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Many people dream of fame, success and life in the spotlight, | 0:00:02 | 0:00:06 | |
but few realise it takes years of hard work. | 0:00:06 | 0:00:09 | |
-Motivation, commitment, let's do it! -It's got to be sharp, guys! | 0:00:09 | 0:00:12 | |
We're going behind the scenes of one of the most famous | 0:00:15 | 0:00:18 | |
stage schools in Britain... | 0:00:18 | 0:00:20 | |
where pupils learn to cope with rivalry, | 0:00:20 | 0:00:22 | |
sacrifice and rejection every day. | 0:00:22 | 0:00:25 | |
Russell Brand, Pixie Lott and Leona Lewis all studied here... | 0:00:27 | 0:00:32 | |
but this series is about the talent of tomorrow. | 0:00:32 | 0:00:35 | |
This is the School For Stars. | 0:00:36 | 0:00:40 | |
Coming up... | 0:00:43 | 0:00:45 | |
the pressure's on Danielle and Mitch as they compete for their dream job. | 0:00:45 | 0:00:49 | |
We're only doing it once, make the best one first time. | 0:00:49 | 0:00:52 | |
Ella and Jordan face a rough ride when dancing with senior students. | 0:00:52 | 0:00:56 | |
It's nerve-wracking. You don't want to get in the way or get shoved over! | 0:00:56 | 0:01:00 | |
And Layton's acting skills are put to the test. | 0:01:00 | 0:01:04 | |
I usually get called "the dancer". I am out of my comfort zone. | 0:01:04 | 0:01:07 | |
The Italia Conti Academy Of Theatre Arts trains young people | 0:01:13 | 0:01:16 | |
for careers in performing arts. | 0:01:16 | 0:01:18 | |
And Year 11 Layton is already on his way to becoming a star. | 0:01:20 | 0:01:26 | |
Layton, come on, push it on a bit. | 0:01:26 | 0:01:29 | |
One of the school's best dancers, Layton's already starred | 0:01:29 | 0:01:33 | |
in the West End musicals, Billy Elliott and Thriller. | 0:01:33 | 0:01:36 | |
Hello! | 0:01:36 | 0:01:37 | |
But Layton hasn't landed a big role for almost three years. | 0:01:37 | 0:01:41 | |
Your name's only been on the board two minutes. | 0:01:41 | 0:01:43 | |
I know, I just got informed... | 0:01:43 | 0:01:45 | |
A few weeks ago, he auditioned for a part in a TV drama. | 0:01:45 | 0:01:48 | |
He's come to the school's talent agency to see if he's got it. | 0:01:48 | 0:01:52 | |
-Kerry Maley... -Yes. | 0:01:52 | 0:01:54 | |
..would like to offer you the part of Russell in Postcode. | 0:01:54 | 0:01:57 | |
-Oh, wow! -All right? -Yes! | 0:01:57 | 0:01:59 | |
-Congratulations! -Thank you very much. -All right? | 0:01:59 | 0:02:02 | |
-I'm very happy. -Of course you are. | 0:02:02 | 0:02:04 | |
Layton's landed a major role in a TV show, but not as a dancer. | 0:02:04 | 0:02:08 | |
It's an acting job. | 0:02:08 | 0:02:10 | |
I just got offered a part in a three-part drama for CBBC. | 0:02:10 | 0:02:14 | |
It's a lead role. I had my audition last week and I just found out. | 0:02:14 | 0:02:19 | |
I'm pretty... Look at this, I'm thrilled. | 0:02:19 | 0:02:22 | |
I've not done anything for a while now, so... | 0:02:22 | 0:02:24 | |
It's a lead role, which I'm very happy about, | 0:02:24 | 0:02:27 | |
and it will just give me something to work towards. | 0:02:27 | 0:02:29 | |
This school teaches pupils to be a triple threat, | 0:02:29 | 0:02:33 | |
which means they have to sing, dance and act equally. | 0:02:33 | 0:02:36 | |
But since he's mainly a dancer, | 0:02:36 | 0:02:37 | |
come shoot day, the pressure will be on Layton. | 0:02:37 | 0:02:40 | |
# There'll be trouble when the kids come out | 0:02:40 | 0:02:45 | |
# There will be lots for them to talk about. # | 0:02:45 | 0:02:48 | |
Two more students hoping to land big roles | 0:02:51 | 0:02:54 | |
are dancer Mitch and singer Danielle. | 0:02:54 | 0:02:57 | |
Last week, they auditioned against all their friends for a dream job, | 0:02:57 | 0:03:01 | |
-performing on a cruise ship. -All of you...recalled. | 0:03:01 | 0:03:05 | |
They impressed the judges so much, they were put through | 0:03:05 | 0:03:09 | |
to a second round of auditions, which start today. | 0:03:09 | 0:03:12 | |
This time, Mitch and Danielle are up against professional performers | 0:03:14 | 0:03:17 | |
from all over the country - | 0:03:17 | 0:03:19 | |
all desperate to land that dream job sailing around the world. | 0:03:19 | 0:03:23 | |
It's weird going into a room and everyone's up against each other. | 0:03:27 | 0:03:31 | |
It's quite intense. Everyone's working out who everyone is. | 0:03:31 | 0:03:35 | |
Mitch has always suffered from nerves in auditions... | 0:03:35 | 0:03:39 | |
When I started doing auditions, I was shaking before I went in. | 0:03:39 | 0:03:43 | |
And today is no different. | 0:03:43 | 0:03:44 | |
No-one kind of really talks to each other that much, | 0:03:44 | 0:03:47 | |
like, just before you go in. | 0:03:47 | 0:03:49 | |
All right, guys, we'll take you up. | 0:03:49 | 0:03:51 | |
Mitch is called up to the audition room. | 0:03:51 | 0:03:53 | |
After a quick practice to learn the routine... | 0:03:54 | 0:03:57 | |
-Remember why you're here... -..it's showtime. | 0:03:57 | 0:04:00 | |
We're seeing this once, so you've got one crack at the whip for it, | 0:04:00 | 0:04:04 | |
so let's get it right first time. Right, let's go for it. | 0:04:04 | 0:04:07 | |
He has just one chance to impress the judges. Can he hold his nerve? | 0:04:07 | 0:04:12 | |
One, two, three, four... | 0:04:12 | 0:04:14 | |
MUSIC: "Americano" by Lady GaGa | 0:04:14 | 0:04:19 | |
It's over, but Mitch feels his nerves got the better of him. | 0:04:32 | 0:04:36 | |
It wasn't great. I blanked out halfway through. | 0:04:36 | 0:04:38 | |
I was like, "I don't know what comes next." | 0:04:38 | 0:04:41 | |
He just has to hope the casting agents didn't notice. | 0:04:41 | 0:04:45 | |
And now, it's onto the singers' audition | 0:04:47 | 0:04:50 | |
and Danielle's turn to face the casting agents. | 0:04:50 | 0:04:53 | |
-Heya! -Hiya, all right? -Yeah, good thank you. | 0:04:53 | 0:04:57 | |
-How Many Tears? -Yes, please. | 0:04:58 | 0:05:00 | |
# How many tears through the years can I cry? | 0:05:00 | 0:05:08 | |
# How many tears | 0:05:08 | 0:05:12 | |
# Until my heart runs dry? | 0:05:12 | 0:05:16 | |
# So many... | 0:05:16 | 0:05:20 | |
# Tears. # | 0:05:20 | 0:05:27 | |
Lovely, thank you, Danielle. | 0:05:30 | 0:05:33 | |
-If you just want to wait outside. -That's fine, thanks very much. | 0:05:33 | 0:05:36 | |
It's an emotional performance and Danielle's happy | 0:05:36 | 0:05:39 | |
she's done her best, but she's about to get a surprise. | 0:05:39 | 0:05:43 | |
The casting agents now want to see | 0:05:43 | 0:05:46 | |
if the singing auditionees can also dance. | 0:05:46 | 0:05:49 | |
It's something Danielle wasn't expecting and isn't prepared for. | 0:05:49 | 0:05:52 | |
What did I think?! I don't even have any dance shoes on me. | 0:05:52 | 0:05:56 | |
Oh, I've got a t-shirt. What else have I got? | 0:05:56 | 0:05:59 | |
Rummage. Baggy trousers. | 0:05:59 | 0:06:02 | |
Grabbing the few clothes she has suitable to dance in, she needs | 0:06:02 | 0:06:06 | |
to get changed, and quickly, because upstairs the audition is starting. | 0:06:06 | 0:06:12 | |
Guys, well done for getting through to the dance section. | 0:06:12 | 0:06:17 | |
We're not looking for dancers, we're looking for singers that can dance. | 0:06:17 | 0:06:21 | |
Danielle's made it, just. | 0:06:21 | 0:06:23 | |
As she doesn't have all her dance kit, she has to dance barefoot. | 0:06:23 | 0:06:28 | |
Places, everybody. Be happy, have fun! Come on! | 0:06:28 | 0:06:33 | |
DANCE MUSIC | 0:06:33 | 0:06:38 | |
Today's audition is over, but will Danielle and Mitch | 0:06:46 | 0:06:50 | |
make it through to the next round? It's time to find out. | 0:06:50 | 0:06:53 | |
All right, guys, thank you for today. | 0:06:53 | 0:06:55 | |
I'll read out names that we'd like to invite back on Friday, | 0:06:55 | 0:07:00 | |
our final recall day. | 0:07:00 | 0:07:01 | |
Mitch and Danielle need their names to be called out | 0:07:01 | 0:07:04 | |
to make it through to the final audition. | 0:07:04 | 0:07:07 | |
Carlton Connell, Dennis Mayer, | 0:07:07 | 0:07:10 | |
Gregory Hazel... | 0:07:10 | 0:07:12 | |
Paul Edwards, | 0:07:14 | 0:07:16 | |
Mitchell Jarvis. | 0:07:16 | 0:07:18 | |
Mitch is through, but Danielle is still waiting. | 0:07:18 | 0:07:21 | |
Jordan Loran, Louis Fox, Claire Riley, | 0:07:21 | 0:07:26 | |
Danielle Black. | 0:07:26 | 0:07:29 | |
She's done it! Both Mitch and Danielle are through. | 0:07:29 | 0:07:33 | |
Yes! That next step is a bit closer | 0:07:33 | 0:07:35 | |
and it makes you want it even more. | 0:07:35 | 0:07:38 | |
I'd love to get it! But we'll see, we'll see. | 0:07:38 | 0:07:42 | |
Danielle's pleased, but Mitch is still angry | 0:07:42 | 0:07:45 | |
that he couldn't control his nerves. | 0:07:45 | 0:07:47 | |
That wasn't amazing, like. I didn't perform amazingly, | 0:07:47 | 0:07:50 | |
but it's all right. | 0:07:50 | 0:07:52 | |
The final audition is now just a few days away | 0:07:52 | 0:07:55 | |
and, for Mitch and Danielle, it promises to be the toughest | 0:07:55 | 0:07:58 | |
and most important audition of their lives. | 0:07:58 | 0:08:01 | |
# All the boys and the girls, they got it going on | 0:08:02 | 0:08:06 | |
# When the beat kicks in... # | 0:08:06 | 0:08:09 | |
Auditioning is just a part of life at this school. | 0:08:09 | 0:08:12 | |
There, boom, crack it! | 0:08:12 | 0:08:14 | |
But that doesn't make it any easier. | 0:08:14 | 0:08:18 | |
Before an audition, I feel really, really nervous | 0:08:18 | 0:08:22 | |
and I just get really, really scared and worked up. | 0:08:22 | 0:08:25 | |
In auditions, I get nervous, but when you get in, you have to hide it | 0:08:25 | 0:08:29 | |
cos they don't want someone that's nervous. | 0:08:29 | 0:08:32 | |
If you have an audition and you've got to each round | 0:08:32 | 0:08:35 | |
and it keeps going on, then you get more attached to it, | 0:08:35 | 0:08:38 | |
so when you don't get it, it does hurt. | 0:08:38 | 0:08:40 | |
Term pupils have been auditioning for the end of term gala, | 0:08:40 | 0:08:44 | |
but even those who've landed major roles know they can't relax. | 0:08:44 | 0:08:47 | |
If they don't perform well in rehearsals | 0:08:47 | 0:08:49 | |
they'll be dropped and replaced. | 0:08:49 | 0:08:52 | |
Today, gala director Hayley Newton is running | 0:08:52 | 0:08:56 | |
all the senior performances to see if everyone is up to the job. | 0:08:56 | 0:08:59 | |
Even though she's a junior, top dancer Ella has been asked to dance | 0:09:10 | 0:09:14 | |
in the senior students' Michael Jackson routine. | 0:09:14 | 0:09:17 | |
It's an honour to get this. | 0:09:17 | 0:09:19 | |
They're saying, "we can rely on you to be mature about it, instead of | 0:09:19 | 0:09:23 | |
"being all silly about it", because that's usually what young people do. | 0:09:23 | 0:09:28 | |
Ella has to perform a highly-technical solo routine, | 0:09:28 | 0:09:31 | |
with the help of backing dancers, Jordan and Ed. | 0:09:31 | 0:09:35 | |
The three juniors will be performing alongside dancers seven years older | 0:09:35 | 0:09:40 | |
and they know if they don't keep up, they'll be dropped. | 0:09:40 | 0:09:42 | |
It's nerve-wracking as you don't want to get in the way or shoved over. | 0:09:42 | 0:09:47 | |
If we do get it wrong, they'll obviously just stop it. Oh, well. | 0:09:47 | 0:09:51 | |
MUSIC: "Smooth Criminal" by Michael Jackson | 0:09:51 | 0:09:54 | |
The dress rehearsal gets underway. Ella, Ed and Jordan watch on | 0:09:54 | 0:09:58 | |
as the seniors perform, knowing their Michael Jackson song | 0:09:58 | 0:10:01 | |
is just moments away. | 0:10:01 | 0:10:03 | |
# Are you OK, Annie? Annie, are you OK? # | 0:10:03 | 0:10:06 | |
If they want to keep their roles, they'll have to perform perfectly. | 0:10:06 | 0:10:11 | |
# Annie, are you OK? Are you OK, Annie? | 0:10:11 | 0:10:13 | |
# Annie, are you OK? Will you tell us that you're OK? | 0:10:13 | 0:10:17 | |
# Then you ran into the bedroom | 0:10:17 | 0:10:19 | |
# You were struck down it was your doom | 0:10:19 | 0:10:21 | |
# Annie, are you OK? So Annie, are you OK? | 0:10:21 | 0:10:23 | |
# Are you OK, Annie? You've been hit by... | 0:10:23 | 0:10:26 | |
# You've been hit by... A smooth criminal. # | 0:10:26 | 0:10:30 | |
It's a fantastic first rehearsal. All three of them nailed it. | 0:10:30 | 0:10:35 | |
That went really well. Especially the walk over. | 0:10:37 | 0:10:40 | |
It's a great start, | 0:10:40 | 0:10:42 | |
but they know if they slip up at any point before the big night, | 0:10:42 | 0:10:46 | |
there's lots of older dancers more than ready to take their place. | 0:10:46 | 0:10:49 | |
Manchester lad Layton's got several dancing roles in the gala, | 0:10:54 | 0:10:58 | |
but today he's not dancing, he's acting. | 0:10:58 | 0:11:01 | |
Layton's filming scenes for TV drama Postcode. | 0:11:05 | 0:11:09 | |
There's cameras, film makeup and even stunt people. | 0:11:09 | 0:11:12 | |
I am shooting a wee little scene about skater people. | 0:11:16 | 0:11:20 | |
Today's location is a skate park and while Layton films his scenes, | 0:11:22 | 0:11:26 | |
professional BMXers and boarders perform tricks in the background. | 0:11:26 | 0:11:31 | |
Thankfully, Layton doesn't need to do any boarding himself. | 0:11:31 | 0:11:36 | |
I am awful at skateboarding. I wish I was good, but I'm not. | 0:11:36 | 0:11:40 | |
-Kick flip. -Yeah, you can do it! -Bit of a kick! | 0:11:40 | 0:11:43 | |
As exciting as it is, filming brings pressure. | 0:11:43 | 0:11:46 | |
This is Layton's first big professional role for years | 0:11:46 | 0:11:50 | |
and he wants to get it right. | 0:11:50 | 0:11:51 | |
But he's worried his acting might be a little rusty. | 0:11:51 | 0:11:54 | |
I usually get called "the dancer". I am very comfortable when I dance. | 0:11:54 | 0:11:58 | |
I'm kind of out of my comfort zone a bit. | 0:11:58 | 0:12:00 | |
I'm not as confident acting as I am dancing, so.... | 0:12:00 | 0:12:03 | |
In his first scene, Layton has to react to a skateboarding accident | 0:12:06 | 0:12:10 | |
while filming on his phone. | 0:12:10 | 0:12:12 | |
-Argh! -But filming one scene isn't as straightforward as it looks. | 0:12:13 | 0:12:17 | |
-Let's do one more like that. -We're going again. | 0:12:17 | 0:12:20 | |
You know when you photographed him? You went like this... | 0:12:20 | 0:12:24 | |
And then I walked round him. Shall I do that again? | 0:12:24 | 0:12:27 | |
Do that again when we film it. There's one more shot. | 0:12:27 | 0:12:29 | |
261, take one. | 0:12:29 | 0:12:32 | |
And...action. | 0:12:32 | 0:12:34 | |
Layton has to act out the same scene again... | 0:12:34 | 0:12:38 | |
and again... | 0:12:38 | 0:12:40 | |
and again. | 0:12:40 | 0:12:43 | |
They want to do a close-up on people's face, | 0:12:43 | 0:12:46 | |
they want to change angles, they want to go from the back of you. | 0:12:46 | 0:12:50 | |
You could do a 30-second scene that takes three hours to film. | 0:12:50 | 0:12:54 | |
-What did you do? -I fell over! | 0:12:54 | 0:12:57 | |
Layton knows all his lines, but in this scene, | 0:12:57 | 0:13:00 | |
the director wants him to improvise. | 0:13:00 | 0:13:02 | |
Layton, in terms of your character, continuing to film him | 0:13:02 | 0:13:06 | |
in agony may be... No, but you could ask him if he's OK, couldn't you? | 0:13:06 | 0:13:11 | |
I don't know what to say to him! I don't know how to comfort him. | 0:13:11 | 0:13:14 | |
I'm like, "Are you all right?" | 0:13:14 | 0:13:17 | |
With several more scenes left to film, | 0:13:17 | 0:13:20 | |
it's going to be a long and challenging day for Layton. | 0:13:20 | 0:13:23 | |
Another day at school, another assembly. | 0:13:27 | 0:13:29 | |
-Good morning, everybody. -ALL: Good morning, Mr Vogt. | 0:13:29 | 0:13:32 | |
And today, headmaster Mr Vogt is handing out merit certificates. | 0:13:32 | 0:13:36 | |
I'm now giving out our certificates of achievement. Can I ask... | 0:13:36 | 0:13:41 | |
Just like most schools, pupils receive merit points | 0:13:41 | 0:13:44 | |
-for good behaviour. -We have Rihanna... | 0:13:44 | 0:13:47 | |
Aspiring actress Mimi has earned enough points to get a certificate. | 0:13:47 | 0:13:52 | |
-I have Mimi... -It's a big turnaround for Mimi, | 0:13:52 | 0:13:57 | |
who at the start of term found herself in detention. | 0:13:57 | 0:14:00 | |
I'm determined, I'm going to turn over a new leaf. Completely. | 0:14:00 | 0:14:05 | |
Mimi seems pretty pleased with her merit certificate but unfortunately, | 0:14:05 | 0:14:10 | |
today, Mr Vote is also handing out detentions and Mimi is on the list. | 0:14:10 | 0:14:16 | |
On at least five separate occasions, you have fallen short | 0:14:16 | 0:14:19 | |
of the standards that you've probably expected of yourself | 0:14:19 | 0:14:22 | |
and certainly that we expect of you. | 0:14:22 | 0:14:24 | |
You are invited to attend detention next Thursday afternoon. | 0:14:24 | 0:14:28 | |
LAUGHING | 0:14:28 | 0:14:31 | |
I said to myself, I wasn't going to have another one. Here I am! | 0:14:31 | 0:14:35 | |
I did have plans to turn over a new leaf before | 0:14:35 | 0:14:39 | |
and I'm feeling like I've... | 0:14:39 | 0:14:42 | |
I've betrayed myself. | 0:14:42 | 0:14:44 | |
So this time, I'm going to turn over another new leaf | 0:14:46 | 0:14:49 | |
and it's going to work this time. | 0:14:49 | 0:14:53 | |
Mimi's dream is to make it big in film and TV. | 0:14:54 | 0:14:58 | |
'My ambition is to become a professional actress.' | 0:14:58 | 0:15:03 | |
Why didn't you just come right out and say so? | 0:15:03 | 0:15:06 | |
'I like theatre but I would like' | 0:15:06 | 0:15:07 | |
to act more in like films and TV. | 0:15:07 | 0:15:10 | |
And she's already had some professional jobs. | 0:15:10 | 0:15:13 | |
I've done theatre before. I did a play called Kin. | 0:15:13 | 0:15:16 | |
I did an advert as well. A Christmas Matalan advert. | 0:15:16 | 0:15:19 | |
When I'm acting, I feel as though I want to give my best. | 0:15:19 | 0:15:22 | |
I want to give all my effort and have something amazing afterwards. | 0:15:22 | 0:15:27 | |
If she keeps ending up in detention the school could restrict | 0:15:27 | 0:15:30 | |
Mimi from going to auditions and even attending acting class, | 0:15:30 | 0:15:33 | |
so she knows she has to stop getting demerits. | 0:15:33 | 0:15:38 | |
For both Danielle and Mitch, | 0:15:41 | 0:15:43 | |
the biggest audition of their lives has arrived. | 0:15:43 | 0:15:46 | |
It's their final cruise ship audition. | 0:15:49 | 0:15:52 | |
It's the last time they'll see us | 0:15:52 | 0:15:54 | |
and the last opportunity to get them to see what we're about. | 0:15:54 | 0:15:57 | |
Whoever gets picked today will be sailing around the world, | 0:16:02 | 0:16:06 | |
singing and dancing for eight months. | 0:16:06 | 0:16:08 | |
It's what Danielle and Mitch have been studying for | 0:16:08 | 0:16:11 | |
ever since they started at school, and competition is fierce. | 0:16:11 | 0:16:17 | |
It's just when we have to perform, that's when the nerves will go. | 0:16:17 | 0:16:20 | |
There's just 70 spaces up for grabs. | 0:16:20 | 0:16:24 | |
In his last audition, | 0:16:24 | 0:16:26 | |
Mitch only scraped through, after his nerves got the better of him. | 0:16:26 | 0:16:30 | |
Today is Mitch's last chance to prove he's up to the job. | 0:16:30 | 0:16:35 | |
So this is the last opportunity we've got to see these guys. | 0:16:35 | 0:16:38 | |
Three o'clock this afternoon, we're making our decisions. | 0:16:38 | 0:16:42 | |
It's the last chance to show them what you've got. Anything can happen. | 0:16:42 | 0:16:46 | |
We've got to go in there and show them what we can do. | 0:16:46 | 0:16:49 | |
In amongst all the other dancers, Mitch and Danielle have one dance | 0:16:49 | 0:16:53 | |
and one chance to show the judges what they can do. | 0:16:53 | 0:16:57 | |
OK, then, guys, we're only going to do it once, so make it | 0:16:57 | 0:17:00 | |
the best one first time. Here we go! | 0:17:00 | 0:17:03 | |
DANCE MUSIC | 0:17:03 | 0:17:06 | |
All Mitch and Danielle's years of school training | 0:17:08 | 0:17:11 | |
has to be poured into this performance. | 0:17:11 | 0:17:14 | |
The judges are looking for technique, talent and energy. | 0:17:14 | 0:17:17 | |
Mitch and Danielle's audition is over. | 0:17:24 | 0:17:26 | |
The judges still have lots more performers to see, | 0:17:26 | 0:17:29 | |
so all they can do is head back to school and wait to find out | 0:17:29 | 0:17:33 | |
if they've landed the job of a lifetime. | 0:17:33 | 0:17:36 | |
That was so good. SHE SINGS | 0:17:36 | 0:17:40 | |
Earlier in the week, Ella and Jordan impressed everyone by keeping up | 0:17:45 | 0:17:50 | |
up with all the seniors at an important dress run. | 0:17:50 | 0:17:53 | |
And today, the two have teamed up again, | 0:17:53 | 0:17:55 | |
to go for another big gala role. | 0:17:55 | 0:17:58 | |
Assistant director Kyle DesChamps is looking for a boy and a girl | 0:17:58 | 0:18:01 | |
to dance to a Frank Sinatra love song on the gala's closing night | 0:18:01 | 0:18:05 | |
and Jordan and Ella are determined to win the role. | 0:18:05 | 0:18:08 | |
It's good having a really good partner, | 0:18:08 | 0:18:11 | |
but it's also knowing your partner and having a really good friendship. | 0:18:11 | 0:18:15 | |
I'm like, really good friends with Jordan, he's like my brother. | 0:18:15 | 0:18:19 | |
But Ella is such a good dancer, | 0:18:19 | 0:18:21 | |
Jordan will have to work hard to keep up. | 0:18:21 | 0:18:23 | |
-I want to do it with Ella... -Yes. -..so I've got to be really good. -Yay! | 0:18:23 | 0:18:27 | |
In today's audition, Jordan needs to prove the two of them | 0:18:27 | 0:18:30 | |
can work as a couple... | 0:18:30 | 0:18:33 | |
..which isn't easy when you're shorter. | 0:18:34 | 0:18:38 | |
It's harder because he's smaller but Jordan is really good as a partner. | 0:18:38 | 0:18:42 | |
Can the boy lift the girl? That's big question number one. | 0:18:42 | 0:18:47 | |
Sometimes, you can have a girl who's just a little bit taller, | 0:18:47 | 0:18:51 | |
you know, than a boy. It's definitely, definitely a challenge. | 0:18:51 | 0:18:54 | |
To get this role, Jordan and Ella need to prove | 0:18:54 | 0:18:57 | |
they have comedy timing. In the middle of the dance, | 0:18:57 | 0:19:01 | |
Kyle wants them to deliberately bump into each other and fall over. | 0:19:01 | 0:19:05 | |
Turn around.... | 0:19:05 | 0:19:07 | |
This should get a big laugh from the audience, | 0:19:07 | 0:19:09 | |
but, at the minute, Kyle looks unamused. | 0:19:09 | 0:19:11 | |
We have pressure to get it right | 0:19:11 | 0:19:14 | |
and if you get it too wrong too many times, you might be cut. | 0:19:14 | 0:19:18 | |
Finally, Kyle asks Jordan and Ella to run through the entire routine. | 0:19:18 | 0:19:23 | |
One. One, two! | 0:19:23 | 0:19:27 | |
MUSIC: "You Need Me, I Don't Need You" by Ed Sheeran. | 0:19:27 | 0:19:31 | |
Ha-ha, again, yes. | 0:19:41 | 0:19:44 | |
OK. So thank you for today. | 0:19:44 | 0:19:47 | |
Kyle looks happy. | 0:19:47 | 0:19:49 | |
All Ella and Jordan can do is wait for him to make his decision. | 0:19:49 | 0:19:52 | |
If they get it, it will be a dream come true for these two friends. | 0:19:52 | 0:19:56 | |
On set, dancer Layton's about to film his final scene of the day. | 0:20:03 | 0:20:08 | |
Layton, can I have you in the number one, please? | 0:20:08 | 0:20:11 | |
It's been a long day. Being more comfortable dancing than acting, | 0:20:11 | 0:20:16 | |
Layton's had to use all his training to get the job done. | 0:20:16 | 0:20:19 | |
If you were talking to each other, you may not notice. | 0:20:19 | 0:20:23 | |
How cosy are you two at this point? | 0:20:23 | 0:20:25 | |
But this scene, like the ones before, | 0:20:25 | 0:20:29 | |
needs to be filmed more than once. A lot more. | 0:20:29 | 0:20:33 | |
Action! | 0:20:35 | 0:20:37 | |
Action! | 0:20:38 | 0:20:39 | |
Action! | 0:20:39 | 0:20:42 | |
Each time he does it, Layton has to get his lines right, | 0:20:43 | 0:20:48 | |
because on a film set, time is money. | 0:20:48 | 0:20:52 | |
-Can we do one more like that? -Going again. | 0:20:52 | 0:20:55 | |
It's about keeping the energy up to produce the line | 0:20:55 | 0:20:58 | |
with the same effects and emotions as the first time. It's hard. | 0:20:58 | 0:21:02 | |
Take two... Take six... | 0:21:02 | 0:21:04 | |
Take seven... | 0:21:04 | 0:21:07 | |
-You got very gloomy. It should be "Hi. It didn't go very well." -Did I? | 0:21:07 | 0:21:14 | |
You've always got to be vigilant | 0:21:14 | 0:21:15 | |
and know what's going on or else you can mess up. | 0:21:15 | 0:21:18 | |
We did that scene so many times. You've just got to carry on. | 0:21:18 | 0:21:22 | |
-And we've cut, thank you. -That's the scene. | 0:21:22 | 0:21:25 | |
Finally, the scene is over. Layton's put in a strong performance | 0:21:26 | 0:21:30 | |
despite feeling out of his comfort zone. | 0:21:30 | 0:21:33 | |
Whether it's in front of the camera, theatre or dancing, I love them all. | 0:21:35 | 0:21:40 | |
I want to do this for the rest of my life. | 0:21:40 | 0:21:43 | |
# When I grow up I wanna to be famous | 0:21:43 | 0:21:44 | |
# I wanna be a star I wanna to be in movies | 0:21:44 | 0:21:47 | |
# When I grow up I wanna see the world. # | 0:21:47 | 0:21:49 | |
It's the end of another school day. | 0:21:49 | 0:21:52 | |
Although not for Mimi. | 0:21:53 | 0:21:55 | |
We're about to go into detention. Again. | 0:21:55 | 0:21:58 | |
I'm not looking forward to it. I'm going to happy when it ends. | 0:21:58 | 0:22:03 | |
She's collected seven demerits for things such as being late for class. | 0:22:03 | 0:22:08 | |
I turned over a new leaf and it went bad. | 0:22:08 | 0:22:11 | |
I'm going to turn over another one. It's going to be the last one. | 0:22:11 | 0:22:14 | |
The last one. Promise. | 0:22:14 | 0:22:16 | |
At this school, detention is usually a punishment of writing an essay | 0:22:17 | 0:22:22 | |
or writing lines, but Mr Vogt has decided to try something different - | 0:22:22 | 0:22:27 | |
a good old-fashioned talking to. | 0:22:27 | 0:22:30 | |
We are now very near the end of term. | 0:22:30 | 0:22:33 | |
Many of you have got quite a collection of demerits. | 0:22:33 | 0:22:38 | |
You haven't brought the right books, been late to class... | 0:22:38 | 0:22:41 | |
You haven't known the time... A collection of misdemeanours... | 0:22:41 | 0:22:47 | |
They accumulate. Once you've got one, it stays with you. | 0:22:47 | 0:22:51 | |
These things not only interfere with your learning, | 0:22:51 | 0:22:54 | |
but they interfere with... | 0:22:54 | 0:22:56 | |
..The deed that you actually commit that gets you the demerit, | 0:22:56 | 0:23:01 | |
but how you respond to the chastisement, right? | 0:23:01 | 0:23:05 | |
30 minutes later and Mr Vogt's happy he's made his point. | 0:23:05 | 0:23:10 | |
Enough said. I'm going to ask you to go forth, think about this, | 0:23:10 | 0:23:14 | |
make sure I don't have any more demerits. Go forth and be lovely. | 0:23:14 | 0:23:19 | |
We learned more about why certain things happen, like. | 0:23:19 | 0:23:24 | |
It's not just about what you do, | 0:23:24 | 0:23:27 | |
it's about how you respond. | 0:23:27 | 0:23:30 | |
My turning a new leaf is basically turning a new leaf | 0:23:30 | 0:23:34 | |
and I'm going to start to improve on everything I'm doing wrong. | 0:23:34 | 0:23:39 | |
Today at school, there's big news. | 0:23:44 | 0:23:47 | |
Selection for the Sinatra dance has finally been posted on the board. | 0:23:47 | 0:23:53 | |
And Jordan is keen to find out if he got the part. | 0:23:53 | 0:23:57 | |
Ella and Jordan had a tough session with choreographer Kyle, | 0:23:57 | 0:24:01 | |
to see if they could dance together. | 0:24:01 | 0:24:03 | |
It's definitely a challenge. | 0:24:03 | 0:24:05 | |
Jordan's seen the board and now it's Ella's turn. | 0:24:05 | 0:24:10 | |
And he wants it to be a surprise. | 0:24:10 | 0:24:12 | |
Look! Gala. | 0:24:12 | 0:24:15 | |
Are you in the gala? | 0:24:17 | 0:24:19 | |
Yay! | 0:24:19 | 0:24:21 | |
They got it and will be dancing together | 0:24:21 | 0:24:25 | |
on the gala's closing night. | 0:24:25 | 0:24:27 | |
That means with the Michael Jackson routine, | 0:24:27 | 0:24:31 | |
they'll be performing twice on the biggest night of term. | 0:24:31 | 0:24:36 | |
It's a double-whammy for Ella and Jordan. | 0:24:36 | 0:24:40 | |
Mitch and Danielle are waiting to hear if they've landed | 0:24:40 | 0:24:44 | |
their dream job, sailing around the world on a cruise ship. | 0:24:44 | 0:24:48 | |
I'd love to go. But we'll see. | 0:24:48 | 0:24:52 | |
They've battled their way through three rounds of auditions | 0:24:52 | 0:24:55 | |
against hundreds of professionals. Mitch struggled with nerves | 0:24:55 | 0:25:01 | |
and Danielle didn't always bring the right clothes, | 0:25:01 | 0:25:04 | |
but they made it to the last round. | 0:25:04 | 0:25:06 | |
The casting agents have released the names of the performers they want. | 0:25:06 | 0:25:11 | |
So Danielle is off to see Nina and see if she's got it. | 0:25:11 | 0:25:15 | |
This would be her dream job. | 0:25:15 | 0:25:18 | |
Come on in. | 0:25:18 | 0:25:21 | |
-I've had a phone call. -Right. -They really love you, | 0:25:21 | 0:25:26 | |
-but you're on their reserve list at the moment. -OK. | 0:25:26 | 0:25:29 | |
Let's keep our fingers crossed that some people don't want to go. | 0:25:29 | 0:25:34 | |
It's bad news. Danielle hasn't made the final list. | 0:25:34 | 0:25:38 | |
Being a reserve is good, but Danielle wanted more. | 0:25:38 | 0:25:41 | |
Obviously there was disappointment, | 0:25:41 | 0:25:45 | |
but at the end of the day, you can't dwell on it. | 0:25:45 | 0:25:48 | |
I'm so used to being knocked back. Everyone is. | 0:25:48 | 0:25:52 | |
Knowing Danielle's not got the job, Mitch prepares himself to see Nina. | 0:25:54 | 0:25:59 | |
Hello. | 0:25:59 | 0:26:01 | |
If he gets it, he'll be dancing in shows for eight months. | 0:26:01 | 0:26:05 | |
I've got news for you. | 0:26:05 | 0:26:08 | |
They've offered you a contract! | 0:26:14 | 0:26:17 | |
He's done it. Mitch will go straight into his first job. | 0:26:17 | 0:26:22 | |
It's such a great way' | 0:26:22 | 0:26:24 | |
to start my career and to see the world, as well. | 0:26:24 | 0:26:26 | |
People pay to go travelling. I'll be getting paid to go and see the world. | 0:26:26 | 0:26:31 | |
Well done. | 0:26:31 | 0:26:33 | |
I'm really excited. | 0:26:33 | 0:26:34 | |
It's not always easy stepping out of your comfort zone... | 0:26:38 | 0:26:41 | |
..but if you never challenge yourself, | 0:26:43 | 0:26:45 | |
you'll never know what you're capable of. | 0:26:45 | 0:26:49 | |
# Everything's going to be OK The streets will lighten up our way | 0:26:49 | 0:26:53 | |
# So we dance on, dance on We know we can dance on... # | 0:26:53 | 0:26:59 | |
Next time on School for Stars... | 0:27:02 | 0:27:04 | |
Jade and Rhianna have their friendship challenged...again. | 0:27:06 | 0:27:10 | |
I know there is rivalry. If there wasn't, it wouldn't be healthy. | 0:27:10 | 0:27:14 | |
Callum gets more than he bargained for when he dances with Reece... | 0:27:14 | 0:27:18 | |
I caught Callum's nose when I was punching him. | 0:27:18 | 0:27:22 | |
..and Ross, one of the school's youngest movie stars, | 0:27:23 | 0:27:26 | |
gets the red carpet treatment, at his very own star-studded premiere. | 0:27:26 | 0:27:31 | |
I'm at the Horrid Henry premiere and it's just hectic really! | 0:27:31 | 0:27:35 | |
This is life at the School for Stars. | 0:27:35 | 0:27:38 | |
Subtitles by Red bee Media Ltd | 0:27:42 | 0:27:44 | |
E-mail [email protected] | 0:27:44 | 0:27:48 |