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This is Clwb Ifor Bach in Cardiff, where all of the great Welsh | 0:00:02 | 0:00:05 | |
bands have played at some point in their musical careers. | 0:00:05 | 0:00:09 | |
Today, it's the venue for the Swn Festival, and we're | 0:00:09 | 0:00:11 | |
here to see some of the best unsigned bands coming out of Wales. | 0:00:11 | 0:00:16 | |
# Oooh... | 0:00:16 | 0:00:18 | |
# Oooh... # | 0:00:19 | 0:00:20 | |
ACOUSTIC GUITAR MELODY | 0:00:27 | 0:00:28 | |
So, first up on the Horizon Stage in Clwb Ifor Bach is | 0:00:33 | 0:00:36 | |
singer-songwriter Dan Bettridge. | 0:00:36 | 0:00:38 | |
# Oh, Rosie darling | 0:00:43 | 0:00:45 | |
# I ain't putting you down | 0:00:45 | 0:00:48 | |
# You're so friendly and warm | 0:00:48 | 0:00:51 | |
# And I'm not always wrong | 0:00:51 | 0:00:54 | |
# There's a thunder rolling | 0:00:54 | 0:00:56 | |
# Through the planes of my mind | 0:00:56 | 0:00:59 | |
# A place where compliance ain't easy to find | 0:00:59 | 0:01:04 | |
# Oh, write your name in the dirt, darling | 0:01:16 | 0:01:19 | |
# Let them know your way | 0:01:19 | 0:01:22 | |
# Let them know you're here, darling | 0:01:22 | 0:01:25 | |
# Here to stay | 0:01:25 | 0:01:26 | |
# Write your name in the dirt, darling | 0:01:27 | 0:01:30 | |
# Let them know your way | 0:01:30 | 0:01:33 | |
# Let them know you're here, darling | 0:01:33 | 0:01:36 | |
# Heeeeeere.... | 0:01:36 | 0:01:38 | |
# To stay. # | 0:01:41 | 0:01:42 | |
Well, this is the wonderful Dan Bettridge. | 0:01:45 | 0:01:47 | |
Dan, you just kicked of the Horizons at Swn Showcase for us, | 0:01:47 | 0:01:49 | |
and it was packed to the rafters. | 0:01:49 | 0:01:52 | |
It was an amazing gig. Did you enjoy yourself? | 0:01:52 | 0:01:55 | |
Yeah, I did, we all did, I think. It was, er... It was great. | 0:01:55 | 0:01:59 | |
We really enjoyed it. | 0:01:59 | 0:02:00 | |
It's been such a great year, so we want to kind of milk it | 0:02:00 | 0:02:02 | |
until it's done. | 0:02:02 | 0:02:03 | |
# Now, God have mercy | 0:02:03 | 0:02:06 | |
# On my soul | 0:02:06 | 0:02:08 | |
# Here's my road | 0:02:09 | 0:02:11 | |
# Away I go... # | 0:02:11 | 0:02:14 | |
Now, the song we filmed here at Clwb is Rosie Darling. | 0:02:14 | 0:02:17 | |
Tell us about writing that song. Who is this darling Rosie? | 0:02:17 | 0:02:21 | |
I can't say! | 0:02:21 | 0:02:22 | |
THEY LAUGH | 0:02:22 | 0:02:23 | |
But it was written a long time ago, actually, like, two years ago | 0:02:23 | 0:02:26 | |
when it was a chorus of a song which I never used | 0:02:26 | 0:02:29 | |
and then ended up sticking in this song and it made sense. | 0:02:29 | 0:02:33 | |
We've done a rearrangement of it in the studio recently, | 0:02:33 | 0:02:36 | |
with the full band. | 0:02:36 | 0:02:38 | |
So, yeah, the song has completely changed with the band. | 0:02:38 | 0:02:42 | |
# Oh, write your name in the dirt, darling | 0:02:42 | 0:02:45 | |
# Let them know your way | 0:02:45 | 0:02:48 | |
# Let them know you're here, darling | 0:02:48 | 0:02:51 | |
# Heeeeeeeeeeere.... | 0:02:51 | 0:02:52 | |
# Write your name in the dirt, darling | 0:02:56 | 0:02:59 | |
# Let them know your way | 0:02:59 | 0:03:01 | |
# And let me know you're here, darling | 0:03:01 | 0:03:04 | |
# Heeeeeeeeere.... | 0:03:04 | 0:03:06 | |
# To stay. # | 0:03:09 | 0:03:10 | |
CHEERING AND APPLAUSE | 0:03:22 | 0:03:24 | |
Thank you. | 0:03:24 | 0:03:25 | |
Dan Bettridge is one of 12 artists chosen to be part of Horizons, | 0:03:29 | 0:03:34 | |
the scheme which aims to bring on new Welsh musical talent. | 0:03:34 | 0:03:37 | |
The bands all get help with promotion, airplay on radio, | 0:03:39 | 0:03:42 | |
and they get to appear at festivals throughout the year. | 0:03:42 | 0:03:46 | |
One such festival is the hugely popular Festival No. 6, | 0:03:46 | 0:03:49 | |
based in Portmeirion. | 0:03:49 | 0:03:51 | |
From there, on The Bandstand stage in the village green, | 0:03:51 | 0:03:54 | |
this is Hannah Grace. | 0:03:54 | 0:03:56 | |
# If you're going to leave me lonely | 0:03:56 | 0:03:59 | |
# I'd rather be on my own | 0:03:59 | 0:04:01 | |
# You're never here to show me | 0:04:07 | 0:04:10 | |
# You're like a seed I can sow | 0:04:10 | 0:04:12 | |
# Look at me like I'm helpless | 0:04:17 | 0:04:20 | |
# Well, I can take this | 0:04:20 | 0:04:21 | |
# We all roll, whoo-oo-oo | 0:04:21 | 0:04:23 | |
# If we take away the feeling | 0:04:23 | 0:04:25 | |
# And look at ourselves in... | 0:04:25 | 0:04:28 | |
# Black and white | 0:04:28 | 0:04:30 | |
# Makes me cry | 0:04:30 | 0:04:31 | |
# Wrestle me like a mustang | 0:04:31 | 0:04:34 | |
# Close I fly | 0:04:34 | 0:04:35 | |
# And you're pulling me | 0:04:35 | 0:04:37 | |
# Pushing me closer | 0:04:37 | 0:04:39 | |
# We go down | 0:04:39 | 0:04:41 | |
# Kiss the ground | 0:04:41 | 0:04:42 | |
# I run away like a mustang | 0:04:42 | 0:04:44 | |
# Killing me, loving me | 0:04:44 | 0:04:47 | |
# You're killing me, loving me | 0:04:47 | 0:04:49 | |
# Johnny, I know you're shaking | 0:04:55 | 0:04:57 | |
# I know what's going on | 0:04:58 | 0:05:02 | |
# You can't forget being wild | 0:05:06 | 0:05:09 | |
# You can't forget where you're from | 0:05:09 | 0:05:12 | |
# Tell me what you believe, oh | 0:05:17 | 0:05:19 | |
# What you're meaning | 0:05:19 | 0:05:20 | |
# Cos you're wrong, whoo-oo-oo | 0:05:20 | 0:05:22 | |
# Never take away the feeling | 0:05:22 | 0:05:24 | |
# And look at ourselves in... | 0:05:24 | 0:05:27 | |
# Black and white | 0:05:27 | 0:05:29 | |
# Makes me cry | 0:05:29 | 0:05:30 | |
# You wrestle me like a mustang | 0:05:30 | 0:05:33 | |
# Close I fly | 0:05:33 | 0:05:34 | |
# And you're pulling me | 0:05:34 | 0:05:36 | |
# Pushing me closer | 0:05:36 | 0:05:38 | |
# We go down | 0:05:38 | 0:05:40 | |
# Kiss the ground | 0:05:40 | 0:05:41 | |
# I run away like a mustang | 0:05:41 | 0:05:43 | |
# Killing me, loving me | 0:05:43 | 0:05:46 | |
# You're killing me, loving me. # | 0:05:46 | 0:05:49 | |
As you can hear, Hannah's got an amazingly powerful voice. | 0:05:49 | 0:05:52 | |
So, where does it come from? | 0:05:52 | 0:05:54 | |
I don't know, really! I mean, I've always sung. | 0:05:54 | 0:05:56 | |
Like, literally, I can't remember not singing, | 0:05:56 | 0:05:58 | |
and I just listened to loads of different big singers. | 0:05:58 | 0:06:00 | |
My first influence was Eva Cassidy, then, | 0:06:00 | 0:06:03 | |
when I was, like, 13, 14, I loved Christina Aguilera and, like, | 0:06:03 | 0:06:07 | |
Alicia Keys and, like, Beyonce and everything, | 0:06:07 | 0:06:09 | |
and just me in my bedroom trying to mimic them. | 0:06:09 | 0:06:11 | |
And so I guess I always liked that kind of music, | 0:06:11 | 0:06:13 | |
and then I kind of felt like I could actually do it. | 0:06:13 | 0:06:15 | |
I really like writing songs. You can just really go for it. | 0:06:15 | 0:06:18 | |
Yeah, just go for it, basically. | 0:06:18 | 0:06:20 | |
# Black and white | 0:06:20 | 0:06:21 | |
# Makes me cry | 0:06:21 | 0:06:22 | |
# Wrestle me like a mustang | 0:06:22 | 0:06:25 | |
# Oh, fly and | 0:06:25 | 0:06:27 | |
# You're pulling me | 0:06:27 | 0:06:28 | |
# Pushing me closer | 0:06:28 | 0:06:30 | |
# We go down | 0:06:30 | 0:06:31 | |
# Kiss the ground | 0:06:31 | 0:06:33 | |
# I run away like a mustang | 0:06:33 | 0:06:35 | |
# Killing me, loving me | 0:06:35 | 0:06:37 | |
# You're killing me, loving me | 0:06:37 | 0:06:40 | |
# Killing me, loving me | 0:06:40 | 0:06:42 | |
# You're killing me, loving me. # | 0:06:42 | 0:06:45 | |
SHE CHUCKLES | 0:06:47 | 0:06:48 | |
CHEERING | 0:06:48 | 0:06:49 | |
Thank you! | 0:06:49 | 0:06:50 | |
PEOPLE CHATTER | 0:06:51 | 0:06:53 | |
After the sunshine of the summer festivals, this event has | 0:06:53 | 0:06:55 | |
been quite a contrast, but if you love live music, | 0:06:55 | 0:06:58 | |
it won't bother you at all. | 0:06:58 | 0:06:59 | |
On the Horizons stage right now - Yr Eira. | 0:06:59 | 0:07:02 | |
# A oes cyfle i mi guddio | 0:07:04 | 0:07:09 | |
# Oddi wrth yr atgas pur | 0:07:10 | 0:07:13 | |
# Fy nghariad i sy'n dal i suro | 0:07:16 | 0:07:20 | |
# Ond fy nghariad i sydd 'run mor gryf | 0:07:22 | 0:07:24 | |
# Lle mae'r angerdd | 0:07:28 | 0:07:31 | |
# Yr hyn sy'n clymu ni fel un? | 0:07:31 | 0:07:34 | |
# Oedd yn ein gwneud ni'n holl gytun | 0:07:34 | 0:07:37 | |
# Ni fel Cymru | 0:07:37 | 0:07:40 | |
# Efallai mod i | 0:07:40 | 0:07:43 | |
# Yn euog o ladd ar y rhai | 0:07:43 | 0:07:47 | |
# Yn euog o daflu y bai | 0:07:47 | 0:07:49 | |
# Pan nad ydw i yn angel chwaith | 0:07:49 | 0:07:53 | |
# Mae eich geiriau yn fy nghorddi I | 0:07:53 | 0:07:57 | |
# Dw'n i'm | 0:07:57 | 0:07:59 | |
# Dw'n i'm be sy' | 0:07:59 | 0:08:02 | |
# Eich anwybodaeth sy'n fy mhoeni i | 0:08:05 | 0:08:10 | |
# Dw'n i'm | 0:08:10 | 0:08:12 | |
# Dw'n i'm be sy'. # | 0:08:12 | 0:08:14 | |
Ifan, how does Swn Festival differ from some of the summer | 0:08:17 | 0:08:20 | |
festivals for a band? | 0:08:20 | 0:08:21 | |
Erm, some of the summer festivals are obviously out in the fields, | 0:08:21 | 0:08:24 | |
out in, like... No. 6, we played, T in the Park... This one's... | 0:08:24 | 0:08:27 | |
I like Swn. | 0:08:27 | 0:08:29 | |
We come every year, and it's just like all the pubs round | 0:08:29 | 0:08:31 | |
Cardiff are full of bands playing, and it's just good. | 0:08:31 | 0:08:34 | |
We played downstairs at Clwb and it went really well. | 0:08:34 | 0:08:36 | |
It was really busy and... | 0:08:36 | 0:08:38 | |
Different faces, you see different people coming to the | 0:08:38 | 0:08:40 | |
gigs, and it's just fresh, I think, to play a festival like this. | 0:08:40 | 0:08:44 | |
Good night. | 0:09:28 | 0:09:29 | |
CHEERING AND APPLAUSE | 0:09:29 | 0:09:31 | |
The next Horizons artist playing at Cardiff's Swn Festival | 0:09:31 | 0:09:34 | |
is Violet Skies. | 0:09:34 | 0:09:36 | |
This track is called One Day, Three Autumns. | 0:09:37 | 0:09:40 | |
# Oh, oh, oh, oh, oh, oh.... | 0:09:42 | 0:09:43 | |
# The solar flare | 0:09:47 | 0:09:48 | |
# Flickering above my vision | 0:09:50 | 0:09:53 | |
# Keeps me wondering | 0:09:54 | 0:09:56 | |
# I'm chasing you | 0:09:59 | 0:10:00 | |
# I know for sure | 0:10:01 | 0:10:03 | |
# You're everything I need | 0:10:04 | 0:10:06 | |
# And so much more | 0:10:06 | 0:10:09 | |
# Keeps me wondering | 0:10:09 | 0:10:11 | |
# Oh-oh... | 0:10:13 | 0:10:14 | |
# They sail | 0:10:15 | 0:10:18 | |
# One day | 0:10:18 | 0:10:20 | |
# Three autumns | 0:10:21 | 0:10:23 | |
# Three autumns | 0:10:24 | 0:10:26 | |
# My heart, it breaks | 0:10:30 | 0:10:33 | |
# To know that you are still so far away | 0:10:33 | 0:10:37 | |
# My soul, it keeps on wondering | 0:10:37 | 0:10:39 | |
# I'm chasing you | 0:10:42 | 0:10:44 | |
# And I know for sure | 0:10:44 | 0:10:46 | |
# Is this meant to be? | 0:10:46 | 0:10:49 | |
# We are so much more | 0:10:49 | 0:10:50 | |
# I keep on wondering | 0:10:52 | 0:10:54 | |
# And waiting | 0:10:54 | 0:10:56 | |
# And aching | 0:10:56 | 0:10:58 | |
# They sail | 0:10:58 | 0:11:00 | |
# One day | 0:11:00 | 0:11:03 | |
# Three autumns | 0:11:03 | 0:11:07 | |
# Three autumns... # | 0:11:07 | 0:11:09 | |
Tells us about yourself, then. Why Violet Skies? | 0:11:09 | 0:11:12 | |
It's not your first name, your born... | 0:11:12 | 0:11:15 | |
-You weren't born Violet Skies. -No. | 0:11:15 | 0:11:17 | |
Well, basically, I used to do a lot of kind of acoustic-y music. | 0:11:17 | 0:11:21 | |
It was not as alternative as I do now, and it felt like I just wanted | 0:11:21 | 0:11:25 | |
to start something really fresh with a name that suited the music | 0:11:25 | 0:11:29 | |
I would want to make, and Violet is my great-grandmother's name. | 0:11:29 | 0:11:32 | |
She was an amazing lady. | 0:11:32 | 0:11:33 | |
She had, like, a second lease of life when she was about 80. | 0:11:33 | 0:11:37 | |
She was a bit crazy and I really admired that, | 0:11:37 | 0:11:39 | |
and the "Skies" just kind of suited the ambient, kind of cinematic | 0:11:39 | 0:11:42 | |
vibe that I wanted for the music, so that's where it came from. | 0:11:42 | 0:11:47 | |
# I find myself hoping | 0:11:47 | 0:11:49 | |
# Find myself hoping | 0:11:49 | 0:11:51 | |
# You'll be home, oh! | 0:11:51 | 0:11:54 | |
# They sail | 0:11:55 | 0:11:57 | |
# One day | 0:11:58 | 0:12:00 | |
# Three autumns | 0:12:01 | 0:12:03 | |
# When I miss you it feels like | 0:12:06 | 0:12:09 | |
# One day | 0:12:09 | 0:12:12 | |
# Oh, and three | 0:12:12 | 0:12:14 | |
# Three autumns | 0:12:15 | 0:12:19 | |
# Oh.... | 0:12:20 | 0:12:21 | |
# When I miss you | 0:12:30 | 0:12:32 | |
# When I miss you it feels like | 0:12:32 | 0:12:37 | |
# Feels like. # | 0:12:37 | 0:12:39 | |
CHEERING AND APPLAUSE | 0:12:43 | 0:12:44 | |
Next, a song from Pontypridd-based band Peasant's King, | 0:12:47 | 0:12:50 | |
recorded at Festival No. 6. | 0:12:50 | 0:12:53 | |
# Ink on a hand with someone else's name | 0:13:07 | 0:13:10 | |
# Split by numbers or just the number | 0:13:10 | 0:13:13 | |
# Four lettered word in a red-hearted crest | 0:13:13 | 0:13:16 | |
# Clock strikes down and it scares him to death | 0:13:16 | 0:13:20 | |
# Hide and seek in a lost wasteland | 0:13:20 | 0:13:23 | |
# That's where he came That's where he ran | 0:13:23 | 0:13:27 | |
# And stumbled on the cracks of the floor | 0:13:27 | 0:13:29 | |
# And he shot those words Like a cannonball | 0:13:29 | 0:13:32 | |
# Now give a little love to me Now give a little love to me | 0:13:32 | 0:13:38 | |
# He's too young to realise It's how we felt in days gone by | 0:13:40 | 0:13:46 | |
# Give a little love to me | 0:13:46 | 0:13:49 | |
# Ooh, now give a little love to me | 0:13:49 | 0:13:52 | |
# He's too young to realise | 0:13:53 | 0:13:56 | |
# It's how we felt in days gone by | 0:13:56 | 0:13:59 | |
# Give a little love to me | 0:13:59 | 0:14:02 | |
# Ooh, now give a little love to me | 0:14:02 | 0:14:06 | |
# Too young to realise It's how we felt in days gone by | 0:14:20 | 0:14:26 | |
# Give a little love to me Well, now give a little love to me | 0:14:26 | 0:14:33 | |
# He's too young to realise It's how we felt in days gone by | 0:14:33 | 0:14:39 | |
# Give a little love to me Ooh, now give a little love to me | 0:14:39 | 0:14:45 | |
# It goes round and round And round my head again! # | 0:14:45 | 0:14:50 | |
Cheers. | 0:14:54 | 0:14:55 | |
One of the experiences that always stands out for the bands who | 0:14:58 | 0:15:01 | |
take part in Horizons is the chance to record at the | 0:15:01 | 0:15:04 | |
BBC Maida Vale studios. | 0:15:04 | 0:15:05 | |
And one of those sessions at Maida Vale was with talented | 0:15:09 | 0:15:11 | |
singer/songwriter from Merthyr Delyth McLean. | 0:15:11 | 0:15:15 | |
# Roedd y Tad, y mab | 0:15:15 | 0:15:19 | |
# A'r ysbryd glan | 0:15:19 | 0:15:22 | |
# Yn crwydro lawr i dre | 0:15:22 | 0:15:27 | |
# Roedd y tad yn fab | 0:15:29 | 0:15:32 | |
# I'r ysbryd glan | 0:15:32 | 0:15:36 | |
# A'r fab yn dad or nef | 0:15:36 | 0:15:41 | |
# Gwrandais arno | 0:15:43 | 0:15:47 | |
# A gwenais yn gam | 0:15:47 | 0:15:50 | |
# Gan gofio noson y dre | 0:15:50 | 0:15:55 | |
# Dwi'n hedfan yn yr awyr | 0:15:57 | 0:16:03 | |
# Dwi'n hedfan uwch y byd | 0:16:03 | 0:16:09 | |
# Dwi'n hedfan yn yr awyr | 0:16:10 | 0:16:17 | |
# Dwi'n hedfan uwch y byd | 0:16:17 | 0:16:26 | |
# Y byd | 0:16:26 | 0:16:30 | |
# Roedd y tad, y mab | 0:16:34 | 0:16:38 | |
# A'r ysbryd glan | 0:16:38 | 0:16:41 | |
# Yn crwydro lawr i dre | 0:16:41 | 0:16:46 | |
# Roedd y tad yn fab | 0:16:48 | 0:16:52 | |
# I'r ysbryd glan | 0:16:52 | 0:16:55 | |
# A'r fab yn dad o'r nef | 0:16:55 | 0:17:00 | |
# Cysgais yn dawel ar fy ngliniau | 0:17:03 | 0:17:09 | |
# A cadwais yn glir o fe | 0:17:09 | 0:17:13 | |
# Gwrandais ar y gair tragwyddol | 0:17:16 | 0:17:23 | |
# Y gair oedd yn wir o beth | 0:17:23 | 0:17:28 | |
# Dwi'n hedfan yn yr awyr | 0:17:30 | 0:17:37 | |
# Dwi'n hedfan uwch y byd | 0:17:37 | 0:17:42 | |
# Dwi'n hedfan yn yr awyr | 0:17:44 | 0:17:51 | |
# Dwi'n hedfan uwch y byd | 0:17:51 | 0:17:57 | |
# Y byd | 0:17:59 | 0:18:03 | |
# Y byd. # | 0:18:03 | 0:18:07 | |
And you can see more from Delyth and all the other Horizons | 0:18:13 | 0:18:15 | |
artists on our website bbc.co.uk/horizons. | 0:18:15 | 0:18:20 | |
Now another track from the live Maida Vale sessions | 0:18:20 | 0:18:23 | |
which took place in December last year, this is Mellt. | 0:18:23 | 0:18:27 | |
# I've had enough of this Fortunate situation | 0:18:27 | 0:18:31 | |
# And this | 0:18:31 | 0:18:35 | |
# And I'd love to know How low life goes | 0:18:35 | 0:18:39 | |
# Till I really know | 0:18:39 | 0:18:42 | |
# Alone | 0:18:42 | 0:18:45 | |
# So please | 0:18:45 | 0:18:47 | |
# Spare me the words | 0:18:49 | 0:18:51 | |
# Just tell it to me plain A simple girl | 0:18:54 | 0:18:58 | |
# She's had enough of me | 0:19:02 | 0:19:05 | |
# Dreaming away but she's trying to sleep | 0:19:05 | 0:19:08 | |
# But do I need to know | 0:19:10 | 0:19:13 | |
# How low life goes | 0:19:13 | 0:19:15 | |
# Till I really know | 0:19:15 | 0:19:17 | |
# I know | 0:19:17 | 0:19:20 | |
# So, please | 0:19:20 | 0:19:23 | |
# Spare me the words | 0:19:24 | 0:19:28 | |
# Just tell it to me plain | 0:19:29 | 0:19:31 | |
# A simple girl... # | 0:19:31 | 0:19:34 | |
Glyn, where do you feel you're at now to compare with, | 0:19:41 | 0:19:44 | |
say, 12 months ago? | 0:19:44 | 0:19:46 | |
Well, exactly 12 months ago, Jake had just joined the band | 0:19:46 | 0:19:49 | |
and just started learning drums, | 0:19:49 | 0:19:51 | |
so I can say that we've progressed considerably | 0:19:51 | 0:19:54 | |
since a year ago and it's been really great | 0:19:54 | 0:19:56 | |
that, since Jake's joined the band, that, if anything, it's been better. | 0:19:56 | 0:20:00 | |
Yeah, it's just awesome. We're having a great time. | 0:20:00 | 0:20:03 | |
# Baby, now you're in my dreams | 0:20:04 | 0:20:08 | |
# Spare me the words | 0:20:10 | 0:20:13 | |
# Just tell it to me plain | 0:20:14 | 0:20:17 | |
# A simple girl | 0:20:17 | 0:20:20 | |
# It's time you said | 0:20:20 | 0:20:23 | |
# So easy, girl | 0:20:23 | 0:20:26 | |
# These troubles that I've told | 0:20:28 | 0:20:31 | |
# I'm making life go slowly now | 0:20:31 | 0:20:36 | |
# I've had enough of this. # | 0:20:41 | 0:20:45 | |
Clwb Ifor Bach is responsible for most of my misspent youth | 0:20:50 | 0:20:54 | |
and life, but I do remember some precious memories, | 0:20:54 | 0:20:56 | |
including one of my all-time favourites, | 0:20:56 | 0:20:59 | |
Gorky's Zygotic Mynci in a packed-out venue upstairs. | 0:20:59 | 0:21:02 | |
And, adding to the list of Welsh acts who've | 0:21:02 | 0:21:05 | |
performed at Clwb Ifor Bach, this is Horizons artist Aled Rheon. | 0:21:05 | 0:21:09 | |
# Stay with me | 0:21:15 | 0:21:18 | |
# And be my friend | 0:21:18 | 0:21:21 | |
# I'll buy you flowers | 0:21:21 | 0:21:24 | |
# Keep you content | 0:21:25 | 0:21:26 | |
# I'll be good company | 0:21:28 | 0:21:31 | |
# Of that, I'm sure | 0:21:31 | 0:21:35 | |
# Friends | 0:21:35 | 0:21:38 | |
# For ever more | 0:21:38 | 0:21:40 | |
# Let's start a story | 0:21:41 | 0:21:43 | |
# Let's start a tale | 0:21:44 | 0:21:46 | |
# We'll be the heroes that prevail | 0:21:48 | 0:21:53 | |
# We'll get on famously | 0:21:54 | 0:21:57 | |
# Of that, I'm sure | 0:21:58 | 0:22:00 | |
# Friends | 0:22:02 | 0:22:04 | |
# For ever more | 0:22:04 | 0:22:06 | |
# Oooh-oooh | 0:22:09 | 0:22:11 | |
# Oooh-oooh | 0:22:11 | 0:22:14 | |
# Oooh-oooh | 0:22:15 | 0:22:17 | |
# Oooh-oooh | 0:22:18 | 0:22:22 | |
# Let's start a band | 0:22:25 | 0:22:28 | |
# In a red brick house | 0:22:29 | 0:22:31 | |
# And a car... # | 0:22:33 | 0:22:36 | |
This is the brilliant Aled Rheon. | 0:22:36 | 0:22:38 | |
Something very exclusive happened today - | 0:22:38 | 0:22:40 | |
the first time ever you've played with a band. | 0:22:40 | 0:22:42 | |
Yeah, it's my first ever gig with actual living people on stage | 0:22:42 | 0:22:45 | |
-with me. -When you said that, rather than dead people on stage! | 0:22:45 | 0:22:47 | |
But, no, they were amazing musicians. | 0:22:47 | 0:22:51 | |
It's great to see when people... | 0:22:51 | 0:22:54 | |
You've started writing in your bedroom and suddenly there's all | 0:22:54 | 0:22:57 | |
these people kind of joining you, musically, and adding to the music. | 0:22:57 | 0:23:00 | |
Yeah. It's part of the journey, I guess, the process. | 0:23:00 | 0:23:03 | |
I wanted to start off playing by myself, | 0:23:03 | 0:23:05 | |
playing songs by myself, and then, you know, I thought, | 0:23:05 | 0:23:08 | |
"Well, a natural progression is to ask mates who are musicians as well | 0:23:08 | 0:23:11 | |
"to come along and play with me". | 0:23:11 | 0:23:13 | |
Jim Bennetts on the drums. | 0:23:14 | 0:23:16 | |
CHEERING | 0:23:16 | 0:23:17 | |
And we have Mark Foley on the bass. | 0:23:19 | 0:23:22 | |
CHEERING | 0:23:22 | 0:23:24 | |
Matthew Frederick on the tambourine. | 0:23:26 | 0:23:29 | |
CHEERING | 0:23:29 | 0:23:31 | |
Uh, the lovely Eve Goodman on backing vocals. | 0:23:32 | 0:23:35 | |
CHEERING | 0:23:35 | 0:23:37 | |
And we've got Dan Fitzgerald on the guitar. | 0:23:37 | 0:23:40 | |
I've been Aled Rheon. Thank you very much for listening. | 0:23:40 | 0:23:44 | |
Come say hi afterwards. | 0:23:44 | 0:23:46 | |
# We'll go the whole nine yards | 0:23:59 | 0:24:05 | |
# In a gorgeous charge | 0:24:05 | 0:24:11 | |
# Charge of light. # | 0:24:11 | 0:24:13 | |
CHEERING AND APPLAUSE | 0:24:19 | 0:24:21 | |
Thank you very much. Diolch yn fawr. Thank you. | 0:24:21 | 0:24:24 | |
Aled Rheon there and an appreciative crowd at Clwb Ifor Bach. | 0:24:24 | 0:24:28 | |
To finish, a song from Pontypridd-based band | 0:24:32 | 0:24:35 | |
Peasant's King, recorded at BBC Maida Vale. | 0:24:35 | 0:24:38 | |
This is Sedative. | 0:24:38 | 0:24:40 | |
# So many faces | 0:24:43 | 0:24:46 | |
# So little life | 0:24:47 | 0:24:49 | |
# There's too many places | 0:24:51 | 0:24:54 | |
# There's too many lies | 0:24:54 | 0:24:57 | |
# Just like the cold | 0:24:59 | 0:25:02 | |
# You wear me away, darlin' | 0:25:02 | 0:25:05 | |
# And just like the cold | 0:25:07 | 0:25:10 | |
# You wear me away | 0:25:10 | 0:25:12 | |
# There's too many heartbreaks | 0:25:15 | 0:25:18 | |
# And so little time | 0:25:18 | 0:25:20 | |
# There's too many retakes | 0:25:23 | 0:25:26 | |
# There's no final line | 0:25:26 | 0:25:29 | |
# And just like the cold | 0:25:31 | 0:25:34 | |
# You wear me away, darlin' | 0:25:34 | 0:25:37 | |
# And just like the cold | 0:25:39 | 0:25:42 | |
# You wear me away | 0:25:42 | 0:25:45 | |
# And I'll be racing | 0:25:47 | 0:25:51 | |
# And I'll be chasing around | 0:25:51 | 0:25:56 | |
# And chasing around | 0:25:58 | 0:26:01 | |
# And I'll be wasting | 0:26:03 | 0:26:07 | |
# And I'll be falling down | 0:26:07 | 0:26:12 | |
# You're my sedative, you know | 0:26:18 | 0:26:20 | |
# You're my sedative, you know | 0:26:26 | 0:26:28 | |
# And I'll be wasting | 0:26:35 | 0:26:39 | |
# And I'll be falling down | 0:26:39 | 0:26:44 | |
# You're my sedative, you know | 0:26:50 | 0:26:52 | |
# You're my sedative, you know | 0:26:57 | 0:27:00 | |
# Help | 0:27:23 | 0:27:26 | |
# You wear me away | 0:27:26 | 0:27:30 | |
# Help | 0:27:31 | 0:27:34 | |
# You wear me away | 0:27:34 | 0:27:38 | |
# Just so much insanity | 0:27:39 | 0:27:42 | |
# You wear me away | 0:27:42 | 0:27:46 | |
# Just like a sedative | 0:27:47 | 0:27:50 | |
# You wear me away. # | 0:27:50 | 0:27:54 | |
And if you're a Welsh-based band writing your own material, | 0:28:11 | 0:28:14 | |
you can apply now to be part of the 2016 Horizon scheme. | 0:28:14 | 0:28:18 | |
For all the details, go to: | 0:28:18 | 0:28:20 |