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This programme contains very strong language. | 0:00:02 | 0:00:06 | |
Sauchiehall Street is one of the most famous streets in Scotland. | 0:00:06 | 0:00:09 | |
By day, thousands are employed in its shops and offices. | 0:00:09 | 0:00:12 | |
By night, it attracts hordes of visitors to its restaurants, | 0:00:12 | 0:00:15 | |
bars and clubs. | 0:00:15 | 0:00:16 | |
And at the weekend, the street | 0:00:17 | 0:00:19 | |
has a reputation as one of the most buzzing places to go out in Glasgow. | 0:00:19 | 0:00:23 | |
If you've no' got a lumber by now, | 0:00:23 | 0:00:25 | |
you shouldn't be getting one in the taxi queue. Let's go down. | 0:00:25 | 0:00:28 | |
The Street follows the lives of a number of people | 0:00:28 | 0:00:32 | |
over the course of a year, as they try to earn their crust. | 0:00:32 | 0:00:35 | |
There was a couple of wee fucking wanks scratching their fucking dicks | 0:00:35 | 0:00:37 | |
for eight hours this morning. | 0:00:37 | 0:00:39 | |
-Hey, guys! -Protect the public. | 0:00:39 | 0:00:42 | |
Well, you feel worried about what's going to happen. It could kill them. | 0:00:42 | 0:00:47 | |
-Make sweet music. -Another £1. I can buy some... A loaf of bread. | 0:00:47 | 0:00:51 | |
I'm not a greedy person, but £1 counts. | 0:00:53 | 0:00:56 | |
And struggle to make a living. | 0:00:56 | 0:00:58 | |
I don't have a problem with closing your business down, but I don't want to do it. | 0:00:58 | 0:01:01 | |
On one of Scotland's most iconic streets. | 0:01:01 | 0:01:04 | |
So basically, they're all spineless bastards, in my view. | 0:01:04 | 0:01:07 | |
Previously on The Street, | 0:01:14 | 0:01:16 | |
busker Melo was struggling by in life, | 0:01:16 | 0:01:21 | |
working late nights to make some money. | 0:01:21 | 0:01:24 | |
But life started to get on top of him | 0:01:24 | 0:01:27 | |
after run-ins with the public. | 0:01:27 | 0:01:29 | |
You're sitting here milking our country for thousands, | 0:01:29 | 0:01:32 | |
you fucking black bastard, you! | 0:01:32 | 0:01:33 | |
Do I fucking need to get you to the hospital? | 0:01:33 | 0:01:37 | |
After being made homeless, he was taken in by old friend Craig. | 0:01:37 | 0:01:41 | |
He knows that I'd rather be by myself. | 0:01:41 | 0:01:44 | |
-He knows that I'm hardly delighted he's here. -But it soon fell apart. | 0:01:44 | 0:01:47 | |
-He don't want to talk? -No, why should he? | 0:01:47 | 0:01:49 | |
And Craig chucked him out. | 0:01:49 | 0:01:52 | |
If he ever touched me again, I'm going to batter him. | 0:01:52 | 0:01:55 | |
After staying in a cheap hotel, | 0:01:55 | 0:01:57 | |
he was offered a free place to stay, and things were on the up. | 0:01:57 | 0:02:01 | |
Expect the worst, and good things maybe happen. | 0:02:01 | 0:02:05 | |
But once again, his relationships deteriorated, | 0:02:05 | 0:02:08 | |
and he saw no other option but to move on. | 0:02:08 | 0:02:11 | |
In Scotland, in UK, I haven't got real friends. | 0:02:11 | 0:02:16 | |
If I'm spending more than 20 fucking pounds, no way. | 0:02:25 | 0:02:30 | |
Two months on, | 0:02:30 | 0:02:33 | |
and Melo has found a new place to stay with old friend Tony. | 0:02:33 | 0:02:37 | |
But there's a problem. | 0:02:37 | 0:02:39 | |
But that's no' the point. I've got to be home on Sunday. | 0:02:39 | 0:02:43 | |
They've been threatened with eviction | 0:02:43 | 0:02:46 | |
after refusing to pay the first month's rent. | 0:02:46 | 0:02:49 | |
What did he say? | 0:02:49 | 0:02:51 | |
He says we want the keys back the night. And I said, | 0:02:51 | 0:02:53 | |
"Where we going to go? And then we will think about it." What the fuck? | 0:02:53 | 0:02:58 | |
I've got one hour, one hour and a half to make me very good money. | 0:02:58 | 0:03:02 | |
He shouldn't be getting money for that house, anyway. | 0:03:02 | 0:03:06 | |
Fucking lighting through the ceiling and all that. | 0:03:06 | 0:03:09 | |
Doors are hanging off and everything. | 0:03:09 | 0:03:12 | |
He's still expecting £600. No fucking way! | 0:03:12 | 0:03:15 | |
But the flat isn't Melo's only problem. | 0:03:15 | 0:03:17 | |
He's started to fall out with the other buskers on the street. | 0:03:17 | 0:03:21 | |
-If I was going to threaten you... -He's doing this deliberately. | 0:03:21 | 0:03:24 | |
No, no. If I was going to threaten you, I'd batter you, mate. | 0:03:24 | 0:03:27 | |
-You know what I mean? -If I ever want to threaten you, I'll batter you. | 0:03:27 | 0:03:30 | |
I will batter you. You've got a big mouth, is your problem. | 0:03:30 | 0:03:35 | |
You've got a big mouth. | 0:03:35 | 0:03:37 | |
You see? Like a girl, man. You gay, man. | 0:03:37 | 0:03:41 | |
I used to be mates with this guy. He's the most abusive... | 0:03:41 | 0:03:45 | |
He's the most abusive busker in Glasgow. | 0:03:45 | 0:03:48 | |
There's not one busker in this city | 0:03:48 | 0:03:50 | |
hasnae had a problem with this guy, | 0:03:50 | 0:03:52 | |
-and he's got the cheek to call... -You're jealous. | 0:03:52 | 0:03:55 | |
Jealous, you know what I mean? He's got mental health issues. | 0:03:55 | 0:03:58 | |
We've had a few arguments, he's come up to me drunk... | 0:03:58 | 0:04:00 | |
-I've got mental health issues?! -Here he goes. | 0:04:00 | 0:04:03 | |
-You deserve a fucking slap! -You're a liar, mate. -Go on - slap me, then. | 0:04:03 | 0:04:07 | |
-This is actually what happens. -You call me fucking mental? | 0:04:07 | 0:04:09 | |
-All the time - do you know what I mean? -You call me mental, do you understand this? -You are. | 0:04:09 | 0:04:13 | |
Yeah. It's a lie. I'm more intelligent than you, probably. | 0:04:13 | 0:04:16 | |
-Yes. -You got all that, mate? Thank you very much. | 0:04:16 | 0:04:19 | |
And I'll bloody slap you one of these days. | 0:04:19 | 0:04:22 | |
Shave your dreads, mate. They look dirty, man. | 0:04:22 | 0:04:25 | |
What do you think about what he was saying? | 0:04:27 | 0:04:30 | |
He's an idiot, do you know what I mean? | 0:04:30 | 0:04:32 | |
They all run with this trouble about "mental", but who's really mental? | 0:04:32 | 0:04:37 | |
They are fucking stupid, innit? | 0:04:37 | 0:04:39 | |
Do I look mental in this camera, the home movies? Do I look mental? | 0:04:39 | 0:04:43 | |
I hate people when they start telling lies | 0:04:43 | 0:04:46 | |
and trying to be manipulative. | 0:04:46 | 0:04:48 | |
There's a problem here again. Sorry about that. Problem is... | 0:04:48 | 0:04:53 | |
he wants the keys back. That's my brother just phoned. | 0:04:54 | 0:04:57 | |
Abdul wants the keys back the day, | 0:04:57 | 0:05:00 | |
and you need to phone them, right now, about the other house. | 0:05:00 | 0:05:04 | |
He wants the keys back. He's going off his heid and all. | 0:05:04 | 0:05:07 | |
He'll phone later, mate. He'll phone later. | 0:05:07 | 0:05:10 | |
Previously on The Street... | 0:05:17 | 0:05:19 | |
Come on. Stop fucking hiding through the back. | 0:05:19 | 0:05:22 | |
..Nick struggled to get his first business up and running | 0:05:22 | 0:05:26 | |
after a long stint in rehab. | 0:05:26 | 0:05:28 | |
Cocaine was a fucking monumental problem - | 0:05:28 | 0:05:30 | |
basically a house and a Ferrari. | 0:05:30 | 0:05:34 | |
He hired school-leaver Kevin, | 0:05:34 | 0:05:36 | |
but had to sack him when he didn't perform. | 0:05:36 | 0:05:38 | |
Is there any difference with him no' being here to him being here? | 0:05:38 | 0:05:42 | |
But things really started going wrong | 0:05:42 | 0:05:44 | |
when his right-hand man Kiddie disappeared. | 0:05:44 | 0:05:46 | |
I fear the worst. He could be fucking hanging from a tree. | 0:05:46 | 0:05:49 | |
Either that or he could be in jail, I don't know. | 0:05:49 | 0:05:51 | |
Kiddie was struggling with depression, | 0:05:51 | 0:05:54 | |
and Nick feared the worst. | 0:05:54 | 0:05:56 | |
If nothing's surfaced by the time I've done this, | 0:05:56 | 0:05:59 | |
I'm going to look till I find him. | 0:05:59 | 0:06:02 | |
But Kiddie turned up safe. | 0:06:02 | 0:06:04 | |
Seriously, I don't think it's over. | 0:06:04 | 0:06:06 | |
Not by a fucking long shot. | 0:06:06 | 0:06:09 | |
-OK, then, Kiddie. -Yes. -Lock the fucking door. | 0:06:17 | 0:06:21 | |
A month on, and Kiddie is back to his old self - | 0:06:21 | 0:06:23 | |
arriving at work on time every day. | 0:06:23 | 0:06:26 | |
So you need to open the door first. | 0:06:26 | 0:06:28 | |
Tell them in the plainest of words. | 0:06:28 | 0:06:31 | |
Taste, on the other hand, has started to struggle, | 0:06:31 | 0:06:34 | |
the profits now slowly dropping, | 0:06:34 | 0:06:37 | |
but Nick has a plan to refurbish and turn things around. | 0:06:37 | 0:06:40 | |
I don't like the Taste. Sorry. Taste is closed. | 0:06:40 | 0:06:45 | |
I've got my brother here, | 0:06:45 | 0:06:47 | |
he's a joiner, got another joiner coming in, | 0:06:47 | 0:06:50 | |
about half four, and then tomorrow we've got the plumbers coming in, | 0:06:50 | 0:06:54 | |
and the electrician tomorrow as well. | 0:06:54 | 0:06:57 | |
I can't wait. I'm going to love it, to be honest with you. | 0:06:57 | 0:07:00 | |
We'll have a lot more space, a lot more exciting food on. | 0:07:00 | 0:07:02 | |
It's going to be great. | 0:07:02 | 0:07:04 | |
-This is my big brother, Scott. -Hi. How are you? | 0:07:04 | 0:07:07 | |
Me and my mate are doing the joinery work, yeah. | 0:07:07 | 0:07:10 | |
We'll get it done in three days, so. | 0:07:10 | 0:07:12 | |
Hopefully. | 0:07:12 | 0:07:13 | |
The quicker it's done, the better, eh? | 0:07:13 | 0:07:15 | |
You got a brush? Aye. | 0:07:21 | 0:07:22 | |
Deep down I'm a bit nervous about whether this is going to work or not. | 0:07:23 | 0:07:29 | |
That's why I'm so... Got so much energy towards this. | 0:07:29 | 0:07:32 | |
I don't want to fail, | 0:07:32 | 0:07:34 | |
I want to fucking make money, I want to succeed. This needs to work. | 0:07:34 | 0:07:38 | |
My mum and dad haven't got the patience | 0:07:38 | 0:07:40 | |
to throw another however many grand at us. | 0:07:40 | 0:07:42 | |
If this doesn't work, I'm back to signing on, like a fucking muppet, | 0:07:42 | 0:07:46 | |
which I don't want to be doing. This has got to work. | 0:07:46 | 0:07:49 | |
We've got to do everything we can to make this work. | 0:07:49 | 0:07:52 | |
Hope I'm right. Hope this is the fucking thing that I'm right about. | 0:07:52 | 0:07:55 | |
I fucking go through my life and I feel I'm an intelligent enough guy | 0:07:55 | 0:07:58 | |
and I try things and they just don't fuckin' work, you know what I mean? | 0:07:58 | 0:08:01 | |
Nothing ever materialises the way I thought it would. | 0:08:01 | 0:08:04 | |
To relaunch the new-look Taste, Nick has an ace up his sleeve. | 0:08:05 | 0:08:10 | |
He plans to roast a whole pig every day and serve pulled pork rolls. | 0:08:10 | 0:08:15 | |
I am worried, I am a bit nervous now. I have never cooked a pig. | 0:08:16 | 0:08:20 | |
Just put it in the fucking machine and turn it on! | 0:08:20 | 0:08:22 | |
-I say that the now. -What's the temperature control? | 0:08:22 | 0:08:24 | |
-I don't know, mate. -Have you seen your machine yet? | 0:08:24 | 0:08:27 | |
Tomorrow, Nick will get his first look at the pig, | 0:08:29 | 0:08:33 | |
and it's going to be a big surprise. | 0:08:33 | 0:08:35 | |
Up and down the length of Sauchiehall Street, | 0:08:46 | 0:08:49 | |
a secretive street artist has been making a mark. | 0:08:49 | 0:08:52 | |
Known as Bullet Beard, the artist has been postering for over a year. | 0:08:54 | 0:08:58 | |
And even the street's most regular inhabitants have no idea who he is. | 0:08:58 | 0:09:02 | |
Probably Bullet Beard, trying to get that up there. | 0:09:02 | 0:09:05 | |
He has probably come in to Taste, I have probably seen him. | 0:09:05 | 0:09:07 | |
I think this guy is an artist. I think he is making a big statement. | 0:09:07 | 0:09:13 | |
The person responsible for the artwork only lives a few yards | 0:09:15 | 0:09:18 | |
from Sauchiehall Street. | 0:09:18 | 0:09:20 | |
And is hard at work on his next posters that are going up tonight. | 0:09:20 | 0:09:24 | |
Seen these yet? | 0:09:24 | 0:09:26 | |
Another reclaimed space with nothing to sell. | 0:09:27 | 0:09:30 | |
Brought to you by Bullet Beard. | 0:09:30 | 0:09:32 | |
THEY CHUCKLE | 0:09:32 | 0:09:34 | |
-Go and put your jumper on. -OK. | 0:09:34 | 0:09:36 | |
They are not like protest posters, | 0:09:36 | 0:09:38 | |
but it is similar to ones I have done before | 0:09:38 | 0:09:40 | |
that I might be wanting to target specific places with. | 0:09:40 | 0:09:44 | |
By doing something like this, | 0:09:44 | 0:09:46 | |
it is kind of taking back a bit of my own city for me, | 0:09:46 | 0:09:49 | |
because I live in the city and I have lived in this city most of my life. | 0:09:49 | 0:09:54 | |
And I'm a Glaswegian, and I'm proud of it. | 0:09:54 | 0:09:58 | |
And by doing this, I am kind of reclaiming space. | 0:09:58 | 0:10:02 | |
I don't know if I'm very successful at it, | 0:10:02 | 0:10:05 | |
but at least I try my best at it, you know. | 0:10:05 | 0:10:09 | |
Fly-postering is illegal, so Bullet goes out | 0:10:10 | 0:10:13 | |
with his girlfriend Alice, who watches his back. | 0:10:13 | 0:10:17 | |
-I'm just here for moral support. -I don't think you would be involved. | 0:10:17 | 0:10:20 | |
If anyone gets arrested, it will probably be me. | 0:10:20 | 0:10:23 | |
But when I've been out before, | 0:10:23 | 0:10:24 | |
like, when Alice hasn't been there, I have said, | 0:10:24 | 0:10:27 | |
like, I'm taking my wallet with me, I'm taking my phone with me. | 0:10:27 | 0:10:30 | |
If I'm not back tonight, then...that probably means I've been arrested. | 0:10:30 | 0:10:36 | |
And now comes the hard part. | 0:10:40 | 0:10:42 | |
Bullet has never been caught, but tonight he is planning | 0:10:43 | 0:10:46 | |
to poster 100 yards from one of Glasgow's main police stations. | 0:10:46 | 0:10:50 | |
-Previously... -Is he OK? | 0:10:59 | 0:11:02 | |
..the street pastors were out | 0:11:02 | 0:11:03 | |
looking after the inebriated and vulnerable. | 0:11:03 | 0:11:06 | |
The gospel really for us is all about caring for people, | 0:11:06 | 0:11:10 | |
loving them, supporting them. | 0:11:10 | 0:11:12 | |
It's just our message. | 0:11:12 | 0:11:14 | |
Handing out flip-flops to barefoot partygoers. | 0:11:16 | 0:11:19 | |
This is absolutely brilliant. You are a life-saver. | 0:11:19 | 0:11:23 | |
And comforting the homeless. | 0:11:23 | 0:11:25 | |
In Jesus' name, amen. | 0:11:25 | 0:11:26 | |
He was sleeping there. And we don't want you falling asleep. | 0:11:34 | 0:11:38 | |
The pastors are out again, helping people get home safely. | 0:11:38 | 0:11:42 | |
You are going to fall down... You see, you are going to fall down. | 0:11:43 | 0:11:47 | |
Contact Janice or Mary. | 0:11:48 | 0:11:50 | |
And say that you've got one of the old jackets. | 0:11:50 | 0:11:53 | |
Another team is just heading out, led by PhD student Brodie. | 0:11:53 | 0:11:58 | |
As street pastors, we're seeking to be non-judgemental. | 0:11:58 | 0:12:01 | |
We're not out there to particularly critique what folk are doing, | 0:12:03 | 0:12:10 | |
we're just out there to help | 0:12:10 | 0:12:12 | |
and try and make sure that, | 0:12:12 | 0:12:14 | |
at the end of the night, everybody is safe. | 0:12:14 | 0:12:18 | |
So it's not about going out and passing some kind of judgment. | 0:12:20 | 0:12:25 | |
They don't need any of us to lecture them. | 0:12:25 | 0:12:29 | |
Can you try and wake her up? | 0:12:29 | 0:12:32 | |
The pastors are trained first-aiders, | 0:12:32 | 0:12:34 | |
able to deal with a range of problems and injuries. | 0:12:34 | 0:12:37 | |
I have the reputation in our team | 0:12:37 | 0:12:39 | |
of being the one who always has to deal with blood. | 0:12:39 | 0:12:42 | |
So out of all the teams, | 0:12:42 | 0:12:44 | |
I am the one who always seems to end up with it. | 0:12:44 | 0:12:47 | |
So, for me, it is quite common, for the other teams it is not so common. | 0:12:47 | 0:12:51 | |
Brodie has his first situation to deal with. | 0:12:51 | 0:12:54 | |
Somebody down here who seems to need first aid. | 0:12:55 | 0:12:57 | |
Did he just fall over, or did something happen? | 0:12:59 | 0:13:02 | |
Just put this over the cut and then tie it. | 0:13:02 | 0:13:05 | |
Sometimes it takes quite a while for the ambulance to get here. | 0:13:07 | 0:13:10 | |
So if we can stop some bleeding or keep it clean or something, | 0:13:10 | 0:13:14 | |
you know, before they come, I would assume that is helpful. | 0:13:14 | 0:13:17 | |
No, no. Don't fall asleep. OK? Stay awake. Stay awake for me, OK? | 0:13:17 | 0:13:23 | |
Wake up. | 0:13:23 | 0:13:24 | |
Bullet and Alice are on their way to put up the first poster. | 0:13:27 | 0:13:31 | |
It's not totally like, rammed, like, mad, on this street, | 0:13:31 | 0:13:37 | |
but it's enough to keep the police busy. | 0:13:37 | 0:13:40 | |
If I was out here on my own, | 0:13:40 | 0:13:41 | |
then they would have nothing else to look at but me. | 0:13:41 | 0:13:43 | |
Bullet has chosen a new fence around a building site. | 0:13:45 | 0:13:48 | |
It is on the same street as Glasgow city centre's main police station. | 0:13:48 | 0:13:52 | |
He has to work fast, as he is never sure who is watching. | 0:14:01 | 0:14:04 | |
-Successful? -Um... Taxi driver seems to like it! | 0:14:13 | 0:14:17 | |
So we have six posters left. I thought I had more. | 0:14:23 | 0:14:27 | |
But I will just put the six on the one spot. | 0:14:27 | 0:14:30 | |
Because I think that this Pound-Mart | 0:14:30 | 0:14:33 | |
has been somewhere where I've put posters up in the past. | 0:14:33 | 0:14:36 | |
It tells you a lot about a city | 0:14:36 | 0:14:39 | |
if even a Pound-Mart can't be financially viable. | 0:14:39 | 0:14:43 | |
For the last year, Bullet's posters have mainly been his paintings. | 0:14:43 | 0:14:47 | |
But recently, he has started printing slogans and phrases | 0:14:47 | 0:14:50 | |
that could highlight issues on the street. | 0:14:50 | 0:14:53 | |
It has the desired effect because of the location of it. | 0:14:54 | 0:14:57 | |
I don't quite know about CCTV, so maybe we should walk that way. | 0:14:57 | 0:15:01 | |
HE LAUGHS NERVOUSLY | 0:15:01 | 0:15:02 | |
Open those eyes, let me see them, stay awake. | 0:15:09 | 0:15:12 | |
-Further down the street... -Stay awake, that's a boy. | 0:15:12 | 0:15:14 | |
..Brodie is trying to keep the injured man conscious | 0:15:14 | 0:15:17 | |
as he waits for the paramedics to take over. | 0:15:17 | 0:15:19 | |
There is a lot of blood everywhere. | 0:15:19 | 0:15:21 | |
I'll just leave you to it, OK? | 0:15:21 | 0:15:22 | |
-Thanks very much for your help, pal. -No worries. | 0:15:22 | 0:15:24 | |
I don't know whether somebody punched him or hit him with something. | 0:15:24 | 0:15:27 | |
It's the fact that he's just wanting to fall asleep as well, | 0:15:27 | 0:15:30 | |
means he needs to get checked out. | 0:15:30 | 0:15:32 | |
Yeah, we'll take a wander up the street and see what's happening. | 0:15:32 | 0:15:37 | |
No sooner has he moved on than there is another situation to deal with. | 0:15:37 | 0:15:41 | |
SHOUTING | 0:15:41 | 0:15:44 | |
Camera control, there is a fight outside McDonald's | 0:15:44 | 0:15:46 | |
on Sauchiehall Street. Over. | 0:15:46 | 0:15:48 | |
SHOUTING CONTINUES | 0:15:48 | 0:15:51 | |
Camera control, that fight has gone down Renfrew Lane. Police needed. | 0:15:55 | 0:15:59 | |
Over. | 0:15:59 | 0:16:01 | |
Hey, the police are coming, so I would get out of here if I was you. | 0:16:01 | 0:16:05 | |
One of the men originally fighting has stayed back to avoid trouble, | 0:16:06 | 0:16:09 | |
but he is about to get a shock. | 0:16:09 | 0:16:12 | |
SHOUTING | 0:16:12 | 0:16:17 | |
He bullied that fucking one guy! | 0:16:17 | 0:16:19 | |
ALL SHOUT AT ONCE | 0:16:19 | 0:16:22 | |
Yeah, no, no, he's helping him, he's just been hit. | 0:16:22 | 0:16:26 | |
Hey, hey, no, look, he's just been knocked out. | 0:16:26 | 0:16:29 | |
Are we needing an ambulance here? | 0:16:31 | 0:16:33 | |
Couldn't make that up. Couldn't... Here, Donald, who done that? | 0:16:33 | 0:16:37 | |
Him! Him! He done it! | 0:16:37 | 0:16:40 | |
Camera control, we need an ambulance at Renfrew Lane. | 0:16:40 | 0:16:43 | |
A boy has been knocked out. Over. | 0:16:43 | 0:16:45 | |
Before the ambulance or police have a chance to arrive, | 0:16:46 | 0:16:48 | |
the man's friends drag him to his feet. | 0:16:48 | 0:16:52 | |
I wouldn't go up that way. | 0:16:52 | 0:16:53 | |
Where are you going? | 0:16:59 | 0:17:01 | |
Camera control, about that ambulance for Renfrew Lane. | 0:17:01 | 0:17:05 | |
The boy has regained consciousness | 0:17:05 | 0:17:07 | |
and his pals are taking him away. Over. | 0:17:07 | 0:17:10 | |
'That's all received. The police will be attending shortly. | 0:17:10 | 0:17:14 | |
'We will summon an ambulance as required.' | 0:17:14 | 0:17:16 | |
He's taking his belt off. | 0:17:16 | 0:17:18 | |
See the boy with the red top? | 0:17:18 | 0:17:20 | |
He needs checked over by somebody medical. | 0:17:20 | 0:17:22 | |
It was people who were not connected to the original incident. | 0:17:26 | 0:17:30 | |
The big, older guy that was with the women | 0:17:30 | 0:17:32 | |
hit the young boy in the red top | 0:17:32 | 0:17:35 | |
and floored him. | 0:17:35 | 0:17:37 | |
I mean, he was out. | 0:17:37 | 0:17:39 | |
Regained consciousness, obviously, but... | 0:17:39 | 0:17:43 | |
kind of street justice. | 0:17:43 | 0:17:45 | |
Well, you feel worried about what's going to happen. | 0:17:46 | 0:17:49 | |
I mean, the violence of that hit that floored the guy, you know... | 0:17:49 | 0:17:54 | |
Yes, he was one of the original aggressors, but... | 0:17:54 | 0:17:58 | |
still, like, you know, it could have killed him. | 0:17:59 | 0:18:03 | |
We'll head up the street. | 0:18:03 | 0:18:05 | |
Most weeks that a team is out, | 0:18:06 | 0:18:08 | |
one team will see a fight or you hear them over the radio, | 0:18:08 | 0:18:13 | |
so there's fights happening all the time. | 0:18:13 | 0:18:16 | |
Some of it's...handbags, you know, | 0:18:16 | 0:18:20 | |
there's nothing really to it. | 0:18:20 | 0:18:22 | |
Others can be quite nasty, | 0:18:22 | 0:18:24 | |
like that one. | 0:18:24 | 0:18:25 | |
Obviously, one of the things, as a team, | 0:18:27 | 0:18:29 | |
you're slightly concerned is that, you know, | 0:18:29 | 0:18:31 | |
these guys know that you've radioed it in, | 0:18:31 | 0:18:34 | |
and the police have then been involved, | 0:18:34 | 0:18:36 | |
so our hope is that they now just go home. | 0:18:36 | 0:18:40 | |
Do you worry about that? | 0:18:43 | 0:18:45 | |
Erm... | 0:18:45 | 0:18:46 | |
A... A little. | 0:18:47 | 0:18:49 | |
A little. | 0:18:52 | 0:18:53 | |
After a late night, Bullet Beard is getting ready to go out. | 0:19:19 | 0:19:23 | |
He took his name from a character he created as a child | 0:19:23 | 0:19:26 | |
and now it's the signature that defines his art. | 0:19:26 | 0:19:29 | |
He's working on new pieces that he plans to put up tonight. | 0:19:31 | 0:19:35 | |
It's called detournement. It's basically... | 0:19:35 | 0:19:38 | |
It's subverting something. | 0:19:38 | 0:19:41 | |
It could be, like, a poster | 0:19:41 | 0:19:42 | |
or it could be, like, a sign of a shop | 0:19:42 | 0:19:45 | |
or it could be... | 0:19:45 | 0:19:47 | |
Anything, really, just using whatever means to change it, | 0:19:47 | 0:19:50 | |
either to have a humorous slant on it or something political. | 0:19:50 | 0:19:54 | |
Also, I do it just because some people quite like it, you know? | 0:19:54 | 0:19:58 | |
He's on his way to take pictures of his work from last night. | 0:20:00 | 0:20:03 | |
-They don't waste time, do they? -He's just too late, though, | 0:20:08 | 0:20:11 | |
as his work has already been covered over. | 0:20:11 | 0:20:13 | |
There's some buckets here. | 0:20:15 | 0:20:18 | |
That's the guys prepping. | 0:20:18 | 0:20:20 | |
That's good. HE LAUGHS | 0:20:20 | 0:20:23 | |
-Do you work, basically, for the council then? -With the council. | 0:20:24 | 0:20:27 | |
With the council, OK. And you guys basically maintain the...? | 0:20:27 | 0:20:30 | |
-Aye, but it's to eradicate fly-posting and graffiti. -Sure. | 0:20:30 | 0:20:33 | |
Mainly graffiti, and just to try and keep the city a wee bit cleaner. | 0:20:33 | 0:20:37 | |
Sure. I know this might sound funny, but see in terms of recruitment... | 0:20:37 | 0:20:41 | |
-Are you looking for a job? -Aye. -Are you looking for a job?! | 0:20:41 | 0:20:44 | |
Aye, in all honesty. | 0:20:44 | 0:20:46 | |
-The technique you use, I'm quite good at doing that, I think. -What? | 0:20:46 | 0:20:49 | |
-Doing it. -You've never seen me doing it. -Well, I know what it takes. | 0:20:49 | 0:20:53 | |
You seen me painting, you never... | 0:20:53 | 0:20:55 | |
-Hey, hey, hey! -What? What, what? | 0:20:55 | 0:20:57 | |
No, I wasn't going to, like, fucking show you. | 0:20:57 | 0:21:00 | |
HE LAUGHS | 0:21:00 | 0:21:01 | |
It's quite... It's quite thin. | 0:21:01 | 0:21:03 | |
No, I'm not going to do that. Are you mad? | 0:21:03 | 0:21:06 | |
I think when I'm away, you're going to kid on you're a fly-poster! | 0:21:08 | 0:21:11 | |
BULLET BEARD LAUGHS | 0:21:11 | 0:21:13 | |
Nice speaking to you anyway, mate, thanks. | 0:21:13 | 0:21:16 | |
Kid on I'm a fly-poster! | 0:21:16 | 0:21:18 | |
I think that, in terms of not messing with anyone's money... | 0:21:18 | 0:21:22 | |
Because people pay to put these up, so I think that | 0:21:22 | 0:21:25 | |
if I was going to do some anyway, it would be ones that were like that. | 0:21:25 | 0:21:28 | |
They're not really selling anything, you know? | 0:21:28 | 0:21:31 | |
I just hope I didn't, like, cause that guy too much annoyance | 0:21:31 | 0:21:34 | |
when he came to work in the morning. | 0:21:34 | 0:21:36 | |
And in terms of, like, recruitment, | 0:21:38 | 0:21:40 | |
I probably would apply for a job doing that, | 0:21:40 | 0:21:43 | |
-to be perfectly honest with you. -Really? | 0:21:43 | 0:21:45 | |
Well... I don't know, it's a job, isn't it? | 0:21:45 | 0:21:48 | |
I could work it from the inside! | 0:21:48 | 0:21:50 | |
Bullet's work never stays up for long, | 0:21:50 | 0:21:53 | |
but he will be back out again tonight. | 0:21:53 | 0:21:55 | |
# Everybody | 0:22:00 | 0:22:02 | |
# Needs somebody... # | 0:22:02 | 0:22:04 | |
The buskers are out in the street, but Melo isn't on his usual pitch. | 0:22:04 | 0:22:08 | |
He was arrested yesterday afternoon | 0:22:10 | 0:22:11 | |
and spent the night in Maryhill Police Station. | 0:22:11 | 0:22:14 | |
He is due to appear this morning in Glasgow Sheriff Court, | 0:22:16 | 0:22:19 | |
accused of assault and robbery. | 0:22:19 | 0:22:21 | |
If convicted, he could spend the next year in prison. | 0:22:22 | 0:22:26 | |
For now, he has been released on bail. | 0:22:26 | 0:22:28 | |
Freedom! | 0:22:28 | 0:22:29 | |
-Has anybody got a cigarette? -That's all on that camera! | 0:22:29 | 0:22:32 | |
Can I have one rolly, please? | 0:22:32 | 0:22:34 | |
WOMAN LAUGHS | 0:22:34 | 0:22:36 | |
'I was walking with Tony, we'd been about, drinking.' | 0:22:36 | 0:22:40 | |
As we were doing that, the policewoman came and said, "You... | 0:22:40 | 0:22:46 | |
"You do fit a description of some guy..." | 0:22:46 | 0:22:49 | |
"Of some guy that was wearing your clothes and everything." | 0:22:49 | 0:22:55 | |
I was like, "Are you mad or something?" | 0:22:55 | 0:22:57 | |
"You... You stole someone in Crescent..." | 0:22:57 | 0:23:02 | |
Some crescent, cos we did pass that, you know? | 0:23:02 | 0:23:06 | |
I was like this, "Robbery?!" "Yeah, assault and robbery." | 0:23:09 | 0:23:13 | |
I say, "Who the hell...? Who the hell is this?" | 0:23:13 | 0:23:15 | |
Tony was saying, "Melo was with me the whole time, | 0:23:15 | 0:23:17 | |
"Melo has done nothing, man. | 0:23:17 | 0:23:19 | |
"What's wrong with you people?" | 0:23:19 | 0:23:21 | |
And now I need to go for... I need to go... I've got this bail... | 0:23:21 | 0:23:25 | |
I've got these bail conditions | 0:23:25 | 0:23:27 | |
and I need to go down there again and the guy needs to single me out. | 0:23:27 | 0:23:31 | |
Don't know... I don't know when that is going to be, but I... | 0:23:31 | 0:23:35 | |
Am I going to go to jail for no reason, you know what I mean? | 0:23:35 | 0:23:38 | |
Melo is convinced that someone from the street | 0:23:40 | 0:23:43 | |
is setting him up for a fall. | 0:23:43 | 0:23:45 | |
This... This dude must not like me or something. | 0:23:45 | 0:23:48 | |
I'm thinking it must be one of these people who want to... | 0:23:48 | 0:23:51 | |
burn me down. | 0:23:51 | 0:23:53 | |
They want to see me in jail for no reason. | 0:23:53 | 0:24:04 | |
In Taste, it's the day before the grand reopening, | 0:24:04 | 0:24:08 | |
when Nick will find out | 0:24:08 | 0:24:09 | |
if his plan to sell hundreds of pulled-pork rolls will work. | 0:24:09 | 0:24:12 | |
-Oh! -Fuck! Right at the end and all! -Oh, no! | 0:24:15 | 0:24:18 | |
It's all right. It's cool, I can just paint it again. | 0:24:22 | 0:24:25 | |
Christ, I can't believe I done that there. | 0:24:25 | 0:24:27 | |
-That's its hoof. -Upstairs, the pig has arrived... | 0:24:28 | 0:24:31 | |
Have a look at that, then. | 0:24:31 | 0:24:33 | |
..and it's not what they were expecting. | 0:24:33 | 0:24:36 | |
It just looks a lot more than what I thought. | 0:24:36 | 0:24:38 | |
I thought it was going to be like a wee pig that size. | 0:24:38 | 0:24:40 | |
Why did you not get a smaller one to start? | 0:24:40 | 0:24:42 | |
Because we will sell all that tomorrow, | 0:24:42 | 0:24:44 | |
I've got that many people wanting to come. | 0:24:44 | 0:24:46 | |
That many people phoning up the day, coming by, checking it was happening. | 0:24:46 | 0:24:50 | |
I just know it's going to sell. | 0:24:50 | 0:24:51 | |
When we put that on, it's going to fucking... | 0:24:51 | 0:24:53 | |
It's going to fly out the door. | 0:24:53 | 0:24:55 | |
You're stressing out. Don't. Leave the stressing to me. | 0:24:56 | 0:24:58 | |
I'm stressed enough, don't need you to stress for me. | 0:24:58 | 0:25:01 | |
-OK, I'm away. I'll be back later on. -See you later on. | 0:25:01 | 0:25:04 | |
Can you make sure that tray's going to be ready for us, then, yeah? | 0:25:04 | 0:25:07 | |
'I'm worried that he won't be able to sell all that tomorrow and...' | 0:25:07 | 0:25:10 | |
I think he should have got a smaller pig, | 0:25:10 | 0:25:13 | |
but if he thinks he's going to be able to sell it, then that's fine. | 0:25:13 | 0:25:16 | |
That's up to him. He's the boss. | 0:25:16 | 0:25:18 | |
This is a fucking nightmare of a thing. | 0:25:18 | 0:25:20 | |
It's going to be a hard thing to have on every day. It's fucking... | 0:25:20 | 0:25:24 | |
You need to be totally and utterly on top, | 0:25:24 | 0:25:26 | |
so I need people who are fucking on the ball and not just come in | 0:25:26 | 0:25:29 | |
and be fucking one-day superstars, you know what I mean, | 0:25:29 | 0:25:32 | |
fucking four-day jakies. So I need some fucking... | 0:25:32 | 0:25:35 | |
I need them to know it's fucking make-or-break time now. | 0:25:35 | 0:25:37 | |
There's no more pissing about, | 0:25:37 | 0:25:40 | |
coming in with three hours to prep up and that's it. | 0:25:40 | 0:25:42 | |
There's a big... There's a lot riding on this. | 0:25:42 | 0:25:44 | |
With a bigger pig than he was expecting, | 0:25:46 | 0:25:48 | |
Nick will now have to sell a lot more rolls | 0:25:48 | 0:25:50 | |
if he wants to make a profit. | 0:25:50 | 0:25:52 | |
-Hello? -And no sooner has he gone, than Scott is back on the phone. | 0:25:54 | 0:25:59 | |
What you want me to do? What would you have me do, Chef? | 0:25:59 | 0:26:01 | |
Ordered too much pig. There you go, I've ordered too much pig. | 0:26:01 | 0:26:04 | |
What the fuck do you want me to do? So what are we going to do? | 0:26:04 | 0:26:07 | |
Are we going to fucking | 0:26:07 | 0:26:08 | |
serve the arse one day and the head the next day? | 0:26:08 | 0:26:10 | |
Oh, fuck off, you f... | 0:26:10 | 0:26:12 | |
He says I've bought too much, the pigs are too big, | 0:26:13 | 0:26:16 | |
we should have fucking ... The pigs are too big and... | 0:26:16 | 0:26:19 | |
I don't know what he's worried about. | 0:26:19 | 0:26:21 | |
I really don't know where the fuck this has come from. | 0:26:21 | 0:26:24 | |
This is the time I should be calm and opening my wee place and having fun. | 0:26:24 | 0:26:27 | |
Instead, I get this fucking dick leaving his tools all over the place | 0:26:27 | 0:26:30 | |
and talking to me like I'm a fucking two-year-old again. | 0:26:30 | 0:26:33 | |
I fucking start getting scared at bits like this. | 0:26:33 | 0:26:35 | |
This is where I'm supposed to be fucking positive about this, | 0:26:35 | 0:26:38 | |
not fucking starting to go, "Oh, we fucked it." We don't even have a fucking... | 0:26:38 | 0:26:41 | |
He doesn't have a clue. | 0:26:41 | 0:26:43 | |
-What is it? -He wants to speak to you. | 0:26:43 | 0:26:45 | |
What is it, Scott? | 0:26:46 | 0:26:49 | |
Listen to the fucking mood! Listen to you! | 0:26:49 | 0:26:51 | |
You are actually being mental, Scott, you need to sort this! | 0:26:51 | 0:26:54 | |
Bullet is getting ready for another set of posters | 0:27:05 | 0:27:07 | |
to go up on Sauchiehall Street. | 0:27:07 | 0:27:10 | |
When I stand in front of the projector, | 0:27:10 | 0:27:12 | |
I can see it for what it really is and it's just pretty crap. | 0:27:12 | 0:27:15 | |
But... | 0:27:15 | 0:27:17 | |
That's pretty crap as well, so... | 0:27:17 | 0:27:19 | |
No, maybe it looks all right. | 0:27:19 | 0:27:22 | |
Ready to go? | 0:27:22 | 0:27:23 | |
Tonight, he's planning to go out without Alice, | 0:27:24 | 0:27:27 | |
who normally watches his back. | 0:27:27 | 0:27:29 | |
-Is there a bit of you that wants to get caught? -Erm... | 0:27:30 | 0:27:34 | |
Maybe, like... | 0:27:35 | 0:27:36 | |
Maybe when I first started doing it, there might be some kudos | 0:27:36 | 0:27:40 | |
in getting caught and being able to brag about being caught, | 0:27:40 | 0:27:43 | |
but anyone that is involved in street art | 0:27:43 | 0:27:46 | |
will tell you that it gets to a point where, if you've done so much... | 0:27:46 | 0:27:50 | |
If you've done a certain amount of work... It is... | 0:27:50 | 0:27:55 | |
Being caught is not an option. | 0:27:55 | 0:27:57 | |
People in the police force and stuff like that might, you know, | 0:27:57 | 0:28:01 | |
be recording what you do, so you might have a... | 0:28:01 | 0:28:04 | |
A back catalogue of work that they are looking to prosecute you for. | 0:28:04 | 0:28:10 | |
So, now, I've done it too many times that the... | 0:28:10 | 0:28:16 | |
The punishment is too high, so... | 0:28:16 | 0:28:21 | |
I would never...tell them the truth, | 0:28:21 | 0:28:25 | |
or let them catch me. | 0:28:25 | 0:28:28 | |
In the darkness! Right, I'll see you soon. | 0:28:28 | 0:28:31 | |
All right. | 0:28:31 | 0:28:33 | |
Let's do it! Lead on! | 0:28:33 | 0:28:36 | |
Oh, dear. | 0:28:36 | 0:28:38 | |
-I've got a bad feeling about this. -SHE LAUGHS | 0:28:38 | 0:28:40 | |
-Sierra Papa one. Over. -The pastors are out on the street. | 0:28:49 | 0:28:54 | |
-There is a guy lifting a big metal object. -Andy is heading up a team... | 0:28:54 | 0:28:59 | |
Sauchiehall Street, at the corner... | 0:28:59 | 0:29:01 | |
..that have encountered their first situation of the night. | 0:29:01 | 0:29:04 | |
There's a guy with a white shirt. | 0:29:04 | 0:29:05 | |
He is carrying what looks like a big metal cylinder, | 0:29:05 | 0:29:08 | |
maybe a beer keg or something like that. Over. | 0:29:08 | 0:29:10 | |
'That's all received.' | 0:29:10 | 0:29:11 | |
I'm not going to go down on my own and do it | 0:29:11 | 0:29:14 | |
even though I could potentially disarm him and whatever, | 0:29:14 | 0:29:17 | |
but I'm just going to say to the guy. | 0:29:17 | 0:29:19 | |
Mate? | 0:29:19 | 0:29:21 | |
Mate? Are you all right? | 0:29:21 | 0:29:23 | |
-Aye, mate, I'm cool, I'm cool. -What's this? | 0:29:23 | 0:29:26 | |
-Nothing in it, mate. -There's nothing in it? Are you wanting to keep this? | 0:29:26 | 0:29:29 | |
-Please. -Are you sure? -It's... It... It's... | 0:29:29 | 0:29:33 | |
It's an achievement for me if I get that home, so... | 0:29:33 | 0:29:36 | |
I know it is, but I'm talking about... It will be a real one. | 0:29:36 | 0:29:39 | |
See if you walk by the cops and they see that, | 0:29:39 | 0:29:41 | |
you'll maybe have to explain where you got it from. | 0:29:41 | 0:29:43 | |
I'm not just... I'm not kidding you on. I'm trying to save you grief. | 0:29:43 | 0:29:47 | |
It's my friend's. Like, "I bet you can't get that home." | 0:29:47 | 0:29:50 | |
-Your mates are not doing you a favour. -Aye, mate. It's up to you. | 0:29:50 | 0:29:54 | |
You can take it off me if you want. | 0:29:54 | 0:29:56 | |
Do you want me to do that, then? | 0:29:56 | 0:29:59 | |
I promise you I'll not do anything bad with it, | 0:29:59 | 0:30:01 | |
but it's better that you get home safe rather than get lifted. | 0:30:01 | 0:30:03 | |
You get up the road safe, mate, and I'll hand it in. | 0:30:03 | 0:30:06 | |
-Thank you very much. -OK? Cheers, mate. | 0:30:06 | 0:30:08 | |
Cheers. | 0:30:08 | 0:30:10 | |
I don't know which pub he got it from, | 0:30:11 | 0:30:12 | |
so I'm going to maybe see if I can speak | 0:30:12 | 0:30:14 | |
to some of the guys on the door and say, | 0:30:14 | 0:30:16 | |
"Can you hold on to this and maybe plank it?" | 0:30:16 | 0:30:18 | |
I don't know what we're going to do. | 0:30:18 | 0:30:20 | |
Or maybe take it to the scrappy and get 50 quid for it. | 0:30:20 | 0:30:23 | |
Who knows? I doubt it. | 0:30:23 | 0:30:24 | |
REGGAE MUSIC | 0:30:40 | 0:30:42 | |
Bullet's stopped to listen to Melo. | 0:30:42 | 0:30:45 | |
After his trouble with the police, he's back busking to earn money. | 0:30:45 | 0:30:49 | |
God bless, I'll see you soon. | 0:30:51 | 0:30:54 | |
But that's what's making this city have a bit more heart, | 0:30:54 | 0:30:57 | |
you know what I mean? | 0:30:57 | 0:30:59 | |
Things like that, cos otherwise it would just be shops here, | 0:30:59 | 0:31:03 | |
shops there, nightclubs, bars here. | 0:31:03 | 0:31:05 | |
That's all good, but it doesn't give anything to the city. | 0:31:05 | 0:31:08 | |
That's enriching... That's enriching the city. | 0:31:08 | 0:31:11 | |
Music and art, you know? | 0:31:11 | 0:31:13 | |
But he doesn't get far. | 0:31:16 | 0:31:17 | |
The police now seem to have their eye on him. | 0:31:17 | 0:31:20 | |
With the police nearby, | 0:31:30 | 0:31:32 | |
he decides to wait. | 0:31:32 | 0:31:33 | |
Has all that happened quite recently? | 0:31:44 | 0:31:46 | |
Andy's been with a homeless man for half an hour. | 0:31:47 | 0:31:50 | |
I said, "Does everyone talk to you and all the rest of it?", | 0:31:51 | 0:31:54 | |
And he says, "Aye, all the street pastors are really good." | 0:31:54 | 0:31:57 | |
I asked him then about how other people treat him | 0:31:57 | 0:31:59 | |
and he says he gets into a lot of trouble | 0:31:59 | 0:32:01 | |
because people were spitting on him and treating him really badly, | 0:32:01 | 0:32:04 | |
just because he's homeless, | 0:32:04 | 0:32:05 | |
and you don't have a magic wand to wave and just say, | 0:32:05 | 0:32:08 | |
"Right, all your problems are going to get resolved here." | 0:32:08 | 0:32:10 | |
But you can ask him for help, you know? | 0:32:10 | 0:32:12 | |
MELO CALLS OUT Sorry. | 0:32:12 | 0:32:15 | |
You. You, come forward. | 0:32:15 | 0:32:17 | |
Right. | 0:32:18 | 0:32:19 | |
So, who are you in this place? | 0:32:19 | 0:32:22 | |
-Street pastors. -So... | 0:32:22 | 0:32:25 | |
-I see you nearly every month. -No, no, you don't see me. -I do. | 0:32:25 | 0:32:28 | |
No, you don't see me, cos you never saw me. | 0:32:28 | 0:32:30 | |
-I did. I see you every month. -You don't know me, you don't know me. | 0:32:30 | 0:32:33 | |
-I do. -I think you take the mockery of the Bible | 0:32:33 | 0:32:36 | |
and the whole Jesus Christ. | 0:32:36 | 0:32:38 | |
-In what sense? -In what sense? | 0:32:38 | 0:32:40 | |
Well, I need somewhere to fucking stay | 0:32:40 | 0:32:43 | |
from when I've been... | 0:32:43 | 0:32:45 | |
When I was... Who the fuck are you when I was here in the...? | 0:32:45 | 0:32:49 | |
Where did you come from? | 0:32:50 | 0:32:52 | |
-I come from Scotland, I come from Glasgow. -All right, that's good. | 0:32:53 | 0:32:57 | |
-Do you know the Bible? -Some of it. | 0:32:57 | 0:32:59 | |
-You know some of it? -Yep. | 0:32:59 | 0:33:02 | |
How dare you to be a pastor? | 0:33:02 | 0:33:04 | |
-In what sense? -The man of the mountains. | 0:33:04 | 0:33:08 | |
The whole literacy of life. | 0:33:08 | 0:33:10 | |
You think you can sort me out? | 0:33:10 | 0:33:11 | |
You can fucking sort out yourself, man. | 0:33:11 | 0:33:13 | |
-I've never tried to sort you out. All I've ever done... -No, no, no. | 0:33:13 | 0:33:17 | |
Hold on, hold on. | 0:33:17 | 0:33:18 | |
Wait a minute, I've listened to you... | 0:33:18 | 0:33:19 | |
-In my street... -This is everyone's street. | 0:33:19 | 0:33:21 | |
-No, it's not everyone's street. -Yes, it is. | 0:33:21 | 0:33:23 | |
No, it's not everyone's street. | 0:33:23 | 0:33:25 | |
In my street you appeared, in my face, | 0:33:25 | 0:33:28 | |
and making a mockery of all my fucking people, man. | 0:33:28 | 0:33:31 | |
Why, when I'm standing over there, am I in your... | 0:33:31 | 0:33:34 | |
-You're a mockery of the church. -OK. | 0:33:34 | 0:33:36 | |
-Cheers, take car. -You go tell that to the Queen. | 0:33:36 | 0:33:39 | |
-OK. -The Queen. | 0:33:39 | 0:33:41 | |
Get fit for real. | 0:33:43 | 0:33:45 | |
Otherwise, don't come around me. | 0:33:46 | 0:33:48 | |
Actually, when we spoke to him, he was OK. | 0:33:48 | 0:33:51 | |
Quite incoherent, but over the time, | 0:33:51 | 0:33:53 | |
he steadily became more and more aggressive, | 0:33:53 | 0:33:56 | |
so that's how I generally don't bother him, | 0:33:56 | 0:33:59 | |
cos I think he's probably trying to make some money, | 0:33:59 | 0:34:01 | |
so let him make some money. | 0:34:01 | 0:34:02 | |
But there's a very, very strong sense of alcohol on his breath | 0:34:02 | 0:34:05 | |
and stuff like that... | 0:34:05 | 0:34:07 | |
and he's not necessarily wanting to reason with you. | 0:34:08 | 0:34:12 | |
-It's a diatribe, sort of thing. -Don't come around me no more. | 0:34:12 | 0:34:16 | |
With the charges hanging over Melo's head, | 0:34:16 | 0:34:18 | |
any further arrest could put him straight back behind bars. | 0:34:18 | 0:34:22 | |
Bullet is still on the street and he's putting up his last poster. | 0:34:32 | 0:34:35 | |
But he's about to get more attention | 0:34:35 | 0:34:37 | |
than he was expecting from a passer-by. | 0:34:37 | 0:34:40 | |
-Hiya. -What's occurring? | 0:34:40 | 0:34:41 | |
-Sorry? -What's occurring? | 0:34:41 | 0:34:43 | |
Just street-art stuff, just posters. | 0:34:43 | 0:34:46 | |
So where's the art? | 0:34:46 | 0:34:47 | |
Erm, I don't know. | 0:34:47 | 0:34:49 | |
Do you not think it's art, no? | 0:34:49 | 0:34:50 | |
-It's just words. -Yeah, it's words. -So where's the art? | 0:34:52 | 0:34:55 | |
BULLET SIGHS | 0:34:55 | 0:34:56 | |
I don't know you can find it or you can not, | 0:34:56 | 0:34:58 | |
and you clearly don't, so it's OK. | 0:34:58 | 0:35:00 | |
-I don't understand your statement. -Exactly... -There isn't a statement. | 0:35:00 | 0:35:03 | |
Look, there is not a... | 0:35:03 | 0:35:05 | |
If there was an explanation or something | 0:35:05 | 0:35:07 | |
to be behind and support... | 0:35:07 | 0:35:09 | |
To be honest with you, I'm not really wanting to engage with you too much. | 0:35:09 | 0:35:13 | |
I don't know you and I'd love to have a chat with you, | 0:35:13 | 0:35:15 | |
but right now, it's just not the time and the place. | 0:35:15 | 0:35:17 | |
I cannae really be fucked with it, to be honest with you. | 0:35:17 | 0:35:20 | |
You seem like a nice guy... | 0:35:20 | 0:35:22 | |
You're not trying to bring down the government, | 0:35:22 | 0:35:24 | |
-you're not against political stuff. -No. | 0:35:24 | 0:35:26 | |
You're not against anything, but you're just putting posters up? | 0:35:26 | 0:35:29 | |
That don't question anything? | 0:35:30 | 0:35:32 | |
Yes. | 0:35:33 | 0:35:35 | |
Run with it. | 0:35:35 | 0:35:37 | |
Have a good night, guys. | 0:35:37 | 0:35:38 | |
I feel kind of shit. | 0:35:43 | 0:35:44 | |
Because I should have... | 0:35:45 | 0:35:46 | |
rhetoric, I should have a dialogue with people in the street... | 0:35:48 | 0:35:53 | |
but... | 0:35:53 | 0:35:55 | |
the time and place just wasn't right | 0:35:55 | 0:35:56 | |
and I kind of feel like an idiot, | 0:35:56 | 0:35:58 | |
to be perfectly honest with you. | 0:35:58 | 0:36:00 | |
It's kind of like the high you get | 0:36:00 | 0:36:03 | |
from actually doing the posters and stuff | 0:36:03 | 0:36:06 | |
can be broken very, very quickly | 0:36:06 | 0:36:08 | |
in the space of, like, | 0:36:08 | 0:36:10 | |
a few words. "Why?", "What does this mean?", or "Why are you doing this?" | 0:36:10 | 0:36:15 | |
I feel as if I've had my fucking arse kicked, to be honest with you, | 0:36:15 | 0:36:18 | |
you know what I mean? | 0:36:18 | 0:36:19 | |
I feel kind of dumb. | 0:36:19 | 0:36:20 | |
But it's just stupid, what I do, anyway. | 0:36:21 | 0:36:24 | |
I'm just going to go and have a few beers. | 0:36:24 | 0:36:27 | |
Anyway, happy days. | 0:36:27 | 0:36:29 | |
HE CHUCKLES | 0:36:30 | 0:36:32 | |
It's 5am on the street, | 0:36:46 | 0:36:48 | |
and it's the day of the grand reopening of Taste. | 0:36:48 | 0:36:51 | |
-Kiddie's in early to get the place set up... -Right, cool. | 0:36:53 | 0:36:56 | |
Cool, cool. | 0:36:56 | 0:36:58 | |
..while Nick is preparing to roast a 60kg pig for the first time. | 0:36:58 | 0:37:02 | |
It's quite obvious, really, how it's done. Just sit the pig in that, | 0:37:02 | 0:37:06 | |
take these things away, turn the thing on, shut the door, | 0:37:06 | 0:37:08 | |
and then just keep an eye on it as it goes. | 0:37:08 | 0:37:11 | |
But it's easier said that done. | 0:37:11 | 0:37:13 | |
Is that turned on, aye? | 0:37:16 | 0:37:18 | |
-That's it open now. -Oh, is it? | 0:37:18 | 0:37:19 | |
I don't think this fucking gas bottle's working. | 0:37:19 | 0:37:22 | |
Why the fuck is this not turning on? It should be simple! | 0:37:23 | 0:37:26 | |
Did you swat the instructions? | 0:37:26 | 0:37:27 | |
No, they didn't fucking gie us any instructions, the cunts. | 0:37:27 | 0:37:30 | |
HE GROANS IN FRUSTRATION | 0:37:30 | 0:37:32 | |
-Right, see here, Nick? -Uh-huh. | 0:37:32 | 0:37:34 | |
Is this a wee bit here? | 0:37:34 | 0:37:35 | |
Ah, you fucking dancer! | 0:37:35 | 0:37:36 | |
-You need to hold that down. -I know you do. | 0:37:36 | 0:37:38 | |
Yay! | 0:37:38 | 0:37:41 | |
Thank fuck for that! | 0:37:41 | 0:37:44 | |
I was going to phone the guy who sold me it, | 0:37:44 | 0:37:46 | |
"Hey, you, fucking mug, you saw me coming, didn't you? | 0:37:46 | 0:37:48 | |
"Fucking down here and sort this." | 0:37:48 | 0:37:51 | |
After a slow start, | 0:37:51 | 0:37:52 | |
time is running out to have the pig cooked for the lunchtime service. | 0:37:52 | 0:37:56 | |
Right. | 0:37:56 | 0:37:57 | |
Bye! You'll be all nice and cooked. | 0:37:57 | 0:38:00 | |
Just a case of fucking sitting waiting, isn't it? | 0:38:00 | 0:38:02 | |
All last night was just fucking apprehension, | 0:38:02 | 0:38:04 | |
not knowing what's fucking ahead of us. | 0:38:04 | 0:38:06 | |
We took a dive and we were just fucking | 0:38:06 | 0:38:07 | |
still in the process of falling, know what I mean? | 0:38:07 | 0:38:10 | |
I just really fucking hope it sells today. I don't fucking... | 0:38:11 | 0:38:14 | |
All this hassle, I'll just look like a total twat | 0:38:14 | 0:38:16 | |
if this doesn't work, you know what I mean? I don't want that. | 0:38:16 | 0:38:19 | |
Just off Sauchiehall Street... | 0:38:24 | 0:38:25 | |
..Bullet and Alice are looking over some of his old work... | 0:38:27 | 0:38:30 | |
You're such a knob-end. What would your mother say? | 0:38:30 | 0:38:34 | |
I don't know quite what it means, but in this context, | 0:38:34 | 0:38:37 | |
it's just me being a bit of a wido, really. | 0:38:37 | 0:38:41 | |
..and talking about last night's bad review. | 0:38:41 | 0:38:43 | |
-INTERVIEWER: -What do you think his reasons for doing it are? | 0:38:43 | 0:38:46 | |
Erm... | 0:38:46 | 0:38:48 | |
Cos he's bitter and didn't get into art school. | 0:38:48 | 0:38:50 | |
That's the crux of the entire situation. | 0:38:53 | 0:38:57 | |
From what I've done and the amount of art-school training I've had... | 0:38:57 | 0:39:01 | |
and the way that I think about things, if you're doing something, | 0:39:02 | 0:39:05 | |
you should be doing it to improve the space and make it better. | 0:39:05 | 0:39:09 | |
You don't need to always make a statement with it. | 0:39:09 | 0:39:12 | |
I've been called a lot of names by people, such as, like... | 0:39:12 | 0:39:15 | |
..a "fucking art-school twat"... | 0:39:17 | 0:39:19 | |
..a "pretentious art-school wanker", | 0:39:21 | 0:39:23 | |
a "shite Banksy", I get that quite a lot. | 0:39:23 | 0:39:26 | |
There's more this perception that I must be an art student | 0:39:26 | 0:39:31 | |
if I'm a street artist. | 0:39:31 | 0:39:32 | |
A lot of people were saying that. | 0:39:32 | 0:39:34 | |
I guess a lot of people think that the character Bullet Beard | 0:39:34 | 0:39:37 | |
is an art-school graduate. | 0:39:37 | 0:39:39 | |
But I like the way... | 0:39:39 | 0:39:40 | |
You know, there's plenty of people that go to art school | 0:39:40 | 0:39:42 | |
and they'll do drawings and they'll sit them in the room, | 0:39:42 | 0:39:45 | |
but you just go out and you put them on the streets for people to see | 0:39:45 | 0:39:49 | |
and they're there, and whether people like it or not, | 0:39:49 | 0:39:52 | |
you've done it. | 0:39:52 | 0:39:53 | |
Have they done it? No. | 0:39:53 | 0:39:55 | |
For the time being, | 0:39:55 | 0:39:57 | |
Bullet's taken a decision to hang up his brushes. | 0:39:57 | 0:40:00 | |
Fingers crossed, fingers crossed. | 0:40:03 | 0:40:06 | |
Nick's back to pick up the pig, | 0:40:06 | 0:40:08 | |
with only an hour left until service. | 0:40:08 | 0:40:11 | |
Ho-ho-ho! Look at that. | 0:40:11 | 0:40:13 | |
That's it ready, aye. Perfect, exactly what I wanted. | 0:40:13 | 0:40:16 | |
His mum and brother, Scott, | 0:40:16 | 0:40:18 | |
have stopped by to see the finished product. | 0:40:18 | 0:40:20 | |
I'm just glad it's cooking. | 0:40:20 | 0:40:23 | |
It looks really good, aye. | 0:40:23 | 0:40:24 | |
Aye, did a good job of it. | 0:40:24 | 0:40:26 | |
What's that? | 0:40:26 | 0:40:27 | |
-High-five. -Let's go. -Right, OK. Bye! | 0:40:27 | 0:40:30 | |
What's happening with the pizza? | 0:40:30 | 0:40:32 | |
Have we got it working? | 0:40:32 | 0:40:34 | |
Back in Taste, Kiddie and Maureen are getting ready. | 0:40:34 | 0:40:37 | |
Hopefully, it goes smoothly today. | 0:40:37 | 0:40:39 | |
I'm not saying it won't, but you never know. | 0:40:39 | 0:40:41 | |
Could be a lot of swearing and tears later on. | 0:40:41 | 0:40:42 | |
And somebody in the pub. | 0:40:42 | 0:40:44 | |
Are you going to get it? Can we get some fucking help?! | 0:40:44 | 0:40:46 | |
Come on! | 0:40:46 | 0:40:47 | |
Fucking hell! | 0:40:47 | 0:40:49 | |
I know yous are, but we're fucking struggling here. | 0:40:49 | 0:40:51 | |
Right, one, two, three... | 0:40:51 | 0:40:54 | |
-NICK GROANS -Got it? | 0:40:54 | 0:40:56 | |
Oh! | 0:40:56 | 0:40:57 | |
Look at the crackling, that's amazing. | 0:40:57 | 0:41:00 | |
That looks fucking amazing, man. | 0:41:00 | 0:41:02 | |
We have got about... | 0:41:02 | 0:41:03 | |
40 minutes to go now. | 0:41:04 | 0:41:07 | |
The final countdown. | 0:41:07 | 0:41:09 | |
The only problem is... | 0:41:09 | 0:41:10 | |
It's still a wee bit undercooked. | 0:41:10 | 0:41:13 | |
Kiddie, quickly. | 0:41:13 | 0:41:14 | |
Fucking hell, man! | 0:41:15 | 0:41:16 | |
Oven. | 0:41:16 | 0:41:18 | |
We've no' cooked it long enough. | 0:41:18 | 0:41:20 | |
I've not actually been... I've never cooked one before. | 0:41:20 | 0:41:23 | |
I don't know how long you're meant to give it. | 0:41:23 | 0:41:25 | |
I was told four and a half hours, | 0:41:26 | 0:41:28 | |
so I went with that and it's no' been enough, so... | 0:41:28 | 0:41:32 | |
Just stick it in the oven. | 0:41:32 | 0:41:34 | |
Just cut off big shards of it and fire it into the oven | 0:41:34 | 0:41:36 | |
and cook it out a wee bit more. | 0:41:36 | 0:41:38 | |
These cunts are a shower of fucking messy bastards. | 0:41:38 | 0:41:40 | |
Just leave everything at their arse, man. | 0:41:40 | 0:41:43 | |
Right... | 0:41:43 | 0:41:44 | |
With the clock ticking and the meat far from cooked, | 0:41:44 | 0:41:47 | |
Nick has his work cut out. | 0:41:47 | 0:41:48 | |
Spank them. "Spank them" means fucking spank them right up. | 0:41:48 | 0:41:51 | |
And the pig head in the window is provoking some comment. | 0:41:52 | 0:41:55 | |
Oh, my God. That's vile, isn't it? | 0:41:55 | 0:41:58 | |
Want the honest truth? I don't like it. | 0:41:58 | 0:42:00 | |
Well, tell it to stop! | 0:42:02 | 0:42:03 | |
Fucking customers are about to start walking in. | 0:42:03 | 0:42:06 | |
Harry's bum keeps falling out the fridge. | 0:42:06 | 0:42:08 | |
I can't start work when this place is a fucking junkie's den, man. | 0:42:08 | 0:42:13 | |
A couple of wee fucking wanks scratching their fucking dick | 0:42:13 | 0:42:16 | |
for eight hours this morning. | 0:42:16 | 0:42:17 | |
Look at this, man. | 0:42:17 | 0:42:19 | |
Patrick, jump through. Get they dishes done. | 0:42:19 | 0:42:21 | |
The first customers are coming through the door. | 0:42:21 | 0:42:24 | |
How're you doing, mate? Gie us a wee second. | 0:42:24 | 0:42:26 | |
Right, come on. | 0:42:26 | 0:42:27 | |
Fucking full of people out there. Full of fucking people. | 0:42:27 | 0:42:30 | |
No' even got fucking soup cups or fuck-all out yet. | 0:42:30 | 0:42:33 | |
Taste is now filling up fast... | 0:42:33 | 0:42:35 | |
and Scott has come in to see how it's going. | 0:42:36 | 0:42:39 | |
Busy, isn't it? | 0:42:39 | 0:42:41 | |
Hopefully, he sells all that pig. | 0:42:41 | 0:42:43 | |
I want him to prove me wrong. | 0:42:43 | 0:42:44 | |
It's the first time I'm actually looking forward | 0:42:44 | 0:42:47 | |
to getting proved wrong. | 0:42:47 | 0:42:48 | |
Burritos coming up, guys. | 0:42:48 | 0:42:50 | |
Everybody on them, yeah? You having a burrito, yeah? | 0:42:50 | 0:42:52 | |
That's yours at the front, then, mate. | 0:42:52 | 0:42:54 | |
But Nick's pig plan isn't taking off. | 0:42:54 | 0:42:56 | |
Fucking too much pig, we've no' sold it. | 0:42:56 | 0:42:58 | |
Stupid. We fucking changed it about and all they order is burritos. | 0:42:58 | 0:43:01 | |
Fucking weird. | 0:43:01 | 0:43:03 | |
Nick can cope with making a loss off one pig, | 0:43:03 | 0:43:06 | |
the problem is, | 0:43:06 | 0:43:07 | |
he's paid for another eight that are waiting at his butcher. | 0:43:07 | 0:43:10 | |
If he can't shift them, | 0:43:11 | 0:43:12 | |
it's going to bankrupt Taste. | 0:43:12 | 0:43:14 | |
Melo and Tony are back on the street. | 0:43:23 | 0:43:25 | |
Later this afternoon, they have an appointment with a lawyer | 0:43:27 | 0:43:30 | |
to discuss the charges facing Melo. | 0:43:30 | 0:43:32 | |
It's crazy. | 0:43:34 | 0:43:36 | |
There's nothing... It's out of my hands, you know? | 0:43:37 | 0:43:40 | |
Imagine I'm going to spend... How long is robbery? | 0:43:40 | 0:43:44 | |
How long is that? | 0:43:44 | 0:43:45 | |
-Hmm? -How long is there for assault and robbery? -First time... | 0:43:45 | 0:43:49 | |
..they could do you 12 month. | 0:43:52 | 0:43:55 | |
Second time it could be up to two year. | 0:43:55 | 0:43:58 | |
But... | 0:43:58 | 0:43:59 | |
we don't want to see this happening, going to the jail. | 0:44:00 | 0:44:03 | |
I don't want to see this happen. | 0:44:03 | 0:44:05 | |
Don't want to see him... | 0:44:05 | 0:44:08 | |
And he's a person, he's never done it anyway. | 0:44:08 | 0:44:11 | |
I'm guaranteeing he never done it, | 0:44:11 | 0:44:13 | |
cos he's been with me all day and all night and I've got proof. | 0:44:13 | 0:44:16 | |
Yeah, man, I'm not sleeping right. | 0:44:16 | 0:44:19 | |
I'm having bad dreams and just... | 0:44:19 | 0:44:20 | |
This is the worst I've ever seen my life in. | 0:44:22 | 0:44:25 | |
Melo and Tony head off to see the lawyer. | 0:44:28 | 0:44:31 | |
-Wee brother's coming home. -So he's all right? | 0:44:31 | 0:44:33 | |
-Aye. -He's been saved? So he needs to go back again? | 0:44:33 | 0:44:35 | |
I worry in case he does go up the road. | 0:44:36 | 0:44:39 | |
Cos he's not used to this kind of business. | 0:44:40 | 0:44:43 | |
He's got a calm lifestyle and he goes about his own business. | 0:44:43 | 0:44:47 | |
He's going to get his life wrecked just cos of a poxy six month? | 0:44:47 | 0:44:51 | |
Fucking bitches, man. | 0:44:51 | 0:44:53 | |
Serious, at this moment, | 0:44:53 | 0:44:55 | |
I've lost all my faith for the fucking police, man. | 0:44:55 | 0:44:59 | |
And another thing! | 0:44:59 | 0:45:01 | |
Ask me to strip me and to open my butt | 0:45:01 | 0:45:03 | |
so he can see my fucking butt! That's fucking disgusting, mate! | 0:45:03 | 0:45:06 | |
Do you know what I mean. | 0:45:06 | 0:45:07 | |
The two of them, I've asked them, "Are you serious?" | 0:45:07 | 0:45:10 | |
They go, "Yes, we're serious." | 0:45:10 | 0:45:11 | |
And they stand there looking at your butt. | 0:45:11 | 0:45:13 | |
"Show us your balls." Fucking hell, man, it's disgusting! | 0:45:13 | 0:45:17 | |
If his lawyer has bad news, Melo will have to prepare for the worst. | 0:45:17 | 0:45:22 | |
In Taste, service is over... | 0:45:27 | 0:45:29 | |
and the pig did not sell well. | 0:45:31 | 0:45:34 | |
No, I completely agree with you. I completely agree with you. | 0:45:34 | 0:45:37 | |
Don't think this is all easy for me either. | 0:45:37 | 0:45:40 | |
And Nick's dad's on the phone to find out how it went. | 0:45:40 | 0:45:43 | |
You're telling me I've got a fucking machine that can take a 60 kilo pig. | 0:45:43 | 0:45:46 | |
I get a 60-kilo pig and it doesn't fit in it! | 0:45:46 | 0:45:48 | |
Well, I didnae ask him to bring me in a fucking nearly 70-kilo pig. | 0:45:50 | 0:45:55 | |
Right, you phone him then. You phone him the now, | 0:45:55 | 0:45:57 | |
I can't be fucking dealing with this. | 0:45:57 | 0:45:58 | |
He's going off his fucking nut about the size of the pig | 0:45:58 | 0:46:01 | |
cos we've no' sold it all. | 0:46:01 | 0:46:02 | |
He said we should have started off with a smaller one. | 0:46:02 | 0:46:04 | |
We should have started off with a smaller one. | 0:46:04 | 0:46:06 | |
Don't know what I was thinking, a fucking 60-kilo one. | 0:46:06 | 0:46:08 | |
It's too big, eh? As much as you fucking like to say, | 0:46:08 | 0:46:11 | |
"We're ready. Aye, we've got it done and all that," | 0:46:11 | 0:46:13 | |
I got a bunch of fucking bullshit wee fucks working for us at times, man. | 0:46:13 | 0:46:18 | |
What is it, you wee cunt? | 0:46:18 | 0:46:20 | |
What is it? | 0:46:20 | 0:46:21 | |
Nick's reaching boiling point... | 0:46:22 | 0:46:24 | |
Can I have yous both through here as well, please. | 0:46:24 | 0:46:27 | |
Two of yous. | 0:46:27 | 0:46:29 | |
..and his frustration is starting to come out on the team. | 0:46:29 | 0:46:31 | |
-I can't deal with this... -I know that. -..shit. | 0:46:32 | 0:46:36 | |
I'm running about like a complete twat! | 0:46:36 | 0:46:38 | |
Fucking frozen stacked up fucking burritos. | 0:46:38 | 0:46:40 | |
We sold 50 burritos and they're fucking all frozen. | 0:46:40 | 0:46:42 | |
I'm ripping them apart looking like a complete fucking twat, man. | 0:46:42 | 0:46:45 | |
Just fucking let's get it dealt with, get the place cleaned. | 0:46:45 | 0:46:48 | |
I don't know. I can't do any more than I do in here. | 0:46:50 | 0:46:52 | |
So, I'm sorry if I'm not doing good enough, I'll just fucking leave, | 0:46:52 | 0:46:55 | |
cos I don't think I can do any more. | 0:46:55 | 0:46:57 | |
If I'm no' good enough, then fuck it, it doesn't bother me. | 0:46:57 | 0:47:00 | |
The thing is, see that pig, | 0:47:00 | 0:47:02 | |
that pig should have been cooked for eight hours. | 0:47:02 | 0:47:05 | |
Melo and Tony are out of the lawyer's. | 0:47:14 | 0:47:17 | |
We just went down there to just tell all that happened. | 0:47:17 | 0:47:21 | |
He asked a lot of questions | 0:47:21 | 0:47:23 | |
that a lot of things that the cop suppose to be doing | 0:47:23 | 0:47:26 | |
and they didn't do it, | 0:47:26 | 0:47:27 | |
like go and search the house for starters, | 0:47:27 | 0:47:30 | |
see if they can find a phone and shit, you know what I mean? | 0:47:30 | 0:47:33 | |
Or whatever they were trying to fucking find. | 0:47:34 | 0:47:37 | |
It's not good. | 0:47:37 | 0:47:38 | |
Melo going about his own business, doing a bit of shopping, | 0:47:38 | 0:47:42 | |
minding his own business | 0:47:42 | 0:47:43 | |
and the police are coming up saying he's robbing people. | 0:47:43 | 0:47:46 | |
To me, that's no good. | 0:47:46 | 0:47:48 | |
They should be after somebody who is doing serious crimes | 0:47:48 | 0:47:52 | |
instead of pulling two young guys going about their own business. | 0:47:52 | 0:47:57 | |
They're not even doing nothing about it. | 0:47:57 | 0:48:01 | |
It's not good. | 0:48:01 | 0:48:03 | |
If you want to kill somebody slowly, that's how you do it. | 0:48:03 | 0:48:07 | |
You pound something on his heart. | 0:48:07 | 0:48:10 | |
Imagine I go to jail for no reason. | 0:48:10 | 0:48:12 | |
Who's going to say no? This is bullshit. | 0:48:13 | 0:48:18 | |
A man is put on the spot with them two stupid cops. | 0:48:18 | 0:48:23 | |
Do you think you will go to jail? | 0:48:23 | 0:48:25 | |
I don't know, man. I don't know. | 0:48:25 | 0:48:28 | |
I don't know. | 0:48:29 | 0:48:30 | |
In Taste, it's been two days since the pig plan fell flat. | 0:48:54 | 0:48:59 | |
Nick's out of ideas, so he's going to try it one more time. | 0:49:00 | 0:49:04 | |
He picked me up this morning | 0:49:07 | 0:49:09 | |
and basically we drove all the way in here | 0:49:09 | 0:49:11 | |
and nobody said a word in the van. | 0:49:11 | 0:49:13 | |
It was silence the whole way in. | 0:49:13 | 0:49:15 | |
Never really a good sign, | 0:49:15 | 0:49:17 | |
but I think he's really worried | 0:49:17 | 0:49:20 | |
and a bit depressed, to be honest with you. | 0:49:20 | 0:49:24 | |
How worried are you? | 0:49:24 | 0:49:26 | |
I'm extremely worried to be honest with you. | 0:49:26 | 0:49:28 | |
I don't want it to get to the point where there just comes a day | 0:49:28 | 0:49:32 | |
where we're not making money, so it's a case of, | 0:49:32 | 0:49:34 | |
"Right, everybody just go home and don't come back." | 0:49:34 | 0:49:37 | |
That's the one thing I'm worrying about now. | 0:49:37 | 0:49:40 | |
Just done a couple of breakfasts, aye? | 0:49:40 | 0:49:42 | |
-What? -Have we just done a couple of breakfasts? -Aye. | 0:49:42 | 0:49:44 | |
Tired, just a bit fucked, man. | 0:49:48 | 0:49:50 | |
I think if I had made a lot of money I wouldn't really be caring, | 0:49:50 | 0:49:52 | |
I'd be in here like, "Whoa," but it's fucking disgraceful, man. | 0:49:52 | 0:49:57 | |
You work that fucking hard and you think something's a good idea | 0:49:57 | 0:50:00 | |
and then it's just no' really, and people are more interested | 0:50:00 | 0:50:02 | |
in taking a fucking picture with the pig than fucking eating it. | 0:50:02 | 0:50:05 | |
People want to taste it and then fucking walk away | 0:50:05 | 0:50:07 | |
once they've tasted it, do you know what I mean? | 0:50:07 | 0:50:09 | |
You're like that... Fucking joke, know what I mean? | 0:50:09 | 0:50:12 | |
Hopefully this one works out, man. | 0:50:12 | 0:50:14 | |
If it doesn't, I fucking don't know what to do. | 0:50:14 | 0:50:17 | |
I'm fucking trying my hardest, it's only ideas I'm getting... | 0:50:17 | 0:50:21 | |
so I just hope it works. I hope it works out. | 0:50:21 | 0:50:24 | |
Bullet's on the street. | 0:50:35 | 0:50:37 | |
After last week's encounter he's got something to prove | 0:50:37 | 0:50:40 | |
and is going to poster in broad daylight. | 0:50:40 | 0:50:43 | |
My plan is to do a bit of detournement | 0:50:48 | 0:50:51 | |
outside the Gallery Of Modern Art. | 0:50:51 | 0:50:53 | |
It's not actually involving the Gallery of Modern Art | 0:50:53 | 0:50:56 | |
or anything like that, | 0:50:56 | 0:50:57 | |
they have signs outside it, I don't know... | 0:50:57 | 0:51:01 | |
See like that, where it says "Pedestrian Zone". | 0:51:01 | 0:51:03 | |
There's a red ring, but I think that when they've bought them | 0:51:03 | 0:51:06 | |
there's no graphic for skateboarding or rollerblading. | 0:51:06 | 0:51:10 | |
So basically it's like a blank canvas. | 0:51:10 | 0:51:14 | |
I have... I made these up a while ago. | 0:51:14 | 0:51:17 | |
Basically they're like nice plastic letters that spell the word fun. | 0:51:17 | 0:51:21 | |
I've did this exact one before. When I was up the ladder, | 0:51:21 | 0:51:24 | |
two police officers just happened to stop by | 0:51:24 | 0:51:27 | |
and asked me what I was doing. | 0:51:27 | 0:51:29 | |
I basically just made up some excuses and I took it back down for them. | 0:51:29 | 0:51:33 | |
And then I left. | 0:51:34 | 0:51:36 | |
The worst thing you could say | 0:51:36 | 0:51:38 | |
would be that you're doing it cos it's street art, | 0:51:38 | 0:51:41 | |
cos as soon as you say street art | 0:51:41 | 0:51:44 | |
that's when bells start ringing, you know? | 0:51:44 | 0:51:46 | |
And that's when you start getting fines and stuff like that. | 0:51:46 | 0:51:48 | |
If you say it's something to do with, like... | 0:51:48 | 0:51:51 | |
college or uni, | 0:51:51 | 0:51:53 | |
if you say it's some part of a project you're doing for uni, | 0:51:53 | 0:51:55 | |
that's always a good way to start. | 0:51:55 | 0:51:58 | |
Cos everyone loves students, you know? | 0:51:58 | 0:52:00 | |
I'm just thinking about what one I'll do. | 0:52:07 | 0:52:10 | |
Probably that one. | 0:52:10 | 0:52:13 | |
He's only got a few minutes to get his sign up. | 0:52:13 | 0:52:16 | |
And it's hard not to draw attention to himself | 0:52:16 | 0:52:19 | |
working right next to Glasgow's most famous piece of street art. | 0:52:19 | 0:52:22 | |
Good. Very good. Very easy. | 0:52:46 | 0:52:49 | |
I'm glad it's back up. | 0:52:51 | 0:52:53 | |
I like that the best out of a lot of stuff I've done in the past. | 0:52:53 | 0:52:57 | |
It's quite good. | 0:52:57 | 0:52:58 | |
And I didn't get caught. | 0:52:58 | 0:53:00 | |
Back in Taste, people are flocking around the pig again. | 0:53:05 | 0:53:09 | |
But they're not just taking pictures... | 0:53:09 | 0:53:12 | |
this time they're buying. | 0:53:12 | 0:53:14 | |
Can I just pull you guys down, if that's all right, just a wee bit, | 0:53:14 | 0:53:17 | |
so we can pull everyone in here. Thank you. | 0:53:17 | 0:53:20 | |
I didn't expect to see a hog sitting there. | 0:53:20 | 0:53:22 | |
It was like, "Yeah, I've got to have some of that." | 0:53:22 | 0:53:24 | |
It was quite scrumptious. Lots of crackling, which I like. | 0:53:24 | 0:53:27 | |
-All-round great, I guess. -Don't speak too soon, aye. | 0:53:27 | 0:53:31 | |
Everything seems to be going all right the now. | 0:53:31 | 0:53:34 | |
Just get another bit of gravy into that as well. Sold a lot, didn't we? | 0:53:34 | 0:53:38 | |
Yeah, quite a lot. | 0:53:38 | 0:53:40 | |
Close to running out of what we've got there today. Thank fuck. | 0:53:40 | 0:53:45 | |
So that just shows to me that there's enough people to buy a small pig. | 0:53:45 | 0:53:49 | |
The pig plan seems to have come good. | 0:53:51 | 0:53:53 | |
Jesus Christ, that was fucking busy, wasn't it? | 0:53:55 | 0:53:58 | |
Aye, mate, that was really good. Happy about that there. | 0:53:59 | 0:54:03 | |
Yeah, sold half a pig today. | 0:54:03 | 0:54:05 | |
That whole bit there was about that deep full of meat. | 0:54:05 | 0:54:08 | |
Sold a good lot today. | 0:54:08 | 0:54:11 | |
Fucking sold about 35 kilos of pig today. | 0:54:11 | 0:54:14 | |
And it's the last Monday of the month, | 0:54:14 | 0:54:15 | |
no cunt's fucking got any money and we've cleaned up today. | 0:54:15 | 0:54:19 | |
Swallowing my heart before, but now I'm fucking cool. | 0:54:19 | 0:54:21 | |
It's brilliant. Exciting. I've got that buzz back. | 0:54:21 | 0:54:24 | |
I was fucking starting to feel down | 0:54:24 | 0:54:26 | |
like I wasn't going to get past | 0:54:26 | 0:54:28 | |
that fucking mark that we were making before, | 0:54:28 | 0:54:30 | |
but now it's fucking easy, man. | 0:54:30 | 0:54:32 | |
Nick has proved that the pig can work. | 0:54:34 | 0:54:36 | |
But he has a long way to go to sell the rest of his pigs. | 0:54:36 | 0:54:39 | |
Two months on, and Melo's still awaiting trial. | 0:55:02 | 0:55:05 | |
I'm not the same Melo. I'm scared of people and shit. | 0:55:05 | 0:55:09 | |
Serious, man. | 0:55:09 | 0:55:10 | |
It's getting worse. | 0:55:10 | 0:55:12 | |
Somebody to accuse me, do you know what I mean? | 0:55:12 | 0:55:15 | |
He just has to wait until he can clear his name | 0:55:17 | 0:55:20 | |
or face going to prison. | 0:55:20 | 0:55:21 | |
They all need taken down here. Need to start getting served for lunch. | 0:55:33 | 0:55:37 | |
Two months after Nick introduced the pig to Taste, | 0:55:37 | 0:55:41 | |
the business is now flourishing and the pork has been selling out. | 0:55:41 | 0:55:46 | |
It's been going well. Really, really well. | 0:55:46 | 0:55:48 | |
We done £600 yesterday which is a massive improvement. | 0:55:48 | 0:55:50 | |
It's probably up at least 40% of what we're doing before we changed, | 0:55:50 | 0:55:54 | |
so it's looking good. | 0:55:54 | 0:55:55 | |
That's it, we're smashing it every day, and it's brilliant. | 0:55:55 | 0:55:58 | |
It's a lot better, everybody's a lot happier, it's a lot calmer, | 0:55:58 | 0:56:01 | |
everybody knows what they're doing and it's fine. | 0:56:01 | 0:56:05 | |
It's very pleasing after a lot of hard work over the past year | 0:56:05 | 0:56:09 | |
to finally... I think we've started doing good. | 0:56:09 | 0:56:13 | |
It's pleasing. It gives you a lift. It gives you a boost. | 0:56:13 | 0:56:16 | |
It gives you a bit more drive, it gets the passion back into you. | 0:56:16 | 0:56:19 | |
Aye, it's good. | 0:56:19 | 0:56:21 | |
That's it. There's no problem with it getting shut or anything like that. | 0:56:23 | 0:56:27 | |
We're doing enough money to cover us, | 0:56:27 | 0:56:29 | |
we can pay the rent, we can pay the wages. | 0:56:29 | 0:56:31 | |
Getting a wee bit extra profit on top. | 0:56:31 | 0:56:33 | |
Once we get our new pigs in, we should be doing a bit better as well. | 0:56:33 | 0:56:36 | |
Aye, it's really good. Fucking brilliant. | 0:56:36 | 0:56:38 | |
Thank God. Aye, I'm very happy. Finally. | 0:56:40 | 0:56:43 | |
Bullet's still postering on the street. | 0:56:49 | 0:56:52 | |
Can the police not give him into trouble for doing things like that? | 0:56:53 | 0:56:56 | |
He's trying out new ideas... | 0:56:56 | 0:56:58 | |
We'll wait and see now, eh? Hi, how you doing? | 0:56:58 | 0:57:01 | |
..and trying his hardest not to get caught. | 0:57:01 | 0:57:03 | |
It's for the HMV shop. It's reopening in a week's time. | 0:57:03 | 0:57:06 | |
Oh, right, no bother. | 0:57:06 | 0:57:07 | |
It's a bit of visual merchandising, you would call it. | 0:57:07 | 0:57:10 | |
And still getting away with it. | 0:57:12 | 0:57:14 | |
See you after. Thank you. | 0:57:14 | 0:57:16 | |
I'm happy just to call it a day... | 0:57:16 | 0:57:18 | |
..after that. | 0:57:19 | 0:57:20 | |
I don't want to push my luck too far. | 0:57:20 | 0:57:22 | |
A year on since filming finished, | 0:57:27 | 0:57:29 | |
the pastors are still out every weekend | 0:57:29 | 0:57:32 | |
doing their bit to keep the streets safe. | 0:57:32 | 0:57:34 | |
You definitely get pleasure out of doing it. | 0:57:34 | 0:57:37 | |
You know you've made a difference to someone. Why else would we be here? | 0:57:37 | 0:57:40 | |
Melo's court case was resolved without him having to go to jail. | 0:57:40 | 0:57:44 | |
He's still playing and entertaining people on the street. | 0:57:44 | 0:57:48 | |
I'm not going to stop believing | 0:57:48 | 0:57:49 | |
until I get what is supposed to be for me. | 0:57:49 | 0:57:52 | |
This is my budget at the moment, I'm still having fun. | 0:57:52 | 0:57:55 | |
I'm not going to be miserable, no, no, no. | 0:57:55 | 0:57:58 | |
Then I'll not be Melo, you get me? | 0:57:58 | 0:58:01 | |
Bullet's now been employed to use his talents in other ways. | 0:58:01 | 0:58:05 | |
He's moved to the East End of Glasgow | 0:58:05 | 0:58:07 | |
so doesn't poster as much on the street, | 0:58:07 | 0:58:09 | |
but if you look closely, some still remain. | 0:58:09 | 0:58:12 | |
And Taste's doors are now permanently shut. | 0:58:14 | 0:58:17 | |
he pig became a best-seller and Taste finished on a high. | 0:58:17 | 0:58:21 | |
Nick has now opened a successful restaurant just round the corner. | 0:58:21 | 0:58:25 | |
Kiddie is still his right-hand man and they remain great friends. | 0:58:27 | 0:58:30 | |
I think you remember that wee mug up there. | 0:58:30 | 0:58:33 |