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What are you all, identical twins? | 0:00:02 | 0:00:02 | |
Confidential does a double-take as the cast come face-to-face with themselves. | 0:00:02 | 0:00:07 | |
Are you two twins? | 0:00:07 | 0:00:09 | |
We get to kind of do all the, "Oh, my God" stuff. | 0:00:09 | 0:00:12 | |
But how similar does a look-alike need to be? | 0:00:12 | 0:00:16 | |
Of course I'm better looking but, you know, he does all right. | 0:00:16 | 0:00:20 | |
As the UK is gripped by the coldest winter in decades, | 0:00:20 | 0:00:23 | |
the country grinds to a halt. | 0:00:23 | 0:00:26 | |
It's so cold. I can't tell you how cold it is. | 0:00:26 | 0:00:30 | |
But there's still no stopping the Doctor Who crew. | 0:00:30 | 0:00:33 | |
-I've got a sneaky one. -You've got one. | 0:00:33 | 0:00:36 | |
You've got one and you're stealing mine, Gillan! | 0:00:36 | 0:00:39 | |
# I don't ever want to be here | 0:00:41 | 0:00:45 | |
# Like punching in a dream | 0:00:47 | 0:00:49 | |
# Breathing life into the nightmare. # | 0:00:49 | 0:00:53 | |
I can't leave her out there. | 0:00:55 | 0:00:57 | |
-Rory! -I know you understand that. -Get in here. Get in here. | 0:00:57 | 0:01:00 | |
And watch out, Amy. Rory has his eye on another woman. | 0:01:00 | 0:01:05 | |
Amy's kind of strong, "I don't care" facade | 0:01:05 | 0:01:08 | |
is starting to crack a little bit. | 0:01:08 | 0:01:10 | |
I think if Jennifer had any taste, she would fancy Rory! | 0:01:10 | 0:01:14 | |
-Amy's a lucky girl. -Yeah...she is. | 0:01:18 | 0:01:22 | |
# Do you count the flakes when it snows? | 0:01:47 | 0:01:50 | |
# Can you feel the heat or only the afterglow? | 0:01:50 | 0:01:53 | |
# Do you count the flakes when it snows? Yeah. # | 0:01:53 | 0:01:58 | |
At Caerphilly Castle, | 0:01:58 | 0:02:00 | |
snow has fallen on the set of Doctor Who. | 0:02:00 | 0:02:03 | |
But despite the freezing temperatures, | 0:02:03 | 0:02:05 | |
the cast and crew are soldiering on. | 0:02:05 | 0:02:08 | |
We've been very lucky. The snow came down quite heavily on Saturday | 0:02:08 | 0:02:11 | |
and we managed to get the crew through the snow. | 0:02:11 | 0:02:14 | |
Fortunately, we've been inside for the last couple of days, | 0:02:14 | 0:02:17 | |
so despite the cold temperatures, we've managed to keep filming. | 0:02:17 | 0:02:21 | |
Today's interesting because we hadn't imagined | 0:02:21 | 0:02:24 | |
shooting these scenes with the castle snowbound, | 0:02:24 | 0:02:27 | |
but actually it looks lovely, so we're going to go with it. | 0:02:27 | 0:02:30 | |
Gloves, I've got a couple of heat packs on my back. | 0:02:30 | 0:02:33 | |
I haven't got any heat packs. I should get some. | 0:02:33 | 0:02:35 | |
-Hand warmers in my socks. -That's funny. That must be lumpy. | 0:02:35 | 0:02:39 | |
It's lumpy and bumpy, but it's warm. | 0:02:39 | 0:02:43 | |
I don't have any room in my shoes. Hi, guys. | 0:02:43 | 0:02:47 | |
I've got sheep skin. | 0:02:47 | 0:02:49 | |
-I've got them! -Yes! You've both got them. | 0:02:49 | 0:02:52 | |
It's created a lack of space in my shoes... | 0:02:52 | 0:02:55 | |
Claustrophobic toes. I can't do that. | 0:02:55 | 0:02:57 | |
-..And therefore my feet are colder. -Really? -Yes. | 0:02:57 | 0:03:01 | |
-No. -Taking it away. -No! | 0:03:01 | 0:03:04 | |
One of the problems we get with weather like this is the worry | 0:03:04 | 0:03:07 | |
that the cast might end up under the weather. | 0:03:07 | 0:03:09 | |
It is a gruelling schedule | 0:03:09 | 0:03:11 | |
and Matt, Karen and Arthur are at the brunt of it. | 0:03:11 | 0:03:14 | |
You've got one. You've got one and you're stealing mine, Gillan! | 0:03:14 | 0:03:18 | |
I've got multiple layers. Ooh. | 0:03:18 | 0:03:20 | |
We try and look after them but they're all young, they're all fit. | 0:03:20 | 0:03:24 | |
They're hopefully coping well. | 0:03:24 | 0:03:26 | |
What Karen does is this, | 0:03:26 | 0:03:27 | |
-she puts it on her silly old nose, her big red conker. -I know! | 0:03:27 | 0:03:31 | |
-That's because it gets really cold and runny. -Cos it's massive. | 0:03:31 | 0:03:35 | |
-Don't take it off! -Take your coats off. | 0:03:35 | 0:03:38 | |
-Come on. -This is what happens in checks, with Arthur. | 0:03:38 | 0:03:41 | |
-Come on, Arthur. Do it. -Ahhh! | 0:03:41 | 0:03:44 | |
-It's OK, Arthur. -It's OK! | 0:03:44 | 0:03:48 | |
-Man up, old bean. -OK, I'm doing it. Aah! | 0:03:48 | 0:03:52 | |
If we want to live, it's time to go to war. | 0:03:55 | 0:04:00 | |
The main monster of these episodes are the gangers, | 0:04:05 | 0:04:08 | |
and they're a modern take on the kind of Frankenstein idea of creating life. | 0:04:08 | 0:04:13 | |
'I don't think there's any getting away from the fact' | 0:04:15 | 0:04:19 | |
the gangers are scary. | 0:04:19 | 0:04:20 | |
I'm very aware that this goes out on Saturday evenings | 0:04:20 | 0:04:24 | |
and I'm very aware this is a family show, | 0:04:24 | 0:04:26 | |
but Doctor Who was always scary when I was a kid, | 0:04:26 | 0:04:29 | |
and this is certainly going to scare people. | 0:04:29 | 0:04:33 | |
I wanted it to be scary and icky and nasty and cool to watch, | 0:04:47 | 0:04:50 | |
but I didn't want it to be about, "I want to take over the world | 0:04:50 | 0:04:55 | |
"just for the sake of it." | 0:04:55 | 0:04:56 | |
You can really sympathise with them. | 0:04:56 | 0:04:58 | |
They've got this vulnerability to them, | 0:04:58 | 0:05:01 | |
because you can really see their point of view, I guess, | 0:05:01 | 0:05:04 | |
because they're just trying to protect themselves and each other, | 0:05:04 | 0:05:08 | |
and, you know, they think of the humans as the enemy. | 0:05:08 | 0:05:12 | |
Where's the real Jennifer? | 0:05:12 | 0:05:16 | |
I am Jennifer Lucas. | 0:05:16 | 0:05:19 | |
I don't think the gangers are evil, necessarily, | 0:05:19 | 0:05:21 | |
they're just fighting for survival, | 0:05:21 | 0:05:24 | |
and people do extreme things in extreme situations. | 0:05:24 | 0:05:27 | |
If there are villains in this story, the villains are the humans, | 0:05:27 | 0:05:32 | |
who have been maltreating this sort of slave class they have, albeit accidentally, created. | 0:05:32 | 0:05:38 | |
We have the advantage now. | 0:05:38 | 0:05:41 | |
The thing I've wondered about any of these creatures | 0:05:41 | 0:05:44 | |
that perfectly duplicate human beings is, | 0:05:44 | 0:05:48 | |
don't they feel they have rights too? | 0:05:48 | 0:05:50 | |
Don't they take on some of the qualities of the human being they're impersonating so well? | 0:05:50 | 0:05:55 | |
In a lot of Doctor Whos you'd have a situation where somebody | 0:05:55 | 0:05:59 | |
could outguess the monster, but how do you outguess yourself? | 0:05:59 | 0:06:02 | |
It's one of the most challenging things you could fight with. | 0:06:02 | 0:06:05 | |
The doubles that we used for the actors, you don't need them to look the same. | 0:06:07 | 0:06:11 | |
They're going to be completely replaced. | 0:06:11 | 0:06:13 | |
There's two real essentials - they have to be the same height, | 0:06:13 | 0:06:16 | |
because if you're looking at your double | 0:06:16 | 0:06:20 | |
and I'm shooting you from over here, I need your eyeline | 0:06:20 | 0:06:23 | |
to be exactly where it will be when you're looking back at yourself. | 0:06:23 | 0:06:28 | |
So the height's incredibly important. | 0:06:28 | 0:06:30 | |
Also, to get around having to do a lot of special effects, | 0:06:30 | 0:06:33 | |
the back of the head becomes quite important, the hair, | 0:06:33 | 0:06:37 | |
because I can put a camera over someone's shoulder, looking at another person, | 0:06:37 | 0:06:41 | |
and as long as the back of the double's head looks fine, | 0:06:41 | 0:06:43 | |
you've got a clean shot and you don't have to worry about it. | 0:06:43 | 0:06:46 | |
From the back, you're not really sure who it is | 0:06:46 | 0:06:48 | |
and they'll turn around and have a completely different face. | 0:06:48 | 0:06:52 | |
So, it's really funny, actually, to see who they choose to cast as people's doubles. | 0:06:52 | 0:06:58 | |
I had a double once, for something else, | 0:06:58 | 0:07:01 | |
and she just looked nothing like me. | 0:07:01 | 0:07:03 | |
I mean, I am ghostly white, but this girl was really tanned. | 0:07:03 | 0:07:07 | |
They just put a ginger wig on her. | 0:07:07 | 0:07:10 | |
Are you two twins? | 0:07:11 | 0:07:13 | |
Well, I think we're pretty good doubles. | 0:07:13 | 0:07:15 | |
-I think we look pretty similar. -We do. We've got similar features. | 0:07:15 | 0:07:19 | |
A similar nose. | 0:07:19 | 0:07:20 | |
Yeah. Quite similar accents as well. | 0:07:20 | 0:07:23 | |
Crinkles around the eyes. | 0:07:23 | 0:07:25 | |
Of course, I'm the better-looking, but he does all right. | 0:07:25 | 0:07:28 | |
I think he's slightly more handsome. | 0:07:28 | 0:07:33 | |
Slightly more grey. Result! | 0:07:33 | 0:07:37 | |
And he's got a slightly better physique. | 0:07:37 | 0:07:41 | |
I think there are some similarities. | 0:07:41 | 0:07:43 | |
My hair's now a lot longer than what the wig is. | 0:07:43 | 0:07:47 | |
But it's really good to have them there. | 0:07:47 | 0:07:49 | |
Not just for eyelines and stuff, | 0:07:49 | 0:07:50 | |
but they actually give a lot as well to a scene, so it's great. | 0:07:50 | 0:07:54 | |
-Action. -Jennifer? Jennifer. | 0:08:02 | 0:08:06 | |
-They hurt...so much. -Hey, it's OK, it's over now. | 0:08:06 | 0:08:10 | |
Despite an episode of freezing temperatures | 0:08:10 | 0:08:13 | |
and icy conditions, things are definitely hotting up on set. | 0:08:13 | 0:08:18 | |
It's a really interesting twist in this episode, | 0:08:18 | 0:08:22 | |
-for the relationship between Rory and Amy. -Yeah. | 0:08:22 | 0:08:25 | |
You take a wee shine to Jennifer. | 0:08:25 | 0:08:27 | |
-Rory? Listen. -No, you listen. | 0:08:27 | 0:08:30 | |
Nobody touches her. | 0:08:30 | 0:08:32 | |
Rory does fancy her a little bit. I think he does. | 0:08:32 | 0:08:36 | |
He's noticed that she's an attractive girl, as men do. | 0:08:36 | 0:08:39 | |
We can tell the truth now Karen's not around. | 0:08:39 | 0:08:42 | |
We have a weird and wonderful relationship. | 0:08:42 | 0:08:45 | |
-There's nothing dodgy going on. -No, nothing dodgy at all. | 0:08:45 | 0:08:48 | |
# You make me feel like I'm the only girl in the world | 0:08:48 | 0:08:54 | |
# Like I'm the only one that you'll ever love... # | 0:08:54 | 0:08:57 | |
It's the white stuff, isn't it? | 0:09:04 | 0:09:05 | |
-It's the fact that you're made of toothpaste. -It's because I'm unique. | 0:09:05 | 0:09:09 | |
Yes, I've never seen anyone like you. Like a big eyeball before. | 0:09:09 | 0:09:14 | |
I think if Jennifer had any taste she would fancy Rory. | 0:09:19 | 0:09:24 | |
He's a really sweet and lovely guy. | 0:09:24 | 0:09:26 | |
I think Amy does have reason to be jealous, you know. | 0:09:26 | 0:09:31 | |
But I think Rory can't help but help a damsel in distress, too, and that's his soft side. | 0:09:31 | 0:09:36 | |
Amy's a lucky girl. | 0:09:39 | 0:09:42 | |
Yeah, she is. | 0:09:42 | 0:09:44 | |
I've got to look at it from Amy's point of view, | 0:09:46 | 0:09:49 | |
and you have taken a bit of a shine to this girl in particular. | 0:09:49 | 0:09:53 | |
Yeah, I'm definitely protective over her. | 0:09:53 | 0:09:56 | |
Yeah. Is it because she makes you feel like a man? | 0:09:56 | 0:09:58 | |
Yeah, in a way, in a sense. | 0:09:58 | 0:10:02 | |
-Amy doesn't make you feel like much of a man. -No. | 0:10:02 | 0:10:04 | |
Where's the real Jennifer? | 0:10:06 | 0:10:08 | |
The REAL? | 0:10:10 | 0:10:12 | |
I am Jennifer Lucas. | 0:10:14 | 0:10:18 | |
I remember everything that happened in her entire life - | 0:10:18 | 0:10:21 | |
every birthday, every childhood illness. | 0:10:21 | 0:10:27 | |
I feel everything she has ever felt and more. | 0:10:27 | 0:10:30 | |
I'm not a monster. I'm me! | 0:10:30 | 0:10:35 | |
There's talk of a love triangle going on, | 0:10:35 | 0:10:37 | |
but for Rory, it's more of a triangle of trouble. | 0:10:37 | 0:10:41 | |
I think she really likes Rory and he's a really sweet and nice person | 0:10:41 | 0:10:44 | |
and he really takes her under his wing | 0:10:44 | 0:10:47 | |
when he sees her at her most vulnerable. | 0:10:47 | 0:10:50 | |
Help me, Rory. Help me. | 0:10:50 | 0:10:53 | |
She's in genuine trouble and clearly likes him. | 0:10:54 | 0:10:59 | |
And yeah, there are moments when he thinks it would be nice | 0:10:59 | 0:11:02 | |
if Amy could ever own up to the fact that she depends on me a bit. | 0:11:02 | 0:11:05 | |
So he's absolutely ripe to be exploited by someone who says, | 0:11:05 | 0:11:08 | |
"Oh, you're so great. You're a real comfort to me." | 0:11:08 | 0:11:12 | |
Because he's never heard those words. | 0:11:12 | 0:11:14 | |
He hasn't heard those words, ever. He's known Amy since he was a child, so he's just used to scorn. | 0:11:14 | 0:11:18 | |
I really like this in the story. I'm glad that it's taken this turn. | 0:11:18 | 0:11:22 | |
It's given me, as an actress playing Amy, something new to play, | 0:11:22 | 0:11:28 | |
because she's always had Rory in the palm of her hand, | 0:11:28 | 0:11:32 | |
so to have this happen just opens up loads of new avenues. | 0:11:32 | 0:11:37 | |
It's really weird for Amy as well | 0:11:37 | 0:11:39 | |
because she's obviously had a roaming eye in the past herself. | 0:11:39 | 0:11:44 | |
-Are you not going to turn your back? -Nope. | 0:11:44 | 0:11:49 | |
So, yeah, she's obviously not too possessive like that | 0:11:49 | 0:11:54 | |
because she wouldn't expect Rory to be that possessive over her. | 0:11:54 | 0:11:57 | |
So, it's an interesting one to get. | 0:11:57 | 0:12:00 | |
I think Rory has to try not to be possessive. | 0:12:00 | 0:12:03 | |
I think he really has to keep it back. | 0:12:03 | 0:12:05 | |
He actually just wants to be going, "Hey!" all the time. | 0:12:05 | 0:12:10 | |
-But he has to play it cool. -Amy doesn't dig that. | 0:12:10 | 0:12:14 | |
Yeah. Rory just wants to be cool. | 0:12:14 | 0:12:16 | |
-Action. -What about the flares? | 0:12:16 | 0:12:20 | |
-Rory? -Jen's out there. | 0:12:20 | 0:12:24 | |
She's out there and she's on her own. | 0:12:24 | 0:12:26 | |
If she's got any sense, she's hiding. Rory... | 0:12:26 | 0:12:28 | |
-I can't leave her out there. -Rory! | 0:12:28 | 0:12:29 | |
I think that he wants to go out on a mission and prove himself, almost. | 0:12:29 | 0:12:36 | |
If he does that, he can prove himself as a man to Amy | 0:12:36 | 0:12:41 | |
and the Doctor, I guess. | 0:12:41 | 0:12:42 | |
Come on, get in here, get in here! | 0:12:42 | 0:12:45 | |
Close the doors. Rory? | 0:12:45 | 0:12:47 | |
I think, just naturally, as the man in the relationship, | 0:12:47 | 0:12:51 | |
he wants to assert himself a bit more. | 0:12:51 | 0:12:53 | |
He's got to man-up and finally he's doing that, which is good. | 0:12:53 | 0:12:57 | |
As Rory and Jennifer get closer, it seems to pull Rory | 0:12:57 | 0:13:02 | |
away from Amy, physically and emotionally. | 0:13:02 | 0:13:05 | |
Hopefully, that sets us up nicely for the big wallop at the end. | 0:13:05 | 0:13:08 | |
Show yourself. Show yourself! | 0:13:10 | 0:13:11 | |
The game-changer for this story is, what if the Doctor is duplicated? | 0:13:11 | 0:13:15 | |
What on earth happens then? | 0:13:15 | 0:13:17 | |
The most powerful player in the whole story, | 0:13:17 | 0:13:19 | |
what if there's two of him? | 0:13:19 | 0:13:22 | |
What will he be like? | 0:13:22 | 0:13:24 | |
Trust me. | 0:13:24 | 0:13:26 | |
I'm the Doctor. | 0:13:28 | 0:13:30 | |
Subtitles by Red Bee Media Ltd | 0:13:39 | 0:13:42 | |
E-mail [email protected] | 0:13:42 | 0:13:45 |