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The world of Irish dancing is one that's constantly evolving | 0:00:09 | 0:00:13 | |
and with the advent of global success stories | 0:00:13 | 0:00:15 | |
like Riverdance and Lord Of The Dance, | 0:00:15 | 0:00:17 | |
it's an art form that's been thrust onto the world stage | 0:00:17 | 0:00:20 | |
over the past 20 years. | 0:00:20 | 0:00:22 | |
But it's not all about timing and fancy footwork these days. | 0:00:27 | 0:00:31 | |
Increasingly, the life of an Irish dancer is a glitzy one, | 0:00:31 | 0:00:34 | |
filled with multicoloured sequins, | 0:00:34 | 0:00:37 | |
curly hair pieces, and layers of fake tan. | 0:00:37 | 0:00:40 | |
And the grown-ups have decided it's no longer just for kids. | 0:00:44 | 0:00:49 | |
I'm Cathy Desmond. I'm 50 years old. | 0:01:07 | 0:01:10 | |
I'm an Irish dancer | 0:01:10 | 0:01:11 | |
and I dance with the Olive Hurley School of Irish Dancing in Dublin. | 0:01:11 | 0:01:15 | |
I'm a Mum of three. I have an 18-year-old and 13-year-old twins. | 0:01:18 | 0:01:23 | |
They keep me busy - | 0:01:23 | 0:01:24 | |
school runs, homework, cooking, cleaning, the list is endless. | 0:01:24 | 0:01:29 | |
Cathy took up Irish dancing as an 11-year-old | 0:01:31 | 0:01:34 | |
and showed great promise. | 0:01:34 | 0:01:35 | |
But she disliked competing and gave up again at the age of 17. | 0:01:35 | 0:01:39 | |
I'd always had a bit of a gra for Irish dancing, | 0:01:41 | 0:01:44 | |
but not so much that I'd go back to dancing, | 0:01:44 | 0:01:47 | |
but when I turned 40 I had a birthday party | 0:01:47 | 0:01:50 | |
and my friend went to the DJ with a CD with Irish music | 0:01:50 | 0:01:54 | |
and said, "She does Irish dancing." | 0:01:54 | 0:01:57 | |
So I was in complete shock, | 0:01:57 | 0:01:58 | |
because at that point I probably hadn't danced in about 25 years. | 0:01:58 | 0:02:02 | |
So, I was coerced onto the floor anyway | 0:02:02 | 0:02:05 | |
and I got up and did the most basic easy reel ever. | 0:02:05 | 0:02:08 | |
And it was embarrassing, | 0:02:08 | 0:02:10 | |
because I knew in my heart and soul that I was capable of a lot more. | 0:02:10 | 0:02:14 | |
So, that kind of gave me the incentive to maybe, | 0:02:14 | 0:02:16 | |
before I got a bit too old, | 0:02:16 | 0:02:18 | |
to go back and explore going into dancing again. | 0:02:18 | 0:02:22 | |
OK. So, may I have the adults at the back, please, | 0:02:22 | 0:02:25 | |
the little ones in the front. | 0:02:25 | 0:02:27 | |
After some research, Cathy joined the Olive Hurley School of Irish Dancing, | 0:02:27 | 0:02:32 | |
and quickly began to impress her teacher. | 0:02:32 | 0:02:34 | |
The first day Cathy came into my class, | 0:02:34 | 0:02:37 | |
I saw this little lady, say 4'10", 5', walking in, | 0:02:37 | 0:02:40 | |
and she'd a little bag and long hair and glasses. | 0:02:40 | 0:02:44 | |
She came along, and I noticed she had very good rhythm. | 0:02:44 | 0:02:48 | |
But, as far as I was concerned, she was just in to, you know, | 0:02:48 | 0:02:50 | |
enjoy coming back to dancing and keeping fit. | 0:02:50 | 0:02:54 | |
La la la la, la-la, la-la. | 0:02:54 | 0:02:56 | |
I think, initially, the children in the class, | 0:02:56 | 0:02:59 | |
they looked as if, "Oh, someone's mum has just started to dance. | 0:02:59 | 0:03:02 | |
"Why is there a mum dancing?" | 0:03:02 | 0:03:04 | |
I think they were wondering why I was there | 0:03:04 | 0:03:07 | |
and I was starting to wonder why I was there as well. | 0:03:07 | 0:03:09 | |
But once I started to dance, and then they saw, | 0:03:09 | 0:03:12 | |
"Well, you know, she's one of us." | 0:03:12 | 0:03:14 | |
And I was very accepted into the class then. | 0:03:14 | 0:03:17 | |
Then, the girls were doing feises, and the boys, | 0:03:18 | 0:03:22 | |
so Cathy tapped me on the shoulder one day, | 0:03:22 | 0:03:24 | |
about six months after she started, | 0:03:24 | 0:03:25 | |
"Could I go to that feis?" | 0:03:25 | 0:03:27 | |
So I said, "Why not? Yes, of course." | 0:03:27 | 0:03:30 | |
And so, she went. I think it was over 16, or over 18. | 0:03:30 | 0:03:35 | |
And of course, Cathy told everybody she was 41 | 0:03:35 | 0:03:37 | |
and she did six competitions, | 0:03:37 | 0:03:39 | |
she got straight firsts in the whole lost. | 0:03:39 | 0:03:41 | |
So, she beat all these beautiful 16-year-olds | 0:03:41 | 0:03:43 | |
and then she went into the next level, | 0:03:43 | 0:03:45 | |
which was the intermediate level, and did the same thing again. | 0:03:45 | 0:03:48 | |
And so, everybody was looking at this older lady | 0:03:48 | 0:03:51 | |
who came back to dance, | 0:03:51 | 0:03:52 | |
and she's sweeping the boards in front of all these beauties. | 0:03:52 | 0:03:55 | |
For Cathy, the pinnacle of her competitive dance career came at 45, | 0:03:57 | 0:04:02 | |
when she qualified for the World Championships. | 0:04:02 | 0:04:04 | |
I'd try to qualify several times before then, | 0:04:06 | 0:04:10 | |
but that year in particular was very important to me. | 0:04:10 | 0:04:13 | |
My dad passed away in 2007 and he knew what my dancing dream was, | 0:04:13 | 0:04:19 | |
and I tried to qualify in the November of that year | 0:04:19 | 0:04:23 | |
and for the first time ever, I qualified. | 0:04:23 | 0:04:25 | |
I just firmly believe that it was his parting gift to me. | 0:04:25 | 0:04:29 | |
I would imagine Cathy has made history by qualifying at 46, | 0:04:30 | 0:04:34 | |
or whatever she was, to dance at the Worlds. | 0:04:34 | 0:04:37 | |
I don't think anyone else ever did that. | 0:04:37 | 0:04:39 | |
Cathy has failed to qualify for the Worlds since 2008 | 0:04:41 | 0:04:45 | |
but having recently reached her 50th birthday, | 0:04:45 | 0:04:48 | |
she remains determined to keep trying. | 0:04:48 | 0:04:51 | |
It's not a vain attempt to hold on to my youth. | 0:04:51 | 0:04:54 | |
I do it for the love of dancing. | 0:04:54 | 0:04:56 | |
And if it was something else I'd do it just as enthusiastically. | 0:04:56 | 0:05:00 | |
This morning, her friend Sue arrives for a catch-up and some practice. | 0:05:00 | 0:05:04 | |
-Hi. -Ready? -Come on in. | 0:05:04 | 0:05:06 | |
Oh, you have your mag! | 0:05:06 | 0:05:08 | |
They're saying the older groups | 0:05:08 | 0:05:10 | |
are going for simple, sophisticated dresses. | 0:05:10 | 0:05:13 | |
-They don't know me at all. -That's me! | 0:05:13 | 0:05:16 | |
I have a simple, sophisticated dress. I'm happy. | 0:05:16 | 0:05:18 | |
What do you think of the blue? It's a bit much, isn't it? | 0:05:18 | 0:05:21 | |
-How can you have too much sparkle? -It's too glitzy. | 0:05:21 | 0:05:25 | |
How can it be too glitzy? | 0:05:25 | 0:05:26 | |
Yeah, but you see at my age, you know, you have to be a little... | 0:05:26 | 0:05:30 | |
-You're only as young as you feel. -Ah, no, but still. | 0:05:30 | 0:05:33 | |
My dancing buddy is a girl called Sue. She's 28. | 0:05:33 | 0:05:38 | |
And we pretty much do everything together. We help each other out. | 0:05:38 | 0:05:42 | |
We learn steps together. | 0:05:42 | 0:05:44 | |
If she doesn't know something, I'll teach her, and vice versa. | 0:05:44 | 0:05:47 | |
So, what do you think? Will we have a look at the set? | 0:05:47 | 0:05:49 | |
-Will you fix it for me? -Change to the new way, yeah? | 0:05:49 | 0:05:53 | |
TRADITIONAL MUSIC PLAYS | 0:05:53 | 0:05:55 | |
CATHY HUMS ALONG | 0:06:15 | 0:06:18 | |
Despite the fact there is a 22-year age gap between myself and Sue, | 0:06:18 | 0:06:21 | |
we get on really, really well together. | 0:06:21 | 0:06:23 | |
So, if Sue doesn't come to class, I don't really feel right going over | 0:06:23 | 0:06:28 | |
and sitting with the 15, 16-year-olds. | 0:06:28 | 0:06:30 | |
I'm just a little bit out of my depth. | 0:06:30 | 0:06:32 | |
Even though I get on really well with them, | 0:06:32 | 0:06:34 | |
it's just to have someone a bit nearer to my age | 0:06:34 | 0:06:37 | |
to hang out with in class, basically. | 0:06:37 | 0:06:39 | |
Yeah, OK. | 0:06:43 | 0:06:44 | |
At 50 years of age, Cathy is unusual in the Irish dance context. | 0:06:44 | 0:06:48 | |
But on the Continent, she would hardly stand out. | 0:06:48 | 0:06:52 | |
In Munich, dancers from all over Europe are preparing to | 0:06:52 | 0:06:54 | |
descend on the annual feis, which is | 0:06:54 | 0:06:57 | |
one of the biggest competitions of the year for adult dancers. | 0:06:57 | 0:07:01 | |
TRADITIONAL MUSIC PLAYS | 0:07:01 | 0:07:03 | |
When I first came here it was in '92, and Riverdance came in '94, | 0:07:18 | 0:07:23 | |
and my whole thing was, well, I'll open a class of children. | 0:07:23 | 0:07:26 | |
But adults came. | 0:07:26 | 0:07:27 | |
So when I advertised, it was adults that came | 0:07:27 | 0:07:30 | |
and because they saw the show Riverdance, | 0:07:30 | 0:07:32 | |
it was, "I want to learn this, I want to do Riverdance." | 0:07:32 | 0:07:35 | |
TRADITIONAL MUSIC PLAYS | 0:07:35 | 0:07:38 | |
My name is Marco. I was born in Germany and I grew up in Italy. | 0:07:43 | 0:07:48 | |
I dance for the over-30s. I'm 48. | 0:07:48 | 0:07:53 | |
I'm not a dancer, generally, | 0:07:56 | 0:07:57 | |
but I love Irish dance, | 0:07:57 | 0:08:01 | |
due to this...sequences of steps | 0:08:01 | 0:08:06 | |
and the rhythm of music and it's good, also, for fitness. | 0:08:06 | 0:08:09 | |
I think, at my age, | 0:08:15 | 0:08:18 | |
I can't be a champion, but we will see. | 0:08:18 | 0:08:23 | |
The adults, they want to compete because they want to get better. | 0:08:27 | 0:08:30 | |
So, they take it that seriously. | 0:08:30 | 0:08:32 | |
They actually work out, they practice. | 0:08:32 | 0:08:34 | |
Some of them do even fitness clubs alongside, | 0:08:34 | 0:08:36 | |
just for their Irish dance, to get better. | 0:08:36 | 0:08:38 | |
The first time that I saw the Irish dance was Riverdance, | 0:08:45 | 0:08:49 | |
and it was unbelievable. | 0:08:49 | 0:08:52 | |
Actually, we were very far from the stage, but at the same time, | 0:08:52 | 0:08:56 | |
I felt like as if I was there on the stage, it was feeling incredible. | 0:08:56 | 0:09:02 | |
At the same time, when I am on the stage, actually, | 0:09:04 | 0:09:07 | |
I feel like a young boy. | 0:09:07 | 0:09:09 | |
I mean, I'm a bit nervous. | 0:09:09 | 0:09:11 | |
My legs becomes soft and I know that it seems strange | 0:09:11 | 0:09:16 | |
that a man of 52 years old can feel like that, | 0:09:16 | 0:09:20 | |
but it's a strange sensation when you are there in front of the judges. | 0:09:20 | 0:09:25 | |
It's not just about dance. They're learning everything about Ireland. | 0:09:36 | 0:09:39 | |
They want to learn our accent, | 0:09:39 | 0:09:41 | |
they want to learn the way we walk, the way we talk. | 0:09:41 | 0:09:43 | |
What we do after a feis, you know, | 0:09:43 | 0:09:45 | |
maybe go to the Irish pubs afterwards, things like that. | 0:09:45 | 0:09:48 | |
I love the music and all the steps, crossing and jumping | 0:09:52 | 0:09:58 | |
and flying across the floor. | 0:09:58 | 0:10:01 | |
A lot of people think that she's Irish. | 0:10:01 | 0:10:03 | |
Once we were in St Stephens Green Park, | 0:10:03 | 0:10:06 | |
and there were some Japanese and Italian tourists | 0:10:06 | 0:10:09 | |
that were taking pictures of her, | 0:10:09 | 0:10:12 | |
thinking that she was Irish and we just pretended to be Irish. | 0:10:12 | 0:10:17 | |
We just said, "OK, don't speak!" | 0:10:17 | 0:10:21 | |
And they took pictures and maybe they went back home showing the | 0:10:21 | 0:10:24 | |
pictures of a typical Irish girl that instead was Italian. | 0:10:24 | 0:10:31 | |
And it's not just the Italians who have discovered | 0:10:31 | 0:10:33 | |
a love for Irish dancing later in life. | 0:10:33 | 0:10:36 | |
Yuri is a 40-year-old businessman from Moscow | 0:10:36 | 0:10:39 | |
who has been taking private dance lessons for the past five years. | 0:10:39 | 0:10:42 | |
When I found an internet site about Irish dancing in Moscow, | 0:10:52 | 0:10:56 | |
more than ten years go, I decided, | 0:10:56 | 0:10:58 | |
"I'm almost 30, I'm very old for dancing. It's not for me. | 0:10:58 | 0:11:05 | |
"I will just play music, Irish music, and that's all." | 0:11:05 | 0:11:10 | |
I'm a general director of a company producing automation devices | 0:11:12 | 0:11:17 | |
and now, I've about 100 employees there. | 0:11:17 | 0:11:22 | |
And they don't know about his dancing | 0:11:22 | 0:11:25 | |
because he is really serious. | 0:11:25 | 0:11:28 | |
He doesn't smile himself in the mirror. | 0:11:28 | 0:11:30 | |
He is always serious, and he goes like, "grr," | 0:11:30 | 0:11:34 | |
so he just can't dance. He can't! | 0:11:34 | 0:11:40 | |
When such a serious man like a general director came to dance, | 0:11:40 | 0:11:44 | |
it's not very good! | 0:11:44 | 0:11:47 | |
It's minus ten for image! | 0:11:47 | 0:11:51 | |
# I'll hear you and I will sing to you... # | 0:11:51 | 0:11:56 | |
When we came to Ireland, it was raining. But he was smiling. | 0:11:56 | 0:11:59 | |
It was so strange. | 0:11:59 | 0:12:01 | |
So, I decided I could bring some Ireland to Russia. | 0:12:01 | 0:12:06 | |
But I'm really jealous person, | 0:12:06 | 0:12:09 | |
so it was difficult to me to find a school with a male dancer, | 0:12:09 | 0:12:13 | |
because they didn't like all the short skirts and all the make-up | 0:12:13 | 0:12:18 | |
and all these girls around, | 0:12:18 | 0:12:21 | |
so I was trying to find a male dancer to give some private lessons. | 0:12:21 | 0:12:27 | |
And it worked, because the male dancer was the best one in Russia, | 0:12:27 | 0:12:33 | |
so he trained him good and in half a year, he got his first medals. | 0:12:33 | 0:12:38 | |
Hopes for more silverware are high, | 0:12:40 | 0:12:42 | |
as Yuri and his family make their way to the competition. | 0:12:42 | 0:12:46 | |
The adult dancers competing here take the event very seriously, | 0:12:46 | 0:12:50 | |
and Yuri is suffering from pre dance nerves. | 0:12:50 | 0:12:54 | |
In my professional life, | 0:12:54 | 0:12:56 | |
I had a chance every day to make speeches and discuss any questions. | 0:12:56 | 0:13:03 | |
But this competition, | 0:13:03 | 0:13:04 | |
every time, it's harder for me than any hard business conversation. | 0:13:04 | 0:13:12 | |
Yuri squeezes in some last-minute practise, | 0:13:15 | 0:13:19 | |
and across town, another group of hopefuls from Norway | 0:13:19 | 0:13:22 | |
are nervously heading to the feis. | 0:13:22 | 0:13:25 | |
I actually started when I was 16 but because I was in school | 0:13:26 | 0:13:30 | |
and I didn't live in Oslo, I didn't have a school to go to. | 0:13:30 | 0:13:34 | |
I didn't know where I could do dance. | 0:13:34 | 0:13:36 | |
So, I just had like a workshop here and a workshop there. | 0:13:36 | 0:13:40 | |
So, I lost a lot of years there. But still, 16, that's old, actually. | 0:13:40 | 0:13:45 | |
That's when people retire in Ireland! | 0:13:45 | 0:13:49 | |
Ase is a teacher at the Ronan McCormack School in Oslo, | 0:13:49 | 0:13:52 | |
and is joined in Munich by some of her dancing students, | 0:13:52 | 0:13:56 | |
Gerd and Eva. | 0:13:56 | 0:13:58 | |
This is my first time doing the Munich Feis. | 0:13:58 | 0:14:02 | |
I've never been there before | 0:14:02 | 0:14:04 | |
and I've been supposed to dance at the Milan Feis two years ago, | 0:14:04 | 0:14:08 | |
but then I got pneumonia, so I couldn't dance. | 0:14:08 | 0:14:12 | |
And then in November I broke my foot one week before the Salzburg Feis, | 0:14:12 | 0:14:16 | |
so, I didn't... This is my first proper feis. | 0:14:16 | 0:14:20 | |
That's a scary thing, you know, when you're an adult dancer - | 0:14:20 | 0:14:23 | |
it's injuries, because you never know if it's going to heal, | 0:14:23 | 0:14:26 | |
or if it's going to heal proper or end. | 0:14:26 | 0:14:28 | |
When you're ten, it's like, you're growing anyway, | 0:14:28 | 0:14:31 | |
so managing a little bit of bone doesn't really matter as much | 0:14:31 | 0:14:34 | |
most of the time, as long as it's not in growth. So it's good. | 0:14:34 | 0:14:38 | |
I feel really like my bones are, you know, little less flexible. | 0:14:38 | 0:14:43 | |
I jump less. It's harder. | 0:14:43 | 0:14:44 | |
It's harder to get warmed up, all in all, but I'm still working it. | 0:14:44 | 0:14:49 | |
And the older you get, the scarier it is. | 0:14:49 | 0:14:52 | |
The older you get the harder it is. | 0:14:52 | 0:14:54 | |
-TANNOY: -'Change here for the U4 and the U5.' | 0:14:54 | 0:14:59 | |
It's here. This is it. It's here. It's here! We're here! | 0:14:59 | 0:15:04 | |
In Dublin, an adult dancer's worst fear has come to fruition. | 0:15:12 | 0:15:17 | |
Cathy has picked up an injury, and it's throwing into jeopardy | 0:15:17 | 0:15:21 | |
her dream of once again qualifying for the Worlds. | 0:15:21 | 0:15:25 | |
Cathy has been having an issue with her left hamstring, | 0:15:25 | 0:15:29 | |
so she's been getting treated here on and off for the last five months. | 0:15:29 | 0:15:33 | |
She's becoming an awful lot looser. | 0:15:33 | 0:15:35 | |
Her muscle isn't as tight as what it used to be, | 0:15:35 | 0:15:38 | |
but her pain isn't much better, | 0:15:38 | 0:15:40 | |
so there's still a lot more to do with her. | 0:15:40 | 0:15:42 | |
Just try and relax. | 0:15:42 | 0:15:45 | |
-It's better than last week. -Yeah, I know it is. It's much better. | 0:15:45 | 0:15:50 | |
You know, you're getting up to... | 0:15:50 | 0:15:52 | |
-That's tight, but it's not overly painful. -Yeah. | 0:15:52 | 0:15:55 | |
Normally, we wouldn't see any 50-year-olds with Cathy's | 0:15:55 | 0:15:58 | |
type of injury, really. | 0:15:58 | 0:15:59 | |
Most 50 rules we get in would have some neck pain, back pain, | 0:15:59 | 0:16:02 | |
more of a wear and tear type of thing | 0:16:02 | 0:16:04 | |
rather than a sports injury or a dancing injury. | 0:16:04 | 0:16:08 | |
But it's common enough that the older you get, | 0:16:08 | 0:16:10 | |
the little bit more time it takes then to get back on your feet, | 0:16:10 | 0:16:13 | |
get back to normal, and get back pain free again, unfortunately. | 0:16:13 | 0:16:16 | |
Ooh! | 0:16:19 | 0:16:20 | |
-Sorry, Cathy. OK? -Yeah, yeah. | 0:16:20 | 0:16:22 | |
'It's the longest injury I've ever had. | 0:16:22 | 0:16:25 | |
'I've had hamstring injuries before, | 0:16:25 | 0:16:27 | |
'but they've always righted themselves within a couple of months. | 0:16:27 | 0:16:31 | |
'But this one's been nagging at me now since the end of last year.' | 0:16:31 | 0:16:36 | |
-Are you OK? -Mm-hm. Mm... | 0:16:36 | 0:16:38 | |
Give me a shout if it gets too much, OK? | 0:16:38 | 0:16:41 | |
I suppose in the back of my mind, I have a nagging thought | 0:16:41 | 0:16:45 | |
that maybe it's the end of my career as a competitive dancer, | 0:16:45 | 0:16:49 | |
but not as a dancer. I mean, I'll always dance, | 0:16:49 | 0:16:52 | |
but just maybe the competition end of it might be finished. | 0:16:52 | 0:16:56 | |
But I'm trying to keep my head in the sand about that. I'm in denial. | 0:16:57 | 0:17:01 | |
I'll go through this pain and hopefully it'll make a difference. | 0:17:02 | 0:17:08 | |
CLOCK BELLS CHIME | 0:17:08 | 0:17:10 | |
Its competition time in Munich and Yuri's wife, Maria, | 0:17:14 | 0:17:17 | |
is nervously waiting for him to perform. | 0:17:17 | 0:17:20 | |
It's so difficult to look at him and to know that he can fail any minute. | 0:17:22 | 0:17:28 | |
It's hard to watch, really. | 0:17:28 | 0:17:30 | |
TRADITIONAL MUSIC PLAYS | 0:17:30 | 0:17:33 | |
And Maria has given her husband and extra incentive for victory. | 0:17:49 | 0:17:55 | |
We probably will have more kids if he dances well. | 0:17:55 | 0:17:58 | |
I like champions, and he knows it. I'll choose the best. | 0:17:58 | 0:18:03 | |
SHE GIGGLES | 0:18:03 | 0:18:06 | |
Meanwhile, backstage, the nerves are building for 29-year-old Ase. | 0:18:10 | 0:18:15 | |
Very nervous. I can't lie to you, no. | 0:18:20 | 0:18:25 | |
It's weird, because it's not really a big deal, | 0:18:25 | 0:18:28 | |
but I won the heat last year and then now I'm back and, | 0:18:28 | 0:18:32 | |
you know, and I have to carry the cup in. | 0:18:32 | 0:18:34 | |
It's like, "Here, this used to be mine, and I'm not getting it back." | 0:18:34 | 0:18:37 | |
That's how I feel. It's like, you know, I should be as good this year. | 0:18:37 | 0:18:43 | |
SHE SPEAKS NORWEGIAN | 0:18:43 | 0:18:45 | |
I feel that I need to prove, you know, | 0:18:45 | 0:18:47 | |
that I'm good enough and that it's worth doing it, | 0:18:47 | 0:18:50 | |
because I spent some much time and so much money, and I'm old. | 0:18:50 | 0:18:54 | |
It's like, "What are you doing this for? Why are you playing around? | 0:18:54 | 0:18:57 | |
You know? So, I guess that's the pressure. | 0:18:57 | 0:19:01 | |
It's like I'm sweaty already from warning up. | 0:19:01 | 0:19:05 | |
-That's nerves for you, darling. -Ugh! | 0:19:05 | 0:19:07 | |
APPLAUSE | 0:19:25 | 0:19:27 | |
It's prize-giving time in Munich, | 0:19:31 | 0:19:33 | |
as the adult dancers anxiously await the results of their categories. | 0:19:33 | 0:19:37 | |
Two-way tie for third, Stephanie Marbach, Rojahn Academy, and Dina... | 0:19:37 | 0:19:43 | |
And after a nervous wait, there's good news for Yuri and his family. | 0:19:43 | 0:19:48 | |
In first place, Yuri Murashev. | 0:19:48 | 0:19:50 | |
APPLAUSE | 0:19:50 | 0:19:53 | |
I am happy today, | 0:20:13 | 0:20:15 | |
but I think that a lot of work is waiting for me next day. | 0:20:15 | 0:20:20 | |
I'm very grateful for my family, | 0:20:27 | 0:20:29 | |
because they support me and my victory is their victory. | 0:20:29 | 0:20:34 | |
Look at this. | 0:20:38 | 0:20:39 | |
Ase's hard work is rewarded, too. | 0:20:44 | 0:20:46 | |
For the second year in a row, | 0:20:46 | 0:20:48 | |
she takes first prize in the overall open category. | 0:20:48 | 0:20:52 | |
For the 29-year-old, it's an emotional victory. | 0:20:52 | 0:20:56 | |
I know it must be weird to see a grown-up woman being like, | 0:20:56 | 0:21:00 | |
"Oh, God, I won, I won," but, you know, Irish dancing changed my life. | 0:21:00 | 0:21:04 | |
Thank you, girls' | 0:21:09 | 0:21:11 | |
My biggest fear is being that girl on the stage that everyone is like, | 0:21:11 | 0:21:14 | |
"Oh, what is she doing here?" You know? | 0:21:14 | 0:21:17 | |
And I know it's like, I'm acting like I won the Worlds, | 0:21:17 | 0:21:20 | |
but to me, it's as important... | 0:21:20 | 0:21:23 | |
I know it's not even close, and that's ridiculous, | 0:21:23 | 0:21:27 | |
but it's this reassurance that, | 0:21:27 | 0:21:29 | |
you know, I can do this, I'm ready to do this, | 0:21:29 | 0:21:33 | |
although I'm just an amateur and whatever. | 0:21:33 | 0:21:36 | |
So, this is nice. It's going back home to its spot now. | 0:21:36 | 0:21:39 | |
November, 2013, | 0:21:45 | 0:21:47 | |
and the All-Irelands are taking place in Belfast this year. | 0:21:47 | 0:21:50 | |
But unlike Munich, it's a young person's game. | 0:21:50 | 0:21:53 | |
Cathy and her dance buddy, Sue, have decided to compete, | 0:21:56 | 0:22:00 | |
but having not danced competitively for quite some time, | 0:22:00 | 0:22:03 | |
the girls are feeling a little rusty. | 0:22:03 | 0:22:06 | |
I've forgotten how to do this, Sue. | 0:22:06 | 0:22:08 | |
-What is it? -It's stuff you put on to make your make-up stay. | 0:22:08 | 0:22:13 | |
-Superglue? -CATHY LAUGHS | 0:22:13 | 0:22:15 | |
life's too short to be wearing all this make-up. | 0:22:17 | 0:22:19 | |
Despite being plagued by injury for many months, | 0:22:20 | 0:22:24 | |
Cathy is determined to stay upbeat. | 0:22:24 | 0:22:27 | |
I haven't really given the leg much thought at all, to be honest. | 0:22:27 | 0:22:30 | |
I'm so caught up in the nerves and the excitement of it | 0:22:30 | 0:22:34 | |
that I haven't really thought about the leg. | 0:22:34 | 0:22:37 | |
Cathy and Sue head down for breakfast, | 0:22:37 | 0:22:40 | |
but it's not long before the nerves kick | 0:22:40 | 0:22:43 | |
-in. -I'm not hungry. | 0:22:43 | 0:22:44 | |
-Oh, you have to eat something. -I can't bear cereal, Cathy. | 0:22:44 | 0:22:47 | |
-I feel sick. -Let's go for it. | 0:22:47 | 0:22:50 | |
Cathy, I think it's the first time in my life I've turned away food. | 0:22:50 | 0:22:55 | |
No, just you have to have something. | 0:22:55 | 0:22:56 | |
-I'm not hungry. -Just eat. | 0:22:58 | 0:23:01 | |
-I can't eat that, Cathy. -Oh, my stomach's churning. | 0:23:04 | 0:23:07 | |
THEY RECITE STEPS | 0:23:09 | 0:23:12 | |
Having lost their appetite, | 0:23:15 | 0:23:17 | |
they make their way to Belfast's Waterfront Hall, | 0:23:17 | 0:23:19 | |
where dance teacher Olive Hurley is on hand for moral support. | 0:23:19 | 0:23:24 | |
-D-day, D-day, D-day! -D-day. -You'll be great. | 0:23:24 | 0:23:29 | |
OLIVE SINGS TRADITIONAL TUNE | 0:23:30 | 0:23:35 | |
Yeah. There. Yeah. Good girl. | 0:23:35 | 0:23:39 | |
But not everyone in the Irish dancing community has been | 0:23:39 | 0:23:42 | |
quite so supportive of Cathy's decision to continue competing. | 0:23:42 | 0:23:47 | |
There were a couple of teachers saw Cathy dancing with the over 20s | 0:23:47 | 0:23:51 | |
and they couldn't understand this older lady dancing. | 0:23:51 | 0:23:55 | |
I said, "What's the problem? She's living her dream." | 0:23:55 | 0:23:58 | |
"I'm uncomfortable," one teacher said to me. I said, "Why?" | 0:23:58 | 0:24:01 | |
"Oh, she shouldn't be dancing at that age, | 0:24:01 | 0:24:03 | |
"and she's intimidating the younger girls." | 0:24:03 | 0:24:05 | |
I said, "What? How do you intimidate young girls, all beautiful girls?" | 0:24:05 | 0:24:09 | |
21, 22... | 0:24:13 | 0:24:14 | |
As Cathy waits side stage, it's time for a pre-dance ritual. | 0:24:16 | 0:24:19 | |
Very traditionally and very sentimentally, | 0:24:20 | 0:24:23 | |
every time I dance, before I go on stage, | 0:24:23 | 0:24:25 | |
I always just say a little prayer to my dad, because I know | 0:24:25 | 0:24:28 | |
he's behind what I'm doing and I know he's always looking out for me. | 0:24:28 | 0:24:32 | |
He's like my guardian angel. | 0:24:32 | 0:24:33 | |
So I always just say a little prayer to him, saying, | 0:24:33 | 0:24:36 | |
"Don't make me fall," or, "Let me get it right," or, "Let me do well." | 0:24:36 | 0:24:40 | |
TRADITIONAL MUSIC PLAYS | 0:24:40 | 0:24:42 | |
My first dance was a traditional set dance called King Of The Fairies. | 0:24:45 | 0:24:48 | |
I think I did it OK. I kept in rhythm, I didn't go wrong. | 0:24:48 | 0:24:52 | |
It was OK. It was grand. The standard was very, very high though. | 0:24:52 | 0:24:56 | |
Meanwhile, Sue is onstage, and not faring quite so well. | 0:24:57 | 0:25:01 | |
My dances didn't go well. | 0:25:03 | 0:25:06 | |
In the reel, the light round, | 0:25:06 | 0:25:08 | |
I nearly had a collision with another girl, so I just stopped, | 0:25:08 | 0:25:11 | |
so the judges had to ring the bell for us to come off and go on again. | 0:25:11 | 0:25:15 | |
So, that knocks you off anyway. You can't place high after stopping. | 0:25:15 | 0:25:19 | |
-This is really happening, isn't it? -Oh, Cathy... | 0:25:21 | 0:25:24 | |
And there's another reason why Sue is underperforming today. | 0:25:24 | 0:25:28 | |
The officials are unaware, | 0:25:28 | 0:25:30 | |
but she's four months pregnant with her third child. | 0:25:30 | 0:25:33 | |
I have to stop drinking that. I need to go to the toilet. | 0:25:33 | 0:25:36 | |
Is there a loo? | 0:25:36 | 0:25:38 | |
As Sue's hopes for a medal dwindle, | 0:25:38 | 0:25:42 | |
Cathy's takes to the stage to perform her reel, | 0:25:42 | 0:25:45 | |
but the competition is steep and her expectations are low. | 0:25:45 | 0:25:49 | |
My reel wasn't great. | 0:25:49 | 0:25:51 | |
It could've been better, but it wasn't bad either. | 0:25:51 | 0:25:53 | |
But again, the standard was the phenomenal. | 0:25:53 | 0:25:55 | |
TRADITIONAL MUSIC PLAYS | 0:25:55 | 0:25:59 | |
Despite the high standard of this year's All-Irelands, | 0:26:11 | 0:26:15 | |
there's a surprise in store for Cathy as the recalls announced. | 0:26:15 | 0:26:19 | |
-ANNOUNCER: -'138, 139.' | 0:26:22 | 0:26:27 | |
SHE GASPS | 0:26:27 | 0:26:28 | |
'140. 141.' | 0:26:28 | 0:26:33 | |
Oh, my God! I can't believe this! Oh, my God! | 0:26:33 | 0:26:38 | |
When I heard Melanie got at, I was saying, "Oh, my God," | 0:26:38 | 0:26:41 | |
and then you get it. Like, happy days. Fantastic, well done. | 0:26:41 | 0:26:46 | |
Go on. God bless. Give it a welly! Good girl! | 0:26:46 | 0:26:50 | |
Oh, my God. I'm so happy for her. | 0:26:50 | 0:26:53 | |
It proves that it doesn't matter what age you are. Go grannies! | 0:26:53 | 0:26:57 | |
TRADITIONAL MUSIC PLAYS | 0:26:59 | 0:27:01 | |
Although she didn't finish in one of the top spots, | 0:27:01 | 0:27:04 | |
Cathy Desmond did manage to win a medal at the All-Irelands | 0:27:04 | 0:27:08 | |
and hopes that future successes will follow. | 0:27:08 | 0:27:11 | |
APPLAUSE | 0:27:11 | 0:27:13 | |
I don't look on Cathy as old, | 0:27:13 | 0:27:16 | |
I just look on Cathy as one of the girls. | 0:27:16 | 0:27:19 | |
You don't think, like, | 0:27:19 | 0:27:21 | |
"Mind out for Cathy, don't bump into her because she's old," | 0:27:21 | 0:27:24 | |
cos she's just Cathy. | 0:27:24 | 0:27:26 | |
Cathy is the only woman in the old world at 50 years of age | 0:27:29 | 0:27:33 | |
who can go up and win an All-Ireland medal for solo dancing. | 0:27:33 | 0:27:36 | |
It's just phenomenal. | 0:27:36 | 0:27:37 | |
So, she really has fulfilled her dreams | 0:27:37 | 0:27:39 | |
and shown everybody what we can do as we get older, | 0:27:39 | 0:27:43 | |
and to believe in themselves and go for the dream, go for it. | 0:27:43 | 0:27:46 | |
Well done, girl. | 0:27:50 | 0:27:52 | |
'I think I've proven myself today.' | 0:27:52 | 0:27:54 | |
I don't care what happens now, I really don't. I'm happy. | 0:27:54 | 0:27:58 |