Part Two Rolling Stones: Crossfire Hurricane

This programme contains some strong language and some scenes which some viewers may find upsetting.

You might be able to soundcheck, yeah.

Yeah.

One, two. One, two, one, two.

One, two. One, two. One, two. Hello, hello, hello. Hello, hello.

OK. I think we're good.

So, before we start, I just want to ask you, how's your memory?

It's pretty good in some places,

and absolutely and completely non-existent on others.

I can remember some things but not other things.

But then, it's written down, usually, somewhere.

What do I tell you? I can't remember much of it, to be honest!

Everybody has selective memories, you know.

And in the end, I just think, oh - what the hell!

You know, I say that old adage -

never let the truth spoil a good story.

With me, we cover a lot of ground, and it'll just be natural, you know.

-Whatever happens. Have you got a light?

-Yes, sure.

-Oh, I got one.

LIGHTER

I don't know whether it's going to demystify anything,

and I suppose it's not going to be a glorification either.

Above all, it should be entertaining.

It should be fun, because that's what the band was.

-I'm amazed by it myself, I mean it's just...

-LAUGHS

It's almost a fairy story, you know?

John Lennon once said the Rolling Stones would break up

over Brian Jones's dead body.

What d'you think it is about the Stones that enabled them

to stay together?

I think basically it was their decision to start touring again.

Because before I joined the group, although they'd been making records,

they hadn't really played before the public for nearly two years.

So in a sense, when I joined the group,

it was virtually a new group.

MUSIC: "Honky Tonk Women" by The Rolling Stones

# I met a gin soaked, bar-room queen in Memphis

# She tried to take me upstairs for a ride ... #

I was 20, almost 21.

I'd just finished a six-week American tour with John Mayall.

I got a phone call from Mick

saying the Stones need a replacement for Brian.

And so I became part of the band.

# Honky tonk women

# Gimme, gimme, gimme the honky-tonk blues ... #

We were playing in stadiums that were full.

You'd glance back over the amplifiers

and you'd see the limousines bouncing.

You know, because the energy in the stadium was electric.

To me, the real interest in playing guitar is to play guitar with another guy.

Two guitars together, if you get it right,

it can become like an orchestra.

And Mick Taylor is a virtuoso.

# Honky tonk women

# Gimme, gimme, gimme the honky tonk blues... #

APPLAUSE

Woo!

Oh, yeah!

How you finding it?

I've been following the Stones ever since they started.

-How old were you then?

-Thirteen.

-D'you have tickets?

-Yes.

There's a rumour that Mick Jagger

is supposed to come out in his birthday suit.

-Are you expecting that?

-I hope he does!

-You won't be shocked?

-Of course not!

# You got to move, you got to move

# You got to move, child, you got to move

# Oh, when the Lord gets ready

# You gotta move

# You may be high, you may be low

# You may be rich, child You may be poor

# But when the Lord gets ready, you gotta move

All right!

A the end of the '69 tour we went to Muscle Shoals and we cut

Wild Horses, Brown Sugar and You Gotta Move, which are great tracks.

JAGGER HUMS MELODY

During those recording sessions or just before,

somebody must have put it to somebody in the Stones organisation

that we went to Altamont to do a free concert.

# You got de blues! #

It was never planned to be part of the 1969 tour.

It was really just a throwaway.

You know, a lot of these free shows were going on and we said,

"Well, you know, why don't we do one?"

I read in one of the papers that you'd be giving a free concert

in San Francisco.

We are doing a free concert in San Francisco on December 6th.

It's creating a sort of microcosmic society which sets an example

to the rest of America as to how one can behave in nice gatherings.

Your mind is not really on that gig so we'll just get it together,

and when they've got it together, we'll go there and do it. Simple as that.

Just a quick question. You were at Woodstock and you've now been up to Altamont, right last night.

How does it stack up? D'you have the room?

-I think we have the room, sure.

-Is this going to be Woodstock West?

Well, it's going to be San Francisco.

You know, we were doing an arena tour

and jumped off the edge into free concerts in empty hills.

HELICOPTER ROTORS

EXCITED CROWD

Come on, Mick!

They hit Mick! Somebody hit him!

MAN SOBS

There are a number of people on and around this stage who should not be here.

No!

I wanna see Mick Jagger, God damn!

The whole thing was out of control.

I mean, all normality and control had gone. There was no... nothing.

The Hell's Angels were the people doing the security.

So we thought, if that's the way they do things in San Francisco,

it was very hippy-dippy...

thing.

Except these were actual proper Hell's Angels.

It was a bit like asking the Nazi party to sort out

the front of the auditorium.

When I got a bad vibe about it,

when I saw the condition of the Angels.

Now I can tell, these guys are on acid and Ripple wine.

And they're - already in the early afternoon,

they're starting to get antsy.

These guys were out there, just looking for trouble.

OK, hold it! Hold it!

You know what's happening?

I thought, uh-oh! This is going to get ugly tonight.

And it did.

CROWD CHEERING

Oh, babies!

There's so many of you!

Just be cool down the front there. Don't push around.

Just keep still and keep together.

Oh, yeah!

MUSIC: "Sympathy For The Devil" by The Rolling Stones

# Please allow me to introduce myself

# I'm a man of wealth and taste

# I've been around for a long, long year

# Stole many a man's soul and faith

# Pleased to meet you Hope you guess my name

# Oh yeah

# But what is puzzling y'all Is the nature of my game. #

Ah, you can get down with it now!

MUSIC FADES

MUSIC AT FULL VOLUME

CROWD NOISE

CROWD NOISE FADES

We were scared. I mean, it was scary.

These people were crazy, and they were like standing next to you,

and we didn't know to control it, stop it...

it was completely out of our control. It was just a nightmare.

Everybody was fucking scared, man.

I'm sure it was far more frightening to the people in the audience than it was for us.

Keith! Keith! Keith! Will you cool it, and I'll try and stop it.

Hey, people! Everybody just cool out!

What we should have done, just closed shop and gone home.

But you couldn't.

You got 300,000 people out there that've come, you know.

Er, people! Who's fighting and what for?

It's a hard line to call, you know.

I mean if we'd walked off, I think there'd have been a riot.

Why are we fighting?

So I just did the best I fucking could under bad circumstances.

Stop, cats! That guy there! If he doesn't stop it, man!

Listen, either those cats cool it, man, or we don't play.

It was just realising that you were out of control...

the whole thing was out of control.

If you're in any kind of arena or theatre, you can just leave,

you know, off stage. There wasn't...

you were very aware that you were surrounded,

so you were very vulnerable. That was the feeling.

That's why you shouldn't have been in this situation.

-Sam, we need an ambulance.

-And then, some bastard gets killed in it.

SCREAM

-What happened?

-He pulled out a gun.

-He did?

-Yes.

The Hell's Angels took the gun away from him.

One of them has it now. He showed it to me.

They proceeded to put him down on the ground and start kicking him.

He has a couple of stab wounds in his back and one over his ear here.

We tried to keep him alive and when we got here the doctor checked him out, and that's it.

They pronounced him dead at 6.20.

HELICOPTER ROTORS

GENTLE ACOUSTIC GUITAR

We were pretty beat up after Altamont.

We were always thought of, after that, as dangerous.

We weren't really dangerous, but that's the way they looked at it.

We had to endure all this blood-letting

and blame-throwing, so it wasn't a very good mood.

We were in this maelstrom, daily.

It was like being in a river, you know, that was flooded,

and you were just being dragged all the way down this river.

It's all a bit of a kaleidoscope.

I was definitely on another planet at the time.

And everybody's got a different way

of dealing with...

-and I didn't for a while.

-LAUGHS

I took to the stuff!

As I say, I never had a problem with drugs - I just had a problem with cops!

I'd been pushed up against my front door,

by them beeping under the bushes.

They were just harassing me really.

There was a definite move on and it became obvious that

we had to make a decision, "OK - we're moving!"

Keith always says that he was chased out of England by the cops!

He may believe that, but it's not actually true!

But the real reason the band left was money.

We all thought that our taxes had been paid.

We discovered in 1971 that we all owed in the region of £100,000 each.

Income tax was so high that to earn the money to pay back the tax,

we decided that the best way of doing that was to leave the UK.

You know, we got shipped to France.

I think, in France, I felt a lifting of the weights

which I didn't realise that was on me in England.

We couldn't find a studio in the south of France,

so eventually we rummaged, and I said, I've got an enormous basement.

I'd love to live on the factory - saves going to the studio.

It's great, just going downstairs.

TAPE MACHINE REWINDS

That whole period was incredibly intense

because it was a new beginning for the band,

and once we picked up our guitars, we were in our own world.

It was a troglodyte existence down there.

9-10 at night until 7-8 in the morning, you know.

The idea of playing a note before the sun went down was ludicrous!

I mean, when you take Dracula time...!

# Gimme a little drink from your lovin' cup ... #

My kind of structure is a kind of loose structure,

but when you have no structure, it's really bad.

Recording in the South of France was like that because of all the drugs.

The junk was there to help me do the music.

It gave me a space that I probably wouldn't have found otherwise

and I'd take anything if it would help me

stay up long enough to finish this damn song!

# I am nitty-gritty and my shirt's all torn

# But I will love to spill the beans with you till dawn

# And gimme a little drink from your loving cup. #

All right! All right! Everybody say yeah.

Wooh!

There's a little bit of phasing in the tempo.

You know, we would almost get to the point of recording a song,

Keith would have to leave because he wanted another fix, or whatever the reason.

It was a nightmare.

Instead of working on a song for two hours,

you worked on it for two fucking weeks!

-You got the MC on there?

-Yeah, I think it's ready now.

It just becomes disorganised.

You've got some recording engineers strung out,

because they want to be strung out,

because they think it's the thing to do.

Which isn't the thing to do for a recording engineer, I can assure you!

I thought it was quite amusing, a lot of it, people sort of...

they hang around Keith, and they think they're Keith!

It's ridiculous.

-A good band always thrives when there's...

-Adversity?

-LAUGHS

And no, probably by then,

we felt very much like a sort of pirate nation to ourselves,

and you'd dig in your heels

and say, "We may go down, but we're not going down your way!"

So you're kind of getting, the bulldog comes out in you, you know!

Before the 1972 tour,

there was a letter from the US State Department, basically saying

that if there was any kind of fallout, we could be in trouble.

They made a lot of threatening noises which creates

this backs-to-the-wall, Winston Churchill kind of stuff.

That's all very kind of galvanising,

and breeds a nice team spirit.

I think a lot of people were convinced that in some way,

you and your music are an evil influence.

That must be a challenge that you would take seriously

and want to reply to.

I don't take it seriously any more. I think we've won.

-Were there any girls on that tour?

-Girls?

There were so many of them!

-Hedonism was very much on the rise.

-It was the hedonistic period.

Any nature of restraint had been a bit pummelled.

The idea of being restrained

and disciplined was perhaps a kind of no-no.

It's got its own film crew, it's got journalism, it's got its celebrities.

It becomes more than just a tour. It becomes a grand event.

And that also became the fashion of tours.

Its rather ill-disciplined, hedonistic binge around America.

Ladies and gentlemen - the Rolling Stones.

APPLAUSE

MUSIC: "Brown Sugar" by The Rolling Stones

# Gold coast slave ship bound for cotton fields

# Sold in a market down in New Orleans

# Scarred old slaver knows he's doing all right

# You shoulda heard him just around midnight

# Brown sugar, how come you taste so good?

# Brown sugar, just like a young girl should ... #

When we got together, something happened.

Something magical happened, and no-one could ever copy that.

# Drums beating, cold English blood runs hot ... #

Every band follow the drummer.

We don't follow Charlie - Charlie follows Keith.

So the drums are very slightly behind Keith.

It's only fractions of seconds, you know. Miniscule.

And I tend to play ahead. It's got a sort of a wobble.

And it's dangerous because it can all fall apart at any minute.

# Just like a young girl should

# I say yeah, yeah, yeah

# How come you taste so good?

APPLAUSE

MUSIC: "Sweet Virginia" by The Rolling Stones

We're talking about Rolling Stones, you know.

It was an unstoppable momentum going on,

and in a way, you were swept along with it.

It's not as if you were particularly in control, or any of us.

Couldn't stop, really, anytime, to self-doubt.

Or second guessing.

We were just going on instinct and doing what we wanted.

Almost like a law unto ourselves.

# Trying to stop the waves behind your eyeballs

# Uh-huh, drop your reds... #

What is a Rolling Stone?

What is a Rolling Stone!

Someone that's not settled. Like a pirate?

Or a gypsy.

Someone who likes to travel,

voyage, adventurer.

Yippee! Another concert.

My mum's out there.

I don't want no indecent gestures, you understand?

None of that wiggly stuff out there in front of my mum.

OK, Mrs Keys - this is for you!

# ... shit right off your shoes. #

-D'you know who he is?

-I do.

He's one of those hippy long-hairs, those hippy radicals.

Really, all you wanted to do was play music.

You're always trying to get it better,

trying to get the band tighter.

After a show, we'd be in a hotel room,

knocking out songs for the next album or the next single.

It was a continual day-by-day process.

When you're working with another person,

it's great to bounce things off.

If you're really working well together, you feed off each

other's ideas and build upon each other's ideas, so that you've

got someone that takes your thing and takes it to another level.

Writing songs is a great thing.

It's like a jigsaw puzzle and a kaleidoscope put together,

except it's all done through the ears.

And on that, I would say Mick

and I probably very much on the same groove.

If I wanted to brew up the essence of Jagger and Richards together,

I suppose it would be Midnight Rambler.

Anybody else could have written any of our other songs, but I don't

think anybody could have written Midnight Rambler except Mick and me.

And nobody else would have thought of making an opera out of the blues!

LAUGHS

MUSIC: "Midnight Rambler" by the Rolling Stones

# Talk about the midnight rambler Everybody got to go

# Talk about the midnight rambler

# Did you see him jump the garden door?

# Sighin' down the wind so sadly

# Listen and you hear him moan

# Talking about the midnight rambler

# Everybody got to go. #

A-ooh!!

I got... A-ooh!

I got... A-ooh!

Aaaaaaah-ooh!

# Told you about it

# Oh

# Well, you heard about the Boston...

# Honey, it's not one of those

# Well, I'm just talking about the midnight...

# Yeah, you see me shut the bedroom door

# I'm called a hit-n-run raper in anger

# Or just a knife-sharpened tippie-toe

# Or just a shoot-'em-dead brain-bell jangler

# Everybody gotta go

# If you ever see the midnight rambler

# Everybody got to go

# Higher, higher, higher

# Well, I'm talking about the midnight rambler

# Yeah, everybody gotta go

# Well, I'm talking about the midnight rambler

# Did you see him jump your garden wall?

# And if you ever catch the midnight rambler

# He'll steal your mistress from under your nose

# Go easy with your cold fandango

# I'll stick my knife right down your throat. #

Wooh! Yeah!

CHEERING

TRUMPET BLAST

BACKGROUND CHATTER

(You came all the way from...)

When you unzip your suit, and put your jeans back on, or whatever,

that's all finished with.

I don't want to be my extrovert character all the time.

ACOUSTIC GUITAR

A lot of times when you're being interviewed, you don't want to

talk about what they want to talk about.

You kind of don't answer their question,

and you kind of get rid of it.

# Angie, Angie... #

-Where we going, by the way?

-I don't know!

# When will those clouds all disappear? #

There's a kind of protection against intrusion.

What are you trying to protect?

You're trying to protect your inner self, I think is the answer.

'The Rolling Stones arrived at Sydney today

'to begin their 1973 Australian tour.'

# ..With no money in our coats... #

You've been thrown into this - you start out and you're a blues player.

And then suddenly this fame thing comes in,

and everybody has to handle that in their own way.

# Angie... #

Charlie hates it.

Charlie's perfect role would to be in the Rolling Stones

except nobody gives a shit who you are!

# Angie... #

Are you still enjoying playing in the group as much as you used to

do about 7-8 years ago?

Yes, the same, really.

Good, and the plans for the next... future.

-Can you tell us something about that?

-The next future... I dunno...

Carry on making records, I suppose.

Try do do...

And things. I don't know.

'I think the Rolling Stones are great.

'But I kind of don't see me in it, somehow!

'I've never really lived or admired that world anyway,

'so I don't really believe it.

'But I'm very much a loner. And always have been.'

-'How do you see yourself?'

-'That's the most difficult thing of all.

'That's what takes you your whole life to find out. What you are.

'But I don't know.'

-But you're not this image that people have of you.

-I don't know what that is.

There's a lot of things that could go up to make one person's

personality, so that you can be everything.

# Woh, Angie, don't you weep all your kisses still taste sweet

# I hate that sadness in your eyes... #

-How do you keep yourself grounded?

-I don't know. I didn't for a while.

Heroin can be a...a sort of state of suspended animation, really.

Keith just got busted all the time.

And he got away with it all the time,

that was the amazing thing, he ended up with just small fines

and warnings, and he just went through his life like that.

You were always worried, because you if Keith gets busted,

we just thought that was the end of the band, really.

He'd drive off the road regularly. He should never have been driving.

I was always worried that there was going to be a call when Keith

had driven off the road and that was the end of Keith, you know.

Keith, there is in England a kind of underground Top 10,

about people who are expected to die shortly.

Am I on the list?

-Yes, you're technically number one position in there.

-Really? OK.

I'll let you know.

Mick Taylor, he said to me then, "I'm thinking of leaving".

And then of course he deteriorated

because he started to get into drugs and all that sort of shit.

I always thought he left because he got bored.

I thought he was fed up with playing with us.

I'd no idea why he'd left the band.

I thought it was the stupidest idea I'd ever heard.

And he never really told me the reason.

-Why on earth would you leave the Rolling Stones?

-I don't know.

Maybe I thought that I would be able to protect my family from...

not Keith's orbit, but drugs.

Because I slowly became addicted to heroin.

There comes apoint where you have to choose between one or the other,

or you die. And I...

I've survived.

Mick Taylor leaving was the curve ball

because that was a really good band,

and it had this balance between Keith and Mick Taylor.

In a way I was surprised, but it's always a drag.

I spent years putting this line-up together,

and just as I was getting it right...

There's another part of me that...

it seemed like it was somehow inevitable.

I was there at Robert Stigwood's party,

sitting between Mick Taylor and Mick Jagger when Taylor

leaned across and said to Jagger, "I'm leaving the band."

And Mick went, "What! Is he serious?"

I said, "I think he is, Mick!" So Mick Taylor said, "Yes, I am."

And he got up and walked out. And Mick said, "Will you join?"

And I said, "Yes, of course," in a New York minute!

MUSIC: "Hey Negrita" by The Rolling Stones

# I said hey Negrita, hey now

# Move your body, move your mouth... #

Ronnie was like a breath of fresh air in a way.

His personality, was... I mean, he's such a barrel of laughs.

He fitted like a glove.

Ronnie became the link between the two strong egos

and the two light egos.

-And it worked great.

-Tune-up room session.

Fitting into their mould was easy for me.

I found the compatibility with playing, the whole lifestyle,

the humour, the camaraderie, you know, it was like "I'm home!"

We were transitioning into a more of a kind of not so dangerous...

the feeling was that you were having a good time. It was more kind of fun.

But it was more colourful and produced,

and wasn't supposed to be taken so seriously,

and I think it was very much the Ronnie thing.

It's in the blood, you see.

It all comes down to those two hours onstage. They're the reward.

He's a great guitar player and also very sympathetic.

Ronnie was somebody I'd party with as well.

-I mean, he was well-versed in every manner.

-LAUGHS

# My sweet ass

# Hey, Negrita

'Nearly one million applications have been received

'for their 13 British concerts alone.

'But most will be out of luck.

'Only 80,000 seats are available for what will be the Stones'

'first tour of Britain in three years.'

-Oh, man! The Rolling Stones are just it, you know.

-What do you mean?

They're the greatest rock & roll band in the world!

-How long have you been here?

-Since Friday morning, about 8am.

How do you eat?

We take a walk to the liquor store, buy a loaf of bread,

some baloney and cheese.

Then we put it all together and eat it.

We lived and breathed the songs, Keith and I.

Morning, noon and night, and when we slept, which was very rare.

Very rare!

And we'd live and breathe other influences,

whether it'd be Mozart, or Marley.

The whirlwind, the hurricane, the tornado of just been caught

up in the band and the highs of the dope and the drink

- my feet never really touched the ground for many years.

You felt almost pretty much immune to exterior hassles, you know.

It seems perilous now.

At the time, it was like, "Come on, throw it at us.

"Let's see what you've got."

And you can get used to that feeling of invulnerableness,

even though it's completely not true.

# You gotta move You gotta move... #

He was ridiculous. Fancy coming into Canada with all that heroin.

# When the Lord gets ready You gotta go... #

'Police found one ounce of heroin...'

'Lead guitarist Keith Richard was charged with possession of heroin...'

'If convicted, he faces a maximum sentence of life for trafficking.'

# When the Lord gets ready You gotta go... #

It got a bit close, I thought, then - the going to prison bit, or being

locked up. Perhaps Keith played that role really too well, you know.

# Oh, oh woh-oh-oh

# Oh, oh woh-oh-oh

# Yeah, yeah

# You gotta go

It was a realisation in Canada that I was actually jeopardising

the band, you know.

If they were going to put me away, it was bye-bye.

That's why I stopped. That's it. The experiment...

we're pulling the plug on this once and for all.

It was a end-of-chapter there, and turn the page.

'Richards is taking psychiatric treatment to end his addiction,

'and continue as a musician.

'Judge Lloyd Graburn said Richard's effort to remove himself from

'the drug culture was an example for others, so he was put on probation

'for a year and ordered to continue psychiatric treatment as part

'of his probation, he would have to give

'a concert at the Canadian Institute for the Blind.'

Usually, it's the guy in the black hat that gets killed at the end,

but not this time, brother. Not this time.

MUSIC: "Miss You" by the Rolling Stones

In a way, the Stones stayed...

because one thing that was more important than smack was the band.

# I've been holding out so long I've been sleeping all alone

# Lord I miss you

# I've been hanging' on so long I've been sleeping all alone

# Lord I miss you something I have to say

# Ooh ooh ooh ooh ooh ooh ooh ooh ooh ooh

# ooh ooh ooh ooh ooh ooh, ooh ooh ooh ooh... #

I was quite relieved that he'd cleaned up some.

I mean, we did things quicker. I think we were a bit more focussed.

There was more effort and more energy.

It was a renewal.

We'd come through all this shit and all that,

and we were brothers-in-arms.

After all, we'd always said, whether we liked it or not, the band comes first.

# Yeah, I've been haunted in my sleep

# You've been starring in my dreams Lord I miss you

'Their popularity's never been greater and with a following

'like this, the Stones don't even have to advertise.'

# Waiting on your call, and the phone rings... #

You love the Rolling Stones more than you love God!

# Hey, what's the matter man?

# We're going to come around at twelve

# With some Puerto Rican girls that are dying to meet you

# We're going to bring a case of wine

# You know, mess and fool around like we used to

The Rolling Stones have done it again.

'100,000 fans watched Mick Jagger prance

'and dance as he has for nearly 20 years.'

They are starting a tour which will take them to 21 cities

to be seen by a million and a half adoring fans.

The anti-heroes of the '60s are back on the road for their biggest tour ever.

The Rolling Stones had gone from being the band

that everyone hated to the band that everyone loved.

We'd gone from unacceptable to totally acceptable.

Everything had changed.

We became a kind of institution and we hadn't even got to be 40 yet!

# Tell me, where you been so long?

# Come on! Come on!

Cats have nine lives, and we seem to have got

through about 20 fucking lives so far! I don't know how we do it.

# People ask me what's the matter with you?

# Sometimes Sometimes I just say to myself...

# You know what I'm saying?

# Ooh ooh ooh ooh ooh ooh ooh Ooh ooh ooh ooh ooh ooh ooh

# Ooh ooh ooh ooh

We have never been as high as this. We have never been as successful.

We've done it.

# I guess I'm lying to myself It's just you and no-one else

# Lord I won't miss you baby

# I miss you child, I miss you child

# I miss you baby

# I, I, I... #

There's instant fucking astonishment.

-This is a simple rule, that it don't pay!

-LAUGHS

I miss you!

You had this kind of 'fuck the world,

you can do anything' attitude.

For a moment that was definitely there.

You felt you were riding on the wave, and all that.

But you can't be young for ever.

# Yeah, heard the music drumming all down the line

# Yeah, hear the motors humming

# Right down the line

# Yeah, hear the women working

# Right down the line

# All down the line

# We'll be watching out for trouble, yes

# All down the line

# We're gonna keep the motor running, yeah

# All down the line

# I need a shot of salvation

# Once in a while

# Hear the whistle blowing

# Hear it for a thousand miles

# All down the line

# We're gonna keep the motor running, yes

# All down the line

# We're gonna bust another bottle, yes

# All down the line

# You can't say yes and you can't say no

# Just be right there when the whistle blows

# I need a sanctified mind to help me right now

# Won't you be my little baby for a while?

# Won't you be my little baby for a while?

# Won't you be my little baby for a while? #

Subtitles by Red Bee Media Ltd