Episode 3 Only Boys Aloud



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Choral conductor Tim Rhys Evans has a huge challenge on his hands.

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He has handpicked 32 teenagers

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from his Only Boys Aloud choir to take part in a top academy.

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I want to see those boys that were like me, really.

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Boys who had a love of singing, have a need to make music

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and have the potential to do that at a high level.

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On offer the musical education of a lifetime -

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a week's intense training

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at one of Wales' most prestigious private schools.

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The boys have no idea what's in store

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But Tim's planned 13 hour days of singing lessons,

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dance classes and demanding rehearsals.

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So, let's do all four phrases. Ready? So, back at the gym.

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And, at the end of it, a live performance for the paying public.

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It's the first time they've sung in public together.

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So, for them, on the stage is going to be very scary, I think.

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I'm kind of worried, because I don't know all the words at the moment.

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And, on top of choreography, I don't know if I'll remember it all.

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Tim's high standards and heavy schedule

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may not fit in with a bunch of high spirited teenagers.

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Why, why, why aren't you watching me?

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Stars of the West End and opera will offer up some last minute home truths.

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It was great. But you may as well be singing the shopping list!

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And there's an early morning wake-up the boys will never forget.

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Can Tim's academy boys

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pull off the biggest choral challenge of their lives?

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It's day one of the week long musical boot camp

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and the boys are settling into their new quarters.

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Tim and his team have just seven days to stage a choreographed

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concert of 14 choral pieces, in four different languages.

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Some of these boys aren't music readers. Some of them can't read German or Latin.

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It's completely outside their comfort zone.

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With any course like this, you only have a week to put a show on its feet.

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So it's going to be intense and difficult. It's going to be hard work.

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With a paying audience of family, friends

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and dignitaries turning up, Tim's feeling the pressure.

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Yeah, there is a lot of pressure, actually.

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But if you think about that all the time

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you stop doing the job in hand

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which is actually just making sure it works.

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But the boys are starting to wonder what Tim's got in store.

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We don't know nothing about the timetable

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throughout the week.

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It's going to be so intense, people are going to wind people up,

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keep them up at night and things. There may be a few arguments.

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But this doesn't stop them from dreaming.

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-I want Lady Gaga to turn up.

-She's not going to turn up!

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You never know.

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Don't know what's going to happen, do we?

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Just got to go with an open mind and look forward to it.

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And the other thing they said is there's loads of surprises.

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And we have no idea what those surprises are.

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One thing is for sure, the boys won't be expecting Tim's first announcement of the day.

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There's the Bradenstoke Hall, where we'll be springing a surprise

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on them that we're holding the auditions for the solos today.

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Tim's looking for 14 boys to sing a solo part in the final concert.

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It's a chance for some of them to shine.

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But the news has come as a shock.

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I'm feeling nervous,

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mainly because everyone else is going to be watching

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And I don't really like that.

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It's often better not to give them time to worry and fret.

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So, I'll be looking for somebody that really wants to

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do the solo, somebody who has the vocal ability.

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and also somebody who's not going to buckle under the nerves.

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# How can feel good, when nothing's right? #

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# 525,600 minutes. #

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# Let's celebrate and remember a year in the life of friends.

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# Remember the... #

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The pressure of a public audition is starting to tell.

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# On the way that she... # I can't do it, I can't.

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That's always the danger with auditions,

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what you sing getting that choice right.

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I did say they could sing anything they wanted to, yet some of them chose to sing solos

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from the repertoire that we're doing.

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And I think they would have been better

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if they'd sung something they knew better.

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# All my life.

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-# All my life.

-#

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# Hold me, love...#

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Uch a fi!

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Don't worry.

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One of the final notes went off. Didn't quite catch it

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and it was quite frustrating because I thought the rest of the song went pretty well.

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# The truths that she learned...

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Some guys just really nailed it.

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Ben Bateman blew everyone away. Just, "Wow, where did that come from?"

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# Or the way that she di-i-i-i-ed! #

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I think it's worse singing in front of a small group

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than a large group.

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You can see everybody staring at you.

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It's more nerve wracking. But I think it was OK.

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# When your heart has expired...

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That's what's great about holding these auditions is the fact

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that your own pre-conceptions are challenged, sometimes.

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And you are surprised at what they can achieve.

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And it makes you look at the group in a different way.

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With every boy auditioned,

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Tim and his team gather to decide on the solo stars for the concert.

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Solo one for Rhys Powell. Solo three for Josh Hughes.

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After long deliberations,

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Tim calls a meeting to reveal his decision on the solo parts.

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Just got to give them results now, which is never easy for me.

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I just want everyone to be very happy and have a nice time.

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But that's the nature of the beast.

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Don't be too disappointed, just know that you did well.

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For Mama who Bore Me. Gareth, that solo, please.

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And In Seasons Of Love, the tenor solo is Ben Bateman.

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Thank you very much.

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What stops me sleeping sometimes is realising that

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the responsibility we have to these young lads is massive.

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All too often, nowadays, it's just all about,

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"Oh, yes, he's got a lovely voice."

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"I'll just go on the X Factor and that's me set for life."

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And it's a very unhealthy culture.

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The idea that you have to work towards something and hopefully that's going to lead somewhere.

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But, even if it doesn't, you'll be a much better individual at the end of the day.

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You'll have done something with your life that you didn't think you could do.

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With a lot to get through before Sunday,

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Tim's invited a star from the West End

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to give the boys a masterclass to remember.

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So please give it up, boys, for Connie Fisher.

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Because of our connections within the music industry,

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it's bribe some mates to come in and do some masterclasses with the boys.

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Hi, guys.

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It really makes the boys feel special, when they can meet somebody that they recognise.

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# Before I change my mind! #

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Well, thanks, Tom. You've got the job!

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It's difficult for me to sit here and say anything bad about the performance.

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-How old are you?

-Seventeen.

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OK. So, big career ahead of you.

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The thing is, it's a rock opera, Jesus Christ Superstar.

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What I would say is perhaps there's more energy within his character.

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I want you to look exhausted. He's giving himself up.

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# Then, I was inspired... #

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Tom. Oh, what a glorious voice.

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And he had that poppy inflection, which is fine for rock opera.

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I can see him being that part.

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As long as he commits to everything he does,

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whether that be a thought intention or whether that be a gesture.

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If he wants to do a gesture, he sometimes did a half gesture

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which was, like, a bit eggy.

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# Nail me to your cross! #

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So, send him to Drama School with people who know what they're talking about

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and he'll be like John Barrowman.

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"I think I'm going to do an action, no, I'm not doing it."

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"Am I doing the cross? No, I'm not doing the cross."

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You have to commit to it. If you're going to do it, do it with energy

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and feel the energy going through you. And don't be afraid of looking silly.

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# Nail me to your cross!

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# And break me, bleed me, beat me. #

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Ben's up next, in line for some good advice.

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I think the masterclass went really well.

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I sang the anthem from Chess.

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I didn't know much about the character who sung the song in the show.

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So, she told me about the character.

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She said it went well, so I was glad.

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You're a soldier, aren't you?

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Singing about your country. It's very patriotic, anthemic.

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It's an anthem. And I think you need to earn the right to sing those big notes,

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as your character. And I want to believe your passion for your country.

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I love Ben. He was very pliable, as a performer.

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I told him to do something and he'd take it on board.

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And I saw his confusion between his relationship, and then his country.

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And I saw a soldier in him, for a second.

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And that's what I want to believe, as an audience.

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And I did.

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# My heart... #

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'The boys asked me lots of questions about what it's like to be in a musical

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'and one thing I could answer,

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it's exhausting, and I think they've probably had a taster for that at this academy.

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In the concert, Tim's expecting the boys to sing without any musical copies.

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The onus is on them to become note and word perfect.

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We've jam packed this week full.

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The schedule has been full of all sorts of activities for the boys

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and today we felt that maybe actually what they needed

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is a bit of own time when they can just maybe learn some words.

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We are trying to learn our words in our spare time

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but a lot of things get in the way.

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Well, I mean after twelve hours rehearsing a day, singing non-stop,

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when we get one or two hours free time,

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we don't really want to spend it singing.

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I know we should learn our words but none of us really want to.

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'I've put on the board, "free time/word learning"

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'because in the rehearsal straight after that

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'I will be making sure that they do know their words

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'and if they don't, I will be singling them out

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'in front of the whole group.'

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Tim has shared a stage with stars such as Katherine Jenkins

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and Bryn Terfel.

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His standards are on the high side.

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And I'm expecting eyes here, not there.

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OK. The most gorgeous piece we're doing now, Lieber.

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The first full rehearsal gets off to a bad start.

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OK, sit down. James needs the toilet.

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THEY SING

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Listen to that C. Starting...

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That's not helping. It's happening here.

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THEY SING

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Rubbish opening.

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'I think we struggle at the moment on the Gregorian chant.'

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It's not English, I think it's Latin.

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'So we've got those words to learn,

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'we've got the tune to go on top... It's very tricky.'

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THEY SING

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I think if we all put a bit of work into learning the words now

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and concentrate and watch Tim when he's conducting us,

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we'll be just fine.

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Why, why, why aren't you watching me?

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Come on, boys.

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Sorry to lose it.

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You're doing very well,

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but if you'd only just get your heads out of your copies,

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we could make music.

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'I lost it a little bit which I try not to do but...'

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it was mild...ish.

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But I just get frustrated when they don't look at me.

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'I think there're a lot of boys out there in the academy

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'who are really serious about wanting to do this as a career

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'or certainly try and get into music college

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'and this is nothing compared to that.

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'Am I putting too much pressure on them?

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'No, I don't think I am.

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'They're here. Let's make the most of every moment.'

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It's 6am. Tim's idea of an early start

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isn't the same as everybody else's.

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HORN BLARES

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WHISTLES BLOWN

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Come on, guys. Get up!

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Come on! Let's go.

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CACOPHONY OF SHOUTS, WHISTLING AND BANGING

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There's a punishing physical workout ahead of the boys

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to get them working as a team ahead of the final concert.

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Here we go. This time we're going for a hundred, boys. Keep it going!

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It's not about the singing, it's about the mentality.

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You have to put the work in. If you've got a goal in life, you have to work hard to get there

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and this is demonstrating, nothing's easy in life. Got to work for it.

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I'm sure the boys think I'm a dictator

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but it's really good for them

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and secretly I think they're enjoying it.

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Oh, it was worse than being in a games lesson.

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I'd rather have double games than do this ever again. It was horrible.

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-Coming to assassinate me?

-You loved it.

-It was lush(!)

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Who are we?

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ALL: Boys Aloud!

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It's three days in,

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there's still a lot to do before Sunday's concert

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and the heavy schedule is having an effect.

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THEY YAWN

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'This is a really intensive course. They're singing for eight, nine hours a day.'

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You really have to look after yourself if you're not used to it.

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'Lots of people are getting a bit ill'

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with colds and losing their voices and stuff.

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There's been sickness and diarrhoea bug. There's colds going around.

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When you see a chorister not put their hand over their mouth and they're coughing and you think,

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"Oh, God, there's another eight of them going to come down with it by Sunday."

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Basically, I've got no voice left any more.

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VOICE CROAKS

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It's a constant worry if you'll have a voice by Sunday.

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And who better to look after a croaky voice than Mam?

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Even if she's travelled 50 miles to do it.

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Ben Bateman's mum Sue has turned up with some unexpected rations.

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I've brought Ben his money because he's run out of money.

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His Manuka honey which he always carries with him.

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The only reason he asked for his Manuka honey

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was, "I got a bad chest, Mum, and I'm coughing and I'm sneezing, Mam."

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His mum's visit has left Ben thinking about the final concert.

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My dad has struggled to come to performances because he's ill

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and the fact the performances are far from where I live.

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It'll be special because he's never come to watch one

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and if he's there, it'll just make me want to do better than I already am doing.

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ALL: # Blah, blah, blah, blah, blah, blah

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# Blah, blah, blah, blah, blah... #

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As the boys drag themselves into the final 48 hours,

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Tim's choreographer's arrived to get this tired show on the road.

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Could you just surge forward and see if you can...?

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You want to try and break through these...

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Nick Ashton has worked with Tim for several years

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on many of his top shows.

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There's about twelve pieces in the whole programme.

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Some of them will be simply staged

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and they'll just be standing and making some shapes.

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Some of them need a real kind of musical staging.

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That's going to be a tough call.

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I think the boys are quite tired

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cos they've already been working so hard.

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This is another layer to put on the top.

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I'm kind of worried because I don't know all the words at the moment.

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On top of choreography, I don't know

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if I'm going to be able to remember it all.

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This morning, we've got another masterclass.

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The famous Welsh tenor Wynne Evans is coming in this morning.

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Also known from a certain well-known insurance comparison website.

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Please give it up for Mr Wynne Evans. APPLAUSE

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'Wynne's a tenor from Carmarthen.

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'A lot of these boys come from that very part of the world'

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and he's made a success of it as a singer. So why not some of these boys?

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'I think that's a very important message to send.'

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HE SINGS

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APPLAUSE

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I am incredibly rude, but I mean it in the nicest possible way, OK?

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All of a sudden, right, you're singing you go,

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# Stars out in the darkness a fugitive running... #

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Why would you do that, it's mental?

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You don't need to do it, OK?

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'You've got to be cruel to be kind.

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'The type of calibre this guy is singing at.'

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If he's bringing in and he's bringing his own skills

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and things he's learnt,

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I think anything is efficiently helping us, you know?

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# Some enchanted evening

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# When you find your true love... #

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'He's really critical of the singing and he really tore the piece apart.'

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But, I mean, it was good, you did sit back thinking

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you're not as good as you thought you were.

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Very good, you've got a beautiful voice.

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But you may as well be singing the shopping list from Sainsbury's.

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It's a bit,

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# Some enchanted evening... #

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Malfunction, malfunction.

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'I'm quite tough with them. Some think I'm a bit too rude,

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'but the industry is a very tough industry.'

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'If I come up here and say, "Oh, that's lovely.

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"Yes, you're doing a very lovely job there."

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I'm not doing them any favours.

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# Some enchanted evening... #

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Don't do it. It's a very old-fashioned way

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of singing anyway now, yeah.

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# Some enchanted evening. #

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Think about what you're saying.

0:18:450:18:47

'When someone tells you something

0:18:470:18:49

'and they say it blunt, as it is, it hits home.'

0:18:490:18:51

It's better to be like that than, "Oh, you're all right."

0:18:510:18:55

Just tell you straight where the problem is and you can work on it.

0:18:550:18:58

I don't know if you were signing it for the deaf

0:19:060:19:08

or whether you were just... There's a lot of this going on.

0:19:080:19:11

I just wanted to touch the things, you know?

0:19:110:19:14

It's lovely right, but either do emotion or don't do it.

0:19:140:19:18

'I was absolutely petrified.

0:19:180:19:20

'Before I sung the solo I felt sick.'

0:19:200:19:22

You just forget that they want you to be good.

0:19:220:19:24

They don't want you to be bad, they want to help you.

0:19:240:19:27

# Some enchanted evening... #

0:19:270:19:29

Keep it spinning the whole time.

0:19:290:19:32

# You may see a stranger... #

0:19:320:19:35

'This is their magic moment for some of them.

0:19:350:19:37

'The penny will finally drop.'

0:19:370:19:40

You have to keep plugging

0:19:400:19:42

in the hope that the penny will drop for all of them.

0:19:420:19:45

# Once you have found her Never let her go

0:19:450:19:50

# Once you have found her

0:19:500:19:55

# Never let her go. #

0:19:550:20:04

Good, good, lad.

0:20:040:20:07

'I think the last few days of the Academy'

0:20:070:20:10

will be really hectic now, making sure everything's perfect.

0:20:100:20:13

The dances are perfect and the timing's perfect.

0:20:130:20:16

I think Tim will start getting stressed if we don't listen to him.

0:20:160:20:19

So I think we really need to knuckle down and concentrate.

0:20:190:20:22

It's the day of the big concert, and it's the first time Tim

0:20:220:20:25

and the boys have run through the entire performance.

0:20:250:20:28

< LOUD CREAK

0:20:280:20:30

LAUGHTER

0:20:300:20:32

Beans again?

0:20:320:20:34

Let's go, please.

0:20:340:20:36

THE CHOIR SING

0:20:390:20:44

Good, just have another go, Tim.

0:20:470:20:49

It's not boring, that just sounded a bit boring.

0:20:490:20:52

It's got to be love.

0:20:520:20:54

'It's D-day. It's the first ever concert of the Academy.'

0:20:540:20:58

So... Oh...

0:20:580:21:02

I had the worst night's sleep you could imagine, appalling.

0:21:020:21:07

'There have been times during the week when I haven't enjoyed it

0:21:070:21:10

'because it's felt like a real uphill climb.'

0:21:100:21:14

-Sorry we do need to go back.

-Where do you get your thoughts from?

0:21:140:21:17

'I've learned a lot of lessons this week.

0:21:170:21:19

'We've gone into this feet first, in many ways.

0:21:190:21:22

'There are some things we'd do differently.

0:21:220:21:24

'I think what I've had confirmed'

0:21:240:21:27

is that an idea that was once just that, an idea, was right.

0:21:270:21:33

Everyone turns in. Go, go, go. The four soloists move.

0:21:330:21:36

'Had you asked us a week ago was this a little bit ambitious then

0:21:360:21:40

'we probably would all have said yes.'

0:21:400:21:42

But seeing how we've come together over the week

0:21:420:21:45

with our team building and just learning all the pieces.

0:21:450:21:48

I think it's not ambitious. I think we can pull it off.

0:21:480:21:50

'Everyone today is feeling a bit nervous about the concert.'

0:21:500:21:55

But they're also, in a way, sad that we're leaving everyone.

0:21:550:21:59

-I'm sad that we're leaving everyone.

-I'm sad we're leaving.

0:21:590:22:02

# Oh, love... #

0:22:020:22:06

'I think the boys have grown massively during this process.'

0:22:060:22:11

# Yeah, oh... #

0:22:110:22:14

'It's about so much more than singing and I have to really watch myself'

0:22:140:22:18

in the final thing of the show because it's...

0:22:180:22:21

They sing with so much passion and it's, um...

0:22:210:22:26

it's...it's really lovely to see.

0:22:260:22:29

because, um...

0:22:290:22:31

I'm getting so emotional about some singing.

0:22:310:22:35

These guys are really proving that there is optimism.

0:22:370:22:40

There is aspiration, and in a part of the world I care about deeply,

0:22:400:22:44

it's difficult not to end up a blubbering wreck.

0:22:440:22:47

# I'll cover you, oh... #

0:22:470:22:53

-ALL:

-Oo-o-o-oh!

0:22:530:23:00

Good, well done. Well done, very good.

0:23:000:23:04

As the paying audience starts to arrive,

0:23:040:23:06

Tim's also got an emotional bunch of boys on his hands.

0:23:060:23:10

This is the last performance we will do on the Academy weekend.

0:23:100:23:15

It's going to be...

0:23:150:23:16

Well, I don't know. It's going to be sad.

0:23:160:23:19

It's going to be really sad.

0:23:190:23:21

People have got a sense of "it's all over".

0:23:210:23:24

I might have a little tear in my eye when we finish

0:23:240:23:27

because of all the hard work we've done together

0:23:270:23:30

and it's just going to go straight down to nothing.

0:23:300:23:32

I'm feeling quite excited at the moment, actually.

0:23:320:23:35

The Academy's definitely given me

0:23:350:23:37

more confidence to go for music and theatre or whatever.

0:23:370:23:40

The highlight of a week of intense preparation is now just moments away.

0:23:400:23:44

And it's good news for tenor Ben Bateman.

0:23:440:23:47

His father has made it for the big performance.

0:23:470:23:50

'I'm excited about my parents coming.

0:23:510:23:53

'They haven't come to watch an Only Boys Aloud performance yet

0:23:530:23:57

'because they're so far away.'

0:23:570:23:59

It makes me want to try and do my best

0:23:590:24:01

cos they're two people I don't want to mess in front of.

0:24:010:24:03

The croaky voices are gone

0:24:030:24:06

and Tim wants the start of the concert to make a big impact.

0:24:060:24:09

The boys file in slowly, performing a Gregorian chant.

0:24:090:24:15

THEY CHANT

0:24:150:24:19

I think I'll be nervous walking on to the stage.

0:24:350:24:38

Probably about halfway through the first song

0:24:380:24:41

the adrenaline will start and the nerves will go away.

0:24:410:24:43

I'll just feel comfortable

0:24:430:24:45

like I always do when I start singing on stage.

0:24:450:24:47

# 500, 25,000, 600 minutes

0:24:470:24:52

# How do you measure a life of a woman or a man?

0:24:520:24:56

# In truth that she learned or times that he cried

0:24:560:25:02

# Bridges he burned or the way that she died

0:25:020:25:07

# It's time now to sing out the story never ends

0:25:070:25:11

# Let's celebrate remember a year in the life of friends.

0:25:110:25:15

# Remember to love

0:25:150:25:19

# Remember to love

0:25:190:25:24

# Remember to love

0:25:240:25:29

# Measure in love

0:25:290:25:35

# Blah, blah, blah blah, blah, blah, blah, blah, blah

0:25:350:25:38

# Blah, blah, blah, blah, blah

0:25:380:25:41

# Blah, blah, blah, blah, blah, blah, blah, blah, blah

0:25:410:25:46

# Blah, blah, blah, blah... #

0:25:460:25:48

'We've been here for a week and got to know each other so well.

0:25:480:25:51

'We started off in a room all together'

0:25:510:25:54

where we had our first rehearsal and now we've ended it.

0:25:540:25:56

As it will be tonight on that stage with all of our mentors.

0:25:560:25:59

It will be absolutely amazing. I'll probably shed a tear.

0:25:590:26:03

# One life of mine

0:26:030:26:07

# A-a-a-a-a-a-h... #

0:26:070:26:13

'It would be great to just think that we've started something

0:26:130:26:18

'that is going to continue to enrich the lives of young people

0:26:180:26:23

'across South Wales, UK, I don't know.'

0:26:230:26:26

But what is deeply, deeply important to me

0:26:260:26:29

is the fact that the boys have a positive experience

0:26:290:26:33

and that their work, their hard work pays off

0:26:330:26:35

and that they can feel that they've done something special.

0:26:350:26:39

# Oh

0:26:390:26:42

# I can feel, yeah

0:26:420:26:49

# Oh, I'll cover you

0:26:490:26:55

# 500, 25,000, 600 minutes

0:26:550:27:00

# 500, 25,000, 600 minutes

0:27:000:27:10

# I'll cover you, oh

0:27:100:27:15

# Love

0:27:150:27:23

CHEERING AND APPLAUSE

0:27:230:27:25

An ecstatic reception for the Only Boys Aloud Academy choir's first concert.

0:27:290:27:34

We've got 32 teenage boys from the South Wales Valleys

0:27:400:27:44

in a castle crying their eyes out after just singing their hearts out

0:27:440:27:47

of some repertoire that they've never even heard of before.

0:27:470:27:51

I couldn't be prouder. I'm a bit emotional, a bit choked.

0:27:510:27:53

They did amazing work they did.

0:27:530:27:55

-It was fabulous, fabulous.

-It was fantastic.

0:28:040:28:08

All right, darling? Good boy.

0:28:080:28:10

-Unbelievable. All of them.

-Oh, they looked so smart. Cracking.

0:28:100:28:15

-Brilliant he was, really good.

-What's this now?

0:28:150:28:20

I've said this so many times,

0:28:200:28:22

but it is about so much more than singing.

0:28:220:28:24

It's about a positive mental attitude

0:28:240:28:27

towards and from young men and...

0:28:270:28:32

Yeah, brilliant.

0:28:320:28:36

Brilliant.

0:28:360:28:39

# Mama who bore me

0:28:420:28:44

# Mama who gave me

0:28:440:28:46

# No way to handle things

0:28:460:28:48

# Who made me so sad

0:28:480:28:50

# Mama, the weeping

0:28:500:28:53

# Mama the angels

0:28:530:28:57

# No sleep in heaven

0:28:570:28:59

# Or Bethlehem. #

0:28:590:29:05

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0:29:050:29:07

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0:29:070:29:10

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