Browse content similar to Episode 1. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This year marks the 20th anniversary of Riverdance's seminal Eurovision | 0:00:16 | 0:00:19 | |
performance, which thrilled and inspired a worldwide audience. | 0:00:19 | 0:00:23 | |
CHEERING | 0:00:23 | 0:00:26 | |
The dance form has since proved immensely popular and is now | 0:00:26 | 0:00:30 | |
practised by people of all ages, ethnicities and backgrounds, | 0:00:30 | 0:00:35 | |
from every corner of the globe. | 0:00:35 | 0:00:37 | |
In Bray, County Dublin, | 0:00:37 | 0:00:39 | |
the Fegan School of Dance has always been inclusive, | 0:00:39 | 0:00:43 | |
and a particular Traveller family are showing plenty of promise. | 0:00:43 | 0:00:46 | |
This is my second cousin Joanne O'Brien. | 0:00:46 | 0:00:48 | |
My third cousin Mary O'Brien. My third cousin Bridget Connors. | 0:00:48 | 0:00:53 | |
My first cousin Nan O'Brien, my third cousin Jean O'Brien | 0:00:53 | 0:00:56 | |
and I'm Jim O'Brien. | 0:00:56 | 0:00:57 | |
My favourite sport is Irish dancing. | 0:01:10 | 0:01:13 | |
Because, I'm, like, | 0:01:13 | 0:01:15 | |
I'm probably four years at it. | 0:01:15 | 0:01:18 | |
This school of dance is called | 0:01:18 | 0:01:20 | |
the Fegan School of Irish Dancing | 0:01:20 | 0:01:22 | |
and my teacher's called Pauline Fegan. | 0:01:22 | 0:01:25 | |
Good. | 0:01:26 | 0:01:27 | |
My names Bridget Connors, I'm 13, and I dance for Pauline Fegan. | 0:01:28 | 0:01:32 | |
One more time, OK? | 0:01:32 | 0:01:34 | |
I think there's about seven or eight other Travelling girls - | 0:01:36 | 0:01:38 | |
and boy - in my dancing class with Pauline. | 0:01:38 | 0:01:42 | |
I wouldn't say there are much Travellers out there competing. | 0:01:42 | 0:01:44 | |
Besides us that dance with Pauline. | 0:01:44 | 0:01:47 | |
Pauline is probably the best dance teacher in Ireland | 0:01:47 | 0:01:50 | |
and probably one of the best in the world. | 0:01:50 | 0:01:53 | |
If you make a mistake she makes you do it properly. | 0:01:53 | 0:01:58 | |
Up, up, up and over. Up with the right leg, Jim, | 0:01:58 | 0:02:01 | |
you're losing your time a little. | 0:02:01 | 0:02:03 | |
I'm very lazy at dancing. | 0:02:05 | 0:02:08 | |
I go to about two, three classes a week. | 0:02:08 | 0:02:11 | |
And out of them I practise about, say, one day at all at home. | 0:02:11 | 0:02:14 | |
I could be a lot better if I tried. | 0:02:14 | 0:02:16 | |
You are so lazy. I have to get you dancing by Friday. | 0:02:16 | 0:02:19 | |
It's our first class in about ten weeks. | 0:02:19 | 0:02:22 | |
The focus of Jim and Bridget's training | 0:02:23 | 0:02:25 | |
is the Leinster Championship, | 0:02:25 | 0:02:27 | |
where they can qualify for the 2014 World Championships in London. | 0:02:27 | 0:02:31 | |
My dream is to win the Leinster. | 0:02:45 | 0:02:47 | |
Then probably the Irish Nationals, then the World's. | 0:02:47 | 0:02:51 | |
Well done, Jim, sleep well. Bye, now. See you tomorrow. | 0:02:51 | 0:02:54 | |
Nan, see you Wednesday. | 0:02:54 | 0:02:57 | |
For class, OK? Good girl. Don't forget, now. | 0:02:57 | 0:03:00 | |
Half six to half eight tomorrow, here. Yeah, don't forget, now. | 0:03:00 | 0:03:03 | |
I live in Burton Hall. | 0:03:08 | 0:03:10 | |
Burton Hall is a Travelling site. | 0:03:10 | 0:03:13 | |
I know everybody in the site. | 0:03:13 | 0:03:15 | |
We're all family, so we all talk the same, we all get on the same. | 0:03:15 | 0:03:18 | |
We know each other better than anybody else. | 0:03:18 | 0:03:20 | |
There's been a change at home for Bridget recently | 0:03:23 | 0:03:25 | |
with the arrival of her new baby brother, Miley. | 0:03:25 | 0:03:29 | |
Having a new baby in the house means that I've a bit more work to do | 0:03:29 | 0:03:32 | |
and it is a bit harder to get down to class. | 0:03:32 | 0:03:35 | |
Everyday I get up, get dressed, I come in here. | 0:03:35 | 0:03:38 | |
I make the boys' lunches. | 0:03:38 | 0:03:40 | |
Clean up after it and make sure that everything's in their bags. | 0:03:40 | 0:03:45 | |
But if I was a boy and the eldest I wouldn't have to make lunches. | 0:03:45 | 0:03:49 | |
Just cos I'm a girl. | 0:03:49 | 0:03:51 | |
So... | 0:03:51 | 0:03:53 | |
Kind of have to do it, like, cos you don't want to be... | 0:03:53 | 0:03:56 | |
You don't want people going round saying, | 0:03:56 | 0:03:58 | |
"Oh, no, there's a smell off her. Don't go into that house, | 0:03:58 | 0:04:00 | |
"there's a bad smell." I wouldn't have that, I'd die. | 0:04:00 | 0:04:02 | |
It actually helps a lot with dancing, | 0:04:02 | 0:04:04 | |
would you believe it? Because my legs are constantly moving, | 0:04:04 | 0:04:07 | |
so it's actually, I think... | 0:04:07 | 0:04:09 | |
I THINK it's good for me. I'm not sure. | 0:04:09 | 0:04:10 | |
I hope it is, because I never stop! | 0:04:10 | 0:04:13 | |
If I couldn't go dancing, I'd probably just crack up. | 0:04:13 | 0:04:17 | |
Before I get married and settled down, I'd like to be a beautician | 0:04:17 | 0:04:20 | |
and do nails and hair and makeup, and all that. | 0:04:20 | 0:04:23 | |
I kind of do want to continue doing dancing for a while. | 0:04:23 | 0:04:26 | |
You feel equal when you're dancing. | 0:04:26 | 0:04:28 | |
Everyone's the same. We all wear makeup and tan. We go to a feis | 0:04:28 | 0:04:31 | |
and there's loads of diamond stuff, and I'm not the only one buying them. | 0:04:31 | 0:04:34 | |
There's all other girls that aren't Travellers | 0:04:34 | 0:04:36 | |
as well buying them, so it just feels good. | 0:04:36 | 0:04:40 | |
Outside of dancing, I might be looked at differently. | 0:04:40 | 0:04:42 | |
Like an outcast or, like, whatever. | 0:04:42 | 0:04:45 | |
Going to a wedding, you'll be wearing whatever - all tan and makeup, | 0:04:45 | 0:04:48 | |
and your hair all fixed up, and short skirts and belly tops, | 0:04:48 | 0:04:50 | |
and high heels - and they're just looking at you, | 0:04:50 | 0:04:53 | |
like, "Where does she think she's going?!" | 0:04:53 | 0:04:56 | |
While Bridget is busy at home, Pauline works with Jim, | 0:05:01 | 0:05:05 | |
who has a problem with his timing. | 0:05:05 | 0:05:07 | |
This isn't helped by the fact that | 0:05:07 | 0:05:09 | |
Jim was recently diagnosed with partial deafness in one ear | 0:05:09 | 0:05:12 | |
and is awaiting treatment. | 0:05:12 | 0:05:13 | |
Listen, listen to the time, listen... | 0:05:13 | 0:05:17 | |
SHE SHOUTS INSTRUCTIONS | 0:05:17 | 0:05:20 | |
So I need you to concentrate on your timing. You'll be last place | 0:05:20 | 0:05:23 | |
if your timing goes, OK? So we've got to listen very carefully. | 0:05:23 | 0:05:27 | |
I heard you're going to get grommets maybe in the summer. | 0:05:27 | 0:05:29 | |
I knew there was something wrong with my timing when they said | 0:05:29 | 0:05:32 | |
-I was 20% deaf in my ear, so... -So you believe me? | 0:05:32 | 0:05:34 | |
-Yeah. -You weren't believing me up till that, were you? -No. | 0:05:34 | 0:05:37 | |
-You thought I was giving you a hard time, didn't you? -Yeah. | 0:05:37 | 0:05:39 | |
Because I've been telling you for a long time it's a little bit out, | 0:05:39 | 0:05:42 | |
and I know you find it hard for me to tell you things like that | 0:05:42 | 0:05:45 | |
and you feel a bit hurt maybe because you've worked so hard, | 0:05:45 | 0:05:47 | |
but it's not your fault, you know? | 0:05:47 | 0:05:49 | |
Your ears are playing up a bit. | 0:05:49 | 0:05:51 | |
And I'm going to change your steps | 0:05:51 | 0:05:53 | |
so that the steps will be easy to recognise, | 0:05:53 | 0:05:56 | |
the beats might fit in to the music. | 0:05:56 | 0:05:58 | |
Your timing's going to improve, definitely going to improve. | 0:05:58 | 0:06:01 | |
And the world's yours then, Jim. | 0:06:01 | 0:06:03 | |
'Jim is very special because he loves his dancing. | 0:06:12 | 0:06:16 | |
'He loves the music, even though he's sometimes not in time.' | 0:06:16 | 0:06:20 | |
You can see him floating | 0:06:20 | 0:06:21 | |
like a little bird on the stage, | 0:06:21 | 0:06:23 | |
and he's fantastic on stage. Fantastic. | 0:06:23 | 0:06:26 | |
'No matter what Jim does in life, | 0:06:26 | 0:06:28 | |
'he's going to be very, very successful. | 0:06:28 | 0:06:31 | |
'And I do hope he keeps it up | 0:06:31 | 0:06:33 | |
'because it's going to take time to mature and learn. | 0:06:33 | 0:06:36 | |
'And I do think Jim can be a world-class dancer. | 0:06:36 | 0:06:40 | |
'But, you know, it's difficult for a boy | 0:06:40 | 0:06:42 | |
'because there's a lot of slagging out there | 0:06:42 | 0:06:44 | |
'and a lot of name-calling, | 0:06:44 | 0:06:46 | |
'and they have to be even stronger than the girls.' | 0:06:46 | 0:06:48 | |
Before I joined with Pauline, | 0:06:53 | 0:06:54 | |
I was really young and I was at one class, | 0:06:54 | 0:06:56 | |
but the teacher, she'd completely ignore you, | 0:06:56 | 0:06:58 | |
she'd send you over in a corner and...do this and do that. | 0:06:58 | 0:07:00 | |
You'd know she wasn't paying proper attention to you. | 0:07:00 | 0:07:03 | |
And you'd know she'd be discriminating against you | 0:07:03 | 0:07:06 | |
because you were a Traveller. You'd know straightaway, but... | 0:07:06 | 0:07:09 | |
It's very aggravating. | 0:07:09 | 0:07:10 | |
Then I came to Pauline, and Pauline's just amazing. | 0:07:12 | 0:07:14 | |
Pauline's really, really good. Like, she treats us all | 0:07:14 | 0:07:17 | |
like we're the same and, you know, there's no difference. | 0:07:17 | 0:07:20 | |
-Bolognese? -OK. -Just the one? -Yeah. | 0:08:00 | 0:08:04 | |
-Did you enjoy yourself this morning? -Yeah. | 0:08:04 | 0:08:07 | |
-How's your timing doing? -It's all right. | 0:08:07 | 0:08:09 | |
Pauline asked me, was I getting grommets? And I said, I am. | 0:08:09 | 0:08:14 | |
Next month or during the summer, I said. | 0:08:14 | 0:08:17 | |
-Yeah. -And she said, | 0:08:17 | 0:08:19 | |
"Oh, maybe that's why your balance and your timing's out all the time." | 0:08:19 | 0:08:24 | |
Yeah, because your hearing is low in one ear, | 0:08:24 | 0:08:27 | |
and you have to get your tonsils out as well. | 0:08:27 | 0:08:30 | |
So we have to build you up for that, haven't we? | 0:08:30 | 0:08:33 | |
Maybe put on a little bit of weight. | 0:08:33 | 0:08:37 | |
As far as I ever can remember, he's the only boy | 0:08:37 | 0:08:39 | |
in the Travelling community that does Irish dancing, | 0:08:39 | 0:08:42 | |
that picked up the Irish dancing. | 0:08:42 | 0:08:44 | |
Years ago, they did, like, but... they done it for fun. | 0:08:44 | 0:08:47 | |
Didn't do it for competitions or anything. | 0:08:47 | 0:08:50 | |
I love watching him dance. | 0:08:50 | 0:08:52 | |
-So does his granny. -My granny comes to watch me dance all the time. | 0:08:52 | 0:08:57 | |
He's been always delicate. | 0:08:58 | 0:09:00 | |
He's a worry. A big worry, Jim is. | 0:09:00 | 0:09:03 | |
When he was young, he had septicaemia | 0:09:05 | 0:09:07 | |
and he couldn't even lift his limbs. So... | 0:09:07 | 0:09:12 | |
What could have been... | 0:09:15 | 0:09:17 | |
But believe me, nothing happened, thank God. Thanks be to God. | 0:09:22 | 0:09:26 | |
But it's just...when they tell you in the hospital | 0:09:26 | 0:09:29 | |
what could have happened... | 0:09:29 | 0:09:30 | |
So we're glad to have him | 0:09:30 | 0:09:32 | |
and we'll be just delighted with him dancing, that's it. | 0:09:32 | 0:09:35 | |
He hurls now as well, but his first priority is his Irish dancing. | 0:09:40 | 0:09:43 | |
And his cousins, they all hurl. | 0:09:43 | 0:09:45 | |
He never gets jeered or anything from them. | 0:09:45 | 0:09:47 | |
And all his friends, like, support him in it. | 0:09:47 | 0:09:50 | |
There's the big boy in the blue coat. | 0:09:50 | 0:09:53 | |
The big boy in the T-shirt is Michael, my brother. | 0:09:53 | 0:09:56 | |
And the little boy in the jersey is called Jim, he's my little cousin. | 0:09:56 | 0:09:59 | |
None of them dance. | 0:09:59 | 0:10:01 | |
I think it's really, really great and it's kind of cool | 0:10:05 | 0:10:09 | |
when you win all the trophies and medals. | 0:10:09 | 0:10:12 | |
And every time I play with him, | 0:10:12 | 0:10:14 | |
he runs, the way he jumps around Irish dancing. | 0:10:14 | 0:10:18 | |
Whenever the ball doesn't come to me, I'm just always, like...dancing. | 0:10:20 | 0:10:24 | |
He Irish dances for a second, then he stops, then he starts again. | 0:10:24 | 0:10:28 | |
My brother Michael, he doesn't Irish dance | 0:10:30 | 0:10:33 | |
because he thinks it's for girls. | 0:10:33 | 0:10:35 | |
Whenever Michael tells me Irish dancing's for girls, | 0:10:35 | 0:10:37 | |
I say to him, "No, it's not, | 0:10:37 | 0:10:39 | |
"because there's boys and girls doing Irish dancing. | 0:10:39 | 0:10:41 | |
"And in Riverdance, Michael Flatley did the lead, and he's a boy." | 0:10:41 | 0:10:46 | |
To get some feis practice before | 0:11:03 | 0:11:04 | |
the all-important Leinster Championships, | 0:11:04 | 0:11:07 | |
Pauline enters Bridget and Jim into the Irish Nationals, | 0:11:07 | 0:11:09 | |
held at City West, in Dublin. | 0:11:09 | 0:11:11 | |
I'm feeling really, really nervous, but, like, | 0:11:18 | 0:11:20 | |
it's funny being here as well | 0:11:20 | 0:11:22 | |
because the girls are here and it's good craic. | 0:11:22 | 0:11:24 | |
-What are the earrings? -Just normal earrings. -OK. | 0:11:24 | 0:11:27 | |
-For dancing? -Yeah. -Oh, no, no, no. -Oh, studs. | 0:11:27 | 0:11:29 | |
Take them right out. Just studs. OK? You'll be jingling... Good girl. | 0:11:29 | 0:11:34 | |
Pauline, she always has a soft side and you always go to her if you need anything. | 0:11:36 | 0:11:39 | |
But when it comes to dancing properly, you need to, like, | 0:11:39 | 0:11:42 | |
be there or else, like, she'll kill you! | 0:11:42 | 0:11:45 | |
-She just wants us to do our best. -Don't take your eyes off me. | 0:11:45 | 0:11:48 | |
Pull back your arms. Big strong beginning. | 0:11:48 | 0:11:52 | |
SHE HUMS | 0:11:52 | 0:11:57 | |
Jim really gets to focus on the steps when we're doing our makeup. | 0:11:57 | 0:12:00 | |
It's handier for him because he doesn't have to do all this. | 0:12:00 | 0:12:02 | |
Now, put your head forward. | 0:12:03 | 0:12:05 | |
I love the wigs. I know people have a lot of problems with the wigs, | 0:12:05 | 0:12:09 | |
but it does put the whole look together. | 0:12:09 | 0:12:11 | |
It just makes it more fun looking and more, like, professional, like. | 0:12:11 | 0:12:14 | |
Yeah. More fun, more professional, | 0:12:14 | 0:12:16 | |
-and I suppose it makes an effort. -Yeah. It makes it look like | 0:12:16 | 0:12:19 | |
-you're putting in an effort. -Yeah. You're beautiful, look. | 0:12:19 | 0:12:22 | |
It takes me ten minutes to get ready, | 0:12:22 | 0:12:24 | |
but it takes the girls about an hour. | 0:12:24 | 0:12:25 | |
I'm dancing in the Boys' 11-12, and I'm first on stage. | 0:12:27 | 0:12:32 | |
I've never been first on stage. A bit nervous. | 0:12:32 | 0:12:37 | |
And before too long Bridget gets her time on stage. | 0:13:09 | 0:13:12 | |
The results are in, and Bridget has not been placed. | 0:13:25 | 0:13:28 | |
Meanwhile, Jim and his family wait anxiously | 0:13:28 | 0:13:31 | |
to find out what position he has won. | 0:13:31 | 0:13:34 | |
When it comes to this stage, it always feels a bit nervous. | 0:13:34 | 0:13:38 | |
Especially in these competitions. | 0:13:38 | 0:13:41 | |
They go in the reverse order, so that's kind of a bit scary. | 0:13:41 | 0:13:44 | |
-ANNOUNCER: -OK, now the results of the Boys' 11-12 years, | 0:13:44 | 0:13:49 | |
in reverse order... | 0:13:49 | 0:13:52 | |
In 19th place, it's number two, Jim O'Brien, from the Fegan School. | 0:13:52 | 0:13:56 | |
As he couldn't keep in time, Jim has placed dead last. | 0:13:58 | 0:14:01 | |
-He worked so hard. -He did work so hard. He'll be disappointed in that. | 0:14:03 | 0:14:06 | |
Won't he? It's very disappointing, very disappointing. | 0:14:06 | 0:14:10 | |
I feel so upset for him because 19th is terrible. | 0:14:14 | 0:14:16 | |
The children know that 19th is, like, the last boy there. | 0:14:16 | 0:14:21 | |
You'll get the timing sorted. Don't worry, OK? | 0:14:30 | 0:14:32 | |
Be proud, you did very, very good. | 0:14:32 | 0:14:34 | |
You didn't deserve last place. | 0:14:34 | 0:14:36 | |
You need a good old cry now, OK? | 0:14:36 | 0:14:37 | |
I know you're upset, aren't you, darling? | 0:14:37 | 0:14:39 | |
Heartbroken at his poor result, Jim decides to quit Irish dancing. | 0:14:45 | 0:14:50 | |
Mary is coming round today, my first cousin, | 0:15:02 | 0:15:04 | |
and we'll hopefully get an hour or two of practice in. | 0:15:04 | 0:15:08 | |
We haven't been dancing in a week | 0:15:08 | 0:15:11 | |
because we've been very busy with Molly and everything, | 0:15:11 | 0:15:14 | |
so it's very bad, especially with the Leinsters coming up. | 0:15:14 | 0:15:17 | |
Some of the Travelling boys | 0:15:28 | 0:15:29 | |
that don't even live in the site come up and aggravate you. | 0:15:29 | 0:15:32 | |
"Traveller girls don't do that, that's for country girls." | 0:15:32 | 0:15:34 | |
I'm like, "Go away, mind your own business about me." | 0:15:34 | 0:15:37 | |
They've never seen any Travelling girls | 0:15:39 | 0:15:41 | |
doing anything like Irish dancing, don't see Travelling girls | 0:15:41 | 0:15:44 | |
going to a settler person's class | 0:15:44 | 0:15:46 | |
and doing what they do, acting like equals. | 0:15:46 | 0:15:48 | |
They don't see that, that's why they don't understand it. | 0:15:48 | 0:15:52 | |
-Brush. -B-rush! -Brush. -B-rush! | 0:15:52 | 0:15:56 | |
-Hold. -Hold... | 0:15:56 | 0:16:01 | |
-Keep going. -Got it. -Remember to move up. Ready, steady, go... | 0:16:01 | 0:16:05 | |
'I was very, very nervous at the Nationals. | 0:16:09 | 0:16:11 | |
'I didn't get placed and I wasn't happy with how I danced at all. | 0:16:11 | 0:16:15 | |
'I think I'm doing enough now,' | 0:16:15 | 0:16:16 | |
because I am trying. | 0:16:16 | 0:16:18 | |
But we'll see what happens at the Leinsters. | 0:16:18 | 0:16:21 | |
With their practice completed for the day, | 0:16:21 | 0:16:25 | |
the girls are getting ready to head out to the local shopping centre. | 0:16:25 | 0:16:28 | |
We don't use that much makeup, compared to some other girls. | 0:16:30 | 0:16:32 | |
-We don't wear our faces that... -It's not that thick with makeup. | 0:16:32 | 0:16:35 | |
No, it's not that thick. But, like, if we were going to | 0:16:35 | 0:16:38 | |
a wedding or something, we'd do it a small bit thick. | 0:16:38 | 0:16:41 | |
But, like, not for just going off somewhere. | 0:16:41 | 0:16:45 | |
I'm 11 in April. Most Travelling girls do... | 0:16:45 | 0:16:50 | |
they get done up from a very young age. | 0:16:50 | 0:16:53 | |
I think it's important that I look well because... | 0:16:53 | 0:16:56 | |
I don't like people backstabbing me, like, about that, | 0:16:56 | 0:17:00 | |
you don't look nice and you're not clean, and all that carry-on. | 0:17:00 | 0:17:03 | |
So I try to look my nicest. | 0:17:03 | 0:17:07 | |
What I like about Irish dancing costumes is the diamonds, | 0:17:07 | 0:17:10 | |
and if a Traveller girl wore it, | 0:17:10 | 0:17:13 | |
you wouldn't, like, stand out to any other girl. | 0:17:13 | 0:17:16 | |
You'd be all the same. So, like, it makes you feel good. | 0:17:16 | 0:17:20 | |
If she keeps practising, | 0:17:36 | 0:17:38 | |
Bridget's mother has promised her a new dancing dress. | 0:17:38 | 0:17:41 | |
Of course, Bridget has her own ideas about how it should look, | 0:17:41 | 0:17:44 | |
so her aunt has taken her to see dress designer Ronan McCormack. | 0:17:44 | 0:17:49 | |
-Hello, how are you? -I'm grand. -Hiya, I'm Bridget's auntie. | 0:17:49 | 0:17:52 | |
-I just came with her today. Her mum couldn't make it. -Nice to meet you. And, Bridget, how are you? -Grand. | 0:17:52 | 0:17:56 | |
You're looking well decked out today, | 0:17:56 | 0:17:58 | |
between the bling and the fur! | 0:17:58 | 0:18:00 | |
Sit yourselves down, while we have a wee chat about this dress. | 0:18:00 | 0:18:04 | |
So I assume this is your costume you're wearing at the moment? | 0:18:04 | 0:18:08 | |
-Oh, yeah. -Right. And are you happy with that dress? -No, I hate it. -You hate it? -I hate it. | 0:18:08 | 0:18:13 | |
-What do you hate about it? -It's too traditional. -Too traditional. | 0:18:13 | 0:18:16 | |
OK. Well, the colours wouldn't be exactly | 0:18:16 | 0:18:19 | |
-green, white and orange. -But I mean the design. | 0:18:19 | 0:18:21 | |
Right. The Celtic design. So have you got something in mind | 0:18:21 | 0:18:24 | |
-for what you'd like? -Yeah. I know exactly what I want, yeah. | 0:18:24 | 0:18:27 | |
And am I right in saying, now, you were thinking of getting this | 0:18:27 | 0:18:30 | |
-for the Leinsters? -Yeah. -So do you have any sketches or anything | 0:18:30 | 0:18:33 | |
-that you've done? -Yeah, I did. | 0:18:33 | 0:18:35 | |
I brought this. Now, I'm not the best drawer, so don't expect too much! | 0:18:35 | 0:18:38 | |
-Here it is. -Right, let's have a look. | 0:18:38 | 0:18:41 | |
OK. So tell me about it. | 0:18:41 | 0:18:43 | |
-I want hot pink all around here. -So that will be across the shoulders. | 0:18:43 | 0:18:46 | |
-The shoulders and the arms. -Down your sleeves. Right. | 0:18:46 | 0:18:48 | |
And the stomach part of it - black, but just paved in diamonds. | 0:18:48 | 0:18:52 | |
I don't want to see any black. | 0:18:52 | 0:18:53 | |
-Nothing but diamonds. -Now, here's the thing - | 0:18:53 | 0:18:55 | |
-that skirt looks very busy. Is that a tutu? -Tutu, yeah. -Right. | 0:18:55 | 0:18:58 | |
-And then there's a bow on the side. -OK. | 0:18:58 | 0:19:01 | |
-And tell me about this neckline. -I want the collar like a shirt. | 0:19:01 | 0:19:05 | |
OK, let me just do a shirt collar. | 0:19:05 | 0:19:07 | |
Right, and I suppose you'll want bling on that as well? | 0:19:07 | 0:19:12 | |
-Yeah, obviously. -I have watched a few episodes of | 0:19:12 | 0:19:15 | |
-My Big Fat Gypsy Wedding... -I'm not a Gypsy, I'm a Traveller. | 0:19:15 | 0:19:18 | |
Well, I just love the dresses. I don't envy anyone | 0:19:18 | 0:19:21 | |
having to wear the weight of them. | 0:19:21 | 0:19:22 | |
If it's going to have a load of bling, which is what I suspect, | 0:19:22 | 0:19:25 | |
-looking at your shoes today... -It has to be. | 0:19:25 | 0:19:27 | |
-..that's not light. -I really want a light one, | 0:19:27 | 0:19:29 | |
but if you can't do light, what can you do? | 0:19:29 | 0:19:31 | |
I want the diamonds. I have to have them, like. | 0:19:31 | 0:19:33 | |
Oh, the diamonds are important! | 0:19:33 | 0:19:34 | |
One thing I will say is, when something's a bit different, | 0:19:34 | 0:19:37 | |
it definitely helps catch the attention of the adjudicators | 0:19:37 | 0:19:40 | |
and the audience. But the problem with that is... | 0:19:40 | 0:19:42 | |
-If you do something wrong, yeah. -..if you catch the attention, | 0:19:42 | 0:19:45 | |
you'd better prove you're worthy of that attention. | 0:19:45 | 0:19:47 | |
So you'd better dance well and you'd better put a performance up there | 0:19:47 | 0:19:51 | |
that makes it worth their while paying you that attention. | 0:19:51 | 0:19:54 | |
After just two weeks away from class, | 0:19:57 | 0:20:00 | |
Jim's passion for dance and ambition to make it | 0:20:00 | 0:20:02 | |
to the World Championships proved too much to resist. | 0:20:02 | 0:20:05 | |
He's back in training for the Leinsters. | 0:20:05 | 0:20:08 | |
Turn out the feet, turn out the feet! | 0:20:08 | 0:20:10 | |
'This week, I'm going to have to try and ask Jim to focus on me. | 0:20:10 | 0:20:14 | |
'He hasn't had his ear operation | 0:20:14 | 0:20:16 | |
'and he's sort of given up a little bit.' | 0:20:16 | 0:20:19 | |
I need you to keep your timing. Keep your timing | 0:20:19 | 0:20:21 | |
and you could win like last year. You lose your timing, | 0:20:21 | 0:20:24 | |
you're completely out of first place and you're into last. | 0:20:24 | 0:20:26 | |
That's how easy it is. OK, I'll be jumping up and down in the audience this year. | 0:20:26 | 0:20:30 | |
I don't normally do that, but I will be there. OK? | 0:20:30 | 0:20:32 | |
And I want you glued to me so I can help you with the timing. | 0:20:32 | 0:20:35 | |
I know you haven't had your operation yet in your ears | 0:20:35 | 0:20:37 | |
and I know the timing's very hard for you, but I know you can do it. | 0:20:37 | 0:20:40 | |
You just have to concentrate. Don't let your concentration go. | 0:20:40 | 0:20:43 | |
With only a week to go before the Leinsters, | 0:20:43 | 0:20:46 | |
Bridget attends the class, | 0:20:46 | 0:20:47 | |
hoping to get her first look at her new dress. | 0:20:47 | 0:20:50 | |
This is Pauline's last opportunity | 0:20:50 | 0:20:52 | |
to work with her students before they compete | 0:20:52 | 0:20:55 | |
for the chance to qualify for the World Championships. | 0:20:55 | 0:20:58 | |
Do you have the dress? | 0:20:58 | 0:21:00 | |
-I do, I've a big box for you today. -Can I see it, please? | 0:21:00 | 0:21:02 | |
-Later. -No, can I... -I'll just start the little ones, then we'll get it, all right? | 0:21:02 | 0:21:06 | |
'Bridget, she's been in and out of class.' | 0:21:06 | 0:21:09 | |
I don't think she's doing a lot of practising. I'm trying to get | 0:21:09 | 0:21:12 | |
a bit of work out of her, so I'm going to wait till the end of class | 0:21:12 | 0:21:15 | |
before I reveal the costume. | 0:21:15 | 0:21:17 | |
Bridget, you've got one week left. | 0:21:17 | 0:21:20 | |
I don't think that's enough really, but we'll work it. Come on! | 0:21:20 | 0:21:23 | |
A week left, and I don't think I'm ready. | 0:21:25 | 0:21:27 | |
So I'm going to probably be practising all day and all night for the next week. | 0:21:27 | 0:21:30 | |
So it's going to be no sleep. | 0:21:30 | 0:21:33 | |
Come on, pull in the arms! | 0:21:33 | 0:21:34 | |
If you just did a bit of skipping, Bridget, that would improve. | 0:21:34 | 0:21:38 | |
Come on, lift, lift! | 0:21:38 | 0:21:39 | |
Come on, you've really improved, | 0:21:39 | 0:21:41 | |
you just need to do a bit of work on your fitness. | 0:21:41 | 0:21:44 | |
You've really improved, you've made a massive improvement. | 0:21:44 | 0:21:46 | |
Unfortunately, you're not doing any fitness or any skipping. | 0:21:46 | 0:21:49 | |
-Will you promise me you'll do some skipping this week? -Okey-dokey. | 0:21:49 | 0:21:52 | |
-OK, good girl. -Can I see the dress now? -No. -Please, please, please! | 0:21:52 | 0:21:55 | |
-No. -Please, please! -Oh, the dress! | 0:21:55 | 0:21:57 | |
-Oh, you almost forgot, serious? -Does everybody want to see Bridget's dress? I nearly forgot! | 0:21:57 | 0:22:01 | |
-Can Bridget see first? -What colour is it? | 0:22:01 | 0:22:04 | |
-ALL: Pink! -To make the boys wink! | 0:22:04 | 0:22:07 | |
Ooh! | 0:22:08 | 0:22:11 | |
-Ooh! What do you think? -Yeah, it's lovely. -Do you like it? -Yeah. | 0:22:11 | 0:22:16 | |
There's lots of bows. A shawl. | 0:22:16 | 0:22:19 | |
Now, Olivia, take her to the bathroom, and don't be long. | 0:22:19 | 0:22:21 | |
-It's pink and sparkly! -It's just Bridget, like. | 0:22:21 | 0:22:24 | |
-Can we see it? -But her dancing costume's | 0:22:24 | 0:22:27 | |
-always pink and sparkly. -No! | 0:22:27 | 0:22:28 | |
-Just open the door, so we can see her! -Are we ready, then? -Yeah! | 0:22:28 | 0:22:33 | |
One, two, three! | 0:22:33 | 0:22:35 | |
Oh, isn't it beautiful?! | 0:22:35 | 0:22:38 | |
-It's really nice! Turn round, turn round. -Gorgeous! | 0:22:38 | 0:22:43 | |
-So what do you think? -I don't really think it all matches, so... | 0:22:43 | 0:22:46 | |
Yeah, it's maybe a little bit big, just for your waistline. | 0:22:46 | 0:22:48 | |
You'll have to play around with it. No better woman. Turn around | 0:22:48 | 0:22:52 | |
so we'll see your shawl now. Actually, the back's beautiful. | 0:22:52 | 0:22:55 | |
- Bridget, you look really nice. - Thanks. | 0:22:55 | 0:22:57 | |
-What do you think of the skirt? -It's very plain. | 0:22:57 | 0:23:00 | |
I was going to get more tulle and just stick it completely out, | 0:23:00 | 0:23:04 | |
and more diamonds all over it. | 0:23:04 | 0:23:05 | |
-Put diamonds all along there. -Lovely, good girl. | 0:23:05 | 0:23:08 | |
-That'll be beautiful. -Diamond underwear! Bling! | 0:23:08 | 0:23:10 | |
I don't think we'll get diamond underwear. No need for that. | 0:23:10 | 0:23:14 | |
-All right, lovely. -Help me get dressed. | 0:23:14 | 0:23:16 | |
'I need to fix the skirt, | 0:23:16 | 0:23:18 | |
'put more diamonds on it, and get a smaller middle piece.' | 0:23:18 | 0:23:21 | |
So hopefully I'll be able to get it done in a week. | 0:23:21 | 0:23:24 | |
Then dancing, I have to be on my skipping rope and do a bit more. | 0:23:24 | 0:23:28 | |
Oh, I'm dreading next Sunday, God! | 0:23:28 | 0:23:31 | |
I'm so nervous, I don't even want to think about it. I'm trying to just | 0:23:31 | 0:23:34 | |
put it to the back of my mind, then I don't think about it until the day. | 0:23:34 | 0:23:37 | |
Then I can hyperventilate and go to hospital. Then I won't have to do it! | 0:23:37 | 0:23:41 | |
The Leinsters finally arrive | 0:23:45 | 0:23:47 | |
and hundreds of competitors have come, | 0:23:47 | 0:23:49 | |
hoping to earn their place in the World Championships. | 0:23:49 | 0:23:52 | |
Bridget is late. | 0:23:52 | 0:23:54 | |
It's ten to nine and I'm dancing at nine. | 0:23:58 | 0:24:00 | |
-I wish I'd got up earlier. -Did you go over your steps | 0:24:00 | 0:24:03 | |
-yesterday, Bridget? -No! -Bridget! Come on now, | 0:24:03 | 0:24:07 | |
you should have been practising for well an hour yesterday. | 0:24:07 | 0:24:10 | |
'I haven't danced in my costume yet. I've barely tried it on.' | 0:24:10 | 0:24:14 | |
Beautiful. You did a great job on it. | 0:24:14 | 0:24:17 | |
Completely different. OK, we'd better go. | 0:24:17 | 0:24:20 | |
-Keep your eyes up, OK? -Yeah. -And do your best. | 0:24:22 | 0:24:25 | |
All you can do is your best, all right? You look lovely. | 0:24:27 | 0:24:29 | |
Keep your eyes up now, and don't be looking at the floor. | 0:24:29 | 0:24:32 | |
MUSIC BEGINS | 0:24:39 | 0:24:41 | |
'I'm not happy with the way I danced at all. Me and the girl, we bumped. | 0:24:56 | 0:24:59 | |
'I was looking down and I didn't see her, and we just bumped.' | 0:24:59 | 0:25:03 | |
She mustn't have seen me either. | 0:25:03 | 0:25:05 | |
Bridget has one dance left to try and improve her overall position. | 0:25:06 | 0:25:10 | |
Bridget's not going to be walking away with any trophies today. | 0:25:28 | 0:25:31 | |
She's definitely in last position. | 0:25:31 | 0:25:34 | |
For stopping only, not for her dancing, | 0:25:34 | 0:25:36 | |
because she's really, really improved. | 0:25:36 | 0:25:38 | |
So I'm sorry she made that mistake. | 0:25:38 | 0:25:40 | |
'I went wrong in every dance I did, | 0:25:40 | 0:25:42 | |
'so I'm not really happy with it at all. But ultimately,' | 0:25:42 | 0:25:45 | |
I've just come away with a new dress | 0:25:45 | 0:25:47 | |
and a bit more confidence, I think. | 0:25:47 | 0:25:50 | |
I don't know, I'll figure it out after I've had some sleep. | 0:25:50 | 0:25:53 | |
While there may be no silverware for Bridget, Jim's family have all come | 0:25:55 | 0:25:59 | |
hoping to see him dance his way to a place in the World Championships. | 0:25:59 | 0:26:03 | |
But Jim has been ill. | 0:26:03 | 0:26:05 | |
He's been coughing for the last week in the night | 0:26:05 | 0:26:08 | |
because of his breathing. But hopefully now today, | 0:26:08 | 0:26:10 | |
he'll have the energy to dance. | 0:26:10 | 0:26:12 | |
I think Jim was born to dance. My grandad used to dance, | 0:26:14 | 0:26:17 | |
my granny used to dance. He must have got it from them. | 0:26:17 | 0:26:20 | |
He has the knack, anyhow. He's slim and he's small, and he's everything. | 0:26:20 | 0:26:24 | |
Pull in that arm. You want this, don't you? OK? | 0:26:24 | 0:26:27 | |
-You need to pull in that arm. -'Years ago, like,' | 0:26:27 | 0:26:30 | |
there was tents and wagons, and all like that. No trailers, no mobiles. | 0:26:30 | 0:26:34 | |
Just everyone sitting around a fire | 0:26:34 | 0:26:36 | |
and they'd have their tea outside and a few drinks outside, | 0:26:36 | 0:26:39 | |
and then they'd have an old dance outside. | 0:26:39 | 0:26:41 | |
OK, best of luck. Watch me. Keep your eyes on me. Good luck. | 0:26:41 | 0:26:45 | |
OK, no talking now. Keep your concentration. | 0:26:45 | 0:26:47 | |
CHEERING | 0:27:18 | 0:27:22 | |
Pauline and Jim's family wait nervously for his results. | 0:27:22 | 0:27:26 | |
In order to win his spot in the World Championships, | 0:27:26 | 0:27:29 | |
he must place in the top five today. | 0:27:29 | 0:27:32 | |
Now, ready now with the Boys' 11-12 result. | 0:27:34 | 0:27:37 | |
And our winner of the 11-12 Boys' Championship is Adam Norris. | 0:27:37 | 0:27:42 | |
In second, we have Nathan Kiernan. | 0:27:42 | 0:27:45 | |
In third, we have Jim O'Brien. | 0:27:47 | 0:27:50 | |
CHEERING | 0:27:50 | 0:27:54 | |
Winning third place means that Jim has now qualified | 0:27:54 | 0:27:58 | |
for the 2014 London World Championships. | 0:27:58 | 0:28:01 | |
Jim has advanced so much over the year | 0:28:01 | 0:28:04 | |
and he knows everything about the dance, | 0:28:04 | 0:28:06 | |
and he eats, drinks and sleeps it. | 0:28:06 | 0:28:08 | |
He's so intelligent. | 0:28:08 | 0:28:09 | |
You know, I do think Jim can be a world-class dancer. | 0:28:11 | 0:28:14 | |
Bridget will have no silverware going home from the Leinsters | 0:28:20 | 0:28:23 | |
this year, but she'll have a new outfit, a new look, and hopefully, | 0:28:23 | 0:28:26 | |
she'll be encouraged by the other girls | 0:28:26 | 0:28:28 | |
that are here in her group from our school | 0:28:28 | 0:28:31 | |
and she'll hopefully keep it up and improve for next year. | 0:28:31 | 0:28:34 |