Episode 3 Goodbye Year Six


Episode 3

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Transcript


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In Year Six, you're top dog in school.

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I'll never be 11 again.

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It's a year that's packed with emotional highs...

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SHE GASPS

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Oh, my God!

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Yes!!

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..and dramatic lows.

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-I'm not going to sit next to you.

-Oh...really?

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-That's the wrong attitude.

-Ah...

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They're going to take me to hospital, my hand's hurting a lot,

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and I can't move it.

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And as Year Six-ers start their last ever term at primary school,

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-there's a lot to look forward to.

-Well, yeah!

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The limos, the glamour,

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and the party of their lives at the end-of-year prom.

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The challenge of stepping into the spotlight,

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showcasing their talent.

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BEATBOXING

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The adrenaline rush and wild nights of the first trip away from home.

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Pillow fight!

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But this is also a time when their life changes for ever.

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Year Six is about getting them ready to move on,

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moving on up into that next stage.

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They'll have to face the heartache of saying goodbye to their friends.

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-He's like a brother.

-She's the best thing I ever had.

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One thing's for sure, the final term

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will be like nothing they've ever experienced.

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There's so much still to learn.

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I, like, don't want to mess up for anyone, and I want to do my best.

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-And to laugh about.

-HE LAUGHS

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And after that, it's time to say, Goodbye, Year Six.

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-Hip hip...

-ALL: Hooray!

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Coming up, rehearsals for the school production

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put all of Year Six's talents to the test.

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No, no, no, no! I haven't time to count all this!

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Will Tanarj'e's nerves cost her a place in the play?

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-I don't want to do the play.

-Why?

-I don't want to be in it.

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Can Patrick cut out his clowning around?

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-Patrick, I'm going to take you out of this role.

-Oh!

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Who will crack first? The pupils...

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-Get your head out of my ear hole!

-I'm angry.

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-..or the teachers?

-Is something funny?

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Get out. You go, and you, just go. We're ready to just ditch this.

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BELL RINGS

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For the pupils of Year Six at Heavers Farm School

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in South London, the stress of the Sats exams is over,

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and it's time to relax, have fun and show off some skills.

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LAUGHTER Let me have a go!

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Classes Aquamarine and Amethyst are packed full of talent,

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and there's competition to prove they can be stars of the future.

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The girls love to sing in class. I like to sing.

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Next door is dancing. My class sings, next door is dancing.

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I want to be famous, I want everyone to know me and remember me.

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-What do you want to be when you're grown-up?

-Rapper!

-Beatboxer.

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-I taught you how to beatbox!

-I know. And I taught you how to rap.

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-No, you didn't!

-Calm down!

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In just a few weeks,

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Year Six will have a chance to show how much they've grown in confidence

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in their time at school, when they perform the end-of-year play

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in front of their parents and teachers.

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Well, it's a production about us, especially like,

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what's happening now, about us leaving Year Six,

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but it'll be kids playing teachers, and stuff,

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so, looking forward to that.

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Miss Sparman and Miss Kelly have been given the job of making

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sure "Goodbye My Friend" is a huge success.

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I'm going to be scared, cos I don't think I've ever done a play before.

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Everyone's after the best parts, and the teachers have got a tough

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job deciding who's going to play who.

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Do you feel like Simon Cowell and Louis Walsh?

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LAUGHTER

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Auditions are a chance to impress teachers,

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and Tanarj'e is feeling the pressure.

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Can she overcome her nerves and get the part she wants?

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-Tanarj'e.

-I thought you weren't doing it.

-She is now.

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Wasn't I told this morning, somewhere through the grapevine,

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"I'm not auditioning..!"?

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-It's cos I'm scared of auditioning!

-She's very nervous.

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Because you're nervous? You don't need to be nervous.

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I thought you were being a diva. No?

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-No!

-What part?

-The TA.

-The TA.

-The TA.

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-Has everyone got a sheet?

-I haven't.

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Would you like... me to deal with that?

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If you wouldn't mind, Miss Tanarj'e.

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Now, can anyone tell me

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how to find the area of a regular four-sided shape?

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-Think about the length and breadth.

-That's fine, thank you very much.

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-OK!

-It was clear, well done.

-Tanarj'e's audition was a hit.

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She's not the only one battling nerves.

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Philip has his heart set on a role he thinks is ideal for him.

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Ben. Cos I'm not that good at reading, and he's got easy words.

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I want to be in the play, just not like, have big sentences,

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cos I won't be able to remember it all.

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But if I can't remember some of them, I'll just write it on my hand.

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When I spoke to Miss Sparman, she said,

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like, there's already been ten performers of Ben, so...

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Yeah.

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It'll be quite tricky to get the part, but hopefully I still can.

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But to get the part, he needs to wow the teachers in his audition.

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-Go on, then.

-So are you guys ready for...um...

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Are you guys ready for your last day ever at... Last ever day at school?

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OK, I want you to do it without the script.

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-Don't read the script.

-Just say it to me.

-In your own words.

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-So are you guys ready for the last day at primary school?

-There you go!

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-Perfect.

-See?

-I guarantee I'm not going to get it.

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Well, no, no, no, you can't guarantee anything.

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You've done well.

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The auditions might be stressful for some,

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but others relish a chance to perform.

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-You'd avoid all the chaos.

-I love that.

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The hustle and bustle, to and fro-ing, it leaves you

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in no doubt that another school week has well and truly begun.

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-That's a lovely audition, thank you.

-Thanks, Tyra.

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D'you know what's really annoying about this bus being late?

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I could have had... A bowl... Another bowl of cereal.

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-You're really good.

-I think we need to have a bigger part...

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I really do, Curtis.

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Please move your lazy behinds here now!

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OK, thank you very much, Patrick.

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I wouldn't like you to be my teacher! THEY LAUGH

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With lots of Year Six-ers battling for the same roles,

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the auditions are tough for best friends Mariam and Marine.

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-They're both after the same part.

-Think about it.

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If the bus is late on Monday morning,

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it means we arrive at school late on Monday,

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we'd avoid all the chaos.

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Think about it, if the bus is late on Monday morning,

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it means we... It means that we'd arrive late...

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Er...we would arrive at school late on Monday morning.

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We'd avoid all the chaos.

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Thank you. Well done.

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There's a character we both want to be, called Betty.

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I'm cool with it, because we just promised we'd not, like,

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have hard feelings, if one of us gets the part.

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We'll just congratulate each other. Cos that's how good friends we are.

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Along with the rest of Year Six, all they can do is wait,

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and hope they get the roles they want.

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Thank you!

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After a tense few days, it's the moment of truth.

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Time to find out who's got the parts they auditioned for.

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I know that in Aquamarine, certain children wanted particular roles

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and they haven't got them. So, yeah, that could be a problem.

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-I feel quite nervous!

-SHE LAUGHS

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And for some, it's really good news.

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Oh!

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Yes! I'm Sarah! Yay!

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Yay! I'm Sarah!

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Ooooooh!

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-Yes!!

-No!

-Yes!

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See? I told you!

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And Tanarj'e's not the only one who got the part she wanted.

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-Who are you?

-Betty!

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With Marine cast as Betty, her BFF, Mariam,

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is going to have to settle for a role that she didn't ask for.

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I can't see her!

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-I'm Child Two!

-I'm Child Number One!

-Yes. Very good part.

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-Child Two!

-Have you actually looked at the scene?

-Yeah.

-You have?

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-And what are you not happy about?

-I don't like it.

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Although they promised it wouldn't damage their friendship,

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-Mariam is angry at not being chosen to play Betty.

-I don't want it.

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Why don't you want it?

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Because I didn't want that part in the first place.

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I feel really bad.

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Cos she really doesn't like the part she got.

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I wish I could change it for her.

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Can Mariam get over losing the role she wanted,

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and make up with her best friend?

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It's the start of a new day at Heavers Farm School.

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But before rehearsals for the play begin,

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there's urgent business to attend to.

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It's Seyi's birthday.

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The school tradition is, they give boys, not girls, birthday beats.

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They punch you on how old you are.

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-Like...

-And then I did one extra for next year.

-For good luck, yeah.

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When it's your birthday,

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all your friends will give you birthday beats.

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ALL: One, two, three, four, five, six, seven, eight, nine, ten, 11! 12!

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Happy birthday, Seyi!

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They all just came for me and started birthday beating me.

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Happy birthday!

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Yeah, happy birthday!

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-Birthday beats!

-One...it's OK.

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Birthday beats are not really a bad thing.

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They're basically another way of saying, "Happy birthday."

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THEY LAUGH

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BELL RINGS

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With only a few weeks to prepare until the big performance,

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Year Six get stuck into their characters.

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Last Monday morning, we just did a one-off,

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and there was one before that, and the one before that.

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They wouldn't hear that.

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If you forgot your kit, you'd have to do it in pants and vest.

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Well done, lovely, next!

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But not everyone is happy with their part.

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Best friends Mariam and Marine

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fell out after they both auditioned for the character of Betty.

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And with Mariam still upset about not being chosen,

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it's all getting a bit much for Marine.

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It was what you auditioned for.

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You was like, "I want to be Betty!"

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But now I'm a teacher's pet.

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Hey!

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SHE CHUCKLES

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Don't you dare get upset...

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Aaahh!

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Although Cookie is doing her best to cheer Marine up.

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-MARINE SOBS

-Don't cry.

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With a close friendship at stake,

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there's only one person who can really make her feel better.

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I was coming to talk to you.

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But have they managed to get their friendship back on track?

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Most of the time, there's friends like us, like,

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two people, and if they have an argument, it'll take,

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like, days for them to figure it out.

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-But we're not like that.

-We sorted it out.

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We're friends again, and it feels great, it feels, like, nice.

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Cos you don't have fights, you don't stay away from each other,

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we can talk to each other.

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Pretty cool.

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-Bye.

-Bye!

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With all the roles decided, Year Six can start rehearsing together.

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But Philip doesn't seem quite so keen.

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-Morning, Philip!

-Morning.

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You coming in?

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And have a look at your script?

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Going to...

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At his audition, Philip had his heart set

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-on playing the part of Ben.

-Perform Ben.

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Because I'm not that good at reading, and he's got easy words.

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He impressed the teachers so much, he's been given a bigger role, Ali.

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He's shy about performing such a main character,

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-so he runs through the script with Mr Rohan...

-Oh, yes...

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The madness that is our Monday morning routine.

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Good. Good.

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..while his best mate, Tate, stands in for him in rehearsals.

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No way, they'd never do that. He's having you on.

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I'm loving you as Ali. Philip's got shoes to fill when he comes back.

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Philip knows if he wants to keep his role,

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he's going to have to overcome his stage fright.

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It's only today.

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And I have to get used to it.

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While some are struggling to find their confidence,

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natural performers like Patrick are in their element.

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A talented rapper, Patrick's using his freestyling skills

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to put his own spin on the role of Lunchtime Supervisor.

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But not everyone's impressed.

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We can't prove it, so yo... So we're watching...

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Sorry, what accent are we trying here?

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Are we being American, are we being Jamaican?

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-What accent are we trying?

-Am I allowed to do accents?

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Erm...are you any good at an accent?

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-What accent... Are you good at a Jamaican accent?

-Nigerian?!

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Go on, let's see how your Jamaican accent is.

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All right...

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INDISTINCT JAMAICAN SPEECH

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OK. All right, sorry.

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-Ohh!

-That was very good, but we still have to understand you.

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Shall I speak in Nigerian, then?

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Can you speak it in Nigerian? All right, let's try that, then.

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NIGERIAN ACCENT: We know that you are trying to get the Infants

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to drink vinegar, erm... to drink vinegar.

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LAUGHTER

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All right, I know. Hold on, stop, stop, stop.

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Stop messing about and get on with it.

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We know that you are trying to get the Infants to drink vinegar,

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but we can't prove it. So we're watching you.

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Now get outside and remember.

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You two run, they block you, and you say, "Stop in the name of the law."

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BOTH: Stop in the name of the law!

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-Patrick, I'm going to take you out of this role.

-I didn't do anything!

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-Cos you get silly with it.

-You keep changing your accent.

-Exactly!

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-Leave him alone!

-Every minute it's one accent, then it's another.

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Just get off me...

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The director...

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thinks I'm being silly.

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-Now, are you being silly?

-Maybe. Kind of silly.

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We've got your back, Audrey. Call for assistance if you need it.

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With Patrick having to rein himself in,

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his classmate, Philip, is struggling with his confidence,

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and he's still not joining in with rehearsals.

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Yes, cos you're in this bit, Philip!

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But we have to practise it.

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We've got to practise with everybody.

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Do you not want to be in it, then?

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If you want to be in it, then you've got to do this.

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'I don't know about Philip, you know?'

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I know... I know, I know.

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The day of the play is looming, and Miss Sparman expects the cast

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to begin putting more expression into their characters.

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Clear voice, loud, please.

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And as ever, double-act Patrick and Jevon

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have something to say on the matter.

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Some people acting, they're not putting oomph into it.

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-Like...

-Oomph? What's oomph?

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Oh, shh. Like... I'll tell you later.

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Having overcome her shyness to win the role of TA,

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Tanarj'e now faces the even scarier challenge

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of performing in front of her friends.

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-They look at you, you say...

-Think about the length and breadth.

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Really?

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Think about the length and the breadth.

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Can't hear you!

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I need to see some expression.

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The play needs exciting up a bit.

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And this scene needs exciting up, so you need to..."Think about..." Hello?

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"Think about the length and the breadth."

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Think about the length and the breadth.

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OK, that's not going to work for me. It's not going to work.

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-Can I not do the play?

-Why's that?

-I don't want to be in it.

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-Why?

-I just don't want to.

-You don't want to be told what to do?

-No.

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-I just don't want to be in the play.

-All right.

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Give the script back, I'll find someone else.

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Don't have time for strops. I'll take the script.

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You won't need it. 'Scuse me? Excuse me?

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Thank you.

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I'll be the TA for now. OK. Think about the length and the breadth.

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Because sometimes I get shy, I was finding it hard to, like...

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Do it in front of other people.

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That's why I told Miss I didn't want to do it no more.

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I should have probably stayed in the play, but...

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I'm just going to stay out.

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For now. I might change my mind, I'm not sure.

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But with time against them,

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Tanarj'e has given the teachers a real dilemma.

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-What's up with Tanarj'e?

-She's resigned...

-Why?

0:15:560:15:58

Cos I asked her to use more expression.

0:15:580:16:00

And she didn't like the fact that I asked her maybe two or three times.

0:16:000:16:05

She said she doesn't want to do it, so we need a new TA.

0:16:050:16:08

OK.

0:16:080:16:09

With Tanarj'e dropping out,

0:16:100:16:12

the character of TA will need to be filled quickly.

0:16:120:16:14

Miss Kelly thinks she has the perfect replacement in Nicole.

0:16:140:16:17

ALL: Eighteen!

0:16:170:16:19

Excellent! Now look, I'm dividing the rectangle in half...

0:16:190:16:23

with a diagonal line. What have I made?

0:16:230:16:26

-ALL: Two right-angled triangles!

-Love Nicole in the role.

0:16:260:16:30

-Right, Nicole!

-Love it.

-You have the role.

-Well done.

0:16:300:16:33

-As TA.

-Well done.

-OK. I'll give this back to Tanarj'e.

0:16:330:16:37

-No, no, no.

-She doesn't need it.

0:16:370:16:39

She was fantastic in that role!

0:16:390:16:41

-She was really good in it!

-I know she was.

0:16:410:16:45

Taking over the part of TA from her classmate

0:16:450:16:48

-has left Nicole with mixed emotions.

-Tanarj'e has moods sometimes,

0:16:480:16:51

and sometimes it's just not the right time and the right place,

0:16:510:16:55

and it wasn't the right time and place this time, so...

0:16:550:16:58

I'm...

0:16:580:17:00

..happy, but a bit upset for Tanarj'e.

0:17:010:17:03

Show time is drawing ever closer, and Philip, who has a main role,

0:17:030:17:08

still doesn't seem keen on rehearsing.

0:17:080:17:11

Can we get this over and done with?

0:17:110:17:13

You see? Wrong attitude. "Get it over and done with"? No.

0:17:130:17:16

And it's beginning to affect the whole production.

0:17:160:17:19

Tate? Can you fill in for Philip, please?

0:17:190:17:21

If Philip wants to, then he will, but it's like...

0:17:210:17:26

It's either... Now it's like, either he does it or he doesn't,

0:17:260:17:29

because Tate can't keep stepping in and not stepping in

0:17:290:17:32

and learning his lines and not.

0:17:320:17:34

Hopefully, Tate does it, and there's no fuss,

0:17:340:17:37

or Philip joins in. If he wants to join in, that's fine,

0:17:370:17:40

cos it'll be nice if he's in it, cos he's a part of Year Six.

0:17:400:17:43

Knowing some tough decisions need to be made,

0:17:430:17:47

Philip's teacher, Mrs Shekhar, steps in for a heart-to-heart.

0:17:470:17:50

-Now, this production, do you want to be part of it?

-Mm-hmm.

0:17:500:17:54

I asked Miss Kelly, can we do it now, cos I want to play.

0:17:540:17:57

Aah, so do you think that would go down well?

0:17:570:17:59

It's an important role you're doing, isn't it?

0:17:590:18:02

So what we're going to do is get you another part in the play.

0:18:020:18:06

Is that OK? We'll change the Ali part

0:18:060:18:08

to make it something that is quick, so you can get on, do that part,

0:18:080:18:12

and get on with what you're supposed to do. Is that all right?

0:18:120:18:15

-Is that all right?

-Yeah.

0:18:160:18:18

-Yeah...

-Thank you, Philip.

0:18:180:18:20

At last, Philip has officially handed his role over to Tate,

0:18:200:18:23

and he's happy to take centre stage in the chorus.

0:18:230:18:26

I'm no longer Ali, but I don't care.

0:18:260:18:28

Cos I'd never have remembered it all.

0:18:280:18:31

I'm in all the songs.

0:18:310:18:32

# Six o'clock already

0:18:320:18:34

# I was just in the middle of a dream... #

0:18:340:18:37

With Philip finally finding a role he's comfortable with,

0:18:370:18:40

Tanarj'e is also having second thoughts about quitting.

0:18:400:18:43

-Miss Sparman? Tanarj'e said she would like a little part.

-OK. Good.

0:18:430:18:48

-That's good.

-But just when things seem to be going right,

0:18:480:18:51

there's another problem.

0:18:510:18:53

Now even Curtis, who's got a main speaking part in the play,

0:18:530:18:56

-isn't co-operating.

-It's not surprising teachers get wound up.

0:18:560:19:01

-Slow down, be louder.

-Last week I came a right cropper...

0:19:010:19:03

-No!

-Full stop!

-You're not stopping!

0:19:030:19:06

-Full stop.

-There's a full stop.

0:19:060:19:08

Do you not know your lines in Scene Two?

0:19:080:19:11

Curtis?

0:19:110:19:12

-You need to learn your lines.

-Mmm.

0:19:130:19:17

We haven't got long until the actual production.

0:19:170:19:20

You've got important lines, you're important.

0:19:200:19:23

You're good at Ben, but you must learn lines.

0:19:230:19:25

Let's take a script next door, and start learning our lines.

0:19:250:19:28

-I'm not going to sit next to you.

-Oh...really?

0:19:280:19:31

-That's the wrong attitude.

-We can't have this attitude.

0:19:310:19:34

Listen, we're ready to just ditch this.

0:19:340:19:36

Reluctantly, Curtis takes his script to learn his lines.

0:19:360:19:40

But it's not long before he's changed his mind.

0:19:400:19:43

..But we're in Year Six now, aren't we?

0:19:430:19:46

Despite everyone's best efforts, Curtis refuses to join in.

0:19:460:19:50

Come on, Curtis. We need you.

0:19:500:19:52

-You should be proud! You've got the best part...

-Leave him alone!

0:19:520:19:56

Get your head out of my ear hole!

0:19:560:19:59

And with rehearsal time running out,

0:20:030:20:05

the end-of-year play's reaching crisis point.

0:20:050:20:08

The production is not going on well.

0:20:130:20:17

Everyone's attitude, they use attitude in the class,

0:20:170:20:19

but they can't show it for them when they're doing a production.

0:20:190:20:23

And it seems even Miss Sparman is starting to lose faith.

0:20:230:20:27

So far, not so great.

0:20:270:20:29

We might have to do some swap-rounds,

0:20:290:20:31

scrap the whole thing, maybe, and start again, I don't know.

0:20:310:20:36

I don't know.

0:20:360:20:37

With the entire production on the brink of collapse,

0:20:420:20:45

everyone gathers in the hall to practise the grand finale.

0:20:450:20:48

-But the rehearsal gets off to a bad start.

-Hello? Waiting!

0:20:480:20:52

Sorry, who else is having a chat? Someone's not bothering to listen.

0:20:520:20:56

I'm trying to tell you the dance instructor is going to come in

0:20:580:21:01

and teach us... Oh, get out, Kyrone, just go away.

0:21:010:21:04

If you just want to be clowning around all...

0:21:040:21:07

Is something funny, Javel? Get out, you go. And you, just go.

0:21:070:21:11

It's the last straw for Miss Sparman.

0:21:110:21:13

She calls off the whole production.

0:21:130:21:16

People started talking, and, erm... not listening to the teacher,

0:21:160:21:20

and they got sent out of the hall.

0:21:200:21:22

Yeah, Miss just got really angry, and she was like,

0:21:220:21:25

"Get out of the hall! Now!"

0:21:250:21:27

And then there was no production.

0:21:270:21:28

It's, like, a real bummer, because I had a good part,

0:21:280:21:32

and we were trying to work really hard,

0:21:320:21:35

but then some people couldn't take it seriously.

0:21:350:21:37

-And my dad was going to come!

-So was mine!

0:21:370:21:40

For the first time in the history of Heavers Farm,

0:21:400:21:43

it looks like there'll be no Year Six production.

0:21:430:21:45

It's devastating news for some classmates.

0:21:450:21:49

I don't think it's fair on the people that do behave.

0:21:490:21:52

-Mmm, like us.

-I feel embarrassed.

0:21:520:21:54

Cos all the other Year Sixes have held a production,

0:21:540:21:57

and now except for us, we won't have a production.

0:21:570:22:00

We broke the record, we're not doing it.

0:22:000:22:02

I'm angry. I'm angry at them.

0:22:020:22:05

Because, like, it happens all the time,

0:22:050:22:07

we'll do something, we won't do anything bad,

0:22:070:22:10

and then the others will stop something good from happening to us.

0:22:100:22:14

And, yeah, it's happened again.

0:22:140:22:18

This is really annoying.

0:22:180:22:19

Determined to turn the situation around,

0:22:190:22:22

Amethyst class teacher Mrs Cousins

0:22:220:22:24

has a heart-to-heart with Miss Sparman.

0:22:240:22:27

I'm just... The thing is, it's the same children every day.

0:22:270:22:32

And it's just been a build-up, and a build-up, and a build-up...

0:22:320:22:35

Shame, you're spoiling it for everybody else.

0:22:350:22:38

And she calls an emergency class meeting.

0:22:380:22:40

Right, I'm not very happy, to be honest,

0:22:400:22:42

what's happened with this production. I'm really not.

0:22:420:22:45

We have done this for you. Now, let's just have a vote on this,

0:22:450:22:49

who would actually like to do the production? There we go.

0:22:490:22:52

It was the last straw, really,

0:22:520:22:54

and I've got to do a lot to convince her,

0:22:540:22:56

and YOU'VE got to do a lot to convince her

0:22:560:22:58

that actually we want this production to happen.

0:22:580:23:02

-So any suggestions? Serrenur.

-Miss!

-We should write a class message.

0:23:020:23:06

A class message, OK.

0:23:060:23:08

-Do a petition?

-Petition? Explain what you mean.

0:23:080:23:11

Like, we get a piece of paper, then someone writes on it, like,

0:23:110:23:16

"Sorry, Miss Sparman, we promise that we will not talk while...

0:23:160:23:20

"during a scene, and don't laugh at you."

0:23:200:23:24

And all the things that we did wrong, and turn them around.

0:23:240:23:27

-And then get everyone to sign it.

-Right, do we agree?

-ALL: Yeah.

0:23:270:23:30

What if they break it, though, Tyra, what should be the rule?

0:23:300:23:34

-You don't do the production.

-You don't do it at all.

0:23:340:23:37

Amethyst class have decided anyone who misbehaves during rehearsals

0:23:370:23:41

will be permanently removed from the production.

0:23:410:23:44

And Mrs Shekhar's class are prepared to put even more on the line.

0:23:440:23:48

This is the contract,

0:23:480:23:49

if you get kicked out of the production,

0:23:490:23:51

maybe your chances of going to the prom are taken away.

0:23:510:23:54

If you miss the production due to behaviour,

0:23:540:23:56

you're not invited to the prom. Mm?

0:23:560:23:59

-Mm.

-OK.

0:23:590:24:00

Year Six get straight to work on the contracts.

0:24:000:24:03

These promise that if anyone gives less than 100%,

0:24:030:24:07

they'll miss the show, and be banned from the prom.

0:24:070:24:10

The prom!

0:24:100:24:11

Ahh...that's going to be a fun day.

0:24:110:24:14

This will be the biggest night of the year for classes

0:24:140:24:17

Amethyst and Aquamarine.

0:24:170:24:18

It's the party no-one wants to miss.

0:24:180:24:21

I can't wait till prom, because I get this special dress,

0:24:210:24:25

and it's because it's the last time that you can ever spend...

0:24:250:24:28

-quality time with your friends.

-These guys take the prom seriously, like,

0:24:280:24:32

this is the ball, this is the everything.

0:24:320:24:35

Everyone knows the price to pay if they mess around in rehearsals,

0:24:350:24:38

but can Year Six make the production a success?

0:24:380:24:41

And will they all make it to the prom?

0:24:410:24:44

-Some people might have already got dresses, and...

-And they cost a lot.

0:24:440:24:48

I'm going to behave, cos I'm usually good in class.

0:24:480:24:52

Usually.

0:24:520:24:54

Not all the time.

0:24:540:24:55

Yeah, yeah, I think I'm going to behave, yeah.

0:24:550:24:58

I don't know.

0:24:580:25:00

I don't make promises.

0:25:000:25:01

It's the morning of the dress rehearsal,

0:25:060:25:09

and this is Year Six's big chance to impress Miss Sparman,

0:25:090:25:13

and show her they have what it takes to make the production a success.

0:25:130:25:16

Dreading it. Dreading it, dreading it.

0:25:160:25:18

It's her decision whether the play goes ahead,

0:25:180:25:21

and if anyone gets to go to the prom.

0:25:210:25:23

This is it. The loudest voice you can possibly come up with.

0:25:230:25:27

So far, they've only practised in private, but that's about to change,

0:25:270:25:31

as Key Stage One pupils have been invited along to watch.

0:25:310:25:35

It's the first time they're going to perform

0:25:350:25:38

in front of an audience.

0:25:380:25:39

So let's give them a big clap first.

0:25:390:25:42

Things get off to a shaky start, as the cast struggle with their lines.

0:25:430:25:47

Then we'll be late on Fri...on...

0:25:470:25:49

Then we'd arrive late at school on Friday instead...on Monday instead.

0:25:490:25:53

Do none of you lot care about an area...

0:25:530:25:55

No! I've got...

0:25:550:25:57

However, once they get going, there are some signs of improvement.

0:25:590:26:03

Here's my slip.

0:26:030:26:04

No, no, no, no, no! I haven't got time to count all this!

0:26:040:26:07

Just sit down, I'll do it later!

0:26:070:26:09

LAUGHTER

0:26:090:26:10

And although Patrick gets a little over-excited...

0:26:100:26:14

AUDIENCE CHEERS

0:26:140:26:16

..the Key Stage One kids seem to be enjoying themselves.

0:26:160:26:19

Despite a few bumps along the way, the audience loved it.

0:26:190:26:23

But what will hard-to-please Miss Sparman say?

0:26:230:26:26

The only thing that I am going to beg for, volume!

0:26:260:26:29

Volume in your singing, and volume in your voices when you're acting.

0:26:290:26:33

Volume, volume, volume.

0:26:330:26:35

I don't mind if you mess up lines, that's not an issue,

0:26:350:26:37

cos that can happen. Nicole. Friday or Monday, I wasn't sure.

0:26:370:26:42

Friday or Monday? I really like the production now.

0:26:420:26:44

Give yourselves a round of applause, we've got it!

0:26:440:26:47

CHEERING AND APPLAUSE

0:26:470:26:49

The production is back on. Year Six have shown they mean business.

0:26:490:26:53

And soon they'll be performing the biggest show of their lives.

0:26:530:26:57

Like, other practices, we all messed up,

0:26:570:26:59

and there weren't that much messing up in this one.

0:26:590:27:03

Everyone was really lively at the end.

0:27:030:27:06

And we showed a different attitude than we would

0:27:060:27:08

when we were rehearsing without the costumes and stuff.

0:27:080:27:11

I think I did good. I was confident, and I knew my lines.

0:27:110:27:14

So... I just hope it went well.

0:27:140:27:17

But I enjoyed it.

0:27:170:27:18

Next time...

0:27:210:27:22

A trip to the end-of-year adventure camp pushes everyone to their limit.

0:27:220:27:26

-It's hard!

-Will a playground disaster ruin everything for Serena?

0:27:260:27:30

They're going to take me to hospital,

0:27:300:27:33

cos my hand's hurting a lot, I can't move it.

0:27:330:27:35

And can Year Six put on the show of their lives

0:27:350:27:38

-in the big performance?

-I, like, don't want to mess it up for anyone.

0:27:380:27:42

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0:27:470:27:51

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