these | 0:55:59 | 0:56:01 | |
but it's worth the effort | 0:56:01 | 0:56:02 | |
because the further you get into the cave | 0:56:02 | 0:56:05 | |
the more incredible it seems. | 0:56:05 | 0:56:08 | |
And slightly, the feeling of terror takes over | 0:56:11 | 0:56:14 | |
because these waves are getting stronger and stronger. | 0:56:14 | 0:56:17 | |
It's like a natural Jacuzzi down here. | 0:56:17 | 0:56:19 | |
You just think, | 0:56:22 | 0:56:23 | |
"I'm so tiny against these enormous rocks | 0:56:23 | 0:56:26 | |
"that are millions of years old." | 0:56:26 | 0:56:28 | |
It's incredible, absolutely incredible. | 0:56:29 | 0:56:32 | |
It would have been like this when Mendelssohn came here | 0:56:37 | 0:56:40 | |
in the 19th century, and the waves creating this foam. | 0:56:40 | 0:56:43 | |
The sound when the waves hit the rock | 0:56:43 | 0:56:45 | |
and then they come ripping back, | 0:56:45 | 0:56:48 | |
sounds like the timpani in the orchestra. | 0:56:48 | 0:56:50 | |
Boom! | 0:56:50 | 0:56:51 | |
The explorer Joseph Banks said of the cave, | 0:57:00 | 0:57:04 | |
"Compared to this | 0:57:04 | 0:57:05 | |
"what are the cathedrals and palaces built by man? | 0:57:05 | 0:57:09 | |
"Mere models or play things, imitations, | 0:57:09 | 0:57:12 | |
"as his works will always be when compared to those of nature." | 0:57:12 | 0:57:16 | |
So, from New Zealand to Papua New Guinea, | 0:57:28 | 0:57:30 | |
the Solomon Islands to Bangladesh, | 0:57:30 | 0:57:32 | |
Namibia to Zambia, | 0:57:32 | 0:57:33 | |
and here in Scotland, | 0:57:33 | 0:57:35 | |
you've seen some of the wonders of the Commonwealth. | 0:57:35 | 0:57:37 | |
Now it's over to its sporting greats. | 0:57:37 | 0:57:39 | |
Let the games begin. | 0:57:39 | 0:57:41 |