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This programme contains very strong language. | 0:00:02 | 0:00:07 | |
Sauchiehall Street is one of the most famous streets in Scotland. | 0:00:07 | 0:00:10 | |
By day, thousands are employed in its shops and offices. By night, | 0:00:10 | 0:00:13 | |
it attracts hordes of visitors to its restaurants, bars and clubs. | 0:00:13 | 0:00:16 | |
And at the weekend, the street | 0:00:16 | 0:00:18 | |
has a reputation as one of the most buzzing places to go out in Glasgow. | 0:00:18 | 0:00:23 | |
Ah! | 0:00:23 | 0:00:24 | |
If you've not got a number by now, you shouldn't be getting one | 0:00:24 | 0:00:27 | |
in the taxi queue. Let's go down. | 0:00:27 | 0:00:29 | |
The Street follows the lives of a number of people | 0:00:29 | 0:00:31 | |
over the course of a year, as they try to earn their crust... | 0:00:31 | 0:00:34 | |
There was a couple of wee fucking wanks scratching their fucking dick | 0:00:34 | 0:00:37 | |
for eight hours this morning. Look at this, man. | 0:00:37 | 0:00:39 | |
Hey! Guys! | 0:00:39 | 0:00:41 | |
..protect the public... | 0:00:41 | 0:00:43 | |
Well, you feel worried about what's going to happen. | 0:00:43 | 0:00:45 | |
It could have killed him. | 0:00:45 | 0:00:47 | |
..make sweet music... | 0:00:47 | 0:00:49 | |
Another pound. I can buy some... A loaf of bread. | 0:00:49 | 0:00:52 | |
I'm not a great person but a pound counts. | 0:00:52 | 0:00:56 | |
-..and struggle to make a living. -I don't have a problem | 0:00:56 | 0:00:58 | |
with closing your business down, but I don't want to do it. | 0:00:58 | 0:01:01 | |
On one of Scotland's most iconic streets. | 0:01:01 | 0:01:04 | |
So, basically, they're all spineless bastards, in my view. | 0:01:04 | 0:01:07 | |
Previously on The Street... | 0:01:13 | 0:01:15 | |
# Or even let them school ya... # | 0:01:15 | 0:01:18 | |
Melo, who makes his living busking, found himself homeless | 0:01:18 | 0:01:21 | |
and had to turn to his old friend Craig for a place to stay. | 0:01:21 | 0:01:25 | |
It's not going to be an open-ended thing, | 0:01:25 | 0:01:27 | |
but eventually I'm sure he'll get something. | 0:01:27 | 0:01:29 | |
You're sitting here, milking our country for thousands, | 0:01:29 | 0:01:32 | |
you fucking black bastard, you. | 0:01:32 | 0:01:33 | |
Playing late into the night, to earn money, | 0:01:33 | 0:01:36 | |
he had a run-in with two passers-by. | 0:01:36 | 0:01:39 | |
Fuck you! | 0:01:40 | 0:01:41 | |
All right. | 0:01:41 | 0:01:42 | |
And when he also fell out with Craig... | 0:01:42 | 0:01:45 | |
-He don't want to talk. -Well, why should he? | 0:01:45 | 0:01:47 | |
..Melo finally had to accept he was homeless again. | 0:01:47 | 0:01:52 | |
If he ever touched me again, this is it - I'm going to batter him. | 0:01:52 | 0:01:55 | |
Three weeks on, and Melo is still living in a cheap hotel | 0:02:03 | 0:02:07 | |
while he tries to save money for a place of his own. | 0:02:07 | 0:02:10 | |
Do you know one of the things I like around here? Is this. | 0:02:10 | 0:02:14 | |
When you open... Ha-ha. | 0:02:14 | 0:02:16 | |
A load of trees, and you can... | 0:02:16 | 0:02:18 | |
I like it, to be honest. I don't mind it. | 0:02:18 | 0:02:22 | |
Cos at the end of the day you just need somewhere to lie your head. | 0:02:22 | 0:02:27 | |
But... | 0:02:27 | 0:02:29 | |
I cannot really do much, just come down here and just relax my mind. | 0:02:29 | 0:02:36 | |
That's it. | 0:02:36 | 0:02:37 | |
He's just had some good news, though. | 0:02:38 | 0:02:40 | |
He's been offered a free place to stay while he gets back on his feet. | 0:02:40 | 0:02:44 | |
-How you doing, all right? -What's up, brother? | 0:02:50 | 0:02:53 | |
He's arrived at takeaway restaurant Taste to pick up his things that | 0:02:53 | 0:02:57 | |
fellow Sauchiehall Street regular Nick has been storing for him. | 0:02:57 | 0:03:01 | |
Nick, thanks very much, man, yeah? | 0:03:01 | 0:03:03 | |
Thanks a lot, man. This makes a big difference, man. | 0:03:03 | 0:03:07 | |
-Got everything, yeah? -Yeah, yeah. If there's anything, I'll let you know. | 0:03:07 | 0:03:11 | |
Cheers. | 0:03:11 | 0:03:12 | |
Today is also Melo's birthday, and later tonight, | 0:03:12 | 0:03:16 | |
one of Sauchiehall Street's bars is letting him host his own gig. | 0:03:16 | 0:03:19 | |
Are you ready for a birthday party? My birthday party? | 0:03:19 | 0:03:21 | |
In Brunswick Cellars? | 0:03:21 | 0:03:23 | |
I'm not really, like, going out partying anymore the now - | 0:03:23 | 0:03:26 | |
-I'm sorry. -Oh, it's my birthday, man. | 0:03:26 | 0:03:28 | |
Yeah, yeah - my birthday's going to be in Brunswick Cellars, | 0:03:28 | 0:03:32 | |
but also I'm going to be hosting a night there on Tuesday. | 0:03:32 | 0:03:37 | |
Yeah. And we're trying to arrange so I don't lose money from being | 0:03:37 | 0:03:41 | |
outside and stuff and, yeah, it's going to be a good night. | 0:03:41 | 0:03:45 | |
I'm just heavy-duty sometimes. | 0:03:45 | 0:03:48 | |
Waiting for Melo to arrive in the East End of the city is Chris. | 0:03:48 | 0:03:53 | |
Well, I've kind of always... | 0:03:53 | 0:03:54 | |
The first time I met him was quite a few... | 0:03:54 | 0:03:56 | |
A think about a year back or so. | 0:03:56 | 0:03:58 | |
I'd just always see him playing in the streets and stuff. | 0:03:58 | 0:04:00 | |
He's basically had to leave where he was staying, so I just said, | 0:04:00 | 0:04:05 | |
"Here, man, if you want, I've got a place you can stay." | 0:04:05 | 0:04:08 | |
He's not paying any rent or anything. | 0:04:08 | 0:04:10 | |
It's just to help him kind of get on his feet and stuff. | 0:04:10 | 0:04:13 | |
He's just a really sound guy. | 0:04:13 | 0:04:15 | |
Right. | 0:04:17 | 0:04:18 | |
'He just wants to be settled down. Every time he tries to move about,' | 0:04:18 | 0:04:21 | |
something seems to pop up. | 0:04:21 | 0:04:23 | |
Like he'll stay at someone's and then he can only stay so long, | 0:04:23 | 0:04:26 | |
so he's a bit kind of nomadic. | 0:04:26 | 0:04:28 | |
So it's hard work, you know. | 0:04:28 | 0:04:30 | |
I'm drinking water. I don't like it. | 0:04:31 | 0:04:33 | |
Too much salt. It's making me sick. | 0:04:33 | 0:04:36 | |
I think if you got enough time, | 0:04:40 | 0:04:41 | |
I think I'm going to have something to drink. | 0:04:41 | 0:04:43 | |
-What, beers or something? -Yeah. | 0:04:43 | 0:04:46 | |
Do you want some beers? | 0:04:46 | 0:04:47 | |
Melo will be back on Sauchiehall Street tonight | 0:04:47 | 0:04:49 | |
for his birthday gig in a bar. | 0:04:49 | 0:04:51 | |
If it goes well, it could lead to something regular that pays. | 0:04:51 | 0:04:56 | |
Previously on The Street... | 0:05:01 | 0:05:02 | |
Get these sinks filled up | 0:05:02 | 0:05:03 | |
with hot, soapy water for this fucking moron coming in. | 0:05:03 | 0:05:06 | |
Ex-addict Nick was trying everything he could | 0:05:06 | 0:05:08 | |
to make his new takeaway business work. | 0:05:08 | 0:05:10 | |
Cannabis was a major problem for us. | 0:05:10 | 0:05:12 | |
OK, it was a fucking monumental problem. | 0:05:12 | 0:05:15 | |
He was short-staffed, so took on school-leaver Kevin. | 0:05:15 | 0:05:18 | |
I see something and I can't explain it when I see something in somebody. | 0:05:18 | 0:05:21 | |
I just see it, do you know what I mean? | 0:05:21 | 0:05:23 | |
See maybe a wee bit of myself in them or something like that. | 0:05:23 | 0:05:25 | |
-Nick tried to give Kevin every chance. -Just fucking do it. | 0:05:25 | 0:05:29 | |
Do it better than they done it, | 0:05:29 | 0:05:30 | |
and fucking get it done and get it to fuck. | 0:05:30 | 0:05:32 | |
But eventually he gave up and sacked him. | 0:05:32 | 0:05:35 | |
To be honest, | 0:05:35 | 0:05:36 | |
is there any difference with him not being here to him being here? | 0:05:36 | 0:05:39 | |
I think he was just acting like a pure arsehole some of the times. | 0:05:39 | 0:05:42 | |
Where's that tarragon, mate? | 0:05:47 | 0:05:49 | |
All the herbs that I've got in this one. | 0:05:49 | 0:05:52 | |
In the last month, Taste's profits have started to drop, | 0:05:52 | 0:05:56 | |
so Nick has made the decision to diversify | 0:05:56 | 0:05:58 | |
and offer buffets for corporate clients. | 0:05:58 | 0:06:01 | |
We're bouncing off each other like fucking Dodgems here, man, | 0:06:01 | 0:06:04 | |
looking for these. Where the fuck have they been put? | 0:06:04 | 0:06:06 | |
Tonight's buffet is for 100 people, | 0:06:06 | 0:06:09 | |
and has to be out of the door in an hour. | 0:06:09 | 0:06:11 | |
I'm just a wee bit stressed out. I'm tired, I'm fucking... | 0:06:11 | 0:06:14 | |
My head's a bit up my arse, but it's a good gig to get this, | 0:06:14 | 0:06:18 | |
start getting buffets like this, | 0:06:18 | 0:06:19 | |
because it's feeding more money into the business. | 0:06:19 | 0:06:22 | |
Ideally, this place would just fucking make enough money | 0:06:22 | 0:06:25 | |
and we didn't need to worry about doing stuff like this. | 0:06:25 | 0:06:27 | |
It's almost like soliciting yourself out. It's tarragon I'm looking for. | 0:06:27 | 0:06:30 | |
Where the fuck is it?! | 0:06:30 | 0:06:32 | |
While Nick heads up the buffet side of the business, | 0:06:32 | 0:06:35 | |
he's left the day-to-day running of Taste to his right-hand man | 0:06:35 | 0:06:38 | |
and head chef, Kiddie. | 0:06:38 | 0:06:39 | |
Things are really tough at the moment and it's hard, hard work. | 0:06:39 | 0:06:42 | |
Especially we've got all these buffets with it being Christmas | 0:06:42 | 0:06:45 | |
and... It's starting to take its toll a bit on everybody. | 0:06:45 | 0:06:48 | |
Everybody's starting to get grumpy and just - "Oh, I want to go home." | 0:06:48 | 0:06:52 | |
When I first started it was a bit hard going. | 0:06:52 | 0:06:54 | |
I'd been out of work for seven months, | 0:06:54 | 0:06:56 | |
but I've always had a good work ethic, | 0:06:56 | 0:06:57 | |
I've always worked hard, and it's paying off now, | 0:06:57 | 0:06:59 | |
because I'm getting a lot more responsibility. I'm getting to | 0:06:59 | 0:07:02 | |
sort of look after the place on my own and things like that. | 0:07:02 | 0:07:05 | |
It is, it's good. | 0:07:05 | 0:07:06 | |
Excuse me, guys! I've found it! | 0:07:06 | 0:07:09 | |
-Where? -Right in front of your face, here. | 0:07:09 | 0:07:12 | |
Oh, I put that there. HE LAUGHS | 0:07:12 | 0:07:15 | |
Nick and Kiddie have got one hour to get the buffet there on time. | 0:07:15 | 0:07:18 | |
Tonight I'm going to get all the... | 0:07:21 | 0:07:23 | |
You know, the universities, their music and that? | 0:07:23 | 0:07:26 | |
Get them PR'd, and see if we can | 0:07:26 | 0:07:27 | |
get some of those music students coming in as well. | 0:07:27 | 0:07:30 | |
-Just have a massive jam session every Tuesday. -Yeah. | 0:07:30 | 0:07:33 | |
That's... That's what my idea was, anyway. | 0:07:33 | 0:07:35 | |
Melo's back on the street, and preparing for his gig tonight. | 0:07:35 | 0:07:39 | |
How much is this? | 0:07:41 | 0:07:43 | |
Give us £1.50, man. | 0:07:43 | 0:07:46 | |
Oh, this is like happy hours? | 0:07:46 | 0:07:47 | |
No, staff drink. | 0:07:47 | 0:07:49 | |
Oh. Cheers, man. | 0:07:49 | 0:07:52 | |
-Happy birthday, Melo. -Yeah, man. It's my day. Celebrate. | 0:07:53 | 0:07:57 | |
You know, I woke up drunk from last night. This is the cure, innit? | 0:07:57 | 0:08:02 | |
If it goes well, it could mean the start of Melo's own weekly gig. | 0:08:02 | 0:08:06 | |
Yeah, if it's popular, then we can make it a regular thing. | 0:08:06 | 0:08:10 | |
If tonight kicks off well, then we'll keep it going. | 0:08:10 | 0:08:14 | |
They'll all try to play better than me, but... Ha-ha! | 0:08:14 | 0:08:17 | |
This is going to be fun! | 0:08:17 | 0:08:19 | |
Expect the worst and good things maybe happen. | 0:08:20 | 0:08:24 | |
Patty! Patty, do you want to go with them now, please? | 0:08:33 | 0:08:36 | |
Go with them upstairs. | 0:08:36 | 0:08:38 | |
Back in Taste, Nick's rushing to get the buffet delivered on time. | 0:08:38 | 0:08:43 | |
The last year and opening Taste has meant a big change for Nick. | 0:08:45 | 0:08:49 | |
What happened there with Taste, I wouldn't be able to do that | 0:08:49 | 0:08:52 | |
if I was fucking still carrying on the way I was. No way I'd be able to. | 0:08:52 | 0:08:56 | |
I wouldn't be taking any money home or anything like that. | 0:08:56 | 0:08:58 | |
I would be fucking... I'd be a joke. | 0:08:58 | 0:09:00 | |
I'd be upstairs sleeping all the time, do you know what I mean? | 0:09:00 | 0:09:04 | |
I'm healthy and all that now, do you know what I mean? And I'm happy. | 0:09:04 | 0:09:08 | |
I'm content with myself. | 0:09:08 | 0:09:10 | |
I'm taking all my... Projecting all my stress out on work, | 0:09:10 | 0:09:13 | |
and when I finish at night, I'm quite happy, know what I mean? | 0:09:13 | 0:09:16 | |
Just do two ham and cheese, do two cheese and just do two pastrami. | 0:09:16 | 0:09:19 | |
Then at least we've got something to get started. | 0:09:19 | 0:09:22 | |
The last year has not been as positive for everyone in Taste. | 0:09:22 | 0:09:26 | |
A really shit year last year, to be honest. | 0:09:26 | 0:09:29 | |
I was unemployed for a while and I was a bit... | 0:09:29 | 0:09:31 | |
Didn't know what I was doing with myself for a while. | 0:09:31 | 0:09:35 | |
I don't know, just lost the plot a couple of times. | 0:09:35 | 0:09:38 | |
Just a lot of problems in my head, a wee bit of depression and stuff | 0:09:40 | 0:09:42 | |
and that, which isn't nice. | 0:09:42 | 0:09:44 | |
I've had it before and it never really goes away. | 0:09:44 | 0:09:46 | |
One day you feel great and the next you just don't want to get out of your bed. | 0:09:46 | 0:09:49 | |
A couple of days even when I was off I just wanted to lie in my bed all day. | 0:09:49 | 0:09:52 | |
I didn't want to do anything. Just like, "What's the point?" | 0:09:52 | 0:09:56 | |
He's a wee bit sad today, so I'm just going to lay off him. | 0:09:56 | 0:09:59 | |
-RESEARCHER: -Why is he a wee bit sad? -I don't know. He's having problems. | 0:09:59 | 0:10:03 | |
Having relationship problems. We'll leave it at that. | 0:10:03 | 0:10:07 | |
Um... Aye, it's quite sad for him. It's a shame. | 0:10:07 | 0:10:09 | |
But he bottles things up and then he is a right bastard. | 0:10:09 | 0:10:12 | |
Whereas you've just got to be a consistent cunt, as I like to say it. | 0:10:12 | 0:10:15 | |
You've just got to make the best of it you can, just do the best | 0:10:15 | 0:10:18 | |
you can, and hopefully everything's all right this year. | 0:10:18 | 0:10:21 | |
I'm hoping it will be, for fuck's sake. | 0:10:21 | 0:10:22 | |
I don't think I could go through another year like that. | 0:10:22 | 0:10:25 | |
I see him working for me to the day the two of us stop working, aye. | 0:10:25 | 0:10:29 | |
But the only thing is, | 0:10:29 | 0:10:31 | |
I know that guys like Kiddie, you don't fucking leave sitting. | 0:10:31 | 0:10:34 | |
Sauchiehall Street has a new resident, | 0:10:48 | 0:10:51 | |
who's just arrived after living and working in Spain. | 0:10:51 | 0:10:55 | |
About six years ago, I was on Talk 107, | 0:10:56 | 0:10:59 | |
I was on the radio every Saturday. | 0:10:59 | 0:11:01 | |
From there, we went and toured around the world. | 0:11:01 | 0:11:04 | |
Went to Spain, we went to Dublin, went to Turkey, and I woke up one day | 0:11:04 | 0:11:07 | |
and a little voice said, "It's time for you to go and work in Glasgow," | 0:11:07 | 0:11:10 | |
and everything seems to be like a little jigsaw, fitting to pieces. | 0:11:10 | 0:11:14 | |
I still wish it was a bit sunnier. | 0:11:14 | 0:11:16 | |
Chris may have only just arrived, | 0:11:16 | 0:11:19 | |
but he already has work, later tonight. | 0:11:19 | 0:11:21 | |
Apparently it's the oldest pub in Glasgow, | 0:11:21 | 0:11:23 | |
and the entities that are in there, we're going to try and talk to | 0:11:23 | 0:11:28 | |
and link up to, and see - is anybody haunting the pub? | 0:11:28 | 0:11:31 | |
Anybody stuck in the pub? | 0:11:31 | 0:11:33 | |
We might find some interesting characters. | 0:11:33 | 0:11:36 | |
Chris is a clairvoyant psychic and hypnotist. | 0:11:38 | 0:11:42 | |
He's moved lock, stock and barrel to Glasgow, | 0:11:44 | 0:11:46 | |
after receiving instructions from the spirit world. | 0:11:46 | 0:11:51 | |
Anybody that goes into this type of field, they should know | 0:11:51 | 0:11:53 | |
exactly what they're doing, or they shouldn't be messing with it at all. | 0:11:53 | 0:11:57 | |
Don't mess with things that you don't understand, because it's very | 0:11:57 | 0:12:00 | |
dangerous and very real if you don't know who you're dealing with. | 0:12:00 | 0:12:03 | |
It looks like quite an ancient place, stuck in the middle | 0:12:06 | 0:12:09 | |
of some of the modern buildings. | 0:12:09 | 0:12:11 | |
But let's go and have some fun. | 0:12:11 | 0:12:14 | |
That's you now. | 0:12:14 | 0:12:16 | |
Up on Sauchiehall Street... | 0:12:18 | 0:12:19 | |
Wahey! | 0:12:19 | 0:12:21 | |
..Melo's not on his usual pitch. | 0:12:23 | 0:12:25 | |
# Hey, Joe | 0:12:29 | 0:12:31 | |
# Where you goin' with that gun in your hand? Yeah, baby... # | 0:12:33 | 0:12:36 | |
It is nearing the end of his birthday gig, | 0:12:36 | 0:12:39 | |
and he's packed the place out. | 0:12:39 | 0:12:41 | |
# Yes, I did, I shot her... # | 0:12:41 | 0:12:43 | |
Melo's been brilliant. A fair amount of publicity. | 0:12:43 | 0:12:47 | |
We're making a lot of money. | 0:12:47 | 0:12:48 | |
Putting a lot of money in the till, so happy about that. | 0:12:48 | 0:12:50 | |
# Hey, Joe | 0:12:50 | 0:12:53 | |
INDISTINCT | 0:12:53 | 0:12:55 | |
# Shooting me down... # | 0:12:55 | 0:12:57 | |
Judging what happens tonight, once a month, I reckon. | 0:12:57 | 0:13:01 | |
CHEERING AND APPLAUSE | 0:13:01 | 0:13:02 | |
We jammin'! We jammin'! | 0:13:02 | 0:13:04 | |
Melo's birthday party is going well, | 0:13:06 | 0:13:09 | |
and he's having a great time, bonding with his new housemates. | 0:13:09 | 0:13:12 | |
Fuck it. I need a pee. I'm not going downstairs again. | 0:13:14 | 0:13:18 | |
HE LAUGHS | 0:13:18 | 0:13:19 | |
Yeah, man. | 0:13:19 | 0:13:20 | |
It's my birthday - I can fucking do what I want! | 0:13:20 | 0:13:23 | |
Fuck it. Fuck off! | 0:13:23 | 0:13:27 | |
THEY GRUNT AND GROAN | 0:13:27 | 0:13:30 | |
You fucking homos, motherfuckers. | 0:13:31 | 0:13:34 | |
Previously on The Street, a Christian group, the Street Pastors, | 0:13:39 | 0:13:42 | |
were out, looking after the inebriated and the vulnerable. | 0:13:42 | 0:13:45 | |
WOMAN SHRIEKS | 0:13:45 | 0:13:47 | |
People are going to drink to excess. | 0:13:47 | 0:13:50 | |
It's not my call to judge people in that, | 0:13:50 | 0:13:52 | |
but what I can do is help people. | 0:13:52 | 0:13:55 | |
Every weekend, | 0:13:55 | 0:13:56 | |
they hand out flip-flops to the barefoot partygoers... | 0:13:56 | 0:13:59 | |
Absolutely brilliant. You're a life-saver. | 0:13:59 | 0:14:01 | |
It's marvellous what a wee pair of flip-flops does, isn't it? | 0:14:01 | 0:14:04 | |
-..and comfort the homeless. -We pray that in Jesus' name, Amen. | 0:14:04 | 0:14:08 | |
Thank you very much. | 0:14:08 | 0:14:09 | |
A month on, and the pastors are out again. | 0:14:14 | 0:14:17 | |
Whoo! | 0:14:17 | 0:14:18 | |
This is Street Pastor 2 on Sauchiehall Street. | 0:14:18 | 0:14:22 | |
Gary is heading up one of tonight's teams. | 0:14:22 | 0:14:25 | |
OK, we'll head on that direction, see if we can see him. Thank you. | 0:14:25 | 0:14:29 | |
Over. | 0:14:29 | 0:14:30 | |
The guy is down here by the Campus, | 0:14:30 | 0:14:32 | |
but he evidently has four friends with him, evidently quite drunk, | 0:14:32 | 0:14:36 | |
and they're going to try to get him home in a taxi, | 0:14:36 | 0:14:38 | |
but we'll go and see what... If there's something we can do further. | 0:14:38 | 0:14:41 | |
This may be him here. I don't know. | 0:14:41 | 0:14:43 | |
-Hiya. -Hi. | 0:14:44 | 0:14:45 | |
Anything we can do to help? Is he OK? | 0:14:45 | 0:14:48 | |
FRIENDS ALL SPEAK AT ONCE | 0:14:48 | 0:14:50 | |
-That would be great, by the way. -How are you going to get him home? -Taxi. | 0:14:50 | 0:14:53 | |
Well, is he OK? | 0:14:53 | 0:14:54 | |
So you guys are going to be sure you get him home safely? | 0:14:54 | 0:14:57 | |
-Oh, yeah. -OK. We just want to be sure he's safe. -Yeah, no, he's fine. | 0:14:57 | 0:15:00 | |
-OK. -Thanks, though. | 0:15:00 | 0:15:02 | |
There's not much we can do. | 0:15:02 | 0:15:04 | |
At least he had some mates there, so... | 0:15:06 | 0:15:09 | |
'I feel like the Church is pretty insular,' | 0:15:09 | 0:15:12 | |
locked into kind of their churches, sitting in their pews, | 0:15:12 | 0:15:15 | |
doing their religious thing, inside a building, and really not knowing | 0:15:15 | 0:15:19 | |
what's going on in the real world, on the streets like this, | 0:15:19 | 0:15:22 | |
and I feel like if we can get some of those people out here, | 0:15:22 | 0:15:26 | |
doing, really, what they need to be doing... | 0:15:26 | 0:15:28 | |
The Gospel, really, for us is all about caring for people, | 0:15:28 | 0:15:32 | |
loving them, supporting them - it's just our message. | 0:15:32 | 0:15:37 | |
As Gary and his team continue on, they're stopped in their tracks. | 0:15:37 | 0:15:41 | |
-..sleeping bags. -He said he'd give me a sleeping bag at one o'clock. | 0:15:41 | 0:15:44 | |
-Did you speak to the other Street Pastors? -Yes. | 0:15:44 | 0:15:46 | |
One o'clock at the running legs. | 0:15:46 | 0:15:48 | |
-I think they've only got one bag. -Yeah, and it's for me. | 0:15:48 | 0:15:50 | |
The pastors hand out free hats, scarves | 0:15:50 | 0:15:53 | |
and sleeping bags to the homeless. | 0:15:53 | 0:15:55 | |
-He better be there. -Yeah. | 0:15:55 | 0:15:56 | |
He's spoken with one of our team. | 0:15:58 | 0:16:00 | |
At one o'clock, after the break, they're going to meet him at the | 0:16:00 | 0:16:04 | |
running legs, up by the bus station, and give him a sleeping bag. | 0:16:04 | 0:16:08 | |
We're sleeping rough, right... | 0:16:08 | 0:16:10 | |
I'm waiting there... I've got to go up to the running legs | 0:16:10 | 0:16:13 | |
at one o'clock to get a sleeping bag. | 0:16:13 | 0:16:15 | |
And the Street Pastors are going to give me a sleeping bag. | 0:16:15 | 0:16:18 | |
The other Street Pastor, usually they give you, like, | 0:16:19 | 0:16:23 | |
gloves and scarves and that, hats and that, you know? | 0:16:23 | 0:16:26 | |
What if they have, on any given night... | 0:16:26 | 0:16:28 | |
Say we give them a sleeping bag, they may bin it | 0:16:28 | 0:16:31 | |
or get it stolen the next night, so it's... | 0:16:31 | 0:16:33 | |
It's just very difficult to know what to do. | 0:16:33 | 0:16:36 | |
And these bags are costing us about £10 or £12 apiece at best, | 0:16:36 | 0:16:40 | |
and... But we think if we can get them through a night | 0:16:40 | 0:16:44 | |
then that's OK. We'll do what we can do to help them. | 0:16:44 | 0:16:47 | |
# If you love me... # | 0:16:50 | 0:16:53 | |
Back at Melo's party, it's just past last orders | 0:16:53 | 0:16:57 | |
and he's been asked to stop playing by the staff. | 0:16:57 | 0:17:00 | |
I said, "Half eleven, maybe you could think about | 0:17:00 | 0:17:02 | |
"playing your last song and then tidying up your stuff, | 0:17:02 | 0:17:06 | |
"because we do have homes to go to, believe it or not!" | 0:17:06 | 0:17:09 | |
# ..stand up... | 0:17:09 | 0:17:10 | |
# Don't give up Don't give up | 0:17:10 | 0:17:11 | |
# Stand up for your rights... # | 0:17:11 | 0:17:13 | |
But Melo seems to have no intention of stopping. | 0:17:13 | 0:17:16 | |
# Oh! Come on, baby... # | 0:17:16 | 0:17:19 | |
How about this? | 0:17:24 | 0:17:26 | |
The bar staff have had enough, | 0:17:26 | 0:17:28 | |
and finally have to pull the plug. | 0:17:28 | 0:17:32 | |
He's going to kill me, man. | 0:17:32 | 0:17:34 | |
All right, but, the thing is... | 0:17:35 | 0:17:37 | |
HE PLAYS HARMONICA | 0:17:37 | 0:17:39 | |
I'm going to go home! HE LAUGHS | 0:17:39 | 0:17:41 | |
Missed our last bus now. | 0:17:41 | 0:17:43 | |
Whoa - it's, like, quarter past. Totally missed it. | 0:17:43 | 0:17:46 | |
We're going to be here for a while, by the looks of things. | 0:17:47 | 0:17:50 | |
The master's come up. | 0:17:50 | 0:17:52 | |
Is that yours? | 0:17:53 | 0:17:55 | |
Cannae do it every week though, cos the stress is too much. | 0:17:55 | 0:17:59 | |
At one point, I was close to breaking point, | 0:18:01 | 0:18:03 | |
I'm not going to lie to you. | 0:18:03 | 0:18:05 | |
You hear that, man? | 0:18:05 | 0:18:06 | |
By the end of the night, Melo is happy, | 0:18:06 | 0:18:09 | |
but it hasn't been fun for everyone. | 0:18:09 | 0:18:11 | |
-Ladies' toilet there, gents' toilet there. -OK. | 0:18:17 | 0:18:21 | |
Psychic Chris is being shown about the Scotia Bar, | 0:18:21 | 0:18:25 | |
one of the oldest - and thought to be most haunted - pubs in Glasgow. | 0:18:25 | 0:18:28 | |
Do you know, it feels colder, | 0:18:28 | 0:18:30 | |
but this is actually telling us it is slightly warmer. | 0:18:30 | 0:18:32 | |
Tony, have you ever put any equipment in here before? | 0:18:32 | 0:18:35 | |
Chris is working with a group of amateur ghost chasers. | 0:18:35 | 0:18:38 | |
Where would you put your voice-activated stuff? | 0:18:38 | 0:18:41 | |
They're not... | 0:18:41 | 0:18:42 | |
voice activated. They're probably just... | 0:18:42 | 0:18:45 | |
-Turn them on and leave them running. -OK. | 0:18:45 | 0:18:48 | |
-Because I feel round here... -Landlady Mary has seen it all before. | 0:18:48 | 0:18:52 | |
OK. There's been a lot of old presences here, yeah? | 0:18:52 | 0:18:55 | |
I had a very extraordinary evening with the very first group | 0:18:55 | 0:19:00 | |
that came in here. They had a seance, and they had a woman | 0:19:00 | 0:19:06 | |
who came through to them. | 0:19:06 | 0:19:07 | |
They had one of those voice-activated things that you were | 0:19:07 | 0:19:11 | |
talking about, and they actually played that back at the time, | 0:19:11 | 0:19:15 | |
and you could quite clearly hear a voice saying, "Get out of my pub"! | 0:19:15 | 0:19:19 | |
Chris has gravitated to one corner of the bar, | 0:19:20 | 0:19:23 | |
and has managed to make contact. | 0:19:25 | 0:19:27 | |
I feel a little girl here, OK? | 0:19:27 | 0:19:30 | |
And I feel very sick, and as though she passed away quite young, | 0:19:30 | 0:19:35 | |
because I'm feeling like I'm rocking and I'm feeling lost. | 0:19:35 | 0:19:37 | |
I'm feeling trapped. I'm searching for my mother. | 0:19:37 | 0:19:40 | |
I'm going back a long time ago, here, | 0:19:40 | 0:19:42 | |
but I feel as though the girl is moving on to a... | 0:19:42 | 0:19:45 | |
Going to take her to a proper spiritual resting place. | 0:19:45 | 0:19:48 | |
-Is that OK with yourself, I do that? -Yes. -And OK with, um... | 0:19:48 | 0:19:52 | |
HE BREATHES DEEPLY | 0:19:53 | 0:19:56 | |
Do you know what, you're going to find the energy changes in here. | 0:20:06 | 0:20:09 | |
Get back to me in a week or two if you can, or I'll call you, | 0:20:09 | 0:20:13 | |
and find out if the energy changes in here. | 0:20:13 | 0:20:16 | |
Chris may have made a connection with Glaswegian spirits... | 0:20:17 | 0:20:20 | |
Thank you. Very interesting, thank you. | 0:20:20 | 0:20:24 | |
..but tomorrow, his psychic ability will be tested | 0:20:24 | 0:20:27 | |
by Sauchiehall Street's paying public. | 0:20:27 | 0:20:30 | |
There's got to be one... | 0:20:36 | 0:20:37 | |
Gary's team have been waiting with a sleeping bag for the two homeless men to collect. | 0:20:37 | 0:20:41 | |
We're going to meet this fella here to give him a sleeping bag, at 1:00, | 0:20:41 | 0:20:45 | |
but he hasn't shown so we'll have to see. | 0:20:45 | 0:20:49 | |
Are you going to wait a bit to see if he's...? | 0:20:49 | 0:20:51 | |
-I've got to wait on Joy and Janice anyway. -OK. | 0:20:51 | 0:20:55 | |
He was so confident that he was going to get this... | 0:20:55 | 0:20:57 | |
I don't mind carrying the bag... | 0:20:57 | 0:21:00 | |
I think let's move on. We'll see you guys later. | 0:21:00 | 0:21:04 | |
If you carried the weight of the city it would just drive you nuts | 0:21:05 | 0:21:08 | |
but we do what we can, that's all we know. | 0:21:08 | 0:21:11 | |
We just do what we can, and then you have to go to sleep | 0:21:11 | 0:21:14 | |
and uh...and leave it where it is, you know. | 0:21:14 | 0:21:18 | |
Because if you carried that weight of everybody you speak to | 0:21:18 | 0:21:21 | |
it would just be overwhelming, because | 0:21:21 | 0:21:24 | |
the needs on this...at least on this street is just gigantic. | 0:21:24 | 0:21:27 | |
..Would they not tell you, even...? | 0:21:27 | 0:21:30 | |
INDISTINCT | 0:21:30 | 0:21:32 | |
Previously on The Street, Jim and Neil, | 0:21:45 | 0:21:48 | |
managers of the Savoy Centre, the home of over 60 small retailers, | 0:21:48 | 0:21:52 | |
started Sunday trading to boost revenue. | 0:21:52 | 0:21:55 | |
It's not great. The Sunday opening's been an uphill battle from day one. | 0:21:55 | 0:21:59 | |
I don't have a problem with closing your business down.... | 0:21:59 | 0:22:01 | |
But the increase in rent left some of the shop owners frustrated. | 0:22:03 | 0:22:06 | |
The centre should have been open 20 years ago, not now, on a Sunday. | 0:22:06 | 0:22:09 | |
They're too late with it. | 0:22:09 | 0:22:11 | |
After an early attempt at communal resistance... | 0:22:11 | 0:22:13 | |
He's paid. He's paid. She's paid. He's paid. They've paid... | 0:22:13 | 0:22:17 | |
..only Ian's shoe shop held out. | 0:22:17 | 0:22:20 | |
They've all caved in, agreed to do it. So basically they're all spineless bastards, in my view. | 0:22:20 | 0:22:24 | |
But eventually, after threatening to shut down his business, | 0:22:24 | 0:22:29 | |
-Ian caved. -I have reservations about what will happen. | 0:22:29 | 0:22:33 | |
Sunday openings didn't start well, | 0:22:33 | 0:22:35 | |
and the pressure on Jim to perform was increasing. | 0:22:35 | 0:22:38 | |
As much as it pains me to say it, I'm seriously considering other options. | 0:22:38 | 0:22:42 | |
And the stress of the job got to breaking point. | 0:22:42 | 0:22:46 | |
I'm genuinely at a loss as to what to do at the moment. A genuine loss. | 0:22:46 | 0:22:50 | |
Three weeks on, and Ian's opened every Sunday. | 0:23:00 | 0:23:04 | |
But now, other traders haven't. | 0:23:04 | 0:23:08 | |
So he's gone to see Neil to voice his concerns. | 0:23:08 | 0:23:10 | |
Neil, if everywhere's open in two weeks, I'm not opening. | 0:23:10 | 0:23:13 | |
Well, if we're staying open it's a case of every single person. | 0:23:13 | 0:23:16 | |
-It's 100 per cent or not at all. -Yeah. | 0:23:16 | 0:23:19 | |
And if it's not 100 per cent I will not open. | 0:23:19 | 0:23:21 | |
If they'd all stuck together when I suggested at the time, | 0:23:21 | 0:23:24 | |
and they all friggin' didn't... | 0:23:24 | 0:23:26 | |
-They all caved in. "Oh, we're not going to open." And they all bloody opened. -Yeah. -Apart from us. | 0:23:26 | 0:23:30 | |
I'm giving yous a fortnight, then I'm going to take action as well. | 0:23:30 | 0:23:34 | |
-Yeah. -OK. Right. | 0:23:34 | 0:23:36 | |
Ian basically was one of the retailers who as you may have heard | 0:23:39 | 0:23:44 | |
we kind of made an example of back at the start of Sunday trading. | 0:23:44 | 0:23:48 | |
He's opened on time, he's closed on time, | 0:23:48 | 0:23:51 | |
but it's just not working for him, | 0:23:51 | 0:23:53 | |
and now there's other people who aren't opening who... They're not getting away with it, | 0:23:53 | 0:23:58 | |
but we need to very, very quickly now make a decision. | 0:23:58 | 0:24:01 | |
The decisions that we make are made for the right reasons, | 0:24:01 | 0:24:04 | |
and sometimes that can have a negative effect and sometimes that can have a positive effect, | 0:24:04 | 0:24:09 | |
but, you know, you asked about pressure... | 0:24:09 | 0:24:11 | |
To be honest with you, I'm 43 years old now, | 0:24:11 | 0:24:14 | |
I don't think I've ever experienced pressure like I have in the last year, 18 months. | 0:24:14 | 0:24:19 | |
It changes daily, you're right on the edge morning, noon and night. | 0:24:19 | 0:24:23 | |
You can feel as though you're having a good day, then bang. | 0:24:23 | 0:24:26 | |
People cannot afford to just keep paying out | 0:24:26 | 0:24:30 | |
an extra percentage on the rent every single week, | 0:24:30 | 0:24:33 | |
giving up a day of the week as well | 0:24:33 | 0:24:35 | |
to come in and not make any money. | 0:24:35 | 0:24:38 | |
It's just the usual shit on a different day. | 0:24:38 | 0:24:41 | |
On the far end of Sauchiehall Street, psychic Chris is heading out to work. | 0:24:45 | 0:24:50 | |
He's not only the street's newest resident, | 0:24:50 | 0:24:53 | |
he also has set up the hub of his business in the Savoy Centre. | 0:24:53 | 0:24:57 | |
And today, Jim's moving him into a new unit, | 0:24:57 | 0:25:01 | |
where he'll specialise in psychic readings, Tantric massage and tarot cards. | 0:25:01 | 0:25:08 | |
I'm going to have my chairs on here. Get sorted. | 0:25:08 | 0:25:11 | |
Going to put a hypnosis table in there. | 0:25:11 | 0:25:14 | |
Doing the hypnotherapy, doing my readings, it's more private... | 0:25:14 | 0:25:18 | |
I'm pleased. Be pleased when they get in. | 0:25:18 | 0:25:22 | |
But Chris isn't the only psychic in the Savoy. | 0:25:22 | 0:25:25 | |
Kizzy the clairvoyant, who's... I feel as though I'm Kizzy's receptionist. | 0:25:25 | 0:25:29 | |
When working in the office the phone goes 10, 15 times a day, | 0:25:29 | 0:25:33 | |
for people just looking for Kizzy. | 0:25:33 | 0:25:34 | |
She's the person that people actually queue in the street | 0:25:34 | 0:25:37 | |
from seven o'clock in the morning. She's possibly the best-known clairvoyant in Scotland. | 0:25:37 | 0:25:41 | |
Certainly in Glasgow, possibly in Scotland. | 0:25:41 | 0:25:44 | |
She's really, really well known. | 0:25:44 | 0:25:46 | |
A stick for when I'm casting the spells, you know...? | 0:25:46 | 0:25:49 | |
Warding off evil around the shop, you know? | 0:25:49 | 0:25:52 | |
Keep away the evil. | 0:25:52 | 0:25:54 | |
There's, like, an evil sign! | 0:25:54 | 0:25:57 | |
Brush it away. | 0:25:57 | 0:25:59 | |
Very difficult to compete against. | 0:25:59 | 0:26:01 | |
That's like my team Motherwell competing against Barcelona, Chris competing against Kizzy. | 0:26:01 | 0:26:06 | |
That's the best way I can describe that. | 0:26:06 | 0:26:08 | |
I've seen all types of psychics. | 0:26:08 | 0:26:11 | |
I've seen them reading out of books, all sorts. | 0:26:11 | 0:26:15 | |
A lot of psychics kind of go... I'm in Savoy Centre - | 0:26:15 | 0:26:18 | |
a lot of people say, | 0:26:18 | 0:26:19 | |
"We've had that many different psychics," but do you know what? | 0:26:19 | 0:26:22 | |
I might be crazy, people might laugh at me - but I get what I want. | 0:26:22 | 0:26:28 | |
Does everybody get what they want? | 0:26:28 | 0:26:30 | |
Come on, idiot! Stop fuckin' hidin' through the back, come on. I need you. Red onions done. | 0:26:42 | 0:26:47 | |
In Taste, Nick's preparing for service. | 0:26:47 | 0:26:52 | |
-The team, though, is one man down. -Kiddie's disappeared. | 0:26:52 | 0:26:57 | |
I dropped him off last night. | 0:26:57 | 0:27:00 | |
He's going through a lot of shit the noo. | 0:27:00 | 0:27:02 | |
I phoned him - his phone was off. Went round to his mum and dad's and he wasn't there. | 0:27:02 | 0:27:07 | |
He's been postin' fuckin' shit in his Facebook from 4:00am. | 0:27:07 | 0:27:11 | |
It's leading me to assume the worst, which don't worry me, but | 0:27:11 | 0:27:15 | |
he's my fuckin' mate and I'm worried about him. | 0:27:15 | 0:27:18 | |
It's pretty scary to be honest with you. | 0:27:18 | 0:27:21 | |
Nick, he's tried this before and his mum and dad found him. | 0:27:21 | 0:27:25 | |
I sort of fear the worst, you know what I mean? | 0:27:25 | 0:27:27 | |
He could be fuckin' hangin' from a tree. | 0:27:27 | 0:27:29 | |
Either that or he could be in jail, he's... | 0:27:29 | 0:27:32 | |
Kiddie can be quite unpredictable at times. | 0:27:32 | 0:27:34 | |
When he's here he does his fuckin' work and he gives it his all, but... | 0:27:34 | 0:27:38 | |
he's got a lot of issues in his fuckin' head. | 0:27:38 | 0:27:40 | |
It's actually quite sad cos he's messaging Facebook - I've sent him a message saying | 0:27:40 | 0:27:44 | |
-"If you want to talk..." -Last night? | 0:27:44 | 0:27:47 | |
He says, "I've lost the love of my life. What to do...?" | 0:27:47 | 0:27:51 | |
God. I hope he's not done anything. | 0:27:51 | 0:27:54 | |
Cos I mean, he does get down... | 0:27:54 | 0:27:56 | |
See, that's the thing, I'm not going, "That's it, whatever he's done" - | 0:27:56 | 0:28:00 | |
I'm going by the evidence I've got over the last couple of days, what I know about him. It's no good. | 0:28:00 | 0:28:05 | |
What, has he not been right the last couple of days? | 0:28:05 | 0:28:08 | |
-Bevvyin' heavy. -Oh, is he? | 0:28:08 | 0:28:10 | |
I would have seen him at least phoning me and saying "I'm fuckin' no' coming in," wrecked or something, | 0:28:10 | 0:28:15 | |
and I'd have been, "Right, I'll leave your fuckin' doing till the morrow, when I see you." As long as I know. | 0:28:15 | 0:28:21 | |
It's like my mum always tried to get hold of me when I was out, | 0:28:21 | 0:28:26 | |
and she used to go through every situation you can think of, but it's like a fuckin' son. | 0:28:26 | 0:28:32 | |
He's my guy, I fuckin' love him to bits. I've known him for ever. We've got fuckin' good history together. | 0:28:32 | 0:28:37 | |
'And now this has fuckin' happened, do you know what I mean?' | 0:28:38 | 0:28:41 | |
No, I don't, and he never fuckin' answers either, mate, so... | 0:28:41 | 0:28:44 | |
Back at the Savoy, with no customers so far, | 0:28:51 | 0:28:55 | |
Chris has decided to go into the centre and drum up business. | 0:28:55 | 0:28:58 | |
Hi, love. Are you interested in readings? | 0:28:58 | 0:29:01 | |
Yeah? Why don't you make a donation... | 0:29:01 | 0:29:05 | |
-A donation? -..for cancer research, | 0:29:05 | 0:29:07 | |
and I'll do a quick five-minute meeting? | 0:29:07 | 0:29:09 | |
Chris has got a lot to prove, being Glasgow's newest psychic. | 0:29:09 | 0:29:14 | |
So every prediction today will have to be spot on. | 0:29:14 | 0:29:17 | |
-Do you get headaches? -Recently. | 0:29:17 | 0:29:20 | |
-Because I'm seeing here... -Yeah. Only recently. -Do you see auras? | 0:29:20 | 0:29:24 | |
-Pardon? -Do you see colours, or auras? | 0:29:24 | 0:29:27 | |
-I have thought I had done. -Aye, because something's telling me yes. | 0:29:27 | 0:29:30 | |
There's a bit of black here which is causing a bit of headache. | 0:29:30 | 0:29:34 | |
-You've also got a problem here at the base... -Ooh, yeah. -Yeah. Aye. | 0:29:34 | 0:29:38 | |
-And towards the disc as well. -Yeah. | 0:29:38 | 0:29:41 | |
-How do you know that? -It was a lucky guess, huh? | 0:29:41 | 0:29:44 | |
But that situation will address itself. | 0:29:44 | 0:29:48 | |
Outside, Chris has two more customers waiting. | 0:29:48 | 0:29:52 | |
-Perfect. Thank you. -OK, thank you. -Thank you very much. -Bye. | 0:29:52 | 0:29:56 | |
It was very good, he said things that I could relate to, and er...I believe him. | 0:29:56 | 0:30:02 | |
-I've not got any change. -OK. | 0:30:02 | 0:30:05 | |
In now is the first of two sisters. | 0:30:05 | 0:30:08 | |
You've actually, recently... | 0:30:08 | 0:30:10 | |
in your house, jumped, | 0:30:10 | 0:30:12 | |
because you felt somebody behind you. | 0:30:12 | 0:30:15 | |
-Mm-hm, last night. -Yeah. -Mm-hm. | 0:30:15 | 0:30:18 | |
OK, there is a woman. | 0:30:18 | 0:30:19 | |
There is a woman. | 0:30:19 | 0:30:21 | |
You're not ready to talk to her and see her yet, | 0:30:21 | 0:30:23 | |
and she said, why would she be angry with you? | 0:30:23 | 0:30:25 | |
She loves you. | 0:30:25 | 0:30:26 | |
So far, so good with sister number one. | 0:30:29 | 0:30:32 | |
But outside waits a tougher customer. | 0:30:32 | 0:30:35 | |
Kimberly's a bit.. | 0:30:35 | 0:30:37 | |
No, she's not really been before, so she's kind of - | 0:30:37 | 0:30:39 | |
I think she's a bit... | 0:30:39 | 0:30:40 | |
Doesn't know whether to believe it or not. | 0:30:40 | 0:30:43 | |
There's a few people that are in the spirit world, | 0:30:43 | 0:30:45 | |
and I'm hoping that they come through. | 0:30:45 | 0:30:47 | |
-Thanks very much. -Watch that neighbour. | 0:30:47 | 0:30:50 | |
I bloody hope not! | 0:30:50 | 0:30:53 | |
Aye, some of it was all right. | 0:30:53 | 0:30:55 | |
It was not bad. | 0:30:55 | 0:30:56 | |
Pick me three cards, then. | 0:30:56 | 0:30:58 | |
I do believe there's something... | 0:30:58 | 0:31:01 | |
out there. But I don't know, | 0:31:01 | 0:31:04 | |
sometimes they do make things up. | 0:31:04 | 0:31:06 | |
She didn't... She didn't have a dog, did she? | 0:31:08 | 0:31:12 | |
There's quite a lot of dogs that's been around. | 0:31:12 | 0:31:15 | |
Was it a nippy little thing? | 0:31:15 | 0:31:17 | |
Was it a big thing? Know what I mean? | 0:31:17 | 0:31:20 | |
What's... Feel round your ankles. | 0:31:20 | 0:31:23 | |
She's been to a few, so she knows what it's all about. | 0:31:23 | 0:31:26 | |
So she'll know if he's good or not. | 0:31:26 | 0:31:28 | |
Like, she'll probably come out and just say, "Shite." | 0:31:28 | 0:31:31 | |
Has he been behaving? | 0:31:31 | 0:31:33 | |
It was all right. Certain things were all right. | 0:31:33 | 0:31:35 | |
And then it was other things that was a wee bit... | 0:31:35 | 0:31:39 | |
It was OK, it wasn't the best. It was a bit tough. | 0:31:39 | 0:31:42 | |
A tough day at the office today! | 0:31:42 | 0:31:45 | |
Fuck off, man! | 0:31:49 | 0:31:51 | |
I just heard my phone going there, man, but there's no... | 0:31:51 | 0:31:54 | |
Cunt. | 0:31:54 | 0:31:55 | |
With no word from Kiddie, Nick is starting to fear the worst. | 0:31:55 | 0:31:58 | |
PHONE RINGS | 0:31:58 | 0:32:00 | |
Hello? | 0:32:00 | 0:32:02 | |
Yeah. | 0:32:02 | 0:32:05 | |
Have you got any news for me? | 0:32:05 | 0:32:06 | |
You know what's going on with this fucking moron, no? | 0:32:06 | 0:32:09 | |
This is getting fucking scary, by the way. | 0:32:09 | 0:32:12 | |
I'm not joking, man. | 0:32:12 | 0:32:13 | |
Aye, you've been fucking right, | 0:32:16 | 0:32:18 | |
and he'll be, "I've lost the best thing in my life," and all that. | 0:32:18 | 0:32:21 | |
I know. I know, mate. I know. | 0:32:21 | 0:32:24 | |
OK, mate. Cheers, bye. | 0:32:24 | 0:32:25 | |
You can tell he's totally worried. | 0:32:30 | 0:32:32 | |
He's totally stressed out his box cos | 0:32:32 | 0:32:33 | |
he disnae know what's going on, and it's just not like Kiddie to | 0:32:33 | 0:32:36 | |
turn his phone off, that's the thing. | 0:32:36 | 0:32:38 | |
Can I get some more tortillas down here, somebody? | 0:32:38 | 0:32:40 | |
Nick, he's been chasing him all day. | 0:32:40 | 0:32:42 | |
He's really, really worried about him. | 0:32:42 | 0:32:44 | |
Come on, can I see a wee bit of movement out of somebody? | 0:32:44 | 0:32:47 | |
Fuck's sake. | 0:32:47 | 0:32:48 | |
He's been his friend frae when he was 11 years old, | 0:32:48 | 0:32:50 | |
it's not just somebody that he's just met or whatever, | 0:32:50 | 0:32:52 | |
it's somebody that he's known for a long, long time. | 0:32:52 | 0:32:55 | |
Have you got more tortillas for me? | 0:32:55 | 0:32:56 | |
No, you're just fucking leaving it, aye? | 0:32:56 | 0:32:58 | |
Workshy dicks. | 0:32:58 | 0:33:00 | |
-Why are you going for him, Nick? -Why's it no' working? | 0:33:00 | 0:33:02 | |
Cos it's too low, look. | 0:33:02 | 0:33:03 | |
I swear to God, man, this isnae fucking good, | 0:33:03 | 0:33:07 | |
I cannae deal with this, man. It's getting a bit scary now. | 0:33:07 | 0:33:10 | |
The later it's getting, | 0:33:10 | 0:33:11 | |
the more fucking depressed I'm getting about it, man. | 0:33:11 | 0:33:13 | |
I'm going to go out and... If nothing's surfaced | 0:33:13 | 0:33:15 | |
by the time I've done this, | 0:33:15 | 0:33:17 | |
I'm going to look until I find him, you know what I mean? | 0:33:17 | 0:33:20 | |
Back at the Savoy... | 0:33:32 | 0:33:34 | |
What you need to do is you need to get those e-mails out. | 0:33:34 | 0:33:37 | |
And I need to get these leaflets done today. | 0:33:37 | 0:33:41 | |
Chris has finished up for the day, and his wife Kes | 0:33:41 | 0:33:44 | |
has popped by to see how he's settled into his new unit. | 0:33:44 | 0:33:47 | |
I do the promotion side of the work, | 0:33:47 | 0:33:49 | |
and I bring him all the business in that way. | 0:33:49 | 0:33:52 | |
And, um... But Chris is really good himself. | 0:33:52 | 0:33:55 | |
He's a top TV psychic, | 0:33:55 | 0:33:56 | |
and I think what attracted Chris was love at first sight. | 0:33:56 | 0:34:00 | |
We were married in past lives more than twice. | 0:34:00 | 0:34:03 | |
Actually...three or four times. | 0:34:03 | 0:34:06 | |
And I didn't know this. Of course, Chris told me this! | 0:34:06 | 0:34:10 | |
I did not tell you this! | 0:34:12 | 0:34:13 | |
How am I supposed to know this? | 0:34:13 | 0:34:15 | |
You asked about your past lives. And we did it, and we sorted it. | 0:34:15 | 0:34:19 | |
But that doesn't really mean that you have to marry somebody | 0:34:19 | 0:34:22 | |
because you married them in a past life, | 0:34:22 | 0:34:24 | |
it just means you have that connection. | 0:34:24 | 0:34:25 | |
And it also - there's soul mates and there's twin flames, | 0:34:25 | 0:34:30 | |
and twin flames are much closer than soul mates. | 0:34:30 | 0:34:34 | |
If you find your soul mate then you get along really well, | 0:34:34 | 0:34:37 | |
and you're like the best of friends, but twin flames are even closer. | 0:34:37 | 0:34:41 | |
And apparently we're twin flames. | 0:34:41 | 0:34:43 | |
Which... | 0:34:43 | 0:34:45 | |
I still find it hard to believe, but...! | 0:34:45 | 0:34:49 | |
It's been a slow start for Chris, | 0:34:49 | 0:34:51 | |
but he's hoping for an upturn in fortune. | 0:34:51 | 0:34:54 | |
He's been booked for private tarot readings at a house party tonight. | 0:34:54 | 0:34:59 | |
I see you! They're over there, hiding themselves. | 0:35:00 | 0:35:03 | |
A week after Melo's party, | 0:35:03 | 0:35:05 | |
he's meeting up with friends to see if his weekly gig is still on, | 0:35:05 | 0:35:10 | |
only to be just told that he's actually barred. | 0:35:10 | 0:35:12 | |
I'm barred. | 0:35:12 | 0:35:14 | |
-From here? -Yeah. | 0:35:14 | 0:35:16 | |
HE LAUGHS | 0:35:16 | 0:35:17 | |
I've done nothing wrong. | 0:35:17 | 0:35:20 | |
-What do you mean, barred? -What was...? | 0:35:20 | 0:35:22 | |
I'm not allowed to go there. | 0:35:22 | 0:35:24 | |
A pint of Fosters and a Strongbow. | 0:35:24 | 0:35:26 | |
Fosters and Strongbow. | 0:35:26 | 0:35:27 | |
Martin was working the night of Melo's birthday. | 0:35:27 | 0:35:30 | |
It wasn't his decision to bar him, | 0:35:30 | 0:35:32 | |
but from what he saw that night, he's not surprised. | 0:35:32 | 0:35:36 | |
He thought he was going to be able to do that every Tuesday, | 0:35:36 | 0:35:38 | |
and that's what he thought, and I think that's what his mindset was, | 0:35:38 | 0:35:41 | |
like, he could come in and do what he wanted, | 0:35:41 | 0:35:46 | |
which is out of the question, the way he was acting as well. | 0:35:46 | 0:35:48 | |
'He would butt in, shout you over, "Give me this," like -' | 0:35:48 | 0:35:52 | |
and there was no pleasantries about it, if you want to call it that. | 0:35:52 | 0:35:55 | |
No, no, I didn't want to play down there, anyway. | 0:35:56 | 0:35:58 | |
I didn't want to play down there anyway. | 0:35:58 | 0:36:00 | |
What they do here is like - I call it... | 0:36:00 | 0:36:04 | |
like we said, they take advantage of musicians. | 0:36:04 | 0:36:09 | |
Do you know what I mean? Like they took advantage of me, like... | 0:36:09 | 0:36:14 | |
Not even a pint, they gave me. | 0:36:14 | 0:36:16 | |
So I just don't understand these people. | 0:36:16 | 0:36:20 | |
You know what I mean? | 0:36:20 | 0:36:22 | |
Jealousy and stuff. | 0:36:22 | 0:36:25 | |
Melo's behaviour has cost him the chance of a regular gig. | 0:36:25 | 0:36:29 | |
And back at home, things aren't any better. | 0:36:29 | 0:36:32 | |
I just think he's being selfish, really. So... | 0:36:33 | 0:36:38 | |
He's started to fall out with Chris and the other housemates. | 0:36:38 | 0:36:41 | |
I think he's a talented musician, and I think he's a nice guy, | 0:36:41 | 0:36:44 | |
and he's got a good heart in him, | 0:36:44 | 0:36:45 | |
but I think he's a bit haywire at times, with some things, | 0:36:45 | 0:36:48 | |
and I think maybe the booze and stuff like that does affect him | 0:36:48 | 0:36:51 | |
in that way, but sometimes he's fine, | 0:36:51 | 0:36:54 | |
and sometimes he's just a bit incoherent. | 0:36:54 | 0:36:56 | |
But, I mean, to be fair, he's hammered quite a lot | 0:36:56 | 0:36:59 | |
and I get hammered quite a lot as well, and ... | 0:36:59 | 0:37:02 | |
He does a lot more than everybody, | 0:37:02 | 0:37:04 | |
but sometimes he's just a bit too out of control in that way. | 0:37:04 | 0:37:07 | |
You know, like, just a bit wild. | 0:37:07 | 0:37:09 | |
-Forget about it. -Yeah, let's just forget about it. | 0:37:09 | 0:37:11 | |
Chris has arrived at the tarot reading party | 0:37:18 | 0:37:21 | |
in the Knightswood area of Glasgow. | 0:37:21 | 0:37:23 | |
-Hiya! -Hiya. Hiya. -Hi! | 0:37:23 | 0:37:26 | |
He's working in one of the bedrooms, and expecting a good night. | 0:37:26 | 0:37:31 | |
I said I'm going to sit on there and do my readings. | 0:37:31 | 0:37:35 | |
You know - is this not a tough job I have?! | 0:37:35 | 0:37:38 | |
Guys, eat your heart out. And I get paid for this. | 0:37:38 | 0:37:43 | |
Chris is in high spirits, but in first is Natalie, | 0:37:45 | 0:37:48 | |
who's had some bad experiences with psychics. | 0:37:48 | 0:37:51 | |
It was a woman that was in the Savoy before. | 0:37:51 | 0:37:53 | |
-It wisnae really... -She never told you... | 0:37:53 | 0:37:55 | |
She never got anything as accurate as what I would have preferred. | 0:37:55 | 0:37:58 | |
I gave her too much information, and do you know what? | 0:37:58 | 0:38:00 | |
It was due to obviously having a drink before, | 0:38:00 | 0:38:02 | |
so I'm not going to be doing that. | 0:38:02 | 0:38:04 | |
That's how I'm having a Wicked. | 0:38:04 | 0:38:06 | |
With eight readings for Chris to do tonight, they make a start. | 0:38:08 | 0:38:11 | |
HE CHUCKLES Oh! | 0:38:11 | 0:38:13 | |
-Are you OK? Are you sure? -Aye, that's me. I'm in. | 0:38:13 | 0:38:16 | |
But Natalie doesn't plan on giving Chris an easy time. | 0:38:16 | 0:38:19 | |
And neither does her mum Angie. | 0:38:19 | 0:38:21 | |
You're actually looking for a lot of detail, | 0:38:21 | 0:38:24 | |
but you don't want to give a lot away, | 0:38:24 | 0:38:26 | |
but you're actually looking for him to know something about you. | 0:38:26 | 0:38:32 | |
And see if you don't get that from the word go, | 0:38:32 | 0:38:34 | |
you feel as if you're getting cracked on, really. | 0:38:34 | 0:38:37 | |
I'm feeling... Were you looked after by somebody when you were younger? | 0:38:37 | 0:38:43 | |
-Uh-huh, uh-huh! Mm-hm. -Do you know where I'm going here? | 0:38:43 | 0:38:45 | |
Uh-huh. | 0:38:45 | 0:38:46 | |
I feel problems here, round my throat, | 0:38:46 | 0:38:49 | |
and - did they bring a lot of stuff up? | 0:38:49 | 0:38:52 | |
Is it a she or a he? | 0:38:52 | 0:38:53 | |
OK... | 0:38:53 | 0:38:56 | |
-I'm with a female. -Mm-hm. | 0:38:56 | 0:38:58 | |
-It's a female. -Mm-hm. -OK? | 0:38:58 | 0:39:00 | |
He told me about the person that I wanted to hear about. | 0:39:00 | 0:39:03 | |
She choked on her sick when she was 21, and died. | 0:39:03 | 0:39:07 | |
He says, "I've got a lot of... like, choking," or... | 0:39:07 | 0:39:10 | |
It wisnae choking, like, "I've got a lot of stuff here." | 0:39:10 | 0:39:14 | |
And that was the only thing, and I wanted - she was the most | 0:39:14 | 0:39:17 | |
person that I wanted to come through, out of anybody. | 0:39:17 | 0:39:20 | |
But... | 0:39:20 | 0:39:22 | |
It wisnae enough, if you know what I mean. | 0:39:22 | 0:39:24 | |
Just as Chris receives a lukewarm review, | 0:39:24 | 0:39:27 | |
Natalie's friend Aileen is next out. | 0:39:27 | 0:39:30 | |
-I feel pure stupid, greetin', but... -Silly! | 0:39:30 | 0:39:33 | |
If he was that bang on with me, I'd be greetin'! | 0:39:33 | 0:39:36 | |
It was basically... | 0:39:36 | 0:39:38 | |
He didn't even put the cards out, he didn't even put cards out, | 0:39:38 | 0:39:42 | |
he just read it, and that was it. | 0:39:42 | 0:39:44 | |
-Nae cards. -You're joking! -Nae cards put out. | 0:39:44 | 0:39:46 | |
My da was there all the time, and... And then Joanne. | 0:39:46 | 0:39:50 | |
He's just spot on, he's good. | 0:39:50 | 0:39:53 | |
Really, really good, but it's... | 0:39:53 | 0:39:55 | |
Och, it's OK. | 0:39:55 | 0:39:57 | |
If I come to a place and I get one person that's extremely happy | 0:39:57 | 0:40:02 | |
then I feel I've done my job, because she wanted that reading, | 0:40:02 | 0:40:05 | |
and I think that was an exceptional reading. | 0:40:05 | 0:40:08 | |
I excelled myself there, and she's well happy. | 0:40:08 | 0:40:11 | |
Wee Jo just made my life - | 0:40:11 | 0:40:13 | |
that was my wee brother's girlfriend that died, and... | 0:40:13 | 0:40:16 | |
A couple of times I've been in and her photo's been turned down, | 0:40:16 | 0:40:19 | |
or turned to the side, and he said that's her. | 0:40:19 | 0:40:22 | |
That's her saying that she's there. | 0:40:22 | 0:40:24 | |
Chris has pulled it out of the bag, | 0:40:24 | 0:40:26 | |
but in now is his biggest challenge, mum Angie. | 0:40:26 | 0:40:29 | |
It's six o'clock and Nick has just heard news about Kiddie. | 0:40:39 | 0:40:44 | |
Kiddie's surfaced. | 0:40:45 | 0:40:47 | |
He's, er... | 0:40:47 | 0:40:49 | |
His girlfriend phoned me a few hours ago, and said that he'd | 0:40:50 | 0:40:54 | |
phoned her, he was ranting a lot of shite, he was really drunk, and... | 0:40:54 | 0:41:00 | |
then he hung up on her. | 0:41:00 | 0:41:01 | |
He phoned me. | 0:41:01 | 0:41:03 | |
I was nice - | 0:41:03 | 0:41:04 | |
I was like, "Mate, how you doing, are you all right, mate? | 0:41:04 | 0:41:06 | |
"Are you OK, aye? How are you doing?" | 0:41:06 | 0:41:08 | |
Fucking patronising myself, but then he started - "Fucking..." | 0:41:08 | 0:41:12 | |
All that, "Every cunt, fuck yous all. | 0:41:12 | 0:41:15 | |
"Fuck you!" | 0:41:15 | 0:41:16 | |
So, he was having a shite time, | 0:41:17 | 0:41:19 | |
there's been problems with him and his girlfriend the day, | 0:41:19 | 0:41:22 | |
but overall there's problems with him, you know what I mean? | 0:41:22 | 0:41:25 | |
And all I can see that's going to happen | 0:41:25 | 0:41:26 | |
is there's going to be more problems. | 0:41:26 | 0:41:29 | |
Kiddie may be safe for now, | 0:41:29 | 0:41:30 | |
but Nick knows how dangerous drink and depression can be. | 0:41:30 | 0:41:33 | |
I just don't know whether he wants to go to rehab - | 0:41:33 | 0:41:36 | |
I'll fucking help him go. | 0:41:36 | 0:41:37 | |
I don't know what we can do to help him, know what I mean? | 0:41:37 | 0:41:39 | |
If he wants me to start taking him to places that he can help himself, | 0:41:39 | 0:41:42 | |
I'll start taking him to places he can help himself, | 0:41:42 | 0:41:45 | |
but he fucking needs to know, he needs to understand. | 0:41:45 | 0:41:47 | |
He has to want to help himself first, and at this stage, at this stage... | 0:41:47 | 0:41:50 | |
This is where you can normally get people | 0:41:50 | 0:41:52 | |
where they want to help themselves, | 0:41:52 | 0:41:53 | |
this is where I wanted to help myself. | 0:41:53 | 0:41:55 | |
I went and done something about it, you know what I mean? | 0:41:55 | 0:41:57 | |
Tomorrow morning, Nick will see if today's events | 0:41:57 | 0:42:00 | |
have had an effect on Kiddie, | 0:42:00 | 0:42:02 | |
and if his best friend can still be trusted to stay in Taste. | 0:42:02 | 0:42:05 | |
He can fucking clean it up in the morning. | 0:42:05 | 0:42:07 | |
That's his first job! | 0:42:07 | 0:42:09 | |
Right, can we get this chocolate to fuck, mate. Come on. Let's go. | 0:42:09 | 0:42:13 | |
Look at you, you're a fucking singer. | 0:42:15 | 0:42:18 | |
Back at the house party... | 0:42:18 | 0:42:19 | |
She wants to hug you so badly. | 0:42:19 | 0:42:22 | |
..Chris is on his last reading of the night... | 0:42:22 | 0:42:24 | |
-I feel that you were brought here... -Uh-huh. | 0:42:24 | 0:42:27 | |
..to let you know that she's OK. | 0:42:27 | 0:42:30 | |
Because she knows that you constantly think of her. | 0:42:30 | 0:42:34 | |
..and has managed to reduce another client to tears. | 0:42:34 | 0:42:37 | |
-Tell me I'm wrong. -No, you're right. You are. | 0:42:39 | 0:42:41 | |
But not everyone has been happy with Chris's reading. | 0:42:43 | 0:42:46 | |
I want my fucking money back. | 0:42:46 | 0:42:48 | |
Cos I think he's a liar. | 0:42:48 | 0:42:50 | |
And I think he's out here to con whoever he can. | 0:42:50 | 0:42:53 | |
He's an old man, and he's conning us. | 0:42:53 | 0:42:57 | |
I don't think he's conning people, because your pal got a good reading. | 0:42:57 | 0:43:00 | |
Aye, but did you? | 0:43:00 | 0:43:02 | |
All the lassies I've spoke to - he's constantly clock-watching, | 0:43:02 | 0:43:05 | |
cos he's on £30 every half an hour. | 0:43:05 | 0:43:08 | |
See, if I was on £30 every half hour, I'd be clock-watching. Hello! | 0:43:08 | 0:43:12 | |
Hmm. | 0:43:12 | 0:43:13 | |
Chris has packed up, | 0:43:13 | 0:43:15 | |
but has no idea that he's about to face his toughest critic. | 0:43:15 | 0:43:19 | |
Some were OK, some not. | 0:43:19 | 0:43:21 | |
-I think you done shite, to be honest. -OK. | 0:43:21 | 0:43:25 | |
And I'm not here to put you down or anything, | 0:43:25 | 0:43:28 | |
I'm just telling you straight. | 0:43:28 | 0:43:30 | |
I think you have not got a clue. | 0:43:30 | 0:43:34 | |
And I think you totally came in here the night | 0:43:34 | 0:43:38 | |
and you actually robbed us bare-arsed. | 0:43:38 | 0:43:42 | |
Because everybody that came back the night from your readings | 0:43:42 | 0:43:45 | |
-were not happy. -Yeah? -Yeah. | 0:43:45 | 0:43:48 | |
So I don't think you're real, I think you're a charlatan, | 0:43:48 | 0:43:52 | |
and you're making 30 quid a head out of us the night, | 0:43:52 | 0:43:55 | |
-and I think you ought to be ashamed of yourself. -OK. | 0:43:55 | 0:43:58 | |
Because I don't think you can read nobody. | 0:43:58 | 0:44:00 | |
I think you're doing this to get a living, | 0:44:00 | 0:44:03 | |
and I'm telling you right now, you have studied nothing. | 0:44:03 | 0:44:06 | |
And I'm telling you, | 0:44:06 | 0:44:08 | |
my psychic ability on you is that you're full of shit. | 0:44:08 | 0:44:13 | |
-Thank you for that, anyway. -Thank you?! | 0:44:13 | 0:44:15 | |
No, I mean... | 0:44:15 | 0:44:16 | |
You're walking away with our money the night, and we are... | 0:44:16 | 0:44:20 | |
The economy's shite, and you're walking away with all our money. | 0:44:20 | 0:44:24 | |
-OK... -And you're feeling happy about that? | 0:44:24 | 0:44:27 | |
-I'm sorry you feel like that. -How do you sleep at night? | 0:44:27 | 0:44:29 | |
Sorry you feel like that. | 0:44:29 | 0:44:31 | |
Oh, I feel like that. How do you sleep at night? | 0:44:31 | 0:44:34 | |
When you're walking away with people's money. | 0:44:34 | 0:44:37 | |
At £30 a fucking head. | 0:44:37 | 0:44:39 | |
-That's what I'm angry about. -I'm sorry you feel like that. | 0:44:39 | 0:44:42 | |
-Because you're full of shit. -OK. -Yes. Exactly. | 0:44:42 | 0:44:47 | |
Oh, I just had to leave, I had to get out of there! | 0:44:55 | 0:44:58 | |
I thought they were going to hit me or something, you know? | 0:44:58 | 0:45:01 | |
Just didn't expect that. I don't know what happens when... | 0:45:01 | 0:45:06 | |
people drink and get angry, or what, I don't know. | 0:45:06 | 0:45:09 | |
Don't see why I should be treated like that. | 0:45:09 | 0:45:13 | |
I've just been slagged off in there by the woman of the house, | 0:45:16 | 0:45:19 | |
screamed at me in the kitchen. | 0:45:19 | 0:45:21 | |
-Sorry, I wasn't there. -You weren't there? -No. | 0:45:21 | 0:45:23 | |
Can I ask - she said everybody said the readings were crap... | 0:45:23 | 0:45:26 | |
-No, mine was spot on. -Was it? -Spot on, mine was spot on. | 0:45:26 | 0:45:28 | |
You don't have a problem with my reading? No, no. | 0:45:28 | 0:45:31 | |
I just told the driver, you were spot on. | 0:45:31 | 0:45:33 | |
-I'm well over the moon with your reading. -Are you going to Partick? | 0:45:33 | 0:45:36 | |
Cos I'm going down to town. | 0:45:36 | 0:45:38 | |
But this is only going to Partick, and the town is more - further. | 0:45:38 | 0:45:40 | |
I can jump in with you, then, if you want. | 0:45:40 | 0:45:42 | |
-I told you that myself. -Can I jump in then? | 0:45:42 | 0:45:46 | |
-If you go my way, cos I've got... -I'll go round. | 0:45:46 | 0:45:49 | |
Right, thanks. | 0:45:49 | 0:45:51 | |
OK, talk to you soon. | 0:45:51 | 0:45:55 | |
See? | 0:45:57 | 0:45:58 | |
See you later, mate. | 0:45:58 | 0:46:00 | |
Chris has had a tough introduction to Scotland, | 0:46:02 | 0:46:04 | |
and it's perhaps not the fresh start he was looking for. | 0:46:04 | 0:46:07 | |
MUSIC: "An Eagle In Your Mind" by Boards of Canada | 0:46:09 | 0:46:12 | |
The next morning, after his disappearance yesterday, | 0:46:19 | 0:46:23 | |
Nick's on his way to pick up Kiddie for work. | 0:46:23 | 0:46:26 | |
I texted him at six and he said he was up sitting drinking a coffee, | 0:46:29 | 0:46:32 | |
so I've let him sit for fucking an hour and 20 minutes, | 0:46:32 | 0:46:35 | |
thinking about what he's done. | 0:46:35 | 0:46:36 | |
Whether his fucking hangover's kicking his back door in. | 0:46:36 | 0:46:39 | |
And, er... We'll just see what he's got to say for himself this morning. | 0:46:39 | 0:46:44 | |
-Morning. -Morning! -How are you? | 0:46:48 | 0:46:50 | |
All right, mate, how are you? | 0:46:50 | 0:46:52 | |
Er...not good, man. | 0:46:52 | 0:46:53 | |
You're all right, you're fucking here, man. Time to go to work. | 0:46:53 | 0:46:56 | |
Let's do it. | 0:46:56 | 0:46:57 | |
Busy yesterday? | 0:47:06 | 0:47:07 | |
Busiest day Simon's ever seen, he said. | 0:47:07 | 0:47:10 | |
Were YOU busy yesterday?! | 0:47:13 | 0:47:14 | |
Lost the plot a bit, yesterday. | 0:47:16 | 0:47:18 | |
Know what I mean? It's scary, mate. | 0:47:23 | 0:47:26 | |
Scary shit. | 0:47:26 | 0:47:28 | |
-HE SHUDDERS -Morning, guys. | 0:48:19 | 0:48:20 | |
-Augh! -Go upstairs and get changed next to the heater. | 0:48:20 | 0:48:23 | |
Give yoursel' a warm up. | 0:48:23 | 0:48:24 | |
I think I need to go to the doctor's, man. | 0:48:24 | 0:48:26 | |
Definitely got a bit of depression going on. | 0:48:26 | 0:48:28 | |
I've had it before. It's no' nice. | 0:48:28 | 0:48:31 | |
Pick a phone up. Problem solved. | 0:48:31 | 0:48:32 | |
A problem halved is a problem solved, mate. You know what I mean? | 0:48:32 | 0:48:35 | |
Don't worry - I was getting all this last night off my mum and dad. | 0:48:35 | 0:48:38 | |
My mum, especially my mum. | 0:48:38 | 0:48:40 | |
She got up when I got up this morning, | 0:48:40 | 0:48:41 | |
just fucking followed me about the house, man. | 0:48:41 | 0:48:44 | |
"Are you OK? Anything you need to talk about? | 0:48:44 | 0:48:46 | |
"Talk to me. Don't keep everything bottled up." | 0:48:46 | 0:48:49 | |
Don't this, don't that. Fucking - "You know we're here to help. | 0:48:49 | 0:48:52 | |
"Everybody's just fucking worried about you, come, tell us." | 0:48:52 | 0:48:55 | |
Fuck it, man. | 0:48:55 | 0:48:56 | |
I think it's still fucking - the drink talking the now. | 0:48:58 | 0:49:02 | |
I dunno. | 0:49:02 | 0:49:03 | |
Seriously don't think it's over. | 0:49:03 | 0:49:05 | |
Not by a fucking long shot. | 0:49:05 | 0:49:08 | |
What was he saying he was doing yesterday? | 0:49:08 | 0:49:11 | |
Hitting the old fucking nose candy. | 0:49:11 | 0:49:14 | |
Drinking all day. | 0:49:14 | 0:49:16 | |
It's just - how do you help somebody like that? | 0:49:16 | 0:49:20 | |
In the Savoy, after getting his confidence knocked | 0:49:35 | 0:49:39 | |
at the house party, the last few days for Chris haven't been good... | 0:49:39 | 0:49:43 | |
..and he's thinking about leaving. | 0:49:44 | 0:49:46 | |
I'm going to pop and see Jim and find out what's... | 0:49:46 | 0:49:49 | |
See this, if I want to go for a pee or anything... | 0:49:49 | 0:49:52 | |
Chris has been losing business because music and loud noise | 0:49:52 | 0:49:56 | |
from a nearby hair salon is drowning out his readings, | 0:49:56 | 0:49:59 | |
and his customers have started walking out. | 0:49:59 | 0:50:01 | |
Hope the elevator's working. | 0:50:01 | 0:50:04 | |
He's going to see Jim and Neil to let them know he's had enough. | 0:50:04 | 0:50:07 | |
All right, OK, pal. Cheers. | 0:50:07 | 0:50:09 | |
-Is Jim in? -He's just in with somebody just now, Chris. | 0:50:09 | 0:50:12 | |
I'm prepared to move out, move and work somewhere else. It's horrendous. | 0:50:12 | 0:50:15 | |
Is it still going? I thought it was... | 0:50:15 | 0:50:17 | |
-No, it's been worse every day, mate. -Right, I'll go down just now. | 0:50:17 | 0:50:20 | |
I'm just half in the middle of something just now, | 0:50:20 | 0:50:22 | |
I need to finish quickly, and I'll come down and see them again. | 0:50:22 | 0:50:25 | |
-Give me two minutes and I'll come down. -All right. | 0:50:25 | 0:50:28 | |
Cheers, thanks. | 0:50:28 | 0:50:30 | |
That's what you get. | 0:50:30 | 0:50:31 | |
Is it that bad? Is the noise that bad? | 0:50:31 | 0:50:33 | |
I wouldn't have said it was terrible, but obviously, | 0:50:33 | 0:50:36 | |
if it's affecting his business, fair enough. | 0:50:36 | 0:50:38 | |
We'll deal with it. | 0:50:38 | 0:50:39 | |
I'd like to stay, but...it's noisy. | 0:50:39 | 0:50:41 | |
I can't do my healing and my therapy work down there. | 0:50:41 | 0:50:44 | |
The door doesn't lock, which is not their fault, if the door went, | 0:50:44 | 0:50:48 | |
but it's two days to change it... | 0:50:48 | 0:50:50 | |
And maybe the universe is saying to leave it. | 0:50:50 | 0:50:52 | |
OK, I want to nip it in the bud, Neil. | 0:50:52 | 0:50:54 | |
Yeah, I don't want to lose a retailer. | 0:50:54 | 0:50:56 | |
Not in a position to lose the retail, | 0:50:56 | 0:50:58 | |
we cannae lose a retailer over something we can do. | 0:50:58 | 0:51:01 | |
We can do something about it, | 0:51:01 | 0:51:02 | |
but I certainly don't want to lose him, he's a good guy. | 0:51:02 | 0:51:05 | |
Er, I've spoken to Neil, and I didn't... | 0:51:07 | 0:51:10 | |
I didn't realise you had a problem with the noise. | 0:51:10 | 0:51:13 | |
Because you've not come back to Neil, | 0:51:13 | 0:51:15 | |
he's thought that you were happy with it. | 0:51:15 | 0:51:17 | |
I've told him more that once or twice! | 0:51:17 | 0:51:19 | |
-Don't give me that crap. -Well, what I'll do... | 0:51:19 | 0:51:21 | |
I've told him about three times. Look, I lost a client, I told Neil... | 0:51:21 | 0:51:24 | |
I'm not having you losing any forms of money whatsoever. | 0:51:24 | 0:51:27 | |
I told Neil, if it didn't get sorted in a week, | 0:51:27 | 0:51:29 | |
next week I'll be moving out. If I can have quiet, I'm very happy. | 0:51:29 | 0:51:32 | |
Right, OK, and I'll get him to call Martin about your door handle. | 0:51:32 | 0:51:35 | |
-OK? -Cheers, mate. | 0:51:35 | 0:51:38 | |
I think he's giving them that, and you can hear... | 0:51:39 | 0:51:42 | |
I'd like to stay, but I can only stay if there's not noise. | 0:51:42 | 0:51:45 | |
In the East End of Glasgow, Melo's housemates have left for the day, | 0:51:53 | 0:51:58 | |
after more arguing. | 0:51:58 | 0:52:00 | |
You know why things happen like this, right? | 0:52:00 | 0:52:03 | |
Why this has happened like this, there we go. | 0:52:03 | 0:52:05 | |
If you think you've got all the right to be upset at me, | 0:52:05 | 0:52:09 | |
there we go, my life, it's because I've been mistreated. | 0:52:09 | 0:52:13 | |
That's why I'm going through things, it's not my fault. | 0:52:13 | 0:52:18 | |
Maybe my fault is trusting these people. | 0:52:18 | 0:52:21 | |
Do you think you drink more than a lot of people? | 0:52:21 | 0:52:24 | |
Yeah, I do drink more than most people. | 0:52:24 | 0:52:30 | |
Yeah, my mind is always thinking about music, | 0:52:30 | 0:52:35 | |
I'm always out there playing, and my body's always under demand, | 0:52:35 | 0:52:39 | |
so it requires drink and food, both. | 0:52:39 | 0:52:43 | |
Let's not blame alcohol or drugs, because this doesn't think, does it? | 0:52:43 | 0:52:48 | |
This just doesn't think. You are the one that thinks. | 0:52:48 | 0:52:52 | |
So if you are the one that thinks, | 0:52:52 | 0:52:54 | |
why don't you do things in the right way? | 0:52:54 | 0:52:57 | |
You know what I mean? | 0:52:57 | 0:52:59 | |
In Scotland, in UK, | 0:53:01 | 0:53:03 | |
I don't got real friends. | 0:53:03 | 0:53:06 | |
Yeah. | 0:53:07 | 0:53:08 | |
Come on, you're still under a minute, Kiddie, let's go. | 0:53:33 | 0:53:37 | |
In Taste, it's been a month since Kiddie went off the rails. | 0:53:37 | 0:53:40 | |
Remember, inside the bag, yeah? | 0:53:40 | 0:53:42 | |
Tea towel or napkin on it. That's a boy. | 0:53:42 | 0:53:45 | |
Nick was worried that this was the start of a downward spiral, | 0:53:45 | 0:53:48 | |
but a month on and Kiddie's turned up to work every day. | 0:53:48 | 0:53:52 | |
Got another ten seconds or he loses his job. | 0:53:52 | 0:53:54 | |
And he loses all his privileges. | 0:53:56 | 0:53:58 | |
I'm glad to be back at my work. | 0:53:58 | 0:54:00 | |
It's amazing when you do something like that, | 0:54:00 | 0:54:02 | |
you realise how many friends you have, | 0:54:02 | 0:54:04 | |
how many people run about after you... | 0:54:04 | 0:54:06 | |
to find out where you are. So, that's... | 0:54:06 | 0:54:08 | |
It was silly, but it's done now. | 0:54:08 | 0:54:11 | |
Time will tell, but if I start noticing things in him, | 0:54:11 | 0:54:14 | |
then I'll just... | 0:54:14 | 0:54:16 | |
Jobcentre. Know what I mean? Apply for something. | 0:54:16 | 0:54:19 | |
Er... But no, I think he'll be all right, he'll be cool. | 0:54:19 | 0:54:22 | |
Don't want to fucking lose him, he's one of my best mates, | 0:54:22 | 0:54:25 | |
you know what I mean? | 0:54:25 | 0:54:26 | |
-Can I help you? -No. | 0:54:26 | 0:54:28 | |
-I hate your guts. -Cheers, pal. -So much. | 0:54:28 | 0:54:31 | |
At the Savoy, | 0:54:38 | 0:54:39 | |
it's been a month since Chris was threatening to leave. | 0:54:39 | 0:54:42 | |
Do you want to do, Charlene, | 0:54:42 | 0:54:43 | |
a general reading or do you want me to target at specific things, | 0:54:43 | 0:54:46 | |
like career, health, relationships...? | 0:54:46 | 0:54:48 | |
-Oh... -Anything specific? | 0:54:48 | 0:54:50 | |
Chris wasn't sure if the move to Glasgow was the right choice, | 0:54:50 | 0:54:54 | |
but in the last month, his business has taken off. | 0:54:54 | 0:54:58 | |
He's slowly made a name for himself in the Savoy, | 0:54:58 | 0:55:01 | |
and his customers have been queuing outside the door. | 0:55:01 | 0:55:05 | |
I did dream that, yeah. | 0:55:05 | 0:55:06 | |
Aye, these cards are Spanish. | 0:55:06 | 0:55:08 | |
Jim and Neil have moved him into a better unit upstairs, | 0:55:08 | 0:55:11 | |
and his clients are happy. | 0:55:11 | 0:55:13 | |
-Brilliant, thank you very much. -Cheers, love. | 0:55:13 | 0:55:16 | |
It was a very, very different reading. | 0:55:16 | 0:55:17 | |
I've never, ever experienced a reading like that in my entire life. | 0:55:17 | 0:55:20 | |
Very different. I'm glad he said what he said. It was good. | 0:55:20 | 0:55:23 | |
Just got two people, just as I'm moving in, | 0:55:23 | 0:55:28 | |
and I know they're going to come back and see me, so - I'm happy! | 0:55:28 | 0:55:32 | |
So... | 0:55:32 | 0:55:33 | |
Yeah, it feels good up here. | 0:55:33 | 0:55:36 | |
The last month hasn't been good for everyone in the Savoy. | 0:55:39 | 0:55:43 | |
My keep fit starts tonight. | 0:55:43 | 0:55:46 | |
That's my nephew - it was supposed to start months ago. | 0:55:46 | 0:55:49 | |
"Have you got your cycling shorts looked at?" | 0:55:49 | 0:55:52 | |
So, it's off to the gym today, a new start today. | 0:55:52 | 0:55:55 | |
Unfortunately, I've come to the conclusion | 0:55:55 | 0:55:59 | |
that I need to move on in my working life, so at the moment, I'm... | 0:55:59 | 0:56:05 | |
drafting an e-mail to my operations manager in Liverpool, | 0:56:05 | 0:56:09 | |
with a resignation letter that's basically... | 0:56:09 | 0:56:14 | |
I'm handing my notice in, so... | 0:56:14 | 0:56:17 | |
The time has come that I really need to be honest with myself, | 0:56:17 | 0:56:20 | |
and be honest with the company as well, because it's not any good | 0:56:20 | 0:56:22 | |
for the company if they've got an employee who's struggling, as I am. | 0:56:22 | 0:56:27 | |
I liken it to - it's like a boxer. | 0:56:27 | 0:56:29 | |
You go in every morning and you get punch after punch after punch, | 0:56:29 | 0:56:32 | |
and you get up and you go down, you're up, you're down... | 0:56:32 | 0:56:35 | |
And there's only so long your body can take that. | 0:56:35 | 0:56:38 | |
And maybe that's just where it is. | 0:56:38 | 0:56:41 | |
It's maybe just a three-year life span, I don't know. | 0:56:41 | 0:56:45 | |
I don't know, I just feel as though, now, that I'm in a corner, | 0:56:45 | 0:56:48 | |
I'm on the ropes, and I've nowhere to go. | 0:56:48 | 0:56:51 | |
Good. Good man, good man. | 0:56:51 | 0:56:52 | |
What do you think the future is for the Savoy? | 0:56:52 | 0:56:55 | |
You know, we've tried the Sunday opening, | 0:56:55 | 0:56:56 | |
which clearly has not worked. | 0:56:56 | 0:56:58 | |
I don't know what the future is for the Savoy. | 0:56:58 | 0:57:00 | |
I'd like to think the future's really good. | 0:57:00 | 0:57:02 | |
It's been through tough times in the past, | 0:57:02 | 0:57:05 | |
and I daresay it'll come out the other end, you know, fine. | 0:57:05 | 0:57:08 | |
Since filming, Chris has left the Savoy, | 0:57:12 | 0:57:14 | |
and is planning to move his business abroad, | 0:57:14 | 0:57:17 | |
to Belize. | 0:57:17 | 0:57:18 | |
So, this is us - we're going to fly away to the sun. | 0:57:18 | 0:57:22 | |
Chris, not on TV! | 0:57:22 | 0:57:24 | |
You see! | 0:57:25 | 0:57:26 | |
He's split up from his wife and twin flame Kes, | 0:57:26 | 0:57:29 | |
so this time he'll be moving on alone. | 0:57:29 | 0:57:32 | |
And Jim left the Savoy to go into business for himself once more. | 0:57:34 | 0:57:38 | |
Next time on The Street... | 0:57:38 | 0:57:40 | |
Can you get it? | 0:57:40 | 0:57:42 | |
Can we get some fucking help?! Come on! | 0:57:42 | 0:57:44 | |
Nick has a plan to turn Taste around... | 0:57:44 | 0:57:46 | |
Hope I'm right. Hope this is the fucking thing that I'm right about, | 0:57:46 | 0:57:49 | |
you know what I mean? | 0:57:49 | 0:57:50 | |
..by risking thousands of pounds on a new idea... | 0:57:50 | 0:57:53 | |
Ordered too much pig. There you go, I've ordered too much pig. | 0:57:53 | 0:57:56 | |
What the fuck do you want me to do? | 0:57:56 | 0:57:58 | |
Sauchiehall Street's own secretive artist called Bullet Beard | 0:57:58 | 0:58:02 | |
tries to avoid the attention of the police... | 0:58:02 | 0:58:05 | |
but his identity is finally revealed. | 0:58:05 | 0:58:07 | |
MAN SHOUTS If you ever want to threaten me, I'll batter you. | 0:58:07 | 0:58:10 | |
Melo has a run in with another busker... | 0:58:10 | 0:58:13 | |
You got a big mouth, that's your problem. | 0:58:13 | 0:58:15 | |
You've got a big mouth. | 0:58:15 | 0:58:17 | |
..and it looks like he might be moving on again... | 0:58:17 | 0:58:19 | |
but this time, to prison. | 0:58:19 | 0:58:22 | |
THEY SHOUT | 0:58:22 | 0:58:23 | |
And the pastors are out, as Sauchiehall Street kicks off. | 0:58:23 | 0:58:27 | |
-These are going five against one! -Oi, oi! | 0:58:27 | 0:58:31 | |
Control, we need an ambulance, a boy's been knocked out. Over. | 0:58:31 | 0:58:35 |