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You ready? | 0:00:02 | 0:00:03 | |
# Traemondo... # | 0:00:06 | 0:00:07 | |
-You all right? -Yeah. -How was school? -It was fine today. | 0:00:09 | 0:00:13 | |
-What did you have? -I had pizza, chips and beans. | 0:00:13 | 0:00:17 | |
I meant lessons. | 0:00:17 | 0:00:18 | |
# Oi, are you ready for this? # | 0:00:18 | 0:00:20 | |
I'm Traemondo. | 0:00:20 | 0:00:21 | |
I'm only 11 years old, | 0:00:21 | 0:00:23 | |
but one day I'm going to be the UK's biggest grime artist. | 0:00:23 | 0:00:27 | |
Nothing can stop me, really. | 0:00:27 | 0:00:29 | |
Music's like 90% of my life right now. | 0:00:31 | 0:00:35 | |
I'm always in my room jamming to music, listening to new beats, | 0:00:35 | 0:00:39 | |
writing bars, cos it's just something I love | 0:00:39 | 0:00:42 | |
and it's something that I can relate to as well. | 0:00:42 | 0:00:45 | |
# The summer's mine | 0:00:45 | 0:00:47 | |
# I love it when the sun shines and I'm on my bike... # | 0:00:47 | 0:00:49 | |
By the time I'm, like, 16, | 0:00:49 | 0:00:51 | |
I will know, like, most of the things in the music industry, | 0:00:51 | 0:00:55 | |
and I'll, like, be almost number one. | 0:00:55 | 0:00:58 | |
That's where I'm aiming for. | 0:00:58 | 0:01:00 | |
You have to think big to be big. | 0:01:00 | 0:01:03 | |
# From Notts to Atlanta... # | 0:01:04 | 0:01:06 | |
'I've got the best flow.' | 0:01:06 | 0:01:07 | |
# Traemondo... # | 0:01:07 | 0:01:08 | |
'I've got the best wave. | 0:01:08 | 0:01:10 | |
'No-one's going to take my swag.' | 0:01:10 | 0:01:12 | |
Trae, stop daydreaming. | 0:01:14 | 0:01:16 | |
Help me with the shopping. | 0:01:16 | 0:01:18 | |
'My mum might think it's a dream | 0:01:18 | 0:01:20 | |
'but I'm turning this fantasy into reality. | 0:01:20 | 0:01:23 | |
'I've got one of the biggest performances I've ever done | 0:01:23 | 0:01:27 | |
'in a week's time, | 0:01:27 | 0:01:28 | |
'and I want to prove to my family that I can make it big.' | 0:01:28 | 0:01:31 | |
Hey, you didn't take all your medicines today. | 0:01:31 | 0:01:33 | |
Yeah, I know. | 0:01:33 | 0:01:35 | |
Cos I was on an empty stomach. | 0:01:35 | 0:01:36 | |
'But my biggest challenge of them all is my condition | 0:01:37 | 0:01:40 | |
'called ulcerative colitis.' | 0:01:40 | 0:01:42 | |
# What you know? What you know about colitis? # | 0:01:42 | 0:01:45 | |
Ulcerative colitis is an inflammatory bowel disease. | 0:01:45 | 0:01:49 | |
It takes place in your colon and, basically, | 0:01:49 | 0:01:51 | |
you can have a lot of bleeding in your colon | 0:01:51 | 0:01:54 | |
and that makes you go toilet a lot, | 0:01:54 | 0:01:56 | |
and you can have blood in your stools | 0:01:56 | 0:01:58 | |
and you can get flare ups every so often, | 0:01:58 | 0:02:01 | |
where your bowel starts getting angry, | 0:02:01 | 0:02:04 | |
and then you start passing more blood. | 0:02:04 | 0:02:06 | |
One, two, three, four, five, six tablets. | 0:02:06 | 0:02:12 | |
I've also got these sachets which I have to take twice a day, | 0:02:12 | 0:02:15 | |
so it's really annoying. | 0:02:15 | 0:02:17 | |
If my health isn't good then I can't do music, | 0:02:17 | 0:02:19 | |
so that's why I try my best to take my medication. | 0:02:19 | 0:02:23 | |
-What about a banana, Trae? -No, I'm all right. | 0:02:26 | 0:02:28 | |
-Blueberries? -I said I'm fine. | 0:02:28 | 0:02:30 | |
-Orange? -No. | 0:02:30 | 0:02:31 | |
# Let's talk about life... # | 0:02:31 | 0:02:33 | |
When I was diagnosed, it was really upsetting, | 0:02:33 | 0:02:35 | |
and then since then I pretty much was in the bed every day, | 0:02:35 | 0:02:39 | |
I didn't want to talk to anybody, communicate, | 0:02:39 | 0:02:42 | |
I didn't want to eat or drink anything. | 0:02:42 | 0:02:44 | |
And so that's when my dad and mum were getting really worried for me, | 0:02:44 | 0:02:49 | |
so they started saying, | 0:02:49 | 0:02:50 | |
"Trae, why don't you start writing down your feelings instead?" | 0:02:50 | 0:02:55 | |
Like, the feelings I wrote in the hospital, | 0:02:55 | 0:02:58 | |
I kind of used them to start writing my music, | 0:02:58 | 0:03:00 | |
and then ever since then I've started communicating | 0:03:00 | 0:03:03 | |
with people more as well. Now, I'm just trying my best to, like... | 0:03:03 | 0:03:07 | |
..to, like, um... | 0:03:08 | 0:03:10 | |
fight it and kind of try and win the battle, really. | 0:03:10 | 0:03:15 | |
'My music helps me express my feelings, | 0:03:15 | 0:03:17 | |
'but it's good to have friends around | 0:03:17 | 0:03:19 | |
'who know what I'm going through. | 0:03:19 | 0:03:21 | |
'So that's why I've invited them tonight to have some fun.' | 0:03:21 | 0:03:24 | |
-BOYS: -Trae, Trae, Trae! | 0:03:24 | 0:03:28 | |
Traemondo! Traemondo! Traemondo! Traemondo! | 0:03:28 | 0:03:31 | |
-Traemondo! Traemondo! -THEY GIGGLE | 0:03:31 | 0:03:33 | |
Get me. What do you think we'll do tonight, then? | 0:03:33 | 0:03:37 | |
Popcorn. Xbox. | 0:03:37 | 0:03:39 | |
Do you lot know this song? | 0:03:39 | 0:03:41 | |
Did you think that you would get this far? | 0:03:41 | 0:03:43 | |
Well, obviously, when I started, | 0:03:43 | 0:03:45 | |
I went in the studio and I actually cried | 0:03:45 | 0:03:47 | |
because I thought it was too hard. I didn't want to do it. | 0:03:47 | 0:03:50 | |
But then I kept going. | 0:03:50 | 0:03:51 | |
So I never thought I was going to get this far. | 0:03:51 | 0:03:53 | |
Music is kind of what got my mind off colitis. | 0:03:53 | 0:03:58 | |
Like, I've had Dizzee Rascal shouting me out | 0:03:58 | 0:04:00 | |
and things like that. | 0:04:00 | 0:04:02 | |
That really encouraged me to keep going on. | 0:04:02 | 0:04:04 | |
Really, really hard. | 0:04:04 | 0:04:06 | |
Yeah. I find it really difficult. | 0:04:06 | 0:04:08 | |
It's not nice seeing Trae with colitis because, like, | 0:04:08 | 0:04:11 | |
you can't do, like, the stuff that you used to do with him, | 0:04:11 | 0:04:15 | |
like play football and everything. | 0:04:15 | 0:04:16 | |
When I heard about it I started crying, | 0:04:16 | 0:04:18 | |
cos I didn't know what was going to happen in the future. | 0:04:18 | 0:04:21 | |
So it was just heartbreaking seeing... | 0:04:21 | 0:04:24 | |
Just heartbreaking. | 0:04:24 | 0:04:26 | |
It was hard seeing Trae suffer, | 0:04:26 | 0:04:28 | |
because he wasn't coming to school and we wasn't really seeing him, | 0:04:28 | 0:04:31 | |
cos he was always going to the hospital or coming back, hospital, | 0:04:31 | 0:04:34 | |
-coming back. -Yeah. | 0:04:34 | 0:04:35 | |
-I think we can be best friends forever. -Yeah. -Yeah. | 0:04:35 | 0:04:38 | |
THEY RAP | 0:04:38 | 0:04:41 | |
# If you wanna have a good life you gotta start from young... # | 0:04:48 | 0:04:51 | |
I haven't got long till my big performance now, | 0:04:51 | 0:04:54 | |
and I've got all sorts to do. | 0:04:54 | 0:04:56 | |
I've got to make up a new track, | 0:04:56 | 0:04:58 | |
I've got to push my social media and keep people interested. | 0:04:58 | 0:05:02 | |
All with the help of my dad. | 0:05:02 | 0:05:04 | |
-What are we working on today? -Well, I'm sending the DM to Stylo G, | 0:05:04 | 0:05:08 | |
actually, to see if he can come maybe to my gig or to the studio | 0:05:08 | 0:05:12 | |
on Sunday and see, like, if he can give me some words of wisdom | 0:05:12 | 0:05:15 | |
or maybe do a track. | 0:05:15 | 0:05:16 | |
Who else have you tried to get through to? | 0:05:16 | 0:05:18 | |
I've contacted Dizzee Rascal, um... | 0:05:18 | 0:05:21 | |
And now I'm doing Stylo G. | 0:05:21 | 0:05:23 | |
The more I've been doing my music, the more I've been, like, | 0:05:23 | 0:05:26 | |
having interviews and more performances and stuff. | 0:05:26 | 0:05:30 | |
I started with, like, 15-people performances | 0:05:30 | 0:05:33 | |
and then it grew to, like, 100 people. | 0:05:33 | 0:05:36 | |
And that's how I started building my fan base | 0:05:36 | 0:05:39 | |
and, pretty much, I'm getting more followers every day, | 0:05:39 | 0:05:42 | |
and just carrying on telling the story of Traemondo. | 0:05:42 | 0:05:46 | |
'All my plans will have to go on hold for now, | 0:05:46 | 0:05:48 | |
'because today I've got school as well as my hospital appointment.' | 0:05:48 | 0:05:51 | |
Trae. | 0:05:51 | 0:05:53 | |
'I don't really like going to the doctor's, anyway, | 0:05:53 | 0:05:56 | |
'because, like, it's not really a nice experience. | 0:05:56 | 0:05:59 | |
'I have to go back in and have checkups, | 0:05:59 | 0:06:02 | |
'and it reminds me that I'm still coping with the condition | 0:06:02 | 0:06:05 | |
'as well as everything else I'm doing.' | 0:06:05 | 0:06:08 | |
So when was the last time you had blood in your poo? | 0:06:08 | 0:06:10 | |
-I can't remember. -Really? | 0:06:10 | 0:06:12 | |
-No pain, no diarrhoea. -Nothing at all? -No. | 0:06:12 | 0:06:15 | |
OK. Fantastic. | 0:06:15 | 0:06:16 | |
It's very important that Trae takes his medicines. | 0:06:16 | 0:06:18 | |
You mustn't ignore those symptoms, | 0:06:18 | 0:06:20 | |
you mustn't just hope that it's going to disappear by itself, | 0:06:20 | 0:06:23 | |
because it won't. | 0:06:23 | 0:06:24 | |
A third of patients will lose their bowel | 0:06:24 | 0:06:26 | |
if you've got ulcerative colitis. | 0:06:26 | 0:06:27 | |
So I'm not saying Trae's inevitably going to lose his large bowel, | 0:06:27 | 0:06:31 | |
but there is a realistic chance of that happening. | 0:06:31 | 0:06:34 | |
I think the next few months are crucially important. | 0:06:34 | 0:06:37 | |
'Obviously it gets in the way of things. | 0:06:37 | 0:06:39 | |
'I just really want to get to PE and do something I actually enjoy | 0:06:39 | 0:06:43 | |
'instead of sitting down in front of my consultant | 0:06:43 | 0:06:46 | |
'and hearing him nagging on | 0:06:46 | 0:06:47 | |
'about medicines and diseases and conditions.' | 0:06:47 | 0:06:50 | |
I know you want to go play football, but this is important, yeah? | 0:06:50 | 0:06:54 | |
It's important that we get you these things. You don't need to cry. | 0:06:54 | 0:06:56 | |
OK, I think we should call that a day, | 0:06:56 | 0:06:58 | |
and we want to see you fairly soon, in the next three weeks. | 0:06:58 | 0:07:01 | |
# When the morning come | 0:07:01 | 0:07:03 | |
# Out my bed... # | 0:07:03 | 0:07:04 | |
The main focus from Monday to Friday is school, | 0:07:04 | 0:07:07 | |
but when it comes to the weekend I've got my free time. | 0:07:07 | 0:07:10 | |
That's why me and my dad have got up early, | 0:07:10 | 0:07:13 | |
ready to go London and work on this new track. | 0:07:13 | 0:07:16 | |
Trae's, like, he's got me under real pressure to, like, | 0:07:17 | 0:07:20 | |
produce these things for him on the weekend. | 0:07:20 | 0:07:22 | |
I need to make sure I have something fresh for my gig that's coming up. | 0:07:22 | 0:07:27 | |
# Life is so hard... # | 0:07:27 | 0:07:31 | |
A kid's playground is usually at school, but this is my playground - | 0:07:31 | 0:07:34 | |
this is home to me, really. | 0:07:34 | 0:07:36 | |
I could sleep in here, 24-7, and just work. | 0:07:36 | 0:07:40 | |
That's just go for a test run. | 0:07:40 | 0:07:42 | |
# Wicked and bad, man | 0:07:42 | 0:07:43 | |
# Eight bars are wicked and bad, man | 0:07:43 | 0:07:45 | |
# The MCs be chatting swag, man | 0:07:45 | 0:07:47 | |
# But they're never gonna take my swag, man | 0:07:47 | 0:07:48 | |
# You must be a madman... # | 0:07:48 | 0:07:50 | |
'It's great having my dad as a manager, | 0:07:50 | 0:07:52 | |
'cos I get to spend time with him. | 0:07:52 | 0:07:54 | |
'He really helps push me when I'm not in the mood. | 0:07:54 | 0:07:57 | |
'He's really like a super dad, really. | 0:07:57 | 0:07:59 | |
'Sometimes I do give him a hard time when he's just trying his best | 0:07:59 | 0:08:04 | |
'but, you know, that's just me.' | 0:08:04 | 0:08:06 | |
# I've been bad from way, way, way back | 0:08:06 | 0:08:08 | |
# Yeah, just go ask my dad... # | 0:08:08 | 0:08:10 | |
I know you've got it in you, so give me some character now. | 0:08:10 | 0:08:12 | |
-All right. -Yeah? | 0:08:12 | 0:08:13 | |
# I'm bad and wicked | 0:08:13 | 0:08:15 | |
# My flow you want, I'll give it | 0:08:15 | 0:08:17 | |
# My rhymes are mine, no gimmicks | 0:08:17 | 0:08:18 | |
# My rhymes are more than lyrics... # | 0:08:18 | 0:08:20 | |
Go again, go again. | 0:08:20 | 0:08:22 | |
-You sure you're going to get it in, yeah? -Yeah. | 0:08:22 | 0:08:26 | |
# Let me teach you something they owe me | 0:08:26 | 0:08:27 | |
# I'll introduce you to the new flow, G... # | 0:08:27 | 0:08:29 | |
That's a strong take. I'm happy with what I've got there. | 0:08:29 | 0:08:32 | |
'After three hours of smashing through my new track, | 0:08:32 | 0:08:35 | |
'I get a visit from Stylo G, | 0:08:35 | 0:08:37 | |
'who me and my dad had e-mailed earlier in the week. | 0:08:37 | 0:08:40 | |
'He's a reggae artist who has the kind of success I want one day. | 0:08:40 | 0:08:44 | |
'I just can't believe he's turned up.' | 0:08:44 | 0:08:47 | |
Wicked and bad! | 0:08:47 | 0:08:48 | |
It's the simplest things that make the good tracks, isn't it? | 0:08:48 | 0:08:51 | |
-Well done. -You like it? -The chorus is perfect. | 0:08:51 | 0:08:54 | |
You can hear, like, it's going to be a sing-along. | 0:08:54 | 0:08:56 | |
Some part of the verses you're trying to put too much words in. | 0:08:56 | 0:08:59 | |
So look at tightening up, and I think you have a wicked track. | 0:08:59 | 0:09:02 | |
'I wasn't expecting him to spend so much time with me | 0:09:02 | 0:09:05 | |
'to work on the track, so I'm gassed up | 0:09:05 | 0:09:07 | |
'with his advice to make it better.' | 0:09:07 | 0:09:09 | |
Ready? Try that. | 0:09:09 | 0:09:10 | |
# Them man can't take my swag | 0:09:10 | 0:09:12 | |
# You must be a madman... # | 0:09:12 | 0:09:13 | |
Yeah, that's good. Much better. | 0:09:13 | 0:09:15 | |
Just, say, "Tell a MC, try, test." | 0:09:15 | 0:09:17 | |
Simple. Just do that. | 0:09:17 | 0:09:19 | |
# Tell a MC try, test... # | 0:09:19 | 0:09:21 | |
Yeah, make it tighter. "Flows that beat them bad." Yeah? | 0:09:22 | 0:09:25 | |
# I got flows that beat them bad... # | 0:09:25 | 0:09:27 | |
Wicked and bad. Very talented youth. | 0:09:27 | 0:09:30 | |
You're the future. Next generation. | 0:09:30 | 0:09:31 | |
Just a little bit of him tightening up the tune has made it sound ten | 0:09:31 | 0:09:35 | |
-times as better. -When are you going to perform the track? | 0:09:35 | 0:09:39 | |
I'm going to perform this this Saturday. | 0:09:39 | 0:09:40 | |
The crowd want to see you. | 0:09:40 | 0:09:42 | |
Energy you give the crowd, they'll give you back that same energy. | 0:09:42 | 0:09:47 | |
# When you hear me through your set you know I'm wicked and bad... # | 0:09:47 | 0:09:50 | |
'The track's done now. | 0:09:50 | 0:09:51 | |
'Now I've just got to get it locked into my head | 0:09:51 | 0:09:54 | |
'and start rehearsing it, | 0:09:54 | 0:09:55 | |
'and just get it on smash ready for my performance.' | 0:09:55 | 0:09:57 | |
It's all come down to this day and I'm ready. | 0:10:05 | 0:10:08 | |
I'm feeling racing to get onto the stage. | 0:10:08 | 0:10:10 | |
Well, I don't really think that I've done too much for my age | 0:10:13 | 0:10:17 | |
or anything like that. | 0:10:17 | 0:10:19 | |
All I'm thinking is - "What am I going to do next? | 0:10:19 | 0:10:22 | |
"How am I going to make things better in my music?" | 0:10:22 | 0:10:26 | |
HE RAPS | 0:10:26 | 0:10:30 | |
Well, I'm hoping this, | 0:10:30 | 0:10:32 | |
and I think it will happen as well, 20 years' time, | 0:10:32 | 0:10:34 | |
end up in LA or Miami, | 0:10:34 | 0:10:37 | |
just with a massive mansion. | 0:10:37 | 0:10:40 | |
I'll have one in LA, one in Atlanta, | 0:10:40 | 0:10:42 | |
one in Jamaica, one everywhere. | 0:10:42 | 0:10:44 | |
That's the dream. | 0:10:44 | 0:10:46 | |
I'll just be able to just lay down, relax on the beach, doing whatever. | 0:10:46 | 0:10:51 | |
'When I'm backstage, just before I'm about to go on stage and perform, | 0:11:03 | 0:11:07 | |
'I'm always feeling a bit nervous at times. | 0:11:07 | 0:11:10 | |
'But I don't really like to say that to my dad or anything. | 0:11:10 | 0:11:13 | |
'But I'm just excited. | 0:11:13 | 0:11:14 | |
'I just want to give my best and get the crowd involved.' | 0:11:14 | 0:11:18 | |
Artist goes by the name of Traemondo. | 0:11:19 | 0:11:22 | |
11 years old. | 0:11:22 | 0:11:24 | |
Make some NOISE! | 0:11:24 | 0:11:26 | |
'It felt everything was built up to this moment on stage. | 0:11:26 | 0:11:31 | |
'I was nervous at the beginning but then I enjoyed it. | 0:11:31 | 0:11:34 | |
'I hoped I was able to make my relatives happy. | 0:11:34 | 0:11:37 | |
'I know music is the one thing | 0:11:38 | 0:11:40 | |
'that is going to help me deal with my colitis. | 0:11:40 | 0:11:43 | |
'However things turn out in life, | 0:11:43 | 0:11:46 | |
'if I have music I can deal with anything.' | 0:11:46 | 0:11:49 | |
Yeah, man, everybody was buzzing. | 0:11:49 | 0:11:51 | |
-Everybody was shouting, "Traemondo," innit? -Yeah. -Yeah. -That's my name. | 0:11:51 | 0:11:55 | |
That's your name, innit? So how are you feeling? Where are we going? | 0:11:55 | 0:11:59 | |
Can go wherever we want, really. | 0:11:59 | 0:12:01 | |
-Yeah? -Yeah. -Sky's the limit? | 0:12:01 | 0:12:02 | |
-Yeah, it is. -Sky's the limit. | 0:12:02 | 0:12:03 | |
I said it in my tracks. | 0:12:03 | 0:12:05 | |
Yeah, you said it in your track... | 0:12:05 | 0:12:06 | |
# Live your life, follow your dream | 0:12:06 | 0:12:08 | |
# Try do a single, try tings | 0:12:08 | 0:12:10 | |
# What do you see through my eyes? | 0:12:10 | 0:12:13 | |
# Don't follow, don't tell lies... # | 0:12:13 | 0:12:15 |