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Yorkshire, Britain's biggest county. | 0:00:04 | 0:00:07 | |
A region of rugged beauty with a rich heritage | 0:00:09 | 0:00:12 | |
and a proud industrial past. | 0:00:12 | 0:00:14 | |
Over one summer, three of its towns - | 0:00:17 | 0:00:20 | |
Barnsley, Skipton and Huddersfield - | 0:00:20 | 0:00:23 | |
put on their dancing shoes and took to the streets | 0:00:23 | 0:00:26 | |
in a spectacular display of unity and pride. | 0:00:26 | 0:00:31 | |
It's going to be a great memory to look back on in many years | 0:00:31 | 0:00:34 | |
when I am walking around with a Zimmer frame. | 0:00:34 | 0:00:36 | |
It warms the cockles of this old man's heart. | 0:00:36 | 0:00:41 | |
The man behind it all is choreographer Steve Elias... | 0:00:41 | 0:00:44 | |
Zakka-da-dakka-da-ba! | 0:00:44 | 0:00:47 | |
..who's starred in a string of hit shows from Billy Elliot | 0:00:47 | 0:00:49 | |
to Guys And Dolls. | 0:00:49 | 0:00:52 | |
I've always believed that dance has the unique ability to | 0:00:52 | 0:00:54 | |
bring people together, | 0:00:54 | 0:00:56 | |
and what I have witnessed this summer has proved that. | 0:00:56 | 0:00:59 | |
The way that people have come together to create something | 0:00:59 | 0:01:02 | |
special and lasting. | 0:01:02 | 0:01:04 | |
Now, Steve wants to stage one last performance | 0:01:04 | 0:01:08 | |
to outshine all the others, | 0:01:08 | 0:01:10 | |
one that celebrates the entire county. | 0:01:10 | 0:01:13 | |
I've learned so much about Yorkshire and its people, | 0:01:13 | 0:01:16 | |
and I want to pay tribute to that in something bigger, bolder, better. | 0:01:16 | 0:01:21 | |
That would be an amazing achievement, | 0:01:21 | 0:01:24 | |
to see that many people celebrating the power of dance. | 0:01:24 | 0:01:28 | |
Steve's master plan is to unite the three towns he's already visited... | 0:01:28 | 0:01:32 | |
-So, what do you think? Are you with me? -ALL: -Yes! | 0:01:32 | 0:01:36 | |
..for a final breathtaking performance | 0:01:36 | 0:01:38 | |
through the streets of York. | 0:01:38 | 0:01:40 | |
Personally, I think he's raving bonkers. | 0:01:40 | 0:01:42 | |
This week, with the whole county to corral... | 0:01:42 | 0:01:45 | |
Go, go, go. | 0:01:45 | 0:01:47 | |
..the big performance is put on hold, | 0:01:47 | 0:01:49 | |
as Steve heads back to where it all began... | 0:01:49 | 0:01:52 | |
Team Barnsley, enter. | 0:01:52 | 0:01:54 | |
He's like a bad penny, turning up. | 0:01:54 | 0:01:55 | |
..and tries to draft in new recruits from York... | 0:01:55 | 0:01:59 | |
People of York, I need you! | 0:01:59 | 0:02:01 | |
..Two, two, three, five, six, seven, eight... | 0:02:01 | 0:02:03 | |
Who just have absolutely no rhythm whatsoever. | 0:02:03 | 0:02:07 | |
And a one and a two and a three and a four and a five. | 0:02:09 | 0:02:12 | |
I'm absolutely quaking in my size 9 ballet shoes. | 0:02:12 | 0:02:17 | |
So, here I am in York for my last dance performance, | 0:02:28 | 0:02:31 | |
and the biggest one yet, hopefully. | 0:02:31 | 0:02:34 | |
But with this being a celebration of Yorkshire, | 0:02:34 | 0:02:37 | |
as the county capital, York was the natural choice, really. | 0:02:37 | 0:02:42 | |
It has a very different feel, | 0:02:44 | 0:02:46 | |
a very different energy from the last three towns. | 0:02:46 | 0:02:50 | |
Yeah. I'm kind of intrigued of what I can create and who I meet. | 0:02:50 | 0:02:55 | |
I haven't been to York... I would say in about 15 years. | 0:03:01 | 0:03:05 | |
I originally came when I was touring in theatre. | 0:03:05 | 0:03:09 | |
I was performing at the opera house in Godspell, | 0:03:09 | 0:03:13 | |
which was my first UK tour, | 0:03:13 | 0:03:15 | |
and then The Goodbye Girl. I had a great time. | 0:03:15 | 0:03:18 | |
I've always had a soft spot for York. | 0:03:18 | 0:03:21 | |
And I forget how beautiful it is. It is just stunning. | 0:03:21 | 0:03:25 | |
The danger is, | 0:03:25 | 0:03:27 | |
you kind of get caught up in its beauty and not its practicality, | 0:03:27 | 0:03:31 | |
so it's just having to kind of keep blinkered | 0:03:31 | 0:03:35 | |
and not be seduced by the town itself. | 0:03:35 | 0:03:38 | |
Steve's on the lookout for a good starting point for his dance. | 0:03:38 | 0:03:43 | |
Whip-MaWhop-MaGate, the shortest street in York, | 0:03:44 | 0:03:47 | |
and meaning "what a street", | 0:03:47 | 0:03:50 | |
it's not going to be useful in the performance. It's too short. | 0:03:50 | 0:03:54 | |
You'd have about two nuns and a whippet dancing up here. | 0:03:54 | 0:03:58 | |
Now, if I'm right, | 0:03:59 | 0:04:01 | |
the Shambles is the narrowest and oldest shopping street in Europe. | 0:04:01 | 0:04:06 | |
As much as I'd love to, it would be an absolute nightmare. | 0:04:06 | 0:04:11 | |
It's so narrow, it would be a shambles within the Shambles. | 0:04:11 | 0:04:15 | |
Established as Eboracum by the Romans, | 0:04:19 | 0:04:22 | |
York was briefly the heart of their vast empire, | 0:04:22 | 0:04:25 | |
when Constantine made the city his base in 306 AD. | 0:04:25 | 0:04:29 | |
Empires came and went, but York endured, becoming Jorvik | 0:04:29 | 0:04:33 | |
under the Vikings, and then flourishing from the Middle Ages | 0:04:33 | 0:04:37 | |
onwards as a centre of politics, culture and religion. | 0:04:37 | 0:04:41 | |
As the industrial age dawned, | 0:04:41 | 0:04:43 | |
the city became a major railway hub, creating a manufacturing boom, | 0:04:43 | 0:04:47 | |
most famously in confectionery and chocolate-making. | 0:04:47 | 0:04:51 | |
Today, York is a mecca for tourists, | 0:04:51 | 0:04:54 | |
with almost every street reflecting some aspect of its rich heritage, | 0:04:54 | 0:04:58 | |
from the medieval walls that encircle the city | 0:04:58 | 0:05:03 | |
to the iconic minster that still dominates its skyline. | 0:05:03 | 0:05:06 | |
My first impressions of the place are how insignificant I feel. | 0:05:14 | 0:05:21 | |
It's epic in all proportions. | 0:05:21 | 0:05:25 | |
It's vast, beautiful. | 0:05:25 | 0:05:29 | |
It's all those and more. | 0:05:29 | 0:05:31 | |
You can feel the sense of history. | 0:05:31 | 0:05:35 | |
It's in every column and every stained-glass window, | 0:05:35 | 0:05:41 | |
every flagstone. It's incredible. | 0:05:41 | 0:05:44 | |
Sarah is one of the minster's tour guides. | 0:05:46 | 0:05:48 | |
-I'm Steve. -Hi, Steve. -Nice to meet you. -Nice to meet you. | 0:05:48 | 0:05:51 | |
Welcome to our fabulous minster. | 0:05:51 | 0:05:52 | |
-It's breathtaking. -It is pretty good, isn't it? | 0:05:52 | 0:05:55 | |
Where do we start? | 0:05:55 | 0:05:57 | |
York was founded by the Romans, right here on this site, | 0:05:57 | 0:06:00 | |
in AD 71. It was a garrison town, | 0:06:00 | 0:06:02 | |
and the main building was the principia, | 0:06:02 | 0:06:04 | |
and it was right below our feet here. | 0:06:04 | 0:06:07 | |
So there has been activity going on on this site for 2,000 years. | 0:06:07 | 0:06:10 | |
But the first evidence we have of a minster | 0:06:10 | 0:06:13 | |
is in 627, so, for nearly 1,400 years, | 0:06:13 | 0:06:16 | |
there has been worship on this site. | 0:06:16 | 0:06:18 | |
-If these walls could speak... -Absolutely. Yeah. | 0:06:18 | 0:06:22 | |
So, if you look up, ahead of you, | 0:06:22 | 0:06:25 | |
it's our magnificent Great West Window, our Heart of Yorkshire. | 0:06:25 | 0:06:29 | |
It's not just York's building, | 0:06:29 | 0:06:31 | |
it's here for the whole of Yorkshire | 0:06:31 | 0:06:33 | |
and, in fact, the whole of the north of England as well. | 0:06:33 | 0:06:35 | |
What do you think of possibly... as a starting point? | 0:06:35 | 0:06:38 | |
I think it would be great. | 0:06:38 | 0:06:40 | |
Maybe outside, underneath the window, with the Heart of Yorkshire. | 0:06:40 | 0:06:44 | |
What better place to start a dance that's glorifying Yorkshire? | 0:06:44 | 0:06:48 | |
Thank you. It's given me so much food for thought. | 0:06:48 | 0:06:53 | |
My little grey cells are whirring at the moment. | 0:06:53 | 0:06:55 | |
-No problem at all. -It's been absolutely fantastic. | 0:06:55 | 0:06:59 | |
So, I have to use the York Minster in the dance. | 0:06:59 | 0:07:02 | |
It's so strongly associated with York and Yorkshire, | 0:07:02 | 0:07:06 | |
it's so magnificent and imposing, so maybe a starting point | 0:07:06 | 0:07:10 | |
or an end point, I don't know, but it's got to be in there. | 0:07:10 | 0:07:14 | |
There's just under six weeks to go until Steve brings groups | 0:07:18 | 0:07:22 | |
from across the county together for one final celebration in York. | 0:07:22 | 0:07:26 | |
I'm just starting to think how I'm going to bring this all together, | 0:07:26 | 0:07:29 | |
and what the last dance is going to be. | 0:07:29 | 0:07:33 | |
I suppose, in essence, | 0:07:33 | 0:07:35 | |
it's going to be something similar that I've done before, but bigger, | 0:07:35 | 0:07:39 | |
different groups, joining one after another, | 0:07:39 | 0:07:42 | |
in this huge parade through the streets. | 0:07:42 | 0:07:45 | |
But I've got three towns that I'm juggling, and I can't stage | 0:07:45 | 0:07:49 | |
an event in York without asking | 0:07:49 | 0:07:51 | |
the people of York to take part as well. | 0:07:51 | 0:07:54 | |
Steve's decided that groups from the host city of York | 0:07:54 | 0:07:57 | |
should lead the dance. | 0:07:57 | 0:07:59 | |
We'll have one York group joining after another, | 0:07:59 | 0:08:03 | |
and then, at certain points, we'll have different groups, | 0:08:03 | 0:08:07 | |
say from Huddersfield, joining in, then Skipton, then Barnsley, until, | 0:08:07 | 0:08:12 | |
at the end, we've got everyone from across the county dancing | 0:08:12 | 0:08:16 | |
together in this huge finale. | 0:08:16 | 0:08:18 | |
It's going to be the biggest thing that I've staged so far. | 0:08:18 | 0:08:22 | |
If I can do this, it's going to be fantastic. | 0:08:22 | 0:08:25 | |
But I have to admit, it's terrifying. | 0:08:25 | 0:08:28 | |
People of York, listen up. I need you! | 0:08:34 | 0:08:36 | |
I am looking for a cast of hundreds to join me | 0:08:36 | 0:08:40 | |
in a one-off theatrical event. | 0:08:40 | 0:08:42 | |
Steve wants to get as many locals as he can to a meeting | 0:08:42 | 0:08:45 | |
he's holding in two days' time. | 0:08:45 | 0:08:47 | |
I'm looking for dancers. I'm looking for non-dancers. | 0:08:47 | 0:08:50 | |
I'm looking for people who think they've got two left feet. | 0:08:50 | 0:08:54 | |
Join me, let your inner dance demon out! | 0:08:54 | 0:08:56 | |
In each of the towns so far, I've had 300, 300-plus... | 0:08:56 | 0:09:00 | |
If you fancy the challenge of your life, come and join me. | 0:09:00 | 0:09:04 | |
..so that's the benchmark I need to break through. | 0:09:04 | 0:09:07 | |
400, 500 people is what I need to achieve the sense of scale | 0:09:07 | 0:09:11 | |
for this final performance. | 0:09:11 | 0:09:13 | |
Steve is on his boldest recruitment drive yet... | 0:09:14 | 0:09:17 | |
I've got my trusty flyers. | 0:09:17 | 0:09:20 | |
Can I give you one of these? | 0:09:20 | 0:09:23 | |
..hitting the city's streets... | 0:09:23 | 0:09:24 | |
I don't know if you've ever danced before, thought of dancing, | 0:09:24 | 0:09:27 | |
terrified of dancing ... | 0:09:27 | 0:09:28 | |
-Do you dance? -Um...badly. | 0:09:28 | 0:09:31 | |
-Good. -Dad dancing. -Great. | 0:09:31 | 0:09:34 | |
..and invading York's offices. | 0:09:34 | 0:09:37 | |
I'm looking for a cast of hundreds | 0:09:37 | 0:09:39 | |
to dance through the streets of York. | 0:09:39 | 0:09:42 | |
I can see someone smiling over there. | 0:09:44 | 0:09:47 | |
-I used to do ballroom dancing when I was younger. -Oh, great. | 0:09:47 | 0:09:50 | |
And I've done line dancing. | 0:09:50 | 0:09:52 | |
-So, are you in? -Yeah, I'm in. -Brilliant. Lovely. | 0:09:52 | 0:09:55 | |
Thank you. Anyone else here? | 0:09:55 | 0:09:57 | |
I'll choreograph something for you. | 0:09:57 | 0:09:59 | |
-OK. -Yes, just a celebration. | 0:09:59 | 0:10:02 | |
-All right? -Thank you. -I leave you to it. | 0:10:02 | 0:10:04 | |
Thanks very much. | 0:10:04 | 0:10:05 | |
I need a cast of hundreds. | 0:10:05 | 0:10:08 | |
-I'll see what I can do. I'll pass the word around. -Brilliant. | 0:10:08 | 0:10:10 | |
It can be any style of dance. | 0:10:10 | 0:10:12 | |
Say, if you had a hidden passion for being York's answer to Beyonce? | 0:10:12 | 0:10:16 | |
What type of dance do you do? | 0:10:16 | 0:10:19 | |
This last month, I've been involved with the rumba. | 0:10:19 | 0:10:22 | |
Come on, show us some dance moves. | 0:10:23 | 0:10:26 | |
Two, three, four, five, six. Excellent. | 0:10:26 | 0:10:29 | |
Uh...no. | 0:10:30 | 0:10:32 | |
Come one, come all. | 0:10:34 | 0:10:37 | |
Jazz shoes not essential. | 0:10:37 | 0:10:39 | |
The next stop on Steve's push to draft in new volunteers takes him | 0:10:43 | 0:10:47 | |
to the home of some of Britain's best-loved brands. | 0:10:47 | 0:10:50 | |
We are off to the Nestle factory, originally Rowntree's. | 0:10:50 | 0:10:54 | |
I know it's famous for its chocolate, | 0:10:54 | 0:10:57 | |
but it's also one of the biggest employers within York, | 0:10:57 | 0:11:01 | |
so I'm hoping there will be plenty of people there to sign up. | 0:11:01 | 0:11:05 | |
You know, I got images in my head of Willy Wonka chocolate factory, | 0:11:05 | 0:11:09 | |
even that scene, Toot Sweets, from Chitty Chitty Bang Bang. | 0:11:09 | 0:11:12 | |
I'm not sure it's quite like that. | 0:11:12 | 0:11:14 | |
It's probably more scientific, but in my creative mind, it would | 0:11:14 | 0:11:18 | |
be great to think that and see if I could incorporate that. | 0:11:18 | 0:11:22 | |
It is a bit Willy Wonka-ish, | 0:11:34 | 0:11:37 | |
with the chocolate being pumped through pipes. | 0:11:37 | 0:11:39 | |
It's incredible. | 0:11:39 | 0:11:41 | |
Especially that it never ceases. | 0:11:41 | 0:11:43 | |
-It's 365 days? -Absolutely. | 0:11:43 | 0:11:46 | |
365 days, so, as you can see, the bars coming off now, | 0:11:46 | 0:11:49 | |
we're making over 300 bars every single minute, | 0:11:49 | 0:11:53 | |
and that's just on one wrapping machine. | 0:11:53 | 0:11:55 | |
On a good day, we make in excess of 4 million bars in a 24-hour period. | 0:11:58 | 0:12:03 | |
The smell is incredible. | 0:12:03 | 0:12:05 | |
All your senses are kind of on high alert, you know? | 0:12:05 | 0:12:09 | |
I'm looking, I'm smelling, I'm listening. | 0:12:09 | 0:12:12 | |
You know? Just trying to get some inspiration, really. | 0:12:12 | 0:12:16 | |
Get the creative juices flowing. | 0:12:16 | 0:12:18 | |
It's amazing. I tell you, the smell is fantastic. | 0:12:18 | 0:12:22 | |
It's really nice when we're on different flavours as well, | 0:12:22 | 0:12:25 | |
when we're on orange and mint. | 0:12:25 | 0:12:27 | |
-Really strong. -Do you have a favourite? | 0:12:27 | 0:12:29 | |
-I do. Orange is my favourite. -Orange would be my favourite, too. | 0:12:29 | 0:12:31 | |
The factory has a long history, | 0:12:35 | 0:12:37 | |
producing some of Britain's favourite treats. | 0:12:37 | 0:12:40 | |
Built in 1890, it started life as the Rowntree factory, | 0:12:40 | 0:12:44 | |
named after the booming confectionery business set up | 0:12:44 | 0:12:47 | |
by brothers Henry and Joseph. | 0:12:47 | 0:12:49 | |
Keen philanthropists, | 0:12:51 | 0:12:53 | |
they made it their mission to improve living standards | 0:12:53 | 0:12:55 | |
for their workforce, providing them with sports facilities, a theatre | 0:12:55 | 0:12:59 | |
just over the road from the factory, and even their own village, | 0:12:59 | 0:13:03 | |
New Earswick. | 0:13:03 | 0:13:04 | |
The company still employs 2,000 people, | 0:13:06 | 0:13:09 | |
and 150 of them are waiting for Steve in the nearby theatre. | 0:13:09 | 0:13:13 | |
They've called the company together for | 0:13:14 | 0:13:17 | |
me to go and address them, to galvanise the troops. | 0:13:17 | 0:13:20 | |
That's incredible. Really happy and excited. | 0:13:20 | 0:13:23 | |
I'm on a mission, | 0:13:23 | 0:13:25 | |
and it's about bringing you all together in a one-off, | 0:13:25 | 0:13:29 | |
unique performance. I'm a choreographer. | 0:13:29 | 0:13:32 | |
I know I look like a prop forward, but, | 0:13:32 | 0:13:35 | |
believe me, these hips don't lie, as Shakira said. | 0:13:35 | 0:13:39 | |
I tell you what. Do you want to stand up for a minute? | 0:13:39 | 0:13:43 | |
Let's stand up. | 0:13:43 | 0:13:44 | |
OK. All I want you to do is right, left, right, left. That's easy. | 0:13:44 | 0:13:50 | |
Here we go. | 0:13:50 | 0:13:51 | |
A five, six, seven, eight, and right, left, right, left. | 0:13:51 | 0:13:56 | |
We've then got to go step, click, step, click. | 0:13:56 | 0:13:59 | |
Don't speed up. What I don't want to see is this. | 0:13:59 | 0:14:03 | |
LAUGHTER | 0:14:03 | 0:14:05 | |
Right? Relax. | 0:14:05 | 0:14:07 | |
That's all you're doing, is stepping and clicking, people. | 0:14:07 | 0:14:11 | |
So, you've just got to put a little swagger on, a little flavour, | 0:14:11 | 0:14:15 | |
and you're like, "Hey, I'm too cool for school." | 0:14:15 | 0:14:18 | |
Walking down the deli counter, yeah? | 0:14:18 | 0:14:21 | |
That's what I want. | 0:14:21 | 0:14:23 | |
You walk every day, so it's no different. | 0:14:23 | 0:14:26 | |
LAUGHTER | 0:14:26 | 0:14:28 | |
Here we go. Here we go. Five, six, a five, six, | 0:14:28 | 0:14:31 | |
seven, eight. That's better. And breathe. | 0:14:31 | 0:14:34 | |
We're going to up the ante now. | 0:14:34 | 0:14:37 | |
Double pirouette... No! | 0:14:37 | 0:14:39 | |
Dakka-da, dakka-da, dakka-da! Five, six, seven, eight. | 0:14:39 | 0:14:43 | |
One, two. | 0:14:43 | 0:14:44 | |
Two. | 0:14:44 | 0:14:46 | |
Three. | 0:14:47 | 0:14:49 | |
And four. | 0:14:50 | 0:14:52 | |
There we are. | 0:14:52 | 0:14:53 | |
That's excellent. Yes! | 0:14:53 | 0:14:56 | |
I had no idea what was going on and then, all of a sudden, | 0:14:57 | 0:15:01 | |
we seem to have signed up to some performance in the centre of York. | 0:15:01 | 0:15:05 | |
I wasn't too keen when he first mentioned it, | 0:15:05 | 0:15:08 | |
but when he got us all up... | 0:15:08 | 0:15:09 | |
-And got us to do the steps, it was really good. -Excited. | 0:15:09 | 0:15:12 | |
That was great, and it looks like I've drafted in | 0:15:12 | 0:15:14 | |
a load of people, maybe 60 or 70 people, which is amazing. | 0:15:14 | 0:15:18 | |
I was really...heartened by that response. | 0:15:18 | 0:15:22 | |
I hope I showed them that they can all do it, | 0:15:22 | 0:15:26 | |
no matter what ability they are, | 0:15:26 | 0:15:28 | |
so everyone should go away and go, "Do you know what? | 0:15:28 | 0:15:31 | |
"I think I'll be able to do this." | 0:15:31 | 0:15:33 | |
I'm hosting a drop-in day today. | 0:15:39 | 0:15:42 | |
All the flyering and recruiting that I've done over the last few days | 0:15:42 | 0:15:47 | |
have been building to this. | 0:15:47 | 0:15:49 | |
As York's bigger than the other towns he's visited, Steve's hoping | 0:15:49 | 0:15:53 | |
more people will turn up, so he's set up a daylong open casting. | 0:15:53 | 0:15:58 | |
I think I'm looking for inspiration, to be honest, | 0:16:00 | 0:16:03 | |
as in, let's see who comes through that door, | 0:16:03 | 0:16:05 | |
then I can have more of a crystal-clear idea | 0:16:05 | 0:16:08 | |
where to venture next. | 0:16:08 | 0:16:10 | |
So, let's see who turns up. | 0:16:10 | 0:16:12 | |
Hello. Is anyone out there? | 0:16:24 | 0:16:26 | |
I take it you're a cycling group? | 0:16:32 | 0:16:34 | |
-Are you local to York? -Yes. -Brilliant. | 0:16:34 | 0:16:37 | |
Shall we start with names? | 0:16:37 | 0:16:38 | |
-I'm Lucius. -Titus Flavius Germanus. | 0:16:38 | 0:16:41 | |
-Marcus Minucius Audens. -Martin. | 0:16:41 | 0:16:44 | |
I would love to see you on your bikes in a cycle past. | 0:16:44 | 0:16:49 | |
Are we strictly on bikes, then? | 0:16:49 | 0:16:51 | |
No. If you fancy getting off your bikes | 0:16:51 | 0:16:54 | |
and choreographing, I'll choreograph you. | 0:16:54 | 0:16:56 | |
THEY SHOUT | 0:16:56 | 0:16:58 | |
Great. Yeah. I'll definitely use all that. | 0:17:00 | 0:17:03 | |
We go one, two, three, four, five, six, seven, eight. | 0:17:03 | 0:17:06 | |
Two, two, three, five, six, seven, eight. | 0:17:06 | 0:17:08 | |
Three, two, three, four, five, six, seven, eight. | 0:17:08 | 0:17:11 | |
Have you got anything you can show me? | 0:17:11 | 0:17:13 | |
That's mesmerising. | 0:17:15 | 0:17:17 | |
This is exactly what I'm looking for. And who have I got here? | 0:17:23 | 0:17:27 | |
You've got Dance Factory. | 0:17:27 | 0:17:29 | |
It's mainly street dance. | 0:17:29 | 0:17:31 | |
We do bits of breaking, | 0:17:31 | 0:17:32 | |
so Kyle's a bit of a breaker. | 0:17:32 | 0:17:34 | |
Tom's a bit of a locker, so he likes doing his popping moves. | 0:17:34 | 0:17:38 | |
Rachel's a bit of pulse, so a bit more funky, | 0:17:38 | 0:17:40 | |
and Emma's just an all-round funky person, aren't you? | 0:17:40 | 0:17:43 | |
I'm a little old, and my street dancing has kind of wavered, | 0:17:43 | 0:17:47 | |
so you're going to teach me some. | 0:17:47 | 0:17:49 | |
Come and teach the old-timer how to funk. | 0:17:49 | 0:17:51 | |
Was that OK? | 0:17:56 | 0:17:57 | |
STEVE LAUGHS | 0:17:57 | 0:18:00 | |
That's the cuteness factor taken care of. | 0:18:06 | 0:18:09 | |
Do you want to be ballet dancers when you grow up? | 0:18:09 | 0:18:12 | |
All the stuff that you've shown me, | 0:18:12 | 0:18:14 | |
we'll put a special routine together. How does that sound? | 0:18:14 | 0:18:17 | |
-Yes. -Yes? Great, great, great. | 0:18:17 | 0:18:19 | |
On the whole, at the moment, it's great. | 0:18:19 | 0:18:21 | |
Great turnout. | 0:18:21 | 0:18:23 | |
Chilli Bon Bon. | 0:18:23 | 0:18:25 | |
Hiya. | 0:18:25 | 0:18:26 | |
-I am Tristram, and Chilli Bon Bon makes me feel great. -Great. | 0:18:26 | 0:18:32 | |
And makes me feel good inside me, and let it out for people. | 0:18:32 | 0:18:37 | |
Tristram and Lee could actually do a little dance for you. | 0:18:37 | 0:18:41 | |
I'd love that. | 0:18:41 | 0:18:42 | |
Brilliant. | 0:18:50 | 0:18:51 | |
So, yeah, we can choose what type of choreography, what type of dance. | 0:18:51 | 0:18:54 | |
-I like the hips going. -Yeah, you like the hips? -Yeah. | 0:18:54 | 0:18:57 | |
Doing that, and everybody joins in. | 0:18:57 | 0:18:59 | |
-Yeah, a little twist. -Something like that. | 0:18:59 | 0:19:02 | |
-We could do a little twist. -Yeah, something like that. | 0:19:02 | 0:19:05 | |
Brilliant. See you soon. Ta-ra. Take care. Bye. | 0:19:05 | 0:19:08 | |
-Hi, boys. -Hello. -Hiya. All right? | 0:19:08 | 0:19:10 | |
My old man's a bricklayer and my brothers are plasterers, | 0:19:10 | 0:19:14 | |
and in a very nice way, I say I am the black sheep of the family, | 0:19:14 | 0:19:18 | |
as in, I am the performer. Does anyone have a hidden dance skill? | 0:19:18 | 0:19:21 | |
Have you ever danced before? | 0:19:21 | 0:19:23 | |
Do you want to dance, or do you want to take the first cab out of here? | 0:19:23 | 0:19:27 | |
Look, already, colour has gone. Head's shaking. | 0:19:27 | 0:19:30 | |
No, no, no. Just hear me out. | 0:19:30 | 0:19:32 | |
As soon as I mentioned dance, the colour just drained. | 0:19:32 | 0:19:36 | |
-Rugby League or Rugby Union? -League. | 0:19:36 | 0:19:38 | |
-You sound Welsh, like Rugby Union? -Yeah, yeah, yeah. | 0:19:38 | 0:19:40 | |
-Sorry about that. -No, it's all right, mate. | 0:19:40 | 0:19:43 | |
Well, I did play rugby. What position do you think I played? | 0:19:43 | 0:19:46 | |
-Prop? -You've got it, prop. I wasn't a wing. | 0:19:46 | 0:19:49 | |
First of all, does anyone have a secret talent as dancer? | 0:19:49 | 0:19:54 | |
No cha-cha-chas? Street dance? Tap? Ballet? | 0:19:54 | 0:19:57 | |
I knew what it was about, but this lot didn't, to be fair. | 0:19:57 | 0:20:02 | |
OK, if you want to do it, say now, if not, I have no problem with that. | 0:20:02 | 0:20:05 | |
-I understand. -In. -In? Brilliant, I like your style. | 0:20:05 | 0:20:08 | |
Typical rugby players. What's great about them, they shook on it. | 0:20:08 | 0:20:12 | |
It only takes one of them to set the lead | 0:20:12 | 0:20:14 | |
and, because they're a team, in for a penny, in for a pound. | 0:20:14 | 0:20:18 | |
That is what I love about team sports, and especially rugby. | 0:20:18 | 0:20:21 | |
It's been an invaluable day. Brilliant. | 0:20:21 | 0:20:25 | |
I've met so many different characters, | 0:20:25 | 0:20:29 | |
some who've never danced before, some who do dance. | 0:20:29 | 0:20:33 | |
I've got goose bumps, and I haven't felt that...for a long time. | 0:20:33 | 0:20:39 | |
Yeah, that's a great start. Come on, York. | 0:20:42 | 0:20:44 | |
I was really pleased at the turnout at the drop-in day. | 0:20:53 | 0:20:56 | |
It was great to see all the local dance groups come out in force, | 0:20:56 | 0:20:59 | |
and the non-dancers too. | 0:20:59 | 0:21:01 | |
The builders in particular have stuck in my mind. | 0:21:01 | 0:21:04 | |
My dad is a retired builder, so there's a personal connection. | 0:21:04 | 0:21:08 | |
They're not the sort of people you'd expect to walk through the door, | 0:21:09 | 0:21:13 | |
so I've arranged to meet them today, | 0:21:13 | 0:21:15 | |
and I've created a little routine to see how they pick up steps. | 0:21:15 | 0:21:19 | |
Something simple, because they're non-dancers. | 0:21:19 | 0:21:22 | |
The building firm, set up five years ago, | 0:21:23 | 0:21:27 | |
is a family business for Danny and his dad Paul. | 0:21:27 | 0:21:31 | |
-Paul. -Hello, mate. -Steve. -Pleased to meet you. | 0:21:31 | 0:21:34 | |
What I've got in mind for yourself and the boys is, | 0:21:34 | 0:21:37 | |
it's basically a kind of a mix of Reservoir Dogs | 0:21:37 | 0:21:41 | |
meets what you do every time... | 0:21:41 | 0:21:43 | |
-It's more staging than fancy footwork, you know? -Yeah. | 0:21:43 | 0:21:46 | |
And it's to celebrate, really, what you do as a trade. | 0:21:46 | 0:21:50 | |
Little bit nervous, but willing to give it a go. | 0:21:50 | 0:21:54 | |
Give anything a go once. | 0:21:54 | 0:21:56 | |
Doesn't faze me one bit. I don't mind a laugh, having a dance about! | 0:21:56 | 0:22:00 | |
I made their piece, their section within the performance, | 0:22:02 | 0:22:05 | |
deliberately about what we call musical theatre staging, | 0:22:05 | 0:22:09 | |
so it tells a story, and we can see what types of trade they do. | 0:22:09 | 0:22:13 | |
So, we've got wheelbarrows and ladders and trowels, | 0:22:13 | 0:22:17 | |
anything which represents what they do within the trade, | 0:22:17 | 0:22:20 | |
and I've built that into the choreography. | 0:22:20 | 0:22:22 | |
Then they walk forward, very kind of cool, Reservoir Dogs, | 0:22:22 | 0:22:25 | |
walking down the streets of York going, "This is who we are," | 0:22:25 | 0:22:30 | |
and then they take up a pose, as if to go, "Yeah." | 0:22:30 | 0:22:33 | |
Who wants a wheelbarrow? | 0:22:33 | 0:22:34 | |
-I'll have one. -Brilliant. Cheers, mate. | 0:22:34 | 0:22:37 | |
-Fantastic. Ladders? -You can be a ladder. -Yeah. | 0:22:37 | 0:22:39 | |
So, one here. | 0:22:39 | 0:22:40 | |
We've got the wheelbarrows and that's all we do, is walk. | 0:22:40 | 0:22:43 | |
One, two, three, four, five, six, seven... | 0:22:43 | 0:22:46 | |
That's it, you've lost Will now! | 0:22:46 | 0:22:49 | |
He can only do five! | 0:22:49 | 0:22:50 | |
So, you go right, left, right-left... | 0:22:50 | 0:22:54 | |
I heard a huge sigh there! | 0:22:54 | 0:22:56 | |
THEY LAUGH | 0:22:56 | 0:22:59 | |
So... No worries, mate. | 0:22:59 | 0:23:01 | |
It's right, left, right-left, right. That's it. | 0:23:01 | 0:23:05 | |
Just think, like, percussive. Like stomp. | 0:23:05 | 0:23:08 | |
So it goes stamp, stamp, stamp-stamp, stamp | 0:23:08 | 0:23:13 | |
to stamp, stamp, stamp-stamp, stamp. | 0:23:13 | 0:23:16 | |
Brilliant. | 0:23:16 | 0:23:17 | |
Now, this is like Reservoir Dogs, and it will go position, | 0:23:17 | 0:23:21 | |
position, position, position. | 0:23:21 | 0:23:22 | |
Yeah? You can either think catwalk model or whatever. Here we go. | 0:23:22 | 0:23:26 | |
Five, six, seven, eight. | 0:23:26 | 0:23:28 | |
And a one and a two and a three and... | 0:23:28 | 0:23:30 | |
Brilliant. That's it. | 0:23:30 | 0:23:31 | |
That's not bad. Let's do that once more. | 0:23:31 | 0:23:34 | |
-Do we have the music? -Yeah. | 0:23:34 | 0:23:35 | |
We'll play you the music, guys. | 0:23:35 | 0:23:37 | |
Each group Steve works with will have a routine set to | 0:23:37 | 0:23:40 | |
a track that reflects their story. | 0:23:40 | 0:23:43 | |
We'll just play you the music, guys. | 0:23:43 | 0:23:44 | |
MUSIC STARTS | 0:23:44 | 0:23:46 | |
One, two, three, four, five, six, seven, eight. | 0:23:46 | 0:23:49 | |
Two, two, three, four... We'll keep on walking through this. | 0:23:49 | 0:23:52 | |
Stamp, stamp, stamp-stamp, stamp. | 0:23:52 | 0:23:56 | |
And we walk... Two, three, four, five, six, seven, eight. | 0:23:56 | 0:24:00 | |
Two, two, three, four, five, six, seven, eight. | 0:24:00 | 0:24:03 | |
Position, position, position. Brilliant. | 0:24:03 | 0:24:06 | |
That's it. That's it, mate. | 0:24:06 | 0:24:08 | |
That's your section done. All right? | 0:24:08 | 0:24:11 | |
I thought I was just going to be stood holding something, | 0:24:11 | 0:24:14 | |
not doing a full dance routine. | 0:24:14 | 0:24:16 | |
My daughters had entered us, not me, so... | 0:24:16 | 0:24:19 | |
They're proper dancers. I have no rhythm whatsoever. | 0:24:19 | 0:24:22 | |
They'll get it. | 0:24:22 | 0:24:23 | |
You know, they enjoyed the challenge and they laughed together | 0:24:23 | 0:24:26 | |
and failed together, taking the mickey out of each other, | 0:24:26 | 0:24:29 | |
and that's what it is. | 0:24:29 | 0:24:31 | |
You could tell that Paul had said, | 0:24:31 | 0:24:33 | |
"Look, in for a penny, in for a pound. Let's do it. | 0:24:33 | 0:24:36 | |
"Let's celebrate York." So I think that's great. | 0:24:36 | 0:24:38 | |
Paul's firm is one of the many local businesses who volunteered to help | 0:24:38 | 0:24:42 | |
when floods devastated York on Boxing Day 2015. | 0:24:42 | 0:24:46 | |
Both the city's rivers burst their banks, | 0:24:46 | 0:24:49 | |
causing the worst flooding in over a decade. | 0:24:49 | 0:24:53 | |
The Fosse hit record highs, | 0:24:53 | 0:24:55 | |
putting 3,500 homes in danger | 0:24:55 | 0:24:57 | |
and forcing hundreds to be evacuated. | 0:24:57 | 0:25:01 | |
It's only from the sky that you can appreciate | 0:25:01 | 0:25:04 | |
the expanse of ground covered by these floods. | 0:25:04 | 0:25:06 | |
You can see how deep and widespread the filthy water was. | 0:25:08 | 0:25:12 | |
With more heavy rain forecast, for residents here, | 0:25:12 | 0:25:15 | |
it may not be over yet. | 0:25:15 | 0:25:17 | |
Military and emergency response teams were sent in | 0:25:19 | 0:25:21 | |
to rescue those stranded, | 0:25:21 | 0:25:23 | |
as the deluge destroyed homes and businesses across the city, | 0:25:23 | 0:25:26 | |
and entire neighbourhoods disappeared underwater. | 0:25:26 | 0:25:29 | |
Why did you volunteer, Paul? | 0:25:31 | 0:25:33 | |
There's lots of other builders around. | 0:25:33 | 0:25:35 | |
Just... You just sort of wanted to help, and when you got involved, | 0:25:35 | 0:25:38 | |
you couldn't then say no, because if I've helped one person, | 0:25:38 | 0:25:40 | |
and t'next neighbour says, "Oh, can you mind...?" | 0:25:40 | 0:25:42 | |
And then we started doing all the sort of... | 0:25:42 | 0:25:45 | |
There was just too many coming in, I couldn't do it. | 0:25:45 | 0:25:47 | |
So I rang t'lads up, and they all came out as well. | 0:25:47 | 0:25:49 | |
And then just did what we could. | 0:25:49 | 0:25:51 | |
It's... I suppose it's just how we are, I don't know. | 0:25:51 | 0:25:54 | |
I don't think anybody realised how bad it really hit York. | 0:25:54 | 0:25:57 | |
There's hundreds and hundreds of houses, and it came so fast, | 0:25:57 | 0:26:01 | |
it weren't like... | 0:26:01 | 0:26:02 | |
It just literally came through people's doors, | 0:26:02 | 0:26:04 | |
they had no time to put furniture away, there was no warning. | 0:26:04 | 0:26:08 | |
And it was Boxing Day, just after Christmas. | 0:26:08 | 0:26:10 | |
All t'Christmas trees were up, | 0:26:10 | 0:26:12 | |
and Christmas decorations were floating round and... | 0:26:12 | 0:26:14 | |
They just lost everything. | 0:26:14 | 0:26:16 | |
Everything they bought for Christmas would be downstairs on Boxing Day, | 0:26:16 | 0:26:19 | |
and before you realised it, it was gone. | 0:26:19 | 0:26:21 | |
We weren't prepared for that, not in a million years. | 0:26:21 | 0:26:24 | |
I'm so impressed with Paul, you know. | 0:26:24 | 0:26:26 | |
You can tell he's got a big heart. | 0:26:26 | 0:26:28 | |
And talking to him has reminded me of the huge impact the floods | 0:26:28 | 0:26:32 | |
must have had on York, and still are having. | 0:26:32 | 0:26:35 | |
It's made me think that this is something | 0:26:35 | 0:26:38 | |
I really need to incorporate into the dance. | 0:26:38 | 0:26:40 | |
I've been told about Fossy's Flossys, which is... | 0:26:49 | 0:26:54 | |
It looks like a burger van, a food van. | 0:26:54 | 0:26:56 | |
Steve's meeting another volunteer | 0:26:56 | 0:26:58 | |
who gave up their time to help those affected by the floods. | 0:26:58 | 0:27:02 | |
-Hiya. -Hello. You all right? | 0:27:02 | 0:27:03 | |
-Are you Michaela? -I am, yes. -I'm Steve. -Hi, Steve. | 0:27:03 | 0:27:06 | |
-Nice to meet you. -And you, as well. First of all, do you want a drink? | 0:27:06 | 0:27:09 | |
-I'd love a coffee. -Would you like a coffee? -Yeah. | 0:27:09 | 0:27:11 | |
What was your story? | 0:27:11 | 0:27:13 | |
Myself and my daughter were taking tea, coffee and home-made hot soup, | 0:27:13 | 0:27:19 | |
and we were going round the water's edge giving to the flood victims, | 0:27:19 | 0:27:22 | |
the emergency services, | 0:27:22 | 0:27:24 | |
with a little tiny GO Outdoors gas stove, | 0:27:24 | 0:27:28 | |
and a little whistle kettle. | 0:27:28 | 0:27:30 | |
Then, that evening, a lady messaged me and said, | 0:27:30 | 0:27:33 | |
"I've got a van, it's yours for however long." | 0:27:33 | 0:27:36 | |
I was like, "Fab, yeah, brill." | 0:27:36 | 0:27:37 | |
So New Year's Day morning, this was towed here. | 0:27:37 | 0:27:39 | |
And we've been here ever since. | 0:27:39 | 0:27:41 | |
You know, July, and we're still here. | 0:27:41 | 0:27:43 | |
There's no prices, | 0:27:43 | 0:27:44 | |
we're not selling, we're not trading. | 0:27:44 | 0:27:46 | |
Flood victims get everything free. | 0:27:46 | 0:27:48 | |
Why do you do it? | 0:27:48 | 0:27:50 | |
Seeing all that devastation, seeing what people went through, | 0:27:50 | 0:27:53 | |
you feel helpless, and you want to do something. | 0:27:53 | 0:27:55 | |
It's like, "Well, what can I do?" | 0:27:55 | 0:27:56 | |
There's nothing I can actually do to help, other than, I was like, | 0:27:56 | 0:27:59 | |
"Well, I've got time." | 0:27:59 | 0:28:00 | |
So that's what it was. | 0:28:00 | 0:28:02 | |
I gave my time, and still giving my time, you know. | 0:28:02 | 0:28:05 | |
Trying to do my mum proud, as well. | 0:28:05 | 0:28:07 | |
When we first started this, my mum and dad used to come down every day. | 0:28:07 | 0:28:10 | |
But my mum passed away while we were doing this, | 0:28:10 | 0:28:12 | |
as well, in January, suddenly. | 0:28:12 | 0:28:13 | |
So, to me, it's like... | 0:28:13 | 0:28:16 | |
My mum was, you know, she was proud of what I was doing then, | 0:28:16 | 0:28:19 | |
so even like, this... | 0:28:19 | 0:28:20 | |
If she knew I was still here, this far on, she would be... | 0:28:20 | 0:28:23 | |
would be proud. | 0:28:23 | 0:28:24 | |
Michaela has had to juggle her volunteer work | 0:28:26 | 0:28:28 | |
with her job as a carer, | 0:28:28 | 0:28:30 | |
and her role as a mum to five-year-old Kaden. | 0:28:30 | 0:28:33 | |
On the balancing beam! Oh! | 0:28:33 | 0:28:36 | |
I'm just really proud of her. She's done a lot. | 0:28:36 | 0:28:38 | |
It's just part of her personality, and who she is. | 0:28:38 | 0:28:40 | |
She's a very giving person, | 0:28:40 | 0:28:42 | |
and a very benevolent person. Always willing to | 0:28:42 | 0:28:44 | |
put somebody else first. | 0:28:44 | 0:28:47 | |
So I'll just support here, and, yeah, really proud of her. | 0:28:47 | 0:28:49 | |
Get up, silly sausage! | 0:28:49 | 0:28:51 | |
Seven months on, | 0:28:51 | 0:28:53 | |
with flood victims now able to return to their homes, | 0:28:53 | 0:28:55 | |
Michaela's calling time on Fossy's Flossys. | 0:28:55 | 0:28:58 | |
It has been tough, some weeks. | 0:28:58 | 0:29:00 | |
You know, it's been really hard work. | 0:29:00 | 0:29:02 | |
You know, I've not seen a lot of the family, | 0:29:02 | 0:29:05 | |
not seen a lot of Kaden, really... | 0:29:05 | 0:29:07 | |
Jump! Ready? | 0:29:07 | 0:29:08 | |
'It's been tough, not spending the time with him.' | 0:29:08 | 0:29:12 | |
And the wobbly bridge! | 0:29:12 | 0:29:13 | |
I give my time, cos that's all I got. | 0:29:17 | 0:29:19 | |
And that's what I did. | 0:29:19 | 0:29:20 | |
So do you know what I do? | 0:29:23 | 0:29:25 | |
No. No, go on, tell me. | 0:29:25 | 0:29:27 | |
-I'm a choreographer. -Oh, right? | 0:29:27 | 0:29:29 | |
I've got this mad idea to get York dancing. | 0:29:29 | 0:29:34 | |
-What kind of dancing? -Anything you want. | 0:29:34 | 0:29:36 | |
I can do a Madonna tribute, you can be Beyonce, | 0:29:36 | 0:29:39 | |
you can be anything you want. | 0:29:39 | 0:29:41 | |
It's to celebrate the work that yourself and other people have done, | 0:29:41 | 0:29:46 | |
and also celebrate the... | 0:29:46 | 0:29:48 | |
I suppose the tenacity of the people who were affected, | 0:29:49 | 0:29:53 | |
that they haven't given up. | 0:29:53 | 0:29:55 | |
So, are you in? | 0:29:55 | 0:29:56 | |
-Yes. I'm in. -Brilliant! Excellent. | 0:29:56 | 0:29:58 | |
Welcome aboard. | 0:29:58 | 0:29:59 | |
Thank you. Exciting. Nervous. | 0:29:59 | 0:30:02 | |
Here's a woman who felt she needed to help | 0:30:02 | 0:30:05 | |
when the Boxing Day floods happened. | 0:30:05 | 0:30:07 | |
She's exactly what this performance is about. | 0:30:07 | 0:30:10 | |
It's about people like that, | 0:30:10 | 0:30:11 | |
and it's their stories that need to be celebrated somehow. | 0:30:11 | 0:30:15 | |
And in dance, why not? | 0:30:15 | 0:30:17 | |
Let's give her centre stage. | 0:30:17 | 0:30:20 | |
Two weeks in and, across York, | 0:30:26 | 0:30:28 | |
Steve's busy rehearsing the groups who've signed up. | 0:30:28 | 0:30:31 | |
From the chocolate factory workers... | 0:30:32 | 0:30:34 | |
Five, six, seven, eight. | 0:30:34 | 0:30:35 | |
One, two, three, hey! | 0:30:35 | 0:30:37 | |
..to salsa dancers. | 0:30:37 | 0:30:39 | |
When the music joins, you go like that, | 0:30:39 | 0:30:42 | |
and you come in. Ready. | 0:30:42 | 0:30:45 | |
That's it, keep on crossing. | 0:30:45 | 0:30:47 | |
First couple in. | 0:30:47 | 0:30:48 | |
Basic step. | 0:30:48 | 0:30:49 | |
One, two, three, four, five, six, here we go! | 0:30:49 | 0:30:53 | |
Freestyle! | 0:30:53 | 0:30:54 | |
That's it, keep on moving. Brilliant, brilliant. | 0:30:55 | 0:30:58 | |
As the word's spread, his band of volunteers is growing... | 0:30:59 | 0:31:03 | |
..and now includes the local rowing club... | 0:31:04 | 0:31:07 | |
Five, six, seven, eight, | 0:31:07 | 0:31:08 | |
and move, and move, and move, and move, | 0:31:08 | 0:31:10 | |
and go. Go. Go. Go. | 0:31:10 | 0:31:12 | |
It'd be nice if I could get one boat crossing | 0:31:12 | 0:31:16 | |
somewhere in the performance. | 0:31:16 | 0:31:18 | |
Through the gaps, through the gaps, through the gaps, through the gaps... | 0:31:18 | 0:31:21 | |
..and a band of hulahoopers. | 0:31:21 | 0:31:23 | |
I'm so pleased to see that York is getting behind my idea with gusto. | 0:31:23 | 0:31:27 | |
They're all hyped up and ready to dance. | 0:31:27 | 0:31:30 | |
It's a good start to York. | 0:31:31 | 0:31:33 | |
I hope it continues. | 0:31:33 | 0:31:35 | |
Four weeks to go until his final dance spectacle, | 0:31:49 | 0:31:52 | |
and Steve's returning to the place where his Yorkshire odyssey began. | 0:31:52 | 0:31:56 | |
Barnsley. | 0:31:57 | 0:31:58 | |
I'm nervous, but it's a good nervous. | 0:31:58 | 0:32:01 | |
Yeah, it's a very different experience this time, you know. | 0:32:01 | 0:32:05 | |
I consider them friends. | 0:32:05 | 0:32:08 | |
We all went on a massive journey together, | 0:32:08 | 0:32:10 | |
and we came through the other side pretty unscathed. | 0:32:10 | 0:32:12 | |
Um... Yeah, so it'll be nice to see some familiar faces. | 0:32:12 | 0:32:16 | |
And also to see what they think about this next challenge | 0:32:18 | 0:32:21 | |
that I've got in mind for them. | 0:32:21 | 0:32:23 | |
Two months ago, | 0:32:23 | 0:32:24 | |
initial reactions to Steve's idea were less than enthusiastic. | 0:32:24 | 0:32:29 | |
I just need to know, are you in or out? | 0:32:29 | 0:32:30 | |
Personally, I think he's raving bonkers. | 0:32:33 | 0:32:35 | |
-You know... -HE LAUGHS | 0:32:35 | 0:32:36 | |
But despite early reluctance... | 0:32:36 | 0:32:38 | |
I'll try climbing Everest before I get miners to dance. | 0:32:38 | 0:32:42 | |
MUSIC: Rebel Rebel by David Bowie | 0:32:42 | 0:32:44 | |
In the end, 250 people took to the streets | 0:32:44 | 0:32:47 | |
in an extraordinary display of pride | 0:32:47 | 0:32:50 | |
that united everyone from ex-miners... | 0:32:50 | 0:32:52 | |
..to the local police... | 0:32:53 | 0:32:55 | |
..Northern Soul fans... | 0:32:55 | 0:32:57 | |
# Baby, you've been gone too long... # | 0:32:57 | 0:32:58 | |
..to brass bands. | 0:32:58 | 0:33:00 | |
BRASS MUSIC | 0:33:00 | 0:33:02 | |
It's going to be a tall order to corral almost 250 people | 0:33:13 | 0:33:16 | |
from Barnsley over to York, | 0:33:16 | 0:33:18 | |
so I've homed in on groups that I feel best represent Barnsley. | 0:33:18 | 0:33:22 | |
Steve set up a meeting with some of the groups | 0:33:23 | 0:33:26 | |
who took part in the Barnsley dance. | 0:33:26 | 0:33:28 | |
He hopes their enthusiasm will give some extra sparkle | 0:33:28 | 0:33:31 | |
to the York performance. | 0:33:31 | 0:33:33 | |
I hope that the people who I've invited | 0:33:33 | 0:33:36 | |
will jump on board my next mission. | 0:33:36 | 0:33:39 | |
It's bigger. It's much bigger. | 0:33:39 | 0:33:42 | |
I hope they will say yes, | 0:33:42 | 0:33:45 | |
because, for me, York's performance wouldn't be the same without them. | 0:33:45 | 0:33:48 | |
Who have I got here? | 0:33:50 | 0:33:52 | |
-Miners... Hey! -Hey! | 0:33:52 | 0:33:53 | |
-Northern Soul... Hey! -Hey! | 0:33:55 | 0:33:58 | |
Police force. Boo! | 0:33:58 | 0:34:00 | |
LAUGHTER | 0:34:00 | 0:34:02 | |
And Danny over there. All right, mate? | 0:34:02 | 0:34:04 | |
Are you dancing? Still dancing? | 0:34:04 | 0:34:05 | |
Yeah, I'm always still dancing, yeah, I'm good. Good, good, good. | 0:34:05 | 0:34:08 | |
So, ladies and gentlemen, | 0:34:08 | 0:34:10 | |
I've got a little announcement to make. | 0:34:10 | 0:34:13 | |
I'm putting on one final performance and, this time, | 0:34:13 | 0:34:17 | |
it's not to celebrate a single town, but the whole county. | 0:34:17 | 0:34:22 | |
And it's in York. | 0:34:22 | 0:34:24 | |
And I want you all to be in it. | 0:34:24 | 0:34:26 | |
ALL: Ooh! | 0:34:27 | 0:34:30 | |
So what do you think? | 0:34:30 | 0:34:31 | |
Are you with me? | 0:34:31 | 0:34:32 | |
ALL: Yes! | 0:34:32 | 0:34:34 | |
Well, we have full confidence in him now, don't we? | 0:34:34 | 0:34:37 | |
We were in doubt about him pulling the Barnsley one off, | 0:34:37 | 0:34:39 | |
and I think, if he pulled it off in Barnsley, | 0:34:39 | 0:34:41 | |
he can pull it off anywhere, yeah? | 0:34:41 | 0:34:42 | |
Looking forward to it. | 0:34:42 | 0:34:44 | |
He's like a bad penny turning up! | 0:34:45 | 0:34:47 | |
I am so proud to be part of all of this. | 0:34:47 | 0:34:51 | |
We've come together, and we're just one big family. | 0:34:51 | 0:34:55 | |
Oh, it... It's just awesome. It's brilliant. | 0:34:55 | 0:34:58 | |
Am I going to be relying on Mr...? | 0:34:58 | 0:35:02 | |
Well, I've not let you down yet. I've done everything else. | 0:35:02 | 0:35:05 | |
-No, I think we'll do it, Steve. -Yeah. | 0:35:05 | 0:35:07 | |
If we get 10, 15 of t'lads for you, you know, | 0:35:07 | 0:35:09 | |
then we can always go for a pint after. | 0:35:09 | 0:35:11 | |
That will sell it, you know. | 0:35:11 | 0:35:13 | |
Hello! | 0:35:15 | 0:35:16 | |
Team Barnsley, enter! | 0:35:18 | 0:35:19 | |
We're ready to go. | 0:35:19 | 0:35:22 | |
Steve's taking advantage of having all the Barnsley groups in one place. | 0:35:22 | 0:35:26 | |
The York performance will culminate in everyone from across the county | 0:35:26 | 0:35:30 | |
dancing in unison to Benny Goodman's Sing Sing Sing. | 0:35:30 | 0:35:34 | |
Everyone has to attempt to at least get some of this under their belt. | 0:35:34 | 0:35:38 | |
One, two, three. | 0:35:38 | 0:35:40 | |
Six, seven, eight. | 0:35:40 | 0:35:42 | |
Two, two, three four, five, six, seven, eight. | 0:35:42 | 0:35:45 | |
Three, two, three, four, | 0:35:45 | 0:35:46 | |
five, six, seven, eight. | 0:35:46 | 0:35:48 | |
Swap! Swap! Swap! | 0:35:48 | 0:35:50 | |
And flick, down, up, down. | 0:35:50 | 0:35:52 | |
Excellent! | 0:35:52 | 0:35:54 | |
LAUGHTER | 0:35:54 | 0:35:55 | |
Scissors! | 0:35:55 | 0:35:57 | |
Kick, scissors, kick, flick, | 0:35:57 | 0:35:59 | |
brilliant, brilliant, brilliant. | 0:35:59 | 0:36:01 | |
Cross. | 0:36:01 | 0:36:03 | |
Da, da, da. | 0:36:03 | 0:36:05 | |
You'll get it. You'll get it. | 0:36:05 | 0:36:06 | |
Shocking. | 0:36:06 | 0:36:07 | |
Well, when we get his left and his rights and his front and backs | 0:36:07 | 0:36:10 | |
all right, we might be all right. | 0:36:10 | 0:36:12 | |
We've already done all this! This is a right test! | 0:36:13 | 0:36:17 | |
At the moment, it could be four steps forward and five or six back, | 0:36:17 | 0:36:21 | |
but where we are, it's OK. | 0:36:21 | 0:36:23 | |
I can't wait to do it for definite, | 0:36:23 | 0:36:24 | |
and I can't wait to get to York and do it in front of everybody. | 0:36:24 | 0:36:26 | |
I'm a little nervous, but I can't wait to get to York. | 0:36:26 | 0:36:29 | |
-Yeah, we'll do it. -We'll pull it off. We'll do it. | 0:36:29 | 0:36:31 | |
Even if we have to practise at home. | 0:36:31 | 0:36:32 | |
We'll give Yorkshire some pride. | 0:36:32 | 0:36:34 | |
The next day, Steve drops in on one of the stars | 0:36:37 | 0:36:40 | |
of the Barnsley performance, who couldn't make the reunion. | 0:36:40 | 0:36:42 | |
How are you, Joan? | 0:36:44 | 0:36:45 | |
-Good to see you. -Oh, good to see you. | 0:36:45 | 0:36:47 | |
When she first met Steve, | 0:36:49 | 0:36:51 | |
Joan revealed she'd always harboured ambitions of being a dancer. | 0:36:51 | 0:36:54 | |
Family life became her priority and, today, she's a full-time carer | 0:36:56 | 0:37:00 | |
for husband Ken, who suffers from vascular dementia. | 0:37:00 | 0:37:04 | |
# I'll stand by you... # | 0:37:06 | 0:37:08 | |
In the Barnsley performance, | 0:37:10 | 0:37:11 | |
Steve came up with a routine for Joan | 0:37:11 | 0:37:13 | |
that paid tribute to her love of dance | 0:37:13 | 0:37:15 | |
and her commitment to Ken. | 0:37:15 | 0:37:17 | |
# I'll stand by you. # | 0:37:17 | 0:37:19 | |
I can't explain, Steve, how much I really, really enjoyed that day. | 0:37:21 | 0:37:27 | |
I loved that moment where you... | 0:37:27 | 0:37:29 | |
kissed his hand. | 0:37:29 | 0:37:31 | |
It looked beautiful. | 0:37:31 | 0:37:32 | |
-And you see, Ken wouldn't have been able to do that now. -No? | 0:37:32 | 0:37:36 | |
-No, I don't think he would. -So... | 0:37:36 | 0:37:38 | |
He's gone down so, so much, Steve. | 0:37:38 | 0:37:41 | |
So doing what all of you lot has done for us, | 0:37:42 | 0:37:46 | |
it's something that we'll always treasure. | 0:37:46 | 0:37:49 | |
Always treasure. | 0:37:49 | 0:37:51 | |
If we could get you down, of course, I'd love you there. | 0:37:53 | 0:37:56 | |
If you turn round to me and say, "I've arranged... | 0:37:56 | 0:38:00 | |
"for someone to look after Ken." | 0:38:00 | 0:38:02 | |
Then join us in York... | 0:38:03 | 0:38:06 | |
Think I'm going to have to say no. Yeah. | 0:38:08 | 0:38:11 | |
As much as I'd love to be there with you all... | 0:38:11 | 0:38:13 | |
SHE SNIFFS | 0:38:20 | 0:38:22 | |
Cos you know I'd have you there in a heartbeat. | 0:38:26 | 0:38:29 | |
I know you would. | 0:38:29 | 0:38:31 | |
And I'd love to be there. | 0:38:33 | 0:38:35 | |
-But Ken comes first. -No, yeah, absolutely. | 0:38:35 | 0:38:38 | |
Give us a hug. | 0:38:38 | 0:38:39 | |
Thank you. | 0:38:41 | 0:38:42 | |
I was here to choreograph and celebrate the people, | 0:38:43 | 0:38:46 | |
but I didn't expect to make such good friends. And... | 0:38:46 | 0:38:49 | |
..I'm pleased that she said I came into her life | 0:38:51 | 0:38:55 | |
two months ago and... | 0:38:55 | 0:38:59 | |
She... Ken was well enough to perform, and so... | 0:38:59 | 0:39:04 | |
Well, she... If we'd... | 0:39:04 | 0:39:06 | |
If we had left it any later, there's no way. | 0:39:06 | 0:39:09 | |
So at least... I feel good for that. | 0:39:09 | 0:39:11 | |
But like I say, it's bittersweet. It's not... | 0:39:11 | 0:39:14 | |
Yeah. | 0:39:15 | 0:39:16 | |
Back in York, Michaela has rounded up some willing volunteers. | 0:39:32 | 0:39:35 | |
-This is Steve. -ALL: Hi, Steve. | 0:39:37 | 0:39:39 | |
-Hello, all right? -And there's the Flossy team. | 0:39:39 | 0:39:41 | |
Hello. Nice to see you. | 0:39:41 | 0:39:43 | |
We've got Alison, | 0:39:43 | 0:39:45 | |
who's a flood... | 0:39:45 | 0:39:47 | |
-Floodee. -Floodee. -Not a victim, but a floodee. | 0:39:47 | 0:39:49 | |
I know, that's why I was trying to think of a word. | 0:39:49 | 0:39:51 | |
Next, we have Nicky, she's helped out | 0:39:51 | 0:39:53 | |
with those affected with the floods. | 0:39:53 | 0:39:55 | |
Delivered care packages, brought buns... | 0:39:55 | 0:39:57 | |
SHE LAUGHS | 0:39:57 | 0:39:58 | |
..and cakes. | 0:39:58 | 0:39:59 | |
And yeah, just went out in floods and helped those who needed it. | 0:39:59 | 0:40:03 | |
Incredible that Fossy's Flossys became the hub | 0:40:03 | 0:40:06 | |
and kind of a meeting point. | 0:40:06 | 0:40:08 | |
It's tragic that the floods made it difficult and that, but it took | 0:40:08 | 0:40:11 | |
that for everybody to come together and make friends and everything. | 0:40:11 | 0:40:14 | |
Now I've got a big family myself, now. | 0:40:14 | 0:40:17 | |
These guys, especially Michaela and her daughter Jade. | 0:40:17 | 0:40:19 | |
I'd be lost without them two. They have been really good to me. | 0:40:19 | 0:40:22 | |
-So you've got your own, now, family community, yeah? -I'm happy. | 0:40:22 | 0:40:27 | |
Couldn't be happier. | 0:40:27 | 0:40:28 | |
Steve has devised a routine for the group to reflect | 0:40:28 | 0:40:31 | |
their collective experience of the York floods. | 0:40:31 | 0:40:33 | |
We're going to create a wall of umbrellas | 0:40:33 | 0:40:36 | |
to signify the wall of water. | 0:40:36 | 0:40:38 | |
A couple of people run at it, rebound, turn and then we all reveal | 0:40:38 | 0:40:44 | |
and it's just kind of, we made it through. | 0:40:44 | 0:40:46 | |
That's the feeling. | 0:40:46 | 0:40:47 | |
-Happy with that? -Yeah. | 0:40:47 | 0:40:49 | |
You want to think the pressure of wading through that water, | 0:40:49 | 0:40:52 | |
which is... | 0:40:52 | 0:40:53 | |
Yeah, yeah, step, ball-change. | 0:40:53 | 0:40:56 | |
You want to then kick this water coming forward - | 0:40:56 | 0:41:00 | |
kick, kick. | 0:41:00 | 0:41:02 | |
That's it. | 0:41:02 | 0:41:03 | |
As if you are in a puddle. | 0:41:03 | 0:41:06 | |
Shall we do that again from the top? | 0:41:06 | 0:41:08 | |
Brush, brush, step, ball-change. | 0:41:08 | 0:41:10 | |
Brush, brush, step, ball-change. | 0:41:10 | 0:41:13 | |
Scuff and down, scuff and down. | 0:41:13 | 0:41:16 | |
Someone runs, you leap off and there and yeah, ba... | 0:41:16 | 0:41:21 | |
That's fine. | 0:41:21 | 0:41:22 | |
We'll get there. | 0:41:22 | 0:41:23 | |
Brilliant. That's it. | 0:41:23 | 0:41:25 | |
These people didn't know each other before Boxing Day of last year | 0:41:25 | 0:41:29 | |
and now, they are dancing as a group and celebrating | 0:41:29 | 0:41:32 | |
their family and their bond. | 0:41:32 | 0:41:34 | |
They don't call themselves victims, they are called "floodies". | 0:41:34 | 0:41:37 | |
But they want to move on from that. | 0:41:37 | 0:41:39 | |
That was an episode. Yes, it was devastating, but they are now | 0:41:39 | 0:41:44 | |
rebuilding, coming out much stronger people and a stronger community. | 0:41:44 | 0:41:49 | |
LAUGHTER | 0:41:49 | 0:41:51 | |
I think it's kind of like... | 0:41:53 | 0:41:56 | |
York fighting back, in a way. | 0:41:56 | 0:41:58 | |
And it's nice, it's good. I'm loving it. | 0:41:58 | 0:42:01 | |
It's nice when everybody has come back together, | 0:42:01 | 0:42:03 | |
but in a positive way this time. | 0:42:03 | 0:42:04 | |
With Fossy's closing a week ago, it's... | 0:42:04 | 0:42:08 | |
This week has been like, we've nothing to do. | 0:42:08 | 0:42:10 | |
Whereas now, we've got this to keep us going for a few more weeks. | 0:42:10 | 0:42:15 | |
We'll all be dancing and that's it now, for weeks. | 0:42:15 | 0:42:17 | |
We'll all be doing the moves. | 0:42:17 | 0:42:19 | |
I can't believe you didn't realise you were doing it yourself. | 0:42:19 | 0:42:22 | |
You were like, oh, my God, I've got it! | 0:42:22 | 0:42:24 | |
LAUGHTER | 0:42:24 | 0:42:26 | |
Here we go. | 0:42:31 | 0:42:32 | |
One, two, three, four, five, six, seven... | 0:42:32 | 0:42:34 | |
Across York, all the groups are working hard to master their moves. | 0:42:34 | 0:42:39 | |
One, two, three, four, five, six, seven, stop! | 0:42:39 | 0:42:42 | |
Brilliant. Let's see if you can travel a little bit more. | 0:42:42 | 0:42:45 | |
I know it's going to be unusual. | 0:42:45 | 0:42:47 | |
It's nice to be back in York. | 0:42:47 | 0:42:48 | |
Things are shaping up here. | 0:42:48 | 0:42:50 | |
But there is still a lot to do. | 0:42:50 | 0:42:52 | |
Here we go, energy! And... | 0:42:52 | 0:42:54 | |
one, two, three, four, five, six, seven, eight... | 0:42:54 | 0:42:57 | |
This is a huge undertaking, | 0:42:57 | 0:42:58 | |
probably the biggest performance of my career. | 0:42:58 | 0:43:01 | |
Barnsley is onside, which is great. | 0:43:01 | 0:43:04 | |
But I need to get the numbers up here in York | 0:43:04 | 0:43:07 | |
to make this the event that I want it to be. | 0:43:07 | 0:43:09 | |
On his drive to draft in more dancers, | 0:43:17 | 0:43:19 | |
Steve is meeting the rugby team who came to the drop-in day. | 0:43:19 | 0:43:23 | |
I'm really pleased to get a rugby team on board. | 0:43:23 | 0:43:27 | |
It's as if my life has come full circle! | 0:43:27 | 0:43:31 | |
My dad was a chairman of the rugby club, | 0:43:31 | 0:43:34 | |
I've been brought up on rugby, it's a bit like a religion in my house. | 0:43:34 | 0:43:38 | |
I used to play and now they're performing. | 0:43:38 | 0:43:41 | |
So possibly, today, it's as if everything has come together. | 0:43:41 | 0:43:45 | |
-Tommy? -Steve? -All right, mate? -How are you? -I'm all right. | 0:43:45 | 0:43:48 | |
So, tell me more about this area that we are in. | 0:43:48 | 0:43:52 | |
It is kind of an area sometimes where there's a little bit of... | 0:43:52 | 0:43:56 | |
maybe some trouble, as such, and what they learn here is discipline. | 0:43:56 | 0:43:59 | |
Coming into a club like this, as well as learning the sport, | 0:43:59 | 0:44:01 | |
you learn respect for others, respect for your coaches, respect for your peers. | 0:44:01 | 0:44:05 | |
It's what it's all about, really. | 0:44:05 | 0:44:06 | |
A lot of the kids have really, really learned respect. | 0:44:06 | 0:44:09 | |
I come from same type of area back in South Wales | 0:44:09 | 0:44:11 | |
which is very working class. | 0:44:11 | 0:44:13 | |
And there's... I like to call them some lovable rogues... | 0:44:13 | 0:44:18 | |
Yeah! Absolutely, yeah. | 0:44:18 | 0:44:19 | |
..who, if they hadn't found rugby, | 0:44:19 | 0:44:21 | |
-might have possibly been behind bars. -Exactly that. | 0:44:21 | 0:44:24 | |
So, how long have you been playing rugby for this club? | 0:44:24 | 0:44:27 | |
I started when I was six, I think the club got built in '91... | 0:44:27 | 0:44:30 | |
All my life, really, I've been here. | 0:44:30 | 0:44:32 | |
So it has been a big part of my life. | 0:44:32 | 0:44:33 | |
Tommy has been captain of York Acorn for six years. | 0:44:33 | 0:44:36 | |
But his connection to the club goes back much further. | 0:44:36 | 0:44:39 | |
-You want me to...? You tackle me? -Yeah. | 0:44:39 | 0:44:41 | |
Go on, then. | 0:44:41 | 0:44:42 | |
Oh! | 0:44:44 | 0:44:45 | |
I've played for the club for 23 years. | 0:44:45 | 0:44:48 | |
It's kind of part of my family history, | 0:44:48 | 0:44:51 | |
as my grandad co-founded the club. | 0:44:51 | 0:44:53 | |
My mum and dad together went to the council and applied for the planning | 0:44:53 | 0:44:57 | |
permission and all the players built the club, including my dad. | 0:44:57 | 0:45:00 | |
And I was actually in the foundations helping lay the bricks | 0:45:00 | 0:45:04 | |
when I was only about three or four years old. | 0:45:04 | 0:45:06 | |
Go on, then. | 0:45:06 | 0:45:08 | |
'I've been asked, I have had offers to play for other clubs before.' | 0:45:10 | 0:45:13 | |
Got you! | 0:45:13 | 0:45:14 | |
But I think my heart lies at the Acorn at the end of the day. | 0:45:14 | 0:45:16 | |
It's always Acorn for me. | 0:45:16 | 0:45:18 | |
Bunch of lads like this can respond in two ways. | 0:45:19 | 0:45:23 | |
They'll either just look at me and go, "You're mad and I'm not | 0:45:23 | 0:45:27 | |
having any of that!" or they'll jump on board after a couple of pints. | 0:45:27 | 0:45:31 | |
I've seen what rugby guys can dance like, | 0:45:31 | 0:45:34 | |
so dancing shouldn't faze them. | 0:45:34 | 0:45:37 | |
-Boys! -HE WHISTLES | 0:45:37 | 0:45:39 | |
Evening, boys! | 0:45:39 | 0:45:40 | |
Your section is, | 0:45:40 | 0:45:42 | |
I've literally built it on your rugby formations. | 0:45:42 | 0:45:46 | |
Simple as. | 0:45:46 | 0:45:47 | |
If you can form four lines of eight, tallest at the back, coming down. | 0:45:47 | 0:45:54 | |
THEY SHOUT | 0:45:54 | 0:45:56 | |
Here we go. So this is the box step. | 0:45:56 | 0:45:58 | |
We literally go, one, two, three, four, | 0:45:58 | 0:46:00 | |
-five, six, seven, eight. -MAN: Get up there, Robbie! | 0:46:00 | 0:46:04 | |
That's it. | 0:46:04 | 0:46:05 | |
Guys who are my track, you're going to go right-left, | 0:46:05 | 0:46:09 | |
right-left, | 0:46:09 | 0:46:10 | |
left-right, left-right. | 0:46:10 | 0:46:13 | |
CHEERING | 0:46:13 | 0:46:14 | |
Get smaller, get tighter as a group, guys. | 0:46:14 | 0:46:17 | |
One, two, three, kick. | 0:46:17 | 0:46:19 | |
One, two, three, kick. | 0:46:19 | 0:46:22 | |
One, two, three, kick. | 0:46:22 | 0:46:24 | |
One... And front... | 0:46:24 | 0:46:26 | |
Come on. | 0:46:26 | 0:46:28 | |
One, two, three, kick. | 0:46:28 | 0:46:29 | |
One...three, kick. Kick, kick, kick, up-down... | 0:46:29 | 0:46:32 | |
One, two, three, kick. | 0:46:32 | 0:46:34 | |
Kick, kick, kick, kick, up-down! | 0:46:34 | 0:46:37 | |
One, two, three, kick. | 0:46:37 | 0:46:38 | |
One, two, three, kick. | 0:46:38 | 0:46:39 | |
Kick, kick, kick, up-down! | 0:46:39 | 0:46:42 | |
CHEERING | 0:46:42 | 0:46:43 | |
HE CHUCKLES | 0:46:43 | 0:46:44 | |
Well, there was always two ways it could go and it's gone the best way. | 0:46:45 | 0:46:49 | |
They like a challenge. | 0:46:49 | 0:46:50 | |
The rugby boys are always up for something, so, great. Excellent. | 0:46:50 | 0:46:54 | |
Here we go. | 0:46:54 | 0:46:55 | |
Five, six, seven, eight! | 0:46:55 | 0:46:56 | |
One, two, three, four, | 0:46:56 | 0:46:58 | |
five, six, seven, eight. | 0:46:58 | 0:46:59 | |
I've only seen some of them dance with ten pints down them | 0:46:59 | 0:47:01 | |
and, to be honest, they're not that good then, so... | 0:47:01 | 0:47:04 | |
..three, four, five, six, seven, eight. Side. | 0:47:04 | 0:47:07 | |
Some of them are a little bit nervous but, you know, | 0:47:07 | 0:47:09 | |
they're just going to give it everything and I'm sure they've done | 0:47:09 | 0:47:12 | |
worse things in their lives, so yes, it is going to be a good laugh. | 0:47:12 | 0:47:15 | |
Brilliant, excellent. Well done. | 0:47:15 | 0:47:16 | |
CHEERING | 0:47:16 | 0:47:18 | |
Steve has hit on an idea to combine the ballet class | 0:47:23 | 0:47:27 | |
with one of the other groups. | 0:47:27 | 0:47:30 | |
My idea is quite mad. | 0:47:32 | 0:47:34 | |
And I would like to create some kind of fusion | 0:47:34 | 0:47:39 | |
with the fantastic ballet technique | 0:47:39 | 0:47:43 | |
with the local rugby team. | 0:47:43 | 0:47:46 | |
-Wow! -We'll see the rugby players running up, right? | 0:47:46 | 0:47:50 | |
We're going to have a battle - who's strongest, who is the best, | 0:47:50 | 0:47:55 | |
rugby or the ballet. | 0:47:55 | 0:47:57 | |
We do some lovely positions... | 0:47:57 | 0:48:00 | |
-Shall we just try a few ideas? -Of course, yeah. | 0:48:00 | 0:48:02 | |
If you're a prima ballerina, you are a prized athlete. | 0:48:02 | 0:48:08 | |
And the same with rugby. | 0:48:08 | 0:48:10 | |
Yes, it's brutal, but there is an elegance and... | 0:48:10 | 0:48:14 | |
and, um, and a strength. | 0:48:14 | 0:48:18 | |
So I thought I wanted to explore those two ideas together. | 0:48:18 | 0:48:22 | |
So I'm thinking, we see the rugby guys. | 0:48:22 | 0:48:26 | |
They put the ball down and they kick the ball and it goes | 0:48:26 | 0:48:30 | |
over the camera. | 0:48:30 | 0:48:31 | |
So then you run and... | 0:48:31 | 0:48:33 | |
That's it, yeah, run with me. | 0:48:33 | 0:48:35 | |
And then it's going to be... | 0:48:35 | 0:48:37 | |
If you stay there, it's going to be a kind of a stand-off. | 0:48:37 | 0:48:41 | |
-Grr! -KIDS LAUGH | 0:48:41 | 0:48:43 | |
-PIANO MUSIC -One, two, three, four... | 0:48:43 | 0:48:45 | |
They kick... | 0:48:45 | 0:48:47 | |
Seven, eight... | 0:48:47 | 0:48:48 | |
One, two, three and four, | 0:48:48 | 0:48:50 | |
five, six, seven, eight. | 0:48:50 | 0:48:52 | |
One, two, three, four, five, six... | 0:48:52 | 0:48:56 | |
We do the haka... | 0:48:56 | 0:48:57 | |
Ba, ba, ba, ba, ba, grr! | 0:48:57 | 0:49:02 | |
I think the rugby players will find it a lot harder... | 0:49:03 | 0:49:06 | |
-Yeah! -..than we do. | 0:49:06 | 0:49:08 | |
I think...dancing with a rugby team | 0:49:09 | 0:49:13 | |
will be quite great. | 0:49:13 | 0:49:15 | |
It takes a strength of character, | 0:49:15 | 0:49:17 | |
being the only boy who comes to a ballet class full of girls. | 0:49:17 | 0:49:22 | |
You know, you have to be quite a strong character even at that age. | 0:49:22 | 0:49:26 | |
I think rugby was my way of being able to still perform and | 0:49:26 | 0:49:31 | |
still not get picked on or bullied. | 0:49:31 | 0:49:33 | |
It was my saving grace, possibly. | 0:49:33 | 0:49:37 | |
Thank you so much. | 0:49:37 | 0:49:39 | |
Brilliant. | 0:49:39 | 0:49:40 | |
-See you soon. -Thank you. -Excellent. -Thank you very much. | 0:49:41 | 0:49:46 | |
With only Barnsley on board, and York still a work in progress, | 0:49:50 | 0:49:54 | |
Steve is a long way off staging his finale event. | 0:49:54 | 0:49:58 | |
But to stand a chance of getting the roads closed on performance day, | 0:49:58 | 0:50:02 | |
he must start planning his route. | 0:50:02 | 0:50:04 | |
I'm pretty sure where we are standing is the start of the route. | 0:50:04 | 0:50:09 | |
The main reason is York Minster. | 0:50:09 | 0:50:11 | |
We begin with a solo Roman and he begins to slowly walk and, | 0:50:11 | 0:50:17 | |
as he does, he collects other Romans, so they become a battalion. | 0:50:17 | 0:50:23 | |
From this point now, they are running, | 0:50:23 | 0:50:25 | |
they've drawn their swords and it's as if they are going into battle. | 0:50:25 | 0:50:30 | |
Suddenly, they surge and cross, leaving a solo Roman. | 0:50:30 | 0:50:35 | |
The music changes and then we go into this salsa section. | 0:50:35 | 0:50:40 | |
Street dancers, hulahoopers and roller skaters will drive the parade | 0:50:43 | 0:50:47 | |
down into St Helen's Square, which will be filled | 0:50:47 | 0:50:50 | |
by the large group of chocolate factory workers. | 0:50:50 | 0:50:53 | |
They drive us into Lendal. | 0:50:53 | 0:50:57 | |
Positioned are our 30 rugby players. | 0:50:57 | 0:51:01 | |
One of them chips the rugby ball. | 0:51:01 | 0:51:03 | |
In come our on-pointe ballet girls | 0:51:03 | 0:51:06 | |
and we go into this rugby and ballet fusion. | 0:51:06 | 0:51:09 | |
We then go to the builders' section. | 0:51:09 | 0:51:11 | |
In a cannon, they hit position, position, position, position. | 0:51:11 | 0:51:16 | |
They hit a position like so, which they like, | 0:51:16 | 0:51:18 | |
because they're a bunch of posers. | 0:51:18 | 0:51:20 | |
And then, half and half, we have Fossy's Flossys running in. | 0:51:20 | 0:51:27 | |
The dance continues to the end of Lendal, hitting Museum Street, | 0:51:27 | 0:51:31 | |
one of York's busiest roads. | 0:51:31 | 0:51:33 | |
Like other parts of the route, | 0:51:33 | 0:51:35 | |
it can only be closed for just a few hours, from 6am on performance day. | 0:51:35 | 0:51:40 | |
So, as we hit this junction, it seems to have a natural break. | 0:51:40 | 0:51:43 | |
And from here, possibly the York performance stops, | 0:51:43 | 0:51:47 | |
then the other towns come in. | 0:51:47 | 0:51:50 | |
It could be either Barnsley, Huddersfield or Skipton, | 0:51:50 | 0:51:53 | |
I'm not quite sure. | 0:51:53 | 0:51:54 | |
As the other towns join the procession, | 0:51:54 | 0:51:56 | |
it will move across the road and snake through the Museum Gardens, | 0:51:56 | 0:51:59 | |
home to the ruins of St Mary's Abbey. | 0:51:59 | 0:52:02 | |
This space is a natural performance area. | 0:52:02 | 0:52:05 | |
Especially with that amazing backdrop. | 0:52:05 | 0:52:07 | |
This is definitely the end point. | 0:52:07 | 0:52:09 | |
And what a fantastic place to end. | 0:52:09 | 0:52:13 | |
Huddersfield, Skipton, York and Barnsley, all mapped out here, | 0:52:13 | 0:52:19 | |
all in unison, all together, all celebrating Yorkshire pride. | 0:52:19 | 0:52:23 | |
You know, I never imagined that I could, | 0:52:25 | 0:52:30 | |
or would, get 500 people dancing in unison to my choreography. | 0:52:30 | 0:52:35 | |
And to be honest, I still don't! | 0:52:35 | 0:52:40 | |
I'm still trying to get to that magic number. | 0:52:40 | 0:52:44 | |
Can I achieve it? Can I do it? Will people turn up? | 0:52:44 | 0:52:48 | |
Or am I just going to be left with egg on my face? | 0:52:48 | 0:52:51 | |
Six, seven, eight... | 0:53:01 | 0:53:02 | |
One... | 0:53:02 | 0:53:04 | |
Just three weeks until groups across Yorkshire descend | 0:53:04 | 0:53:07 | |
on their county capital for one last dance. | 0:53:07 | 0:53:11 | |
-We go left, pal. -Yeah. | 0:53:11 | 0:53:13 | |
You guys go right. | 0:53:13 | 0:53:14 | |
Nightmare. Nothing. | 0:53:14 | 0:53:16 | |
We just have absolutely no rhythm whatsoever. | 0:53:16 | 0:53:19 | |
One, two, three, four, | 0:53:19 | 0:53:22 | |
five, six, seven, eight. | 0:53:22 | 0:53:24 | |
Brilliant. Now we're in position. | 0:53:24 | 0:53:26 | |
One and two, three and four, | 0:53:26 | 0:53:28 | |
five and six, seven and eight and ha! | 0:53:28 | 0:53:30 | |
Tonight, Steve has called a meeting of the chocolate factory workers | 0:53:30 | 0:53:34 | |
who signed up in force two weeks ago. | 0:53:34 | 0:53:37 | |
CHATTER | 0:53:41 | 0:53:44 | |
It's upsetting. | 0:53:44 | 0:53:45 | |
Nowhere near as many as I thought. | 0:53:45 | 0:53:49 | |
I am disappointed that, from the meeting we had, | 0:53:50 | 0:53:55 | |
69 who signed on the dotted line saying they'd love to be involved, | 0:53:55 | 0:54:00 | |
and then how many people have I got? | 0:54:00 | 0:54:02 | |
15? | 0:54:02 | 0:54:04 | |
But the 15 who turned up, bravo. | 0:54:04 | 0:54:06 | |
So, ladies, your leg comes out, one, two, three, four. | 0:54:06 | 0:54:11 | |
So, one, two, three, four, | 0:54:11 | 0:54:13 | |
five, six, seven, eight. | 0:54:13 | 0:54:15 | |
One, two, three, four, | 0:54:15 | 0:54:16 | |
five, six, seven, eight. | 0:54:16 | 0:54:18 | |
One, and two, and three, and four, and five, and six, and seven, eight. | 0:54:18 | 0:54:22 | |
Step, ball-change and step, ball-change | 0:54:22 | 0:54:24 | |
and mince, mince, mince, mince. | 0:54:24 | 0:54:26 | |
-Hip, hip, dig, five, six... -CHILD WAILS | 0:54:26 | 0:54:28 | |
It's not that bad, my choreography, honest! | 0:54:28 | 0:54:31 | |
THEY LAUGH | 0:54:31 | 0:54:32 | |
One, two, three, four, five, six, seven, eight. | 0:54:32 | 0:54:35 | |
Two, two, three, four, five, six, seven, eight. | 0:54:35 | 0:54:39 | |
And one, and two, and three, and four, | 0:54:39 | 0:54:40 | |
and five, six, seven, eight. | 0:54:40 | 0:54:42 | |
Step, ball-change, step, ball-change, and mince, | 0:54:42 | 0:54:44 | |
mince, mince, stop. | 0:54:44 | 0:54:46 | |
That's it, yeah. Brilliant. We'll get it. | 0:54:46 | 0:54:48 | |
Excellent. | 0:54:48 | 0:54:49 | |
And, ladies, really work those legs. | 0:54:49 | 0:54:51 | |
And I need to see more face. | 0:54:51 | 0:54:53 | |
Cheers! Thank you very much. | 0:54:53 | 0:54:55 | |
Thank you. | 0:54:55 | 0:54:57 | |
OK, well, the rehearsal went well, but the turnout wasn't good enough. | 0:54:57 | 0:55:00 | |
I'm not in a position to have 15 turn up one rehearsal and | 0:55:00 | 0:55:04 | |
then there is 10 the next, but they will all come on the day. | 0:55:04 | 0:55:08 | |
I can't do that, not with the sheer scale of it. | 0:55:08 | 0:55:10 | |
I need buy-ins straightaway. | 0:55:10 | 0:55:14 | |
Yeah, unfortunately, there was not as many of us as expected. | 0:55:14 | 0:55:17 | |
I was trying to get a lot more people, but on the day, | 0:55:17 | 0:55:19 | |
they just seemed to disappear. | 0:55:19 | 0:55:20 | |
So they weren't there, in the end. | 0:55:20 | 0:55:22 | |
The team are really excited. | 0:55:22 | 0:55:24 | |
Bit disappointed that not more of them could come, | 0:55:24 | 0:55:26 | |
but it is peak holiday time, so a lot of them aren't available. | 0:55:26 | 0:55:31 | |
It... It will be all right on the day, I'm sure. | 0:55:31 | 0:55:34 | |
But at the moment, it's nerve-racking, I have to say. | 0:55:34 | 0:55:38 | |
I know I set myself a mission, it's a very tall order, | 0:55:38 | 0:55:43 | |
I was hoping to get at least 500 involved from York. | 0:55:43 | 0:55:48 | |
At the moment, the numbers aren't looking good, so... | 0:55:48 | 0:55:53 | |
I hope I don't end up eating humble pie. | 0:55:53 | 0:55:55 | |
Yeah, it's a concern. | 0:55:55 | 0:55:57 | |
Steve is back at York Acorn rugby club. | 0:56:06 | 0:56:10 | |
And it looks like I'm short of rugby players. | 0:56:10 | 0:56:14 | |
On performance day, the roads can only be closed for the morning, | 0:56:14 | 0:56:18 | |
so every group must be in place at 6am... | 0:56:18 | 0:56:21 | |
-Come and speak to me, Tommy. How are you? -Good to see you. | 0:56:21 | 0:56:24 | |
..a fact that hasn't gone down well with the rugby players. | 0:56:24 | 0:56:27 | |
I told them the time and they all just point-blank refused. | 0:56:27 | 0:56:30 | |
Nah, not having it. | 0:56:30 | 0:56:32 | |
There's a baby shower, one lad's leaving do at the races, | 0:56:32 | 0:56:36 | |
He's like, "No chance!" It's just the wrong time. | 0:56:36 | 0:56:39 | |
It's the week off in August when half have gone away. | 0:56:39 | 0:56:42 | |
Again, there's all sorts of problems, honestly. | 0:56:42 | 0:56:45 | |
-But anyway, we don't know who yet, but we're going to get them in. -OK. | 0:56:45 | 0:56:48 | |
What number do we need? | 0:56:48 | 0:56:50 | |
If we got 10 or 12, we'll make it work. | 0:56:50 | 0:56:52 | |
-Right, we'll get 12, no matter what. -We'll make it work. | 0:56:52 | 0:56:54 | |
-We'll make summat work, no matter what happens. -OK. | 0:56:54 | 0:56:57 | |
That's a disappointment, because they were looking really good. | 0:56:57 | 0:57:01 | |
Um... | 0:57:01 | 0:57:03 | |
They were really enthusiastic and passionate about getting it right. | 0:57:03 | 0:57:07 | |
I thought I had another 30 people I could depend on here, | 0:57:07 | 0:57:10 | |
but it seems not. | 0:57:10 | 0:57:12 | |
You know... | 0:57:12 | 0:57:13 | |
Er... These things are sent to try us. | 0:57:13 | 0:57:16 | |
This was supposed to be my biggest spectacle yet. | 0:57:26 | 0:57:29 | |
Which is why I wanted to spend time in York | 0:57:29 | 0:57:31 | |
to pull in the people to boost my numbers. | 0:57:31 | 0:57:34 | |
But at the moment, they're dropping like flies. | 0:57:34 | 0:57:36 | |
First, the chocolate factory workers, and now the rugby players. | 0:57:36 | 0:57:40 | |
This was supposed to be the biggest performance yet and, at the moment, | 0:57:41 | 0:57:45 | |
it's turning out to be the smallest. | 0:57:45 | 0:57:47 | |
How many people have I got in York? I don't know, 70, 80? | 0:57:47 | 0:57:50 | |
I've got a few groups from Barnsley. | 0:57:50 | 0:57:53 | |
So I'm hoping, when I return to Huddersfield and Skipton, | 0:57:53 | 0:57:56 | |
that they turn out in force and join onboard, because, if not, | 0:57:56 | 0:57:59 | |
I don't know what I'm going to do. | 0:57:59 | 0:58:01 | |
-Next time... -One, two, three, four... | 0:58:10 | 0:58:12 | |
There's one last push to rally the people of Yorkshire. | 0:58:12 | 0:58:15 | |
One and two, three and four... | 0:58:15 | 0:58:16 | |
Steve revisits the towns in which he has already triumphed | 0:58:16 | 0:58:19 | |
to pull in the numbers. | 0:58:19 | 0:58:20 | |
-Are you with me? -CHEERING | 0:58:20 | 0:58:22 | |
But will it be enough to fill the streets for a York spectacular? | 0:58:22 | 0:58:26 | |
It was carnage. There is no other way to say, it was carnage. | 0:58:26 | 0:58:30 | |
Biggest county in England. | 0:58:30 | 0:58:31 | |
Bring it on. | 0:58:31 | 0:58:33 |