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Choral conductor Tim Rhys Evans has a huge challenge on his hands. | 0:00:02 | 0:00:06 | |
He has handpicked 32 teenagers | 0:00:06 | 0:00:08 | |
from his Only Boys Aloud choir to take part in a top academy. | 0:00:08 | 0:00:13 | |
I want to see those boys that were like me, really. | 0:00:13 | 0:00:15 | |
Boys who had a love of singing, have a need to make music | 0:00:16 | 0:00:23 | |
and have the potential to do that at a high level. | 0:00:23 | 0:00:27 | |
On offer the musical education of a lifetime - | 0:00:27 | 0:00:30 | |
a week's intense training | 0:00:30 | 0:00:32 | |
at one of Wales' most prestigious private schools. | 0:00:32 | 0:00:36 | |
The boys have no idea what's in store | 0:00:36 | 0:00:39 | |
But Tim's planned 13 hour days of singing lessons, | 0:00:39 | 0:00:44 | |
dance classes and demanding rehearsals. | 0:00:44 | 0:00:46 | |
So, let's do all four phrases. Ready? So, back at the gym. | 0:00:46 | 0:00:50 | |
And, at the end of it, a live performance for the paying public. | 0:00:50 | 0:00:54 | |
It's the first time they've sung in public together. | 0:00:54 | 0:00:57 | |
So, for them, on the stage is going to be very scary, I think. | 0:00:57 | 0:01:01 | |
I'm kind of worried, because I don't know all the words at the moment. | 0:01:01 | 0:01:05 | |
And, on top of choreography, I don't know if I'll remember it all. | 0:01:05 | 0:01:08 | |
Tim's high standards and heavy schedule | 0:01:08 | 0:01:11 | |
may not fit in with a bunch of high spirited teenagers. | 0:01:11 | 0:01:15 | |
Why, why, why aren't you watching me? | 0:01:15 | 0:01:19 | |
Stars of the West End and opera will offer up some last minute home truths. | 0:01:19 | 0:01:24 | |
It was great. But you may as well be singing the shopping list! | 0:01:24 | 0:01:27 | |
And there's an early morning wake-up the boys will never forget. | 0:01:27 | 0:01:31 | |
Can Tim's academy boys | 0:01:34 | 0:01:36 | |
pull off the biggest choral challenge of their lives? | 0:01:36 | 0:01:39 | |
It's day one of the week long musical boot camp | 0:01:44 | 0:01:48 | |
and the boys are settling into their new quarters. | 0:01:48 | 0:01:52 | |
Tim and his team have just seven days to stage a choreographed | 0:01:52 | 0:01:55 | |
concert of 14 choral pieces, in four different languages. | 0:01:55 | 0:02:01 | |
Some of these boys aren't music readers. Some of them can't read German or Latin. | 0:02:01 | 0:02:04 | |
It's completely outside their comfort zone. | 0:02:04 | 0:02:07 | |
With any course like this, you only have a week to put a show on its feet. | 0:02:07 | 0:02:11 | |
So it's going to be intense and difficult. It's going to be hard work. | 0:02:11 | 0:02:15 | |
With a paying audience of family, friends | 0:02:15 | 0:02:18 | |
and dignitaries turning up, Tim's feeling the pressure. | 0:02:18 | 0:02:21 | |
Yeah, there is a lot of pressure, actually. | 0:02:21 | 0:02:25 | |
But if you think about that all the time | 0:02:25 | 0:02:27 | |
you stop doing the job in hand | 0:02:27 | 0:02:29 | |
which is actually just making sure it works. | 0:02:29 | 0:02:31 | |
But the boys are starting to wonder what Tim's got in store. | 0:02:31 | 0:02:36 | |
We don't know nothing about the timetable | 0:02:36 | 0:02:38 | |
throughout the week. | 0:02:38 | 0:02:40 | |
It's going to be so intense, people are going to wind people up, | 0:02:40 | 0:02:43 | |
keep them up at night and things. There may be a few arguments. | 0:02:43 | 0:02:47 | |
But this doesn't stop them from dreaming. | 0:02:47 | 0:02:50 | |
-I want Lady Gaga to turn up. -She's not going to turn up! | 0:02:50 | 0:02:54 | |
You never know. | 0:02:54 | 0:02:55 | |
Don't know what's going to happen, do we? | 0:02:55 | 0:02:57 | |
Just got to go with an open mind and look forward to it. | 0:02:57 | 0:03:00 | |
And the other thing they said is there's loads of surprises. | 0:03:00 | 0:03:03 | |
And we have no idea what those surprises are. | 0:03:03 | 0:03:07 | |
One thing is for sure, the boys won't be expecting Tim's first announcement of the day. | 0:03:07 | 0:03:12 | |
There's the Bradenstoke Hall, where we'll be springing a surprise | 0:03:12 | 0:03:16 | |
on them that we're holding the auditions for the solos today. | 0:03:16 | 0:03:19 | |
Tim's looking for 14 boys to sing a solo part in the final concert. | 0:03:19 | 0:03:24 | |
It's a chance for some of them to shine. | 0:03:24 | 0:03:27 | |
But the news has come as a shock. | 0:03:27 | 0:03:29 | |
I'm feeling nervous, | 0:03:29 | 0:03:30 | |
mainly because everyone else is going to be watching | 0:03:30 | 0:03:33 | |
And I don't really like that. | 0:03:33 | 0:03:36 | |
It's often better not to give them time to worry and fret. | 0:03:36 | 0:03:40 | |
So, I'll be looking for somebody that really wants to | 0:03:40 | 0:03:43 | |
do the solo, somebody who has the vocal ability. | 0:03:43 | 0:03:46 | |
and also somebody who's not going to buckle under the nerves. | 0:03:46 | 0:03:50 | |
# How can feel good, when nothing's right? # | 0:03:50 | 0:03:54 | |
# 525,600 minutes. # | 0:03:54 | 0:03:59 | |
# Let's celebrate and remember a year in the life of friends. | 0:03:59 | 0:04:02 | |
# Remember the... # | 0:04:02 | 0:04:05 | |
The pressure of a public audition is starting to tell. | 0:04:05 | 0:04:08 | |
# On the way that she... # I can't do it, I can't. | 0:04:08 | 0:04:10 | |
That's always the danger with auditions, | 0:04:10 | 0:04:12 | |
what you sing getting that choice right. | 0:04:12 | 0:04:15 | |
I did say they could sing anything they wanted to, yet some of them chose to sing solos | 0:04:15 | 0:04:19 | |
from the repertoire that we're doing. | 0:04:19 | 0:04:21 | |
And I think they would have been better | 0:04:21 | 0:04:23 | |
if they'd sung something they knew better. | 0:04:23 | 0:04:27 | |
# All my life. | 0:04:27 | 0:04:29 | |
-# All my life. -# | 0:04:29 | 0:04:35 | |
# Hold me, love...# | 0:04:37 | 0:04:39 | |
Uch a fi! | 0:04:39 | 0:04:41 | |
Don't worry. | 0:04:41 | 0:04:42 | |
One of the final notes went off. Didn't quite catch it | 0:04:42 | 0:04:45 | |
and it was quite frustrating because I thought the rest of the song went pretty well. | 0:04:45 | 0:04:49 | |
# The truths that she learned... | 0:04:49 | 0:04:51 | |
Some guys just really nailed it. | 0:04:51 | 0:04:54 | |
Ben Bateman blew everyone away. Just, "Wow, where did that come from?" | 0:04:54 | 0:04:57 | |
# Or the way that she di-i-i-i-ed! # | 0:04:57 | 0:05:05 | |
I think it's worse singing in front of a small group | 0:05:07 | 0:05:10 | |
than a large group. | 0:05:10 | 0:05:11 | |
You can see everybody staring at you. | 0:05:11 | 0:05:13 | |
It's more nerve wracking. But I think it was OK. | 0:05:13 | 0:05:16 | |
# When your heart has expired... | 0:05:16 | 0:05:20 | |
That's what's great about holding these auditions is the fact | 0:05:20 | 0:05:24 | |
that your own pre-conceptions are challenged, sometimes. | 0:05:24 | 0:05:27 | |
And you are surprised at what they can achieve. | 0:05:31 | 0:05:34 | |
And it makes you look at the group in a different way. | 0:05:34 | 0:05:38 | |
With every boy auditioned, | 0:05:38 | 0:05:40 | |
Tim and his team gather to decide on the solo stars for the concert. | 0:05:40 | 0:05:45 | |
Solo one for Rhys Powell. Solo three for Josh Hughes. | 0:05:45 | 0:05:48 | |
After long deliberations, | 0:05:53 | 0:05:55 | |
Tim calls a meeting to reveal his decision on the solo parts. | 0:05:55 | 0:05:59 | |
Just got to give them results now, which is never easy for me. | 0:06:01 | 0:06:05 | |
I just want everyone to be very happy and have a nice time. | 0:06:05 | 0:06:09 | |
But that's the nature of the beast. | 0:06:09 | 0:06:11 | |
Don't be too disappointed, just know that you did well. | 0:06:11 | 0:06:14 | |
For Mama who Bore Me. Gareth, that solo, please. | 0:06:14 | 0:06:18 | |
And In Seasons Of Love, the tenor solo is Ben Bateman. | 0:06:18 | 0:06:22 | |
Thank you very much. | 0:06:22 | 0:06:23 | |
What stops me sleeping sometimes is realising that | 0:06:23 | 0:06:26 | |
the responsibility we have to these young lads is massive. | 0:06:26 | 0:06:30 | |
All too often, nowadays, it's just all about, | 0:06:30 | 0:06:33 | |
"Oh, yes, he's got a lovely voice." | 0:06:33 | 0:06:35 | |
"I'll just go on the X Factor and that's me set for life." | 0:06:35 | 0:06:39 | |
And it's a very unhealthy culture. | 0:06:39 | 0:06:41 | |
The idea that you have to work towards something and hopefully that's going to lead somewhere. | 0:06:41 | 0:06:46 | |
But, even if it doesn't, you'll be a much better individual at the end of the day. | 0:06:46 | 0:06:50 | |
You'll have done something with your life that you didn't think you could do. | 0:06:50 | 0:06:54 | |
With a lot to get through before Sunday, | 0:06:55 | 0:06:57 | |
Tim's invited a star from the West End | 0:06:57 | 0:07:00 | |
to give the boys a masterclass to remember. | 0:07:00 | 0:07:03 | |
So please give it up, boys, for Connie Fisher. | 0:07:03 | 0:07:06 | |
Because of our connections within the music industry, | 0:07:08 | 0:07:11 | |
it's bribe some mates to come in and do some masterclasses with the boys. | 0:07:11 | 0:07:15 | |
Hi, guys. | 0:07:15 | 0:07:17 | |
It really makes the boys feel special, when they can meet somebody that they recognise. | 0:07:17 | 0:07:21 | |
# Before I change my mind! # | 0:07:21 | 0:07:27 | |
Well, thanks, Tom. You've got the job! | 0:07:40 | 0:07:43 | |
It's difficult for me to sit here and say anything bad about the performance. | 0:07:43 | 0:07:48 | |
-How old are you? -Seventeen. | 0:07:48 | 0:07:50 | |
OK. So, big career ahead of you. | 0:07:50 | 0:07:54 | |
The thing is, it's a rock opera, Jesus Christ Superstar. | 0:07:54 | 0:07:57 | |
What I would say is perhaps there's more energy within his character. | 0:07:57 | 0:08:00 | |
I want you to look exhausted. He's giving himself up. | 0:08:00 | 0:08:05 | |
# Then, I was inspired... # | 0:08:05 | 0:08:11 | |
Tom. Oh, what a glorious voice. | 0:08:11 | 0:08:13 | |
And he had that poppy inflection, which is fine for rock opera. | 0:08:13 | 0:08:17 | |
I can see him being that part. | 0:08:17 | 0:08:19 | |
As long as he commits to everything he does, | 0:08:19 | 0:08:21 | |
whether that be a thought intention or whether that be a gesture. | 0:08:21 | 0:08:25 | |
If he wants to do a gesture, he sometimes did a half gesture | 0:08:25 | 0:08:29 | |
which was, like, a bit eggy. | 0:08:29 | 0:08:31 | |
# Nail me to your cross! # | 0:08:31 | 0:08:34 | |
So, send him to Drama School with people who know what they're talking about | 0:08:34 | 0:08:38 | |
and he'll be like John Barrowman. | 0:08:38 | 0:08:40 | |
"I think I'm going to do an action, no, I'm not doing it." | 0:08:40 | 0:08:42 | |
"Am I doing the cross? No, I'm not doing the cross." | 0:08:42 | 0:08:45 | |
You have to commit to it. If you're going to do it, do it with energy | 0:08:45 | 0:08:49 | |
and feel the energy going through you. And don't be afraid of looking silly. | 0:08:49 | 0:08:53 | |
# Nail me to your cross! | 0:08:53 | 0:08:56 | |
# And break me, bleed me, beat me. # | 0:08:56 | 0:09:01 | |
Ben's up next, in line for some good advice. | 0:09:03 | 0:09:07 | |
I think the masterclass went really well. | 0:09:07 | 0:09:09 | |
I sang the anthem from Chess. | 0:09:09 | 0:09:11 | |
I didn't know much about the character who sung the song in the show. | 0:09:11 | 0:09:15 | |
So, she told me about the character. | 0:09:15 | 0:09:17 | |
She said it went well, so I was glad. | 0:09:17 | 0:09:19 | |
You're a soldier, aren't you? | 0:09:19 | 0:09:21 | |
Singing about your country. It's very patriotic, anthemic. | 0:09:21 | 0:09:27 | |
It's an anthem. And I think you need to earn the right to sing those big notes, | 0:09:27 | 0:09:31 | |
as your character. And I want to believe your passion for your country. | 0:09:31 | 0:09:35 | |
I love Ben. He was very pliable, as a performer. | 0:09:38 | 0:09:40 | |
I told him to do something and he'd take it on board. | 0:09:40 | 0:09:44 | |
And I saw his confusion between his relationship, and then his country. | 0:09:44 | 0:09:48 | |
And I saw a soldier in him, for a second. | 0:09:48 | 0:09:50 | |
And that's what I want to believe, as an audience. | 0:09:50 | 0:09:53 | |
And I did. | 0:09:53 | 0:09:54 | |
# My heart... # | 0:09:54 | 0:10:02 | |
'The boys asked me lots of questions about what it's like to be in a musical | 0:10:05 | 0:10:09 | |
'and one thing I could answer, | 0:10:09 | 0:10:12 | |
it's exhausting, and I think they've probably had a taster for that at this academy. | 0:10:12 | 0:10:16 | |
In the concert, Tim's expecting the boys to sing without any musical copies. | 0:10:16 | 0:10:21 | |
The onus is on them to become note and word perfect. | 0:10:21 | 0:10:25 | |
We've jam packed this week full. | 0:10:26 | 0:10:29 | |
The schedule has been full of all sorts of activities for the boys | 0:10:29 | 0:10:32 | |
and today we felt that maybe actually what they needed | 0:10:32 | 0:10:36 | |
is a bit of own time when they can just maybe learn some words. | 0:10:36 | 0:10:40 | |
We are trying to learn our words in our spare time | 0:10:40 | 0:10:43 | |
but a lot of things get in the way. | 0:10:43 | 0:10:46 | |
Well, I mean after twelve hours rehearsing a day, singing non-stop, | 0:10:47 | 0:10:51 | |
when we get one or two hours free time, | 0:10:51 | 0:10:53 | |
we don't really want to spend it singing. | 0:10:53 | 0:10:55 | |
I know we should learn our words but none of us really want to. | 0:10:55 | 0:10:58 | |
'I've put on the board, "free time/word learning" | 0:10:59 | 0:11:03 | |
'because in the rehearsal straight after that | 0:11:03 | 0:11:06 | |
'I will be making sure that they do know their words | 0:11:06 | 0:11:08 | |
'and if they don't, I will be singling them out | 0:11:08 | 0:11:11 | |
'in front of the whole group.' | 0:11:11 | 0:11:13 | |
Tim has shared a stage with stars such as Katherine Jenkins | 0:11:13 | 0:11:16 | |
and Bryn Terfel. | 0:11:16 | 0:11:18 | |
His standards are on the high side. | 0:11:18 | 0:11:20 | |
And I'm expecting eyes here, not there. | 0:11:20 | 0:11:23 | |
OK. The most gorgeous piece we're doing now, Lieber. | 0:11:23 | 0:11:27 | |
The first full rehearsal gets off to a bad start. | 0:11:27 | 0:11:30 | |
OK, sit down. James needs the toilet. | 0:11:31 | 0:11:34 | |
THEY SING | 0:11:38 | 0:11:40 | |
Listen to that C. Starting... | 0:11:40 | 0:11:42 | |
That's not helping. It's happening here. | 0:11:42 | 0:11:45 | |
THEY SING | 0:11:45 | 0:11:47 | |
Rubbish opening. | 0:11:47 | 0:11:48 | |
'I think we struggle at the moment on the Gregorian chant.' | 0:11:48 | 0:11:51 | |
It's not English, I think it's Latin. | 0:11:51 | 0:11:54 | |
'So we've got those words to learn, | 0:11:54 | 0:11:56 | |
'we've got the tune to go on top... It's very tricky.' | 0:11:56 | 0:11:58 | |
THEY SING | 0:11:58 | 0:12:03 | |
I think if we all put a bit of work into learning the words now | 0:12:05 | 0:12:09 | |
and concentrate and watch Tim when he's conducting us, | 0:12:09 | 0:12:12 | |
we'll be just fine. | 0:12:12 | 0:12:14 | |
Why, why, why aren't you watching me? | 0:12:14 | 0:12:17 | |
Come on, boys. | 0:12:17 | 0:12:19 | |
Sorry to lose it. | 0:12:19 | 0:12:21 | |
You're doing very well, | 0:12:21 | 0:12:23 | |
but if you'd only just get your heads out of your copies, | 0:12:23 | 0:12:26 | |
we could make music. | 0:12:26 | 0:12:28 | |
'I lost it a little bit which I try not to do but...' | 0:12:28 | 0:12:31 | |
it was mild...ish. | 0:12:31 | 0:12:34 | |
But I just get frustrated when they don't look at me. | 0:12:34 | 0:12:37 | |
'I think there're a lot of boys out there in the academy | 0:12:40 | 0:12:42 | |
'who are really serious about wanting to do this as a career | 0:12:42 | 0:12:46 | |
'or certainly try and get into music college | 0:12:46 | 0:12:48 | |
'and this is nothing compared to that. | 0:12:48 | 0:12:50 | |
'Am I putting too much pressure on them? | 0:12:52 | 0:12:54 | |
'No, I don't think I am. | 0:12:54 | 0:12:57 | |
'They're here. Let's make the most of every moment.' | 0:12:57 | 0:13:02 | |
It's 6am. Tim's idea of an early start | 0:13:11 | 0:13:14 | |
isn't the same as everybody else's. | 0:13:14 | 0:13:15 | |
HORN BLARES | 0:13:15 | 0:13:18 | |
WHISTLES BLOWN | 0:13:18 | 0:13:21 | |
Come on, guys. Get up! | 0:13:21 | 0:13:24 | |
Come on! Let's go. | 0:13:24 | 0:13:26 | |
CACOPHONY OF SHOUTS, WHISTLING AND BANGING | 0:13:26 | 0:13:31 | |
There's a punishing physical workout ahead of the boys | 0:13:39 | 0:13:42 | |
to get them working as a team ahead of the final concert. | 0:13:42 | 0:13:46 | |
Here we go. This time we're going for a hundred, boys. Keep it going! | 0:13:46 | 0:13:50 | |
It's not about the singing, it's about the mentality. | 0:13:50 | 0:13:54 | |
You have to put the work in. If you've got a goal in life, you have to work hard to get there | 0:13:54 | 0:13:58 | |
and this is demonstrating, nothing's easy in life. Got to work for it. | 0:13:58 | 0:14:02 | |
I'm sure the boys think I'm a dictator | 0:14:02 | 0:14:04 | |
but it's really good for them | 0:14:04 | 0:14:05 | |
and secretly I think they're enjoying it. | 0:14:05 | 0:14:08 | |
Oh, it was worse than being in a games lesson. | 0:14:08 | 0:14:11 | |
I'd rather have double games than do this ever again. It was horrible. | 0:14:11 | 0:14:16 | |
-Coming to assassinate me? -You loved it. -It was lush(!) | 0:14:16 | 0:14:19 | |
Who are we? | 0:14:19 | 0:14:20 | |
ALL: Boys Aloud! | 0:14:20 | 0:14:22 | |
It's three days in, | 0:14:23 | 0:14:25 | |
there's still a lot to do before Sunday's concert | 0:14:25 | 0:14:28 | |
and the heavy schedule is having an effect. | 0:14:28 | 0:14:30 | |
THEY YAWN | 0:14:30 | 0:14:32 | |
'This is a really intensive course. They're singing for eight, nine hours a day.' | 0:14:32 | 0:14:37 | |
You really have to look after yourself if you're not used to it. | 0:14:37 | 0:14:40 | |
'Lots of people are getting a bit ill' | 0:14:40 | 0:14:43 | |
with colds and losing their voices and stuff. | 0:14:43 | 0:14:45 | |
There's been sickness and diarrhoea bug. There's colds going around. | 0:14:45 | 0:14:50 | |
When you see a chorister not put their hand over their mouth and they're coughing and you think, | 0:14:50 | 0:14:55 | |
"Oh, God, there's another eight of them going to come down with it by Sunday." | 0:14:55 | 0:15:00 | |
Basically, I've got no voice left any more. | 0:15:00 | 0:15:02 | |
VOICE CROAKS | 0:15:02 | 0:15:05 | |
It's a constant worry if you'll have a voice by Sunday. | 0:15:06 | 0:15:09 | |
And who better to look after a croaky voice than Mam? | 0:15:09 | 0:15:12 | |
Even if she's travelled 50 miles to do it. | 0:15:12 | 0:15:15 | |
Ben Bateman's mum Sue has turned up with some unexpected rations. | 0:15:15 | 0:15:19 | |
I've brought Ben his money because he's run out of money. | 0:15:19 | 0:15:22 | |
His Manuka honey which he always carries with him. | 0:15:22 | 0:15:25 | |
The only reason he asked for his Manuka honey | 0:15:25 | 0:15:27 | |
was, "I got a bad chest, Mum, and I'm coughing and I'm sneezing, Mam." | 0:15:27 | 0:15:31 | |
His mum's visit has left Ben thinking about the final concert. | 0:15:32 | 0:15:37 | |
My dad has struggled to come to performances because he's ill | 0:15:37 | 0:15:41 | |
and the fact the performances are far from where I live. | 0:15:41 | 0:15:43 | |
It'll be special because he's never come to watch one | 0:15:43 | 0:15:47 | |
and if he's there, it'll just make me want to do better than I already am doing. | 0:15:47 | 0:15:51 | |
ALL: # Blah, blah, blah, blah, blah, blah | 0:15:51 | 0:15:54 | |
# Blah, blah, blah, blah, blah... # | 0:15:54 | 0:15:57 | |
As the boys drag themselves into the final 48 hours, | 0:15:59 | 0:16:01 | |
Tim's choreographer's arrived to get this tired show on the road. | 0:16:01 | 0:16:06 | |
Could you just surge forward and see if you can...? | 0:16:06 | 0:16:08 | |
You want to try and break through these... | 0:16:08 | 0:16:11 | |
Nick Ashton has worked with Tim for several years | 0:16:11 | 0:16:14 | |
on many of his top shows. | 0:16:14 | 0:16:15 | |
There's about twelve pieces in the whole programme. | 0:16:15 | 0:16:18 | |
Some of them will be simply staged | 0:16:18 | 0:16:20 | |
and they'll just be standing and making some shapes. | 0:16:20 | 0:16:23 | |
Some of them need a real kind of musical staging. | 0:16:23 | 0:16:25 | |
That's going to be a tough call. | 0:16:25 | 0:16:27 | |
I think the boys are quite tired | 0:16:27 | 0:16:29 | |
cos they've already been working so hard. | 0:16:29 | 0:16:31 | |
This is another layer to put on the top. | 0:16:31 | 0:16:33 | |
I'm kind of worried because I don't know all the words at the moment. | 0:16:33 | 0:16:37 | |
On top of choreography, I don't know | 0:16:37 | 0:16:39 | |
if I'm going to be able to remember it all. | 0:16:39 | 0:16:41 | |
This morning, we've got another masterclass. | 0:16:43 | 0:16:47 | |
The famous Welsh tenor Wynne Evans is coming in this morning. | 0:16:47 | 0:16:50 | |
Also known from a certain well-known insurance comparison website. | 0:16:50 | 0:16:54 | |
Please give it up for Mr Wynne Evans. APPLAUSE | 0:16:56 | 0:16:58 | |
'Wynne's a tenor from Carmarthen. | 0:17:01 | 0:17:02 | |
'A lot of these boys come from that very part of the world' | 0:17:02 | 0:17:05 | |
and he's made a success of it as a singer. So why not some of these boys? | 0:17:05 | 0:17:09 | |
'I think that's a very important message to send.' | 0:17:09 | 0:17:13 | |
HE SINGS | 0:17:13 | 0:17:16 | |
APPLAUSE | 0:17:20 | 0:17:22 | |
I am incredibly rude, but I mean it in the nicest possible way, OK? | 0:17:24 | 0:17:28 | |
All of a sudden, right, you're singing you go, | 0:17:28 | 0:17:30 | |
# Stars out in the darkness a fugitive running... # | 0:17:30 | 0:17:36 | |
Why would you do that, it's mental? | 0:17:36 | 0:17:39 | |
You don't need to do it, OK? | 0:17:39 | 0:17:40 | |
'You've got to be cruel to be kind. | 0:17:40 | 0:17:42 | |
'The type of calibre this guy is singing at.' | 0:17:42 | 0:17:44 | |
If he's bringing in and he's bringing his own skills | 0:17:44 | 0:17:47 | |
and things he's learnt, | 0:17:47 | 0:17:48 | |
I think anything is efficiently helping us, you know? | 0:17:48 | 0:17:51 | |
# Some enchanted evening | 0:17:51 | 0:17:56 | |
# When you find your true love... # | 0:17:56 | 0:18:00 | |
'He's really critical of the singing and he really tore the piece apart.' | 0:18:00 | 0:18:05 | |
But, I mean, it was good, you did sit back thinking | 0:18:05 | 0:18:07 | |
you're not as good as you thought you were. | 0:18:07 | 0:18:10 | |
Very good, you've got a beautiful voice. | 0:18:10 | 0:18:12 | |
But you may as well be singing the shopping list from Sainsbury's. | 0:18:12 | 0:18:15 | |
It's a bit, | 0:18:15 | 0:18:17 | |
# Some enchanted evening... # | 0:18:17 | 0:18:20 | |
Malfunction, malfunction. | 0:18:20 | 0:18:23 | |
'I'm quite tough with them. Some think I'm a bit too rude, | 0:18:23 | 0:18:26 | |
'but the industry is a very tough industry.' | 0:18:26 | 0:18:29 | |
'If I come up here and say, "Oh, that's lovely. | 0:18:29 | 0:18:32 | |
"Yes, you're doing a very lovely job there." | 0:18:32 | 0:18:34 | |
I'm not doing them any favours. | 0:18:34 | 0:18:37 | |
# Some enchanted evening... # | 0:18:37 | 0:18:39 | |
Don't do it. It's a very old-fashioned way | 0:18:39 | 0:18:41 | |
of singing anyway now, yeah. | 0:18:41 | 0:18:43 | |
# Some enchanted evening. # | 0:18:43 | 0:18:45 | |
Think about what you're saying. | 0:18:45 | 0:18:47 | |
'When someone tells you something | 0:18:47 | 0:18:49 | |
'and they say it blunt, as it is, it hits home.' | 0:18:49 | 0:18:51 | |
It's better to be like that than, "Oh, you're all right." | 0:18:51 | 0:18:55 | |
Just tell you straight where the problem is and you can work on it. | 0:18:55 | 0:18:58 | |
I don't know if you were signing it for the deaf | 0:19:06 | 0:19:08 | |
or whether you were just... There's a lot of this going on. | 0:19:08 | 0:19:11 | |
I just wanted to touch the things, you know? | 0:19:11 | 0:19:14 | |
It's lovely right, but either do emotion or don't do it. | 0:19:14 | 0:19:18 | |
'I was absolutely petrified. | 0:19:18 | 0:19:20 | |
'Before I sung the solo I felt sick.' | 0:19:20 | 0:19:22 | |
You just forget that they want you to be good. | 0:19:22 | 0:19:24 | |
They don't want you to be bad, they want to help you. | 0:19:24 | 0:19:27 | |
# Some enchanted evening... # | 0:19:27 | 0:19:29 | |
Keep it spinning the whole time. | 0:19:29 | 0:19:32 | |
# You may see a stranger... # | 0:19:32 | 0:19:35 | |
'This is their magic moment for some of them. | 0:19:35 | 0:19:37 | |
'The penny will finally drop.' | 0:19:37 | 0:19:40 | |
You have to keep plugging | 0:19:40 | 0:19:42 | |
in the hope that the penny will drop for all of them. | 0:19:42 | 0:19:45 | |
# Once you have found her Never let her go | 0:19:45 | 0:19:50 | |
# Once you have found her | 0:19:50 | 0:19:55 | |
# Never let her go. # | 0:19:55 | 0:20:04 | |
Good, good, lad. | 0:20:04 | 0:20:07 | |
'I think the last few days of the Academy' | 0:20:07 | 0:20:10 | |
will be really hectic now, making sure everything's perfect. | 0:20:10 | 0:20:13 | |
The dances are perfect and the timing's perfect. | 0:20:13 | 0:20:16 | |
I think Tim will start getting stressed if we don't listen to him. | 0:20:16 | 0:20:19 | |
So I think we really need to knuckle down and concentrate. | 0:20:19 | 0:20:22 | |
It's the day of the big concert, and it's the first time Tim | 0:20:22 | 0:20:25 | |
and the boys have run through the entire performance. | 0:20:25 | 0:20:28 | |
< LOUD CREAK | 0:20:28 | 0:20:30 | |
LAUGHTER | 0:20:30 | 0:20:32 | |
Beans again? | 0:20:32 | 0:20:34 | |
Let's go, please. | 0:20:34 | 0:20:36 | |
THE CHOIR SING | 0:20:39 | 0:20:44 | |
Good, just have another go, Tim. | 0:20:47 | 0:20:49 | |
It's not boring, that just sounded a bit boring. | 0:20:49 | 0:20:52 | |
It's got to be love. | 0:20:52 | 0:20:54 | |
'It's D-day. It's the first ever concert of the Academy.' | 0:20:54 | 0:20:58 | |
So... Oh... | 0:20:58 | 0:21:02 | |
I had the worst night's sleep you could imagine, appalling. | 0:21:02 | 0:21:07 | |
'There have been times during the week when I haven't enjoyed it | 0:21:07 | 0:21:10 | |
'because it's felt like a real uphill climb.' | 0:21:10 | 0:21:14 | |
-Sorry we do need to go back. -Where do you get your thoughts from? | 0:21:14 | 0:21:17 | |
'I've learned a lot of lessons this week. | 0:21:17 | 0:21:19 | |
'We've gone into this feet first, in many ways. | 0:21:19 | 0:21:22 | |
'There are some things we'd do differently. | 0:21:22 | 0:21:24 | |
'I think what I've had confirmed' | 0:21:24 | 0:21:27 | |
is that an idea that was once just that, an idea, was right. | 0:21:27 | 0:21:33 | |
Everyone turns in. Go, go, go. The four soloists move. | 0:21:33 | 0:21:36 | |
'Had you asked us a week ago was this a little bit ambitious then | 0:21:36 | 0:21:40 | |
'we probably would all have said yes.' | 0:21:40 | 0:21:42 | |
But seeing how we've come together over the week | 0:21:42 | 0:21:45 | |
with our team building and just learning all the pieces. | 0:21:45 | 0:21:48 | |
I think it's not ambitious. I think we can pull it off. | 0:21:48 | 0:21:50 | |
'Everyone today is feeling a bit nervous about the concert.' | 0:21:50 | 0:21:55 | |
But they're also, in a way, sad that we're leaving everyone. | 0:21:55 | 0:21:59 | |
-I'm sad that we're leaving everyone. -I'm sad we're leaving. | 0:21:59 | 0:22:02 | |
# Oh, love... # | 0:22:02 | 0:22:06 | |
'I think the boys have grown massively during this process.' | 0:22:06 | 0:22:11 | |
# Yeah, oh... # | 0:22:11 | 0:22:14 | |
'It's about so much more than singing and I have to really watch myself' | 0:22:14 | 0:22:18 | |
in the final thing of the show because it's... | 0:22:18 | 0:22:21 | |
They sing with so much passion and it's, um... | 0:22:21 | 0:22:26 | |
it's...it's really lovely to see. | 0:22:26 | 0:22:29 | |
because, um... | 0:22:29 | 0:22:31 | |
I'm getting so emotional about some singing. | 0:22:31 | 0:22:35 | |
These guys are really proving that there is optimism. | 0:22:37 | 0:22:40 | |
There is aspiration, and in a part of the world I care about deeply, | 0:22:40 | 0:22:44 | |
it's difficult not to end up a blubbering wreck. | 0:22:44 | 0:22:47 | |
# I'll cover you, oh... # | 0:22:47 | 0:22:53 | |
-ALL: -Oo-o-o-oh! | 0:22:53 | 0:23:00 | |
Good, well done. Well done, very good. | 0:23:00 | 0:23:04 | |
As the paying audience starts to arrive, | 0:23:04 | 0:23:06 | |
Tim's also got an emotional bunch of boys on his hands. | 0:23:06 | 0:23:10 | |
This is the last performance we will do on the Academy weekend. | 0:23:10 | 0:23:15 | |
It's going to be... | 0:23:15 | 0:23:16 | |
Well, I don't know. It's going to be sad. | 0:23:16 | 0:23:19 | |
It's going to be really sad. | 0:23:19 | 0:23:21 | |
People have got a sense of "it's all over". | 0:23:21 | 0:23:24 | |
I might have a little tear in my eye when we finish | 0:23:24 | 0:23:27 | |
because of all the hard work we've done together | 0:23:27 | 0:23:30 | |
and it's just going to go straight down to nothing. | 0:23:30 | 0:23:32 | |
I'm feeling quite excited at the moment, actually. | 0:23:32 | 0:23:35 | |
The Academy's definitely given me | 0:23:35 | 0:23:37 | |
more confidence to go for music and theatre or whatever. | 0:23:37 | 0:23:40 | |
The highlight of a week of intense preparation is now just moments away. | 0:23:40 | 0:23:44 | |
And it's good news for tenor Ben Bateman. | 0:23:44 | 0:23:47 | |
His father has made it for the big performance. | 0:23:47 | 0:23:50 | |
'I'm excited about my parents coming. | 0:23:51 | 0:23:53 | |
'They haven't come to watch an Only Boys Aloud performance yet | 0:23:53 | 0:23:57 | |
'because they're so far away.' | 0:23:57 | 0:23:59 | |
It makes me want to try and do my best | 0:23:59 | 0:24:01 | |
cos they're two people I don't want to mess in front of. | 0:24:01 | 0:24:03 | |
The croaky voices are gone | 0:24:03 | 0:24:06 | |
and Tim wants the start of the concert to make a big impact. | 0:24:06 | 0:24:09 | |
The boys file in slowly, performing a Gregorian chant. | 0:24:09 | 0:24:15 | |
THEY CHANT | 0:24:15 | 0:24:19 | |
I think I'll be nervous walking on to the stage. | 0:24:35 | 0:24:38 | |
Probably about halfway through the first song | 0:24:38 | 0:24:41 | |
the adrenaline will start and the nerves will go away. | 0:24:41 | 0:24:43 | |
I'll just feel comfortable | 0:24:43 | 0:24:45 | |
like I always do when I start singing on stage. | 0:24:45 | 0:24:47 | |
# 500, 25,000, 600 minutes | 0:24:47 | 0:24:52 | |
# How do you measure a life of a woman or a man? | 0:24:52 | 0:24:56 | |
# In truth that she learned or times that he cried | 0:24:56 | 0:25:02 | |
# Bridges he burned or the way that she died | 0:25:02 | 0:25:07 | |
# It's time now to sing out the story never ends | 0:25:07 | 0:25:11 | |
# Let's celebrate remember a year in the life of friends. | 0:25:11 | 0:25:15 | |
# Remember to love | 0:25:15 | 0:25:19 | |
# Remember to love | 0:25:19 | 0:25:24 | |
# Remember to love | 0:25:24 | 0:25:29 | |
# Measure in love | 0:25:29 | 0:25:35 | |
# Blah, blah, blah blah, blah, blah, blah, blah, blah | 0:25:35 | 0:25:38 | |
# Blah, blah, blah, blah, blah | 0:25:38 | 0:25:41 | |
# Blah, blah, blah, blah, blah, blah, blah, blah, blah | 0:25:41 | 0:25:46 | |
# Blah, blah, blah, blah... # | 0:25:46 | 0:25:48 | |
'We've been here for a week and got to know each other so well. | 0:25:48 | 0:25:51 | |
'We started off in a room all together' | 0:25:51 | 0:25:54 | |
where we had our first rehearsal and now we've ended it. | 0:25:54 | 0:25:56 | |
As it will be tonight on that stage with all of our mentors. | 0:25:56 | 0:25:59 | |
It will be absolutely amazing. I'll probably shed a tear. | 0:25:59 | 0:26:03 | |
# One life of mine | 0:26:03 | 0:26:07 | |
# A-a-a-a-a-a-h... # | 0:26:07 | 0:26:13 | |
'It would be great to just think that we've started something | 0:26:13 | 0:26:18 | |
'that is going to continue to enrich the lives of young people | 0:26:18 | 0:26:23 | |
'across South Wales, UK, I don't know.' | 0:26:23 | 0:26:26 | |
But what is deeply, deeply important to me | 0:26:26 | 0:26:29 | |
is the fact that the boys have a positive experience | 0:26:29 | 0:26:33 | |
and that their work, their hard work pays off | 0:26:33 | 0:26:35 | |
and that they can feel that they've done something special. | 0:26:35 | 0:26:39 | |
# Oh | 0:26:39 | 0:26:42 | |
# I can feel, yeah | 0:26:42 | 0:26:49 | |
# Oh, I'll cover you | 0:26:49 | 0:26:55 | |
# 500, 25,000, 600 minutes | 0:26:55 | 0:27:00 | |
# 500, 25,000, 600 minutes | 0:27:00 | 0:27:10 | |
# I'll cover you, oh | 0:27:10 | 0:27:15 | |
# Love | 0:27:15 | 0:27:23 | |
CHEERING AND APPLAUSE | 0:27:23 | 0:27:25 | |
An ecstatic reception for the Only Boys Aloud Academy choir's first concert. | 0:27:29 | 0:27:34 | |
We've got 32 teenage boys from the South Wales Valleys | 0:27:40 | 0:27:44 | |
in a castle crying their eyes out after just singing their hearts out | 0:27:44 | 0:27:47 | |
of some repertoire that they've never even heard of before. | 0:27:47 | 0:27:51 | |
I couldn't be prouder. I'm a bit emotional, a bit choked. | 0:27:51 | 0:27:53 | |
They did amazing work they did. | 0:27:53 | 0:27:55 | |
-It was fabulous, fabulous. -It was fantastic. | 0:28:04 | 0:28:08 | |
All right, darling? Good boy. | 0:28:08 | 0:28:10 | |
-Unbelievable. All of them. -Oh, they looked so smart. Cracking. | 0:28:10 | 0:28:15 | |
-Brilliant he was, really good. -What's this now? | 0:28:15 | 0:28:20 | |
I've said this so many times, | 0:28:20 | 0:28:22 | |
but it is about so much more than singing. | 0:28:22 | 0:28:24 | |
It's about a positive mental attitude | 0:28:24 | 0:28:27 | |
towards and from young men and... | 0:28:27 | 0:28:32 | |
Yeah, brilliant. | 0:28:32 | 0:28:36 | |
Brilliant. | 0:28:36 | 0:28:39 | |
# Mama who bore me | 0:28:42 | 0:28:44 | |
# Mama who gave me | 0:28:44 | 0:28:46 | |
# No way to handle things | 0:28:46 | 0:28:48 | |
# Who made me so sad | 0:28:48 | 0:28:50 | |
# Mama, the weeping | 0:28:50 | 0:28:53 | |
# Mama the angels | 0:28:53 | 0:28:57 | |
# No sleep in heaven | 0:28:57 | 0:28:59 | |
# Or Bethlehem. # | 0:28:59 | 0:29:05 | |
Subtitles by Red Bee Media Ltd | 0:29:05 | 0:29:07 | |
E-mail [email protected] | 0:29:07 | 0:29:10 |