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Millions dream of fame, success and a life in the spotlight. | 0:00:02 | 0:00:06 | |
But few realise what it takes to make it to the top. | 0:00:09 | 0:00:12 | |
You have to actually kiss her, otherwise this isn't working. | 0:00:12 | 0:00:16 | |
We're back inside one of the most famous stage schools in Britain... | 0:00:16 | 0:00:20 | |
# The music feels better With you... # | 0:00:20 | 0:00:24 | |
..London's Italia Conti Academy Of Theatre Arts... | 0:00:24 | 0:00:27 | |
# The music feels better With you... # | 0:00:27 | 0:00:29 | |
..where, for some pupils, dreams of a career on screen and stage really can come true. | 0:00:29 | 0:00:35 | |
# The music feels better With you... # | 0:00:35 | 0:00:37 | |
This is what life is like for those seeking the big-time. | 0:00:38 | 0:00:42 | |
Stretch, look up. It should hurt. | 0:00:42 | 0:00:44 | |
This is the School For Stars. | 0:00:47 | 0:00:50 | |
# The music feels better. # | 0:00:50 | 0:00:52 | |
Previously on School For Stars, | 0:00:55 | 0:00:57 | |
it's been all about preparing for the end of year show. | 0:00:57 | 0:01:00 | |
Having struggled with confidence, | 0:01:01 | 0:01:03 | |
Ella's taken on a massive performance. | 0:01:03 | 0:01:06 | |
It's you that I've chosen, because you need to be challenged. | 0:01:06 | 0:01:10 | |
But after a horrendous slip on stage, can she get back up | 0:01:10 | 0:01:13 | |
and show everyone what she's capable of? | 0:01:13 | 0:01:16 | |
I'm just really scared that I'll let everyone else down and myself. | 0:01:16 | 0:01:19 | |
After five years at school, it's time for Reece's final curtain. | 0:01:19 | 0:01:23 | |
I just want to go out on a bang and end in a high. | 0:01:23 | 0:01:26 | |
But can he wow the crowd one last time, | 0:01:26 | 0:01:29 | |
or will it all be too emotional? | 0:01:29 | 0:01:31 | |
It's just literally come to a dead stop. | 0:01:31 | 0:01:34 | |
And sadly Niki's time at the school is also at an end. | 0:01:34 | 0:01:37 | |
Can she make her final trip down the yellow brick road magical? | 0:01:37 | 0:01:41 | |
The summer term's at an end, | 0:01:47 | 0:01:48 | |
and where mayhem and madness used to reign, all is quiet. | 0:01:48 | 0:01:53 | |
But it wasn't always like this. | 0:01:55 | 0:01:57 | |
The past year has brought its ups... | 0:01:59 | 0:02:02 | |
..and its downs. | 0:02:09 | 0:02:10 | |
That is not acceptable for ballet. | 0:02:10 | 0:02:12 | |
It's gotten to the point that I'm crying, and I never really cry. | 0:02:12 | 0:02:16 | |
-I went over on my ankle. -Oh, dear me, and I thought dancing was dangerous. | 0:02:16 | 0:02:20 | |
There's been success... | 0:02:20 | 0:02:22 | |
You've been offered the role. | 0:02:22 | 0:02:23 | |
SHE SQUEALS | 0:02:23 | 0:02:25 | |
-We will definitely love to represent you. -I can smile! | 0:02:25 | 0:02:29 | |
-They're going to sign me. -'Oh, wow!' | 0:02:29 | 0:02:31 | |
We just broke the record! | 0:02:31 | 0:02:33 | |
There's been disappointment. | 0:02:36 | 0:02:37 | |
You move and I will send you home. | 0:02:37 | 0:02:39 | |
I can't believe what just happened. That was the hardest thing. | 0:02:39 | 0:02:42 | |
I love this school to pieces. I'll miss it loads. | 0:02:42 | 0:02:45 | |
But in a school like this, there's one rule that everyone lives by - | 0:02:46 | 0:02:50 | |
the show must go on. | 0:02:50 | 0:02:53 | |
# And we gonna let it Burn, burn, burn, burn | 0:02:53 | 0:02:55 | |
# We gonna let it Burn, burn, burn, burn | 0:02:55 | 0:02:58 | |
# Gonna let it Burn, burn, burn, burn | 0:02:58 | 0:03:01 | |
# We gonna let it burn. # | 0:03:01 | 0:03:04 | |
And after weeks of hard practice, | 0:03:04 | 0:03:06 | |
it's finally time for the end of year show. | 0:03:06 | 0:03:10 | |
# May your hearts be full Like your dreams tonight | 0:03:10 | 0:03:15 | |
# May we sing and dance Till we lose our minds... | 0:03:15 | 0:03:20 | |
At a theatre in central London the countdown has begun. | 0:03:20 | 0:03:25 | |
# Tonight we own the night. # | 0:03:25 | 0:03:28 | |
Everyone's preparing for the performance of their lives. | 0:03:29 | 0:03:32 | |
And for Sadie, having been at the school for just one year, | 0:03:38 | 0:03:42 | |
this is her first ever end of year show, and it's a big one. | 0:03:42 | 0:03:45 | |
I'm in four numbers tonight. | 0:03:47 | 0:03:49 | |
I'm quite scared, it's very important for me | 0:03:49 | 0:03:51 | |
to make sure that I get everything spot-on because | 0:03:51 | 0:03:54 | |
if I don't then I'll be really upset with myself. | 0:03:54 | 0:03:56 | |
It's not very good, but it'll do. | 0:03:56 | 0:03:58 | |
From negotiating timetables to mastering the splits, | 0:03:59 | 0:04:02 | |
Sadie's first year has been full of ups and downs. | 0:04:02 | 0:04:06 | |
I don't know where I'm going! | 0:04:06 | 0:04:08 | |
But tonight is her biggest challenge yet. | 0:04:08 | 0:04:10 | |
Everything could possibly go wrong. | 0:04:10 | 0:04:12 | |
I couldn't come on stage, I couldn't come off stage, | 0:04:12 | 0:04:15 | |
I could panic and have the wrong costume on and I could be rubbish. | 0:04:15 | 0:04:18 | |
My whole family's here tonight, so I'm really scared! | 0:04:18 | 0:04:22 | |
So it's not just going to be one person who sees it go wrong, | 0:04:22 | 0:04:26 | |
it's going to be about six. | 0:04:26 | 0:04:28 | |
But nerves aren't just for the inexperienced. | 0:04:28 | 0:04:31 | |
Kedar's a senior and still gets anxious before going on stage, | 0:04:31 | 0:04:35 | |
although today he has good reason as he's opening the show. | 0:04:35 | 0:04:39 | |
The opening of the show is a James Bond theme piece. | 0:04:39 | 0:04:43 | |
We've been rehearsing the fight scene loads | 0:04:43 | 0:04:45 | |
so I think that everyone is pretty ready for it. | 0:04:45 | 0:04:48 | |
He may think he's ready, but Kedar has struggled with his fitness all term. | 0:04:48 | 0:04:52 | |
And tonight he has to be fighting fit. | 0:04:53 | 0:04:55 | |
I've improved stamina-wise, which is good | 0:04:55 | 0:04:57 | |
because obviously the show is quite high-energy. | 0:04:57 | 0:05:00 | |
Before I couldn't really breathe, and now I'm bearable. | 0:05:00 | 0:05:03 | |
An hour before curtain-up | 0:05:04 | 0:05:06 | |
and with record-breaking temperatures in London, | 0:05:06 | 0:05:09 | |
backstage is steaming. | 0:05:09 | 0:05:10 | |
The atmosphere is crazy. Everyone's so stressed out, it's really hot, | 0:05:10 | 0:05:13 | |
everyone's running about the place, it's absolutely loony. | 0:05:13 | 0:05:16 | |
But everyone's just getting excited because of the show. | 0:05:16 | 0:05:19 | |
Front of house, the audience are finally being let in... | 0:05:22 | 0:05:25 | |
ANNOUNCEMENT: 'Ladies and gentlemen the doors are now open, | 0:05:25 | 0:05:28 | |
'the house doors are now open, please do not walk across the stage.' | 0:05:28 | 0:05:31 | |
..and expectations are high. | 0:05:31 | 0:05:34 | |
This is massive, for me to come and watch Sadie here tonight. It's huge. | 0:05:34 | 0:05:39 | |
My whole family are so excited. | 0:05:39 | 0:05:42 | |
It's the big show tonight, it's the one. Ella's doing her bit | 0:05:42 | 0:05:45 | |
tonight with Luca, so I'm really looking forward to seeing it. | 0:05:45 | 0:05:48 | |
I didn't realise she was going to be on the front page of the programme | 0:05:48 | 0:05:51 | |
so, yeah, I'm really excited about it. | 0:05:51 | 0:05:53 | |
It's been a long journey getting here. Hopefully we'll have a really good show. | 0:05:53 | 0:05:58 | |
I can't do any more, it's all over to them now, | 0:05:58 | 0:06:00 | |
so all the performance, all the rehearsal is there. | 0:06:00 | 0:06:04 | |
Let's just get on stage and do it. | 0:06:04 | 0:06:05 | |
ANNOUNCEMENT: 'Ladies and gentlemen, this is your 15-minute call. | 0:06:05 | 0:06:08 | |
'You have 15 minutes, thank you.' | 0:06:08 | 0:06:11 | |
There's a lot of pressure because there's a big audience. | 0:06:12 | 0:06:15 | |
I feel really under pressure. | 0:06:15 | 0:06:16 | |
The pressure's a little bit on, I think. | 0:06:16 | 0:06:19 | |
-The show's started? -No, it hasn't. | 0:06:20 | 0:06:22 | |
The theatre's packed with parents and casting agents. | 0:06:24 | 0:06:27 | |
After months of rehearsals, this is it - show time. | 0:06:27 | 0:06:31 | |
On one of the hottest days of the year, can Kedar keep his cool? | 0:06:33 | 0:06:37 | |
Everyone's got their costumes on now, | 0:06:37 | 0:06:38 | |
were about to go up for the opening number. | 0:06:38 | 0:06:40 | |
But nerves are definitely running high at the moment. | 0:06:40 | 0:06:43 | |
PERCUSSIVE MUSIC | 0:06:51 | 0:06:54 | |
APPLAUSE | 0:07:25 | 0:07:27 | |
-Kedar's hard work has paid off. -My fitness did hold out, to be fair. | 0:07:28 | 0:07:31 | |
Doesn't really seem it at the moment, but I'm feeling good. | 0:07:31 | 0:07:34 | |
I could be a lot worse, to be fair. I couldn't really breathe when we started rehearsing. | 0:07:34 | 0:07:38 | |
It's a fantastic start to the show. | 0:07:38 | 0:07:40 | |
For Sadie, though, she has it all to come. | 0:07:42 | 0:07:45 | |
Juniors should be right down the bottom, please. | 0:07:47 | 0:07:49 | |
I didn't really expect so much panic, rushing about, everything like that. | 0:07:49 | 0:07:54 | |
Juniors keep against the wall, spread yourselves out. | 0:07:55 | 0:07:58 | |
Move down quickly. | 0:07:58 | 0:08:00 | |
It's not just her first ever end of year performance, | 0:08:00 | 0:08:03 | |
but also the biggest crowd she's danced for. | 0:08:03 | 0:08:06 | |
# So make it yours, go for broke Holy smoke you're not alone | 0:08:06 | 0:08:09 | |
# Who's laughing now? Who's laughing now? # | 0:08:09 | 0:08:14 | |
But along with Tilly and Amy, she's going for it. | 0:08:14 | 0:08:17 | |
# Who's laughing now? Who's laughing now? # | 0:08:20 | 0:08:25 | |
-So come on, how was it, Sadie? -It was so good! | 0:08:26 | 0:08:29 | |
It may be Sadie's first time, | 0:08:34 | 0:08:36 | |
but for Reece it's a very different story | 0:08:36 | 0:08:38 | |
as tonight is his very last show for the school. | 0:08:38 | 0:08:41 | |
I am quite upset, it is going to be an emotional time. | 0:08:41 | 0:08:46 | |
But everything has to come to an end eventually | 0:08:46 | 0:08:48 | |
and unfortunately my end is tonight. | 0:08:48 | 0:08:50 | |
Today's my biggest solo I've got and I get to open up the number | 0:08:52 | 0:08:55 | |
so it's definitely going to be a big high for me | 0:08:55 | 0:08:58 | |
but it's a lot of pressure and I just hope I do it well and do it justice. | 0:08:58 | 0:09:04 | |
Reece's final performance is the Saturday Night Fever Medley, | 0:09:05 | 0:09:10 | |
which also involves the school's golden couple of dance, Luca and Ella. | 0:09:10 | 0:09:13 | |
I'm very excited that I'm in the show, | 0:09:15 | 0:09:18 | |
cos obviously I hurt my foot and it didn't look promising. | 0:09:18 | 0:09:21 | |
I'm now allowed to dance, so I'm going to be doing it | 0:09:21 | 0:09:23 | |
and I'm really hyped up about it. | 0:09:23 | 0:09:26 | |
He's had his leg in plaster for most of term, | 0:09:26 | 0:09:29 | |
so Luca and Ella have not been able to practise much. | 0:09:29 | 0:09:32 | |
That's better, good. | 0:09:32 | 0:09:34 | |
But she's hoping their chemistry will get them through. | 0:09:34 | 0:09:36 | |
I think we have a really good relationship in real life | 0:09:36 | 0:09:39 | |
and I think when we dance together sometimes | 0:09:39 | 0:09:41 | |
we don't always show it cos we're nervous we'll get | 0:09:41 | 0:09:43 | |
the steps wrong. I think if we just forget about the steps | 0:09:43 | 0:09:46 | |
and just try and dance together it will be really nice. | 0:09:46 | 0:09:48 | |
It's not going to go wrong, but I always get nervous before I go on stage. | 0:09:48 | 0:09:51 | |
-I'm really excited as well. -You'll be all right. | 0:09:51 | 0:09:53 | |
Whilst Ella and Luca get their groove on, Reece is digging the disco. | 0:09:56 | 0:10:02 | |
But for everyone else, things are not so funky. | 0:10:02 | 0:10:05 | |
-Saturday Night Fever, you should be down. -Why? | 0:10:05 | 0:10:09 | |
Rushing, rushing, rushing. | 0:10:09 | 0:10:11 | |
-Oh, we're actually going! -Oh, yeah we've gone, OK. | 0:10:11 | 0:10:14 | |
Saturday Night Fever, come on! | 0:10:14 | 0:10:17 | |
I just want to go out on a bang and end in a high | 0:10:19 | 0:10:22 | |
and hopefully it goes good. | 0:10:22 | 0:10:24 | |
# Night fever, night fever | 0:10:24 | 0:10:27 | |
# We know how to do it | 0:10:27 | 0:10:29 | |
# Gimme that night fever, night fever | 0:10:31 | 0:10:36 | |
# We know how to show it | 0:10:36 | 0:10:38 | |
# Here I am Waiting for this moment to last | 0:10:41 | 0:10:47 | |
# Living on the music so fine... # | 0:10:47 | 0:10:51 | |
Reece has opened fantastically, | 0:10:52 | 0:10:54 | |
but now it's Ella and Luca's dance solo, | 0:10:54 | 0:10:57 | |
featuring Jade and Mia singing. | 0:10:57 | 0:10:59 | |
Will Luca's foot hold out? | 0:10:59 | 0:11:01 | |
# If I can't have you I don't want nobody, baby | 0:11:01 | 0:11:06 | |
# If I can't have you Oh-oh-oh | 0:11:06 | 0:11:11 | |
# If I can't have you I don't want nobody, baby | 0:11:11 | 0:11:15 | |
# If I can't have you Oh-oh-oh. # | 0:11:15 | 0:11:19 | |
APPLAUSE | 0:11:19 | 0:11:22 | |
It's flawless, and they've got the theatre rocking. | 0:11:22 | 0:11:26 | |
Even Max is grooving. | 0:11:28 | 0:11:29 | |
But in a high pressure performance like this, | 0:11:34 | 0:11:37 | |
disaster can strike at any time. | 0:11:37 | 0:11:39 | |
# Burn, baby burn We're burning from our soul | 0:11:39 | 0:11:42 | |
# Burn, baby burn... # | 0:11:42 | 0:11:44 | |
Ella's slipped, and right at the front of stage. | 0:11:44 | 0:11:47 | |
Ever the professional, she's carried on till the end. | 0:11:50 | 0:11:53 | |
But she's devastated. | 0:11:53 | 0:11:55 | |
I've never really proper properly fell on stage before. | 0:12:08 | 0:12:10 | |
I always strive for perfection and then I feel bad | 0:12:12 | 0:12:15 | |
if I don't reach that perfection. | 0:12:15 | 0:12:17 | |
But I'm my own worst enemy, so I only have myself to blame. | 0:12:17 | 0:12:20 | |
She still has a big number to perform tonight, | 0:12:22 | 0:12:25 | |
so Ella really needs to compose herself | 0:12:25 | 0:12:27 | |
and put this mistake behind her. | 0:12:27 | 0:12:29 | |
I'm just really scared that I'll let everyone else down, and myself. | 0:12:29 | 0:12:34 | |
Are you OK? | 0:12:34 | 0:12:35 | |
The pressure's also on for Sadie. | 0:12:43 | 0:12:45 | |
In her next performance, she's on stage with Chelsie, Jordan | 0:12:45 | 0:12:49 | |
and Tommy, who've all starred in hit West End shows. | 0:12:49 | 0:12:52 | |
A year ago she was at a normal primary school. | 0:12:52 | 0:12:55 | |
Now she's sharing leads with some of theatre's biggest rising stars. | 0:12:55 | 0:12:58 | |
# One step closer to heaven | 0:13:01 | 0:13:05 | |
# One step closer to you | 0:13:05 | 0:13:08 | |
# There'll be No more living without you, baby | 0:13:08 | 0:13:12 | |
# I'm counting each minute till I'm back to you...# | 0:13:12 | 0:13:16 | |
Doing the end of year show has proved that | 0:13:16 | 0:13:18 | |
I want to be a West End stage lady. | 0:13:18 | 0:13:22 | |
I want to be up the front singing, dancing and acting, | 0:13:22 | 0:13:25 | |
and the show has just proved to me that it will be amazing. | 0:13:25 | 0:13:30 | |
# Hold on, hold on Hold on to my love, yeah. # | 0:13:30 | 0:13:35 | |
APPLAUSE | 0:13:35 | 0:13:40 | |
With only half the performances done, the show is far from over. | 0:13:50 | 0:13:54 | |
Is my lipstick still on now? | 0:13:54 | 0:13:56 | |
And with so many pupils in multiple routines, | 0:13:56 | 0:13:59 | |
quick costume changes are essential. | 0:13:59 | 0:14:01 | |
-I need it to stay up like that. -Is that in the middle? -Yeah, that's fine. | 0:14:01 | 0:14:06 | |
But a role is not just about a change of outfit. | 0:14:06 | 0:14:08 | |
-What really makes a performance is getting in to character. -Uh-huh! | 0:14:08 | 0:14:12 | |
And Joel's not only got the quiff of a rock legend, | 0:14:17 | 0:14:20 | |
he's also got the diva attitude. | 0:14:20 | 0:14:22 | |
-I don't have a line in the middle. -Yes, you do. | 0:14:22 | 0:14:25 | |
No, I don't, Karen didn't do that. | 0:14:25 | 0:14:28 | |
Now, I'm going to look like a girl, well done(!) | 0:14:28 | 0:14:30 | |
Anybody have a make-up wipe? I need a make-up wipe. | 0:14:30 | 0:14:34 | |
Don't laugh. I don't like it. You're messing my hair up! | 0:14:34 | 0:14:39 | |
No, she's not. | 0:14:39 | 0:14:41 | |
He's playing Elvis the Pharaoh king, | 0:14:41 | 0:14:43 | |
although when he bagged the part, he wasn't too taken with the costume. | 0:14:43 | 0:14:47 | |
Seriously, its got a heart on it. | 0:14:47 | 0:14:50 | |
I just wish I could just rip these things off. | 0:14:50 | 0:14:53 | |
Joel's hip swinging section is up next, so he's getting his bling on. | 0:14:54 | 0:14:58 | |
Hang on a minute, Joel, isn't something missing? | 0:14:58 | 0:15:01 | |
-All the gems have fallen off from here. -Fallen off, you say? | 0:15:01 | 0:15:05 | |
I put them in my bag last night and they've just, like, all come out. | 0:15:05 | 0:15:09 | |
They're not even in my bag. | 0:15:09 | 0:15:11 | |
Like, when I first put them, I put them in my bag, now they're not in there. | 0:15:11 | 0:15:15 | |
-It's so weird. -Yeah, really weird(!) | 0:15:15 | 0:15:17 | |
But can he still play the king without all that bling? | 0:15:20 | 0:15:24 | |
I've been practising so much at home. | 0:15:24 | 0:15:26 | |
I've been listening to loads of Elvis songs, | 0:15:26 | 0:15:29 | |
watching Elvis videos, stuff like that. | 0:15:29 | 0:15:31 | |
And just, like, how he moves, it's just absolutely amazing. | 0:15:31 | 0:15:34 | |
So I'm just going to have to try and do that. | 0:15:34 | 0:15:38 | |
There we go. | 0:15:38 | 0:15:40 | |
# I was wandering along By the banks of the river | 0:15:49 | 0:15:53 | |
# When seven fat cows Came up out of the Nile | 0:15:53 | 0:15:56 | |
# Uh-huh-huh | 0:15:56 | 0:15:57 | |
# Bop-shoo-waddy-waddy Bop-bop-shoo-waddy-waddy | 0:15:57 | 0:16:00 | |
# Right behind These fine healthy animals | 0:16:00 | 0:16:03 | |
# Came seven other cows that were Skinny and vile | 0:16:03 | 0:16:06 | |
# Uh-huh-huh | 0:16:06 | 0:16:08 | |
# Bop-shoo-waddy-waddy Bop-bop-shoo-waddy-waddy | 0:16:08 | 0:16:11 | |
# The thin cows ate Which I thought would do them good | 0:16:11 | 0:16:13 | |
# Uh-huh-huh | 0:16:13 | 0:16:14 | |
# Bop-shoo-waddy-waddy Bop-bop-shoo-waddy-waddy | 0:16:14 | 0:16:17 | |
# But it didn't make them fatter Like such a monster supper should | 0:16:17 | 0:16:21 | |
# Bop-shoo-waddy-waddy Bop-bop-shoo-waddy-waddy | 0:16:21 | 0:16:24 | |
# Well, the thin cows were as thin As they had ever, ever, ever been | 0:16:24 | 0:16:29 | |
# This dream has got me baffled Hey, Joseph, what does it mean? # | 0:16:31 | 0:16:37 | |
APPLAUSE | 0:16:37 | 0:16:40 | |
Absolutely awesome. | 0:16:42 | 0:16:43 | |
So I did, like, the thing, but I did it more, like, full out | 0:16:43 | 0:16:47 | |
so it was proper, like, that | 0:16:47 | 0:16:49 | |
and everyone was, like, looking at me. | 0:16:49 | 0:16:51 | |
I tried not to look at my mum because she was, like, | 0:16:51 | 0:16:54 | |
and I was like, "Stop it, stop it, you're making me blush." | 0:16:54 | 0:16:57 | |
It, like, really makes me want to go back on there and do it again and again and again and over again. | 0:16:57 | 0:17:03 | |
The end of year show is a fantastic opportunity for pupils to wow | 0:17:03 | 0:17:07 | |
the audience, and as it continues | 0:17:07 | 0:17:09 | |
it's clear that exceptional talent is everywhere. | 0:17:09 | 0:17:12 | |
# Lose yourself to dance | 0:17:12 | 0:17:14 | |
# Lose yourself to dance | 0:17:17 | 0:17:19 | |
# Lose yourself to dance | 0:17:22 | 0:17:24 | |
# Lose yourself to dance... # | 0:17:26 | 0:17:29 | |
Star pupil Layton is just one of many dancers shining. | 0:17:31 | 0:17:35 | |
And for Ella, after her fall earlier, | 0:17:35 | 0:17:38 | |
she's desperate to show what she can do. | 0:17:38 | 0:17:41 | |
# Teardrop on the fire | 0:17:45 | 0:17:49 | |
# Fearless on my breath... # | 0:17:49 | 0:17:52 | |
Sharing the spotlight with Charlie, | 0:17:53 | 0:17:56 | |
she's showing why she's worthy of such a big part. | 0:17:56 | 0:17:59 | |
APPLAUSE | 0:18:13 | 0:18:15 | |
It's a perfect comeback, and Ella's a happy girl. | 0:18:15 | 0:18:19 | |
-But while some are celebrating... -Fantastic! | 0:18:27 | 0:18:31 | |
..others have yet to go on | 0:18:31 | 0:18:33 | |
and are nervously cramming in some last-minute practice. | 0:18:33 | 0:18:36 | |
There, spin that way. | 0:18:36 | 0:18:38 | |
For Kieran and Aemilia tonight is the result of weeks of | 0:18:38 | 0:18:42 | |
hard work on their lifting routine. | 0:18:42 | 0:18:44 | |
It's finally come down to do our lifts, which is brilliant | 0:18:44 | 0:18:47 | |
because we've practised it enough. | 0:18:47 | 0:18:49 | |
More than enough. | 0:18:49 | 0:18:50 | |
More than enough so that it is amazing and that it's good. | 0:18:50 | 0:18:54 | |
Though it's not just the practice that's made it a tough journey. | 0:18:54 | 0:18:57 | |
Karen nearly dropped both of them from the show | 0:18:57 | 0:18:59 | |
when Kieran didn't turn up for rehearsals. | 0:18:59 | 0:19:02 | |
Two strikes and out, OK? | 0:19:02 | 0:19:03 | |
The worst scenario that could happen is that he could drop me. | 0:19:05 | 0:19:08 | |
-Do you think that'll happen? Really? -No. | 0:19:08 | 0:19:10 | |
He would never drop me, he's told me he would never drop me. | 0:19:10 | 0:19:13 | |
-So I trust him there. -Have I dropped you yet? -No. | 0:19:13 | 0:19:16 | |
Aemilia has complete faith in Kieran, | 0:19:16 | 0:19:18 | |
which is essential for this lift. | 0:19:18 | 0:19:21 | |
Not sure Beth can say the same for her partner Tyler. | 0:19:21 | 0:19:25 | |
-So one, two, three, four... -Five, six, seven, eight. | 0:19:25 | 0:19:29 | |
-Five, six, seven, eight. -OK, there. | 0:19:29 | 0:19:31 | |
Tyler had real trouble lifting Beth in rehearsals. | 0:19:31 | 0:19:34 | |
And seven, tuck, tuck, tuck. | 0:19:34 | 0:19:36 | |
They've been practising, but it's still a bit touch and go. | 0:19:36 | 0:19:39 | |
Well, not lift, just get through it so I don't suddenly get on stage | 0:19:39 | 0:19:42 | |
and go "oh," and start tapping like that. | 0:19:42 | 0:19:44 | |
I don't want it to be like that, I want it to be perfecto. | 0:19:44 | 0:19:48 | |
With the rest of the seniors already swinging on stage, | 0:19:48 | 0:19:51 | |
it's time for the couples to make their entrance. | 0:19:51 | 0:19:54 | |
# Saturday night... # | 0:19:54 | 0:19:56 | |
Come on, dance you lot! | 0:19:56 | 0:19:58 | |
# Do the Eric hokey-cokey shuffle... # | 0:19:58 | 0:20:02 | |
And now for the lift sequence. | 0:20:02 | 0:20:04 | |
# Do the Eric hokey-cokey shuffle | 0:20:04 | 0:20:08 | |
# Shimmy to the left Shimmy to the right | 0:20:10 | 0:20:13 | |
# Do the Eric hokey Do the Eric hokey | 0:20:13 | 0:20:16 | |
# Do the Eric hokey-cokey shuffle on a Saturday | 0:20:16 | 0:20:20 | |
# On a Saturday... # | 0:20:20 | 0:20:22 | |
I think the lift sequence went brilliant. | 0:20:22 | 0:20:24 | |
-That's the highest you've been. -Definitely the highest I've been. | 0:20:24 | 0:20:28 | |
-It was almost we didn't make it down in time. -Yeah. | 0:20:28 | 0:20:30 | |
All the hard work has paid off. It's all over and done with now. | 0:20:30 | 0:20:34 | |
Probably won't forget that lift, though. Keep it in the book. | 0:20:34 | 0:20:37 | |
# Night! # | 0:20:37 | 0:20:39 | |
With the show nearly at an end, everyone's gearing up | 0:20:49 | 0:20:52 | |
for the big finale. | 0:20:52 | 0:20:53 | |
But for Niki, the excitement's tinged with sadness. | 0:20:56 | 0:21:00 | |
# Somewhere over the rainbow | 0:21:00 | 0:21:04 | |
# Blue birds fly... # | 0:21:04 | 0:21:08 | |
Niki's loved her time at school. | 0:21:08 | 0:21:10 | |
But the cost of staying on is just too much. | 0:21:10 | 0:21:12 | |
She knows that this may well be her last performance | 0:21:12 | 0:21:15 | |
on stage for some time. | 0:21:15 | 0:21:17 | |
I want to prove to my mum that she's paid a lot of money just for me | 0:21:17 | 0:21:21 | |
to send me somewhere. I want to prove to her that she's actually | 0:21:21 | 0:21:24 | |
done something and, like, spent her money for a good cause. | 0:21:24 | 0:21:27 | |
And she's done something worth it. | 0:21:27 | 0:21:29 | |
And I want her to see that I have, like, a talent. | 0:21:29 | 0:21:34 | |
It's going to be sad as well, it's going to be the last one | 0:21:34 | 0:21:37 | |
so it's going to be... little cries maybe. | 0:21:37 | 0:21:39 | |
Sh! Guys, be quiet! | 0:21:39 | 0:21:42 | |
I'm going over the rainbow! | 0:21:42 | 0:21:44 | |
# Someday I'll wish upon a star | 0:21:50 | 0:21:52 | |
# And wake up where the clouds are far behind me | 0:21:52 | 0:22:00 | |
# Where troubles melt like lemon drops | 0:22:00 | 0:22:04 | |
# Away above the chimney tops | 0:22:04 | 0:22:06 | |
# That's where you'll find me | 0:22:06 | 0:22:14 | |
# Somewhere over the rainbow | 0:22:15 | 0:22:20 | |
# Skies are blue | 0:22:20 | 0:22:26 | |
# And the dreams that you dare to dream | 0:22:26 | 0:22:32 | |
# Really do come true. # | 0:22:32 | 0:22:37 | |
It's a fantastic final performance from Niki, | 0:22:37 | 0:22:40 | |
and all that's left now is for everyone to take a bow. | 0:22:40 | 0:22:44 | |
APPLAUSE AND CHEERING | 0:22:44 | 0:22:48 | |
With end-of-year show over, that's it - school is out. | 0:23:12 | 0:23:17 | |
-That was a good show. -I loved that. | 0:23:20 | 0:23:22 | |
I didn't want it to end because it went too fast. | 0:23:22 | 0:23:24 | |
Good job, man, good job. | 0:23:24 | 0:23:26 | |
When these guys want to do it, they really do. | 0:23:29 | 0:23:31 | |
The talent shone tonight and I think it was explosive, | 0:23:31 | 0:23:36 | |
so I'm thrilled for all of them. | 0:23:36 | 0:23:38 | |
-Oh, well done. -It was brilliant. | 0:23:39 | 0:23:42 | |
-It was amazing. -Thank you. -I'm so, so proud of you. | 0:23:42 | 0:23:45 | |
I'm so emotional, it really has made me emotional. | 0:23:45 | 0:23:48 | |
She's amazing, she really is amazing. | 0:23:48 | 0:23:51 | |
I love you. Oh, she was brilliant, absolutely brilliant, I loved it. | 0:23:51 | 0:23:55 | |
Now I'm really regretting her leaving but we've got no choice. | 0:23:55 | 0:23:58 | |
Well done, very good. | 0:23:58 | 0:24:00 | |
I think Luca and Ella are made for each other, they dance really well together. | 0:24:00 | 0:24:04 | |
Something there, sparkle in the eyes. | 0:24:04 | 0:24:06 | |
I feel really happy. | 0:24:10 | 0:24:12 | |
The only thing that's a let-down is saying goodbye to everyone. | 0:24:12 | 0:24:16 | |
And for Reece, it's also going to be a very hard goodbye. | 0:24:16 | 0:24:20 | |
Thank you so much for those five years. | 0:24:20 | 0:24:24 | |
-I could not have done it without you, honestly. -Yes, you could. | 0:24:24 | 0:24:28 | |
Yes, you could. | 0:24:28 | 0:24:30 | |
It was honestly an amazing five years and it is sad that it has come | 0:24:30 | 0:24:34 | |
to an end, but I know that I'm going to stay in touch with you guys. | 0:24:34 | 0:24:38 | |
-You must. -This is your home. | 0:24:38 | 0:24:40 | |
-Yeah. -Remember to come home. | 0:24:40 | 0:24:43 | |
OK. | 0:24:43 | 0:24:44 | |
We're a family now. You come back, | 0:24:44 | 0:24:46 | |
-and I want opening night tickets. -Yeah! -Every performance you do. | 0:24:46 | 0:24:51 | |
-Yeah. -I need my tickets, I need my invite. | 0:24:51 | 0:24:53 | |
Reece's time at school has been an epic journey. | 0:24:57 | 0:25:00 | |
You can't let them see that it's getting to you. | 0:25:00 | 0:25:03 | |
You've got to keep your head strong. | 0:25:03 | 0:25:05 | |
It was the most awkward kiss I've ever done in my entire life! | 0:25:06 | 0:25:10 | |
# You don't know what it's like to be considered a freak. | 0:25:10 | 0:25:14 | |
-# Well, maybe you do... # -APPLAUSE | 0:25:14 | 0:25:17 | |
And he may think it's at an end, but Karen knows it's just the beginning. | 0:25:17 | 0:25:22 | |
Don't let anyone stop you, | 0:25:22 | 0:25:24 | |
-what you know in your heart you was born to do. -OK. | 0:25:24 | 0:25:27 | |
-OK? And we are here for you, always. -Thank you so much. | 0:25:27 | 0:25:32 | |
-Thank you, Reece. -I love you, sweetheart. | 0:25:32 | 0:25:34 | |
Reece has a heart of gold. | 0:25:34 | 0:25:36 | |
He's a very, very talented individual, and I'm getting upset. | 0:25:36 | 0:25:40 | |
He's been with us a long time but I have confidence in what he's gained | 0:25:40 | 0:25:45 | |
from his training so far will carry all the way through with him now. | 0:25:45 | 0:25:49 | |
It's not a negative, it's a positive. | 0:25:49 | 0:25:52 | |
He's starting a new journey and this will always be his home | 0:25:52 | 0:25:55 | |
and he will always come back to where he started. | 0:25:55 | 0:25:59 | |
I thought it was going to last for ever, it's just literally come | 0:25:59 | 0:26:03 | |
to a dead stop, but I'm going to keep in touch and, you know, | 0:26:03 | 0:26:07 | |
like, everything does have to end at one point | 0:26:07 | 0:26:09 | |
and this, unfortunately, it did it today. | 0:26:09 | 0:26:12 | |
School may have ended for Reece, but for the rest of our guys and girls | 0:26:15 | 0:26:19 | |
it's business as usual. | 0:26:19 | 0:26:21 | |
Ella is looking forward to Year 11 | 0:26:23 | 0:26:26 | |
and representing the school as head girl, | 0:26:26 | 0:26:28 | |
and helping her out as prefects will be her close friends Luca and Jade. | 0:26:28 | 0:26:33 | |
Mimi is now appearing on our screens as the latest member | 0:26:35 | 0:26:38 | |
of the Beale family in EastEnders. | 0:26:38 | 0:26:40 | |
Layton's landed a lead role in a Dick Whittington pantomime | 0:26:41 | 0:26:45 | |
and is currently starring in a BBC Three TV series. | 0:26:45 | 0:26:48 | |
Kedar will continue training at the school, | 0:26:49 | 0:26:51 | |
along with Tommy, who is busy with auditions for his next big role. | 0:26:51 | 0:26:55 | |
As are Amy and Tilly. | 0:26:55 | 0:26:57 | |
Cameron has left the school to choreograph for a West End show, | 0:26:59 | 0:27:03 | |
while Chelsie is still appearing just around the corner | 0:27:03 | 0:27:06 | |
in Billy Elliot. | 0:27:06 | 0:27:08 | |
Marni is embarking on a year's course at a London circus school. | 0:27:09 | 0:27:14 | |
For Max and band mate Luca, | 0:27:14 | 0:27:16 | |
the original line-up of Distant Virtue is no more. | 0:27:16 | 0:27:19 | |
But they hope to audition new band members next year. | 0:27:19 | 0:27:23 | |
And Estelle got nine GCSEs, gaining a B in maths | 0:27:23 | 0:27:27 | |
and is now off to study for her A-Levels. | 0:27:27 | 0:27:30 | |
And for everyone else, | 0:27:30 | 0:27:32 | |
life goes on at the School For Stars. | 0:27:32 | 0:27:35 | |
# We can't stop | 0:27:35 | 0:27:37 | |
# And we won't stop | 0:27:37 | 0:27:40 | |
# Can't you see it's we who own the night | 0:27:40 | 0:27:44 | |
# Can't you see it's we who 'bout that life | 0:27:44 | 0:27:47 | |
# And we can't stop | 0:27:47 | 0:27:50 | |
# And we won't stop | 0:27:50 | 0:27:53 | |
# We run things Things don't run we | 0:27:53 | 0:27:56 | |
# We don't take nothing from nobody | 0:27:56 | 0:27:59 | |
# Yeah, yeah... # | 0:27:59 | 0:28:02 | |
Subtitles by Red Bee Media Ltd | 0:28:02 | 0:28:04 |