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The TARDIS team is stuck in a dream dilemma, | 0:00:02 | 0:00:05 | |
and the Dream Lord's deception will drag the Doctor down to Earth with a bump. | 0:00:05 | 0:00:09 | |
Are you pregnant? | 0:00:09 | 0:00:10 | |
Arthur Darvill guides Confidential through the reality behind the fantasy. | 0:00:10 | 0:00:15 | |
It's the Doctor's fantasy versus Rory's fantasy. | 0:00:15 | 0:00:17 | |
As Rory turns father-to-be, | 0:00:17 | 0:00:20 | |
action hero... | 0:00:20 | 0:00:21 | |
Waa! | 0:00:21 | 0:00:22 | |
..and '70s rock god. | 0:00:22 | 0:00:24 | |
HE MOUTHS | 0:00:24 | 0:00:26 | |
-It's been such a fast episode. -Action! | 0:00:26 | 0:00:28 | |
-So much happens in it. -Agh! | 0:00:28 | 0:00:30 | |
So join Confidential as Arthur takes us through the filming process | 0:00:30 | 0:00:34 | |
from beginning...to end. | 0:00:34 | 0:00:36 | |
Ah! Ah! | 0:00:36 | 0:00:38 | |
I'm going to show you around a bit and kind of show you how we made it. | 0:00:38 | 0:00:43 | |
It's day one of the production block and in the studios in Cardiff, | 0:01:06 | 0:01:11 | |
Arthur has the latest script hot off the press | 0:01:11 | 0:01:13 | |
to prepare for the cast and crew read-through. | 0:01:13 | 0:01:16 | |
We received the final script of this today. | 0:01:18 | 0:01:21 | |
And we've got the read-through this afternoon. | 0:01:21 | 0:01:25 | |
And then we start filming it tomorrow. | 0:01:25 | 0:01:27 | |
I'm quite looking forward to this one cos it's a really funny script. | 0:01:27 | 0:01:30 | |
And I've only just read it, | 0:01:30 | 0:01:32 | |
so, you know, there's only so much you can prepare. | 0:01:32 | 0:01:34 | |
But it's good to hear the whole story | 0:01:34 | 0:01:36 | |
and good to hear people's first impressions, | 0:01:36 | 0:01:38 | |
it really is a first impression. | 0:01:38 | 0:01:40 | |
And sometimes you really go for it. | 0:01:40 | 0:01:42 | |
I think the thing that blew us away about Arthur was - | 0:01:42 | 0:01:46 | |
and we saw a lot of good people for the part of Rory - | 0:01:46 | 0:01:49 | |
was just how funny he was. | 0:01:49 | 0:01:51 | |
Arthur has that perfect... He always finds a perfect moment for a gag. | 0:01:51 | 0:01:55 | |
You just summoned aliens back to Earth! | 0:01:55 | 0:01:58 | |
Actual aliens. | 0:01:58 | 0:01:59 | |
Deadly aliens. | 0:01:59 | 0:02:00 | |
Aliens of death. And now you're taking your clothes off. | 0:02:00 | 0:02:05 | |
He found a space next to our two leads, | 0:02:05 | 0:02:08 | |
who already seemed rather complete. | 0:02:08 | 0:02:10 | |
But he actually, once he comes in, | 0:02:10 | 0:02:12 | |
it's quite hard to imagine the show without him, | 0:02:12 | 0:02:15 | |
which is a tremendous tribute to Arthur's brilliance. | 0:02:15 | 0:02:18 | |
-Hi. -Hello. | 0:02:18 | 0:02:19 | |
Oh, you're a doctor! | 0:02:19 | 0:02:22 | |
Oh, yeah. And, unlike you, I've passed some exams. | 0:02:22 | 0:02:25 | |
A doctor, not a nurse, just like you always dreamed. | 0:02:25 | 0:02:27 | |
I think the three of us get on really well in, | 0:02:27 | 0:02:31 | |
you know, in real life, | 0:02:31 | 0:02:33 | |
which makes it, you know, far easier to get on with working, | 0:02:33 | 0:02:38 | |
you know, at work. | 0:02:38 | 0:02:40 | |
It's the first day on location | 0:02:40 | 0:02:42 | |
and the TARDIS trio are getting the final touches to their bump, | 0:02:42 | 0:02:47 | |
-quiff... -HE MOUTHS | 0:02:47 | 0:02:48 | |
..and um... | 0:02:48 | 0:02:50 | |
rat-tail. | 0:02:50 | 0:02:52 | |
(Status Quo!) | 0:02:53 | 0:02:55 | |
MUSIC: "Whatever You Want" by Status Quo | 0:02:55 | 0:02:58 | |
I think it was called like a Britney wig, or something, at first. | 0:03:10 | 0:03:13 | |
So, yeah, I look pretty... pretty good. | 0:03:13 | 0:03:17 | |
Then Babs, the make-up designer for this did an amazing job cutting it | 0:03:17 | 0:03:20 | |
to make it look a bit more masculine...a bit more masculine, | 0:03:20 | 0:03:24 | |
and then put it back in a ponytail. | 0:03:24 | 0:03:26 | |
Everyone basically has just told me how cool I look with it. | 0:03:26 | 0:03:30 | |
There have been no negative comments so far. | 0:03:30 | 0:03:34 | |
It was hideous, I think it's safe to say. | 0:03:34 | 0:03:36 | |
But it was really funny. | 0:03:36 | 0:03:38 | |
It made Arthur look really different. | 0:03:38 | 0:03:41 | |
I find him quite scary to look at, actually. | 0:03:41 | 0:03:44 | |
And I hope he doesn't get any ideas | 0:03:44 | 0:03:47 | |
and decides to grow his hair like that. | 0:03:47 | 0:03:50 | |
And in this episode, it wasn't just Arthur's hair which gained some extra body. | 0:03:50 | 0:03:55 | |
Hello and welcome to a new segment of Doctor Who Confidential | 0:03:55 | 0:03:58 | |
called Arthur Chews The Fat. | 0:03:58 | 0:04:00 | |
I will be chatting to the good and the great on Doctor Who | 0:04:00 | 0:04:03 | |
and literally today I will be chewing the fat | 0:04:03 | 0:04:06 | |
with Karen Gillan. | 0:04:06 | 0:04:08 | |
-SHE LAUGHS -Hello! | 0:04:08 | 0:04:09 | |
-Hi, Kazzer. -Hi. | 0:04:09 | 0:04:10 | |
Um, a few quick questions for you today. | 0:04:10 | 0:04:14 | |
-What do you mean, literally chewing the fat? -Nothing. | 0:04:14 | 0:04:17 | |
OK. Fire away! | 0:04:17 | 0:04:20 | |
So, how is it, being massive? | 0:04:20 | 0:04:22 | |
It's fantastic. I'd like to introduce you to my... | 0:04:22 | 0:04:26 | |
-..our, in fact... -Yeah. -..unborn child. | 0:04:26 | 0:04:30 | |
-What is it actually made of? -I don't know. | 0:04:30 | 0:04:33 | |
Ray, what is this, what's inside the bump? | 0:04:33 | 0:04:36 | |
It's a latex prosthetic bump. | 0:04:36 | 0:04:39 | |
-OK. -So it's completely latex. -Ray Holman, costume. | 0:04:39 | 0:04:42 | |
-That's why we have a little belly button. -Belly button. | 0:04:42 | 0:04:45 | |
See. Woo! | 0:04:45 | 0:04:47 | |
No stuffing. So it's slightly heavy as well. | 0:04:47 | 0:04:50 | |
And I have massive breasts made of lentils. | 0:04:50 | 0:04:54 | |
That's lovely. | 0:04:54 | 0:04:56 | |
I developed a bump dance, | 0:04:56 | 0:04:58 | |
which is basically kind of moving it around and shaking it | 0:04:58 | 0:05:02 | |
and it just looked really weird. | 0:05:02 | 0:05:03 | |
Go on, go on! | 0:05:03 | 0:05:05 | |
Show them the belly dance! | 0:05:05 | 0:05:06 | |
We're in Skenfrith village, it's an amazing little village. | 0:05:17 | 0:05:21 | |
I haven't actually seen anyone who lives here. | 0:05:21 | 0:05:23 | |
I think they've all run away for the day. | 0:05:23 | 0:05:26 | |
First thing we're doing today | 0:05:26 | 0:05:28 | |
is just before we see the children turn to dust, | 0:05:28 | 0:05:33 | |
then we've got a massive... | 0:05:33 | 0:05:34 | |
It's a five- or six-page scene with the Dream Lord | 0:05:34 | 0:05:36 | |
in the village, which will take up most of the day. | 0:05:36 | 0:05:39 | |
Course you don't. | 0:05:42 | 0:05:43 | |
Course I do. No idea how you can be here, but there's only one person | 0:05:43 | 0:05:47 | |
in the universe who hates me as much as you do. | 0:05:47 | 0:05:49 | |
Never mind me. Maybe you should worry about them. | 0:05:49 | 0:05:54 | |
So many of the monsters in Doctor Who are kind of computer-generated | 0:05:55 | 0:06:00 | |
and to have a whole bunch of people | 0:06:00 | 0:06:03 | |
with Zimmer frames and walking sticks with their mouths open was pretty... | 0:06:03 | 0:06:07 | |
I mean, it was hilarious. But it was quite scary. | 0:06:07 | 0:06:10 | |
# They say I might as well face the truth | 0:06:10 | 0:06:14 | |
# That I am just too long in the tooth | 0:06:14 | 0:06:17 | |
# I started to deteriorate | 0:06:17 | 0:06:20 | |
# And now I'm past my own sell-by date... # | 0:06:20 | 0:06:24 | |
Now we get a terrible insight into the mind of Simon Nye, don't we? | 0:06:24 | 0:06:27 | |
I asked him to come up with a Doctor Who monster and he thought, "Old people!" | 0:06:30 | 0:06:34 | |
Well done, Simon, you strange man. I think it's a brilliant idea! | 0:06:34 | 0:06:38 | |
# So I'm a wrinkly crinkly But don't shed a tear | 0:06:38 | 0:06:41 | |
# I'm not exactly a little old dear | 0:06:41 | 0:06:45 | |
# One thing's for sure I'm still bloody well here | 0:06:45 | 0:06:48 | |
# One foot in the grave | 0:06:48 | 0:06:51 | |
# One foot in the grave | 0:06:52 | 0:06:55 | |
# One foot in the grave. # | 0:06:55 | 0:06:59 | |
It looks like I've got it in for old people. | 0:06:59 | 0:07:02 | |
I just think there is something scary, | 0:07:02 | 0:07:04 | |
especially if you're young, about old people. | 0:07:04 | 0:07:06 | |
I'm heading that way myself, as we all are, hopefully, one day, | 0:07:06 | 0:07:09 | |
but I think we can all remember, as a child particularly, | 0:07:09 | 0:07:12 | |
lovely aunts and grandparents just looking a bit scary. | 0:07:12 | 0:07:17 | |
Hello! We were wondering where you went. | 0:07:17 | 0:07:20 | |
To get reinforcements, by the look of it. | 0:07:20 | 0:07:22 | |
Are you all right? You look a bit tense. | 0:07:22 | 0:07:25 | |
And it's partly to do with the teeth, perhaps, | 0:07:25 | 0:07:28 | |
which is why the Eknodines in this episode, | 0:07:28 | 0:07:31 | |
who invaded these poor people's bodies, | 0:07:31 | 0:07:33 | |
they emerge from their mouths. | 0:07:33 | 0:07:36 | |
There is an eye in her mouth! | 0:07:36 | 0:07:38 | |
There's a whole creature inside her, inside all of them, living and waiting. | 0:07:38 | 0:07:42 | |
WHIRRING | 0:07:42 | 0:07:44 | |
I hope I don't put children off their grandparents | 0:07:44 | 0:07:47 | |
because, obviously, we should be learning from the elderly | 0:07:47 | 0:07:50 | |
rather than mocking them or making them look scary. | 0:07:50 | 0:07:53 | |
But, um, that's what we're doing in this episode. | 0:07:53 | 0:07:55 | |
The next day, the Who crew head off into the country | 0:07:55 | 0:07:59 | |
for Rory's dream house. | 0:07:59 | 0:08:01 | |
Release the geese! | 0:08:01 | 0:08:02 | |
So I'm about to hit an old woman with a stick... | 0:08:10 | 0:08:12 | |
..which isn't something I've done before. | 0:08:13 | 0:08:16 | |
I'm quite looking forward to it. I forgot we were doing this today! | 0:08:17 | 0:08:21 | |
Yeah... | 0:08:22 | 0:08:24 | |
It's a big stick as well. | 0:08:24 | 0:08:25 | |
Little old lady. | 0:08:25 | 0:08:27 | |
And obviously, just pull it and she'll just squat out of shot. | 0:08:27 | 0:08:32 | |
Believe it or not, it's not a real piece of wood. | 0:08:32 | 0:08:35 | |
It's made of something else. | 0:08:35 | 0:08:38 | |
So, er... | 0:08:39 | 0:08:40 | |
..so it's softer, but it looks like a piece of wood. | 0:08:41 | 0:08:43 | |
So...that's a bit of inside information. | 0:08:43 | 0:08:46 | |
Mrs Hammill... we don't understand. | 0:08:46 | 0:08:49 | |
SCREECHING | 0:08:49 | 0:08:51 | |
I'll deal with this one, chubs... | 0:08:53 | 0:08:56 | |
'We only have one piece of wood and I broke it quite early on.' | 0:08:56 | 0:09:00 | |
-I can't hit her. -Whack her! | 0:09:01 | 0:09:04 | |
We got the shots, thank God, but... | 0:09:11 | 0:09:14 | |
..I-I just broke it. | 0:09:15 | 0:09:17 | |
I'll deal with this, chubs... | 0:09:18 | 0:09:19 | |
'Obviously, Audrey is there and it looks like... | 0:09:19 | 0:09:24 | |
'I hit her with a big piece of wood...' | 0:09:24 | 0:09:26 | |
-I can't hit her. -Whack her! | 0:09:26 | 0:09:28 | |
-HE GROANS -'The way they shoot it is really clever.' | 0:09:29 | 0:09:32 | |
When she's facing the camera, you kind of go to hit, | 0:09:32 | 0:09:35 | |
but you don't actually touch. And then they cut to a shot from... | 0:09:35 | 0:09:38 | |
behind her, which is actually a stunt woman who I was allowed to hit. | 0:09:38 | 0:09:42 | |
-I really hit her with it? -Yes. | 0:09:42 | 0:09:44 | |
I wasn't quite sure if I... | 0:09:46 | 0:09:48 | |
if I hit hard enough, if it looked real enough. | 0:09:48 | 0:09:51 | |
But I watched it back and I think it does. | 0:09:51 | 0:09:54 | |
They'll cut it together and put a big sound effect on it so I'm sure it'll be... | 0:09:54 | 0:09:58 | |
It's very weird just hitting someone with a stick. | 0:09:58 | 0:10:01 | |
I can't hit her! | 0:10:06 | 0:10:07 | |
SHE TUTS Whack her! | 0:10:07 | 0:10:09 | |
I think we've only got a couple more days left on this episode... | 0:10:16 | 0:10:19 | |
..which is a bit weird. | 0:10:20 | 0:10:22 | |
It's kind of coming to the end. | 0:10:24 | 0:10:26 | |
But, yeah, it's going... It's funny, I went through the script... | 0:10:27 | 0:10:30 | |
last night again, and I haven't even shot most of it. | 0:10:30 | 0:10:34 | |
And it's like, "Oh, wow." It's gone really fast. | 0:10:34 | 0:10:37 | |
Quiet, please. | 0:10:37 | 0:10:39 | |
And Arthur's last adventure is to film Rory Williams's long goodbye. | 0:10:39 | 0:10:43 | |
-Action! -GASPING | 0:10:43 | 0:10:45 | |
The death scene was really weird because it was so quick. | 0:10:45 | 0:10:48 | |
It happens so out of the blue. | 0:10:48 | 0:10:50 | |
SCREAMING | 0:10:50 | 0:10:51 | |
HE SCREAMS Rory! | 0:10:54 | 0:10:56 | |
'It's horrible because Rory, at that point knows' | 0:10:56 | 0:10:59 | |
it's his reality. | 0:10:59 | 0:11:00 | |
No! I'm not ready! | 0:11:00 | 0:11:02 | |
'It's like everything he ever wanted is just completely being denied.' | 0:11:02 | 0:11:07 | |
Look after our baby. | 0:11:08 | 0:11:10 | |
'I think in that moment, Amy realises her feelings towards him.' | 0:11:14 | 0:11:18 | |
No... | 0:11:18 | 0:11:19 | |
Come back. | 0:11:21 | 0:11:22 | |
It's just tragic it takes something like that for her to realise. | 0:11:22 | 0:11:25 | |
'It is to her own shock, absolutely clear to the moment she loses Rory, | 0:11:25 | 0:11:31 | |
'that she could not bear' | 0:11:31 | 0:11:32 | |
to be without him. And that is proper shock. | 0:11:32 | 0:11:35 | |
It's not the Doctor, it's never been the Doctor, it's about Rory. | 0:11:35 | 0:11:38 | |
I think Amy surprises herself by realising that it's great to have | 0:11:38 | 0:11:43 | |
an enigmatic genius to run around after | 0:11:43 | 0:11:47 | |
and be with, but in the end, | 0:11:47 | 0:11:49 | |
that's perhaps not enough. I think she realises that... | 0:11:49 | 0:11:53 | |
she really does love Rory. | 0:11:53 | 0:11:55 | |
This is the dream. | 0:11:55 | 0:11:57 | |
How do you know? | 0:11:57 | 0:11:58 | |
Because if this is real life, I don't want it. | 0:11:58 | 0:12:02 | |
I don't want it. | 0:12:02 | 0:12:03 | |
Massive turn in their relationship, | 0:12:05 | 0:12:07 | |
you know, when Rory dies. Maybe he realises exactly what she wants. | 0:12:07 | 0:12:12 | |
OK. | 0:12:13 | 0:12:14 | |
Killing herself in a dream where she doesn't know if she's going to wake up, | 0:12:16 | 0:12:20 | |
but the thought of living without him is... | 0:12:20 | 0:12:22 | |
not worth considering. | 0:12:22 | 0:12:24 | |
'It's amazing. | 0:12:24 | 0:12:26 | |
'It really cements... | 0:12:26 | 0:12:27 | |
'their relationship...' | 0:12:27 | 0:12:29 | |
at that point. And it makes Rory so happy. | 0:12:29 | 0:12:33 | |
Oh, wahey! | 0:12:36 | 0:12:37 | |
From now on, trust nothing you see, hear or feel. | 0:12:42 | 0:12:45 | |
This is good. | 0:13:22 | 0:13:24 | |
So...? | 0:13:33 | 0:13:35 | |
Well, then? | 0:13:35 | 0:13:37 | |
Where now? | 0:13:37 | 0:13:38 | |
I don't know. Anywhere is good for me. | 0:13:39 | 0:13:41 | |
I'm happy anywhere. | 0:13:41 | 0:13:44 | |
It's up to Amy this time. | 0:13:44 | 0:13:46 | |
Amy's choice. | 0:13:47 | 0:13:48 | |
Subtitles by Red Bee Media Ltd | 0:14:09 | 0:14:12 | |
E-mail [email protected] | 0:14:12 | 0:14:15 |