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This programme contains very strong language | 0:00:02 | 0:00:05 | |
Sauchiehall Street is one of the most famous streets in Scotland. | 0:00:05 | 0:00:08 | |
By day, thousands are employed in its shops and offices. | 0:00:08 | 0:00:11 | |
By night, it attracts hordes of visitors to its restaurants, | 0:00:11 | 0:00:14 | |
bars and clubs. | 0:00:14 | 0:00:15 | |
And, at the weekend, the Street | 0:00:17 | 0:00:19 | |
has a reputation as one of the most buzzing places to go out in Glasgow. | 0:00:19 | 0:00:23 | |
-Sauchiehall Street. Suck A Ball Street. -Sausage Roll Street. | 0:00:23 | 0:00:27 | |
Sausage Roll Street. | 0:00:27 | 0:00:29 | |
The street follows the lives of a number of people over | 0:00:29 | 0:00:32 | |
the course of a year, as they try to earn their crust... | 0:00:32 | 0:00:34 | |
There was a couple of wee fucking wanks scratching their fucking dicks | 0:00:34 | 0:00:37 | |
for eight hours this morning. Look at this, man. | 0:00:37 | 0:00:40 | |
-Hey, guys! -..protect the public... | 0:00:40 | 0:00:42 | |
Well, you feel worried about what's going to happen. It could kill them. | 0:00:42 | 0:00:47 | |
-..make sweet music... -Another pound. I can buy some... | 0:00:47 | 0:00:50 | |
A loaf of bread. | 0:00:50 | 0:00:52 | |
I'm not a greedy person, but a pound counts. | 0:00:53 | 0:00:56 | |
..and struggle to make a living... | 0:00:56 | 0:00:58 | |
I don't have a problem with closing your business down, | 0:00:58 | 0:01:00 | |
but I don't want to do it. | 0:01:00 | 0:01:01 | |
..on one of Scotland's most iconic streets. | 0:01:01 | 0:01:04 | |
So, basically, they're all spineless bastards, in my view. | 0:01:04 | 0:01:07 | |
One of Sauchiehall Street's | 0:01:24 | 0:01:25 | |
most recognisable faces has just started work. | 0:01:25 | 0:01:28 | |
# ..in love. # | 0:01:28 | 0:01:30 | |
Happy birthday, darling. | 0:01:30 | 0:01:31 | |
Melo has been busking since he came to Glasgow nearly 15 years ago. | 0:01:31 | 0:01:35 | |
Yeah, man. | 0:01:38 | 0:01:39 | |
Yeah, yeah, I'm the longest guy in this street, yeah. | 0:01:39 | 0:01:42 | |
I can say that out loud. | 0:01:42 | 0:01:44 | |
Even some dudes used to say they used to busk, you know, this, | 0:01:44 | 0:01:47 | |
they are doing, like... | 0:01:47 | 0:01:48 | |
What do they call that one? Pop Idol, or whatever. | 0:01:48 | 0:01:51 | |
They say they used to busk, I've never seen the guy ever in my life. | 0:01:51 | 0:01:54 | |
They used to busk, maybe, one day. | 0:01:54 | 0:01:56 | |
Yeah, that's what you call busking, isn't it(?) | 0:01:56 | 0:01:58 | |
A lot of people tell me, "I like what you're doing in the street." | 0:01:58 | 0:02:02 | |
I've been called Jimi Hendrix lots of nights. | 0:02:02 | 0:02:04 | |
I've lived like a rock star, in a way, yes. | 0:02:04 | 0:02:07 | |
Girls kissing me all over, when I'm out playing, saying it's beautiful. | 0:02:07 | 0:02:11 | |
They say," I've got no money," but, yeah, they will go a kiss. | 0:02:11 | 0:02:14 | |
That's all right, isn't it? | 0:02:14 | 0:02:15 | |
Oh, my God. The beauty! Oh, my God! | 0:02:17 | 0:02:20 | |
Pass out, me. | 0:02:21 | 0:02:23 | |
-Melo is taking a break. -Well, man, medicine time. | 0:02:23 | 0:02:27 | |
He's having a drink just across the road, | 0:02:27 | 0:02:28 | |
so he can keep an eye on his things... | 0:02:28 | 0:02:30 | |
-Yes? -I'll have a Guinness, please. | 0:02:30 | 0:02:32 | |
-A Guinness? -And blackcurrant, please. | 0:02:32 | 0:02:36 | |
-..and to wait for his friend and fellow busker, Craig Nelson. -Cheers. | 0:02:36 | 0:02:40 | |
I'm waiting for Nelson, the saxophone player. | 0:02:42 | 0:02:46 | |
Me and Nelson, we've known each other probably... | 0:02:46 | 0:02:51 | |
I can't remember. Maybe from about...'99, 2000. | 0:02:51 | 0:02:57 | |
I used to see Nelson play by himself. | 0:02:57 | 0:03:00 | |
Ever since, we just became friends. | 0:03:01 | 0:03:03 | |
Yeah, maybe we had one or two, one or two fallouts, | 0:03:03 | 0:03:07 | |
but we are very good friends. We always have a laugh. There's my man. | 0:03:07 | 0:03:12 | |
So, are you going to have a little pint and wait for the boys, or...? | 0:03:12 | 0:03:15 | |
-Aye, well... -Melo also has to ask Craig a favour. | 0:03:15 | 0:03:19 | |
He was evicted from his flat last night and he needs Craig's help. | 0:03:19 | 0:03:23 | |
It's all my gear. The laptops, bass guitar, piano. I had to move flat. | 0:03:23 | 0:03:31 | |
Just a misfortune that I'm having at the moment with the people I meet. | 0:03:31 | 0:03:36 | |
-This and... This and that! -This and that! | 0:03:36 | 0:03:40 | |
In the past, Melo has had to rely on friends to put a roof over his head. | 0:03:40 | 0:03:44 | |
But after many years of it, Craig is the only person left he can ask. | 0:03:44 | 0:03:47 | |
Nestled in the heart of the pedestrianised shopping end | 0:03:53 | 0:03:55 | |
of Sauchiehall Street is a haven for small retailers called | 0:03:55 | 0:03:59 | |
the Savoy Centre. | 0:03:59 | 0:04:00 | |
It's home to over 60 independent shops and, in its 20-year history, | 0:04:02 | 0:04:06 | |
it's become an institution for bargain hunters. | 0:04:06 | 0:04:09 | |
OK, guys. Just go down that entrance there. It's OK. | 0:04:11 | 0:04:14 | |
For the last three years, the centre has been run by manager Jim | 0:04:15 | 0:04:19 | |
-and assistant manager Neil. -Is it Jim Collins you're looking for? | 0:04:19 | 0:04:23 | |
Right, OK. Are you his girlfriend? | 0:04:23 | 0:04:24 | |
You sound as if you're a wee bit of a saucy bit of stuff. | 0:04:24 | 0:04:27 | |
-Good afternoon, Savoy Centre, Glasgow. -You are a big bit of stuff? | 0:04:27 | 0:04:31 | |
HE LAUGHS | 0:04:31 | 0:04:33 | |
If you phone him before 11 o'clock, his wife's not in | 0:04:33 | 0:04:36 | |
-and then you'll not cause any hassle then, hen. -All right, bye. | 0:04:36 | 0:04:39 | |
Right, darling, you take care. | 0:04:39 | 0:04:41 | |
Bye-bye. Bye-bye, sweetheart. Bye-bye. | 0:04:41 | 0:04:43 | |
93 years old. 93 and she sounds as if she's 25. | 0:04:43 | 0:04:48 | |
Unbelievable. | 0:04:49 | 0:04:51 | |
Because of the economic downturn, | 0:04:51 | 0:04:53 | |
-the Savoy Centre has seen more prosperous times. -It's been better. | 0:04:53 | 0:04:57 | |
You know, it's been better. Like any... | 0:04:57 | 0:05:01 | |
any independent retailer, it's tough. It's really, really tough. | 0:05:01 | 0:05:04 | |
There seems to be a dividing line, you know, | 0:05:04 | 0:05:07 | |
the high-end retailers, like John Lewis, | 0:05:07 | 0:05:09 | |
and supermarkets and the likes, you know, | 0:05:09 | 0:05:12 | |
they seem to be doing reasonably well, but the smaller, | 0:05:12 | 0:05:15 | |
the more independent, the more niche, are struggling. | 0:05:15 | 0:05:18 | |
-Have you got that letter, Neil, or no? -Yeah. | 0:05:18 | 0:05:21 | |
Neil and Jim have a plan, though, to turn the Savoy around. | 0:05:21 | 0:05:24 | |
Basically, we're looking at Sunday openings, which should have been | 0:05:24 | 0:05:27 | |
done 20 years ago but, unfortunately, it's getting done and addressed now. | 0:05:27 | 0:05:31 | |
Quick survey down Sauchiehall Street suggests that we are the only | 0:05:31 | 0:05:34 | |
retail outlet that's not open on a Sunday, | 0:05:34 | 0:05:37 | |
so, therefore, we have to address that and address it now. | 0:05:37 | 0:05:39 | |
Some retailers are happy about it, some retailers are going with it. | 0:05:39 | 0:05:42 | |
There's a couple of retailers that are showing a bit of resistance, | 0:05:42 | 0:05:45 | |
but we are trying as best as we possibly can to let them | 0:05:45 | 0:05:47 | |
feel as though it is the way they need to go forward. | 0:05:47 | 0:05:51 | |
Leading the opposition is shoe shop owner, Ian. | 0:05:51 | 0:05:54 | |
These units don't come cheap. | 0:05:54 | 0:05:56 | |
It's a substantial amount of money for the size of unit we have | 0:05:56 | 0:05:59 | |
and they are looking to increase that by another 8%... | 0:05:59 | 0:06:02 | |
..for opening on Sunday, which, as I say, | 0:06:04 | 0:06:06 | |
the centre should have been open 20 years ago. Not now on a Sunday. | 0:06:06 | 0:06:11 | |
So, they're too late with it. | 0:06:11 | 0:06:12 | |
Everyone's told him that they're not paying, | 0:06:12 | 0:06:15 | |
but we got less than a handful, | 0:06:15 | 0:06:16 | |
people on Friday who withheld that extra, so, you know, | 0:06:16 | 0:06:19 | |
he's got to be intelligent enough to realise it's almost a losing battle. | 0:06:19 | 0:06:24 | |
I, personally, don't think it's efficient for us | 0:06:24 | 0:06:26 | |
to justify the cost for us to do it. | 0:06:26 | 0:06:28 | |
It doesn't bear thinking about, if we don't move forward with this place. | 0:06:28 | 0:06:31 | |
But it's not costing yous any money. | 0:06:31 | 0:06:33 | |
The benefits to yous are far greater than anybody else. | 0:06:33 | 0:06:36 | |
I'm not prepared to pay any more money in rent. | 0:06:36 | 0:06:38 | |
Well, if you are not prepared to, I don't have any alternative | 0:06:38 | 0:06:41 | |
but to serve you notice on the unit, if you don't pay. | 0:06:41 | 0:06:43 | |
I'm not prepared to pay any more money. | 0:06:43 | 0:06:46 | |
So, if you're looking for more money, I'm out. | 0:06:46 | 0:06:48 | |
Do you want to have a think about it over the weekend? | 0:06:48 | 0:06:50 | |
No, because I've thought about it. I'm not paying you any more money. | 0:06:50 | 0:06:54 | |
-How did that go? -Not very well. | 0:06:57 | 0:06:59 | |
Well, to the point of view that I've just said, I'm moving out. | 0:06:59 | 0:07:02 | |
Well, in six weeks' time, as far as I'm concerned. | 0:07:02 | 0:07:05 | |
Obviously, rather disappointed at the attitude they're taken. | 0:07:05 | 0:07:08 | |
They're not interested in the retailers as such, like. | 0:07:08 | 0:07:10 | |
They're interested in making money and nothing else, like. | 0:07:10 | 0:07:14 | |
Very unfair. | 0:07:14 | 0:07:15 | |
Um...I don't agree with it. | 0:07:16 | 0:07:18 | |
And, as I say, currently now, I have chosen to with... | 0:07:18 | 0:07:21 | |
-withdraw from the premises. -Not exactly the way I wanted it to go. | 0:07:21 | 0:07:24 | |
I don't think it's the way that Ian wanted it to go, either, | 0:07:24 | 0:07:27 | |
to be honest with you. | 0:07:27 | 0:07:28 | |
If we compromise with Ian, where does that leave the butcher? | 0:07:28 | 0:07:31 | |
Where does that leave the cobbler? | 0:07:31 | 0:07:33 | |
And where does that leave the small independent girl downstairs, | 0:07:33 | 0:07:35 | |
with the handbags, that paid us the extra money? | 0:07:35 | 0:07:38 | |
You know, we simply have to... There can't be a compromise. | 0:07:38 | 0:07:41 | |
Had a meeting here, as well, a fortnight ago, | 0:07:41 | 0:07:43 | |
where there was 30 retailers turned up, | 0:07:43 | 0:07:46 | |
who were all in favour of not paying the increase, | 0:07:46 | 0:07:49 | |
not opening on Sunday and, here we are a fortnight later, | 0:07:49 | 0:07:53 | |
they've all caved in and agreed to do it. | 0:07:53 | 0:07:55 | |
So, basically, they're all spineless bastards, in my view. | 0:07:55 | 0:07:58 | |
-Jim can't afford to lose retailers at this crucial stage. -Thank you. | 0:07:59 | 0:08:03 | |
Thank you. | 0:08:03 | 0:08:04 | |
And Ian isn't the only one threatening to leave. | 0:08:04 | 0:08:08 | |
Right, well, we're going to be another 40 minutes. So, I reckon... | 0:08:08 | 0:08:12 | |
Back down the street, | 0:08:12 | 0:08:13 | |
Melo is still in need of somewhere to sleep tonight. | 0:08:13 | 0:08:16 | |
Cheers, brother. | 0:08:16 | 0:08:17 | |
But, lucky for him, Craig has agreed to let him stay. | 0:08:17 | 0:08:20 | |
Yeah, yeah, I'm going to have another one, | 0:08:20 | 0:08:22 | |
but I'm going to have, like, a... | 0:08:22 | 0:08:24 | |
man's drink. | 0:08:24 | 0:08:26 | |
We, kind of... We've helped each other out a bit. | 0:08:27 | 0:08:29 | |
I stayed with him for a while and he stayed with me, | 0:08:29 | 0:08:32 | |
but not that much, but, I mean, on a temporary level, at least, | 0:08:32 | 0:08:35 | |
maybe he has less options than he might have had six months ago. | 0:08:35 | 0:08:40 | |
-Double Jaeger. -It's not going to be, like, and open-ended thing, | 0:08:40 | 0:08:43 | |
but eventually I'm sure he'll get something, do you know what I mean? | 0:08:43 | 0:08:46 | |
I'm out. | 0:08:46 | 0:08:47 | |
Craig's only got a one-bedroom flat | 0:08:50 | 0:08:53 | |
and is letting Melo stay on his couch, on the strict understanding | 0:08:53 | 0:08:56 | |
that he has to start saving or he'll be back on the street. | 0:08:56 | 0:09:00 | |
Halfway along Sauchiehall Street is a new takeaway restaurant, | 0:09:10 | 0:09:13 | |
called Taste. | 0:09:13 | 0:09:15 | |
Baguette. Two baguettes down here, please. | 0:09:15 | 0:09:17 | |
Hi, what can I get for yous guys? | 0:09:17 | 0:09:19 | |
Catering mainly to office and shop workers, | 0:09:19 | 0:09:22 | |
it already has a good reputation for serving freshly made food. | 0:09:22 | 0:09:26 | |
Davy, get some peppers out, will you? | 0:09:26 | 0:09:28 | |
We need to get veggie chilli sorted out. | 0:09:28 | 0:09:30 | |
It's run by Nick, who is a highly-trained chef. | 0:09:30 | 0:09:34 | |
He's returned home to Glasgow | 0:09:34 | 0:09:35 | |
after working in upmarket London restaurants. | 0:09:35 | 0:09:38 | |
There you go, mate. Cheers, buddy. Enjoy that. | 0:09:40 | 0:09:42 | |
It's a fresh start for Nick. | 0:09:42 | 0:09:44 | |
His time in London led to a serious drug addiction | 0:09:44 | 0:09:47 | |
-and a long stint in rehab. -Cannabis was a major problem for us. | 0:09:47 | 0:09:52 | |
Cocaine was a fucking monumental problem. | 0:09:52 | 0:09:54 | |
-How much would you be taking? -An ounce. About an ounce. £1,000 worth. | 0:09:54 | 0:09:59 | |
-But how often? -Cocaine. A week. £1,000 worth a week. | 0:09:59 | 0:10:03 | |
Every day I was doing it. | 0:10:03 | 0:10:05 | |
I counted up, when I was in rehab, how much I spent on it. | 0:10:05 | 0:10:07 | |
Basically, a house and a Ferrari I put up my nose. | 0:10:07 | 0:10:11 | |
Nick opened Taste with his childhood friend, Kiddie. | 0:10:11 | 0:10:14 | |
Sometimes it can be a bit hard, | 0:10:14 | 0:10:15 | |
because we've been friends for so long. | 0:10:15 | 0:10:17 | |
We take things a wee bit too personally. | 0:10:17 | 0:10:18 | |
But at the end of the day, we can still have a laugh together, so... | 0:10:18 | 0:10:21 | |
-It's OK. It's good. -I don't lie any more. | 0:10:21 | 0:10:23 | |
I don't cheat on people. | 0:10:25 | 0:10:26 | |
Er... | 0:10:26 | 0:10:28 | |
I'm not a fucking psychopath. I was mental, man. I was insane. | 0:10:28 | 0:10:31 | |
I mean, I can laugh at it now, but if you don't laugh at it, | 0:10:31 | 0:10:34 | |
you know what I mean, you've got to be fully aware of it, | 0:10:34 | 0:10:36 | |
cos the second I take my eye off the ball, | 0:10:36 | 0:10:38 | |
I'm fucking round that Bath Street in the boozer, you know what I mean? | 0:10:38 | 0:10:41 | |
That's... That's what it's going to be like for me. | 0:10:41 | 0:10:43 | |
If I'm mad wi' it, this place would fucking... | 0:10:43 | 0:10:46 | |
This place would be shut a month, if I go back on it. | 0:10:46 | 0:10:48 | |
Back at the Savoy, Jim has lost the battle to get Ian to open | 0:10:56 | 0:11:00 | |
and there's a second retailer still refusing to pay. | 0:11:00 | 0:11:04 | |
Hi, have you got one minute, please? | 0:11:04 | 0:11:06 | |
Basically, you've not paid any more rent. | 0:11:06 | 0:11:09 | |
-Yeah. -Well, we are going to have to close you, then. | 0:11:09 | 0:11:11 | |
We are going to have to close your business. | 0:11:11 | 0:11:13 | |
-This Sunday, I follow what everyone doing. -No, everybody is paying. | 0:11:13 | 0:11:17 | |
There's only one guy not paying downstairs and you. | 0:11:17 | 0:11:20 | |
-That's all that's not paying. -No. | 0:11:20 | 0:11:21 | |
You want to round to the office and I'll show you? | 0:11:21 | 0:11:24 | |
-Is he paying? -He's paid. He's... Excuse me. | 0:11:24 | 0:11:27 | |
He's paid, he's paid, he's paid, she's paid, he's paid. She's paid. | 0:11:27 | 0:11:32 | |
They've paid. The mobile phone guy has paid. | 0:11:32 | 0:11:34 | |
The guy with the hair has paid. The guy with the hair has paid. | 0:11:34 | 0:11:37 | |
-The guy with the confectionery has paid. -OK, you go... I go ask them. | 0:11:37 | 0:11:42 | |
Yeah, yeah. | 0:11:42 | 0:11:44 | |
-Are you just quite happy to tell that guy that you've paid for Sunday's trading? -Oh, yes. -Yeah? | 0:11:44 | 0:11:48 | |
-Yes, I did, today. -You've paid for the Sunday trading, haven't you? -Yes. | 0:11:49 | 0:11:54 | |
Yeah. I don't have a problem with closing your business down, | 0:11:54 | 0:11:56 | |
but I don't want to do it. | 0:11:56 | 0:11:58 | |
The Sunday, it's not opened up, because I have followed everybody. | 0:11:58 | 0:12:01 | |
-Right, so you are happy to do that? -I have... -Right, shake on that. -Yeah. | 0:12:01 | 0:12:04 | |
With one more trader talked round, | 0:12:04 | 0:12:06 | |
the pressure is now on Jim to make sure Sundays bring in trade. | 0:12:06 | 0:12:10 | |
-I don't want to do anything with that. -I paid... | 0:12:10 | 0:12:13 | |
Back in Taste... | 0:12:20 | 0:12:21 | |
Save The Children and fucking Shelter and all that, man. | 0:12:21 | 0:12:25 | |
They're doing a good cause, man, but they are a fucking pure... | 0:12:25 | 0:12:29 | |
We walk across the road to take the tables out, they're like, | 0:12:29 | 0:12:31 | |
"Hello, sir. Hello there, have you got a minute? | 0:12:31 | 0:12:34 | |
"Have you got a minute there?" Fuck off! | 0:12:34 | 0:12:36 | |
Running over to get a carton of milk or something like that. | 0:12:36 | 0:12:39 | |
"Oh, hello." And they get pure offended if you tell them to bolt. | 0:12:39 | 0:12:42 | |
They're like, "Oh, fine. Attitude." | 0:12:42 | 0:12:44 | |
While the charity collectors work the street, Nick has one last | 0:12:44 | 0:12:48 | |
thing to do before he shuts up shop. | 0:12:48 | 0:12:51 | |
So, basically, I work for Glasgow Regeneration Agency and Kevin | 0:12:51 | 0:12:54 | |
attends our training programme in the south west. | 0:12:54 | 0:12:56 | |
It's a get ready for work programme. | 0:12:56 | 0:12:58 | |
So, Kevin is along for a placement interview with Nick | 0:12:58 | 0:13:01 | |
and, if the placement interview goes well, | 0:13:01 | 0:13:03 | |
then, hopefully, Nick will be able to offer Kevin a starting place | 0:13:03 | 0:13:07 | |
for work experience and, hopefully, | 0:13:07 | 0:13:09 | |
if all that goes well, then there might be an | 0:13:09 | 0:13:11 | |
employment opportunity at the end of his placement. | 0:13:11 | 0:13:13 | |
It's my first time, so I'm, actually, kind of, nervous, | 0:13:13 | 0:13:16 | |
but, hopefully, if I go for another one, I'll know what to do, | 0:13:16 | 0:13:19 | |
so, hopefully, all goes well. | 0:13:19 | 0:13:21 | |
What you need to do is, basically, explain to Kevin what | 0:13:21 | 0:13:26 | |
you would be expecting from him | 0:13:26 | 0:13:27 | |
and what he can expect the work experience placement to be like. | 0:13:27 | 0:13:31 | |
You're learning everything, the daily setting up of the kitchen. | 0:13:31 | 0:13:34 | |
It's not just a cafe. | 0:13:34 | 0:13:35 | |
This is a kitchen and the customers are the waiters, know what I mean? | 0:13:35 | 0:13:38 | |
They're walking in, giving us their order and walking out, | 0:13:38 | 0:13:40 | |
know what I mean? And if this is what you want to do, you'll soon find out | 0:13:40 | 0:13:43 | |
whether it is or isn't, do you know what I mean? | 0:13:43 | 0:13:45 | |
When my choices came up for fifth year... | 0:13:45 | 0:13:48 | |
Nick could use another pair of hands, but taking on Kevin, | 0:13:48 | 0:13:51 | |
who has never worked, could be more hassle than it's worth. | 0:13:51 | 0:13:54 | |
You seem like you could do that. | 0:13:54 | 0:13:55 | |
I can see something in you, do you know what I mean? | 0:13:55 | 0:13:58 | |
-So, all right with that? -Aye. -Well done, sir. -Monday? | 0:13:58 | 0:14:01 | |
-Listen, Nick, thanks very much. -No bother. Thank you. | 0:14:01 | 0:14:03 | |
OK, Davy, big man? Davy? Kevin. See you later, mate. | 0:14:03 | 0:14:06 | |
Thank you very much. | 0:14:06 | 0:14:07 | |
He seems a lot more on the ball than I think he knows. I don't know. | 0:14:07 | 0:14:10 | |
I can see something and I can't explain it | 0:14:10 | 0:14:12 | |
when I see something in somebody. I just see it, know what I mean? | 0:14:12 | 0:14:15 | |
See a bit of myself in him or something like that, know what I mean? | 0:14:15 | 0:14:19 | |
It's late on the street... | 0:14:33 | 0:14:35 | |
THEY SHOUT | 0:14:35 | 0:14:37 | |
.and Melo is still out busking. | 0:14:40 | 0:14:42 | |
He's played on the same spot for years | 0:14:42 | 0:14:44 | |
and has become a popular attraction for people on their way home. | 0:14:44 | 0:14:48 | |
# I've got a black magic woman. | 0:14:48 | 0:14:50 | |
# She got me so blind, I can't see | 0:14:51 | 0:14:55 | |
# Oooh-oooh-oooh. # | 0:14:55 | 0:14:57 | |
Melo doesn't claim benefits, | 0:14:58 | 0:15:00 | |
-so busking is his only source of income. -What's up, brother? | 0:15:00 | 0:15:05 | |
Come on, mate. Give me a chance. I need some money, man. | 0:15:05 | 0:15:09 | |
He always earns better money busking alone. | 0:15:09 | 0:15:12 | |
This is a lesson that my mother said to me. | 0:15:12 | 0:15:14 | |
Do things on your own, you'll be fine. | 0:15:14 | 0:15:17 | |
If, along the way, you find friends, they're good, they'll be good. | 0:15:17 | 0:15:20 | |
If not, it's life. It takes time, maybe, to lock, to... Not lock. To... | 0:15:20 | 0:15:26 | |
To... I've just been insulted again. That's what happens. | 0:15:26 | 0:15:31 | |
Called you a black bastard. | 0:15:31 | 0:15:33 | |
-Can... -But Melo's good time is cut short. | 0:15:33 | 0:15:37 | |
..fucking British and homeless. Right? | 0:15:37 | 0:15:40 | |
You're taking the fucking piss, that's what you're doing. | 0:15:40 | 0:15:43 | |
You're sitting here, milking the country for thousands, | 0:15:43 | 0:15:45 | |
you fucking black bastard, you. | 0:15:45 | 0:15:47 | |
-OK, thank you very much. -Are you trying to say you're not? | 0:15:47 | 0:15:49 | |
OK, thank you very much. | 0:15:49 | 0:15:50 | |
How much do you make sitting here busking every fucking day? | 0:15:50 | 0:15:53 | |
-You make thousands. -Obviously... Obviously is, like... | 0:15:53 | 0:15:58 | |
-You're a black bastard, admit it. -Thank you very much. -Admit it. | 0:15:58 | 0:16:01 | |
You are a black fuck. I pay tax every fucking month. | 0:16:01 | 0:16:04 | |
-Can you play a note to save yourselves? -Hundreds of pounds... | 0:16:04 | 0:16:07 | |
to keep you in the fucking country, you black bastard. | 0:16:07 | 0:16:11 | |
Stay away from me, man. Serious. | 0:16:11 | 0:16:12 | |
Serious, brother. | 0:16:14 | 0:16:16 | |
If you have a problem with me, you get it. Serious. | 0:16:16 | 0:16:19 | |
You want problem with me, you get it. Go ahead. Go ahead. Go ahead. | 0:16:19 | 0:16:23 | |
You get it. Both of you. Serious. I'm quick. | 0:16:23 | 0:16:26 | |
Serious, get away from me. The both of you. Serious. I am serious. | 0:16:27 | 0:16:32 | |
-You black bastard. -I am serious. I am black and I'm proud. You try me. | 0:16:32 | 0:16:36 | |
Fucking try me. Fuck off. Serious. Serious. I'm not joking. | 0:16:36 | 0:16:41 | |
I'm not joking. I'm not joking. | 0:16:41 | 0:16:44 | |
I'm not joking. Serious. Leave me alone. Don't even go coward on me. | 0:16:44 | 0:16:49 | |
Leave me alone. Serious. | 0:16:49 | 0:16:50 | |
There you go. That's what you get for being stupid. | 0:16:52 | 0:16:55 | |
I just don't want to take advantage. Leave me alone. Serious. | 0:16:55 | 0:16:59 | |
Leave me alone. The both of you. Fucking hell. I swear on my life. | 0:16:59 | 0:17:03 | |
You want to fuck me up, go ahead. Any move you do, I'll fuck you up. | 0:17:03 | 0:17:07 | |
Go ahead. I'll bury you both into the floor. Go ahead. Go. Go. Serious. | 0:17:07 | 0:17:14 | |
I'm serious. I need to defend myself, because you guys are pissing me off. | 0:17:14 | 0:17:18 | |
Serious. Serious. Fuck off. | 0:17:18 | 0:17:20 | |
-Fuck off. -By the way... -I'm a black bastard and I'm fucking proud. | 0:17:21 | 0:17:24 | |
-Fuck off. -That's what you get in Scotland, by the way. -Fuck off. | 0:17:24 | 0:17:27 | |
You're the fucking scum... | 0:17:27 | 0:17:28 | |
THEY SHOUT | 0:17:28 | 0:17:30 | |
Do I need to get to the fucking hospital? Do I? Fuck off, man. | 0:17:30 | 0:17:34 | |
Fuck off. Fuck off. Serious. You try it on me. Fuck off. Fuck off, man. | 0:17:35 | 0:17:40 | |
Fuck off. Leave me alone. | 0:17:40 | 0:17:43 | |
Leave me alone. What have I done? I know I'm black, and I'm proud. | 0:17:43 | 0:17:47 | |
Fuck off. Serious. Fuck you. Serious. Serious. | 0:17:47 | 0:17:54 | |
-Fuck you. -Fucking hit me. -Leave me alone. | 0:17:55 | 0:17:58 | |
-No, but... -You ask him. He is the same, he's the same. He's the same. | 0:18:02 | 0:18:07 | |
-Are you OK, Melo? -I'm all right, brother. This is what it is. | 0:18:07 | 0:18:10 | |
I was trying to start a moment of joy. All of a sudden, I'm a bastard. | 0:18:10 | 0:18:14 | |
What have I done? | 0:18:14 | 0:18:16 | |
No, it's not just Glasgow. Everywhere. Everywhere you go. | 0:18:18 | 0:18:21 | |
-Everywhere you go. -All of this for a fucking... | 0:18:21 | 0:18:23 | |
See you, you black bastard, I'm going to punch your cunt in. | 0:18:23 | 0:18:26 | |
-This is what happens... -Let's chill out, all right? -I am chilled. | 0:18:26 | 0:18:29 | |
-No, you are getting yourself a wee bit worked up. -Because... | 0:18:29 | 0:18:32 | |
Over in the south side of Glasgow, Craig has moved Melo's things | 0:18:39 | 0:18:42 | |
into his flat and is waiting up for him. | 0:18:42 | 0:18:45 | |
Och, I can't even be bothered thinking about time frames. | 0:18:45 | 0:18:48 | |
It's like I keep on setting the day, then just moving it back, | 0:18:48 | 0:18:50 | |
so I can't even be bothered any more. | 0:18:50 | 0:18:52 | |
He knows that I'd rather be by myself. | 0:18:52 | 0:18:54 | |
He knows that I'm hardly delighted he's here. | 0:18:54 | 0:18:56 | |
So, he has a conscience, you know. | 0:18:56 | 0:18:58 | |
If he knows that he's imposing on somebody then, like, | 0:18:58 | 0:19:01 | |
deep down, that's going to kick in and, eventually, he's going to | 0:19:01 | 0:19:04 | |
want to find his own place to live. | 0:19:04 | 0:19:05 | |
It just starts to feel like you are taking advantage of somebody, | 0:19:05 | 0:19:09 | |
you know, so just move. | 0:19:09 | 0:19:11 | |
BUZZER | 0:19:11 | 0:19:12 | |
That sounds like Melo outside. | 0:19:12 | 0:19:14 | |
-All right, bro. -All right there. | 0:19:19 | 0:19:20 | |
You've got alley flats going on. | 0:19:20 | 0:19:23 | |
Right, cool, man, catch you in a bit, man. | 0:19:23 | 0:19:26 | |
Craig leaves Melo to get settled in. | 0:19:26 | 0:19:28 | |
I was just practising, anyway. | 0:19:28 | 0:19:30 | |
Tonight's fight has brought back memories of the first day | 0:19:30 | 0:19:34 | |
Melo arrived in Glasgow from Portugal, 15 years ago. | 0:19:34 | 0:19:37 | |
I'm walking down... down the... What do you call it, is it Ibrox? | 0:19:37 | 0:19:44 | |
It was maybe the second day or third day or something. | 0:19:45 | 0:19:49 | |
A multitude of people. | 0:19:49 | 0:19:52 | |
"You fucking black bastard!" | 0:19:52 | 0:19:55 | |
I was only a kid, man, twentysomething, 21 or something. | 0:19:55 | 0:19:59 | |
"You fucking black bastard!" | 0:20:00 | 0:20:04 | |
Since then, this has been every day. | 0:20:04 | 0:20:06 | |
Yeah. | 0:20:06 | 0:20:07 | |
In Taste, it's new start Kevin's first week of work | 0:20:26 | 0:20:30 | |
and Nick's left the training up to his right-hand man, Kiddie. | 0:20:30 | 0:20:34 | |
You can do the onions, you know how to do the onions, don't you? | 0:20:34 | 0:20:37 | |
-The red onions... -Aye. | 0:20:37 | 0:20:39 | |
Do about eight of them. | 0:20:39 | 0:20:42 | |
He's OK, aye. | 0:20:42 | 0:20:44 | |
You can tell in him that it's his first job. He's young. | 0:20:44 | 0:20:47 | |
At the end of the day, | 0:20:47 | 0:20:48 | |
I was watching a thing on telly last night, | 0:20:48 | 0:20:50 | |
there's one million young people | 0:20:50 | 0:20:52 | |
in Britain right now who are unemployed. | 0:20:52 | 0:20:54 | |
It's a struggle for people to get work out there. | 0:20:54 | 0:20:56 | |
When I left school, I got my CV ready and everything. | 0:20:56 | 0:20:59 | |
Trying all... Trying to see what I can get. | 0:20:59 | 0:21:03 | |
I went to five, six shops with CVs | 0:21:03 | 0:21:06 | |
and I never heard back from any one of them. | 0:21:06 | 0:21:09 | |
I went for a job and the guy said, "Usually we get 30 people." | 0:21:09 | 0:21:11 | |
He told me there was 150 applying for the one job, that's how bad it is. | 0:21:11 | 0:21:15 | |
I want to see him standing about less and just go and... | 0:21:15 | 0:21:18 | |
"Can I do this, can I do that?" You know what I mean? | 0:21:18 | 0:21:20 | |
A lot of people are too quick to do that. Teapot pose, I call it. | 0:21:20 | 0:21:23 | |
I've been, basically, looking since I left school right up to now. | 0:21:23 | 0:21:28 | |
And I've still not heard from any. | 0:21:29 | 0:21:31 | |
Right, Kevin, so that stuff, get it up the stairs. | 0:21:31 | 0:21:34 | |
This is all going into tubs, yeah. They are all getting wrapped up... | 0:21:34 | 0:21:37 | |
Nick is giving Kevin his first chance, | 0:21:37 | 0:21:40 | |
but, in return he has high expectations. | 0:21:40 | 0:21:43 | |
Clean all the walls. I'll come and check you before you go. | 0:21:43 | 0:21:46 | |
One end of Sauchiehall Street has over 20 bars, restaurants and clubs. | 0:21:51 | 0:21:56 | |
New bars have a hard time making an impact. | 0:21:56 | 0:21:59 | |
But after three weeks, Barbushka is starting to make a name for itself. | 0:21:59 | 0:22:03 | |
Since it opened, it's been run by manager, Lee. | 0:22:06 | 0:22:10 | |
In Sauchiehall Street, there's 15-20 bars that are | 0:22:10 | 0:22:13 | |
all competing against each other, to try and steal the trade. | 0:22:13 | 0:22:15 | |
So, it is really hard. | 0:22:15 | 0:22:17 | |
You've got to stay one step ahead of everybody else. | 0:22:17 | 0:22:19 | |
So, if we're quiet and not making money, | 0:22:19 | 0:22:22 | |
then I've got to take the hit for it. | 0:22:22 | 0:22:24 | |
I accept that I'm failing, | 0:22:24 | 0:22:26 | |
so when we are doing well, I'll get the plaudits and credit for it. | 0:22:26 | 0:22:30 | |
It is on me a lot of the time, but I understand that. | 0:22:30 | 0:22:32 | |
It's the same with any manager of any bar. It's on your shoulders. | 0:22:32 | 0:22:36 | |
Lee has been trying to attract a higher-end customer. | 0:22:36 | 0:22:39 | |
But with thousands of people about to descend on Sauchiehall Street, | 0:22:39 | 0:22:42 | |
the challenge will be keeping it that way. | 0:22:42 | 0:22:44 | |
DANCE MUSIC PLAYS | 0:22:45 | 0:22:52 | |
Ah! | 0:22:53 | 0:22:55 | |
If you've no' got a lumber by now, | 0:22:55 | 0:22:56 | |
you shouldn't be getting one in the taxi queue. | 0:22:56 | 0:22:58 | |
Let's go down. | 0:22:58 | 0:22:59 | |
How many vodkas was it, mate? | 0:23:04 | 0:23:06 | |
Slowly starting to pick up. | 0:23:08 | 0:23:11 | |
So it's just a case of getting everything sorted for the night ahead. | 0:23:11 | 0:23:14 | |
I'm, like, talking to all the security guys, | 0:23:14 | 0:23:16 | |
so I'm in touch with all them. | 0:23:16 | 0:23:18 | |
So, if I need anything, if I see anything that they don't see, I'm in | 0:23:18 | 0:23:21 | |
contact with them, to make sure that everything goes smoothly. | 0:23:21 | 0:23:25 | |
In a packed bar, Lee can't keep an eye on everyone, | 0:23:26 | 0:23:30 | |
so he'll be on high alert for the rest of the night. | 0:23:30 | 0:23:32 | |
PLAYS FUNKY SAXOPHONE | 0:23:36 | 0:23:41 | |
Up and down the length of the street, the pubs are filling up | 0:23:41 | 0:23:44 | |
and beginning to spill out onto the pavement. | 0:23:44 | 0:23:46 | |
To try and help people who end up a little worse for wear, | 0:23:48 | 0:23:51 | |
a band of Christians have volunteered to go out in small teams | 0:23:51 | 0:23:55 | |
across Glasgow and offer assistance. | 0:23:55 | 0:23:57 | |
Our God, we just thank you | 0:23:59 | 0:24:00 | |
for the privilege of taking you in the streets... | 0:24:00 | 0:24:03 | |
The Street Pastors start with a group prayer, led by Margaret. | 0:24:03 | 0:24:07 | |
Now go with us, Father, that's what we ask. | 0:24:07 | 0:24:10 | |
In the precious name of our Lord Jesus Christ, amen. | 0:24:10 | 0:24:13 | |
You OK, you've got your fleece with you? | 0:24:15 | 0:24:17 | |
Margaret and the other pastors split into teams and head out. | 0:24:17 | 0:24:22 | |
After four years helping on the streets, Margaret is fully aware | 0:24:22 | 0:24:25 | |
that weekend nights can sometimes be dangerous. | 0:24:25 | 0:24:29 | |
I'm 62, so I wouldn't come into town at this time of night, | 0:24:29 | 0:24:32 | |
I'd be too scared to go in the town! | 0:24:32 | 0:24:34 | |
But the minute, I know I 'm going out to do something, | 0:24:34 | 0:24:37 | |
it's God that's taking me out and it's different. | 0:24:37 | 0:24:39 | |
What does your husband think? | 0:24:39 | 0:24:40 | |
He was, kind of, wary about going out on the street | 0:24:40 | 0:24:43 | |
at this time of night, but after four years now, he's OK. | 0:24:43 | 0:24:48 | |
He keeps the bed warm on that side. | 0:24:48 | 0:24:50 | |
He moves over to let me in! | 0:24:50 | 0:24:52 | |
He's a good man. After 40 years of marriage, he's well trained! | 0:24:52 | 0:24:55 | |
THEY LAUGH | 0:24:55 | 0:24:57 | |
As Margaret heads off, another team is right behind, led by Brodie. | 0:24:58 | 0:25:02 | |
We live in a society which does everything in extremes, doesn't it? | 0:25:02 | 0:25:06 | |
Whether it's, you know, extreme wealth or extreme celebrity, | 0:25:06 | 0:25:11 | |
and people are going to drink to excess. | 0:25:11 | 0:25:15 | |
It's not my call to judge people, | 0:25:15 | 0:25:18 | |
but what I can do is help people. | 0:25:18 | 0:25:21 | |
By the time the pastors are out, the town's already jumping | 0:25:23 | 0:25:27 | |
and Margaret spots an opportunity to practise | 0:25:27 | 0:25:30 | |
what the pastors are famous for. | 0:25:30 | 0:25:32 | |
Hi, lass. Excuse us. Would you like a pair of flip-flops? | 0:25:32 | 0:25:35 | |
No cost to you, nothing. Just to cut you down. | 0:25:35 | 0:25:38 | |
Oh, do you know what? This is absolutely brilliant. | 0:25:38 | 0:25:42 | |
-That's good, then. You'll get up the road safely. -You're a life-saver. | 0:25:42 | 0:25:46 | |
I guess part of the rationale behind the flip-flops is it saves | 0:25:46 | 0:25:49 | |
people ending up in A&E, getting their foot stitched up, | 0:25:49 | 0:25:52 | |
because they've stepped on the bit of glass. | 0:25:52 | 0:25:55 | |
-Thanks very much. -God bless you. Bless you, lass. | 0:25:55 | 0:25:58 | |
But it's also symbolic of what we're about. | 0:25:58 | 0:26:01 | |
I guess the technical term would be, it's a sign of God's grace. | 0:26:01 | 0:26:05 | |
-Boo-ya! -Sorry. | 0:26:05 | 0:26:08 | |
It's madness what a wee pair of flip-flops does, isn't it? | 0:26:08 | 0:26:10 | |
Just brightens somebody's day up. | 0:26:10 | 0:26:12 | |
Back at Babushka... | 0:26:14 | 0:26:16 | |
It's starting to quieten off. I'll have a wee look at the rest | 0:26:16 | 0:26:19 | |
of the street, just to see where else is busy. | 0:26:19 | 0:26:21 | |
Because we're a new bar, the novelty's not worn off yet. | 0:26:21 | 0:26:25 | |
You usually find, with a new bar, it's busy for a bit | 0:26:25 | 0:26:27 | |
and then the novelty wears off. But right now, | 0:26:27 | 0:26:29 | |
I think because we are the newest bar on the street, | 0:26:29 | 0:26:32 | |
we are getting a lot of the trade which is good for me, obviously. | 0:26:32 | 0:26:36 | |
But it's not long before he gets word of two men acting | 0:26:36 | 0:26:39 | |
suspiciously in the toilets. | 0:26:39 | 0:26:41 | |
It was the toilet attendant who saw what happened, | 0:26:41 | 0:26:45 | |
pointed a guy out to the steward. The steward will deal with them. | 0:26:45 | 0:26:48 | |
I'm not sure if it's somebody who's just too drunk or not. | 0:26:48 | 0:26:51 | |
Nine times out of ten, it's just a drunk giving a bit of abuse so... | 0:26:51 | 0:26:54 | |
With a high-end bar comes high-end party drugs | 0:26:54 | 0:26:58 | |
and Lee can't take any chances. | 0:26:58 | 0:27:00 | |
DANCE MUSIC PLAYS | 0:27:00 | 0:27:04 | |
The stewards spot the men and move in. | 0:27:06 | 0:27:08 | |
But without much persuasion, the men head out the door quietly. | 0:27:13 | 0:27:18 | |
Erm, I'm not sure. | 0:27:18 | 0:27:20 | |
I think the boys had been a bit suspicious in the toilets. | 0:27:20 | 0:27:23 | |
I don't know what they were doing. Just a complaint made | 0:27:23 | 0:27:26 | |
and, as soon as the stewards approached the two guys, | 0:27:26 | 0:27:29 | |
they were obviously guilty in some way, because they headed towards the door. | 0:27:29 | 0:27:32 | |
But as soon as we get a snippet of something that's going on, | 0:27:32 | 0:27:36 | |
guys acting suspicious, guys acting aggressive, get them out. | 0:27:36 | 0:27:40 | |
But Lee can't relax for long. | 0:27:40 | 0:27:42 | |
This time, a man gets shown the door | 0:27:45 | 0:27:48 | |
and for some reason, the stewards seem unwilling to shake his hand... | 0:27:48 | 0:27:51 | |
I'm not going to tell you again. Get away from the door. | 0:27:54 | 0:27:57 | |
Tell me what happened. | 0:27:57 | 0:27:59 | |
I was just standing, watching | 0:27:59 | 0:28:01 | |
and the next minute you know, he's got his meat and two veg out. | 0:28:01 | 0:28:04 | |
Shaking it about quite vigorously. | 0:28:04 | 0:28:06 | |
"Come on." "Nah, you're all right." | 0:28:08 | 0:28:11 | |
Apparently, a gentleman had his, er, trousers undone | 0:28:11 | 0:28:15 | |
and was exposing himself, which is just... We can't... | 0:28:15 | 0:28:19 | |
-We don't do that in here, do we? -Not at all. -Nah, you can't. | 0:28:19 | 0:28:23 | |
Especially, in all seriousness, when there's girls about, you can't do that. | 0:28:23 | 0:28:26 | |
If you do that in the street, you'll get arrested. | 0:28:26 | 0:28:28 | |
It's still a good crowd, but there's always one. | 0:28:28 | 0:28:30 | |
There might be the odd female showing an arse or something. | 0:28:30 | 0:28:34 | |
-We tolerate that type of thing. -LEE LAUGHS | 0:28:34 | 0:28:38 | |
If a girl does that, you wouldn't ask her to leave. | 0:28:39 | 0:28:43 | |
You'd have the phone out. | 0:28:43 | 0:28:45 | |
WHOOPING | 0:28:45 | 0:28:47 | |
This is probably the best night we've had since we've opened. | 0:28:47 | 0:28:53 | |
A couple of guys politely asked to leave. | 0:28:53 | 0:28:56 | |
As soon as they were approached by the stewards, they left, | 0:28:56 | 0:28:58 | |
so that, all in all, was a good night. | 0:28:58 | 0:29:01 | |
After a few small incidents, | 0:29:01 | 0:29:03 | |
Lee's just about managed to keep Babushka's reputation intact. | 0:29:03 | 0:29:07 | |
Have you got a blanket and everything? | 0:29:08 | 0:29:11 | |
In the centre of town, | 0:29:11 | 0:29:12 | |
Margaret has spotted a new face living rough in the street. | 0:29:12 | 0:29:16 | |
Do you need a bunnet? | 0:29:17 | 0:29:19 | |
The pastors hand out free hats, gloves | 0:29:19 | 0:29:22 | |
and sleeping bags to the homeless. | 0:29:22 | 0:29:23 | |
Do you mind if we pray with you? | 0:29:23 | 0:29:26 | |
Father God, we just thank you for Michael and he's safe here just now, | 0:29:26 | 0:29:29 | |
but Lord, we ask your protection. | 0:29:29 | 0:29:31 | |
He's out on the streets at night, father. | 0:29:31 | 0:29:33 | |
And I pray you'll give Michael the help that he needs, | 0:29:33 | 0:29:36 | |
but be close to him in the days that lie ahead | 0:29:36 | 0:29:38 | |
and I pray these things in Jesus' name and for your glory. Amen. | 0:29:38 | 0:29:43 | |
Right. A hug? Bless you, son. | 0:29:43 | 0:29:46 | |
'He's skipping tonight, but he's got a safe place.' | 0:29:47 | 0:29:50 | |
Skippering means that they are homeless | 0:29:50 | 0:29:52 | |
and they're going to find just a wee hole where they know they can go. | 0:29:52 | 0:29:57 | |
Sometimes, it's not safe to skipper. | 0:29:57 | 0:29:58 | |
Some people have thrown lighters into the cardboard. | 0:29:58 | 0:30:01 | |
We found that out, which was really, really sad, | 0:30:01 | 0:30:04 | |
didn't we, Christine? Which was very sad. They thought it was funny. | 0:30:04 | 0:30:08 | |
How can it be funny when you set somebody alight inside somewhere? | 0:30:08 | 0:30:13 | |
It's Sunday morning. At the Savoy, | 0:30:29 | 0:30:32 | |
assistant manager Neil is in to open the doors. | 0:30:32 | 0:30:35 | |
Footfall has to be high today, to make it worthwhile for the traders - | 0:30:35 | 0:30:39 | |
that is, if any turn up. | 0:30:39 | 0:30:42 | |
Today's going to be the first day of our Sunday opening. | 0:30:42 | 0:30:46 | |
There's been some very positive people with it, | 0:30:46 | 0:30:48 | |
there's been a few people not quite so positive, | 0:30:48 | 0:30:50 | |
but we just need to see how today goes. | 0:30:50 | 0:30:53 | |
Ao we're in nice and early, open up, and just need to play it by ear. | 0:30:53 | 0:30:56 | |
Despite Neil's fears, every retailer is getting ready for business. | 0:30:56 | 0:31:01 | |
Well, nearly. | 0:31:01 | 0:31:04 | |
Iain's shoe shop is still shut. | 0:31:04 | 0:31:08 | |
So with only Iain left standing his ground, | 0:31:08 | 0:31:11 | |
the centre's ready for its first customers. | 0:31:11 | 0:31:13 | |
-Are you open? -Indeed, we are, yes. In you come. | 0:31:13 | 0:31:16 | |
We've never opened before on a Sunday, | 0:31:16 | 0:31:18 | |
nobody else has ever been in the centre on a Sunday. | 0:31:18 | 0:31:21 | |
You're making history today. | 0:31:21 | 0:31:23 | |
-But it means you need to buy something, as well. -Oh, does it?! | 0:31:23 | 0:31:25 | |
Otherwise, you're not a customer! | 0:31:25 | 0:31:27 | |
Otherwise, you're just browsing. | 0:31:27 | 0:31:29 | |
-You get to see it. -Thanks very much. -Thanks a lot. | 0:31:29 | 0:31:33 | |
'Our job as landlords, if you like, is to bring people in.' | 0:31:33 | 0:31:36 | |
And now it's up to the retailers to show them what they've got for sale, | 0:31:36 | 0:31:39 | |
show them the value and, hopefully, those two women will walk out | 0:31:39 | 0:31:42 | |
with bags full of stuff. | 0:31:42 | 0:31:44 | |
Neil has had his first few customers through the door, | 0:31:44 | 0:31:47 | |
but he'll need a lot more if Sunday openings are going to work. | 0:31:47 | 0:31:50 | |
BUSKER PLAYS | 0:31:55 | 0:31:57 | |
Down the street, Craig is out for a day of busking, | 0:31:59 | 0:32:02 | |
with his drummer, Charlie, | 0:32:02 | 0:32:03 | |
while across the road, Melo can only sit and watch. | 0:32:03 | 0:32:07 | |
He and Charlie have refused to play together | 0:32:08 | 0:32:11 | |
after a bust-up earlier. | 0:32:11 | 0:32:13 | |
-He don't want to talk to me. -The thing is, when we all go back out, | 0:32:13 | 0:32:16 | |
you don't just say to Charlie, "Right, I said I'm not going to | 0:32:16 | 0:32:20 | |
"say anything, but I'm going to say this." | 0:32:20 | 0:32:22 | |
-There can't be anything like that. -I'm not like that. -You are, though. | 0:32:22 | 0:32:25 | |
You say, "I'm not going to say anything, but one more thing..." | 0:32:25 | 0:32:28 | |
-You better not. -I'll be back in a second. | 0:32:28 | 0:32:31 | |
Charlie became too holy, | 0:32:32 | 0:32:34 | |
and he's thinking that anyone that drinks a pint, | 0:32:34 | 0:32:37 | |
anyone that smokes a spliff, | 0:32:37 | 0:32:41 | |
will go to hell. | 0:32:41 | 0:32:43 | |
If Charlie doesn't want to talk, I don't want to play with Charlie. | 0:32:43 | 0:32:46 | |
Right, sometimes Melo smokes a bit of grass. | 0:32:46 | 0:32:49 | |
Charlie has quite strict Christian principles, | 0:32:49 | 0:32:51 | |
and that is... For him, that's the same, | 0:32:51 | 0:32:55 | |
like, he's uncomfortable with that. | 0:32:55 | 0:32:58 | |
Now, sometimes, I'll be turning up there just as intoxicated as Melo. | 0:32:58 | 0:33:01 | |
But Melo, like, when he has a bit, he just gets rowdy, | 0:33:01 | 0:33:04 | |
gets confrontational, and to deal with it on a day-to-day basis | 0:33:04 | 0:33:07 | |
can be quite draining, you know? | 0:33:07 | 0:33:09 | |
After a week in the flat, | 0:33:09 | 0:33:11 | |
Melo hasn't yet made any effort to find a place of his own. | 0:33:11 | 0:33:14 | |
Plus there was, "Oh, yeah, you can stay for an indefinite time," | 0:33:14 | 0:33:17 | |
And, up to a point, that is true, | 0:33:17 | 0:33:19 | |
but I would like it sooner rather than later, do you know what I mean? | 0:33:19 | 0:33:22 | |
But, hopefully, he's going to realise I'm actually his last option | 0:33:22 | 0:33:25 | |
and it is ridiculous that I'm his last option. | 0:33:25 | 0:33:27 | |
There's a lot of other people he's been staying with, | 0:33:27 | 0:33:30 | |
but he's just wound them up and frayed their patience the same way | 0:33:30 | 0:33:33 | |
he probably will mine, you know? | 0:33:33 | 0:33:35 | |
HE LAUGHS And it's just like that, you know? | 0:33:35 | 0:33:39 | |
I'm the last chance saloon. | 0:33:39 | 0:33:40 | |
This is Lord Nelson's last-chance saloon, you know? | 0:33:40 | 0:33:43 | |
Yeah, man, I'm going to have another Guinness. | 0:33:49 | 0:33:51 | |
We're going to finish and leave about four o'clock, just after four. | 0:33:51 | 0:33:56 | |
OK? | 0:33:56 | 0:33:57 | |
By just after lunch on the first day of Sunday opening, | 0:33:57 | 0:34:00 | |
the traders are not busy. | 0:34:00 | 0:34:03 | |
Jim and Neil are a little deflated. | 0:34:04 | 0:34:07 | |
I would have been happier if it was a wee bit busier. | 0:34:08 | 0:34:10 | |
Sad thing is, I was driving in this morning | 0:34:10 | 0:34:12 | |
and I was thinking, there are people, retailers, that want this to fail. | 0:34:12 | 0:34:16 | |
Crazy. | 0:34:16 | 0:34:17 | |
They want it to fail. I used to be a retailer in here | 0:34:17 | 0:34:20 | |
and I had various other centres, as well, so I share a bit of pain, | 0:34:20 | 0:34:23 | |
I'm a bit subdued, | 0:34:23 | 0:34:25 | |
but only because I just wish there was a wee bit more people out there. | 0:34:25 | 0:34:30 | |
Things haven't started with a bang. | 0:34:30 | 0:34:32 | |
But Jim and Neil are about to up their marketing efforts | 0:34:34 | 0:34:37 | |
around the Savoy's new Sunday opening. | 0:34:37 | 0:34:39 | |
It's early morning. At Taste, Kiddie and Nick | 0:34:46 | 0:34:50 | |
are waiting on new-start Kevin to come in. | 0:34:50 | 0:34:53 | |
Kevin's had all week to prove himself, | 0:34:55 | 0:34:57 | |
but Nick isn't happy. | 0:34:57 | 0:35:00 | |
Get these sinks filled up with hot, soapy water | 0:35:00 | 0:35:02 | |
for this fucking moron coming in. | 0:35:02 | 0:35:03 | |
Show him how it's done from the fucking start. | 0:35:03 | 0:35:06 | |
-I'll dae them this afternoon. -Naw, you don't need to be daein' them. | 0:35:06 | 0:35:08 | |
'Kevin continued not to pull his weight.' | 0:35:08 | 0:35:12 | |
I tell him, "You can be out the door for three o'clock, | 0:35:12 | 0:35:14 | |
"so long as you get everything done." And... | 0:35:14 | 0:35:17 | |
..he still just, he knows once four o'clock comes, | 0:35:19 | 0:35:21 | |
he'll walk out the door and we'll do it. | 0:35:21 | 0:35:23 | |
Bit lazy. He's good one day, lazy the next. | 0:35:23 | 0:35:26 | |
Need a bit of consistency to him. | 0:35:26 | 0:35:28 | |
He does seem to, when it gets to three o'clock, totally slow down. | 0:35:28 | 0:35:31 | |
Get your fucking arse in gear or get your arse out. | 0:35:31 | 0:35:34 | |
Simple. That's basics, know what I mean? | 0:35:34 | 0:35:36 | |
It's the way I was told it. Dae it or don't, and fuck off. | 0:35:36 | 0:35:40 | |
If you don't want to be here, we don't want you here. | 0:35:40 | 0:35:42 | |
Right, Kevin. See today? | 0:35:45 | 0:35:48 | |
I don't want it any way like it's been the last few days. | 0:35:48 | 0:35:52 | |
I've sat up there and watched you last night, | 0:35:52 | 0:35:54 | |
and you're standing, after I'd told you hot water, | 0:35:54 | 0:35:57 | |
in there, soapy, hot water in there, | 0:35:57 | 0:36:00 | |
get all the dishes done as soon as you can, | 0:36:00 | 0:36:02 | |
and don't stand like that with the cold water running like that | 0:36:02 | 0:36:05 | |
like I stood and watched you doing last night. | 0:36:05 | 0:36:07 | |
I done these dishes in four fucking minutes last night. | 0:36:07 | 0:36:10 | |
If I'd made you dae them, you'd still fucking be here washing them. | 0:36:10 | 0:36:13 | |
I want to see you coming to me at three o'clock going, "Done it. | 0:36:13 | 0:36:16 | |
"Fuck you, let me go home now." | 0:36:16 | 0:36:17 | |
Know what I mean? Like I used to do. | 0:36:17 | 0:36:19 | |
That's the best thing you can ever dae to anybody, | 0:36:19 | 0:36:21 | |
specially if they're giving you bollockings. | 0:36:21 | 0:36:23 | |
Just fucking dae it better than they done it and get it to fuck. | 0:36:23 | 0:36:27 | |
It's Friday, let's get out the door at three o'clock today. | 0:36:27 | 0:36:30 | |
But as I say, if no', mate, you'll go out the door at four o'clock | 0:36:30 | 0:36:32 | |
and you'll no' be coming back, mate. So get on with it. | 0:36:32 | 0:36:35 | |
Kiddie's got a list up there for you. | 0:36:35 | 0:36:38 | |
I've got sandwich boxes, I want the sandwiches done early today. | 0:36:38 | 0:36:41 | |
I think I' kind of' had it coming, | 0:36:41 | 0:36:43 | |
cos...he did say yesterday, "If you ever do it again, you'll be out" | 0:36:43 | 0:36:49 | |
and he gave me a second chance. | 0:36:49 | 0:36:51 | |
So this is probably my chance to actually do it. | 0:36:51 | 0:36:54 | |
He's at the stage now he's no' going to be fucking missed' if he goes, | 0:36:54 | 0:36:58 | |
so...what can I dae? There's no point in me struggling through | 0:36:58 | 0:37:02 | |
with somebody that's no' really fucking intae it. | 0:37:02 | 0:37:04 | |
Chef's life. | 0:37:07 | 0:37:08 | |
Fuckin' nightmare, man. | 0:37:08 | 0:37:10 | |
At the Savoy, Neil and Jim have finally got the footfall figures | 0:37:17 | 0:37:21 | |
from last Sunday. | 0:37:21 | 0:37:23 | |
It could have been better. | 0:37:23 | 0:37:24 | |
There was a couple of, maybe, mitigating circumstances. | 0:37:24 | 0:37:27 | |
Celtic live on television, council television, for a start. | 0:37:27 | 0:37:29 | |
And Jim's on the phone to his boss, to give him the news. | 0:37:29 | 0:37:33 | |
We'll just run wi' it, at the moment. | 0:37:33 | 0:37:34 | |
Nobody's come and banged the door and said, "Eff off." | 0:37:34 | 0:37:39 | |
It's just... We've got to do it, it's as simple as that. | 0:37:39 | 0:37:43 | |
A couple of people were asking, "What were the traders saying?" | 0:37:43 | 0:37:46 | |
You want the God's honest answer? I've no' asked them, | 0:37:46 | 0:37:48 | |
because I don't want to provoke it. | 0:37:48 | 0:37:50 | |
My experience is, don't treat it as this big hoo-hah. | 0:37:50 | 0:37:53 | |
Jim may be avoiding confrontation, | 0:37:53 | 0:37:57 | |
but there's one problem that isn't going away. | 0:37:57 | 0:38:00 | |
He never opened, so we're kind of waiting... | 0:38:00 | 0:38:03 | |
We think that he's going to continue, | 0:38:03 | 0:38:06 | |
he's going to open. That's what Neil and I's gut feeling is. | 0:38:06 | 0:38:09 | |
We'll just need to see how it develops | 0:38:09 | 0:38:11 | |
over the next couple of days. I don't want to have a knee-jerk reaction... | 0:38:11 | 0:38:14 | |
But Jim's way off the mark. | 0:38:14 | 0:38:16 | |
We're going, anyway, I think, regardless, now. | 0:38:16 | 0:38:18 | |
It's just a question of, as far as I'm concerned, | 0:38:18 | 0:38:20 | |
it's six weeks before we'll be vacating the premises. | 0:38:20 | 0:38:23 | |
The feedback I've heard about trade on Sunday is it was very poor. | 0:38:23 | 0:38:27 | |
-You don't think he'll change his mind? -No, I don't think so. | 0:38:27 | 0:38:30 | |
If that's the case, there's no much that we can do. | 0:38:30 | 0:38:33 | |
-We just need to wade through the treacle. -All right. | 0:38:33 | 0:38:37 | |
Jim's done all he can. | 0:38:37 | 0:38:39 | |
But it looks as if Iain's time at the Savoy is coming to an end. | 0:38:39 | 0:38:43 | |
In Taste, it's been a week since new start Kevin was shouted at, | 0:38:59 | 0:39:04 | |
and he's been trying for days to impress Nick. | 0:39:04 | 0:39:07 | |
But with no success. | 0:39:08 | 0:39:10 | |
So Nick's called in Kevin's mentor, Chrissie. | 0:39:11 | 0:39:14 | |
Hi, Chrissie, how you doing? | 0:39:16 | 0:39:17 | |
We're going to need to have a word with him today. | 0:39:17 | 0:39:20 | |
I need to see a different attitude from him, you know what I mean? | 0:39:20 | 0:39:23 | |
I need to stop seeing the laying about. | 0:39:23 | 0:39:24 | |
Kevin's future is hanging by a thread. | 0:39:24 | 0:39:27 | |
I think I would really like to stay here and dae more, | 0:39:27 | 0:39:31 | |
like, try and learn more, cos... | 0:39:31 | 0:39:33 | |
obviously in school, you don't learn as much as you would do outside. | 0:39:33 | 0:39:38 | |
So...I think I would rather dae this | 0:39:38 | 0:39:40 | |
than, basically, sit in the house doing nothing. | 0:39:40 | 0:39:44 | |
I mean, I'm like that... SIGHS | 0:39:44 | 0:39:46 | |
Is it that bad in here, do you know what I mean? | 0:39:46 | 0:39:48 | |
If I stay here and just get more training and that, | 0:39:48 | 0:39:51 | |
well, I think I could go good wi' it. | 0:39:51 | 0:39:54 | |
So I'm hoping that I can stick to it. | 0:39:56 | 0:39:59 | |
-We'll not be long, see you soon. -See you soon! | 0:40:02 | 0:40:05 | |
Chrissy's going away for a talk with him, | 0:40:05 | 0:40:07 | |
to see how he feels about the place, know what I mean? | 0:40:07 | 0:40:10 | |
And, I think, putting what we've said to her, as well. | 0:40:10 | 0:40:13 | |
To be honest, is there any difference | 0:40:13 | 0:40:15 | |
-with him no' being here to him being here? -Not really, no. | 0:40:15 | 0:40:18 | |
Fact is I've no' got somebody going like that just now. | 0:40:18 | 0:40:21 | |
Apart from me! | 0:40:21 | 0:40:22 | |
Down the street in the Savoy, the footfall figures from Sunday | 0:40:25 | 0:40:29 | |
have slowly made their way to the traders. | 0:40:29 | 0:40:32 | |
And they're not happy. | 0:40:32 | 0:40:33 | |
You see how many people outside? | 0:40:33 | 0:40:36 | |
-Right... -It's Thursday! How can you say Sunday is enough people? | 0:40:36 | 0:40:40 | |
-It's only... -It's already lunchtime. | 0:40:40 | 0:40:44 | |
It's lunchtime, see? | 0:40:44 | 0:40:46 | |
Only a few people come round. | 0:40:46 | 0:40:48 | |
As Neil takes the brunt of the traders' frustrations, | 0:40:48 | 0:40:52 | |
Jim's heading out to leaflet Sauchiehall Street, | 0:40:52 | 0:40:55 | |
with help from his daughter. | 0:40:55 | 0:40:56 | |
Lucy, you just give them out, as well. | 0:40:56 | 0:40:58 | |
Can I give you a wee leaflet there, pet? | 0:40:58 | 0:40:59 | |
There's a wee leaflet, princess. | 0:40:59 | 0:41:01 | |
There you go, girls, thanks. You can read that in bed tonight. | 0:41:01 | 0:41:04 | |
Can I give you a wee leaflet there? | 0:41:04 | 0:41:06 | |
Give you a wee leaflet, there, pet? Thanks a million. | 0:41:06 | 0:41:08 | |
Got one, darlin'? There you go. Your dad's got one, as well. | 0:41:08 | 0:41:11 | |
Give you a wee leaflet, there? | 0:41:11 | 0:41:12 | |
Looks like my daughter's a bit of a natural, as well. | 0:41:12 | 0:41:15 | |
Can I give you a leaflet, there, pet? Thanks very much, thank you. | 0:41:15 | 0:41:19 | |
'Being the most primitive form of advertising, doing leaflets. | 0:41:19 | 0:41:22 | |
You know, we could spend tens of thousands of pounds advertising | 0:41:22 | 0:41:25 | |
the Savoy Centre, on the radio or on TV, | 0:41:25 | 0:41:28 | |
but we don't need to go that far, to get the audience we're looking for. | 0:41:28 | 0:41:31 | |
The audience is here. | 0:41:31 | 0:41:33 | |
It is a question of just us trying to get out here | 0:41:33 | 0:41:35 | |
as often as we possibly could. | 0:41:35 | 0:41:36 | |
You've got the charm, have you? Oh, my! There you go. | 0:41:36 | 0:41:40 | |
Kevin, don't run now. We'll grab Nick for a couple of minutes. | 0:41:49 | 0:41:52 | |
Kevin's back. | 0:41:52 | 0:41:54 | |
He's just feeling a bit... | 0:41:54 | 0:41:56 | |
No' so much here, just stuff going on with his gran and that just now, | 0:41:56 | 0:41:59 | |
he was quite upset in the car. | 0:41:59 | 0:42:02 | |
So' I've had a chat and explained that his motivation isn't there. | 0:42:02 | 0:42:05 | |
And he's said, "Aye, I could definitely be trying harder." | 0:42:05 | 0:42:08 | |
So, at least he recognises that. | 0:42:08 | 0:42:09 | |
I was talking to Chrissy just to... | 0:42:11 | 0:42:14 | |
just keep my head up the now, in here. | 0:42:14 | 0:42:17 | |
Try and keep it going. | 0:42:18 | 0:42:19 | |
I feel that I'm just pure... | 0:42:22 | 0:42:25 | |
no caring about it. | 0:42:25 | 0:42:27 | |
What I said to him is, we'll look at it for another week. | 0:42:28 | 0:42:31 | |
Any problems, give me a call. | 0:42:31 | 0:42:33 | |
If you feel that it's just becoming a waste of your time, as well, | 0:42:33 | 0:42:36 | |
don't feel that you've got to keep him. | 0:42:36 | 0:42:39 | |
It's late in Glasgow | 0:42:55 | 0:42:57 | |
and while thousands enjoy the nightlife, | 0:42:57 | 0:42:59 | |
the police have a difficult time controlling | 0:42:59 | 0:43:01 | |
the minority of revellers who've had too much to drink | 0:43:01 | 0:43:04 | |
and are out to cause trouble. | 0:43:04 | 0:43:06 | |
WOMAN SCREAMS | 0:43:08 | 0:43:09 | |
And, unfortunately, for Melo, trouble has found him again. | 0:43:09 | 0:43:13 | |
But I'm tired. Since '98, | 0:43:13 | 0:43:16 | |
every day I get called "black bastard" this and that. | 0:43:16 | 0:43:19 | |
'Racism attack again. Verbal and abuse | 0:43:19 | 0:43:23 | |
'and throwing things and everything,' | 0:43:23 | 0:43:26 | |
and nearly broke my gear. | 0:43:26 | 0:43:28 | |
Throw all my... Throw all my gear over there, | 0:43:28 | 0:43:32 | |
tell me to go back to my country. | 0:43:32 | 0:43:35 | |
My country is Planet Earth, | 0:43:35 | 0:43:38 | |
so I don't know what other country it could be. | 0:43:38 | 0:43:42 | |
I don't understand these people. | 0:43:42 | 0:43:44 | |
It's very, very upsetting. Very upsetting. | 0:43:44 | 0:43:47 | |
We're going to bail the now, right, | 0:43:47 | 0:43:49 | |
-but we'll be back down shortly. -Cheers, thank you very much. | 0:43:49 | 0:43:51 | |
'Basically, we were walking by, and then his money that was there' | 0:43:51 | 0:43:55 | |
had been kicked away. And he went up and had a wee bit of a go at them, | 0:43:55 | 0:43:59 | |
but perfectly within his rights. | 0:43:59 | 0:44:01 | |
Obviously, he's got to defend what he's doing - | 0:44:01 | 0:44:03 | |
it's his livelihood, he's got to make his buck. | 0:44:03 | 0:44:06 | |
But as Melo gives his statement, | 0:44:06 | 0:44:08 | |
another fight breaks out just yards away. | 0:44:08 | 0:44:10 | |
There we go, more fighting! | 0:44:10 | 0:44:13 | |
I'm feeling sick, man. | 0:44:16 | 0:44:18 | |
SHOUTING | 0:44:18 | 0:44:20 | |
Since '98, I've been abused every day. | 0:44:22 | 0:44:25 | |
That's why I feel like leaving... | 0:44:25 | 0:44:27 | |
I don't even know where I might go, | 0:44:27 | 0:44:29 | |
where there's no racism and stuff, I don't even know. | 0:44:29 | 0:44:32 | |
I'm pissed off. I need to be happy. | 0:44:32 | 0:44:35 | |
If I'm not happy, I'm not going to get my pay. | 0:44:35 | 0:44:38 | |
Yeah. | 0:44:38 | 0:44:39 | |
I'll be messing up everything, because of other people | 0:44:39 | 0:44:42 | |
No way. No, it's not happening. | 0:44:42 | 0:44:45 | |
Melo may have trouble on the street, | 0:44:45 | 0:44:49 | |
but he has a bigger problem back at home. | 0:44:49 | 0:44:51 | |
He still hasn't found a place of his own | 0:44:51 | 0:44:54 | |
and Craig's patience is running out. | 0:44:54 | 0:44:57 | |
In Taste, Nick's made a decision that'll determine, once and for all, | 0:45:13 | 0:45:17 | |
whether Kevin stays or goes. | 0:45:17 | 0:45:18 | |
Kiddie, how would you like to take the guys through | 0:45:18 | 0:45:21 | |
-what they're going to do today? -Nae bother. | 0:45:21 | 0:45:23 | |
He's taking him out of the kitchen and putting him in front | 0:45:23 | 0:45:26 | |
to work the till on the busiest day of the week. | 0:45:26 | 0:45:28 | |
Doing the till, taking orders, telling us what they're having. | 0:45:28 | 0:45:31 | |
I don't want to see yous fucking crossing that line | 0:45:31 | 0:45:34 | |
by that orange juice machine - you've got no reason to do it. | 0:45:34 | 0:45:36 | |
Everything's warmed up. I need you guys here. | 0:45:36 | 0:45:38 | |
If anybody asks you for a breakfast roll - roll and sausage, | 0:45:38 | 0:45:41 | |
roll and bacon - tell them to go fuck themselves. | 0:45:41 | 0:45:43 | |
Are you nervous about this? | 0:45:43 | 0:45:45 | |
Eh... | 0:45:45 | 0:45:47 | |
..some parts I am, just in case, like, | 0:45:48 | 0:45:51 | |
I fuck something up. | 0:45:51 | 0:45:53 | |
As I always do, every day I, at least, probably fuck something up. | 0:45:53 | 0:45:56 | |
OK, right, game changed, let's do it. | 0:45:56 | 0:45:59 | |
With Taste filling up fast, Kevin's thrown in at the deep end. | 0:45:59 | 0:46:04 | |
£3, £3.50. No, sorry, £3.95, and £3.50. | 0:46:04 | 0:46:07 | |
£8.90, please. There you go. Scores in. | 0:46:07 | 0:46:10 | |
£11.10 back. Come on, mate. Fuckin' head up, yeah? | 0:46:10 | 0:46:14 | |
With the queue now spilling out onto the street, | 0:46:14 | 0:46:16 | |
there's no room for error. | 0:46:16 | 0:46:18 | |
But Kevin is starting to get the hang of it. | 0:46:19 | 0:46:21 | |
Aye, he's fine, doing good. | 0:46:21 | 0:46:23 | |
Couldn't be happier. Couldn't expect any more out of him | 0:46:23 | 0:46:25 | |
the now, you know what I mean? | 0:46:25 | 0:46:27 | |
No' finished yet, there's a lot more to go. | 0:46:27 | 0:46:29 | |
At the Savoy... | 0:46:33 | 0:46:35 | |
The ball's very firmly in his court. He can stop it all now' | 0:46:35 | 0:46:38 | |
by paying his arrear | 0:46:38 | 0:46:39 | |
and by agreeing to open on Sunday, as per the rest of the retailers. | 0:46:39 | 0:46:44 | |
If he doesn't do that, we don't have any option. | 0:46:44 | 0:46:46 | |
Jim's had word that Iain | 0:46:46 | 0:46:48 | |
has made a decision about the future of his business. | 0:46:48 | 0:46:51 | |
It's 1.30, I've now got my fourth meeting of the day, | 0:46:51 | 0:46:55 | |
which is probably going to overrun. | 0:46:55 | 0:46:57 | |
I'm desperate to finish half an hour early, which I have cleared | 0:46:57 | 0:47:00 | |
with my operations manager, because I've got to get my priorities right | 0:47:00 | 0:47:03 | |
and I've got to go and pay my golf fees. | 0:47:03 | 0:47:05 | |
It hurts me, it pains me, because I hardly play, | 0:47:05 | 0:47:07 | |
but I'm told, if I do play, this lump here will disappear. | 0:47:07 | 0:47:12 | |
But Iain has had a change of heart. | 0:47:12 | 0:47:15 | |
He's decided to open, rather than lose his business. | 0:47:15 | 0:47:18 | |
We still have issues about it, obviously, as you know, Jim. | 0:47:18 | 0:47:21 | |
I don't think anybody actually expected the doors to be... | 0:47:21 | 0:47:24 | |
People waiting at the doors, so hopefully it will build up. | 0:47:24 | 0:47:27 | |
Once people know that it's going to be open, like. | 0:47:27 | 0:47:29 | |
See you in a bit. Cheers. Take it easy, enjoy your coffee. See you. | 0:47:29 | 0:47:32 | |
Time will tell. | 0:47:36 | 0:47:37 | |
Um... | 0:47:37 | 0:47:39 | |
I don't really think... | 0:47:40 | 0:47:44 | |
there'll be sufficient people coming through the doors, actually. | 0:47:44 | 0:47:48 | |
So... | 0:47:48 | 0:47:49 | |
I have reservations about what will happen. | 0:47:49 | 0:47:53 | |
Give us a wee smile, Kiddie. You're going home, it's Friday night! | 0:47:57 | 0:48:00 | |
Back in Taste, service is over and Kevin's packing up. | 0:48:00 | 0:48:05 | |
But he's still not sure if he's impressed Nick. | 0:48:05 | 0:48:09 | |
Let's just keep pushing. Get this done in half an hour, | 0:48:09 | 0:48:11 | |
you can be walking out the door at quarter to four. | 0:48:11 | 0:48:13 | |
You're going to get this done in half an hour and walk out the door. | 0:48:13 | 0:48:16 | |
As for your job, you can keep it. | 0:48:18 | 0:48:20 | |
You can live to fight another day, you can keep your job. | 0:48:20 | 0:48:23 | |
But you just need to keep fucking working the way you've done the day. | 0:48:23 | 0:48:26 | |
Just continue doing it, please. | 0:48:26 | 0:48:28 | |
And you'll have no problems with me. | 0:48:29 | 0:48:32 | |
That's the test of somebody, | 0:48:33 | 0:48:35 | |
if they can be consistent and do that every day. | 0:48:35 | 0:48:37 | |
It's all right fucking doing a shit-hot shift one day, | 0:48:37 | 0:48:40 | |
but if you come in the next time and just don't give a fuck | 0:48:40 | 0:48:43 | |
then it doesn't really work in this game, do you know what I mean? | 0:48:43 | 0:48:46 | |
So, that's the ultimate test and it's just going to be | 0:48:46 | 0:48:48 | |
over a period of time, seeing how he does it. | 0:48:48 | 0:48:50 | |
Just off Sauchiehall Street... | 0:49:04 | 0:49:06 | |
Yeah, yeah. I hope the cops don't see this. | 0:49:06 | 0:49:10 | |
I need these at other times, when I'm in the street. | 0:49:10 | 0:49:13 | |
Like Pavarotti does it, aaah! | 0:49:13 | 0:49:17 | |
That's what he does. Helps you to sing. | 0:49:17 | 0:49:20 | |
Gives a boost. | 0:49:20 | 0:49:22 | |
Melo's back out for a day of busking. | 0:49:22 | 0:49:24 | |
Oh, my God, she's got red hair, call the fire brigade! | 0:49:24 | 0:49:29 | |
It's been two weeks since Melo moved into Craig's | 0:49:29 | 0:49:32 | |
and, last night, they ended up fighting, | 0:49:32 | 0:49:34 | |
after more arguments about Melo not saving money. | 0:49:34 | 0:49:37 | |
They've not spoken to each other since. | 0:49:37 | 0:49:39 | |
Nelson is ignoring me. And I think he should... | 0:49:39 | 0:49:43 | |
STUTTERS | 0:49:43 | 0:49:45 | |
..should apologise. I bump into him, | 0:49:45 | 0:49:48 | |
he's going to look miserable because he knows he's done wrong. | 0:49:48 | 0:49:51 | |
That's all. He's going to look miserable | 0:49:51 | 0:49:54 | |
and I'm not going to want to have a conversation, | 0:49:54 | 0:49:59 | |
unless he comes to tell me sorry for the whole time he let me down. | 0:49:59 | 0:50:03 | |
I always earn better money by myself. | 0:50:03 | 0:50:07 | |
I don't need them to... to... I earn more money by myself. | 0:50:07 | 0:50:12 | |
I never need them, anyway. | 0:50:12 | 0:50:14 | |
HE SINGS "I Shot The Sheriff" by Bob Marley | 0:50:14 | 0:50:17 | |
If Melo can't sort things out with Craig by tonight, | 0:50:17 | 0:50:20 | |
he'll find himself with nowhere left to go. | 0:50:20 | 0:50:23 | |
It's Sunday and, true to his word, Iain has opened. | 0:50:30 | 0:50:34 | |
The problem is, some of the other traders haven't. | 0:50:34 | 0:50:39 | |
It's not great. The Sunday opening's been an uphill battle from day one. | 0:50:39 | 0:50:42 | |
If retailers aren't making money, | 0:50:42 | 0:50:44 | |
they then start making decisions with their feet. | 0:50:44 | 0:50:47 | |
They close their unit on a Sunday, | 0:50:47 | 0:50:48 | |
it's no' worth their while getting out their beds, employing staff | 0:50:48 | 0:50:51 | |
and coming in and opening with the current footfall we're enjoying, | 0:50:51 | 0:50:54 | |
which really isn't what we were looking for. | 0:50:54 | 0:50:56 | |
But we need to keep pressing forward with it. We're duty-bound. | 0:50:56 | 0:51:00 | |
-How's it going today? -Er... | 0:51:00 | 0:51:02 | |
..I don't know. | 0:51:05 | 0:51:07 | |
-Hi, Chris, there's a nice letter for you. -Thank you! -Everything OK? -Aye! | 0:51:07 | 0:51:11 | |
-Livin' la vida loca? -Eh? -Livin' la vida loca? -Yeah. | 0:51:11 | 0:51:15 | |
You always know when somebody doesn't get your joke. | 0:51:15 | 0:51:18 | |
Are you finding this all stressful? | 0:51:18 | 0:51:20 | |
Honestly? Yeah. | 0:51:21 | 0:51:23 | |
Yeah. To the point where it's becoming, really, a bit too much. | 0:51:23 | 0:51:26 | |
There's been a number of nights that I haven't slept | 0:51:26 | 0:51:29 | |
about the whole...the whole job. As much as it pains me to say it, | 0:51:29 | 0:51:33 | |
I'm seriously having to consider other options, | 0:51:33 | 0:51:35 | |
because my health's starting to suffer. | 0:51:35 | 0:51:38 | |
I've put on so much weight in the last few months, | 0:51:38 | 0:51:40 | |
just comfort-eating. | 0:51:40 | 0:51:42 | |
At the end of the day, I can't work any harder, | 0:51:42 | 0:51:45 | |
but I'm just no' getting the results that I used to get. | 0:51:45 | 0:51:48 | |
And' unfortunately, the way that I operate, I wear my heart on my sleeve | 0:51:48 | 0:51:52 | |
and I've got a wife and two kids to support and... | 0:51:52 | 0:51:56 | |
I genuinely am at a loss as to what to do at the moment. | 0:51:56 | 0:51:59 | |
I'm at a genuine loss. | 0:51:59 | 0:52:01 | |
Once we've got the date set in stone | 0:52:10 | 0:52:13 | |
and everything set in stone, I can get the address to you | 0:52:13 | 0:52:17 | |
and get stuff printed... | 0:52:17 | 0:52:19 | |
In Babushka, the last two weekends | 0:52:19 | 0:52:21 | |
have seen more and more people through the door. | 0:52:21 | 0:52:23 | |
So, when the unit's not quite finished, guys are still in working, | 0:52:23 | 0:52:27 | |
you do a soft VIP launch - you invite people in. | 0:52:27 | 0:52:30 | |
So the owners have decided to shut up shop | 0:52:30 | 0:52:33 | |
and move to a bigger unit, further down Sauchiehall Street. | 0:52:33 | 0:52:36 | |
We're going to be moving Babushka to another location, | 0:52:36 | 0:52:39 | |
further along the street. | 0:52:39 | 0:52:41 | |
I'll be quite gutted, to be honest, | 0:52:41 | 0:52:43 | |
because there's a lot of good... I, kind of, got my first chance here, | 0:52:43 | 0:52:47 | |
managed to do all right. It is good, it will work better. | 0:52:47 | 0:52:50 | |
It'll take a little bit of time, | 0:52:50 | 0:52:52 | |
because it's just opened from scratch, but it will get better. | 0:52:52 | 0:52:55 | |
Down in Taste... | 0:53:02 | 0:53:04 | |
OK, right, so that's fine, no more comebacks from Kevin, that's it? | 0:53:04 | 0:53:08 | |
It's been two weeks since Kevin's good service, | 0:53:08 | 0:53:11 | |
but things have taken a turn for the worse and Nick has made a decision. | 0:53:11 | 0:53:15 | |
Will do, Chrissy. Cheers, bye-bye. | 0:53:15 | 0:53:17 | |
That's it. Sorted. His maw's no' going to... | 0:53:17 | 0:53:20 | |
His maw's fucking calmed down now. | 0:53:20 | 0:53:22 | |
Fucking hell, man, madness, innit? | 0:53:24 | 0:53:25 | |
That's the first person I've ever sacked, man. | 0:53:25 | 0:53:28 | |
He says, "You're no' supposed to be here just now, | 0:53:34 | 0:53:37 | |
"did you no' get a message and that?" | 0:53:37 | 0:53:39 | |
And I says, "No, my phone's broke." | 0:53:39 | 0:53:41 | |
I phoned Chrissy. I think she phoned Nick, | 0:53:41 | 0:53:43 | |
and, basically, he said that I wasn't to come back, | 0:53:43 | 0:53:46 | |
and I've no' been back since and I've no' heard from them. | 0:53:46 | 0:53:49 | |
We've decided to call it a day with Kevin. | 0:53:49 | 0:53:52 | |
To be honest with you, it's just no... It's not worked out at all. | 0:53:52 | 0:53:56 | |
We phoned Chrissy, she's then spoke to his mum | 0:53:56 | 0:53:58 | |
and there's been a big bust-up on the phone with his mum, as well. | 0:53:58 | 0:54:01 | |
He was all right at first, but when he was actual... | 0:54:01 | 0:54:04 | |
When you were actually working for him, | 0:54:04 | 0:54:07 | |
he was just a completely different person. | 0:54:07 | 0:54:09 | |
I think he was just acting like a pure arsehole. | 0:54:09 | 0:54:12 | |
I've been backed into this corner and I'm no' prepared to do it any more. | 0:54:12 | 0:54:15 | |
It's making me look like a fanny' if I just keep giving chances | 0:54:15 | 0:54:18 | |
and these guys' shoulders drop, cos they're like, | 0:54:18 | 0:54:20 | |
"Why the fuck are we daein' all this, when this cunt's coming in here | 0:54:20 | 0:54:23 | |
"and just fucking getting an easy life?" | 0:54:23 | 0:54:25 | |
And just no, trying for us, when it is easy. | 0:54:25 | 0:54:27 | |
So...that's why, that's the final straw to me, to be honest. | 0:54:27 | 0:54:31 | |
On Monday, Kevin will be at the Job Centre, | 0:54:33 | 0:54:35 | |
with little prospect of finding work. | 0:54:35 | 0:54:38 | |
Go to City Mission, they'll lead you to different places. That's good. | 0:55:00 | 0:55:03 | |
And you'll get something to eat. | 0:55:03 | 0:55:04 | |
It's late on Sauchiehall Street, | 0:55:04 | 0:55:07 | |
and Melo's packed up for the night. | 0:55:07 | 0:55:10 | |
He's had news from Craig. | 0:55:10 | 0:55:12 | |
The text says for me to leave, because... | 0:55:12 | 0:55:16 | |
"It's for the best, Melo. I hope you find somewhere soon." | 0:55:16 | 0:55:19 | |
HE LAUGHS | 0:55:19 | 0:55:21 | |
It's funny, isn't it? | 0:55:21 | 0:55:22 | |
How can you leave on a Saturday, do you know what I mean? | 0:55:22 | 0:55:26 | |
How can you do this to people? You can't do this. | 0:55:26 | 0:55:28 | |
He was just without any plan for getting money together, you know? | 0:55:28 | 0:55:31 | |
So I mean, if that's the case, I just realised, | 0:55:31 | 0:55:33 | |
this guy's never going to leave here, unless I throw him out. | 0:55:33 | 0:55:36 | |
I, kind of, got a bit angry and I still feel angry about it | 0:55:36 | 0:55:39 | |
because he might have misread the situation | 0:55:39 | 0:55:42 | |
and felt that it was easier just to live on my generosity | 0:55:42 | 0:55:45 | |
than just get his life together, | 0:55:45 | 0:55:47 | |
so it's like, "I'll just live on this guy's couch for a couple of months." | 0:55:47 | 0:55:50 | |
But he was totally mistaken, you know? So, now, he's out. | 0:55:50 | 0:55:53 | |
Melo's last resort is to stay in a hotel for the night. | 0:55:55 | 0:55:58 | |
But that would mean spending all the money he has left. | 0:55:58 | 0:56:01 | |
So he leaves one last message for Craig. | 0:56:01 | 0:56:03 | |
Can you... Can you at least give me, like, a couple of days, man? | 0:56:03 | 0:56:09 | |
I'm going to spend £70 in a hotel, brother. | 0:56:09 | 0:56:12 | |
What is so bad? What have I done to you, man? Nothing! | 0:56:15 | 0:56:19 | |
Hello? | 0:56:20 | 0:56:21 | |
I'm being ignored by Nelson. | 0:56:22 | 0:56:25 | |
With no option left | 0:56:25 | 0:56:26 | |
and having fallen out with his last real friend, | 0:56:26 | 0:56:30 | |
Melo is homeless. | 0:56:30 | 0:56:31 | |
Yeah. | 0:56:31 | 0:56:32 | |
Yeah, he just hanged up. Like, cowards do this. | 0:56:36 | 0:56:40 | |
Ignorant people do this. | 0:56:40 | 0:56:42 | |
Abstain yourself from ignorance and you'll do a much better job. | 0:56:42 | 0:56:45 | |
What goes around comes around. | 0:56:45 | 0:56:47 | |
If he ever touches me again, I'm going to batter him. | 0:56:50 | 0:56:52 | |
It's just a struggle. | 0:57:08 | 0:57:10 | |
It's my fault. It's my fault for trusting them too much. | 0:57:10 | 0:57:15 | |
It's my fault. | 0:57:17 | 0:57:18 | |
Father God, we just thank you for Billy tonight | 0:57:24 | 0:57:27 | |
and we ask that you will keep him safe | 0:57:27 | 0:57:29 | |
and Lord, we'll just ask that you show your love to him | 0:57:29 | 0:57:31 | |
in many ways, in Jesus' name, amen. | 0:57:31 | 0:57:33 | |
Next time on The Street... | 0:57:43 | 0:57:45 | |
Come on! Idiot! | 0:57:45 | 0:57:46 | |
Stop fucking hiding through the back. Come on, I need you. | 0:57:46 | 0:57:49 | |
Red onions done. | 0:57:49 | 0:57:50 | |
Nick has even more staff problems when Kiddie goes AWOL. | 0:57:50 | 0:57:54 | |
Just, sort of, fear the worst, you know what I mean? | 0:57:54 | 0:57:56 | |
I fear he could be fuckin' hanging from a tree. | 0:57:56 | 0:57:58 | |
Melo gets a new start and a new flat. | 0:57:59 | 0:58:02 | |
Expect the worst and good things maybe happen. | 0:58:02 | 0:58:07 | |
Jim continues to champion Sunday openings, | 0:58:07 | 0:58:10 | |
but is faced with a big decision. | 0:58:10 | 0:58:11 | |
I'm in a corner. | 0:58:11 | 0:58:13 | |
I'm on the ropes and I've nowhere to go. | 0:58:13 | 0:58:15 | |
Hi. Is there anything we can do to help? | 0:58:15 | 0:58:18 | |
The pastors are out again, looking after the partygoers on the street. | 0:58:18 | 0:58:22 | |
Is he OK? | 0:58:22 | 0:58:23 | |
And next week, the Savoy's newest psychic | 0:58:23 | 0:58:26 | |
tries to make a name for himself, | 0:58:26 | 0:58:28 | |
with unpredictable results. | 0:58:28 | 0:58:30 | |
My psychic ability on you is that you're full of shit. | 0:58:30 | 0:58:35 |