Episode 2 Jigs and Wigs: The Extreme World of Irish Dancing


Episode 2

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The world of Irish dancing is one that's constantly evolving

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and with the advent of global success stories

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like Riverdance and Lord Of The Dance,

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it's an art form that's been thrust onto the world stage

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over the past 20 years.

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But it's not all about timing and fancy footwork these days.

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Increasingly, the life of an Irish dancer is a glitzy one,

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filled with multicoloured sequins,

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curly hair pieces, and layers of fake tan.

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And the grown-ups have decided it's no longer just for kids.

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I'm Cathy Desmond. I'm 50 years old.

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I'm an Irish dancer

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and I dance with the Olive Hurley School of Irish Dancing in Dublin.

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I'm a Mum of three. I have an 18-year-old and 13-year-old twins.

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They keep me busy -

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school runs, homework, cooking, cleaning, the list is endless.

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Cathy took up Irish dancing as an 11-year-old

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and showed great promise.

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But she disliked competing and gave up again at the age of 17.

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I'd always had a bit of a gra for Irish dancing,

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but not so much that I'd go back to dancing,

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but when I turned 40 I had a birthday party

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and my friend went to the DJ with a CD with Irish music

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and said, "She does Irish dancing."

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So I was in complete shock,

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because at that point I probably hadn't danced in about 25 years.

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So, I was coerced onto the floor anyway

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and I got up and did the most basic easy reel ever.

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And it was embarrassing,

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because I knew in my heart and soul that I was capable of a lot more.

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So, that kind of gave me the incentive to maybe,

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before I got a bit too old,

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to go back and explore going into dancing again.

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OK. So, may I have the adults at the back, please,

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the little ones in the front.

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After some research, Cathy joined the Olive Hurley School of Irish Dancing,

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and quickly began to impress her teacher.

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The first day Cathy came into my class,

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I saw this little lady, say 4'10", 5', walking in,

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and she'd a little bag and long hair and glasses.

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She came along, and I noticed she had very good rhythm.

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But, as far as I was concerned, she was just in to, you know,

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enjoy coming back to dancing and keeping fit.

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La la la la, la-la, la-la.

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I think, initially, the children in the class,

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they looked as if, "Oh, someone's mum has just started to dance.

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"Why is there a mum dancing?"

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I think they were wondering why I was there

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and I was starting to wonder why I was there as well.

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But once I started to dance, and then they saw,

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"Well, you know, she's one of us."

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And I was very accepted into the class then.

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Then, the girls were doing feises, and the boys,

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so Cathy tapped me on the shoulder one day,

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about six months after she started,

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"Could I go to that feis?"

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So I said, "Why not? Yes, of course."

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And so, she went. I think it was over 16, or over 18.

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And of course, Cathy told everybody she was 41

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and she did six competitions,

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she got straight firsts in the whole lost.

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So, she beat all these beautiful 16-year-olds

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and then she went into the next level,

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which was the intermediate level, and did the same thing again.

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And so, everybody was looking at this older lady

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who came back to dance,

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and she's sweeping the boards in front of all these beauties.

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For Cathy, the pinnacle of her competitive dance career came at 45,

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when she qualified for the World Championships.

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I'd try to qualify several times before then,

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but that year in particular was very important to me.

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My dad passed away in 2007 and he knew what my dancing dream was,

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and I tried to qualify in the November of that year

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and for the first time ever, I qualified.

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I just firmly believe that it was his parting gift to me.

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I would imagine Cathy has made history by qualifying at 46,

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or whatever she was, to dance at the Worlds.

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I don't think anyone else ever did that.

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Cathy has failed to qualify for the Worlds since 2008

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but having recently reached her 50th birthday,

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she remains determined to keep trying.

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It's not a vain attempt to hold on to my youth.

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I do it for the love of dancing.

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And if it was something else I'd do it just as enthusiastically.

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This morning, her friend Sue arrives for a catch-up and some practice.

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-Hi.

-Ready?

-Come on in.

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Oh, you have your mag!

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They're saying the older groups

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are going for simple, sophisticated dresses.

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-They don't know me at all.

-That's me!

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I have a simple, sophisticated dress. I'm happy.

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What do you think of the blue? It's a bit much, isn't it?

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-How can you have too much sparkle?

-It's too glitzy.

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How can it be too glitzy?

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Yeah, but you see at my age, you know, you have to be a little...

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-You're only as young as you feel.

-Ah, no, but still.

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My dancing buddy is a girl called Sue. She's 28.

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And we pretty much do everything together. We help each other out.

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We learn steps together.

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If she doesn't know something, I'll teach her, and vice versa.

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So, what do you think? Will we have a look at the set?

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-Will you fix it for me?

-Change to the new way, yeah?

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TRADITIONAL MUSIC PLAYS

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CATHY HUMS ALONG

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Despite the fact there is a 22-year age gap between myself and Sue,

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we get on really, really well together.

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So, if Sue doesn't come to class, I don't really feel right going over

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and sitting with the 15, 16-year-olds.

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I'm just a little bit out of my depth.

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Even though I get on really well with them,

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it's just to have someone a bit nearer to my age

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to hang out with in class, basically.

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Yeah, OK.

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At 50 years of age, Cathy is unusual in the Irish dance context.

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But on the Continent, she would hardly stand out.

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In Munich, dancers from all over Europe are preparing to

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descend on the annual feis, which is

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one of the biggest competitions of the year for adult dancers.

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TRADITIONAL MUSIC PLAYS

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When I first came here it was in '92, and Riverdance came in '94,

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and my whole thing was, well, I'll open a class of children.

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But adults came.

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So when I advertised, it was adults that came

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and because they saw the show Riverdance,

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it was, "I want to learn this, I want to do Riverdance."

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TRADITIONAL MUSIC PLAYS

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My name is Marco. I was born in Germany and I grew up in Italy.

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I dance for the over-30s. I'm 48.

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I'm not a dancer, generally,

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but I love Irish dance,

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due to this...sequences of steps

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and the rhythm of music and it's good, also, for fitness.

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I think, at my age,

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I can't be a champion, but we will see.

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The adults, they want to compete because they want to get better.

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So, they take it that seriously.

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They actually work out, they practice.

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Some of them do even fitness clubs alongside,

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just for their Irish dance, to get better.

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The first time that I saw the Irish dance was Riverdance,

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and it was unbelievable.

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Actually, we were very far from the stage, but at the same time,

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I felt like as if I was there on the stage, it was feeling incredible.

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At the same time, when I am on the stage, actually,

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I feel like a young boy.

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I mean, I'm a bit nervous.

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My legs becomes soft and I know that it seems strange

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that a man of 52 years old can feel like that,

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but it's a strange sensation when you are there in front of the judges.

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It's not just about dance. They're learning everything about Ireland.

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They want to learn our accent,

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they want to learn the way we walk, the way we talk.

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What we do after a feis, you know,

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maybe go to the Irish pubs afterwards, things like that.

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I love the music and all the steps, crossing and jumping

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and flying across the floor.

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A lot of people think that she's Irish.

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Once we were in St Stephens Green Park,

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and there were some Japanese and Italian tourists

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that were taking pictures of her,

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thinking that she was Irish and we just pretended to be Irish.

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We just said, "OK, don't speak!"

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And they took pictures and maybe they went back home showing the

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pictures of a typical Irish girl that instead was Italian.

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And it's not just the Italians who have discovered

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a love for Irish dancing later in life.

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Yuri is a 40-year-old businessman from Moscow

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who has been taking private dance lessons for the past five years.

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When I found an internet site about Irish dancing in Moscow,

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more than ten years go, I decided,

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"I'm almost 30, I'm very old for dancing. It's not for me.

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"I will just play music, Irish music, and that's all."

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I'm a general director of a company producing automation devices

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and now, I've about 100 employees there.

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And they don't know about his dancing

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because he is really serious.

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He doesn't smile himself in the mirror.

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He is always serious, and he goes like, "grr,"

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so he just can't dance. He can't!

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When such a serious man like a general director came to dance,

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it's not very good!

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It's minus ten for image!

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# I'll hear you and I will sing to you... #

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When we came to Ireland, it was raining. But he was smiling.

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It was so strange.

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So, I decided I could bring some Ireland to Russia.

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But I'm really jealous person,

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so it was difficult to me to find a school with a male dancer,

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because they didn't like all the short skirts and all the make-up

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and all these girls around,

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so I was trying to find a male dancer to give some private lessons.

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And it worked, because the male dancer was the best one in Russia,

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so he trained him good and in half a year, he got his first medals.

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Hopes for more silverware are high,

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as Yuri and his family make their way to the competition.

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The adult dancers competing here take the event very seriously,

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and Yuri is suffering from pre dance nerves.

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In my professional life,

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I had a chance every day to make speeches and discuss any questions.

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But this competition,

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every time, it's harder for me than any hard business conversation.

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Yuri squeezes in some last-minute practise,

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and across town, another group of hopefuls from Norway

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are nervously heading to the feis.

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I actually started when I was 16 but because I was in school

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and I didn't live in Oslo, I didn't have a school to go to.

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I didn't know where I could do dance.

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So, I just had like a workshop here and a workshop there.

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So, I lost a lot of years there. But still, 16, that's old, actually.

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That's when people retire in Ireland!

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Ase is a teacher at the Ronan McCormack School in Oslo,

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and is joined in Munich by some of her dancing students,

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Gerd and Eva.

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This is my first time doing the Munich Feis.

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I've never been there before

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and I've been supposed to dance at the Milan Feis two years ago,

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but then I got pneumonia, so I couldn't dance.

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And then in November I broke my foot one week before the Salzburg Feis,

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so, I didn't... This is my first proper feis.

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That's a scary thing, you know, when you're an adult dancer -

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it's injuries, because you never know if it's going to heal,

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or if it's going to heal proper or end.

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When you're ten, it's like, you're growing anyway,

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so managing a little bit of bone doesn't really matter as much

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most of the time, as long as it's not in growth. So it's good.

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I feel really like my bones are, you know, little less flexible.

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I jump less. It's harder.

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It's harder to get warmed up, all in all, but I'm still working it.

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And the older you get, the scarier it is.

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The older you get the harder it is.

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-TANNOY:

-'Change here for the U4 and the U5.'

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It's here. This is it. It's here. It's here! We're here!

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In Dublin, an adult dancer's worst fear has come to fruition.

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Cathy has picked up an injury, and it's throwing into jeopardy

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her dream of once again qualifying for the Worlds.

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Cathy has been having an issue with her left hamstring,

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so she's been getting treated here on and off for the last five months.

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She's becoming an awful lot looser.

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Her muscle isn't as tight as what it used to be,

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but her pain isn't much better,

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so there's still a lot more to do with her.

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Just try and relax.

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-It's better than last week.

-Yeah, I know it is. It's much better.

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You know, you're getting up to...

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-That's tight, but it's not overly painful.

-Yeah.

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Normally, we wouldn't see any 50-year-olds with Cathy's

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type of injury, really.

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Most 50 rules we get in would have some neck pain, back pain,

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more of a wear and tear type of thing

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rather than a sports injury or a dancing injury.

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But it's common enough that the older you get,

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the little bit more time it takes then to get back on your feet,

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get back to normal, and get back pain free again, unfortunately.

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Ooh!

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-Sorry, Cathy. OK?

-Yeah, yeah.

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'It's the longest injury I've ever had.

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'I've had hamstring injuries before,

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'but they've always righted themselves within a couple of months.

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'But this one's been nagging at me now since the end of last year.'

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-Are you OK?

-Mm-hm. Mm...

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Give me a shout if it gets too much, OK?

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I suppose in the back of my mind, I have a nagging thought

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that maybe it's the end of my career as a competitive dancer,

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but not as a dancer. I mean, I'll always dance,

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but just maybe the competition end of it might be finished.

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But I'm trying to keep my head in the sand about that. I'm in denial.

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I'll go through this pain and hopefully it'll make a difference.

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CLOCK BELLS CHIME

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Its competition time in Munich and Yuri's wife, Maria,

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is nervously waiting for him to perform.

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It's so difficult to look at him and to know that he can fail any minute.

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It's hard to watch, really.

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TRADITIONAL MUSIC PLAYS

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And Maria has given her husband and extra incentive for victory.

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We probably will have more kids if he dances well.

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I like champions, and he knows it. I'll choose the best.

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SHE GIGGLES

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Meanwhile, backstage, the nerves are building for 29-year-old Ase.

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Very nervous. I can't lie to you, no.

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It's weird, because it's not really a big deal,

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but I won the heat last year and then now I'm back and,

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you know, and I have to carry the cup in.

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It's like, "Here, this used to be mine, and I'm not getting it back."

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That's how I feel. It's like, you know, I should be as good this year.

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SHE SPEAKS NORWEGIAN

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I feel that I need to prove, you know,

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that I'm good enough and that it's worth doing it,

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because I spent some much time and so much money, and I'm old.

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It's like, "What are you doing this for? Why are you playing around?

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You know? So, I guess that's the pressure.

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It's like I'm sweaty already from warning up.

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-That's nerves for you, darling.

-Ugh!

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APPLAUSE

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It's prize-giving time in Munich,

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as the adult dancers anxiously await the results of their categories.

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Two-way tie for third, Stephanie Marbach, Rojahn Academy, and Dina...

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And after a nervous wait, there's good news for Yuri and his family.

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In first place, Yuri Murashev.

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APPLAUSE

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I am happy today,

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but I think that a lot of work is waiting for me next day.

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I'm very grateful for my family,

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because they support me and my victory is their victory.

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Look at this.

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Ase's hard work is rewarded, too.

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For the second year in a row,

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she takes first prize in the overall open category.

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For the 29-year-old, it's an emotional victory.

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I know it must be weird to see a grown-up woman being like,

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"Oh, God, I won, I won," but, you know, Irish dancing changed my life.

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Thank you, girls'

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My biggest fear is being that girl on the stage that everyone is like,

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"Oh, what is she doing here?" You know?

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And I know it's like, I'm acting like I won the Worlds,

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but to me, it's as important...

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I know it's not even close, and that's ridiculous,

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but it's this reassurance that,

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you know, I can do this, I'm ready to do this,

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although I'm just an amateur and whatever.

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So, this is nice. It's going back home to its spot now.

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November, 2013,

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and the All-Irelands are taking place in Belfast this year.

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But unlike Munich, it's a young person's game.

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Cathy and her dance buddy, Sue, have decided to compete,

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but having not danced competitively for quite some time,

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the girls are feeling a little rusty.

0:22:030:22:06

I've forgotten how to do this, Sue.

0:22:060:22:08

-What is it?

-It's stuff you put on to make your make-up stay.

0:22:080:22:13

-Superglue?

-CATHY LAUGHS

0:22:130:22:15

life's too short to be wearing all this make-up.

0:22:170:22:19

Despite being plagued by injury for many months,

0:22:200:22:24

Cathy is determined to stay upbeat.

0:22:240:22:27

I haven't really given the leg much thought at all, to be honest.

0:22:270:22:30

I'm so caught up in the nerves and the excitement of it

0:22:300:22:34

that I haven't really thought about the leg.

0:22:340:22:37

Cathy and Sue head down for breakfast,

0:22:370:22:40

but it's not long before the nerves kick

0:22:400:22:43

-in.

-I'm not hungry.

0:22:430:22:44

-Oh, you have to eat something.

-I can't bear cereal, Cathy.

0:22:440:22:47

-I feel sick.

-Let's go for it.

0:22:470:22:50

Cathy, I think it's the first time in my life I've turned away food.

0:22:500:22:55

No, just you have to have something.

0:22:550:22:56

-I'm not hungry.

-Just eat.

0:22:580:23:01

-I can't eat that, Cathy.

-Oh, my stomach's churning.

0:23:040:23:07

THEY RECITE STEPS

0:23:090:23:12

Having lost their appetite,

0:23:150:23:17

they make their way to Belfast's Waterfront Hall,

0:23:170:23:19

where dance teacher Olive Hurley is on hand for moral support.

0:23:190:23:24

-D-day, D-day, D-day!

-D-day.

-You'll be great.

0:23:240:23:29

OLIVE SINGS TRADITIONAL TUNE

0:23:300:23:35

Yeah. There. Yeah. Good girl.

0:23:350:23:39

But not everyone in the Irish dancing community has been

0:23:390:23:42

quite so supportive of Cathy's decision to continue competing.

0:23:420:23:47

There were a couple of teachers saw Cathy dancing with the over 20s

0:23:470:23:51

and they couldn't understand this older lady dancing.

0:23:510:23:55

I said, "What's the problem? She's living her dream."

0:23:550:23:58

"I'm uncomfortable," one teacher said to me. I said, "Why?"

0:23:580:24:01

"Oh, she shouldn't be dancing at that age,

0:24:010:24:03

"and she's intimidating the younger girls."

0:24:030:24:05

I said, "What? How do you intimidate young girls, all beautiful girls?"

0:24:050:24:09

21, 22...

0:24:130:24:14

As Cathy waits side stage, it's time for a pre-dance ritual.

0:24:160:24:19

Very traditionally and very sentimentally,

0:24:200:24:23

every time I dance, before I go on stage,

0:24:230:24:25

I always just say a little prayer to my dad, because I know

0:24:250:24:28

he's behind what I'm doing and I know he's always looking out for me.

0:24:280:24:32

He's like my guardian angel.

0:24:320:24:33

So I always just say a little prayer to him, saying,

0:24:330:24:36

"Don't make me fall," or, "Let me get it right," or, "Let me do well."

0:24:360:24:40

TRADITIONAL MUSIC PLAYS

0:24:400:24:42

My first dance was a traditional set dance called King Of The Fairies.

0:24:450:24:48

I think I did it OK. I kept in rhythm, I didn't go wrong.

0:24:480:24:52

It was OK. It was grand. The standard was very, very high though.

0:24:520:24:56

Meanwhile, Sue is onstage, and not faring quite so well.

0:24:570:25:01

My dances didn't go well.

0:25:030:25:06

In the reel, the light round,

0:25:060:25:08

I nearly had a collision with another girl, so I just stopped,

0:25:080:25:11

so the judges had to ring the bell for us to come off and go on again.

0:25:110:25:15

So, that knocks you off anyway. You can't place high after stopping.

0:25:150:25:19

-This is really happening, isn't it?

-Oh, Cathy...

0:25:210:25:24

And there's another reason why Sue is underperforming today.

0:25:240:25:28

The officials are unaware,

0:25:280:25:30

but she's four months pregnant with her third child.

0:25:300:25:33

I have to stop drinking that. I need to go to the toilet.

0:25:330:25:36

Is there a loo?

0:25:360:25:38

As Sue's hopes for a medal dwindle,

0:25:380:25:42

Cathy's takes to the stage to perform her reel,

0:25:420:25:45

but the competition is steep and her expectations are low.

0:25:450:25:49

My reel wasn't great.

0:25:490:25:51

It could've been better, but it wasn't bad either.

0:25:510:25:53

But again, the standard was the phenomenal.

0:25:530:25:55

TRADITIONAL MUSIC PLAYS

0:25:550:25:59

Despite the high standard of this year's All-Irelands,

0:26:110:26:15

there's a surprise in store for Cathy as the recalls announced.

0:26:150:26:19

-ANNOUNCER:

-'138, 139.'

0:26:220:26:27

SHE GASPS

0:26:270:26:28

'140. 141.'

0:26:280:26:33

Oh, my God! I can't believe this! Oh, my God!

0:26:330:26:38

When I heard Melanie got at, I was saying, "Oh, my God,"

0:26:380:26:41

and then you get it. Like, happy days. Fantastic, well done.

0:26:410:26:46

Go on. God bless. Give it a welly! Good girl!

0:26:460:26:50

Oh, my God. I'm so happy for her.

0:26:500:26:53

It proves that it doesn't matter what age you are. Go grannies!

0:26:530:26:57

TRADITIONAL MUSIC PLAYS

0:26:590:27:01

Although she didn't finish in one of the top spots,

0:27:010:27:04

Cathy Desmond did manage to win a medal at the All-Irelands

0:27:040:27:08

and hopes that future successes will follow.

0:27:080:27:11

APPLAUSE

0:27:110:27:13

I don't look on Cathy as old,

0:27:130:27:16

I just look on Cathy as one of the girls.

0:27:160:27:19

You don't think, like,

0:27:190:27:21

"Mind out for Cathy, don't bump into her because she's old,"

0:27:210:27:24

cos she's just Cathy.

0:27:240:27:26

Cathy is the only woman in the old world at 50 years of age

0:27:290:27:33

who can go up and win an All-Ireland medal for solo dancing.

0:27:330:27:36

It's just phenomenal.

0:27:360:27:37

So, she really has fulfilled her dreams

0:27:370:27:39

and shown everybody what we can do as we get older,

0:27:390:27:43

and to believe in themselves and go for the dream, go for it.

0:27:430:27:46

Well done, girl.

0:27:500:27:52

'I think I've proven myself today.'

0:27:520:27:54

I don't care what happens now, I really don't. I'm happy.

0:27:540:27:58

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