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Connie! | 0:00:02 | 0:00:04 | |
You may remember me from a place that was alive with the Sound of Music. | 0:00:04 | 0:00:08 | |
Well, I've been set free to explore a much more beautiful place | 0:00:08 | 0:00:12 | |
where the hills are truly alive with the sound of music. | 0:00:12 | 0:00:15 | |
I'm taking a magical mystery tour | 0:00:16 | 0:00:19 | |
to draw my very own musical map of Wales. | 0:00:19 | 0:00:23 | |
I'll be travelling the length and breadth of the country, | 0:00:23 | 0:00:27 | |
meeting some fabulous people. | 0:00:27 | 0:00:29 | |
I used to be where you are. | 0:00:29 | 0:00:31 | |
All with wonderful talents... | 0:00:31 | 0:00:33 | |
# That will bring us back to doe. # | 0:00:33 | 0:00:36 | |
..and amazing tales to share. | 0:00:36 | 0:00:38 | |
Swept away. | 0:00:38 | 0:00:40 | |
Hold on for a bumpy ride. | 0:00:40 | 0:00:43 | |
I haven't driven a car in ten years. It's really fine, honestly. | 0:00:43 | 0:00:46 | |
Famous last words. | 0:00:46 | 0:00:48 | |
# Doe, a deer, a female deer | 0:00:51 | 0:00:52 | |
# Ray a drop of golden sun... # | 0:00:52 | 0:00:57 | |
I've headed north into the mountains of Snowdonia and beyond. | 0:00:58 | 0:01:02 | |
People say my driving's a bit erratic, and so are my routes. | 0:01:02 | 0:01:07 | |
I always go the pretty way. | 0:01:07 | 0:01:09 | |
And today my route takes me around this glorious part of the world. | 0:01:09 | 0:01:14 | |
Travelling through the mountains | 0:01:14 | 0:01:16 | |
which will be alive with the Sound of Music | 0:01:16 | 0:01:18 | |
and ending in the fantasy world of Portmeirion. | 0:01:18 | 0:01:22 | |
And I'm not travelling alone. | 0:01:22 | 0:01:25 | |
This is my travelling companion. His name is Gilbert. | 0:01:25 | 0:01:28 | |
He's one of the last remaining Welsh-built sports cars. | 0:01:28 | 0:01:32 | |
He'll be providing you with the best seat in the house. | 0:01:32 | 0:01:35 | |
I, on the other hand, might be in for a bumpy ride. | 0:01:35 | 0:01:37 | |
To tell you the truth, this journey has given me a few sleepless nights. | 0:01:43 | 0:01:47 | |
A combination of steep mountain passes, | 0:01:47 | 0:01:50 | |
a 40-year-old travelling companion and my driving. | 0:01:50 | 0:01:54 | |
Be afraid, be very afraid! | 0:01:54 | 0:01:56 | |
My musical map starts with the incredible story | 0:02:02 | 0:02:04 | |
of the day the Beatles came to Bangor. | 0:02:04 | 0:02:06 | |
1967 and the Beatles were a musical, global phenomenon. | 0:02:08 | 0:02:12 | |
The Fab Four defining the Swinging Sixties. | 0:02:12 | 0:02:16 | |
# All you need is love. # | 0:02:16 | 0:02:17 | |
So why in July of that year did they come to Bangor University | 0:02:17 | 0:02:22 | |
and cause uproar? | 0:02:22 | 0:02:23 | |
The Beatles' spiritual guru, Maharishi Mahesh Yogi | 0:02:23 | 0:02:27 | |
came to Bangor to lead a transcendental meditation conference. | 0:02:27 | 0:02:30 | |
So far, so odd, but what made it a day to remember | 0:02:30 | 0:02:35 | |
was that John, Paul, George and Ringo decided to sign up as delegates. | 0:02:35 | 0:02:39 | |
I'm reuniting the Bangor four who were part of that amazing event. | 0:02:39 | 0:02:43 | |
-Hello, gentleman. Good morning. -Good morning. | 0:02:43 | 0:02:47 | |
Please, tell me what was it like | 0:02:47 | 0:02:49 | |
the day in '67 the Beatles came to Bangor? | 0:02:49 | 0:02:51 | |
The weather wasn't as good as this. | 0:02:51 | 0:02:53 | |
# The magical mystery tour... # | 0:02:53 | 0:02:56 | |
Len Jones was a gardener on the campus. | 0:02:56 | 0:02:59 | |
Little did he know what was at the bottom of the garden that day. | 0:02:59 | 0:03:02 | |
What was the buzz like? | 0:03:02 | 0:03:04 | |
I came at 8 o'clock in the morning to start work. | 0:03:04 | 0:03:06 | |
And there was hundreds of people here. | 0:03:06 | 0:03:10 | |
Well, they were singing and they were meditating. | 0:03:10 | 0:03:14 | |
HE CHANTS | 0:03:14 | 0:03:17 | |
It was fun and they were playing their guitars and everything. It was great. | 0:03:17 | 0:03:22 | |
The Beatles came then. | 0:03:22 | 0:03:24 | |
You couldn't move with hundreds of people | 0:03:24 | 0:03:27 | |
and especially girls who were all screaming, "Beatles, where are you?" | 0:03:27 | 0:03:32 | |
The whole college, | 0:03:32 | 0:03:35 | |
everybody stopped work for a day or two and it was heaven. | 0:03:35 | 0:03:40 | |
It was the height of flower power, you must have been a busy gardener? | 0:03:40 | 0:03:43 | |
Yes, we had a big rose bed here, right round that monkey puzzle tree. | 0:03:43 | 0:03:48 | |
And they took all the roses, cut them all off | 0:03:48 | 0:03:51 | |
and put them round their hair. | 0:03:51 | 0:03:54 | |
I heard that they weren't wearing many clothes when you spotted them, is that true? | 0:03:54 | 0:03:58 | |
Yes, it was. | 0:03:58 | 0:04:00 | |
A lot of the girls, they were bare-breasted and everything else. | 0:04:00 | 0:04:04 | |
The whole Bangor area seemed to go mad, but it put Bangor on the map. | 0:04:04 | 0:04:10 | |
Bob Hewitt was a trainee press photographer who got wind | 0:04:12 | 0:04:16 | |
of the Beatles' magical mystery tour to Bangor and rushed to the station. | 0:04:16 | 0:04:21 | |
I stepped off the train and they stood there | 0:04:21 | 0:04:24 | |
while we took that photograph. | 0:04:24 | 0:04:25 | |
So it was a bit of a thrill for me | 0:04:25 | 0:04:27 | |
because I was still saving up bits of my wages to buy the albums. | 0:04:27 | 0:04:31 | |
I really did like the Beatles. | 0:04:31 | 0:04:34 | |
When you took this shot, did you know you had an iconic image? | 0:04:34 | 0:04:38 | |
I was just firing away and hoping the film was going through the camera. | 0:04:38 | 0:04:41 | |
To go and develop the film and seeing we had great shots, | 0:04:41 | 0:04:45 | |
it just sums up the summer of love | 0:04:45 | 0:04:47 | |
and whatever else you'd call it at that time. | 0:04:47 | 0:04:49 | |
I don't think anyone realised in the mid-'60s, | 0:04:49 | 0:04:52 | |
what an impact these people would have. | 0:04:52 | 0:04:55 | |
Geoff was a local teenager who decided that he wasn't going to miss out | 0:04:55 | 0:05:01 | |
and with the help of his dad's camera he could get up close and personal with his heroes. | 0:05:01 | 0:05:07 | |
You were naughty the day the Beatles came to Bangor, weren't you? | 0:05:07 | 0:05:10 | |
Well, yes I suppose, nobody famous ever came to Bangor. | 0:05:10 | 0:05:15 | |
So we grabbed our cameras and just a notepad and pen from the shop | 0:05:15 | 0:05:22 | |
and we said, "freelance press", cameras hidden under the coats, | 0:05:22 | 0:05:26 | |
and they just nodded us in. | 0:05:26 | 0:05:27 | |
We sidled down the side to near the stage, | 0:05:27 | 0:05:30 | |
listened to all this mumbo-jumbo. | 0:05:30 | 0:05:32 | |
Cameras out, took a photograph, cameras under the coats hoping nobody noticed. | 0:05:32 | 0:05:37 | |
So a peek at these photos? | 0:05:37 | 0:05:39 | |
Yeah. What we weren't expecting was the fact Mick Jagger, | 0:05:39 | 0:05:42 | |
Marianne Faithfull, | 0:05:42 | 0:05:44 | |
Jane Asher, Patti Boyd were also there on the front row. | 0:05:44 | 0:05:47 | |
Star-studded, wasn't it? And you were there. | 0:05:47 | 0:05:51 | |
He's wearing his famous crush velvet pants. | 0:05:51 | 0:05:53 | |
You look a bit like Mick Jagger. | 0:05:53 | 0:05:55 | |
You think so? | 0:05:55 | 0:05:56 | |
Gareth Roberts was a student who was curious about transcendental meditation | 0:05:56 | 0:06:01 | |
that Maharishi and the Beatles and went to the conference. | 0:06:01 | 0:06:06 | |
But the Beatles' meditation | 0:06:06 | 0:06:08 | |
was to be interrupted by a phone call with some tragic news. | 0:06:08 | 0:06:10 | |
It was the summer holidays so there were no students. | 0:06:14 | 0:06:18 | |
The telephone rang and rang. | 0:06:18 | 0:06:19 | |
And Paul McCartney said somebody better answer that telephone. | 0:06:19 | 0:06:23 | |
We went into the hall and it was a message to say their manager, | 0:06:23 | 0:06:27 | |
Epstein had died and that, of course, changed the whole | 0:06:27 | 0:06:31 | |
series of events, they immediately left Bangor on the first train out. | 0:06:31 | 0:06:35 | |
That was a watershed in their history | 0:06:35 | 0:06:38 | |
and the whole thing changed after that. | 0:06:38 | 0:06:40 | |
Certainly, that's what made this particular event here | 0:06:40 | 0:06:43 | |
so important in the history, I think. | 0:06:43 | 0:06:46 | |
The Beatles left Bangor in a hurry on that day, never to return. | 0:06:46 | 0:06:50 | |
And I'm off on my magical mystery tour, | 0:06:52 | 0:06:55 | |
as I head a few miles south into Snowdonia. | 0:06:55 | 0:06:57 | |
Come on, Gilbert. | 0:07:11 | 0:07:12 | |
OK, look at that, there's a sheep sign. Lookout for sheep. | 0:07:15 | 0:07:20 | |
Beware of the sheep! | 0:07:20 | 0:07:22 | |
Wow, look at that, it's amazing. | 0:07:23 | 0:07:25 | |
What music do you associate with these stunning ranges? | 0:07:25 | 0:07:30 | |
Operatic arias with Bryn Terfel? Traditional Welsh hymns and harps? | 0:07:30 | 0:07:35 | |
Maybe, what about the Bollywood beat? | 0:07:35 | 0:07:37 | |
Believe it or not, they've been more than ten Bollywood epics | 0:07:37 | 0:07:41 | |
shot in Wales in the past few years. | 0:07:41 | 0:07:42 | |
I'm going to meet Raj Verma, | 0:07:52 | 0:07:54 | |
a Bollywood star who's performed in numerous films in India. | 0:07:54 | 0:07:58 | |
He decided the celebrity lifestyle was no longer for him. | 0:07:58 | 0:08:02 | |
He visited Dolgellau and fell in love with Wales. | 0:08:02 | 0:08:05 | |
Raj and his family now live there | 0:08:05 | 0:08:07 | |
and he started his own company to help bring Bollywood to Wales. | 0:08:07 | 0:08:11 | |
Raj, what a spectacular backdrop? Isn't it stunning? | 0:08:14 | 0:08:19 | |
Amazing, I feel I'm on a Bollywood set. | 0:08:19 | 0:08:22 | |
So, when you're walking through the streets | 0:08:22 | 0:08:24 | |
of Dolgellau do people stop you and say, | 0:08:24 | 0:08:27 | |
you were in a Bollywood film? | 0:08:27 | 0:08:29 | |
Anyone who is Indian are taken by shock and surprise. | 0:08:29 | 0:08:33 | |
"What is he doing here?" | 0:08:33 | 0:08:35 | |
There's a lot of dancing in Bollywood, so how many people | 0:08:35 | 0:08:38 | |
would come to dance in a Bollywood film in the middle of Snowdonia? | 0:08:38 | 0:08:43 | |
Well, if it's a reasonably-sized production, | 0:08:43 | 0:08:47 | |
one would see at least 70, 80 dancers standing here dancing, | 0:08:47 | 0:08:50 | |
changing lightbulbs. Doing mad things in colourful clothes. | 0:08:50 | 0:08:53 | |
If you tried to look for reality, you'll wonder, fine. | 0:08:53 | 0:08:55 | |
The boy is singing, he's in love. | 0:08:55 | 0:08:58 | |
The girl is dancing, she's in love, | 0:08:58 | 0:09:00 | |
but what's wrong with the people behind them? Why are they dancing? | 0:09:00 | 0:09:03 | |
But that is Bollywood. | 0:09:03 | 0:09:05 | |
How are you bringing Bollywood to North Wales? | 0:09:05 | 0:09:09 | |
I do Bollywood dancing so I'm going to teach them. | 0:09:09 | 0:09:12 | |
I do my workshop in Wales which people love. | 0:09:12 | 0:09:14 | |
My name is Connie 'Can't Dance' Fisher, can't dance, won't Dance. | 0:09:14 | 0:09:18 | |
I'll give anything a shot, could you teach me a few moves? | 0:09:18 | 0:09:20 | |
Absolutely, I can but for that you need to fall in love. | 0:09:20 | 0:09:25 | |
Let's do it because you need a situation. | 0:09:25 | 0:09:29 | |
Let's go to the basics first. | 0:09:29 | 0:09:31 | |
In Bollywood dancing, right from the finger, go like that. | 0:09:31 | 0:09:35 | |
To the arm, to the shoulder, body, to the head, | 0:09:35 | 0:09:40 | |
everything has to move at the same time. | 0:09:40 | 0:09:44 | |
OK? Yes, you'll get there. | 0:09:44 | 0:09:47 | |
Warm up, get the shoulder, yes. Come on, go like that. | 0:09:47 | 0:09:52 | |
One, two, one two. | 0:09:52 | 0:09:54 | |
One, two, one, two, right. | 0:09:54 | 0:09:56 | |
Now feed the pigeons. Turn, turn, full turn. Circle. | 0:09:56 | 0:10:02 | |
Feed those pigeons. | 0:10:02 | 0:10:04 | |
-One, two. -It's getting complicated now, Raj. | 0:10:04 | 0:10:07 | |
It's not complicated, it's nothing. | 0:10:07 | 0:10:10 | |
One, two, one, two. One, two. One, two. | 0:10:10 | 0:10:15 | |
Please, do try this at home. | 0:10:15 | 0:10:18 | |
Is this right? Shake 'em, baby. | 0:10:18 | 0:10:21 | |
Oh, yes. | 0:10:21 | 0:10:23 | |
So in Bollywood dancing, | 0:10:23 | 0:10:25 | |
it's extremely important to have that smile and love, | 0:10:25 | 0:10:29 | |
romance on the face. Yes? | 0:10:29 | 0:10:31 | |
So imagine someone dancing like this, changing the light bulbs. | 0:10:31 | 0:10:36 | |
Or... The little, yes? | 0:10:36 | 0:10:39 | |
And now it's time to go for the big one. | 0:10:39 | 0:10:42 | |
'The story so far. | 0:10:47 | 0:10:49 | |
'A beautiful young girl - ahem - | 0:10:49 | 0:10:51 | |
'is going for a gentle walk in the foothills of love. | 0:10:51 | 0:10:54 | |
'When suddenly she bumps into a handsome film producer. | 0:10:54 | 0:10:58 | |
'Get him! | 0:11:02 | 0:11:04 | |
'How many Bollywood dancers does it take to change a light bulb? | 0:11:07 | 0:11:11 | |
'And, of course, they live happily ever after. | 0:11:17 | 0:11:20 | |
'Ah, well, duty calls, time and musical maps wait for no woman. | 0:11:23 | 0:11:27 | |
'Follow me, crew.' | 0:11:27 | 0:11:29 | |
It might not be possible, Gilbert seems to be jealous. | 0:11:34 | 0:11:37 | |
Broken down! | 0:11:37 | 0:11:39 | |
Come on! You know I love you, really! | 0:11:39 | 0:11:41 | |
Let's go. | 0:11:41 | 0:11:43 | |
Gilbert's back. | 0:11:45 | 0:11:47 | |
We're off and back on the road again | 0:11:51 | 0:11:55 | |
as we leave totally stunning Snowdonia | 0:11:55 | 0:11:57 | |
and what a view on a beautiful day like today. | 0:11:57 | 0:11:59 | |
Gilbert and I are heading a few miles west through Llanberis | 0:12:06 | 0:12:09 | |
towards Caernarfon and the Menai Straits. | 0:12:09 | 0:12:11 | |
I'm here to meet some very special young musicians | 0:12:11 | 0:12:15 | |
who are following in the footsteps of one of Wales's most famous composers. | 0:12:15 | 0:12:19 | |
William Mathias was a child prodigy. | 0:12:23 | 0:12:25 | |
He learned to play the piano at the age of three | 0:12:25 | 0:12:27 | |
and composing by the tender age of five. | 0:12:27 | 0:12:29 | |
He wrote an anthem for the Royal Wedding | 0:12:29 | 0:12:32 | |
in 1981 for the Prince and Princess of Wales. | 0:12:32 | 0:12:35 | |
Here, in the gallery is the William Mathias centre | 0:12:35 | 0:12:38 | |
and I'm here to seek out some stars of the future. | 0:12:38 | 0:12:41 | |
This striking modern architecture is home to some of the country's | 0:12:43 | 0:12:47 | |
best young musicians who want to make music their life. | 0:12:47 | 0:12:50 | |
And artistic director, Sioned Webb, tutors some of the pupils. | 0:12:50 | 0:12:55 | |
Push. | 0:12:59 | 0:13:00 | |
One of the star pupils is this award-winning pianist. | 0:13:00 | 0:13:04 | |
Hiya. That is pretty impressive. How long have you been playing? | 0:13:09 | 0:13:14 | |
-I started when I was about seven years old? -Yes. -I'm now 15. | 0:13:14 | 0:13:18 | |
Are you very competitive? | 0:13:18 | 0:13:21 | |
Yes, I was very fortunate to win the Blue Ribbon Award | 0:13:21 | 0:13:24 | |
in the National Eisteddfod, in Cardiff in 2008. | 0:13:24 | 0:13:27 | |
-And you're how old? -I was 12 at the time. | 0:13:27 | 0:13:31 | |
What goes on here? | 0:13:31 | 0:13:33 | |
It was set up as a centre of excellence, | 0:13:33 | 0:13:35 | |
but it's grown and there are nearly 400 pupils here now. | 0:13:35 | 0:13:40 | |
The youngest is 18 months. | 0:13:40 | 0:13:42 | |
-She attends... -SPEAKS WELSH | 0:13:42 | 0:13:44 | |
Which is the first steps in music. | 0:13:44 | 0:13:48 | |
You have to be really gifted to come here? Or is it for anybody? | 0:13:48 | 0:13:51 | |
We do believe every musician is a gifted musician, but on the other hand | 0:13:51 | 0:13:55 | |
we have a diverse number of pupils and diverse styles and talents. | 0:13:55 | 0:14:00 | |
And where would a Welsh music centre be without a harp? | 0:14:12 | 0:14:16 | |
And in the talented hands of pupil Rhian Dyer. | 0:14:16 | 0:14:20 | |
I don't want to stop you, it's so beautiful. | 0:14:25 | 0:14:29 | |
-Is that a hard piece to play? -Yes, it's quite hard. | 0:14:29 | 0:14:32 | |
I'm learning it for my diploma. | 0:14:32 | 0:14:34 | |
It sounds like you put in hours of practise a week? | 0:14:34 | 0:14:37 | |
Yeah, I try to do over an hour day. | 0:14:37 | 0:14:41 | |
Is there anything that you have to sacrifice to be a harpist? | 0:14:41 | 0:14:44 | |
-Well, I can't have long nails. -You can't have long nails? | 0:14:44 | 0:14:48 | |
No, I have to keep them quite short. | 0:14:48 | 0:14:50 | |
OK, that counts me out completely. | 0:14:50 | 0:14:53 | |
Do you have any harp idols? | 0:14:53 | 0:14:55 | |
I like Catrin Finch because she's doing lots of different things | 0:14:55 | 0:14:58 | |
-and she's experimenting a lot. -She's quite groovy. -Yeah, she is quite groovy. | 0:14:58 | 0:15:02 | |
Catrin Finch gives master classes at the centre to bring on | 0:15:08 | 0:15:12 | |
the next generation of harpists. | 0:15:12 | 0:15:14 | |
You never know, one day we might all be listening to Rhian Dyer. | 0:15:19 | 0:15:23 | |
Let's be off, is it? | 0:15:36 | 0:15:39 | |
Just a short journey across Caernarfon to the home | 0:15:40 | 0:15:43 | |
of royal pageantry and music - Caernarfon Castle. | 0:15:43 | 0:15:46 | |
Wow, look at that! Pretty impressive. | 0:15:46 | 0:15:49 | |
-NEWSCASTER: -'The castle was hung with banners.' | 0:15:49 | 0:15:52 | |
And just over 40 years ago, | 0:15:52 | 0:15:53 | |
Caernarfon prepared for a very special event. | 0:15:53 | 0:15:57 | |
'The symbol of sovereignty.' | 0:15:57 | 0:16:00 | |
In 1969, royal fanfares welcomed the new Prince of Wales. | 0:16:00 | 0:16:05 | |
But there was music from this period that was rather less welcoming. | 0:16:05 | 0:16:08 | |
Security in Caernarfon was massive as the British Government reacted | 0:16:14 | 0:16:18 | |
to Welsh nationalist protest at the investiture of Prince Charles. | 0:16:18 | 0:16:22 | |
A lot of it was peaceful... | 0:16:22 | 0:16:24 | |
some less so. | 0:16:24 | 0:16:26 | |
And one song and one young Welsh folk singer provided the soundtrack | 0:16:27 | 0:16:31 | |
to the protest with his hit of the Swinging Sixties. | 0:16:31 | 0:16:35 | |
I'm off to meet Dafydd Iwan, better known today as | 0:16:35 | 0:16:38 | |
Plaid Cymru politician and businessman, but way back then, "the Bob Dylan of Wales". | 0:16:38 | 0:16:43 | |
I was involved in the language struggles | 0:16:43 | 0:16:46 | |
and campaigns of the '60s and '70s and so on | 0:16:46 | 0:16:48 | |
and, naturally, that was gradually taking over my life and my songs. | 0:16:48 | 0:16:54 | |
The song which has really created most reaction, negative and positive, | 0:16:54 | 0:16:58 | |
is the song I wrote about Prince Charles in 1969. | 0:16:58 | 0:17:02 | |
I wrote Carlo as a kind of leg-pull, you know, satirising him | 0:17:02 | 0:17:06 | |
as the biggest Welshman that ever was. | 0:17:06 | 0:17:09 | |
The hype surrounding the investiture was so intense, | 0:17:24 | 0:17:27 | |
people really created a hate figure out of me | 0:17:27 | 0:17:31 | |
and people threatened my life. | 0:17:31 | 0:17:33 | |
On the other hand, there were people who really loved the song, | 0:17:33 | 0:17:36 | |
so I actually remember concerts where the audience actually split in two. | 0:17:36 | 0:17:42 | |
Half of them were throwing things at me and half of them were idolising me. | 0:17:42 | 0:17:46 | |
# La-la, la-la, la-la. # | 0:17:46 | 0:17:52 | |
Controversial songs are strange things. | 0:17:52 | 0:17:54 | |
They're controversial for a while and then they either die | 0:17:54 | 0:17:58 | |
or become part of your repertoire. | 0:17:58 | 0:18:00 | |
And it's always good to recall the furore, | 0:18:00 | 0:18:04 | |
if you like, for and against. | 0:18:04 | 0:18:07 | |
But I think they can play a small part | 0:18:07 | 0:18:10 | |
in changing people's attitudes. | 0:18:10 | 0:18:12 | |
I've never seen it as protest, really, | 0:18:12 | 0:18:14 | |
I've seen it has expressing what means a lot to you. | 0:18:14 | 0:18:18 | |
-So it's fair to say you'd be lost without the Royal Family? -Exactly. | 0:18:18 | 0:18:22 | |
I've made quite a bit of money out of them. | 0:18:22 | 0:18:24 | |
Not as much as they have made out of me! | 0:18:24 | 0:18:27 | |
THEY LAUGH | 0:18:27 | 0:18:28 | |
Time to leave Caernarfon, its castle and controversy | 0:18:32 | 0:18:35 | |
and on to my next destination. | 0:18:35 | 0:18:38 | |
Porthmadog translates as 'port of the mad dog'. | 0:18:40 | 0:18:44 | |
I'm going the beautiful way, through some stunning landscape | 0:18:49 | 0:18:53 | |
and down to Porthmadog. But beauty has a price. | 0:18:53 | 0:18:56 | |
These roads are a little bit tricky! | 0:18:56 | 0:18:59 | |
Wee! Sorry. | 0:18:59 | 0:19:02 | |
Breathe in. Come on, Gilbert. | 0:19:02 | 0:19:04 | |
SHE INHALES DEEPLY | 0:19:04 | 0:19:05 | |
Oh, a hill start. | 0:19:05 | 0:19:07 | |
ENGINE STALLS | 0:19:07 | 0:19:09 | |
ENGINE RESTARTS | 0:19:09 | 0:19:10 | |
It's not me, it's Gilbert. | 0:19:10 | 0:19:12 | |
Hill start two. Come on, Gilbert. | 0:19:13 | 0:19:17 | |
Woo! And we're off! | 0:19:17 | 0:19:19 | |
SHE CHUCKLES | 0:19:19 | 0:19:21 | |
It'll be worth it in the end, trust me, as I'm off to piano heaven. | 0:19:22 | 0:19:26 | |
Porthmadog has a very unusual musical claim to fame: | 0:19:26 | 0:19:31 | |
it supplies pianos for some of the biggest musical performers in the country. | 0:19:31 | 0:19:35 | |
And I'm here to meet Ian Jones, AKA Mr Piano, | 0:19:35 | 0:19:38 | |
to find out exactly how Porthmadog became THE place for pianos. | 0:19:38 | 0:19:43 | |
Ian, we're surrounded by a sea of pianos. | 0:19:43 | 0:19:47 | |
Tell me how this all started? | 0:19:47 | 0:19:49 | |
It all started from a little old lady walking into my mother and father's shop. | 0:19:49 | 0:19:53 | |
She said, "Do you sell pianos?" | 0:19:53 | 0:19:56 | |
-My father being my father, said, "No, but I can get you one." -THEY LAUGH | 0:19:56 | 0:20:00 | |
Off he went down to London to get two pianos, and he came back, | 0:20:00 | 0:20:03 | |
sold the first, sold the second and the rest is history. | 0:20:03 | 0:20:07 | |
What is your most expensive piano here? | 0:20:07 | 0:20:09 | |
-We're talking £27,000 to £28,000. -Right! Yeah. | 0:20:09 | 0:20:12 | |
It's the handmade, it's the precision. | 0:20:12 | 0:20:15 | |
That is what you pay for in a piano. | 0:20:15 | 0:20:17 | |
So, indulge me, who have you tuned pianos for? | 0:20:17 | 0:20:21 | |
-I've tuned for Connie Fisher once. -Oh, really? -Yeah. -Where was that? | 0:20:21 | 0:20:25 | |
-I think, was it at the Vaynol? -At the Vaynol. yes. -Yes. | 0:20:25 | 0:20:31 | |
This one's just come back from Des O'Connor. | 0:20:31 | 0:20:33 | |
-Des O'Connor's played this piano? -Lovely, lovely man. Lovely man. | 0:20:33 | 0:20:37 | |
-Did he tap dance on the piano as well? -I hope not! | 0:20:37 | 0:20:40 | |
I can imagine Des giving it a bit of the old shoe shuffle. | 0:20:40 | 0:20:43 | |
But it's been great. | 0:20:43 | 0:20:45 | |
We've tuned and supplied many pianos, | 0:20:45 | 0:20:47 | |
from Carreras to Cullum to Bryn. | 0:20:47 | 0:20:49 | |
-Where's the furthest that you've actually shipped a piano? -Anywhere. | 0:20:49 | 0:20:53 | |
-Top of any mountains? Wasn't it Bryn's? -Oh, mountains, that's been terrible for him. | 0:20:53 | 0:20:58 | |
He doesn't make it easy for us. | 0:20:58 | 0:20:59 | |
No, he wants to go to Bardsey Island or up Snowdon. | 0:20:59 | 0:21:02 | |
That was good. | 0:21:02 | 0:21:04 | |
# I am dreaming of the mountains of my home... # | 0:21:04 | 0:21:10 | |
The Snowdon Railway had extra passengers on that day - | 0:21:10 | 0:21:13 | |
Ian and the piano. | 0:21:13 | 0:21:16 | |
But that was the easy part. It took some heave-ho | 0:21:16 | 0:21:19 | |
and quite a few burly men to take the instrument the last few yards. | 0:21:19 | 0:21:24 | |
# ...the summer never dies | 0:21:24 | 0:21:28 | |
-# But my heart is in the mountains of my home. -# | 0:21:28 | 0:21:35 | |
One minute it was nice and sunny, then, poof! | 0:21:35 | 0:21:38 | |
All of a sudden, it was getting cold | 0:21:38 | 0:21:40 | |
and the piano was in and out all day, really. | 0:21:40 | 0:21:44 | |
But, yeah, we tuned it three or four times that day. | 0:21:44 | 0:21:47 | |
-Would you mind if I had a bash? -Fire away. -Right. Woo! | 0:21:47 | 0:21:50 | |
-It's an expensive one, I can tell, isn't it? -Yes. | 0:21:50 | 0:21:53 | |
Right. | 0:21:53 | 0:21:54 | |
SHE PLAYS "CHOPSTICKS" | 0:21:54 | 0:21:58 | |
HE LAUGHS | 0:21:58 | 0:22:00 | |
Impressive, huh? | 0:22:05 | 0:22:06 | |
I'd stick to singing, Connie, really. | 0:22:06 | 0:22:10 | |
That was a bit harsh. | 0:22:10 | 0:22:12 | |
I didn't like to tell Ian, but I think that piano was out of tune! | 0:22:12 | 0:22:16 | |
The final piece of my North Wales musical map is a magical place | 0:22:20 | 0:22:24 | |
just a few miles east - Portmeirion. | 0:22:24 | 0:22:26 | |
The amazing fantasy Italianate village | 0:22:26 | 0:22:30 | |
was the dream of world-famous architect Sir Clough Williams-Ellis. | 0:22:30 | 0:22:33 | |
Work began in 1926 and took many years to complete | 0:22:33 | 0:22:38 | |
and it's regarded by many as one of the seven wonders of Wales. | 0:22:38 | 0:22:43 | |
It was to be a very '60s theme tune | 0:22:43 | 0:22:44 | |
that was to make this place even more famous. | 0:22:44 | 0:22:48 | |
The Prisoner was a cult series in the late-'60s. | 0:22:51 | 0:22:55 | |
Its story was even stranger than this place. | 0:22:55 | 0:22:59 | |
If you haven't seen it it's hard to explain, | 0:22:59 | 0:23:02 | |
but it involved a prisoner - Patrick McGoohan, a very threatening beach ball | 0:23:02 | 0:23:06 | |
and a lot of confusion! | 0:23:06 | 0:23:09 | |
But there is something about to happen here which you may | 0:23:09 | 0:23:13 | |
think is even more bizarre! | 0:23:13 | 0:23:14 | |
This will surprise you, because it surprised me. | 0:23:14 | 0:23:17 | |
Portmeirion is also home to a festival that celebrates | 0:23:17 | 0:23:21 | |
the work of a great musical star. | 0:23:21 | 0:23:23 | |
And it's run by a great Welsh stargazer. | 0:23:23 | 0:23:29 | |
MUSIC: "We'll Gather Lilacs" by Ivor Novello | 0:23:29 | 0:23:34 | |
Ivor Novello was born in Cardiff in 1893 | 0:23:36 | 0:23:40 | |
and became one of the world's most popular composers and performers, | 0:23:40 | 0:23:44 | |
even starring in Hollywood films. | 0:23:44 | 0:23:45 | |
Back then he was even bigger than Lloyd-Webber, | 0:23:45 | 0:23:48 | |
writing numerous hit shows and songs. | 0:23:48 | 0:23:51 | |
So what you might well be asking is... what's Russell Grant doing here? | 0:23:51 | 0:23:55 | |
Well, Russell, I never expected you to be an Ivor Novello fan. | 0:23:55 | 0:23:58 | |
So what does an Ivor Novello fan look like? | 0:23:58 | 0:24:01 | |
-Like this. -It's true. | 0:24:01 | 0:24:02 | |
'Russell Grant, who lives in North Wales, is best known | 0:24:02 | 0:24:06 | |
'for his astrology and predictions.' | 0:24:06 | 0:24:08 | |
Back in the '70s though, he was an actor and singer | 0:24:08 | 0:24:12 | |
and performed in an Ivor Novello musical, | 0:24:12 | 0:24:14 | |
and the love affair began. | 0:24:14 | 0:24:16 | |
I was working with Olive Gilbert, who was one of Ivor's leading ladies | 0:24:16 | 0:24:23 | |
and he wrote lots of the parts for her. | 0:24:23 | 0:24:25 | |
Beautiful songs, like, | 0:24:25 | 0:24:27 | |
# Take your girl for the cherries on her lips | 0:24:27 | 0:24:30 | |
# For the cherries on her lips take the girl... # | 0:24:30 | 0:24:33 | |
Just the most magical music, and he wrote some of our greatest musicals. | 0:24:33 | 0:24:38 | |
Perhaps Ivor Novello's best known song became the troops' favourite | 0:24:42 | 0:24:46 | |
during the First World War. Keep The Home Fires Burning | 0:24:46 | 0:24:49 | |
was the perfect song that reminded men of home and hope, | 0:24:49 | 0:24:52 | |
and was inspired by Ivor's mother. | 0:24:52 | 0:24:56 | |
Clara, his mum, she said to Ivor, | 0:24:56 | 0:24:58 | |
"You need to write something for the First World War." | 0:24:58 | 0:25:02 | |
He said, "But, Mum, they've already got It's A Long Way to Tipperary! | 0:25:02 | 0:25:06 | |
And she said, "No, no. You need to write it." | 0:25:06 | 0:25:08 | |
And they sang it first, in a music hall setting. | 0:25:08 | 0:25:14 | |
By the end of it, | 0:25:14 | 0:25:16 | |
everybody was joining in and there was a standing ovation. | 0:25:16 | 0:25:19 | |
Ivor Novello has become something of a forgotten hero, | 0:25:19 | 0:25:25 | |
many people these days would only know him through | 0:25:25 | 0:25:27 | |
the Novello music awards. | 0:25:27 | 0:25:29 | |
It's rather sad that last year, one of the recipients of a Novello award | 0:25:29 | 0:25:34 | |
didn't know who Novello was, which I found rather sad. | 0:25:34 | 0:25:38 | |
But Ivor Novello certainly isn't as popular | 0:25:38 | 0:25:43 | |
as he was or as he should be. | 0:25:43 | 0:25:46 | |
As a result of that, I've been working as much as I can | 0:25:46 | 0:25:50 | |
to try and think of ways to raise his popularity. | 0:25:50 | 0:25:56 | |
The Ivor Novello International because he was an international star, | 0:25:56 | 0:26:00 | |
coming from Hollywood, Music and Movies Festival. | 0:26:00 | 0:26:03 | |
And we will hold it here in Wales, where he belongs. | 0:26:03 | 0:26:07 | |
This sounds so exciting! | 0:26:07 | 0:26:09 | |
You, my darling, I'm going to tell you now, you're already a patron. | 0:26:09 | 0:26:12 | |
-Ooh, check it out! -I just made you. | 0:26:12 | 0:26:14 | |
-I love it! -A bit like, here we go, Fairy Godmother, ping ping... | 0:26:14 | 0:26:18 | |
You are a patron! | 0:26:18 | 0:26:20 | |
'We have a piano, pianist, Annette Bryn Parri... | 0:26:20 | 0:26:24 | |
'Hey guys, let's put on a show right here!' | 0:26:24 | 0:26:26 | |
Shall we do it? | 0:26:26 | 0:26:28 | |
# Keep the home fires burning | 0:26:28 | 0:26:33 | |
ALL: # Though your hearts are yearning | 0:26:33 | 0:26:38 | |
# Though your lads are far away | 0:26:38 | 0:26:43 | |
# They dream of home... # | 0:26:43 | 0:26:48 | |
I know this bit. | 0:26:48 | 0:26:50 | |
# ..There's a silver lining... # | 0:26:50 | 0:26:53 | |
'What a perfect end to an amazing journey. | 0:26:53 | 0:26:56 | |
'Ivor Novello, Portmeirion and Russell Grant. | 0:26:56 | 0:27:00 | |
I don't think you can top that, so I won't even try!' | 0:27:00 | 0:27:04 | |
# ..Till the boys come home. # | 0:27:04 | 0:27:13 | |
Gets you right there, which is what it was meant to do! | 0:27:17 | 0:27:20 | |
-It's like chocolate, you want more! -We do! | 0:27:20 | 0:27:22 | |
Next time, I'm travelling across the heads of the South Wales valleys | 0:27:22 | 0:27:27 | |
to be serenaded by a superstar... | 0:27:27 | 0:27:29 | |
RHYDIAN SINGS | 0:27:29 | 0:27:32 | |
..discover a recording studio that is part of rock history... | 0:27:36 | 0:27:39 | |
When Freddie Mercury wrote Bohemian Rhapsody, perhaps he got | 0:27:39 | 0:27:43 | |
-"any way the wind blows" from looking up at that horse? -From that weather vane! | 0:27:43 | 0:27:46 | |
..and I give a master class in music and dance. | 0:27:46 | 0:27:50 | |
Well, you've got to give something back to the next generation! | 0:27:55 | 0:27:59 | |
I'm exhausted! | 0:27:59 | 0:28:00 | |
# Cream coloured ponies and crisp apple strudels | 0:28:00 | 0:28:05 | |
# Door bells and sleigh bells and schnitzel with noodles | 0:28:05 | 0:28:08 | |
# Wild geese that fly with the moon on their wings. # | 0:28:08 | 0:28:12 | |
Subtitles by Red Bee Media Ltd | 0:28:12 | 0:28:15 |