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Connie! | 0:00:02 | 0:00:03 | |
SHE SCREAMS | 0:00:03 | 0:00:04 | |
You may remember me from a place alive with the Sound of Music. | 0:00:04 | 0:00:08 | |
Well, I've been set free to explore a much more beautiful place | 0:00:08 | 0:00:12 | |
where the hills truly are alive with the sound of music. | 0:00:12 | 0:00:16 | |
I'm taking a magical mystery tour to draw my very own musical map of Wales. | 0:00:16 | 0:00:23 | |
I'll be travelling the length and breadth of the country, meeting some fabulous people. | 0:00:23 | 0:00:29 | |
I used to be where you are. | 0:00:29 | 0:00:31 | |
All with wonderful talents... | 0:00:31 | 0:00:34 | |
# That will bring us back to doh... # | 0:00:34 | 0:00:36 | |
'..and amazing tales to share.' Swept away! | 0:00:36 | 0:00:41 | |
Hold on for a bumpy ride! | 0:00:41 | 0:00:43 | |
I haven't driven a car in ten years. It's really fine, honestly. | 0:00:43 | 0:00:47 | |
Famous last words... | 0:00:47 | 0:00:49 | |
# The hills are alive with the sound of music. # | 0:00:51 | 0:00:59 | |
People say my driving is a bit erratic and so are my routes. | 0:01:03 | 0:01:08 | |
I always go the pretty way, and today I'll be travelling | 0:01:08 | 0:01:11 | |
from Cardiff, through the former mining valleys of South Wales. | 0:01:11 | 0:01:16 | |
Then I'm heading across the beautiful Upper Swansea Valley | 0:01:16 | 0:01:19 | |
and ending up for a night in Treorchy. | 0:01:19 | 0:01:21 | |
# The green, green grass of home... # | 0:01:21 | 0:01:24 | |
When I agreed to embark on this musical journey across Wales, | 0:01:24 | 0:01:29 | |
I was promised a dashing, Welsh, handsome, | 0:01:29 | 0:01:33 | |
head-turningly sexy co-star. | 0:01:33 | 0:01:35 | |
So let me introduce you. This is Gilbert. He's a Gilbern - | 0:01:35 | 0:01:39 | |
one of the last remaining Welsh-built sports cars. | 0:01:39 | 0:01:43 | |
To be honest, I wasn't thrilled with the casting of my leading man. | 0:01:43 | 0:01:47 | |
However, I'm secretly excited about our big musical adventure together. | 0:01:47 | 0:01:51 | |
So, without further ado, let's get the show on the road! | 0:01:51 | 0:01:54 | |
All right, Gilbert, off we go. | 0:01:58 | 0:02:00 | |
Good morning, Mr Magpie. Morning, Mrs P. | 0:02:05 | 0:02:10 | |
And I'll need all the luck I can get on this journey. | 0:02:10 | 0:02:13 | |
My first destination is at one of my favourite things... | 0:02:13 | 0:02:18 | |
rugby international Saturday in Cardiff, as Wales take on Ireland. | 0:02:18 | 0:02:22 | |
Music and rugby go hand in hand, like do, re, mi and ME! | 0:02:22 | 0:02:26 | |
A name I call myself. And I'm here in Cardiff on match day | 0:02:26 | 0:02:29 | |
because it's my turn... to do a turn. | 0:02:29 | 0:02:31 | |
# Guide me, O thou great Jehovah... # | 0:02:31 | 0:02:35 | |
I'm going to sing Cwm Rhondda in the lead up to the match. | 0:02:35 | 0:02:38 | |
But before I meet the massed ranks of the male voice choirs, | 0:02:38 | 0:02:41 | |
my backing singers, as I call them, I'm doing a bit of market research. | 0:02:41 | 0:02:46 | |
Could I ask a few questions. What's your favourite rugby anthem? | 0:02:46 | 0:02:51 | |
Give me about 15 minutes and two beers, I'll be right back to you! | 0:02:51 | 0:02:55 | |
-Do you know Bread Of Heaven? -Not at all. | 0:02:55 | 0:02:57 | |
-I'm afraid they don't sing! -Could you give me Bread Of Heaven? -DOG BARKS | 0:02:57 | 0:03:00 | |
# Bread of heaven... # | 0:03:00 | 0:03:03 | |
You have the lyrics! It's called Cwm Rhondda, you see? | 0:03:03 | 0:03:06 | |
It's Bread Of Heaven in disguise. Let's have a verse, OK? | 0:03:06 | 0:03:09 | |
# Guide me, O thou great Jehovah... # | 0:03:09 | 0:03:11 | |
-# Hold me with thy powerful hand -Bread of heaven... | 0:03:11 | 0:03:18 | |
-# Bread of heaven... # -I know the words. | 0:03:18 | 0:03:20 | |
-# Dee dee dee dee... -Now and evermore... -Evermore... # | 0:03:20 | 0:03:25 | |
-# Feed me now and evermore. # -Beautiful ending. Bravo! | 0:03:25 | 0:03:32 | |
# Bread of heaven, bread of heaven Feed me now... # | 0:03:32 | 0:03:37 | |
It's actually not the first time I've performed here. | 0:03:37 | 0:03:41 | |
So I should be excited, but I'm a bit nervous, | 0:03:41 | 0:03:44 | |
because I was stood here five years ago almost to the day, for my audition for Maria. | 0:03:44 | 0:03:48 | |
SHE GASPS | 0:03:48 | 0:03:49 | |
It's bringing it all back. But I've never sung in a rugby ensemble! | 0:03:49 | 0:03:54 | |
So here I go. This is for the boys. | 0:03:54 | 0:03:56 | |
# Bread of heaven, bread of heaven... # | 0:03:56 | 0:04:02 | |
You need to be in four clear lines. | 0:04:02 | 0:04:05 | |
My backing singers, conducted by Haydn James, | 0:04:05 | 0:04:10 | |
come from three different male voice choirs from across Wales. | 0:04:10 | 0:04:14 | |
And this is my first rehearsal with them. | 0:04:14 | 0:04:16 | |
They're warming up with the National Anthem! Don't drop the ball, Connie. | 0:04:16 | 0:04:21 | |
-Should I be nervous? -You should, I think. -Ah! | 0:04:25 | 0:04:28 | |
It's a privilege for you to sing with us today! | 0:04:28 | 0:04:33 | |
Every male voice choir says that. | 0:04:33 | 0:04:34 | |
-Is it because I is a woman?! -No, because you're famous. -Aha-ha! | 0:04:34 | 0:04:38 | |
You're a good singer too. | 0:04:38 | 0:04:40 | |
You're more famous, you're heading out there, are you nervous? | 0:04:40 | 0:04:43 | |
I'm more nervous for the team. That's what's important to me. | 0:04:43 | 0:04:46 | |
It's not us singing, it's the game that's important. | 0:04:46 | 0:04:49 | |
-Is the singing going to help us win? -Guaranteed. | 0:04:49 | 0:04:52 | |
This is nerve-wracking. You go out there, and if I forget the words, | 0:04:57 | 0:05:01 | |
I could be the failing mascot for Wales v Ireland. | 0:05:01 | 0:05:06 | |
# Guide me... # | 0:05:08 | 0:05:12 | |
Ah, who turned off the microphone? | 0:05:12 | 0:05:14 | |
This didn't happen to Katherine Jenkins! | 0:05:16 | 0:05:19 | |
Ah well, keep smiling... and singing. | 0:05:19 | 0:05:24 | |
# ..But though are mighty, Hold me in thy powerful hand... # | 0:05:24 | 0:05:29 | |
Just don't forget the words, whatever you do, don't forget the words! | 0:05:29 | 0:05:33 | |
# Bread of heaven, bread of heaven | 0:05:33 | 0:05:40 | |
# Feed me till I want no more | 0:05:40 | 0:05:48 | |
# Feed me till I want no more. # | 0:05:48 | 0:05:56 | |
-Oops! Nobody noticed, did they? -SHE LAUGHS | 0:05:56 | 0:06:00 | |
Ah, dear! | 0:06:00 | 0:06:02 | |
I feel like they're cheering for me! But they're not. | 0:06:08 | 0:06:11 | |
I'm cheering for me. I've never done that before. Wooh! | 0:06:11 | 0:06:15 | |
WHISTLE BLOWS | 0:06:15 | 0:06:16 | |
I think it's possible that the linesman who didn't notice | 0:06:21 | 0:06:24 | |
that this try should have been disallowed was still remembering my singing... | 0:06:24 | 0:06:29 | |
A girl can dream. | 0:06:29 | 0:06:30 | |
No time to bask in reflected glory as Gilbert and I hit the road again. | 0:06:33 | 0:06:38 | |
Well, that psalm was absolutely incredible. | 0:06:38 | 0:06:42 | |
It's made me think a little more about the song Cwm Rhondda, | 0:06:42 | 0:06:45 | |
why is it such an important piece of music to all of us? | 0:06:45 | 0:06:48 | |
I'm off to find out. | 0:06:48 | 0:06:49 | |
We're travelling up the A470 towards the heart of the Rhondda Valleys | 0:06:52 | 0:06:55 | |
and I've got a rendezvous in the birthplace of Bread Of Heaven, | 0:06:55 | 0:06:59 | |
Hopkinstown, just a stone's throw from Pontypridd. | 0:06:59 | 0:07:04 | |
The tune was first written in 1907 and first performed in the same | 0:07:04 | 0:07:09 | |
year in this chapel in a Christmas service. But the man who wrote it, | 0:07:09 | 0:07:15 | |
John Hughes, was not your average composer. | 0:07:15 | 0:07:18 | |
I'm meeting his great nephew, Geoff Hughes, who's going to reveal the family secrets. | 0:07:18 | 0:07:23 | |
Tell me about John Hughes, the man. | 0:07:23 | 0:07:25 | |
He worked in the pits, started at the age of 12. | 0:07:25 | 0:07:29 | |
He eventually became a transport manager for the mines. | 0:07:29 | 0:07:32 | |
One of the jobs he had to do was make sure the wagons with the coal | 0:07:32 | 0:07:36 | |
went from here down to Cardiff Docks for export. | 0:07:36 | 0:07:40 | |
There is a story that he used to write on the sides of the wagons, | 0:07:40 | 0:07:44 | |
he used to write the tunes, in chalk, and would send the wagons off. | 0:07:44 | 0:07:48 | |
And his friends at all the stops and stations all the way to Cardiff, | 0:07:48 | 0:07:52 | |
who in those days could pretty well all read music, would write comments, | 0:07:52 | 0:07:56 | |
in chalk, on the sides of the wagon, as to whether they liked the tunes. | 0:07:56 | 0:08:00 | |
The wagons would come back up here and he would get all of his comments back as to what reception they got. | 0:08:00 | 0:08:05 | |
Cwm Rhondda was soon to become the hit hymn tune of Wales, | 0:08:05 | 0:08:10 | |
when they really were top of the pops. | 0:08:10 | 0:08:13 | |
There were lots of outdoor, community hymn singing festivals. | 0:08:13 | 0:08:16 | |
John Hughes went along to conduct these hymns, including Cwm Rhondda, to up to 30,000 people. | 0:08:16 | 0:08:23 | |
So, this is how it spread. But its fame spread very quickly. | 0:08:23 | 0:08:26 | |
It was written in 1907 and even within five or ten years, it was already a famous hymn. | 0:08:26 | 0:08:32 | |
It was sung and appreciated all over the world. | 0:08:32 | 0:08:36 | |
John Hughes even receiving thanks from Prime Minister, David Lloyd George. | 0:08:36 | 0:08:41 | |
There are lots of stories of people writing from all over the world | 0:08:41 | 0:08:44 | |
saying what the song meant to them. | 0:08:44 | 0:08:47 | |
There's one from the First World War, where a major was writing in, | 0:08:47 | 0:08:51 | |
saying how it inspired his Welsh guards at a time of, clearly, great problems during the war. | 0:08:51 | 0:08:58 | |
It has touched so many people over a great many years now, and still is. | 0:08:58 | 0:09:02 | |
-So you get royalties? -I wish we did. No, we don't get anything. | 0:09:02 | 0:09:06 | |
Just the enjoyment of listening to it, time and again. | 0:09:06 | 0:09:08 | |
From one Valleys superstar to another. I'm travelling a few miles | 0:09:17 | 0:09:20 | |
to the green, green grass of home of someone you may just have heard of. | 0:09:20 | 0:09:25 | |
# Do do doo do, do doo do doo... # | 0:09:26 | 0:09:29 | |
Can you tell who it is yet? | 0:09:29 | 0:09:32 | |
# When I see you out and about, it's such a crime... | 0:09:32 | 0:09:35 | |
# If you should ever want to be loved by anyone | 0:09:35 | 0:09:41 | |
# It's not unusual to find out I'm in love with you... # | 0:09:41 | 0:09:45 | |
Almost as popular as Cwm Rhondda, if not more so, are the songs | 0:09:45 | 0:09:49 | |
of a man who was born here - No 57, Kingsland Terrace, Treforest. | 0:09:49 | 0:09:54 | |
And it's hard to believe that it's almost 45 years since he had his biggest hit, | 0:09:54 | 0:09:59 | |
my personal favourite - The Green, Green Grass Of Home. | 0:09:59 | 0:10:03 | |
And even harder to believe that his biggest fan doesn't live in his old home town at all. | 0:10:03 | 0:10:07 | |
Oh, no, she lives in North Wales, over 150 miles away. | 0:10:07 | 0:10:11 | |
But, by the powers of television, I'm off to visit her. Beam me up, Scotty! | 0:10:11 | 0:10:16 | |
Ann Hughes is a Tom Jones superfan. She's even created a shrine to him in her front room. | 0:10:19 | 0:10:25 | |
# Why, why, why, Delilah? # | 0:10:25 | 0:10:29 | |
So I'm here to find out, why, why, why, Ann? | 0:10:29 | 0:10:34 | |
Wow, Ann, this is amazing! How did this all start? | 0:10:34 | 0:10:39 | |
Oh, many years ago, when I first saw him in a club. | 0:10:39 | 0:10:44 | |
He hadn't recorded any music then, and had to turn the microphone off | 0:10:44 | 0:10:47 | |
because his voice was so powerful. And I said to my friend, | 0:10:47 | 0:10:51 | |
"He's going to go places, this lad." | 0:10:51 | 0:10:53 | |
And how many times have you been to see him? | 0:10:53 | 0:10:57 | |
-Oh, it must be over 250 times now. -Have you ever thrown your knickers? | 0:10:57 | 0:11:01 | |
Well, I haven't thrown any at him, but on one occasion, | 0:11:01 | 0:11:05 | |
in Liverpool, I went to the front of the stage and I gave him these. | 0:11:05 | 0:11:09 | |
-I handed them to him and he wiped his brow... . -Did he give them back? -He gave them back to me, yes. | 0:11:09 | 0:11:15 | |
That's just one of the magic moments, being a Tom Jones fan. | 0:11:15 | 0:11:19 | |
Since you first saw him, how much do you think you've spent on his concerts and memorabilia? | 0:11:19 | 0:11:24 | |
It must be thousands of pounds. | 0:11:24 | 0:11:26 | |
-What does your husband think? -Oh, he doesn't mind. | 0:11:26 | 0:11:28 | |
Does he mind that it's taken over a whole room of your house? | 0:11:28 | 0:11:31 | |
No, in fact, he suggested it, | 0:11:31 | 0:11:34 | |
because I didn't realise how much memorabilia that I did have. | 0:11:34 | 0:11:38 | |
And I put it all together and it took me two days to fill this room. | 0:11:38 | 0:11:42 | |
-Do you just sit and admire Tom quite a lot? -Erm, well, yes. | 0:11:42 | 0:11:47 | |
And I put his music on in here. If it's raining or anything, | 0:11:47 | 0:11:51 | |
I'll come in and give Tom a dust, you know? Keep him respectable! | 0:11:51 | 0:11:55 | |
-Keep Tom looking presentable! -Oh, yes! | 0:11:55 | 0:11:58 | |
You actually held a campaign for Tom to be knighted, didn't you? | 0:11:58 | 0:12:02 | |
Yes, I thought he deserved it for his contribution alone to music. | 0:12:02 | 0:12:05 | |
He's 71 this June | 0:12:05 | 0:12:08 | |
and, do you know, Connie, he still does over 200 live shows a year. | 0:12:08 | 0:12:13 | |
Do you think that you're Tom's biggest fan? | 0:12:13 | 0:12:16 | |
He's got fans all over the world, | 0:12:16 | 0:12:18 | |
but I can say for sure I am his biggest Welsh fan! | 0:12:18 | 0:12:22 | |
I love Tom. Do you ever, like I do in my bedroom, grab a hairbrush? | 0:12:22 | 0:12:27 | |
# Do de dooo, do de dooo.... # Throw your knickers, everyone! | 0:12:29 | 0:12:33 | |
-# It's not unusual to be loved by anyone... -Do de doo... | 0:12:33 | 0:12:38 | |
-# It's not unusual to have fun with anyone... -Do de doo... #. | 0:12:38 | 0:12:43 | |
# But if I ever find that you've changed at any time | 0:12:43 | 0:12:48 | |
# It's not unusual to find that I'm in love with you | 0:12:48 | 0:12:52 | |
# Oh wooo oh oooh oooh, wooah woooah ho oooh... # | 0:12:52 | 0:12:58 | |
Back to my roots and my musical map, and I'm travelling north | 0:12:58 | 0:13:02 | |
towards the Cynon Valley, where you and I are in for a little surprise. | 0:13:02 | 0:13:07 | |
People have the wrong impression of the South Wales Valleys. | 0:13:07 | 0:13:10 | |
It's often described as grimy and industrial. But, since coal left these valleys, it's anything but. | 0:13:10 | 0:13:16 | |
On a beautiful day like today, this could almost be a film set. | 0:13:19 | 0:13:23 | |
And high on a hill I meet four nuns, six goat herders, and a pair of Marias. | 0:13:23 | 0:13:29 | |
What on earth are you doing? I mean, who are you? | 0:13:29 | 0:13:33 | |
We are the Sound Of Music Appreciation Group. | 0:13:33 | 0:13:35 | |
-Randomly singing, in the middle of Cwmbach? -Yes! | 0:13:35 | 0:13:38 | |
-Who'd have thought it? So I guess you're big Sound Of Music fans, then? -Yes, we are. | 0:13:38 | 0:13:44 | |
-Actually, I recognise a few of you. -These are drama students in the school where I work. | 0:13:44 | 0:13:48 | |
And we're all going to do a show in tribute to The Sound Of Music. | 0:13:48 | 0:13:51 | |
Go on, then, give us a blast! | 0:13:51 | 0:13:54 | |
# High on a hill was a lonely goatherd | 0:13:54 | 0:13:56 | |
# Lay-ee-odl, lay-ee-odl, lay-hee-hoo! | 0:13:56 | 0:13:57 | |
# Loud was the voice of the lonely goatherd | 0:13:57 | 0:14:01 | |
# Lay-ee-odl, lay-ee-odl-oo. # | 0:14:01 | 0:14:03 | |
Oh, amazing, I couldn't better it. | 0:14:03 | 0:14:06 | |
OK, I think it's time for a fan-off. | 0:14:07 | 0:14:10 | |
Who has seen The Sound Of Music ten times? | 0:14:10 | 0:14:12 | |
Oh, everyone. OK, 20 times? | 0:14:14 | 0:14:16 | |
This could be a long process. Over 50 times? | 0:14:18 | 0:14:21 | |
Oh, my Lord. Just the stalkers, then. | 0:14:22 | 0:14:25 | |
OK, who's seen it over 100 times? | 0:14:25 | 0:14:27 | |
Oh, you are the winner. You could be Maria. | 0:14:28 | 0:14:31 | |
What do you love about the show? | 0:14:31 | 0:14:33 | |
Everything. All the words, all the characters, all the songs, | 0:14:33 | 0:14:36 | |
and the lyrics are so fab as well. | 0:14:36 | 0:14:38 | |
If I'm nervous, I listen to I Have Confidence. | 0:14:38 | 0:14:40 | |
Nothing can pull you out of a bit of a black hole like that can. | 0:14:40 | 0:14:44 | |
I'd love to play Maria one day and sing that song. | 0:14:44 | 0:14:46 | |
I love the fact that, when Maria comes to the house, | 0:14:46 | 0:14:49 | |
she brings music back into the Von Trapp family, | 0:14:49 | 0:14:52 | |
and she brings music to every family who watches it. | 0:14:52 | 0:14:55 | |
Wales is known for romantic love songs, and we are known as singers. | 0:14:55 | 0:14:59 | |
-We are the land of song. -We are, indeed, and I think the songs | 0:14:59 | 0:15:03 | |
in The Sound Of Music are just so joyful to sing | 0:15:03 | 0:15:06 | |
-that everybody in Wales likes to sing them, don't we, girls? -Yeah. | 0:15:06 | 0:15:10 | |
It's been a lovely afternoon on the hillside, | 0:15:10 | 0:15:13 | |
but it's time for me to say... | 0:15:13 | 0:15:14 | |
# So long, farewell, auf Wiedersehen, goodbye | 0:15:14 | 0:15:20 | |
# The sun has gone to bed and so must I | 0:15:20 | 0:15:24 | |
# Goodbye! | 0:15:25 | 0:15:29 | |
# Goodbye! | 0:15:29 | 0:15:32 | |
# Goodbye! | 0:15:32 | 0:15:37 | |
# Goodbye! # | 0:15:37 | 0:15:43 | |
That was a bit random, wasn't it? | 0:15:49 | 0:15:51 | |
Anyway, now, from the ridiculous to the sublime. | 0:15:51 | 0:15:55 | |
I'm travelling over 20 miles across stunning scenery to find out about | 0:15:55 | 0:15:59 | |
a lady with an amazing voice, and an incredible connection to this area. | 0:15:59 | 0:16:04 | |
# Ahhhh! # | 0:16:06 | 0:16:08 | |
I'm heading out of the mining valleys of South Wales | 0:16:13 | 0:16:16 | |
and into the foothills of the Brecon Beacons. | 0:16:16 | 0:16:19 | |
In this stunning and secluded countryside is Craig-y-Nos, | 0:16:20 | 0:16:24 | |
a country house and theatre | 0:16:24 | 0:16:26 | |
renovated and built by an astonishing woman. | 0:16:26 | 0:16:29 | |
I'm wondering how a world-renowned opera diva like Dame Adelina Patti | 0:16:32 | 0:16:37 | |
ended up here. | 0:16:37 | 0:16:39 | |
The woman with all the answers is Welsh singer, performer | 0:16:39 | 0:16:42 | |
and mah-hoosive Adelina fan Beverley Humphreys. | 0:16:42 | 0:16:46 | |
She was the most celebrated diva of the 19th century. | 0:16:46 | 0:16:51 | |
A real prima donna, adored by fans all over the world. | 0:16:51 | 0:16:54 | |
Imagine the operatic version of Kylie, or Madonna. | 0:16:54 | 0:16:59 | |
Oh, I'd go see her! I'm there! What was her voice like? | 0:16:59 | 0:17:02 | |
It was, by all accounts, exquisite. | 0:17:02 | 0:17:06 | |
Verdi, when he heard her, | 0:17:06 | 0:17:07 | |
said that she was the most stupendous singer that he'd ever heard. | 0:17:07 | 0:17:11 | |
And that was from the maestro. What an accolade. | 0:17:11 | 0:17:13 | |
She sang all over the world. | 0:17:27 | 0:17:29 | |
Europe, North America, South America, Russia. | 0:17:29 | 0:17:32 | |
At the height of her powers, she could command a fee of 5,000. | 0:17:32 | 0:17:39 | |
-For one performance? -For one performance. -What?! | 0:17:39 | 0:17:42 | |
How did she end up here in Wales? | 0:17:42 | 0:17:44 | |
-By this time, she'd taken a lover, Ernesto Nicolini. -Oh, I love him. | 0:17:44 | 0:17:49 | |
They needed a bolt-hole | 0:17:49 | 0:17:50 | |
where they could carry on their liaison in private, | 0:17:50 | 0:17:54 | |
and she spent 40 years transforming it into this fairy-tale castle. | 0:17:54 | 0:17:58 | |
And this was her piece de resistance, | 0:17:58 | 0:18:01 | |
this bijou theatre that she caused to be built. | 0:18:01 | 0:18:05 | |
She created her own shrine here. | 0:18:05 | 0:18:08 | |
There she is, Madame. | 0:18:08 | 0:18:09 | |
Can you imagine me painting my own curtain, | 0:18:09 | 0:18:12 | |
me on the hill, with some nuns and some goats? | 0:18:12 | 0:18:15 | |
I think you could do that! | 0:18:15 | 0:18:16 | |
She lived for music. | 0:18:18 | 0:18:19 | |
Can you imagine 150 people assembling here, | 0:18:24 | 0:18:27 | |
with her servants at the back? | 0:18:27 | 0:18:29 | |
She always made sure there was space for the servants. | 0:18:29 | 0:18:32 | |
And she would give performances | 0:18:32 | 0:18:34 | |
of excerpts of some of her most famous roles. | 0:18:34 | 0:18:37 | |
She used to hold charity concerts here, | 0:18:39 | 0:18:42 | |
to raise money for the impoverished people of Swansea and Bridgend | 0:18:42 | 0:18:46 | |
and Ystalyfera and Ystradgynlais. | 0:18:46 | 0:18:48 | |
I think people appreciated that she didn't come and close herself away, | 0:18:48 | 0:18:54 | |
and was not aware of what was going on around her. | 0:18:54 | 0:18:56 | |
So she was adored all over the world | 0:18:56 | 0:18:59 | |
by her audiences, but she was also loved by the people here in Wales. | 0:18:59 | 0:19:03 | |
Adelina's given me an idea - I think I might turn my back bedroom | 0:19:08 | 0:19:12 | |
into my very own... slightly smaller theatre. | 0:19:12 | 0:19:16 | |
The final leg of my journey is taking me some 25 miles south, | 0:19:20 | 0:19:25 | |
back into the heart of the Rhondda Valleys. | 0:19:25 | 0:19:27 | |
Even though the scenery is stunning, | 0:19:27 | 0:19:29 | |
I have to admit that Gilbert and I are feeling the strain. | 0:19:29 | 0:19:32 | |
Oh, are we nearly there yet? | 0:19:32 | 0:19:34 | |
But there's no time to waste, as I've got an appointment | 0:19:39 | 0:19:43 | |
with a lot of brass and over a century of history. | 0:19:43 | 0:19:45 | |
I'm going to the granddaddy of them all, | 0:19:45 | 0:19:48 | |
the Cory Band based in Ton Pentre. | 0:19:48 | 0:19:50 | |
Named after coal owner Richard Cory, who originally helped fund the band, | 0:19:50 | 0:19:54 | |
they're the current world champions. | 0:19:54 | 0:19:56 | |
They've won more awards than you can shake a baton at | 0:19:56 | 0:19:59 | |
and have been playing for nearly 130 years. | 0:19:59 | 0:20:02 | |
I bet they're out of breath! | 0:20:02 | 0:20:04 | |
It's been a true family affair, and I'm meeting | 0:20:05 | 0:20:09 | |
the band's longest-standing member, John Trotman. | 0:20:09 | 0:20:12 | |
I started in 1937, as an 11-year-old boy. There I am. | 0:20:12 | 0:20:19 | |
-What were you playing? It looks very small. -A cornet. | 0:20:19 | 0:20:23 | |
In fact, that's all the Trotman family, which played in the band. | 0:20:23 | 0:20:27 | |
My grandfather started in 1911. | 0:20:27 | 0:20:29 | |
It's 2011 now, so the Trotmans have been associated with the Cory Band | 0:20:29 | 0:20:34 | |
for 100 years. | 0:20:34 | 0:20:35 | |
Wow. | 0:20:35 | 0:20:36 | |
Do you think, if you hadn't been brought up in this area, | 0:20:36 | 0:20:39 | |
you'd be a brass player? | 0:20:39 | 0:20:40 | |
No, it was in the family, wasn't it? I had to play. | 0:20:40 | 0:20:44 | |
The band rehearses every week for competitions and performances | 0:20:46 | 0:20:50 | |
across the UK and abroad. | 0:20:50 | 0:20:51 | |
Bob Childs has been a member of the band since he was a youngster, and is now their conductor. | 0:20:51 | 0:20:57 | |
Being in a band, isn't that a very male-orientated hobby? | 0:20:57 | 0:21:00 | |
It used to be, of course. Most bands, especially in South Wales | 0:21:00 | 0:21:04 | |
and the North of England, were allied to industry. | 0:21:04 | 0:21:07 | |
The industry down here was the coal mine, so generally speaking, | 0:21:07 | 0:21:10 | |
they were male-dominated and so the bands were male-dominated as well. | 0:21:10 | 0:21:14 | |
But since, I suppose, the last 25 or 30 years, | 0:21:14 | 0:21:16 | |
there's as many good girls musicians as boys, | 0:21:16 | 0:21:19 | |
so they've filtered their way into the band. | 0:21:19 | 0:21:22 | |
What it's like being a woman in a brass band? | 0:21:22 | 0:21:24 | |
I don't consider it to be anything special, I suppose. | 0:21:24 | 0:21:27 | |
I've grown up with it, my family all play, | 0:21:27 | 0:21:29 | |
so I have never known anything different. | 0:21:29 | 0:21:31 | |
-It's a family affair here? -Very much so. | 0:21:31 | 0:21:34 | |
There's myself and my brother, his wife, and my dad, we're in the band, | 0:21:34 | 0:21:38 | |
and lots of other families within the band, too. | 0:21:38 | 0:21:40 | |
What makes a Welshman a good brass player? | 0:22:02 | 0:22:04 | |
Singing tradition is very important. | 0:22:04 | 0:22:07 | |
The way that you play a brass instrument is very much like singing. | 0:22:07 | 0:22:11 | |
Just like you were trained to breathe, | 0:22:11 | 0:22:13 | |
our players were trained to breathe similarly. | 0:22:13 | 0:22:16 | |
Hypothetically, I should find this easy? | 0:22:16 | 0:22:18 | |
You should do, except that to create a noise on any brass instrument, | 0:22:18 | 0:22:23 | |
the sound generates from the lips vibrating, | 0:22:23 | 0:22:26 | |
so you need to make a little raspberry with your lips | 0:22:26 | 0:22:28 | |
into the mouthpiece. | 0:22:28 | 0:22:29 | |
We'll see if you can do it. | 0:22:29 | 0:22:31 | |
CONNIE BLOWS A RASPBERRY | 0:22:31 | 0:22:32 | |
Exactly. You're going to be perfect. | 0:22:32 | 0:22:34 | |
Yes! Get in! | 0:22:34 | 0:22:35 | |
I was wandering if I could be cheeky enough to ask to blow your horn. | 0:22:35 | 0:22:40 | |
-No problem at all, yeah. If you'd like a go. -Thank you. | 0:22:40 | 0:22:42 | |
CONNIE CLEARS THROAT | 0:22:42 | 0:22:44 | |
What do I do? Do I hold it like this? | 0:22:44 | 0:22:47 | |
-You put your hand under there. -Right, OK. | 0:22:47 | 0:22:49 | |
Hey, wasn't bad? Woo! | 0:22:52 | 0:22:55 | |
I would have to be truthful and say there's not as many bands now as there was, | 0:22:55 | 0:22:59 | |
but you'd expect that, when all the bands were allied to the coal mines. | 0:22:59 | 0:23:03 | |
A big tradition in brass bands is that father will pass on | 0:23:03 | 0:23:07 | |
the knowledge to the son. | 0:23:07 | 0:23:08 | |
It's not a dying tradition, it shall live on in the valleys. | 0:23:08 | 0:23:12 | |
Yeah, I'm sure it will, yeah. | 0:23:12 | 0:23:14 | |
-Can I have a go? -You can. -No idea what I'm doing. | 0:23:14 | 0:23:18 | |
-Let's go for the fast bit, shall we? -OK, right. | 0:23:18 | 0:23:22 | |
I'm nervous, are you nervous? | 0:23:22 | 0:23:24 | |
One, two, three, four... | 0:23:25 | 0:23:27 | |
'Woo-hoo! This is fun!' | 0:23:58 | 0:24:02 | |
I'm rubbish, but I don't care. | 0:24:02 | 0:24:03 | |
Woo! Love it! Thank you! | 0:24:05 | 0:24:09 | |
Phew! After that, Gilbert and I are looking forward to a rest, | 0:24:15 | 0:24:18 | |
and thankfully, it's just a short drive east to Treorchy. | 0:24:18 | 0:24:22 | |
# Oh hokey hokey-Treorchy! | 0:24:22 | 0:24:23 | |
# Oh hokey hokey-Treorchy! | 0:24:25 | 0:24:27 | |
# Oh hokey hokey-Treorchy! | 0:24:27 | 0:24:30 | |
# Knees bent, arms stretched Rah rah rah! # | 0:24:30 | 0:24:33 | |
No hands! | 0:24:33 | 0:24:34 | |
I'm going to discover a very different musical tradition | 0:24:34 | 0:24:37 | |
that has changed dramatically over the years. | 0:24:37 | 0:24:41 | |
# I'm a chap that's always getting into trouble... # | 0:24:41 | 0:24:45 | |
Between the two world wars, music halls and theatres | 0:24:45 | 0:24:48 | |
were virtually in every town in the Valleys, | 0:24:48 | 0:24:50 | |
full every night with some of the greatest acts of the day, | 0:24:50 | 0:24:54 | |
and doubling up to show the new talking pictures. | 0:24:54 | 0:24:56 | |
Hardly any remain. | 0:24:56 | 0:24:58 | |
The Parc & Dare Theatre, Treorchy, like many others, | 0:25:00 | 0:25:03 | |
was built by miners' contributions | 0:25:03 | 0:25:05 | |
and is one of the last remaining theatres still open for business. | 0:25:05 | 0:25:08 | |
Recently refurbished, it's looking great. | 0:25:08 | 0:25:12 | |
# There's no business like show business... # | 0:25:12 | 0:25:15 | |
What a place. | 0:25:15 | 0:25:17 | |
# Da-da, da-da-da-da! # | 0:25:17 | 0:25:19 | |
I'm meeting a man who loves this place even more than me, | 0:25:19 | 0:25:22 | |
local playwright and actor Frank Vickery. | 0:25:22 | 0:25:25 | |
Frank, I think we have the best seats in the house. | 0:25:25 | 0:25:27 | |
What better place to perform than in the Parc & Dare? | 0:25:27 | 0:25:30 | |
I absolutely love it. | 0:25:30 | 0:25:31 | |
The first musical I did here, it was with the Rhondda Theatre Group, | 0:25:31 | 0:25:35 | |
I was about 16 and I had one line. | 0:25:35 | 0:25:37 | |
"The horses are leaving the paddock, Mrs Higgins." | 0:25:37 | 0:25:40 | |
I can remember standing on the side, with my heart beating like hell, | 0:25:40 | 0:25:43 | |
-waiting for my cue to move. -Cue's coming up! -Absolutely. | 0:25:43 | 0:25:46 | |
Tell me the history of this place. | 0:25:46 | 0:25:49 | |
There were two collieries, the Parc and the Dare. | 0:25:49 | 0:25:52 | |
The miners that worked in the two collieries, | 0:25:52 | 0:25:54 | |
they paid a penny in every pound contribution, | 0:25:54 | 0:25:57 | |
and it was from that money that they built the Parc & Dare. | 0:25:57 | 0:26:00 | |
And it was a library, where the miners would come and study, | 0:26:00 | 0:26:04 | |
then it was a cinema, | 0:26:04 | 0:26:06 | |
then, of course, all the amateur operatic societies, | 0:26:06 | 0:26:08 | |
plus some amateur theatre companies. | 0:26:08 | 0:26:11 | |
So it has a great tradition of musicals and theatre here. | 0:26:11 | 0:26:14 | |
What makes it so popular for an audience member? | 0:26:14 | 0:26:17 | |
We have telly, film, DVDs now, | 0:26:17 | 0:26:20 | |
but nothing will ever beat coming to see a live show, whatever it is. | 0:26:20 | 0:26:25 | |
When you've got a good house here, boy, have you got a good house. | 0:26:25 | 0:26:29 | |
He's live at Treorchy! | 0:26:29 | 0:26:30 | |
CHEERING AND APPLAUSE | 0:26:30 | 0:26:32 | |
Tonight, as it was over 60 years ago, | 0:26:32 | 0:26:34 | |
the place is packed with people to watch one of their very own stars, | 0:26:34 | 0:26:39 | |
and Max Boyce is the ideal man to bring our journey full circle. | 0:26:39 | 0:26:42 | |
Music, Max and rugby. | 0:26:42 | 0:26:44 | |
-# Wales defeated England! # -Yes! | 0:26:48 | 0:26:51 | |
# In a fast and open game | 0:26:51 | 0:26:53 | |
# We sang Cwm Rhondda and Delilah and they sounded both the same... # | 0:26:53 | 0:26:59 | |
All together now! | 0:26:59 | 0:27:00 | |
# He started singing | 0:27:00 | 0:27:07 | |
# Hymns and arias | 0:27:07 | 0:27:09 | |
# Land of my fathers | 0:27:09 | 0:27:14 | |
# Ar hyd y nos. # | 0:27:14 | 0:27:17 | |
CHEERING AND APPLAUSE | 0:27:17 | 0:27:19 | |
Next time, I'm heading north, | 0:27:27 | 0:27:29 | |
to find out what happened the day the Beatles came to Bangor... | 0:27:29 | 0:27:34 | |
You couldn't move with hundreds and hundreds of people, | 0:27:34 | 0:27:37 | |
especially the girls. They were all screaming, "Beatles, where are you?!" | 0:27:37 | 0:27:42 | |
..visiting Portmeirion to hear about | 0:27:42 | 0:27:44 | |
a Welsh music star from a Welsh stargazer... | 0:27:44 | 0:27:46 | |
# Take your girl For the cherries on her lips | 0:27:46 | 0:27:49 | |
# For the cherries on her lips Take your girl. # | 0:27:49 | 0:27:52 | |
..and star in my very own Welsh Bollywood extravaganza. | 0:27:52 | 0:27:58 | |
# So do la fa mi do re... # | 0:28:00 | 0:28:06 | |
Subtitles by Red Bee Media Ltd | 0:28:06 | 0:28:08 | |
E-mail [email protected] | 0:28:08 | 0:28:10 |