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I would like to see him get another break and get a good... | 0:00:09 | 0:00:14 | |
..number one if he could, or even if he got in the charts again. | 0:00:15 | 0:00:19 | |
# Laura and Tommy were lovers | 0:00:21 | 0:00:25 | |
# He wanted to give her everything # | 0:00:25 | 0:00:29 | |
You know you mention the name, Ricky Valance | 0:00:29 | 0:00:31 | |
and some people say, "He's dead." | 0:00:31 | 0:00:34 | |
And I say, "No that's Ritchie Valens. | 0:00:34 | 0:00:35 | |
"That was a different guy altogether." | 0:00:35 | 0:00:37 | |
# He saw a sign for a stock car race # | 0:00:37 | 0:00:41 | |
Even at his tender age, he's a ball of fire. | 0:00:41 | 0:00:46 | |
He's always working on eight cylinders, | 0:00:46 | 0:00:49 | |
even when he knows that four cylinders should be switched off. | 0:00:49 | 0:00:53 | |
# Tell Laura I love her | 0:00:54 | 0:00:57 | |
# Tell Laura I need her | 0:00:57 | 0:01:02 | |
# Tell Laura not to cry | 0:01:02 | 0:01:05 | |
# My love for her will never die # | 0:01:05 | 0:01:11 | |
This is BBC Radio Wales. | 0:01:15 | 0:01:18 | |
Now, on the programme today, music legend, Ricky Valance, | 0:01:20 | 0:01:23 | |
the first Welshman to get a number one, he'll be in. | 0:01:23 | 0:01:27 | |
Hi, I'm Ricky Valance for the Roy Noble show. | 0:01:28 | 0:01:31 | |
Good afternoon, Mr Valance. | 0:01:31 | 0:01:32 | |
Hello, just to let you know that I've got Mr Ricky Valance here. Thank you. Bye-bye. | 0:01:32 | 0:01:37 | |
Mr Valance, would it be possible for an autograph for my mother, Lily. | 0:01:37 | 0:01:41 | |
Yeah, my pleasure. | 0:01:41 | 0:01:43 | |
L-I-L-Y. | 0:01:43 | 0:01:45 | |
That's great, she'll be thrilled. | 0:01:46 | 0:01:48 | |
Well, what an inordinate pleasure. Come around here. | 0:01:48 | 0:01:50 | |
Ricky, you're very welcome. | 0:01:50 | 0:01:51 | |
-It's a great pleasure to be here. -Come sit down, it's my pleasure. | 0:01:51 | 0:01:56 | |
There's so much more to me than just this record. | 0:01:56 | 0:01:59 | |
Delighted to say Ricky Valance is here. Welcome home. | 0:01:59 | 0:02:02 | |
Thank you very much, Roy. | 0:02:02 | 0:02:04 | |
We've had a series relatively recently, called Welsh Greats | 0:02:04 | 0:02:06 | |
and they concentrate on a particular person who's flown the flag for Wales, internationally. | 0:02:06 | 0:02:12 | |
I'm the first, I understand. | 0:02:12 | 0:02:14 | |
-I'm the first Welshman to make number one? -You are. | 0:02:14 | 0:02:16 | |
I introduced you as such at the beginning. Absolutely right. How did you come to sing it? | 0:02:16 | 0:02:20 | |
My manager at the time, called Lena Davis, | 0:02:20 | 0:02:22 | |
and she got me a recording test with Columbia. | 0:02:22 | 0:02:25 | |
# Laura and Tommy were lovers | 0:02:26 | 0:02:30 | |
# He wanted to give her... # | 0:02:30 | 0:02:31 | |
When I was played that song, originally, | 0:02:31 | 0:02:34 | |
my first thought was, "How the hell I could sing it | 0:02:34 | 0:02:37 | |
"any better than that." | 0:02:37 | 0:02:39 | |
It's got such a great hook, as we say in the business. | 0:02:39 | 0:02:42 | |
But my, what we call, my retinue, | 0:02:42 | 0:02:45 | |
said, "Look, you used to be a choir boy, so it's a hymn." | 0:02:45 | 0:02:50 | |
So I thought about it and I thought well, "Tell Laura I love her". | 0:02:51 | 0:02:56 | |
He said, "That's the song we want, that's the sound." | 0:02:56 | 0:02:59 | |
And so that was the sound, in fact, that I used on all my records. | 0:03:00 | 0:03:05 | |
So I got virtually trapped into the kind of music, | 0:03:05 | 0:03:14 | |
which although I liked, was not really me. | 0:03:14 | 0:03:17 | |
And then, of course, you do have that, certain reservations about, | 0:03:17 | 0:03:22 | |
"What do I do now?" | 0:03:22 | 0:03:24 | |
Ladies and gentlemen, international recording star, Mr Ricky Valance! | 0:03:28 | 0:03:33 | |
APPLAUSE | 0:03:38 | 0:03:39 | |
Thank you so much. | 0:03:42 | 0:03:43 | |
# Laura and Tommy were lovers... # | 0:03:46 | 0:03:48 | |
'I'm Evelyn. | 0:03:49 | 0:03:51 | |
'I'm from Abertillery, South Wales.' | 0:03:51 | 0:03:54 | |
Laura has been a fantastic record, really. | 0:03:54 | 0:03:59 | |
I mean, he can't get on the stage unless he sings it, obviously. | 0:03:59 | 0:04:03 | |
I don't know how many times he's sung it. Can't keep up with it. | 0:04:03 | 0:04:06 | |
# A thousand dollar prize, it read # | 0:04:06 | 0:04:10 | |
I did know that the song was going to cause an awful lot of interest | 0:04:10 | 0:04:14 | |
and that something would happen with it. | 0:04:14 | 0:04:17 | |
# Tell Laura I love her | 0:04:18 | 0:04:22 | |
# Tell Laura I need her # | 0:04:22 | 0:04:26 | |
Well, the BBC never played it. | 0:04:26 | 0:04:28 | |
I mean, quite frankly, they were so, | 0:04:28 | 0:04:31 | |
"Oh, we can't play this dirt, you know, about death, | 0:04:31 | 0:04:35 | |
"and all that kind of thing and we can't have this." | 0:04:35 | 0:04:38 | |
You had your Mary Whitehouses of the day, | 0:04:38 | 0:04:40 | |
who said this is going to encourage young men to go out | 0:04:40 | 0:04:43 | |
and kill themselves over their girlfriends. | 0:04:43 | 0:04:45 | |
We were going, "Oh, my god!" | 0:04:45 | 0:04:47 | |
What do you think about this record, Laura I Love You? | 0:04:47 | 0:04:49 | |
I dig it man! | 0:04:49 | 0:04:51 | |
What does that mean to a square like me? | 0:04:51 | 0:04:53 | |
I enjoy it. | 0:04:53 | 0:04:54 | |
The lyrics aren't bad and it's what the teenagers go for. | 0:04:54 | 0:04:59 | |
How can you say the lyrics aren't bad | 0:04:59 | 0:05:00 | |
when it's about a man being burnt to death in a car? | 0:05:00 | 0:05:03 | |
Well that's what teenagers like, anything sordid. | 0:05:03 | 0:05:05 | |
The Road Safety Council thinks this is morbid and corrupt. | 0:05:05 | 0:05:09 | |
Oh dear, I feel sorry for the Road Safety Council. They're very stuffy! | 0:05:09 | 0:05:13 | |
It climbed the charts and knocked Apache off, | 0:05:14 | 0:05:17 | |
and was number one for three weeks and in the charts for four months. | 0:05:17 | 0:05:22 | |
SCREAMING | 0:05:23 | 0:05:25 | |
The joy, if you will, of being a number one. | 0:05:26 | 0:05:29 | |
I mean that was "Wow!" | 0:05:29 | 0:05:31 | |
You're like God to these kids out there. | 0:05:31 | 0:05:34 | |
I would be up on stage with my black slacks and my blue shirt | 0:05:34 | 0:05:38 | |
and doing the old Elvis Presley bit there, you know. | 0:05:38 | 0:05:40 | |
HE LAUGHS | 0:05:40 | 0:05:42 | |
I remember this particular night we had, the girls had my legs | 0:05:42 | 0:05:46 | |
and the bouncers had my arms and they were pulling between them! | 0:05:46 | 0:05:49 | |
Unbelievable! | 0:05:49 | 0:05:51 | |
# Tell Laura I love her | 0:05:52 | 0:05:55 | |
# Tell Laura I need her # | 0:05:55 | 0:05:59 | |
Being top of the pile is the greatest thing, | 0:05:59 | 0:06:02 | |
nobody can take that away from you. It doesn't matter whether you don't do it again - | 0:06:02 | 0:06:06 | |
you've been there, you know what it's like. | 0:06:06 | 0:06:08 | |
APPLAUSE | 0:06:08 | 0:06:10 | |
I think people see Ricky as the elder statesman of entertainment here. | 0:06:14 | 0:06:19 | |
We are working with Ricky on a mini tour of three shows | 0:06:21 | 0:06:25 | |
in the area, in the Costa Blanca, | 0:06:25 | 0:06:26 | |
and, of course, this is one of those shows tonight. | 0:06:26 | 0:06:29 | |
The audience is a cross section really of the mature kids, as I would call them, | 0:06:32 | 0:06:37 | |
and they will all know Tell Laura I Love Her. | 0:06:37 | 0:06:40 | |
So, I think, that is probably the biggest recognition, | 0:06:40 | 0:06:42 | |
because here, at 51 years into his time in music, | 0:06:42 | 0:06:48 | |
he is still recognised as one of the greats of that time. | 0:06:48 | 0:06:50 | |
# To my mind She's my kind of girl # | 0:06:50 | 0:06:55 | |
Ricky Valance, one more time! | 0:06:58 | 0:07:00 | |
CHEERING AND APPLAUSE | 0:07:00 | 0:07:02 | |
Well, you asked to see my discs and my awards. | 0:07:04 | 0:07:08 | |
We've got the silver, which was presented actually in 1960 for a quarter of a million | 0:07:08 | 0:07:12 | |
for Tell Laura I Love Her. | 0:07:12 | 0:07:14 | |
The gold, that time, of course, was a million, | 0:07:14 | 0:07:17 | |
and they've included now the platinum. | 0:07:17 | 0:07:19 | |
So, in fact, we've got the full set there, which is rather nice. | 0:07:19 | 0:07:25 | |
And the two awards... I was appearing in quite a big festival, | 0:07:25 | 0:07:29 | |
in Bognor Regis, funnily enough. | 0:07:29 | 0:07:32 | |
And I was presented with the Top Male Vocalist | 0:07:32 | 0:07:36 | |
and an award for the nomination of the audience | 0:07:36 | 0:07:41 | |
as the Top Solo Act. | 0:07:41 | 0:07:43 | |
# For ever and ever | 0:07:44 | 0:07:48 | |
# There's a final hush | 0:07:48 | 0:07:51 | |
# All over the world tonight | 0:07:51 | 0:07:55 | |
# All over the world... # | 0:07:55 | 0:07:57 | |
RADIO: TKO Gold on the Costa Blanca. | 0:07:57 | 0:08:01 | |
Yet another beautiful, sunny, autumn day. | 0:08:06 | 0:08:08 | |
# You can't roller skate in a buffalo herd | 0:08:08 | 0:08:12 | |
# You can't roller skate in a buffalo herd | 0:08:12 | 0:08:15 | |
# You can be happy if you've a mind to # | 0:08:15 | 0:08:18 | |
We're off now to see my record producer. | 0:08:19 | 0:08:25 | |
His name is Snoopy, the genius of the studio. | 0:08:25 | 0:08:29 | |
He's not at all pushy. We just work together in harmony. | 0:08:29 | 0:08:33 | |
A question, you know, that goes through my mind many times is, | 0:08:34 | 0:08:38 | |
you know, how long do you go on? | 0:08:38 | 0:08:42 | |
Hopefully, we'll have a few more years to go. | 0:08:42 | 0:08:45 | |
There isn't anything else I can say, except my voice is, | 0:08:45 | 0:08:48 | |
well, it's my life. | 0:08:48 | 0:08:50 | |
# Smile, though your heart is aching | 0:08:56 | 0:08:59 | |
# Smile, even though it's breaking # | 0:09:01 | 0:09:06 | |
HE WHISTLES | 0:09:06 | 0:09:07 | |
Lucky, I just had me headphones on! | 0:09:07 | 0:09:09 | |
# In the sky, you'll get by # | 0:09:11 | 0:09:17 | |
# If you smile through your tears and sorrow # | 0:09:17 | 0:09:22 | |
Sorry. | 0:09:23 | 0:09:24 | |
# Smile... | 0:09:24 | 0:09:27 | |
Sorry, I'm hearing too much popping on the microphone. | 0:09:27 | 0:09:29 | |
Could you hear it? | 0:09:29 | 0:09:31 | |
Do you want me to put the pop shield in? | 0:09:31 | 0:09:33 | |
Put the guard on again, I think. | 0:09:33 | 0:09:34 | |
I knew nothing about Ricky until he approached me | 0:09:34 | 0:09:38 | |
and then I got my Guinness Book Of Hit Records out | 0:09:38 | 0:09:40 | |
and went through and there was | 0:09:40 | 0:09:44 | |
a picture of Ricky Valance in the Hall of Fame | 0:09:44 | 0:09:47 | |
with his hit single, Tell Laura I Love Her. | 0:09:47 | 0:09:51 | |
We'll give it another shot. From the top, second take. | 0:09:51 | 0:09:56 | |
Ricky's a perfectionist and his own worst enemy, really. | 0:09:56 | 0:10:00 | |
He can have a perfect take... | 0:10:00 | 0:10:03 | |
# Smile though your heart is aching # | 0:10:03 | 0:10:06 | |
And he'll pull it apart deliberately just to find a minute fault, | 0:10:06 | 0:10:10 | |
like he took a breath when he shouldn't have done. | 0:10:10 | 0:10:14 | |
# Smile though your heart is aching # | 0:10:14 | 0:10:18 | |
Yeah, there's a little. | 0:10:18 | 0:10:20 | |
There's something I'm not happy with. | 0:10:20 | 0:10:22 | |
Unfortunately, being in the game of recording Ricky, | 0:10:22 | 0:10:27 | |
I do get the ridicule - it's a horrible word to use - | 0:10:27 | 0:10:33 | |
but I get the ridicule of people who basically label him | 0:10:33 | 0:10:40 | |
with the one-hit wonder. They label him with, um... | 0:10:40 | 0:10:45 | |
generally just wishy-washy music. | 0:10:45 | 0:10:49 | |
# Although he may be | 0:10:49 | 0:10:54 | |
# Ever so near # | 0:10:54 | 0:10:57 | |
The term "one hit-wonder" to me | 0:10:57 | 0:11:00 | |
means an entirely different thing to other people. | 0:11:00 | 0:11:03 | |
Other people use it as a derogatory, | 0:11:03 | 0:11:06 | |
so these idiots - and they are idiots - who use that term, | 0:11:06 | 0:11:11 | |
and when they use it for somebody like myself, | 0:11:11 | 0:11:13 | |
who's spent 52 years in the business | 0:11:13 | 0:11:15 | |
and had hits all over the world. | 0:11:15 | 0:11:17 | |
How in the hell can they say I'm a one-hit wonder? | 0:11:17 | 0:11:20 | |
Only one reason - because they know nothing about me. | 0:11:20 | 0:11:23 | |
These people don't realise that he's totally committed to what he does. | 0:11:27 | 0:11:33 | |
He believes in what he does and because he believes in what he does, | 0:11:33 | 0:11:37 | |
I believe in what he does. | 0:11:37 | 0:11:39 | |
# Smile... # | 0:11:39 | 0:11:40 | |
That'll work, that'll work. | 0:11:46 | 0:11:48 | |
He can be difficult. He can be very difficult, | 0:11:48 | 0:11:52 | |
but I found the other side of Ricky, which is a very loving, | 0:11:52 | 0:11:56 | |
very warm and tender person. | 0:11:56 | 0:11:58 | |
I've learnt to love him, | 0:11:58 | 0:12:00 | |
and I do. | 0:12:00 | 0:12:01 | |
I dearly love him, he's a character and a half. | 0:12:01 | 0:12:04 | |
# Say it's me that you adore | 0:12:04 | 0:12:08 | |
# Oh, my darling, tell me when... # | 0:12:09 | 0:12:14 | |
I had a great chance to work with some of the greats | 0:12:27 | 0:12:30 | |
in those days, on the rock and roll tours. | 0:12:30 | 0:12:33 | |
And, for me, this was one of the greatest, | 0:12:33 | 0:12:37 | |
Gene Vincent And The Blue Caps. What a showman. | 0:12:37 | 0:12:41 | |
And also, Jerry Lee Lewis, | 0:12:41 | 0:12:45 | |
and Ricky Valance & The Valentines! | 0:12:45 | 0:12:47 | |
Yes, well, this is one of your favourites, love. | 0:12:50 | 0:12:52 | |
-Yeah, it is. I mean, I love the song very much. -I'll see if I can find that. | 0:12:52 | 0:12:55 | |
I don't know if we've got it now. | 0:12:55 | 0:12:57 | |
I guess the frustrating thing about this, moving away, | 0:12:57 | 0:13:00 | |
was the fact it really was a good record, some of my best work. | 0:13:00 | 0:13:04 | |
It didn't make it in the UK. | 0:13:05 | 0:13:07 | |
I think it deserved to get into the Top 20. | 0:13:07 | 0:13:10 | |
-You've got the record. -Yeah, that's right. | 0:13:10 | 0:13:13 | |
On reflection, it was basically because we were looking for something of the ilk | 0:13:13 | 0:13:19 | |
of Tell Laura, which was as strong, which we could never find. | 0:13:19 | 0:13:22 | |
Oh, love... | 0:13:22 | 0:13:24 | |
I mean, it was disappointing, obviously, | 0:13:24 | 0:13:27 | |
but at least he was still working and that's the main thing. | 0:13:27 | 0:13:30 | |
I mean, he was still well known, | 0:13:30 | 0:13:32 | |
but you've just got to get on with your life, you can't do nothing else. | 0:13:32 | 0:13:36 | |
Here we are with Lena. | 0:13:36 | 0:13:37 | |
Yeah, that's right. | 0:13:37 | 0:13:39 | |
My first award. | 0:13:39 | 0:13:41 | |
Lena was a very, very good manager. She didn't suffer fools gladly, | 0:13:41 | 0:13:46 | |
so she's very dominating, which is good for me in the business, | 0:13:46 | 0:13:50 | |
you know, except occasionally, we did clash, | 0:13:50 | 0:13:53 | |
because that's one thing I won't have - | 0:13:53 | 0:13:56 | |
I won't be dominated by anyone, especially a woman. | 0:13:56 | 0:14:00 | |
HE CHUCKLES | 0:14:00 | 0:14:01 | |
SHE LAUGHS SARCASTICALLY | 0:14:01 | 0:14:03 | |
There we are, two love birds together, about to tie the knot. | 0:14:05 | 0:14:08 | |
Yes, we had tied the knot, there. | 0:14:08 | 0:14:11 | |
Oh, that was after? | 0:14:11 | 0:14:14 | |
That was after, definitely. | 0:14:14 | 0:14:16 | |
Around 1956. That was a long, long time. | 0:14:16 | 0:14:20 | |
A long, long time. | 0:14:20 | 0:14:22 | |
-Oh, there's our man. He's always late. -Hello, hello. | 0:14:22 | 0:14:25 | |
What was that 11 o'clock crap you were talking about? I've never known you to be on bloody time yet. | 0:14:25 | 0:14:30 | |
I first met Ricky about six years ago. | 0:14:30 | 0:14:33 | |
I ran a radio station and he was one of our guests, | 0:14:33 | 0:14:36 | |
and we've been good friends ever since. | 0:14:36 | 0:14:38 | |
This is you live on stage. | 0:14:38 | 0:14:41 | |
See, here you look 60, | 0:14:41 | 0:14:43 | |
15, 20 years younger. | 0:14:43 | 0:14:44 | |
-Does that mean...? -Ten years younger. | 0:14:44 | 0:14:47 | |
Does that mean every other one, I look older? | 0:14:47 | 0:14:50 | |
A bit of passion - and in public, as well! | 0:14:50 | 0:14:52 | |
-There you go. -Ah, there we go, that's the end. | 0:14:52 | 0:14:55 | |
That's a cracker. | 0:14:55 | 0:14:58 | |
Ricky was the first Welshman to have a number one hit record | 0:14:58 | 0:15:02 | |
and he's very proud of that fact. | 0:15:02 | 0:15:04 | |
And what he would like to do is to give something back to Wales | 0:15:04 | 0:15:09 | |
and also to have some of his fellow countrymen and countrywomen | 0:15:09 | 0:15:14 | |
pay him some attention. | 0:15:14 | 0:15:16 | |
Last year, when it was the 50th anniversary, | 0:15:16 | 0:15:19 | |
-we investigated trying to get you a major venue in Wales. -Right. | 0:15:19 | 0:15:23 | |
So, this year, we want to try and start smaller and grow up, | 0:15:23 | 0:15:28 | |
-raise your profile. -The first venue that comes to mind for me | 0:15:28 | 0:15:31 | |
is down at Newbridge, which is in Gwent in South Wales, | 0:15:31 | 0:15:36 | |
and I know the guy that actually is in charge of | 0:15:36 | 0:15:40 | |
the committee that runs it. | 0:15:40 | 0:15:42 | |
-It's the Memorial Hall. -Has this been here a long time? | 0:15:42 | 0:15:46 | |
Oh, I met my wife there, | 0:15:46 | 0:15:49 | |
which is another good reason for doing the show this year, you know. | 0:15:49 | 0:15:53 | |
It's always good for the press. They like to have the angle. That'll be our next step. | 0:15:53 | 0:15:58 | |
'Well, the Costa Blanca is really a lovely place to live. | 0:16:01 | 0:16:05 | |
'But we're not blinded by sun, sea and sand, | 0:16:05 | 0:16:07 | |
'like a lot of people. That's all they can see.' | 0:16:07 | 0:16:09 | |
Look at that scene across there. | 0:16:09 | 0:16:12 | |
'Over here, | 0:16:12 | 0:16:14 | |
'I don't think we've ever felt that we've fitted in, you know. | 0:16:14 | 0:16:19 | |
'It's been A home but not THE home.' | 0:16:19 | 0:16:24 | |
I'll bring you your drinks. Thank you. | 0:16:26 | 0:16:29 | |
First of all, we were only going to stay for a year | 0:16:29 | 0:16:32 | |
and then we landed up staying for nine years so far, | 0:16:32 | 0:16:36 | |
so we'll see how much more it goes. | 0:16:36 | 0:16:39 | |
Realistically, of course, going back to Wales | 0:16:39 | 0:16:42 | |
wouldn't further my career to the extent that I would want it, | 0:16:42 | 0:16:47 | |
my profile, but one of the things I would love to do is a concert, | 0:16:47 | 0:16:52 | |
preferably somewhere like St David's in Cardiff. | 0:16:52 | 0:16:56 | |
If somebody out there is interested, then that's fabulous. | 0:16:56 | 0:17:01 | |
We hope, maybe, this will be a stepping stone towards that. | 0:17:01 | 0:17:04 | |
# All of my life since I've been born | 0:17:04 | 0:17:08 | |
# You've been my love and you live next door | 0:17:08 | 0:17:13 | |
# Then came the news that broke my heart... # | 0:17:13 | 0:17:16 | |
Wow, it's a long time since I've been down here. | 0:17:16 | 0:17:20 | |
None of these cars were here the last time I came down, that's for sure. | 0:17:20 | 0:17:24 | |
# Moving away... # | 0:17:24 | 0:17:27 | |
Just turn this down a second. | 0:17:27 | 0:17:30 | |
This was my birthplace. | 0:17:31 | 0:17:33 | |
My given name was David Spencer, | 0:17:36 | 0:17:39 | |
and I was christened in a little church on the hill, | 0:17:39 | 0:17:42 | |
in fact, where I was a choirboy. | 0:17:42 | 0:17:44 | |
You're going to get kids, especially there, | 0:17:45 | 0:17:47 | |
that when we were being brought up, they're going to say, | 0:17:47 | 0:17:51 | |
"Well, you want to be a singer?" You know, namby-pamby. | 0:17:51 | 0:17:55 | |
"I want to be a fireman." "I want to go down the mines." | 0:17:55 | 0:17:58 | |
But I always knew from a very early age | 0:17:58 | 0:18:01 | |
that that's the only thing that I would really enjoy doing with the whole of my life. | 0:18:01 | 0:18:05 | |
DOORBELL | 0:18:05 | 0:18:08 | |
-Hey! -Evening. -How lovely to see you, love. How lovely to see you. | 0:18:12 | 0:18:18 | |
-This was the first time we've ever met. -Yes. | 0:18:18 | 0:18:21 | |
-I was sitting in the car thinking, "I wonder what it's like inside my old house." -Oh, well... | 0:18:21 | 0:18:26 | |
Look what you've done with it. | 0:18:26 | 0:18:29 | |
One of the things I noticed when I came in here is, | 0:18:29 | 0:18:31 | |
I don't know exactly where I am, because it's all changed now. I noticed, for instance, | 0:18:31 | 0:18:36 | |
-I was going to say that was the scullery, but of course it isn't. -No, no, this was the kitchen. | 0:18:36 | 0:18:41 | |
Oh, right, that was the old grate, | 0:18:41 | 0:18:44 | |
the coal fire, and Mum used to cook in the oven at the side of the... | 0:18:44 | 0:18:47 | |
-That's right, yes. Black-lead grate. -God, it brings back so many memories, it really does. | 0:18:47 | 0:18:53 | |
All your family up here, as well, I see. | 0:18:53 | 0:18:55 | |
Yes. That's the nephew that's been on the internet | 0:18:55 | 0:18:58 | |
-to see what you look like. -Ohh! | 0:18:58 | 0:19:00 | |
Of course he was only young, then. He's 16 now, isn't he? | 0:19:00 | 0:19:04 | |
So they were all curious, the youngsters, as to who I was. | 0:19:04 | 0:19:08 | |
Who you were, and what you looked like. | 0:19:08 | 0:19:11 | |
What I look like. How do I look? | 0:19:11 | 0:19:13 | |
You look younger now than what you did when I seen you before! | 0:19:13 | 0:19:17 | |
I love this woman, folks! I love this woman. | 0:19:17 | 0:19:19 | |
Can't imagine how, years ago, how they all slept in these bedrooms, | 0:19:21 | 0:19:25 | |
you know, cos they're so small. | 0:19:25 | 0:19:27 | |
Five of us in a bed, f-f-freezing cold, | 0:19:27 | 0:19:30 | |
and the old man coming up | 0:19:30 | 0:19:33 | |
and bringing this shelf from the oven, | 0:19:33 | 0:19:37 | |
which was covered in a cloth, and put it in the bed to warm it up, | 0:19:37 | 0:19:41 | |
-and we'd all huddle together with maybe an overcoat or so on the top, as well. -That's right. | 0:19:41 | 0:19:46 | |
So, how many brothers did you say you had to sleep in this one bedroom? | 0:19:46 | 0:19:50 | |
Well, five of us, and, inevitably, I would get blamed for tormenting the others, | 0:19:50 | 0:19:55 | |
so I'd give them a slap | 0:19:55 | 0:19:56 | |
and, suddenly, my father would come up the stairs and give me a slap! | 0:19:56 | 0:20:00 | |
# Welcome to my world | 0:20:00 | 0:20:03 | |
# Won't you come on in? # | 0:20:05 | 0:20:09 | |
David Spencer - yeah, well, I was an ordinary little boy. | 0:20:09 | 0:20:13 | |
I learnt to fight pretty early. I had to. | 0:20:13 | 0:20:17 | |
So it was a rough, tough, black-and-white kind of life. | 0:20:18 | 0:20:22 | |
I loved my parents very much, especially my mother. | 0:20:22 | 0:20:25 | |
I was extremely close to my mother, who was a wonderful singer. | 0:20:25 | 0:20:29 | |
Well, my father was a miner. He was a great man, | 0:20:31 | 0:20:36 | |
but you didn't mess around with my father. | 0:20:36 | 0:20:39 | |
He was, you know, "Come on, boy, pull yourself together!" | 0:20:39 | 0:20:42 | |
I can't say, "Dad, I love you, Dad," which my son can say to me. | 0:20:43 | 0:20:47 | |
And so, the frustration of wanting to do that | 0:20:48 | 0:20:52 | |
I think can have an effect. | 0:20:52 | 0:20:54 | |
He was a man who had a very, very hair-trigger temper. | 0:20:54 | 0:20:59 | |
Later on in my life, I can remember my father saying to me, "You know, | 0:20:59 | 0:21:06 | |
"David, we punished you for a lot | 0:21:06 | 0:21:08 | |
"and we found out it wasn't your fault." | 0:21:08 | 0:21:10 | |
I said "Dad, you know, it's a bit late", | 0:21:10 | 0:21:13 | |
because it had an impression on me, it made me into a rebel. | 0:21:13 | 0:21:16 | |
# Welcome to my world... # | 0:21:18 | 0:21:21 | |
Hey! | 0:21:24 | 0:21:25 | |
-All right? -All right. Good to see you. -And you. | 0:21:25 | 0:21:29 | |
You used to have a nickname and I can't think what it was. | 0:21:29 | 0:21:32 | |
-Curly. -Curly! -Curly Roberts. -Curly Roberts! | 0:21:32 | 0:21:35 | |
-I had black hair then and you did. -I did, as well, absolutely right. | 0:21:35 | 0:21:39 | |
-And I tell you what I can remember, the old pews. -And they're still hard. -They're still hard! | 0:21:39 | 0:21:45 | |
-And they're still cold. -The only thing's missing is, Nobby's not here. | 0:21:45 | 0:21:48 | |
-Oh, Mr Woodford. -Mr Woodford! I used to sit in the corner, in the back, | 0:21:48 | 0:21:53 | |
creep in through the door, I can see him sitting there now, | 0:21:53 | 0:21:57 | |
lowering his spectacles, glaring at me over there, saying, | 0:21:57 | 0:22:00 | |
-"Late again, Spencer!" -He glared at everyone. | 0:22:00 | 0:22:03 | |
Ohh! For me, they're wonderful memories. | 0:22:03 | 0:22:06 | |
Well, my father's ashes are scattered at the back of the church, | 0:22:08 | 0:22:11 | |
and were done so by my brothers. | 0:22:11 | 0:22:13 | |
I mean, on that particular time, I think we were abroad or something, | 0:22:13 | 0:22:17 | |
there was some way that I couldn't get back, | 0:22:17 | 0:22:19 | |
which was very disappointing for me, obviously, | 0:22:19 | 0:22:22 | |
to say goodbye to my father, | 0:22:22 | 0:22:24 | |
but his ashes are there and I always feel, without sounding morbid, | 0:22:24 | 0:22:27 | |
I would be most happy to have my ashes scattered with my father's. | 0:22:27 | 0:22:34 | |
I went to work, of course, in the colliery with him, | 0:22:37 | 0:22:41 | |
and he was the one that was responsible for saying to me one day, | 0:22:41 | 0:22:45 | |
"David, if you're going to make singing a career, | 0:22:45 | 0:22:47 | |
"you've got to get out of this, because this is not for you." | 0:22:47 | 0:22:51 | |
So I did that. I just got out. | 0:22:51 | 0:22:54 | |
# The old home town looks the same | 0:22:54 | 0:22:58 | |
# As I step down from the train | 0:22:58 | 0:23:02 | |
# And there to meet me... # | 0:23:02 | 0:23:05 | |
I grew up with Ricky Valance, David Spencer then, as he was known, | 0:23:05 | 0:23:11 | |
because we lived in the same street in Ynysddu. | 0:23:11 | 0:23:15 | |
He would sort of do his own thing when he was younger. | 0:23:16 | 0:23:19 | |
He seems to be a lot more caring than he used to be, | 0:23:19 | 0:23:23 | |
I think, you know. | 0:23:23 | 0:23:25 | |
In fact, I think, personality-wise, | 0:23:25 | 0:23:27 | |
I think his life has improved him a lot. It has improved him. | 0:23:27 | 0:23:32 | |
# Whop-ba-ba-lu-la whop bam boom Tutti frutti, oh, Rudy... # | 0:23:32 | 0:23:36 | |
You know, there was a dance hall in every village, more or less. | 0:23:36 | 0:23:40 | |
We went over all the valleys, you know, dancing. Tredega, everywhere. | 0:23:40 | 0:23:45 | |
Then Tuesday, we'd be over the Memo in Newbridge. | 0:23:45 | 0:23:49 | |
There's quite a few of us still like the ballroom dancing, | 0:23:53 | 0:23:58 | |
because I'm pretty fit now and I can still jive, you know. | 0:23:58 | 0:24:02 | |
It used to be called grab-a-granny night, but we've cleaned it up. | 0:24:05 | 0:24:09 | |
So, of course, every Tuesday, you have these... | 0:24:09 | 0:24:12 | |
maybe 50 to 75, 80 people turn up | 0:24:12 | 0:24:16 | |
as regularly as clockwork. | 0:24:16 | 0:24:18 | |
They dance the night away. | 0:24:18 | 0:24:21 | |
I started dancing here, and it used to be packed - | 0:24:22 | 0:24:26 | |
the girls one side, the boys the other side, | 0:24:26 | 0:24:28 | |
and you'd just go along and, "May I have this dance?" | 0:24:28 | 0:24:31 | |
We were very courteous in those days, | 0:24:31 | 0:24:33 | |
and that's how many of us met. | 0:24:33 | 0:24:36 | |
-Oh, look at this. -Oh, yes. | 0:24:36 | 0:24:38 | |
Oh, yeah. | 0:24:39 | 0:24:41 | |
We met here in the Memo. I was in the Air Force at the time. | 0:24:41 | 0:24:45 | |
It was just an ordinary dance night, | 0:24:45 | 0:24:47 | |
we used to jive up here, I don't know, once or twice a week, | 0:24:47 | 0:24:50 | |
and she was dancing in the corner with a couple of her friends, | 0:24:50 | 0:24:54 | |
and I just looked at her | 0:24:54 | 0:24:55 | |
and she had one of these very tight bebop skirts on, you know. | 0:24:55 | 0:24:58 | |
Those were the days, those were the days. | 0:24:58 | 0:25:01 | |
And I thought, "Hmm, I rather like that!" | 0:25:01 | 0:25:03 | |
THEY BOTH LAUGH | 0:25:03 | 0:25:05 | |
I was, in fact, courting somebody else at that time, | 0:25:05 | 0:25:08 | |
but he was in the Army, so... | 0:25:08 | 0:25:12 | |
The Air Force won. | 0:25:12 | 0:25:14 | |
And the Air Force won, exactly. That's right. | 0:25:14 | 0:25:17 | |
Ricky has long wished for some sort of personal recognition in Wales, in particular, | 0:25:21 | 0:25:28 | |
and if we can do anything at all to help him achieve his one aim, why shouldn't we? | 0:25:28 | 0:25:34 | |
And another thing that has just crossed my mind - a band. | 0:25:34 | 0:25:38 | |
Yeah, well, I can speak to John Smallborough about that, | 0:25:38 | 0:25:41 | |
and he did play for you once before just him and his son, keyboards... | 0:25:41 | 0:25:45 | |
-Yeah, I remember that. -..and they were brilliant. -Yeah, that's good, that's good. | 0:25:45 | 0:25:49 | |
Do you want me to get some publicity down to you? | 0:25:49 | 0:25:52 | |
We've got our own website. The council will put things on their website for us. | 0:25:52 | 0:25:56 | |
Would be nice to get something in the local paper, as well. | 0:25:56 | 0:25:59 | |
Yes, I can get in touch with the South Wales Argos | 0:25:59 | 0:26:01 | |
-and we can get in touch with the BBC. -Let me know about the band. | 0:26:01 | 0:26:04 | |
We'll shake on this, but don't hold me to it. | 0:26:04 | 0:26:07 | |
"Don't hold me to it," he says! You sound like my agent. | 0:26:07 | 0:26:09 | |
THEY BOTH LAUGH | 0:26:09 | 0:26:11 | |
Right, good evening, ladies and gentlemen. | 0:26:11 | 0:26:14 | |
On 24th February, Ricky Valance will be doing a concert here. | 0:26:14 | 0:26:18 | |
I'm sure that you know Ricky of old. | 0:26:18 | 0:26:21 | |
He is a very well-respected singer from this part | 0:26:21 | 0:26:24 | |
and I'm pleased to say that Ricky and his wife Evelyn are with us in the room tonight. | 0:26:24 | 0:26:30 | |
Ladies and gentlemen, could I ask you just to put your hands together and welcome Ricky and Evelyn? | 0:26:30 | 0:26:35 | |
Thank you! Come on, stand up. Thank you very much. | 0:26:35 | 0:26:38 | |
Well, love, we've waited for this for a lot of years. | 0:26:49 | 0:26:52 | |
-Yeah. -Shall we dance with them? -I can't, with these on! | 0:26:52 | 0:26:56 | |
-Ah, you've got your boots on! -Yeah, I told you I had. | 0:26:56 | 0:26:59 | |
I forgot about that. | 0:26:59 | 0:27:01 | |
If I got up to bop, I'd have to take these off. | 0:27:01 | 0:27:05 | |
Bloody bopping? You must be joking. With my back?! | 0:27:05 | 0:27:09 | |
'In 1960, Ricky Valance sang a song called Tell Laura I Love Her. | 0:27:16 | 0:27:21 | |
'The record sold a quarter of a million, and so won the silver disc. | 0:27:21 | 0:27:24 | |
# Tell Laura I need her... # | 0:27:24 | 0:27:27 | |
'Today, Ricky Valance can walk along the crowded promenade | 0:27:27 | 0:27:30 | |
'at Bridlington in Yorkshire, but nobody turns their head. | 0:27:30 | 0:27:34 | |
As one can imagine at this particular time, | 0:27:34 | 0:27:36 | |
I made quite a lot of money from Tell Laura, | 0:27:36 | 0:27:39 | |
but I was an idiot at the time, | 0:27:39 | 0:27:41 | |
because I felt that there was plenty more where this came from. | 0:27:41 | 0:27:44 | |
Unfortunately, this was my big mistake. | 0:27:44 | 0:27:46 | |
# ..Tell Laura not to cry... # | 0:27:48 | 0:27:50 | |
The structure of the business, the way that it was in the '60s, | 0:27:50 | 0:27:54 | |
was such that you really did what you were told, | 0:27:54 | 0:27:57 | |
like a good little boy. Really, you know, that wasn't me, | 0:27:57 | 0:28:02 | |
and once the word got around that you're hard to handle, things start to drop. | 0:28:02 | 0:28:07 | |
You know, it was like a square peg in a round hole. | 0:28:07 | 0:28:11 | |
I had a lot of heartbreaks and worrying, | 0:28:11 | 0:28:14 | |
till in the end, I was on the verge of a nervous breakdown. | 0:28:14 | 0:28:17 | |
I have learned from my mistakes, I really have learned. | 0:28:17 | 0:28:20 | |
And I feel that, given another chance, I really feel this, | 0:28:20 | 0:28:25 | |
after studying it from quite a wide angle, | 0:28:25 | 0:28:28 | |
that if I could just get another chance again, | 0:28:28 | 0:28:31 | |
I think I could make it again. | 0:28:31 | 0:28:32 | |
I was born to make mistakes, a lot of mistakes, and I did. | 0:28:33 | 0:28:36 | |
But I felt that, all in all, that if people had taken a lot more trouble | 0:28:39 | 0:28:45 | |
within the business to understand me instead of being antagonistic | 0:28:45 | 0:28:50 | |
and pushing me away, | 0:28:50 | 0:28:52 | |
I think things would have been very different. | 0:28:52 | 0:28:54 | |
But, at the end of the day, I have one thing above all else. | 0:28:54 | 0:28:58 | |
I have my self-respect, and nobody can take that away from me. | 0:28:58 | 0:29:02 | |
And now, at my time of life, | 0:29:03 | 0:29:06 | |
suddenly there's a resurgence of the Ricky Valance fan club again, | 0:29:06 | 0:29:09 | |
and it's wonderful! | 0:29:09 | 0:29:11 | |
Tomorrow night, a very special concert at the Memo, | 0:29:11 | 0:29:16 | |
the Memorial Hall in Newbridge. | 0:29:16 | 0:29:17 | |
The fans can expect, you know, the vintage... | 0:29:17 | 0:29:21 | |
Yeah. I'll be doing a nice mixture, you know? | 0:29:21 | 0:29:23 | |
I'll be doing a nice mixture of stuff there. | 0:29:23 | 0:29:26 | |
Ricky, it's been an absolute pleasure here. | 0:29:26 | 0:29:29 | |
I understand you're going to be playing one of my very old records, an old B side. | 0:29:29 | 0:29:34 | |
Well, Charlotte next door is in charge of the buttons, | 0:29:34 | 0:29:37 | |
and what Charlotte says, we all tend to jump to, | 0:29:37 | 0:29:39 | |
-and so she loves it. Ricky Valance, an absolute joy. -Thank you very much. | 0:29:39 | 0:29:44 | |
-I haven't heard this for years. -Huh? -I haven't heard this for years. | 0:29:44 | 0:29:48 | |
# Never knew the thrill of a moonlight walk... # | 0:29:48 | 0:29:51 | |
THEY BOTH LAUGH | 0:29:51 | 0:29:54 | |
# I want to fall in love... # | 0:29:55 | 0:29:58 | |
Singing along with it, you see? You remember it! | 0:29:58 | 0:30:01 | |
# Hm-hm, I want to fall in Hm-hm... # | 0:30:01 | 0:30:04 | |
-Hello, sir. How are you? -You're...? -I'm Ricky Valance. I am indeed, yes. | 0:30:04 | 0:30:10 | |
Oh, it's good to catch up with you, because I've long been a fan, ever since that record come out. | 0:30:10 | 0:30:16 | |
Ever since then. Got all my other ones, as well? | 0:30:16 | 0:30:19 | |
-You're doing a show tomorrow night, so I hear... -That's correct. | 0:30:19 | 0:30:22 | |
-..which is news to me. -In Newbridge. | 0:30:22 | 0:30:24 | |
The audience is the most important thing. | 0:30:24 | 0:30:27 | |
I've got to get on that stage and please that audience, | 0:30:27 | 0:30:29 | |
I've got to give them everything I can. | 0:30:29 | 0:30:31 | |
And not only that, but 24 hours a day, in some respect, | 0:30:31 | 0:30:34 | |
I have to be Ricky Valance, not David Spencer, because those people made me what I am today. | 0:30:34 | 0:30:39 | |
Last time I was there, Lonnie Donegan was there. | 0:30:39 | 0:30:42 | |
-Ah, there you go. -Not long after, he died. | 0:30:42 | 0:30:45 | |
There you go. You look after yourself, buddy. | 0:30:45 | 0:30:48 | |
-OK? Take care. -I'll try and get there tomorrow night. -Please do. | 0:30:48 | 0:30:51 | |
# Walking in the sunshine | 0:30:51 | 0:30:53 | |
# Sing a little sunshine song | 0:30:53 | 0:30:55 | |
# Put a smile upon your face | 0:30:58 | 0:31:00 | |
# As if there's nothing wrong | 0:31:00 | 0:31:02 | |
# Think about a good time had a long time ago | 0:31:05 | 0:31:08 | |
# Think about forgetting about your worries and your woes | 0:31:08 | 0:31:12 | |
# Walking in the sunshine Sing a little sunshine song... # | 0:31:12 | 0:31:17 | |
# La-la-la-la... # | 0:31:19 | 0:31:21 | |
-Yeah, hang on a second. -MUSIC STOPS | 0:31:21 | 0:31:24 | |
That's great, I mean, that's fantastic. | 0:31:24 | 0:31:26 | |
There's only one big problem. I haven't done this for about 25 years | 0:31:26 | 0:31:29 | |
and I'm finding that la-la-la-la is a bit high. Can we take it down? Is it possible? | 0:31:29 | 0:31:34 | |
Tonight is the big night, and here I am at the illustrious establishment | 0:31:34 | 0:31:38 | |
of the Memorial Hall in Newbridge. | 0:31:38 | 0:31:41 | |
We have a full house tonight, which is quite incredible. | 0:31:41 | 0:31:45 | |
I'm playing to those people that have come especially to see me, | 0:31:45 | 0:31:48 | |
then I really have to be on my toes. | 0:31:48 | 0:31:50 | |
Am I scared? You bet your bloody life I am! | 0:31:50 | 0:31:53 | |
Ladies and gentlemen, will you please welcome live on stage, Mr Ricky Valance! | 0:31:58 | 0:32:03 | |
Well, the difference tonight is I'm using a live band, | 0:32:03 | 0:32:05 | |
and goodness knows how long it is since I've used a live band. | 0:32:05 | 0:32:10 | |
# Once upon a time | 0:32:10 | 0:32:15 | |
# A boy too young to know | 0:32:15 | 0:32:20 | |
# Gave his trusting heart... # | 0:32:20 | 0:32:23 | |
I went into cabaret in the '70s, you know. | 0:32:23 | 0:32:27 | |
I can remember going on at Bognor Regis, | 0:32:27 | 0:32:30 | |
closing the show with American Trilogy, | 0:32:30 | 0:32:34 | |
and the people went absolutely berserk. And I came off. | 0:32:34 | 0:32:40 | |
It affected me to the extent I literally had tears running down my face. | 0:32:40 | 0:32:44 | |
We travelled for 29 weeks, all around the camps. | 0:32:46 | 0:32:53 | |
We started off in Clefelly, | 0:32:54 | 0:32:58 | |
then we'd go back down to Barry Island, | 0:32:58 | 0:33:01 | |
then it was Minehead, then Bognor. | 0:33:01 | 0:33:07 | |
From Bognor, we'd go up to Skegness. | 0:33:09 | 0:33:11 | |
And from Skegness, you went up to Clefelly, | 0:33:11 | 0:33:14 | |
and you did that every week. Bing-bing-bing-bong. | 0:33:14 | 0:33:17 | |
I'm like this... Sitting in the car... | 0:33:17 | 0:33:20 | |
Not long after that, it led to my breakdown that I had. | 0:33:20 | 0:33:28 | |
It was horrific. I don't even like to think about that now. | 0:33:28 | 0:33:31 | |
# Sometimes we'll sigh | 0:33:31 | 0:33:35 | |
# And sometimes we'll cry | 0:33:37 | 0:33:40 | |
# And you'll know why... # | 0:33:42 | 0:33:46 | |
The worse part of all was, he was down there every week, down in Bognor. | 0:33:46 | 0:33:51 | |
But I got in the car and we drove about two miles from home. | 0:33:51 | 0:33:54 | |
He just broke down and he couldn't go. | 0:33:54 | 0:33:57 | |
And I said, "That's it, we're going home." | 0:33:57 | 0:33:59 | |
She found me upstairs. | 0:33:59 | 0:34:02 | |
Apparently, I was rocking back and forward on the floor. | 0:34:02 | 0:34:05 | |
Tough. | 0:34:06 | 0:34:08 | |
And Evelyn, my wife, nursed me through that. | 0:34:09 | 0:34:12 | |
It took me nearly two years to overcome it. | 0:34:12 | 0:34:15 | |
But he didn't stay off work long enough, | 0:34:17 | 0:34:20 | |
because he wanted to make himself get back into going back to work. | 0:34:20 | 0:34:25 | |
Instead of taking a year off, which we couldn't afford to do - | 0:34:25 | 0:34:28 | |
somebody had to pay the bills - I knew what I had to do, the shows. | 0:34:28 | 0:34:33 | |
There's been times when he's started to go down again, | 0:34:33 | 0:34:38 | |
but then I've always said, "No, that's it. We're going back up again, not down." | 0:34:38 | 0:34:43 | |
We've just got on. But I've always been there for him. | 0:34:43 | 0:34:45 | |
Yes, I'm afraid I look after him well. | 0:34:45 | 0:34:49 | |
Good evening, ladies and gentlemen. Are you ready for this? | 0:34:53 | 0:34:57 | |
CHEERING | 0:34:57 | 0:34:59 | |
Will you please welcome on stage, Ricky Valance! | 0:34:59 | 0:35:02 | |
CHEERING AND APPLAUSE | 0:35:02 | 0:35:05 | |
# Fools rush in | 0:35:09 | 0:35:11 | |
# Where angels fear to tread | 0:35:11 | 0:35:13 | |
# And so I come to you, my love | 0:35:13 | 0:35:17 | |
# My heart above my head | 0:35:18 | 0:35:20 | |
# Though I see the danger there | 0:35:22 | 0:35:27 | |
# If there's a chance for me | 0:35:28 | 0:35:32 | |
# Then I don't care... # | 0:35:32 | 0:35:35 | |
There have been many times when I've thought about giving up | 0:35:35 | 0:35:38 | |
and doing something else. The only thing was, | 0:35:38 | 0:35:41 | |
I was determined that nobody was going to get me down. This was what I had to do with my life. | 0:35:41 | 0:35:46 | |
# So how are they to know? # | 0:35:46 | 0:35:47 | |
It's so difficult to put it into words. | 0:35:47 | 0:35:51 | |
It's a feeling that comes over you. | 0:35:51 | 0:35:53 | |
You know, it grasps you by the scruff of the neck. | 0:35:53 | 0:35:56 | |
Every song you sing, you get inside the song, | 0:35:56 | 0:35:59 | |
you express that to the audience | 0:35:59 | 0:36:02 | |
and you can feel the rapport coming back to you. | 0:36:02 | 0:36:06 | |
That's my drug, if you will, for want of a better description. | 0:36:06 | 0:36:10 | |
That's my drug. I love to... I live on that. | 0:36:10 | 0:36:13 | |
# ..Don't you know I need you so? | 0:36:13 | 0:36:17 | |
# Tell me, please, I gotta know... # | 0:36:17 | 0:36:20 | |
EVELYN: But he's had a lot of ups and he's had a very lot of downs. | 0:36:20 | 0:36:25 | |
# Am I just another guy? # | 0:36:25 | 0:36:28 | |
And, in fact, probably I hurt more than he does. | 0:36:30 | 0:36:33 | |
But I try and hide it as best I can. | 0:36:33 | 0:36:37 | |
But I go everywhere with him like that. | 0:36:37 | 0:36:40 | |
# Laura and Tommy were lovers... # | 0:36:43 | 0:36:48 | |
'If I had a pure choice, | 0:36:48 | 0:36:49 | |
'I would like to do a programme without Tell Laura. | 0:36:49 | 0:36:53 | |
'It's 52 years I've been singing that song now. | 0:36:53 | 0:36:55 | |
'Sometimes I'd like to leave it out and do something new. | 0:36:55 | 0:36:59 | |
'But because people are so close to that particular song, | 0:36:59 | 0:37:03 | |
'you know, I've had piles of letters about how people have named their child after my record. | 0:37:03 | 0:37:10 | |
'That's very touching, but speaking as a personal artist,' | 0:37:10 | 0:37:13 | |
I'd just love occasionally to be able to just leave that out. | 0:37:13 | 0:37:16 | |
But of course, I know it will never happen, so I'm trapped. | 0:37:16 | 0:37:22 | |
There you are. | 0:37:22 | 0:37:24 | |
# Tell Laura I may be late | 0:37:25 | 0:37:28 | |
# I've something to do... # | 0:37:28 | 0:37:31 | |
There are days, I've got to hold my hand up, | 0:37:31 | 0:37:34 | |
there are days when I put my hand up and say, "I wish this was all over." | 0:37:34 | 0:37:38 | |
I do get fed up. | 0:37:40 | 0:37:41 | |
The only time he will stop singing is if his voice goes. | 0:37:42 | 0:37:47 | |
If he thought his voice was going, he wouldn't get up and make a fool of himself on stage. | 0:37:49 | 0:37:55 | |
No way he would do that. | 0:37:55 | 0:37:57 | |
Don't ask me what he would do if he had to give it up. I've got no idea. | 0:37:57 | 0:38:01 | |
Face that when it comes. | 0:38:02 | 0:38:04 | |
# ..Tell Laura I love her | 0:38:04 | 0:38:08 | |
# Tell Laura I need her | 0:38:09 | 0:38:12 | |
# Tell Laura not to cry | 0:38:12 | 0:38:16 | |
# My love for her will never die... # | 0:38:16 | 0:38:23 | |
'Well, I'm more Ricky than David now. | 0:38:23 | 0:38:26 | |
'David Spencer seems like another person to me.' | 0:38:26 | 0:38:28 | |
# ..Tell Laura I love her... # | 0:38:28 | 0:38:31 | |
'I am as I am.' | 0:38:31 | 0:38:32 | |
# ..Tell Laura I need her... # | 0:38:32 | 0:38:34 | |
CHEERING AND APPLAUSE | 0:38:37 | 0:38:40 | |
Could you sign that one? | 0:38:41 | 0:38:43 | |
There you go. | 0:38:43 | 0:38:46 | |
A wonderful show! | 0:38:46 | 0:38:47 | |
God bless you. | 0:38:47 | 0:38:49 | |
Subtitles by Red Bee Media Ltd | 0:38:49 | 0:38:51 |