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In Year Six, you're top dog in school. | 0:00:02 | 0:00:04 | |
I'll never be 11 again. | 0:00:04 | 0:00:06 | |
It's a year that's packed with emotional highs... | 0:00:06 | 0:00:09 | |
SHE GASPS | 0:00:09 | 0:00:10 | |
Oh, my God! | 0:00:10 | 0:00:11 | |
Yes!! | 0:00:11 | 0:00:13 | |
..and dramatic lows. | 0:00:13 | 0:00:15 | |
-I'm not going to sit next to you. -Oh...really? | 0:00:15 | 0:00:17 | |
-That's the wrong attitude. -Ah... | 0:00:17 | 0:00:20 | |
They're going to take me to hospital, my hand's hurting a lot, | 0:00:20 | 0:00:23 | |
and I can't move it. | 0:00:23 | 0:00:25 | |
And as Year Six-ers start their last ever term at primary school, | 0:00:25 | 0:00:29 | |
-there's a lot to look forward to. -Well, yeah! | 0:00:29 | 0:00:31 | |
The limos, the glamour, | 0:00:31 | 0:00:34 | |
and the party of their lives at the end-of-year prom. | 0:00:34 | 0:00:37 | |
The challenge of stepping into the spotlight, | 0:00:38 | 0:00:41 | |
showcasing their talent. | 0:00:41 | 0:00:42 | |
BEATBOXING | 0:00:42 | 0:00:44 | |
The adrenaline rush and wild nights of the first trip away from home. | 0:00:44 | 0:00:49 | |
Pillow fight! | 0:00:49 | 0:00:50 | |
But this is also a time when their life changes for ever. | 0:00:50 | 0:00:54 | |
Year Six is about getting them ready to move on, | 0:00:54 | 0:00:57 | |
moving on up into that next stage. | 0:00:57 | 0:00:59 | |
They'll have to face the heartache of saying goodbye to their friends. | 0:00:59 | 0:01:03 | |
-He's like a brother. -She's the best thing I ever had. | 0:01:03 | 0:01:06 | |
One thing's for sure, the final term | 0:01:06 | 0:01:09 | |
will be like nothing they've ever experienced. | 0:01:09 | 0:01:12 | |
There's so much still to learn. | 0:01:12 | 0:01:15 | |
I, like, don't want to mess up for anyone, and I want to do my best. | 0:01:15 | 0:01:18 | |
-And to laugh about. -HE LAUGHS | 0:01:18 | 0:01:21 | |
And after that, it's time to say, Goodbye, Year Six. | 0:01:21 | 0:01:25 | |
-Hip hip... -ALL: Hooray! | 0:01:25 | 0:01:27 | |
Coming up, rehearsals for the school production | 0:01:33 | 0:01:37 | |
put all of Year Six's talents to the test. | 0:01:37 | 0:01:39 | |
No, no, no, no! I haven't time to count all this! | 0:01:39 | 0:01:42 | |
Will Tanarj'e's nerves cost her a place in the play? | 0:01:42 | 0:01:45 | |
-I don't want to do the play. -Why? -I don't want to be in it. | 0:01:45 | 0:01:47 | |
Can Patrick cut out his clowning around? | 0:01:47 | 0:01:50 | |
-Patrick, I'm going to take you out of this role. -Oh! | 0:01:50 | 0:01:53 | |
Who will crack first? The pupils... | 0:01:53 | 0:01:55 | |
-Get your head out of my ear hole! -I'm angry. | 0:01:55 | 0:01:59 | |
-..or the teachers? -Is something funny? | 0:01:59 | 0:02:01 | |
Get out. You go, and you, just go. We're ready to just ditch this. | 0:02:01 | 0:02:05 | |
BELL RINGS | 0:02:05 | 0:02:07 | |
For the pupils of Year Six at Heavers Farm School | 0:02:10 | 0:02:13 | |
in South London, the stress of the Sats exams is over, | 0:02:13 | 0:02:16 | |
and it's time to relax, have fun and show off some skills. | 0:02:16 | 0:02:19 | |
LAUGHTER Let me have a go! | 0:02:21 | 0:02:24 | |
Classes Aquamarine and Amethyst are packed full of talent, | 0:02:24 | 0:02:28 | |
and there's competition to prove they can be stars of the future. | 0:02:28 | 0:02:32 | |
The girls love to sing in class. I like to sing. | 0:02:32 | 0:02:35 | |
Next door is dancing. My class sings, next door is dancing. | 0:02:35 | 0:02:38 | |
I want to be famous, I want everyone to know me and remember me. | 0:02:38 | 0:02:43 | |
-What do you want to be when you're grown-up? -Rapper! -Beatboxer. | 0:02:43 | 0:02:49 | |
-I taught you how to beatbox! -I know. And I taught you how to rap. | 0:02:49 | 0:02:52 | |
-No, you didn't! -Calm down! | 0:02:52 | 0:02:55 | |
In just a few weeks, | 0:02:55 | 0:02:56 | |
Year Six will have a chance to show how much they've grown in confidence | 0:02:56 | 0:03:00 | |
in their time at school, when they perform the end-of-year play | 0:03:00 | 0:03:04 | |
in front of their parents and teachers. | 0:03:04 | 0:03:06 | |
Well, it's a production about us, especially like, | 0:03:06 | 0:03:09 | |
what's happening now, about us leaving Year Six, | 0:03:09 | 0:03:12 | |
but it'll be kids playing teachers, and stuff, | 0:03:12 | 0:03:14 | |
so, looking forward to that. | 0:03:14 | 0:03:16 | |
Miss Sparman and Miss Kelly have been given the job of making | 0:03:16 | 0:03:19 | |
sure "Goodbye My Friend" is a huge success. | 0:03:19 | 0:03:23 | |
I'm going to be scared, cos I don't think I've ever done a play before. | 0:03:23 | 0:03:27 | |
Everyone's after the best parts, and the teachers have got a tough | 0:03:27 | 0:03:32 | |
job deciding who's going to play who. | 0:03:32 | 0:03:34 | |
Do you feel like Simon Cowell and Louis Walsh? | 0:03:34 | 0:03:36 | |
LAUGHTER | 0:03:36 | 0:03:38 | |
Auditions are a chance to impress teachers, | 0:03:38 | 0:03:40 | |
and Tanarj'e is feeling the pressure. | 0:03:40 | 0:03:43 | |
Can she overcome her nerves and get the part she wants? | 0:03:43 | 0:03:45 | |
-Tanarj'e. -I thought you weren't doing it. -She is now. | 0:03:45 | 0:03:49 | |
Wasn't I told this morning, somewhere through the grapevine, | 0:03:49 | 0:03:52 | |
"I'm not auditioning..!"? | 0:03:52 | 0:03:54 | |
-It's cos I'm scared of auditioning! -She's very nervous. | 0:03:54 | 0:03:57 | |
Because you're nervous? You don't need to be nervous. | 0:03:57 | 0:04:00 | |
I thought you were being a diva. No? | 0:04:00 | 0:04:02 | |
-No! -What part? -The TA. -The TA. -The TA. | 0:04:02 | 0:04:06 | |
-Has everyone got a sheet? -I haven't. | 0:04:06 | 0:04:08 | |
Would you like... me to deal with that? | 0:04:08 | 0:04:11 | |
If you wouldn't mind, Miss Tanarj'e. | 0:04:11 | 0:04:13 | |
Now, can anyone tell me | 0:04:13 | 0:04:15 | |
how to find the area of a regular four-sided shape? | 0:04:15 | 0:04:19 | |
-Think about the length and breadth. -That's fine, thank you very much. | 0:04:19 | 0:04:23 | |
-OK! -It was clear, well done. -Tanarj'e's audition was a hit. | 0:04:23 | 0:04:27 | |
She's not the only one battling nerves. | 0:04:27 | 0:04:29 | |
Philip has his heart set on a role he thinks is ideal for him. | 0:04:29 | 0:04:33 | |
Ben. Cos I'm not that good at reading, and he's got easy words. | 0:04:33 | 0:04:37 | |
I want to be in the play, just not like, have big sentences, | 0:04:37 | 0:04:41 | |
cos I won't be able to remember it all. | 0:04:41 | 0:04:44 | |
But if I can't remember some of them, I'll just write it on my hand. | 0:04:44 | 0:04:47 | |
When I spoke to Miss Sparman, she said, | 0:04:47 | 0:04:50 | |
like, there's already been ten performers of Ben, so... | 0:04:50 | 0:04:53 | |
Yeah. | 0:04:53 | 0:04:54 | |
It'll be quite tricky to get the part, but hopefully I still can. | 0:04:54 | 0:04:59 | |
But to get the part, he needs to wow the teachers in his audition. | 0:04:59 | 0:05:02 | |
-Go on, then. -So are you guys ready for...um... | 0:05:02 | 0:05:05 | |
Are you guys ready for your last day ever at... Last ever day at school? | 0:05:05 | 0:05:10 | |
OK, I want you to do it without the script. | 0:05:10 | 0:05:13 | |
-Don't read the script. -Just say it to me. -In your own words. | 0:05:13 | 0:05:16 | |
-So are you guys ready for the last day at primary school? -There you go! | 0:05:16 | 0:05:20 | |
-Perfect. -See? -I guarantee I'm not going to get it. | 0:05:20 | 0:05:22 | |
Well, no, no, no, you can't guarantee anything. | 0:05:22 | 0:05:25 | |
You've done well. | 0:05:25 | 0:05:27 | |
The auditions might be stressful for some, | 0:05:27 | 0:05:30 | |
but others relish a chance to perform. | 0:05:30 | 0:05:32 | |
-You'd avoid all the chaos. -I love that. | 0:05:32 | 0:05:34 | |
The hustle and bustle, to and fro-ing, it leaves you | 0:05:34 | 0:05:37 | |
in no doubt that another school week has well and truly begun. | 0:05:37 | 0:05:40 | |
-That's a lovely audition, thank you. -Thanks, Tyra. | 0:05:40 | 0:05:43 | |
D'you know what's really annoying about this bus being late? | 0:05:43 | 0:05:46 | |
I could have had... A bowl... Another bowl of cereal. | 0:05:46 | 0:05:49 | |
-You're really good. -I think we need to have a bigger part... | 0:05:49 | 0:05:52 | |
I really do, Curtis. | 0:05:52 | 0:05:54 | |
Please move your lazy behinds here now! | 0:05:54 | 0:05:57 | |
OK, thank you very much, Patrick. | 0:05:57 | 0:05:59 | |
I wouldn't like you to be my teacher! THEY LAUGH | 0:05:59 | 0:06:01 | |
With lots of Year Six-ers battling for the same roles, | 0:06:01 | 0:06:05 | |
the auditions are tough for best friends Mariam and Marine. | 0:06:05 | 0:06:08 | |
-They're both after the same part. -Think about it. | 0:06:08 | 0:06:12 | |
If the bus is late on Monday morning, | 0:06:12 | 0:06:13 | |
it means we arrive at school late on Monday, | 0:06:13 | 0:06:16 | |
we'd avoid all the chaos. | 0:06:16 | 0:06:18 | |
Think about it, if the bus is late on Monday morning, | 0:06:18 | 0:06:20 | |
it means we... It means that we'd arrive late... | 0:06:20 | 0:06:24 | |
Er...we would arrive at school late on Monday morning. | 0:06:24 | 0:06:26 | |
We'd avoid all the chaos. | 0:06:26 | 0:06:28 | |
Thank you. Well done. | 0:06:28 | 0:06:30 | |
There's a character we both want to be, called Betty. | 0:06:30 | 0:06:33 | |
I'm cool with it, because we just promised we'd not, like, | 0:06:33 | 0:06:36 | |
have hard feelings, if one of us gets the part. | 0:06:36 | 0:06:40 | |
We'll just congratulate each other. Cos that's how good friends we are. | 0:06:40 | 0:06:44 | |
Along with the rest of Year Six, all they can do is wait, | 0:06:44 | 0:06:47 | |
and hope they get the roles they want. | 0:06:47 | 0:06:50 | |
Thank you! | 0:06:52 | 0:06:53 | |
After a tense few days, it's the moment of truth. | 0:06:56 | 0:06:59 | |
Time to find out who's got the parts they auditioned for. | 0:06:59 | 0:07:02 | |
I know that in Aquamarine, certain children wanted particular roles | 0:07:02 | 0:07:06 | |
and they haven't got them. So, yeah, that could be a problem. | 0:07:06 | 0:07:09 | |
-I feel quite nervous! -SHE LAUGHS | 0:07:09 | 0:07:12 | |
And for some, it's really good news. | 0:07:12 | 0:07:14 | |
Oh! | 0:07:14 | 0:07:15 | |
Yes! I'm Sarah! Yay! | 0:07:17 | 0:07:20 | |
Yay! I'm Sarah! | 0:07:20 | 0:07:22 | |
Ooooooh! | 0:07:22 | 0:07:24 | |
-Yes!! -No! -Yes! | 0:07:24 | 0:07:27 | |
See? I told you! | 0:07:27 | 0:07:28 | |
And Tanarj'e's not the only one who got the part she wanted. | 0:07:28 | 0:07:31 | |
-Who are you? -Betty! | 0:07:31 | 0:07:34 | |
With Marine cast as Betty, her BFF, Mariam, | 0:07:34 | 0:07:37 | |
is going to have to settle for a role that she didn't ask for. | 0:07:37 | 0:07:41 | |
I can't see her! | 0:07:41 | 0:07:44 | |
-I'm Child Two! -I'm Child Number One! -Yes. Very good part. | 0:07:44 | 0:07:48 | |
-Child Two! -Have you actually looked at the scene? -Yeah. -You have? | 0:07:48 | 0:07:52 | |
-And what are you not happy about? -I don't like it. | 0:07:52 | 0:07:55 | |
Although they promised it wouldn't damage their friendship, | 0:07:55 | 0:07:59 | |
-Mariam is angry at not being chosen to play Betty. -I don't want it. | 0:07:59 | 0:08:03 | |
Why don't you want it? | 0:08:03 | 0:08:04 | |
Because I didn't want that part in the first place. | 0:08:04 | 0:08:07 | |
I feel really bad. | 0:08:12 | 0:08:13 | |
Cos she really doesn't like the part she got. | 0:08:13 | 0:08:15 | |
I wish I could change it for her. | 0:08:15 | 0:08:17 | |
Can Mariam get over losing the role she wanted, | 0:08:19 | 0:08:22 | |
and make up with her best friend? | 0:08:22 | 0:08:24 | |
It's the start of a new day at Heavers Farm School. | 0:08:29 | 0:08:32 | |
But before rehearsals for the play begin, | 0:08:32 | 0:08:35 | |
there's urgent business to attend to. | 0:08:35 | 0:08:37 | |
It's Seyi's birthday. | 0:08:37 | 0:08:39 | |
The school tradition is, they give boys, not girls, birthday beats. | 0:08:39 | 0:08:44 | |
They punch you on how old you are. | 0:08:44 | 0:08:46 | |
-Like... -And then I did one extra for next year. -For good luck, yeah. | 0:08:46 | 0:08:51 | |
When it's your birthday, | 0:08:51 | 0:08:52 | |
all your friends will give you birthday beats. | 0:08:52 | 0:08:55 | |
ALL: One, two, three, four, five, six, seven, eight, nine, ten, 11! 12! | 0:08:55 | 0:08:59 | |
Happy birthday, Seyi! | 0:08:59 | 0:09:01 | |
They all just came for me and started birthday beating me. | 0:09:01 | 0:09:05 | |
Happy birthday! | 0:09:05 | 0:09:07 | |
Yeah, happy birthday! | 0:09:07 | 0:09:08 | |
-Birthday beats! -One...it's OK. | 0:09:08 | 0:09:11 | |
Birthday beats are not really a bad thing. | 0:09:11 | 0:09:14 | |
They're basically another way of saying, "Happy birthday." | 0:09:14 | 0:09:17 | |
THEY LAUGH | 0:09:17 | 0:09:19 | |
BELL RINGS | 0:09:21 | 0:09:23 | |
With only a few weeks to prepare until the big performance, | 0:09:23 | 0:09:26 | |
Year Six get stuck into their characters. | 0:09:26 | 0:09:28 | |
Last Monday morning, we just did a one-off, | 0:09:28 | 0:09:31 | |
and there was one before that, and the one before that. | 0:09:31 | 0:09:34 | |
They wouldn't hear that. | 0:09:34 | 0:09:36 | |
If you forgot your kit, you'd have to do it in pants and vest. | 0:09:36 | 0:09:39 | |
Well done, lovely, next! | 0:09:39 | 0:09:40 | |
But not everyone is happy with their part. | 0:09:40 | 0:09:43 | |
Best friends Mariam and Marine | 0:09:43 | 0:09:45 | |
fell out after they both auditioned for the character of Betty. | 0:09:45 | 0:09:49 | |
And with Mariam still upset about not being chosen, | 0:09:49 | 0:09:53 | |
it's all getting a bit much for Marine. | 0:09:53 | 0:09:55 | |
It was what you auditioned for. | 0:09:55 | 0:09:57 | |
You was like, "I want to be Betty!" | 0:09:57 | 0:09:59 | |
But now I'm a teacher's pet. | 0:09:59 | 0:10:00 | |
Hey! | 0:10:00 | 0:10:02 | |
SHE CHUCKLES | 0:10:02 | 0:10:03 | |
Don't you dare get upset... | 0:10:03 | 0:10:05 | |
Aaahh! | 0:10:05 | 0:10:07 | |
Although Cookie is doing her best to cheer Marine up. | 0:10:07 | 0:10:10 | |
-MARINE SOBS -Don't cry. | 0:10:10 | 0:10:12 | |
With a close friendship at stake, | 0:10:12 | 0:10:14 | |
there's only one person who can really make her feel better. | 0:10:14 | 0:10:17 | |
I was coming to talk to you. | 0:10:22 | 0:10:24 | |
But have they managed to get their friendship back on track? | 0:10:24 | 0:10:28 | |
Most of the time, there's friends like us, like, | 0:10:28 | 0:10:32 | |
two people, and if they have an argument, it'll take, | 0:10:32 | 0:10:35 | |
like, days for them to figure it out. | 0:10:35 | 0:10:37 | |
-But we're not like that. -We sorted it out. | 0:10:37 | 0:10:40 | |
We're friends again, and it feels great, it feels, like, nice. | 0:10:40 | 0:10:44 | |
Cos you don't have fights, you don't stay away from each other, | 0:10:44 | 0:10:47 | |
we can talk to each other. | 0:10:47 | 0:10:49 | |
Pretty cool. | 0:10:49 | 0:10:50 | |
-Bye. -Bye! | 0:10:50 | 0:10:51 | |
With all the roles decided, Year Six can start rehearsing together. | 0:10:57 | 0:11:01 | |
But Philip doesn't seem quite so keen. | 0:11:01 | 0:11:04 | |
-Morning, Philip! -Morning. | 0:11:04 | 0:11:06 | |
You coming in? | 0:11:06 | 0:11:07 | |
And have a look at your script? | 0:11:07 | 0:11:10 | |
Going to... | 0:11:10 | 0:11:11 | |
At his audition, Philip had his heart set | 0:11:13 | 0:11:15 | |
-on playing the part of Ben. -Perform Ben. | 0:11:15 | 0:11:18 | |
Because I'm not that good at reading, and he's got easy words. | 0:11:18 | 0:11:21 | |
He impressed the teachers so much, he's been given a bigger role, Ali. | 0:11:21 | 0:11:25 | |
He's shy about performing such a main character, | 0:11:25 | 0:11:29 | |
-so he runs through the script with Mr Rohan... -Oh, yes... | 0:11:29 | 0:11:32 | |
The madness that is our Monday morning routine. | 0:11:34 | 0:11:38 | |
Good. Good. | 0:11:38 | 0:11:40 | |
..while his best mate, Tate, stands in for him in rehearsals. | 0:11:40 | 0:11:44 | |
No way, they'd never do that. He's having you on. | 0:11:44 | 0:11:47 | |
I'm loving you as Ali. Philip's got shoes to fill when he comes back. | 0:11:47 | 0:11:51 | |
Philip knows if he wants to keep his role, | 0:11:51 | 0:11:53 | |
he's going to have to overcome his stage fright. | 0:11:53 | 0:11:56 | |
It's only today. | 0:11:56 | 0:11:57 | |
And I have to get used to it. | 0:11:58 | 0:12:00 | |
While some are struggling to find their confidence, | 0:12:00 | 0:12:03 | |
natural performers like Patrick are in their element. | 0:12:03 | 0:12:06 | |
A talented rapper, Patrick's using his freestyling skills | 0:12:06 | 0:12:10 | |
to put his own spin on the role of Lunchtime Supervisor. | 0:12:10 | 0:12:13 | |
But not everyone's impressed. | 0:12:13 | 0:12:15 | |
We can't prove it, so yo... So we're watching... | 0:12:15 | 0:12:17 | |
Sorry, what accent are we trying here? | 0:12:17 | 0:12:19 | |
Are we being American, are we being Jamaican? | 0:12:19 | 0:12:22 | |
-What accent are we trying? -Am I allowed to do accents? | 0:12:22 | 0:12:25 | |
Erm...are you any good at an accent? | 0:12:25 | 0:12:28 | |
-What accent... Are you good at a Jamaican accent? -Nigerian?! | 0:12:28 | 0:12:31 | |
Go on, let's see how your Jamaican accent is. | 0:12:31 | 0:12:33 | |
All right... | 0:12:33 | 0:12:35 | |
INDISTINCT JAMAICAN SPEECH | 0:12:35 | 0:12:37 | |
OK. All right, sorry. | 0:12:37 | 0:12:38 | |
-Ohh! -That was very good, but we still have to understand you. | 0:12:38 | 0:12:42 | |
Shall I speak in Nigerian, then? | 0:12:42 | 0:12:44 | |
Can you speak it in Nigerian? All right, let's try that, then. | 0:12:44 | 0:12:48 | |
NIGERIAN ACCENT: We know that you are trying to get the Infants | 0:12:48 | 0:12:51 | |
to drink vinegar, erm... to drink vinegar. | 0:12:51 | 0:12:53 | |
LAUGHTER | 0:12:53 | 0:12:54 | |
All right, I know. Hold on, stop, stop, stop. | 0:12:54 | 0:12:57 | |
Stop messing about and get on with it. | 0:12:57 | 0:12:59 | |
We know that you are trying to get the Infants to drink vinegar, | 0:12:59 | 0:13:02 | |
but we can't prove it. So we're watching you. | 0:13:02 | 0:13:05 | |
Now get outside and remember. | 0:13:05 | 0:13:07 | |
You two run, they block you, and you say, "Stop in the name of the law." | 0:13:07 | 0:13:11 | |
BOTH: Stop in the name of the law! | 0:13:11 | 0:13:13 | |
-Patrick, I'm going to take you out of this role. -I didn't do anything! | 0:13:13 | 0:13:17 | |
-Cos you get silly with it. -You keep changing your accent. -Exactly! | 0:13:17 | 0:13:20 | |
-Leave him alone! -Every minute it's one accent, then it's another. | 0:13:20 | 0:13:24 | |
Just get off me... | 0:13:24 | 0:13:25 | |
The director... | 0:13:25 | 0:13:27 | |
thinks I'm being silly. | 0:13:27 | 0:13:29 | |
-Now, are you being silly? -Maybe. Kind of silly. | 0:13:29 | 0:13:32 | |
We've got your back, Audrey. Call for assistance if you need it. | 0:13:32 | 0:13:36 | |
With Patrick having to rein himself in, | 0:13:36 | 0:13:38 | |
his classmate, Philip, is struggling with his confidence, | 0:13:38 | 0:13:42 | |
and he's still not joining in with rehearsals. | 0:13:42 | 0:13:44 | |
Yes, cos you're in this bit, Philip! | 0:13:45 | 0:13:47 | |
But we have to practise it. | 0:13:50 | 0:13:51 | |
We've got to practise with everybody. | 0:13:51 | 0:13:54 | |
Do you not want to be in it, then? | 0:13:54 | 0:13:56 | |
If you want to be in it, then you've got to do this. | 0:13:56 | 0:13:59 | |
'I don't know about Philip, you know?' | 0:14:03 | 0:14:06 | |
I know... I know, I know. | 0:14:06 | 0:14:09 | |
The day of the play is looming, and Miss Sparman expects the cast | 0:14:12 | 0:14:16 | |
to begin putting more expression into their characters. | 0:14:16 | 0:14:19 | |
Clear voice, loud, please. | 0:14:19 | 0:14:21 | |
And as ever, double-act Patrick and Jevon | 0:14:21 | 0:14:24 | |
have something to say on the matter. | 0:14:24 | 0:14:26 | |
Some people acting, they're not putting oomph into it. | 0:14:26 | 0:14:30 | |
-Like... -Oomph? What's oomph? | 0:14:30 | 0:14:31 | |
Oh, shh. Like... I'll tell you later. | 0:14:31 | 0:14:34 | |
Having overcome her shyness to win the role of TA, | 0:14:34 | 0:14:38 | |
Tanarj'e now faces the even scarier challenge | 0:14:38 | 0:14:41 | |
of performing in front of her friends. | 0:14:41 | 0:14:43 | |
-They look at you, you say... -Think about the length and breadth. | 0:14:43 | 0:14:47 | |
Really? | 0:14:47 | 0:14:48 | |
Think about the length and the breadth. | 0:14:48 | 0:14:50 | |
Can't hear you! | 0:14:50 | 0:14:52 | |
I need to see some expression. | 0:14:52 | 0:14:54 | |
The play needs exciting up a bit. | 0:14:54 | 0:14:56 | |
And this scene needs exciting up, so you need to..."Think about..." Hello? | 0:14:56 | 0:15:01 | |
"Think about the length and the breadth." | 0:15:01 | 0:15:03 | |
Think about the length and the breadth. | 0:15:03 | 0:15:05 | |
OK, that's not going to work for me. It's not going to work. | 0:15:05 | 0:15:08 | |
-Can I not do the play? -Why's that? -I don't want to be in it. | 0:15:08 | 0:15:11 | |
-Why? -I just don't want to. -You don't want to be told what to do? -No. | 0:15:11 | 0:15:14 | |
-I just don't want to be in the play. -All right. | 0:15:14 | 0:15:17 | |
Give the script back, I'll find someone else. | 0:15:17 | 0:15:20 | |
Don't have time for strops. I'll take the script. | 0:15:20 | 0:15:23 | |
You won't need it. 'Scuse me? Excuse me? | 0:15:23 | 0:15:26 | |
Thank you. | 0:15:26 | 0:15:28 | |
I'll be the TA for now. OK. Think about the length and the breadth. | 0:15:29 | 0:15:33 | |
Because sometimes I get shy, I was finding it hard to, like... | 0:15:33 | 0:15:36 | |
Do it in front of other people. | 0:15:36 | 0:15:38 | |
That's why I told Miss I didn't want to do it no more. | 0:15:38 | 0:15:41 | |
I should have probably stayed in the play, but... | 0:15:41 | 0:15:43 | |
I'm just going to stay out. | 0:15:43 | 0:15:46 | |
For now. I might change my mind, I'm not sure. | 0:15:46 | 0:15:49 | |
But with time against them, | 0:15:49 | 0:15:52 | |
Tanarj'e has given the teachers a real dilemma. | 0:15:52 | 0:15:56 | |
-What's up with Tanarj'e? -She's resigned... -Why? | 0:15:56 | 0:15:58 | |
Cos I asked her to use more expression. | 0:15:58 | 0:16:00 | |
And she didn't like the fact that I asked her maybe two or three times. | 0:16:00 | 0:16:05 | |
She said she doesn't want to do it, so we need a new TA. | 0:16:05 | 0:16:08 | |
OK. | 0:16:08 | 0:16:09 | |
With Tanarj'e dropping out, | 0:16:10 | 0:16:12 | |
the character of TA will need to be filled quickly. | 0:16:12 | 0:16:14 | |
Miss Kelly thinks she has the perfect replacement in Nicole. | 0:16:14 | 0:16:17 | |
ALL: Eighteen! | 0:16:17 | 0:16:19 | |
Excellent! Now look, I'm dividing the rectangle in half... | 0:16:19 | 0:16:23 | |
with a diagonal line. What have I made? | 0:16:23 | 0:16:26 | |
-ALL: Two right-angled triangles! -Love Nicole in the role. | 0:16:26 | 0:16:30 | |
-Right, Nicole! -Love it. -You have the role. -Well done. | 0:16:30 | 0:16:33 | |
-As TA. -Well done. -OK. I'll give this back to Tanarj'e. | 0:16:33 | 0:16:37 | |
-No, no, no. -She doesn't need it. | 0:16:37 | 0:16:39 | |
She was fantastic in that role! | 0:16:39 | 0:16:41 | |
-She was really good in it! -I know she was. | 0:16:41 | 0:16:45 | |
Taking over the part of TA from her classmate | 0:16:45 | 0:16:48 | |
-has left Nicole with mixed emotions. -Tanarj'e has moods sometimes, | 0:16:48 | 0:16:51 | |
and sometimes it's just not the right time and the right place, | 0:16:51 | 0:16:55 | |
and it wasn't the right time and place this time, so... | 0:16:55 | 0:16:58 | |
I'm... | 0:16:58 | 0:17:00 | |
..happy, but a bit upset for Tanarj'e. | 0:17:01 | 0:17:03 | |
Show time is drawing ever closer, and Philip, who has a main role, | 0:17:03 | 0:17:08 | |
still doesn't seem keen on rehearsing. | 0:17:08 | 0:17:11 | |
Can we get this over and done with? | 0:17:11 | 0:17:13 | |
You see? Wrong attitude. "Get it over and done with"? No. | 0:17:13 | 0:17:16 | |
And it's beginning to affect the whole production. | 0:17:16 | 0:17:19 | |
Tate? Can you fill in for Philip, please? | 0:17:19 | 0:17:21 | |
If Philip wants to, then he will, but it's like... | 0:17:21 | 0:17:26 | |
It's either... Now it's like, either he does it or he doesn't, | 0:17:26 | 0:17:29 | |
because Tate can't keep stepping in and not stepping in | 0:17:29 | 0:17:32 | |
and learning his lines and not. | 0:17:32 | 0:17:34 | |
Hopefully, Tate does it, and there's no fuss, | 0:17:34 | 0:17:37 | |
or Philip joins in. If he wants to join in, that's fine, | 0:17:37 | 0:17:40 | |
cos it'll be nice if he's in it, cos he's a part of Year Six. | 0:17:40 | 0:17:43 | |
Knowing some tough decisions need to be made, | 0:17:43 | 0:17:47 | |
Philip's teacher, Mrs Shekhar, steps in for a heart-to-heart. | 0:17:47 | 0:17:50 | |
-Now, this production, do you want to be part of it? -Mm-hmm. | 0:17:50 | 0:17:54 | |
I asked Miss Kelly, can we do it now, cos I want to play. | 0:17:54 | 0:17:57 | |
Aah, so do you think that would go down well? | 0:17:57 | 0:17:59 | |
It's an important role you're doing, isn't it? | 0:17:59 | 0:18:02 | |
So what we're going to do is get you another part in the play. | 0:18:02 | 0:18:06 | |
Is that OK? We'll change the Ali part | 0:18:06 | 0:18:08 | |
to make it something that is quick, so you can get on, do that part, | 0:18:08 | 0:18:12 | |
and get on with what you're supposed to do. Is that all right? | 0:18:12 | 0:18:15 | |
-Is that all right? -Yeah. | 0:18:16 | 0:18:18 | |
-Yeah... -Thank you, Philip. | 0:18:18 | 0:18:20 | |
At last, Philip has officially handed his role over to Tate, | 0:18:20 | 0:18:23 | |
and he's happy to take centre stage in the chorus. | 0:18:23 | 0:18:26 | |
I'm no longer Ali, but I don't care. | 0:18:26 | 0:18:28 | |
Cos I'd never have remembered it all. | 0:18:28 | 0:18:31 | |
I'm in all the songs. | 0:18:31 | 0:18:32 | |
# Six o'clock already | 0:18:32 | 0:18:34 | |
# I was just in the middle of a dream... # | 0:18:34 | 0:18:37 | |
With Philip finally finding a role he's comfortable with, | 0:18:37 | 0:18:40 | |
Tanarj'e is also having second thoughts about quitting. | 0:18:40 | 0:18:43 | |
-Miss Sparman? Tanarj'e said she would like a little part. -OK. Good. | 0:18:43 | 0:18:48 | |
-That's good. -But just when things seem to be going right, | 0:18:48 | 0:18:51 | |
there's another problem. | 0:18:51 | 0:18:53 | |
Now even Curtis, who's got a main speaking part in the play, | 0:18:53 | 0:18:56 | |
-isn't co-operating. -It's not surprising teachers get wound up. | 0:18:56 | 0:19:01 | |
-Slow down, be louder. -Last week I came a right cropper... | 0:19:01 | 0:19:03 | |
-No! -Full stop! -You're not stopping! | 0:19:03 | 0:19:06 | |
-Full stop. -There's a full stop. | 0:19:06 | 0:19:08 | |
Do you not know your lines in Scene Two? | 0:19:08 | 0:19:11 | |
Curtis? | 0:19:11 | 0:19:12 | |
-You need to learn your lines. -Mmm. | 0:19:13 | 0:19:17 | |
We haven't got long until the actual production. | 0:19:17 | 0:19:20 | |
You've got important lines, you're important. | 0:19:20 | 0:19:23 | |
You're good at Ben, but you must learn lines. | 0:19:23 | 0:19:25 | |
Let's take a script next door, and start learning our lines. | 0:19:25 | 0:19:28 | |
-I'm not going to sit next to you. -Oh...really? | 0:19:28 | 0:19:31 | |
-That's the wrong attitude. -We can't have this attitude. | 0:19:31 | 0:19:34 | |
Listen, we're ready to just ditch this. | 0:19:34 | 0:19:36 | |
Reluctantly, Curtis takes his script to learn his lines. | 0:19:36 | 0:19:40 | |
But it's not long before he's changed his mind. | 0:19:40 | 0:19:43 | |
..But we're in Year Six now, aren't we? | 0:19:43 | 0:19:46 | |
Despite everyone's best efforts, Curtis refuses to join in. | 0:19:46 | 0:19:50 | |
Come on, Curtis. We need you. | 0:19:50 | 0:19:52 | |
-You should be proud! You've got the best part... -Leave him alone! | 0:19:52 | 0:19:56 | |
Get your head out of my ear hole! | 0:19:56 | 0:19:59 | |
And with rehearsal time running out, | 0:20:03 | 0:20:05 | |
the end-of-year play's reaching crisis point. | 0:20:05 | 0:20:08 | |
The production is not going on well. | 0:20:13 | 0:20:17 | |
Everyone's attitude, they use attitude in the class, | 0:20:17 | 0:20:19 | |
but they can't show it for them when they're doing a production. | 0:20:19 | 0:20:23 | |
And it seems even Miss Sparman is starting to lose faith. | 0:20:23 | 0:20:27 | |
So far, not so great. | 0:20:27 | 0:20:29 | |
We might have to do some swap-rounds, | 0:20:29 | 0:20:31 | |
scrap the whole thing, maybe, and start again, I don't know. | 0:20:31 | 0:20:36 | |
I don't know. | 0:20:36 | 0:20:37 | |
With the entire production on the brink of collapse, | 0:20:42 | 0:20:45 | |
everyone gathers in the hall to practise the grand finale. | 0:20:45 | 0:20:48 | |
-But the rehearsal gets off to a bad start. -Hello? Waiting! | 0:20:48 | 0:20:52 | |
Sorry, who else is having a chat? Someone's not bothering to listen. | 0:20:52 | 0:20:56 | |
I'm trying to tell you the dance instructor is going to come in | 0:20:58 | 0:21:01 | |
and teach us... Oh, get out, Kyrone, just go away. | 0:21:01 | 0:21:04 | |
If you just want to be clowning around all... | 0:21:04 | 0:21:07 | |
Is something funny, Javel? Get out, you go. And you, just go. | 0:21:07 | 0:21:11 | |
It's the last straw for Miss Sparman. | 0:21:11 | 0:21:13 | |
She calls off the whole production. | 0:21:13 | 0:21:16 | |
People started talking, and, erm... not listening to the teacher, | 0:21:16 | 0:21:20 | |
and they got sent out of the hall. | 0:21:20 | 0:21:22 | |
Yeah, Miss just got really angry, and she was like, | 0:21:22 | 0:21:25 | |
"Get out of the hall! Now!" | 0:21:25 | 0:21:27 | |
And then there was no production. | 0:21:27 | 0:21:28 | |
It's, like, a real bummer, because I had a good part, | 0:21:28 | 0:21:32 | |
and we were trying to work really hard, | 0:21:32 | 0:21:35 | |
but then some people couldn't take it seriously. | 0:21:35 | 0:21:37 | |
-And my dad was going to come! -So was mine! | 0:21:37 | 0:21:40 | |
For the first time in the history of Heavers Farm, | 0:21:40 | 0:21:43 | |
it looks like there'll be no Year Six production. | 0:21:43 | 0:21:45 | |
It's devastating news for some classmates. | 0:21:45 | 0:21:49 | |
I don't think it's fair on the people that do behave. | 0:21:49 | 0:21:52 | |
-Mmm, like us. -I feel embarrassed. | 0:21:52 | 0:21:54 | |
Cos all the other Year Sixes have held a production, | 0:21:54 | 0:21:57 | |
and now except for us, we won't have a production. | 0:21:57 | 0:22:00 | |
We broke the record, we're not doing it. | 0:22:00 | 0:22:02 | |
I'm angry. I'm angry at them. | 0:22:02 | 0:22:05 | |
Because, like, it happens all the time, | 0:22:05 | 0:22:07 | |
we'll do something, we won't do anything bad, | 0:22:07 | 0:22:10 | |
and then the others will stop something good from happening to us. | 0:22:10 | 0:22:14 | |
And, yeah, it's happened again. | 0:22:14 | 0:22:18 | |
This is really annoying. | 0:22:18 | 0:22:19 | |
Determined to turn the situation around, | 0:22:19 | 0:22:22 | |
Amethyst class teacher Mrs Cousins | 0:22:22 | 0:22:24 | |
has a heart-to-heart with Miss Sparman. | 0:22:24 | 0:22:27 | |
I'm just... The thing is, it's the same children every day. | 0:22:27 | 0:22:32 | |
And it's just been a build-up, and a build-up, and a build-up... | 0:22:32 | 0:22:35 | |
Shame, you're spoiling it for everybody else. | 0:22:35 | 0:22:38 | |
And she calls an emergency class meeting. | 0:22:38 | 0:22:40 | |
Right, I'm not very happy, to be honest, | 0:22:40 | 0:22:42 | |
what's happened with this production. I'm really not. | 0:22:42 | 0:22:45 | |
We have done this for you. Now, let's just have a vote on this, | 0:22:45 | 0:22:49 | |
who would actually like to do the production? There we go. | 0:22:49 | 0:22:52 | |
It was the last straw, really, | 0:22:52 | 0:22:54 | |
and I've got to do a lot to convince her, | 0:22:54 | 0:22:56 | |
and YOU'VE got to do a lot to convince her | 0:22:56 | 0:22:58 | |
that actually we want this production to happen. | 0:22:58 | 0:23:02 | |
-So any suggestions? Serrenur. -Miss! -We should write a class message. | 0:23:02 | 0:23:06 | |
A class message, OK. | 0:23:06 | 0:23:08 | |
-Do a petition? -Petition? Explain what you mean. | 0:23:08 | 0:23:11 | |
Like, we get a piece of paper, then someone writes on it, like, | 0:23:11 | 0:23:16 | |
"Sorry, Miss Sparman, we promise that we will not talk while... | 0:23:16 | 0:23:20 | |
"during a scene, and don't laugh at you." | 0:23:20 | 0:23:24 | |
And all the things that we did wrong, and turn them around. | 0:23:24 | 0:23:27 | |
-And then get everyone to sign it. -Right, do we agree? -ALL: Yeah. | 0:23:27 | 0:23:30 | |
What if they break it, though, Tyra, what should be the rule? | 0:23:30 | 0:23:34 | |
-You don't do the production. -You don't do it at all. | 0:23:34 | 0:23:37 | |
Amethyst class have decided anyone who misbehaves during rehearsals | 0:23:37 | 0:23:41 | |
will be permanently removed from the production. | 0:23:41 | 0:23:44 | |
And Mrs Shekhar's class are prepared to put even more on the line. | 0:23:44 | 0:23:48 | |
This is the contract, | 0:23:48 | 0:23:49 | |
if you get kicked out of the production, | 0:23:49 | 0:23:51 | |
maybe your chances of going to the prom are taken away. | 0:23:51 | 0:23:54 | |
If you miss the production due to behaviour, | 0:23:54 | 0:23:56 | |
you're not invited to the prom. Mm? | 0:23:56 | 0:23:59 | |
-Mm. -OK. | 0:23:59 | 0:24:00 | |
Year Six get straight to work on the contracts. | 0:24:00 | 0:24:03 | |
These promise that if anyone gives less than 100%, | 0:24:03 | 0:24:07 | |
they'll miss the show, and be banned from the prom. | 0:24:07 | 0:24:10 | |
The prom! | 0:24:10 | 0:24:11 | |
Ahh...that's going to be a fun day. | 0:24:11 | 0:24:14 | |
This will be the biggest night of the year for classes | 0:24:14 | 0:24:17 | |
Amethyst and Aquamarine. | 0:24:17 | 0:24:18 | |
It's the party no-one wants to miss. | 0:24:18 | 0:24:21 | |
I can't wait till prom, because I get this special dress, | 0:24:21 | 0:24:25 | |
and it's because it's the last time that you can ever spend... | 0:24:25 | 0:24:28 | |
-quality time with your friends. -These guys take the prom seriously, like, | 0:24:28 | 0:24:32 | |
this is the ball, this is the everything. | 0:24:32 | 0:24:35 | |
Everyone knows the price to pay if they mess around in rehearsals, | 0:24:35 | 0:24:38 | |
but can Year Six make the production a success? | 0:24:38 | 0:24:41 | |
And will they all make it to the prom? | 0:24:41 | 0:24:44 | |
-Some people might have already got dresses, and... -And they cost a lot. | 0:24:44 | 0:24:48 | |
I'm going to behave, cos I'm usually good in class. | 0:24:48 | 0:24:52 | |
Usually. | 0:24:52 | 0:24:54 | |
Not all the time. | 0:24:54 | 0:24:55 | |
Yeah, yeah, I think I'm going to behave, yeah. | 0:24:55 | 0:24:58 | |
I don't know. | 0:24:58 | 0:25:00 | |
I don't make promises. | 0:25:00 | 0:25:01 | |
It's the morning of the dress rehearsal, | 0:25:06 | 0:25:09 | |
and this is Year Six's big chance to impress Miss Sparman, | 0:25:09 | 0:25:13 | |
and show her they have what it takes to make the production a success. | 0:25:13 | 0:25:16 | |
Dreading it. Dreading it, dreading it. | 0:25:16 | 0:25:18 | |
It's her decision whether the play goes ahead, | 0:25:18 | 0:25:21 | |
and if anyone gets to go to the prom. | 0:25:21 | 0:25:23 | |
This is it. The loudest voice you can possibly come up with. | 0:25:23 | 0:25:27 | |
So far, they've only practised in private, but that's about to change, | 0:25:27 | 0:25:31 | |
as Key Stage One pupils have been invited along to watch. | 0:25:31 | 0:25:35 | |
It's the first time they're going to perform | 0:25:35 | 0:25:38 | |
in front of an audience. | 0:25:38 | 0:25:39 | |
So let's give them a big clap first. | 0:25:39 | 0:25:42 | |
Things get off to a shaky start, as the cast struggle with their lines. | 0:25:43 | 0:25:47 | |
Then we'll be late on Fri...on... | 0:25:47 | 0:25:49 | |
Then we'd arrive late at school on Friday instead...on Monday instead. | 0:25:49 | 0:25:53 | |
Do none of you lot care about an area... | 0:25:53 | 0:25:55 | |
No! I've got... | 0:25:55 | 0:25:57 | |
However, once they get going, there are some signs of improvement. | 0:25:59 | 0:26:03 | |
Here's my slip. | 0:26:03 | 0:26:04 | |
No, no, no, no, no! I haven't got time to count all this! | 0:26:04 | 0:26:07 | |
Just sit down, I'll do it later! | 0:26:07 | 0:26:09 | |
LAUGHTER | 0:26:09 | 0:26:10 | |
And although Patrick gets a little over-excited... | 0:26:10 | 0:26:14 | |
AUDIENCE CHEERS | 0:26:14 | 0:26:16 | |
..the Key Stage One kids seem to be enjoying themselves. | 0:26:16 | 0:26:19 | |
Despite a few bumps along the way, the audience loved it. | 0:26:19 | 0:26:23 | |
But what will hard-to-please Miss Sparman say? | 0:26:23 | 0:26:26 | |
The only thing that I am going to beg for, volume! | 0:26:26 | 0:26:29 | |
Volume in your singing, and volume in your voices when you're acting. | 0:26:29 | 0:26:33 | |
Volume, volume, volume. | 0:26:33 | 0:26:35 | |
I don't mind if you mess up lines, that's not an issue, | 0:26:35 | 0:26:37 | |
cos that can happen. Nicole. Friday or Monday, I wasn't sure. | 0:26:37 | 0:26:42 | |
Friday or Monday? I really like the production now. | 0:26:42 | 0:26:44 | |
Give yourselves a round of applause, we've got it! | 0:26:44 | 0:26:47 | |
CHEERING AND APPLAUSE | 0:26:47 | 0:26:49 | |
The production is back on. Year Six have shown they mean business. | 0:26:49 | 0:26:53 | |
And soon they'll be performing the biggest show of their lives. | 0:26:53 | 0:26:57 | |
Like, other practices, we all messed up, | 0:26:57 | 0:26:59 | |
and there weren't that much messing up in this one. | 0:26:59 | 0:27:03 | |
Everyone was really lively at the end. | 0:27:03 | 0:27:06 | |
And we showed a different attitude than we would | 0:27:06 | 0:27:08 | |
when we were rehearsing without the costumes and stuff. | 0:27:08 | 0:27:11 | |
I think I did good. I was confident, and I knew my lines. | 0:27:11 | 0:27:14 | |
So... I just hope it went well. | 0:27:14 | 0:27:17 | |
But I enjoyed it. | 0:27:17 | 0:27:18 | |
Next time... | 0:27:21 | 0:27:22 | |
A trip to the end-of-year adventure camp pushes everyone to their limit. | 0:27:22 | 0:27:26 | |
-It's hard! -Will a playground disaster ruin everything for Serena? | 0:27:26 | 0:27:30 | |
They're going to take me to hospital, | 0:27:30 | 0:27:33 | |
cos my hand's hurting a lot, I can't move it. | 0:27:33 | 0:27:35 | |
And can Year Six put on the show of their lives | 0:27:35 | 0:27:38 | |
-in the big performance? -I, like, don't want to mess it up for anyone. | 0:27:38 | 0:27:42 | |
Subtitles by Red Bee Media Ltd | 0:27:47 | 0:27:51 |