Browse content similar to Episode 1. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Hairdressing is a glamorous industry. | 0:00:02 | 0:00:03 | |
Unless you're bleeding from every orifice, | 0:00:03 | 0:00:06 | |
you can't be off sick. | 0:00:06 | 0:00:08 | |
But it's also a competitive one, | 0:00:08 | 0:00:10 | |
with more than 10,000 hairdressers in Scotland, | 0:00:10 | 0:00:13 | |
where the top stylists can earn over £70,000 a year. | 0:00:13 | 0:00:16 | |
Award-winning hairdressers Rainbow Room International | 0:00:18 | 0:00:21 | |
run Scotland's biggest training academy. | 0:00:21 | 0:00:24 | |
I've sent them home for having bad fake tan | 0:00:24 | 0:00:26 | |
or when their make-up's not done properly. | 0:00:26 | 0:00:28 | |
I went for more of a natural kinda look. | 0:00:28 | 0:00:30 | |
Where they play just as hard as they work. | 0:00:30 | 0:00:33 | |
It's like a big dysfunctional family. | 0:00:33 | 0:00:35 | |
That's exactly what it's like! | 0:00:35 | 0:00:37 | |
For one year, we follow students through their basic | 0:00:39 | 0:00:41 | |
hairdressing qualification Level 2... | 0:00:41 | 0:00:44 | |
I can do that, you know what I mean, and I just get nervous on the day. | 0:00:44 | 0:00:48 | |
..and others in their second year Level 3 advanced qualification. | 0:00:48 | 0:00:52 | |
My ambition is to... to be is to be one of the best. | 0:00:52 | 0:00:55 | |
You've got to be on it. If you're not on it, one day... | 0:00:55 | 0:00:57 | |
-Honestly, you're screwed. Literally screwed. -Yeah. | 0:00:57 | 0:01:00 | |
But do they have what it takes to make it through the Hair Academy? | 0:01:00 | 0:01:04 | |
-You're probably a better hairdresser than... -Everybody? -Aye. | 0:01:05 | 0:01:08 | |
HE LAUGHS | 0:01:08 | 0:01:10 | |
Leading hairdressing chain Rainbow Room International | 0:01:31 | 0:01:35 | |
have salons across Glasgow, Stirling and Ayr. | 0:01:35 | 0:01:38 | |
In 2003, they set up a hair academy in Glasgow City Centre, | 0:01:38 | 0:01:42 | |
training over 80 students each year | 0:01:42 | 0:01:45 | |
and owners Alan and Linda are always on the lookout for new talent. | 0:01:45 | 0:01:49 | |
Some people are gifted with just that wonderful personality | 0:01:49 | 0:01:54 | |
that they love people. | 0:01:54 | 0:01:56 | |
Well, that's brilliant. | 0:01:56 | 0:01:58 | |
That's a gift in our industry. | 0:01:58 | 0:01:59 | |
Each student works in one of the 12 salons | 0:02:01 | 0:02:03 | |
and attends the academy one day a week for formal training. | 0:02:03 | 0:02:07 | |
It's a revolving door of students and every three months, | 0:02:07 | 0:02:09 | |
a new group of 16-year-olds start at the academy, | 0:02:09 | 0:02:12 | |
run by training director Leigh. | 0:02:12 | 0:02:14 | |
Today is the start of their journey into their hairdressing career. | 0:02:14 | 0:02:18 | |
You don't get to just start cutting hair straightaway. | 0:02:18 | 0:02:22 | |
There's a lot of other things that you have to learn. | 0:02:22 | 0:02:25 | |
Leigh, who started 18 years ago as Alan's assistant, | 0:02:25 | 0:02:28 | |
and helped set up the Academy, | 0:02:28 | 0:02:30 | |
welcomes the new students on their first day. | 0:02:30 | 0:02:33 | |
This is Alan's wall of fame. | 0:02:33 | 0:02:35 | |
He put this together | 0:02:35 | 0:02:38 | |
so that everybody, every single morning and every single night, | 0:02:38 | 0:02:41 | |
could see these inspirational hairdressers. | 0:02:41 | 0:02:44 | |
When I was looking at the wall full of hands, | 0:02:44 | 0:02:46 | |
it just kinda made me think "I could do that." | 0:02:46 | 0:02:48 | |
Like, just kinda gives you so much inspiration. | 0:02:48 | 0:02:50 | |
Grab a seat somewhere near the front. | 0:02:50 | 0:02:53 | |
Hairdressing isn't a job, | 0:02:53 | 0:02:55 | |
hairdressing's a career. | 0:02:55 | 0:02:57 | |
And you're at the bottom of this ladder, | 0:02:57 | 0:02:59 | |
but that ladder is like Jack And The Beanstalk - | 0:02:59 | 0:03:01 | |
there is no end to the amount of education you can get, | 0:03:01 | 0:03:04 | |
the amount of money that you can make. | 0:03:04 | 0:03:06 | |
It is the best career that you could possibly have. | 0:03:06 | 0:03:09 | |
Some of the things that we're getting to do this year... | 0:03:09 | 0:03:11 | |
the MOBOs and the BAFTAs, | 0:03:11 | 0:03:13 | |
and we're the official hairdressers for T in the Park. | 0:03:13 | 0:03:17 | |
T in the Park is the highlight in the academy's calendar, | 0:03:17 | 0:03:20 | |
and for the young students, being part of the cutting crew | 0:03:20 | 0:03:23 | |
is something that they can aspire to in the future. | 0:03:23 | 0:03:26 | |
With T in the Park, it's all rock stars that you're doing, | 0:03:26 | 0:03:29 | |
and amazing artists... | 0:03:29 | 0:03:31 | |
And it's in a field, | 0:03:31 | 0:03:33 | |
so you know that makes it very different from a salon. | 0:03:33 | 0:03:36 | |
With over 25 years of hairdressing experience, | 0:03:36 | 0:03:38 | |
and 15 years as a Rainbow Room salon director, | 0:03:38 | 0:03:41 | |
John is in charge of preparing the experienced team for the festival. | 0:03:41 | 0:03:45 | |
So you get your production pass | 0:03:45 | 0:03:47 | |
and I've managed to get yous all dinner vouchers this year, as well. | 0:03:47 | 0:03:50 | |
-ALL: -Yay! | 0:03:50 | 0:03:51 | |
I know. It's good. Let's go and do a model. | 0:03:51 | 0:03:54 | |
Very hard, very hard work, you know. | 0:03:57 | 0:03:59 | |
You're in there up to your knees in mud sometimes. | 0:03:59 | 0:04:01 | |
You know how T in the Park is. | 0:04:01 | 0:04:03 | |
But all you're there is to offer a wee service to bands | 0:04:03 | 0:04:05 | |
who, over the years we've found out, are on the run. | 0:04:05 | 0:04:08 | |
Are just moving from place to place. | 0:04:08 | 0:04:10 | |
I've met Brandon Flowers, | 0:04:10 | 0:04:11 | |
I've met Katy Perry. | 0:04:11 | 0:04:13 | |
She's amazing. | 0:04:13 | 0:04:14 | |
The whole weekend goes by so quick, in a blur, but it's amazing. | 0:04:14 | 0:04:17 | |
It's not only the professional team who get to experience T in the Park. | 0:04:18 | 0:04:22 | |
John has got two golden tickets for his star students, | 0:04:22 | 0:04:25 | |
and he's called Craig and Emma to tell them the good news. | 0:04:25 | 0:04:28 | |
-Do you know why you're here? -No. | 0:04:28 | 0:04:30 | |
-Any idea? You must have some idea? -No. | 0:04:30 | 0:04:32 | |
Leigh and myself were looking at all your work, | 0:04:32 | 0:04:34 | |
particularly your dressing and your styling, | 0:04:34 | 0:04:37 | |
so we want to know if you'd like to work at T in the Park this year? | 0:04:37 | 0:04:39 | |
Really? | 0:04:39 | 0:04:41 | |
Basically, what it means is for the whole of Saturday, | 0:04:43 | 0:04:46 | |
you'll be working backstage in the green room. | 0:04:46 | 0:04:48 | |
You'll be working alongside all the stylists from the salons | 0:04:48 | 0:04:51 | |
and you'll be helping doing the artists' hair. All right? | 0:04:51 | 0:04:54 | |
-Thank you very much. -Nae bother. | 0:04:54 | 0:04:57 | |
I was thinking that if I was actually going, I'd be so scared, | 0:04:58 | 0:05:02 | |
and now we are, I feel, like... | 0:05:02 | 0:05:04 | |
We're still excited, though. | 0:05:04 | 0:05:06 | |
I think it's fantastic, obviously. | 0:05:06 | 0:05:08 | |
Emma, I think, particularly, has been desperate to go to T in the Park. | 0:05:08 | 0:05:11 | |
So, yes - it's always nice to tell them. | 0:05:11 | 0:05:13 | |
You're going to be working in the salon for four days | 0:05:16 | 0:05:20 | |
and coming here one day. | 0:05:20 | 0:05:22 | |
So all your formal training will take place within the academy. | 0:05:22 | 0:05:26 | |
Leigh would explain how hard the job is | 0:05:26 | 0:05:29 | |
and she paints a pretty bleak picture, | 0:05:29 | 0:05:32 | |
cos it's tough. | 0:05:32 | 0:05:33 | |
You definitely won't be off sick, | 0:05:35 | 0:05:36 | |
I can pretty much guarantee that - | 0:05:36 | 0:05:38 | |
unless you have got broken legs, | 0:05:38 | 0:05:41 | |
you're bleeding from every orifice | 0:05:41 | 0:05:43 | |
or you're highly contagious, | 0:05:43 | 0:05:46 | |
you can't be off sick, so don't bother phoning. | 0:05:46 | 0:05:48 | |
One of the key skills of a successful hairdresser is handling | 0:05:51 | 0:05:54 | |
the clients, so teacher Tara | 0:05:54 | 0:05:56 | |
takes the new students through a role play. | 0:05:56 | 0:05:58 | |
It feels unnatural, it feels more unnatural | 0:05:58 | 0:06:01 | |
because it's someone you know, but if you can build up your | 0:06:01 | 0:06:05 | |
people skills doing it with someone you know, it will come really | 0:06:05 | 0:06:08 | |
naturally to you when it comes to doing it on a client. | 0:06:08 | 0:06:10 | |
OK? | 0:06:10 | 0:06:12 | |
Firm handshake. | 0:06:12 | 0:06:13 | |
Hi, I'm Roisin. I'm going to be doing your hair for you today. | 0:06:13 | 0:06:17 | |
-Have you ever been to the salon before? -No, not yet. | 0:06:17 | 0:06:19 | |
Erm, what I'm going to do first is I'm going to do | 0:06:19 | 0:06:22 | |
a hair strand test... Don't make me laugh! | 0:06:22 | 0:06:26 | |
My dream is to qualify | 0:06:26 | 0:06:28 | |
and go away somewhere like, abroad | 0:06:28 | 0:06:31 | |
and get my own business and have people working for me, | 0:06:31 | 0:06:35 | |
and like, do really good for myself. | 0:06:35 | 0:06:37 | |
See if you go back up? | 0:06:37 | 0:06:39 | |
'My goals are to work my way up' | 0:06:39 | 0:06:41 | |
and try and actually open my own shop. | 0:06:41 | 0:06:44 | |
I've noticed, like, like some of the hair is actually | 0:06:44 | 0:06:48 | |
straight on girls and then some bits are actual curled. | 0:06:48 | 0:06:51 | |
-Aye. -I think that's like, quite a big thing right now. | 0:06:51 | 0:06:55 | |
Aye, probably. | 0:06:55 | 0:06:56 | |
My ambition is to be one of the best and to get people to want to | 0:06:57 | 0:07:03 | |
pay a lot of money for me to do their hair. | 0:07:03 | 0:07:05 | |
Are you happy with it? No?! | 0:07:05 | 0:07:08 | |
I think they done really well for their first day, | 0:07:08 | 0:07:10 | |
it's quite intimidating for them, | 0:07:10 | 0:07:11 | |
but as long as they've got | 0:07:11 | 0:07:13 | |
someone at the same level as them, I think they feel OK. | 0:07:13 | 0:07:15 | |
On day one, I try not to terrify them too much. | 0:07:16 | 0:07:19 | |
Erm, I do, you know, | 0:07:19 | 0:07:21 | |
try and make them understand that this is the rules | 0:07:21 | 0:07:24 | |
and the rules AREN'T made to be broken, | 0:07:24 | 0:07:28 | |
but I give them a little bit of leeway. | 0:07:28 | 0:07:31 | |
It's not until they have to be pulled in again and | 0:07:31 | 0:07:34 | |
spoken to that they understand the full wrath of my bad mood! | 0:07:34 | 0:07:38 | |
Students Angel and Alijah have already been in the academy | 0:07:42 | 0:07:45 | |
for six months. | 0:07:45 | 0:07:46 | |
I first started as a Saturday assistant and I'm from Stirling | 0:07:48 | 0:07:51 | |
and that's where I work, as well, you know what I mean? Stirling. | 0:07:51 | 0:07:54 | |
I grew up in LA, but I moved here when I was 14 and now I'm 16. | 0:07:55 | 0:07:59 | |
One of the rules of salon life is some of the students will have to | 0:08:01 | 0:08:05 | |
choose a new name. | 0:08:05 | 0:08:06 | |
If there's somebody with the same name as you, you have to | 0:08:07 | 0:08:10 | |
change it and erm, I choose Binky because I watch Made In Chelsea | 0:08:10 | 0:08:14 | |
all the time and I really love the name Binky and she's in it. | 0:08:14 | 0:08:18 | |
If you have two people called Jack, it would be confusing for clients. | 0:08:18 | 0:08:22 | |
Hi, Katherine, I'm Jack... I mean, Syd. | 0:08:22 | 0:08:24 | |
Syd's the name he came up with, apparently in tribute to | 0:08:24 | 0:08:28 | |
Syd Barrett and apparently in tribute to Sid the sloth in Ice Age. | 0:08:28 | 0:08:33 | |
My name's Tara - with a T, cos everyone calls me Lara, Cara, | 0:08:34 | 0:08:37 | |
do you know what I mean? | 0:08:37 | 0:08:39 | |
But anyway, my salon name is Angel. | 0:08:39 | 0:08:41 | |
I won't know her as Tara - I'll know her as her salon name, | 0:08:41 | 0:08:44 | |
so I know her completely as Angel. | 0:08:44 | 0:08:46 | |
Tara's my name. | 0:08:46 | 0:08:47 | |
Shut the front door, that's MY name. Aw, it's weird. | 0:08:47 | 0:08:50 | |
And your mum's called that, as well. | 0:08:50 | 0:08:52 | |
I was surprised no-one's dog was called that, cos | 0:08:52 | 0:08:55 | |
everyone's dog is called Tara. | 0:08:55 | 0:08:57 | |
My real name is Jack | 0:08:57 | 0:08:58 | |
and then I changed it to Austin | 0:08:58 | 0:09:00 | |
cos it's my grandpa's maiden name. | 0:09:00 | 0:09:02 | |
Students are continually assessed | 0:09:05 | 0:09:07 | |
and Level-2 assistant Angel is hoping to get passed off on her | 0:09:07 | 0:09:11 | |
one-length cut and full-head permanent colour | 0:09:11 | 0:09:14 | |
by teacher Sarah Jane. | 0:09:14 | 0:09:15 | |
Best of luck! | 0:09:15 | 0:09:17 | |
I've seen you do one-lengths before. | 0:09:18 | 0:09:20 | |
Make sure your sections are nice and clean, and neat and even. | 0:09:20 | 0:09:23 | |
You need quite a lot of interaction through the assessment or | 0:09:23 | 0:09:25 | |
we cannae pass you off on it, alrighty? | 0:09:25 | 0:09:28 | |
Should be great, OK. | 0:09:28 | 0:09:29 | |
You can do it. | 0:09:29 | 0:09:30 | |
Hi, nice to meet you. | 0:09:32 | 0:09:34 | |
-Hi. -So it's Lizzy, isn't it? -Yeah. | 0:09:34 | 0:09:36 | |
My name's Angel, I'll be doing your hair for you today, OK. | 0:09:36 | 0:09:38 | |
When I first met Angel, you gotta know how to take her. | 0:09:41 | 0:09:43 | |
Her personality's quite strong. | 0:09:43 | 0:09:45 | |
That weekend, I was just at a party and stuff, | 0:09:45 | 0:09:47 | |
know what I'm saying, living the good life. | 0:09:47 | 0:09:49 | |
As long as she doesn't say anything too offensive | 0:09:49 | 0:09:51 | |
and she's professional, then that's fine. | 0:09:51 | 0:09:53 | |
But halfway through the cut, Angel has to ask Sarah Jane for guidance. | 0:09:57 | 0:10:01 | |
Can you straighten it up for me? | 0:10:01 | 0:10:02 | |
It's not a straight line and I can tell. | 0:10:02 | 0:10:04 | |
See, as long as you just stick to your guideline, honey, you're fine. | 0:10:06 | 0:10:09 | |
Was I doing wrong pulling it down too much, here? | 0:10:09 | 0:10:11 | |
Pulling it down too much, too much tension | 0:10:11 | 0:10:14 | |
and you were cutting bang on the line. | 0:10:14 | 0:10:16 | |
-Perfect. -OK. | 0:10:16 | 0:10:18 | |
We get these wee people at points in their life where | 0:10:21 | 0:10:24 | |
they go through all their firsts, you know - first love, | 0:10:24 | 0:10:26 | |
first break-up, sometimes horrible things like first illnesses | 0:10:26 | 0:10:30 | |
or losses of family and things like that and you're there to just | 0:10:30 | 0:10:33 | |
shepherd this person through a really important part of your life. | 0:10:33 | 0:10:37 | |
I hope to achieve the two years of training and then get | 0:10:41 | 0:10:44 | |
took on as a stylist and then maybe be one of the top stylists. | 0:10:44 | 0:10:49 | |
Student Sophie is one of nine assistants | 0:10:49 | 0:10:52 | |
at the Great Western Road salon, run by John. | 0:10:52 | 0:10:56 | |
Sophie has the potential, her practical work is good, | 0:10:56 | 0:10:59 | |
she follows instruction well, she's getting better every week. | 0:10:59 | 0:11:02 | |
Mum tried to get into it when she was younger, | 0:11:02 | 0:11:04 | |
cos she was a hairdresser and she just never got in | 0:11:04 | 0:11:07 | |
so then Mum said, like, "Why don't you try to get in?" | 0:11:07 | 0:11:10 | |
So I gave it a try. | 0:11:10 | 0:11:11 | |
Sophie was only maybe about 11 and she'd be able to blow dry | 0:11:13 | 0:11:16 | |
somebody's hair using the brush and the dryer moving at the same time | 0:11:16 | 0:11:19 | |
which is a knack, not a lot of people can do that, | 0:11:19 | 0:11:22 | |
that's how a lot of trainees burn people's heads and things like that. | 0:11:22 | 0:11:25 | |
I used to always watch my mum, picking up wee things | 0:11:25 | 0:11:27 | |
and then trying it on her hair and my sister's hair | 0:11:27 | 0:11:30 | |
and it's just something I just brought up and wanted to do. | 0:11:30 | 0:11:33 | |
In 2012, Sophie's mum Amanda was diagnosed with breast cancer. | 0:11:33 | 0:11:39 | |
I'll never ever forget the look on her face when I told her, | 0:11:39 | 0:11:42 | |
the look in her eyes. | 0:11:42 | 0:11:43 | |
Well, I took the decision to shave my head - I thought | 0:11:44 | 0:11:49 | |
that losing my hair coming out in clumps would be far too upsetting. | 0:11:49 | 0:11:54 | |
And I heard the clippers going and then I heard somebody, like, crying | 0:11:55 | 0:11:58 | |
a wee bit and I walked out of the room and it was my mum, doing it herself. | 0:11:58 | 0:12:02 | |
She stopped and then we looked at each other | 0:12:02 | 0:12:05 | |
and we both burst out laughing and then she handed me them | 0:12:05 | 0:12:08 | |
and was like, "Do you want to do it?" and I was like, "Erm, OK." | 0:12:08 | 0:12:12 | |
So then I look the clippers and done the rest of her hair. | 0:12:12 | 0:12:15 | |
The day I found out I got the all-clear, | 0:12:16 | 0:12:18 | |
I was like, dancing about my kitchen. | 0:12:18 | 0:12:20 | |
And since then, Amanda has set up a wig bank to help other women | 0:12:20 | 0:12:24 | |
dealing with hair loss. | 0:12:24 | 0:12:26 | |
When she got the all-clear, that's when I started at the Rainbow Room. | 0:12:26 | 0:12:30 | |
She was clever enough to deal with that and come | 0:12:32 | 0:12:34 | |
and get a new job and a brand-new trade so she was...ballsy, | 0:12:34 | 0:12:38 | |
kind of brave to do that, I think, to come into hairdressing | 0:12:38 | 0:12:43 | |
at that time when she was going through so much at home. | 0:12:43 | 0:12:45 | |
Back at the academy, having needed assistance with her one-length cut, | 0:12:52 | 0:12:56 | |
Angel moves on to be assessed on her full-head permanent colour. | 0:12:56 | 0:13:00 | |
So you quite like doing colour, then? | 0:13:00 | 0:13:02 | |
Yeah, deffos - it's my favourite thing. | 0:13:02 | 0:13:06 | |
It's this Scottish weather - I swear to God, I hate it. | 0:13:08 | 0:13:10 | |
I know, every time we're in America, I'm like, I want to move here. | 0:13:10 | 0:13:13 | |
Can you not see me in America? Oh, my God, I should be American. | 0:13:13 | 0:13:16 | |
You should be. | 0:13:16 | 0:13:17 | |
Let's have a wee nosy. Does it look quite even? | 0:13:19 | 0:13:22 | |
Yeah, cos I went like that - whoop! | 0:13:22 | 0:13:24 | |
That's perfection, beautiful. | 0:13:26 | 0:13:29 | |
I'll give you my decision at the end | 0:13:31 | 0:13:33 | |
when I see your colour applied and dried and all that kinda good stuff. | 0:13:33 | 0:13:36 | |
OK - so you follow me. | 0:13:36 | 0:13:38 | |
..The right temperature. | 0:13:41 | 0:13:43 | |
You were really good - you just lost your confidence, | 0:13:43 | 0:13:46 | |
so from your cut point of view, unfortunately | 0:13:46 | 0:13:48 | |
I need to fail the assessment, | 0:13:48 | 0:13:50 | |
-so do you have any issues with that, are you...? -No, | 0:13:50 | 0:13:52 | |
I know it's a learning curve, you know what I mean? | 0:13:52 | 0:13:55 | |
So I'll learn from it, so it's not a total fail - it's a learn. | 0:13:55 | 0:13:59 | |
-But your colour was perfect. -OK. | 0:13:59 | 0:14:01 | |
Aye, it was dead even through to the end. | 0:14:01 | 0:14:04 | |
Well done - so I'm going to pass you off on your colour, right? | 0:14:04 | 0:14:07 | |
That's it. Perfect. | 0:14:07 | 0:14:09 | |
For those who don't get to go to T in the Park, | 0:14:15 | 0:14:17 | |
there's still a chance to feel like a rock star. | 0:14:17 | 0:14:20 | |
Each year, the staff and students record a novelty single | 0:14:20 | 0:14:23 | |
which they sell in the salons to raise money for charity. | 0:14:23 | 0:14:26 | |
Leader of the band is Royal Exchange Square salon director | 0:14:26 | 0:14:30 | |
and guitar enthusiast David, who has come to the academy to hold | 0:14:30 | 0:14:34 | |
auditions for places in the salon band. | 0:14:34 | 0:14:36 | |
A lucky few will get to spend a day with him in the recording studio. | 0:14:36 | 0:14:40 | |
So are you three auditioning tonight? | 0:14:42 | 0:14:45 | |
-Guitar - no singing. -No singing. | 0:14:46 | 0:14:48 | |
Singing is not my strong point. | 0:14:48 | 0:14:49 | |
Same with me, I probably sound like a dying mouse or something. | 0:14:49 | 0:14:53 | |
A dying mouse? | 0:14:53 | 0:14:55 | |
What about you? What's your favourite karaoke song? | 0:14:55 | 0:14:58 | |
Erm, it would have to be...Amy Winehouse. | 0:14:58 | 0:15:02 | |
Students and stylists arrive for the charity single auditions. | 0:15:10 | 0:15:14 | |
To help choose the winners, David has enlisted | 0:15:14 | 0:15:17 | |
the help of some of his colleagues. | 0:15:17 | 0:15:19 | |
I'd like you to give a warm welcome to our panel of judges this evening. | 0:15:20 | 0:15:24 | |
Oh, I'm ruthless, you know - I take no prisoners. | 0:15:26 | 0:15:29 | |
If they're crap, they're crap. | 0:15:29 | 0:15:31 | |
I'll let Alan be the bad guy, like Simon, | 0:15:32 | 0:15:35 | |
so I'm either Sharon or Kylie. | 0:15:35 | 0:15:39 | |
I'll go Kylie. | 0:15:39 | 0:15:40 | |
Music is probably my first love, so it will be very interesting | 0:15:40 | 0:15:44 | |
to hear it getting murdered this evening. | 0:15:44 | 0:15:46 | |
It's about pushing young people and if you can push them | 0:15:49 | 0:15:52 | |
with their hairdressing it's great, if you can push them in other | 0:15:52 | 0:15:55 | |
ways of creativity it all makes them more rounded, more confident people. | 0:15:55 | 0:16:00 | |
Oh, what - man, nah, shut the front door, look at all them, | 0:16:00 | 0:16:03 | |
I can't handle that. | 0:16:03 | 0:16:04 | |
Yeah, actually - everyone turn their back and it will be a lot better. | 0:16:04 | 0:16:07 | |
I got actually nervous about it, I was freaking out. | 0:16:07 | 0:16:09 | |
A part of me was like, naw, I'm not gonna do it, | 0:16:09 | 0:16:11 | |
but then some of the guys know that I do rapping | 0:16:11 | 0:16:13 | |
and stuff and they were like, "Aw, come on, Angel - you got | 0:16:13 | 0:16:16 | |
"to do it, you got to do it" and I was like, "Argh!" | 0:16:16 | 0:16:19 | |
SHE RAPS SONG | 0:16:19 | 0:16:20 | |
So my name is Tara always seem to be in the drama | 0:16:20 | 0:16:22 | |
I have no luck that's why I always seem to get stuck | 0:16:22 | 0:16:24 | |
It's a life skill knowing what I wanted to do | 0:16:24 | 0:16:26 | |
Do it here, just like you Here's my heart on the line | 0:16:26 | 0:16:29 | |
Everyone knows I was born to shine - boo! | 0:16:29 | 0:16:31 | |
Wow - you are a star, a star. | 0:16:35 | 0:16:38 | |
Well done. | 0:16:38 | 0:16:39 | |
I enjoyed it, I'm glad I did it now, you know what I mean, | 0:16:39 | 0:16:42 | |
once you've done it, you're glad you've done it. | 0:16:42 | 0:16:44 | |
# Baby, can't you see I'm calling... # | 0:16:44 | 0:16:48 | |
Alan and Linda are my bosses, so I'm a little bit afraid of them, | 0:16:48 | 0:16:51 | |
like, what if they fired me or something - I never know. | 0:16:51 | 0:16:56 | |
# Then my head's spinning round and round | 0:16:56 | 0:17:00 | |
# Can you feel me now... # | 0:17:00 | 0:17:03 | |
Not 100% on the words, actually! | 0:17:03 | 0:17:05 | |
LAUGHTER | 0:17:05 | 0:17:07 | |
Eh, like I was quite scared at doing it at first. | 0:17:10 | 0:17:13 | |
HE SINGS: Tears Dry On Their Own | 0:17:13 | 0:17:18 | |
But then I just kinda got in the hang of it | 0:17:18 | 0:17:20 | |
and just kinda blanked everyone out. | 0:17:20 | 0:17:22 | |
# And in your way in this blue shade | 0:17:22 | 0:17:25 | |
# My tears dry on their own... # | 0:17:25 | 0:17:29 | |
Really original, liked it a lot. | 0:17:29 | 0:17:33 | |
APPLAUSE | 0:17:33 | 0:17:35 | |
# Popular, you're gonna be popular | 0:17:35 | 0:17:39 | |
# I'll teach you that proper ploys when you talk to boys | 0:17:39 | 0:17:43 | |
# Little ways to flirt and flounce Ooh! | 0:17:43 | 0:17:45 | |
# There's nothing that can stop you from becoming popular...lar! # | 0:17:45 | 0:17:49 | |
Now, THAT'S what I'm talking about! | 0:17:49 | 0:17:52 | |
As David considers who'll join him in the recording studio, | 0:17:54 | 0:17:57 | |
the auditions become slightly chaotic. | 0:17:57 | 0:18:00 | |
I've been practising my Rod Stewart gravelly voice by drinking | 0:18:01 | 0:18:04 | |
incessantly for, you know, maybe 40 years. | 0:18:04 | 0:18:07 | |
# I feel like making love... # | 0:18:07 | 0:18:09 | |
I think I've nailed it. | 0:18:09 | 0:18:11 | |
# I feel like making love... # | 0:18:12 | 0:18:14 | |
You can't sing, you can't play, | 0:18:19 | 0:18:22 | |
you look terrible, | 0:18:22 | 0:18:24 | |
you'll go a long way! | 0:18:24 | 0:18:26 | |
Over the weekend, 85,000 people a day descend on a disused | 0:18:36 | 0:18:40 | |
airfield in Balado to see more than 150 bands play their hearts out. | 0:18:40 | 0:18:45 | |
This year is the 20th anniversary of T in the Park | 0:18:45 | 0:18:48 | |
and the drinks are flowing, the temperatures are soaring | 0:18:48 | 0:18:50 | |
and everyone is in the mood to party. | 0:18:50 | 0:18:53 | |
But backstage, there is one tent that is hard at work. | 0:18:53 | 0:18:56 | |
We got up at 5am this morning | 0:19:00 | 0:19:01 | |
-and drove from Spain, which took about 13 hours. -Did you? | 0:19:01 | 0:19:04 | |
I've never been to Scotland before, this is my first time. | 0:19:04 | 0:19:07 | |
-Does this feel cold to you? -You're my third Scottish person I've ever met. | 0:19:07 | 0:19:10 | |
It's not T for us until we've done The View. | 0:19:10 | 0:19:13 | |
How long do you think we've had the salon here now? | 0:19:18 | 0:19:20 | |
-Eight years. -Eight years, aye. | 0:19:20 | 0:19:22 | |
It started off with James Brown's hood dryer, | 0:19:22 | 0:19:26 | |
they phoned to get the hood dryer, | 0:19:26 | 0:19:28 | |
a granny dryer for his rollers and then | 0:19:28 | 0:19:30 | |
eventually John went, | 0:19:30 | 0:19:32 | |
"Will we not just set up a salon?" and that was it. | 0:19:32 | 0:19:35 | |
That's perfect. | 0:19:35 | 0:19:37 | |
I was here when James Brown was playing, that was brilliant. | 0:19:37 | 0:19:41 | |
Lucky students Craig and Emma have been busy all morning | 0:19:41 | 0:19:44 | |
preparing the hair extensions for the stylists. | 0:19:44 | 0:19:47 | |
Slightly nervous about it now, I'm sure it'll be a good day. | 0:19:47 | 0:19:51 | |
Obviously it's a lot of pressure, so it's exciting, | 0:19:51 | 0:19:54 | |
but scary as well! | 0:19:54 | 0:19:55 | |
This year is proving to be one of the busiest ever | 0:19:57 | 0:19:59 | |
at the hairdressing tent with lots of image-conscience | 0:19:59 | 0:20:02 | |
celebs wanting to look their best before going on stage. | 0:20:02 | 0:20:06 | |
How do you feel? Is it all right? | 0:20:06 | 0:20:08 | |
Yeah... | 0:20:08 | 0:20:09 | |
-Is the pressure all right? -Yeah, it's really good. | 0:20:09 | 0:20:12 | |
A lot of the artists have said they've seen people coming | 0:20:12 | 0:20:15 | |
back with great haircuts so that's brought them in, | 0:20:15 | 0:20:17 | |
so we haven't stopped all day. | 0:20:17 | 0:20:19 | |
I try and make T in the Park a bit more special | 0:20:19 | 0:20:21 | |
and the guys have done a fantastic job over the years in here | 0:20:21 | 0:20:24 | |
and the bands all go out looking fantastic when they go on stage. | 0:20:24 | 0:20:27 | |
MUSIC PLAYS | 0:20:27 | 0:20:29 | |
As well as doing the hair, the team try and get some of the artists | 0:20:31 | 0:20:35 | |
to sign one of their guitars, which will be auctioned off for charity. | 0:20:35 | 0:20:39 | |
-Ah! -I don't want to take that, that's a bit... That's a bit of a... | 0:20:39 | 0:20:43 | |
-I'll do it up here. -You deserve to take that. | 0:20:43 | 0:20:45 | |
-I don't think I do. -You do, Calvin. | 0:20:45 | 0:20:48 | |
Oh, my God, I'm having a moment! | 0:20:48 | 0:20:50 | |
After working hard in the tent all day, | 0:20:53 | 0:20:56 | |
Craig and Emma take a well-earned break. | 0:20:56 | 0:20:58 | |
What are stovies? | 0:21:00 | 0:21:02 | |
It's kinda like thick soup. | 0:21:02 | 0:21:04 | |
It's where it joins in - look. | 0:21:06 | 0:21:07 | |
Stop it... Craig, we could easily kill ourselves on this. | 0:21:07 | 0:21:11 | |
It's been a great day coming here. | 0:21:19 | 0:21:21 | |
We would be in the salon doing hair, | 0:21:21 | 0:21:23 | |
so it's just a lovely environment to come and work in and it's great fun. | 0:21:23 | 0:21:27 | |
It went quite well, there was quite a lot of people in, | 0:21:28 | 0:21:31 | |
the salon was busy, saw some familiar faces. | 0:21:31 | 0:21:34 | |
I was desperate to see The Script, but then I missed them | 0:21:34 | 0:21:37 | |
cos I was obviously floating around trying to see someone else. | 0:21:37 | 0:21:39 | |
At the Academy, it's business as usual for the new students. | 0:21:50 | 0:21:54 | |
So we've got a really, really busy day, it's maybe not going to | 0:21:54 | 0:21:57 | |
be that much fun, because a lot of it is paperwork. | 0:21:57 | 0:21:59 | |
We've got reviews to get done, | 0:21:59 | 0:22:01 | |
so what I want yous to do first of all is I need yous to write | 0:22:01 | 0:22:04 | |
up a list of what yous have still got to do practical-wise. | 0:22:04 | 0:22:07 | |
The students are only assessed when working on live models, | 0:22:08 | 0:22:12 | |
but mostly practise their cuts and hair styles on the Sally head dolls. | 0:22:12 | 0:22:16 | |
On average, the dolls only last for about six weeks | 0:22:16 | 0:22:19 | |
and each student has to shell out £32 for a replacement. | 0:22:19 | 0:22:24 | |
-Right, who doesn't have Sally heads? -I need to buy a new one next week. | 0:22:24 | 0:22:27 | |
You'll need to go sort it, you'll need to go and figure it out | 0:22:27 | 0:22:30 | |
cos I've got nothing for yous to do if you've not got a Sally head. | 0:22:30 | 0:22:33 | |
Go figure it out. | 0:22:33 | 0:22:34 | |
Do you have a name for your Sally? | 0:22:34 | 0:22:38 | |
Have you? | 0:22:38 | 0:22:39 | |
Aye, mines is called Sally Cinnamon. | 0:22:39 | 0:22:41 | |
What? | 0:22:41 | 0:22:42 | |
Please tell me you've heard that song before? | 0:22:42 | 0:22:45 | |
# Sally Cinnamon You're my world... # | 0:22:45 | 0:22:49 | |
-Binky, are you ready for your review? -All right. | 0:22:49 | 0:22:52 | |
And then I'll grab you, Austin, as well. | 0:22:52 | 0:22:54 | |
So G17 you've completed, | 0:22:56 | 0:22:58 | |
GH10 you've completed, | 0:22:58 | 0:23:01 | |
GH11 you've completed, | 0:23:01 | 0:23:04 | |
G7 you've completed... | 0:23:04 | 0:23:07 | |
-That's brilliant. -Thank you. | 0:23:07 | 0:23:10 | |
Back at awesome. | 0:23:10 | 0:23:11 | |
Right, OK - the problem is now you need to keep that pace up, that's the problem. | 0:23:13 | 0:23:16 | |
I said my Sally is called Sally Cinnamon and they were clueless. | 0:23:16 | 0:23:20 | |
As to what? | 0:23:20 | 0:23:22 | |
Like, what Sally Cinnamon is. | 0:23:22 | 0:23:23 | |
What is it? | 0:23:23 | 0:23:25 | |
It's a Stone Roses song! Why does nobody know this? | 0:23:25 | 0:23:27 | |
Cos I'm not cool, I'm a mum! I watch The Voice at the weekend. | 0:23:27 | 0:23:31 | |
# I tell Sally I was never happy... # | 0:23:31 | 0:23:36 | |
But unfortunately for one of the new students, their time | 0:23:36 | 0:23:40 | |
at the Academy has already come to an end. | 0:23:40 | 0:23:43 | |
If we do have leavers, | 0:23:45 | 0:23:46 | |
it does tend to be at the beginning of the course. | 0:23:46 | 0:23:49 | |
I think for Roisin, I think the course was just a bit harder than | 0:23:49 | 0:23:53 | |
she expected it to be. | 0:23:53 | 0:23:55 | |
Unfortunately, some people just don't make it. | 0:23:55 | 0:23:58 | |
There was too many people in the Rainbow Room and I found it | 0:23:59 | 0:24:02 | |
hard to get my training done right, | 0:24:02 | 0:24:05 | |
but I'm still doing hairdressing and | 0:24:05 | 0:24:07 | |
where I work the now, there's only two of us, so I find it much easier. | 0:24:07 | 0:24:11 | |
# Sally Cinnamon, you're her world. # | 0:24:11 | 0:24:17 | |
How's things been? | 0:24:18 | 0:24:19 | |
Been all right. | 0:24:21 | 0:24:22 | |
Yeah? All right? | 0:24:22 | 0:24:23 | |
HG11, so if we go to that unit | 0:24:23 | 0:24:25 | |
and see what you've still got left to complete... | 0:24:25 | 0:24:28 | |
It's just kinda everything. | 0:24:28 | 0:24:30 | |
Yeah, but you've been doing all the practical work, practising it | 0:24:30 | 0:24:33 | |
on your Sally head and practising it on your block head so we just | 0:24:33 | 0:24:35 | |
need to find the models for that, so when are we going to get models in? | 0:24:35 | 0:24:38 | |
Eh, I'm going to try and look for them. | 0:24:40 | 0:24:42 | |
The main thing we need from our assistants is that they | 0:24:42 | 0:24:45 | |
realise they have to have a set amount of models, they have to cut | 0:24:45 | 0:24:49 | |
hair, the practical aspect of their job is the most important thing. | 0:24:49 | 0:24:52 | |
If they can't get someone to get their hair cut for free, then | 0:24:52 | 0:24:55 | |
they're not going to get someone to charge £30 for a haircut. | 0:24:55 | 0:24:58 | |
OK, so be more organised and organise your models | 0:25:00 | 0:25:02 | |
a week in advance. | 0:25:02 | 0:25:05 | |
All right? | 0:25:05 | 0:25:06 | |
If you just carry on with your project, please. | 0:25:06 | 0:25:10 | |
Thank you. | 0:25:10 | 0:25:11 | |
Eh, I'm feeling better than what I was when I first came - like, | 0:25:11 | 0:25:15 | |
I always end up getting my hair done different colours and stuff | 0:25:15 | 0:25:18 | |
like that and that always seems to bring my confidence up a wee bit. | 0:25:18 | 0:25:22 | |
For the salon band, the big day has come as they head to the | 0:25:24 | 0:25:27 | |
studio to record the single that will be sold in the salons | 0:25:27 | 0:25:30 | |
to raise money for charity. | 0:25:30 | 0:25:32 | |
From all the rehearsals, we've picked three really good singers, | 0:25:34 | 0:25:37 | |
it's going to be great fun. | 0:25:37 | 0:25:39 | |
We're all looking forward to it and they're quite happy | 0:25:39 | 0:25:41 | |
because they're away from the salon for a bit of a skive of a day. | 0:25:41 | 0:25:45 | |
Oh, my God, stretch. | 0:25:45 | 0:25:48 | |
The song is their own take on Bad Company's Feel Like Makin' Love. | 0:25:49 | 0:25:53 | |
Try that, if that's easier? | 0:25:54 | 0:25:55 | |
-# Feel like doing hair... # -But that's flat. | 0:25:55 | 0:25:58 | |
Oh, touche! | 0:25:59 | 0:26:01 | |
-Are you really going there? -All right, girlfriend! | 0:26:01 | 0:26:05 | |
ALL: # Feel like doing hair! # | 0:26:05 | 0:26:07 | |
That's it, excellent. | 0:26:07 | 0:26:08 | |
-Break a leg. -I shall. | 0:26:10 | 0:26:12 | |
Scared. | 0:26:14 | 0:26:16 | |
# Baby, when I think about you | 0:26:16 | 0:26:20 | |
# I think about hair | 0:26:20 | 0:26:25 | |
# Darlin', when I see you coming... # | 0:26:26 | 0:26:30 | |
Her voice is off. | 0:26:30 | 0:26:32 | |
# Hair | 0:26:32 | 0:26:35 | |
# Feel like doing hair... # | 0:26:35 | 0:26:38 | |
# Feel like doing hair... # | 0:26:40 | 0:26:42 | |
We'll just do one more take. | 0:26:46 | 0:26:48 | |
-Was that OK? -Nah, that's you. | 0:26:48 | 0:26:51 | |
-That was great. -Thanks! | 0:26:51 | 0:26:53 | |
OK, that's you. | 0:26:53 | 0:26:55 | |
While David lays down the final guitar track, | 0:26:55 | 0:26:57 | |
Angel gives the girls the lowdown on her new rap. | 0:26:57 | 0:27:00 | |
Part of it is about how everyone is trying to make it and stuff | 0:27:01 | 0:27:04 | |
like that, so a smidge cheeseball! | 0:27:04 | 0:27:08 | |
And I actually wrote it on Monday night when I was eating my savoury roll supper - you've had one of them? | 0:27:10 | 0:27:15 | |
-No. -Oh, my God, it was so good. | 0:27:15 | 0:27:16 | |
-Angel, that's you, when you're ready. -OK. | 0:27:18 | 0:27:21 | |
SHE HUMS NERVOUSLY | 0:27:21 | 0:27:23 | |
How come I can hear me, like, speaking through this? | 0:27:25 | 0:27:28 | |
-Through this. -Is it that what it...? Shut up! SHE LAUGHS | 0:27:28 | 0:27:32 | |
Oh, my God. I'm so laughing. That's quite funny. ANGEL LAUGHS | 0:27:32 | 0:27:35 | |
Do I go now? | 0:27:35 | 0:27:37 | |
Do I just...? I don't know when to go. | 0:27:38 | 0:27:41 | |
SHE RAPS: Well, I'll be down here Please sit down | 0:27:43 | 0:27:45 | |
I'll make you aware | 0:27:45 | 0:27:46 | |
I'll play the game and I'll put you to shame | 0:27:46 | 0:27:48 | |
This has been my dream ever since I was 14 | 0:27:48 | 0:27:50 | |
Let the haters hate because they just can't relate | 0:27:50 | 0:27:52 | |
Don't bring me down | 0:27:52 | 0:27:54 | |
I'll be the first to leave this town | 0:27:54 | 0:27:55 | |
Bright lights call my name | 0:27:55 | 0:27:57 | |
I pray to God my life will never be the same | 0:27:57 | 0:27:59 | |
Well, it all comes back to what we know | 0:27:59 | 0:28:01 | |
Can't hold on Must let go | 0:28:01 | 0:28:03 | |
Friends, family keep me strong | 0:28:03 | 0:28:04 | |
Always there when things go wrong | 0:28:04 | 0:28:06 | |
So don't be afraid of who you are | 0:28:06 | 0:28:08 | |
Look up to the sky and aim for the star | 0:28:08 | 0:28:10 | |
This is our time | 0:28:10 | 0:28:11 | |
Everyone knows that we were born to shine. | 0:28:11 | 0:28:13 | |
-Fantastic! -It's all right, bro. | 0:28:13 | 0:28:14 | |
Eventually got it. Eventually got it. | 0:28:14 | 0:28:16 | |
I actually got a full thing out there, do you know what I'm saying? | 0:28:16 | 0:28:19 | |
Next time, one student gets on the wrong side of Leigh. | 0:28:21 | 0:28:24 | |
You don't always like what a client brings in, but you have to do it. | 0:28:24 | 0:28:28 | |
And Binky enjoys the more glamorous side of hairdressing. | 0:28:28 | 0:28:31 | |
Noel Gallagher was right behind me. Oh, my God. | 0:28:31 | 0:28:35 |